0:00:07 > 0:00:11We've got a great crowd here of eager, boisterous owners.
0:00:11 > 0:00:14All enjoying the sunshine, aren't you? Yes!
0:00:14 > 0:00:19We've got the first signs of some interesting items, we've got a pair of likely-looking experts.
0:00:19 > 0:00:21Welcome to Flog It!
0:00:57 > 0:01:00Today, we're in the historic town of Derby.
0:01:00 > 0:01:06This was once a Roman town, and then later it became a major Viking and Saxon settlement.
0:01:06 > 0:01:11And one of the city's most historic and famous buildings is this, Derby Cathedral. Look at it!
0:01:11 > 0:01:15And it has one of the tallest towers in the country.
0:01:15 > 0:01:20Yet despite that, it's the smallest Anglican cathedral in England.
0:01:20 > 0:01:22But there's no time for sightseeing today.
0:01:22 > 0:01:25The queue is on its way in, and I'm desperate to see what they've got.
0:01:29 > 0:01:33Well, this is our venue for today, the Grand Hall in Derby's Assembly Rooms.
0:01:33 > 0:01:35And I've already found some wonderful items,
0:01:35 > 0:01:39as have our crack team of experts, Philip Serrell and Michael Baggot.
0:01:39 > 0:01:42They're eager to get started, so let's get things under way.
0:01:46 > 0:01:49Rosy, Jane, I love the promise of an unopened box.
0:01:49 > 0:01:53So let's have a look and see what we've got here.
0:01:53 > 0:02:00Wonderful. I don't think the original box, but a beautiful little gold, aquamarine and sea pearl brooch.
0:02:00 > 0:02:03So tell me who does the pendant belong to?
0:02:03 > 0:02:04It belongs to me.
0:02:04 > 0:02:07And it was my great granddad's.
0:02:07 > 0:02:10Did it skip you? Did you say...?
0:02:10 > 0:02:15Yes, my mum's had it for years in a cupboard and she gave it to Rosy.
0:02:15 > 0:02:19Fantastic thing to be given. No chain, but have you ever worn it, or tried to put it on a chain?
0:02:19 > 0:02:22No. It's been in the box for years.
0:02:22 > 0:02:26- Not your taste?- No.- It's strange how jewellery goes in fashion.
0:02:26 > 0:02:32At the moment, everyone wants bold, 1950s, modernist jewels, Art Deco.
0:02:32 > 0:02:35It's moved away from this fine Art Nouveau work,
0:02:35 > 0:02:41which is a tremendous shame, because look at the amount of time and care that has been taken to make that.
0:02:41 > 0:02:43Those little aquamarines didn't cost a lot
0:02:43 > 0:02:46and the sea pearls were a matter of a few pennies each,
0:02:46 > 0:02:49but the quality of manufacture...
0:02:49 > 0:02:50And there, just in the top corner,
0:02:50 > 0:02:53we've got a little pad stamp for nine carats.
0:02:53 > 0:02:57It would have been too fragile to mark this with any assay office marks.
0:02:57 > 0:03:02You'd have just obliterated it. So they've just thickened it up there so it will take the impression.
0:03:02 > 0:03:05- Any idea how old it is?- I don't know.
0:03:05 > 0:03:08- No.- Well, it's Art Nouveau, it falls into that period
0:03:08 > 0:03:14from 1890 up to about 1905, with commercial production into 1910.
0:03:14 > 0:03:21I think this is about 1900, so obviously going back to your great aunt.
0:03:21 > 0:03:23That would fit in nicely. It's a lovely thing.
0:03:23 > 0:03:25Any idea of the value of it?
0:03:25 > 0:03:32- None at all.- Well, it might surprise you, might shock you, but I think in the region of £80 to £120.
0:03:32 > 0:03:34- That's good. - Was that what you were expecting?
0:03:34 > 0:03:36Oh, yeah!
0:03:36 > 0:03:41When something is made of gold and gem stones, you expect it to be wildly valuable.
0:03:41 > 0:03:45So you sort have to temper your expectations.
0:03:45 > 0:03:48As you say, it's been locked away in a cupboard.
0:03:48 > 0:03:52So if we put a fixed reserve of £80 on it, and it makes that or hopefully
0:03:52 > 0:03:56makes the top end - keep our fingers crossed - what are your plans for the money?
0:03:56 > 0:04:00My mum needs a new car, so I'll probably put it towards that.
0:04:00 > 0:04:03It might buy a couple of tyres. We'll see what happens on the day.
0:04:12 > 0:04:17Peter and Chris, good of you to come to Flog It! What made you come?
0:04:17 > 0:04:23Just because we follow the programme and this has been in the loft and it's been the bane of the wife.
0:04:23 > 0:04:26- She's wanted to get rid of it.- Why?
0:04:26 > 0:04:29- Just in the way.- Is this yours? - It's mine.
0:04:29 > 0:04:31- You want to get rid of his childhood.- Yeah.- How could she?
0:04:31 > 0:04:33- Oh, easy.- Easy!
0:04:33 > 0:04:36She thought it might make some money.
0:04:36 > 0:04:39- Really?- Yeah.
0:04:39 > 0:04:42One thing that always intrigues me about these toys...
0:04:42 > 0:04:44I mean, this is what?
0:04:44 > 0:04:4650 to 60 years old?
0:04:46 > 0:04:51I'd say 60. I'm 63 so I was bought it when I was about five or six.
0:04:51 > 0:04:54So 1950-ish?
0:04:54 > 0:04:59- Yes.- For something that's 50 to 60 years old it doesn't look like it's been played with.
0:04:59 > 0:05:01Well, it has.
0:05:01 > 0:05:03- Various bits are broken.- Sh!
0:05:03 > 0:05:05Don't say that!
0:05:07 > 0:05:10- They've been paginated.- Exactly.
0:05:10 > 0:05:17But it still looks... If we look at this train unit here, it's a Hornby train.
0:05:17 > 0:05:20It's London and North Eastern Railway, isn't it?
0:05:20 > 0:05:25- Mm.- These were produced in the livery of the various railway companies.
0:05:25 > 0:05:28And it's clockwork. Does it work?
0:05:28 > 0:05:32- I believe so. - Ready to catch your end?
0:05:32 > 0:05:36Ready? If I send it round there I want you to stop it.
0:05:36 > 0:05:38- It's got reverse on it, hasn't it? - Yes.
0:05:38 > 0:05:41I want you to prove that reverse works. Ready?
0:05:43 > 0:05:46Right. Stop it.
0:05:46 > 0:05:48Push that in.
0:05:49 > 0:05:52There we go. Look at that. Brilliant.
0:05:52 > 0:05:58- Why would you let her bully you into selling it?- It's just taking up space in the loft.- No grandsons?
0:05:58 > 0:06:02Yes, we've got grandchildren but they don't know anything about it.
0:06:02 > 0:06:08It's my son Andy who played with it a little bit but he wasn't allowed to play with it.
0:06:08 > 0:06:11My mum wouldn't let him play with it because it was
0:06:11 > 0:06:13mine effectively.
0:06:13 > 0:06:16That's probably why it's been kept in such good condition.
0:06:16 > 0:06:17I think it's a great thing.
0:06:17 > 0:06:20Any idea what it's worth?
0:06:20 > 0:06:24No, not really. £50, £60. Something like that, I would have thought.
0:06:24 > 0:06:27I think you're spot-on, really.
0:06:27 > 0:06:30We can put an estimate of £60 to £90 and we'll put a reserve on it of 50.
0:06:30 > 0:06:33- Happy with that?- Very happy.
0:06:33 > 0:06:37We'll set off down the line. We hope it's not the end of the line.
0:06:37 > 0:06:41We'll go to the auction and get going. Here we go.
0:06:46 > 0:06:50Cath, you've made my day. You've brought me a piece of silver.
0:06:50 > 0:06:53- Oh, right!- Can you tell me where you got it from?
0:06:53 > 0:06:57This came from my mother-in-law,
0:06:57 > 0:07:02who's now died, and it was always in a cabinet in her house.
0:07:02 > 0:07:04I don't know
0:07:04 > 0:07:09where it came from. I know now it's always been in her house for as long as I've known her.
0:07:09 > 0:07:15And then, when she died and we split up the goods and chattels, we ended up with the cup.
0:07:15 > 0:07:18Do you think it had a family connection going back, or...?
0:07:18 > 0:07:22I thought the initials on it were MW, and I think there was
0:07:22 > 0:07:25a connection with a family called Wall,
0:07:25 > 0:07:30but I don't think the initials are actually MW when you really study it.
0:07:30 > 0:07:37These script initials are usually very difficult to read, but I think it's HMJ.
0:07:37 > 0:07:40Those initials don't mean anything.
0:07:40 > 0:07:44I've destroyed the family story!
0:07:44 > 0:07:49On the other side we've got a lovely - as we should have - clear set of hallmarks, and we've got the maker's
0:07:49 > 0:07:55mark, which is SG over EW, which is Samuel Godby and Edward Wiggin.
0:07:55 > 0:07:59- Right.- We've got the lion passant that tells us it's sterling silver.
0:07:59 > 0:08:00Right.
0:08:00 > 0:08:06We've got the leopard's head crowned which tells us it was assayed in London.
0:08:06 > 0:08:13- And we've got the date letter, which is a lower-case r, which is for 1792.- Wow!
0:08:13 > 0:08:17- And the last mark is the duty mark. - Right.
0:08:17 > 0:08:24That was simply to show that the duty, at this time sixpence an ounce, had been paid on this cup.
0:08:24 > 0:08:28And it's a lovely, typical two-handled loving cup.
0:08:28 > 0:08:32And these were actually hollow, these handles,
0:08:32 > 0:08:35- which is why it's not the heaviest thing in the world.- Yeah.
0:08:35 > 0:08:38And we've got a little - there we go -
0:08:38 > 0:08:40a little hole just there...
0:08:40 > 0:08:44- Oh, yes!- ..on the underside of the handle, and that's so when this
0:08:44 > 0:08:49hollow piece of metal is soldered to the body, there's something for the hot air, which expands, to escape...
0:08:49 > 0:08:52I hadn't noticed those.
0:08:52 > 0:08:55- ..otherwise the handle would split. - Yeah.
0:08:55 > 0:08:59It's a very nice thing. On the other side
0:08:59 > 0:09:05there's a dent there, and if you feel that with your fingers,
0:09:05 > 0:09:10- that's quite thick. If you go down and feel that, that's a little bit thin.- Oh, it is!
0:09:10 > 0:09:13And what's happened there is you've probably had the original
0:09:13 > 0:09:17crest or initials of the first person that owned this cup,
0:09:17 > 0:09:21and then they've decided to sell it, and so their initials have been
0:09:21 > 0:09:26taken off, left a thin patch, which you couldn't re-engrave over.
0:09:26 > 0:09:30- So what do you do? You go to the other side and engrave there.- I didn't realise that.
0:09:30 > 0:09:34That and the fact that one of the handles has popped off...
0:09:34 > 0:09:37- Mm!- ..is about the only thing against it.
0:09:37 > 0:09:39As a piece of Georgian silver, it's got a value.
0:09:39 > 0:09:41Any idea of what that might be?
0:09:41 > 0:09:43I haven't. No.
0:09:43 > 0:09:46Because it's a standard form and because it needs a tiny little
0:09:46 > 0:09:51bit of work, it should be £200 to £300 all day long in the saleroom.
0:09:51 > 0:09:55So we can put it in for that and put a fixed reserve of £200 on it.
0:09:55 > 0:09:59- Oh, right!- I imagine James - because we're going to James's auction house
0:09:59 > 0:10:02in Derby - will be delighted to see it and have it in his sale.
0:10:02 > 0:10:08- Right. And would you get the silver polish at work on it before the sale? - Clean it up?
0:10:08 > 0:10:13- People do ask me, "Should I clean my silver before going to auction?" Absolutely not.- No.
0:10:13 > 0:10:18That colour, that sort of grey-blue, shows you that it's been in private
0:10:18 > 0:10:24hands for about forty or 50 years untouched, and that's what all the collectors and dealers want to see.
0:10:24 > 0:10:26- Oh, right!- So that will help it, if anything.- Right.
0:10:26 > 0:10:31- But we'll pop it into the auction and hope it does really well for you, Cath.- Oh, thank you very much!
0:10:38 > 0:10:41Who am I talking to? Mother and daughter. What was your name?
0:10:41 > 0:10:42- Muriel.- Muriel. And...?- Felicity.
0:10:42 > 0:10:46Felicity. Right, OK. Well, you're holding this little doll.
0:10:46 > 0:10:50It's got a nice bisque head, actually, but I think it's quite ugly. This was yours, wasn't it?
0:10:50 > 0:10:54Yes. It used to go on the Christmas tree when I was a child.
0:10:54 > 0:10:55- Did it not frighten you?- No!
0:10:55 > 0:11:01My sister and I thought the pinnacle of Christmas was to put the fairy on the top of the tree.
0:11:01 > 0:11:04- We thought it was lovely. - Well, it is a purpose-built fairy.
0:11:04 > 0:11:06It's got little wings on the back, hasn't it?
0:11:06 > 0:11:08You've got the wand, haven't you?
0:11:08 > 0:11:10- We have, but the little star has come off.- OK.
0:11:10 > 0:11:13And it used to be fixed in her hand.
0:11:13 > 0:11:16I don't know, I think it was sewn onto her hand. I'm not sure.
0:11:16 > 0:11:18So, when did you inherit this?
0:11:18 > 0:11:22- I've probably had it about five or ten years.- Ooh, no, longer than that.
0:11:22 > 0:11:24Since my children were little.
0:11:24 > 0:11:28Right, OK. So it got passed along, and you thought, "Right, OK, I'm going to decorate the tree for
0:11:28 > 0:11:31"the first time," and you put it at the top of the tree...
0:11:31 > 0:11:33- Yes, my children didn't like it. - I bet they freaked out.
0:11:33 > 0:11:36- They think it's a bit ghoulish. - Do you know, I do as well!
0:11:36 > 0:11:41If I was six years old and I got up early in the morning Christmas morning and I came downstairs
0:11:41 > 0:11:46to open my presents, and as I looked up and saw her at the top of the tree, I'd run a mile!
0:11:46 > 0:11:50- I'd go back to bed and hide under the sheet.- Yes, with her strange eyes blinking at you...
0:11:50 > 0:11:52- You don't like it, do you? - I don't really like it.
0:11:52 > 0:11:56She's never actually been on top of the tree any Christmas.
0:11:56 > 0:12:00No. I don't blame you. I think she's lovely. She's got a porcelain head.
0:12:00 > 0:12:02I mean, I like the idea.
0:12:02 > 0:12:07Composite arms and legs. They articulate. She needs dental work, that's for sure! Look at her teeth.
0:12:07 > 0:12:09- Dreadful!- That's really scary.
0:12:09 > 0:12:12The fact that the eyes are articulative and they move as well
0:12:12 > 0:12:15and flutter, really, really does spook me. But she's in fact German.
0:12:15 > 0:12:22She's 1920s, and she does have a value and she is collectable for a doll collector, believe it or not.
0:12:22 > 0:12:25But the value's round £40 to £60, and it's not a lot of money.
0:12:25 > 0:12:32But I think, because this has been in your family three generations and hopefully it'll pass on again,
0:12:32 > 0:12:35I think its social history is worth more.
0:12:35 > 0:12:38- So she can come out once a year. - Yeah. That's it!- For a few minutes!
0:12:44 > 0:12:48- Joan, how are you doing?- Fine, thank you.- So, tell me about these, then.
0:12:48 > 0:12:51Back in the '70s, I was working
0:12:51 > 0:12:55at the British military hospital in Nepal.
0:12:55 > 0:12:58- So were you a nurse, doctor...? - I was a nurse.- You were nursing.
0:12:58 > 0:13:04I was out there partly as a midwife on the female ward, but as a general nurse, as well.
0:13:04 > 0:13:07And you clearly loved it.
0:13:07 > 0:13:10I saw things medically that I'll never see again.
0:13:10 > 0:13:13- I'm not sure - is that good or bad? - Depends on your tummy.
0:13:13 > 0:13:17Oh, no, no, no, we won't go there, we won't go there!
0:13:17 > 0:13:20Did you join up to do your nursing, or did you join up to see the world?
0:13:20 > 0:13:24I joined up to broaden my medical base.
0:13:24 > 0:13:27- And you did that. - Certainly did. Yeah.
0:13:27 > 0:13:29Because you were seeing your varicose veins and your hernias and...
0:13:29 > 0:13:32Ooh, careful, careful. People at home haven't eaten yet, y'know!
0:13:32 > 0:13:34Let's have a look at these.
0:13:34 > 0:13:37So, out in Nepal you bought these stones.
0:13:37 > 0:13:39I bought the stones
0:13:39 > 0:13:42thinking, "When I get back to Hong Kong, I'll have them made
0:13:42 > 0:13:44"into jewellery that I'll wear as a memento."
0:13:44 > 0:13:48And I did wear them for a long while, but they've now
0:13:48 > 0:13:51been put away in the safe and they don't come out now, I'm afraid.
0:13:51 > 0:13:53So we've got
0:13:53 > 0:13:56a little amethyst necklace here
0:13:56 > 0:14:01- on a gold chain, and then we've got our amethyst earrings here.- Yes.
0:14:01 > 0:14:04And again, a gold set. And these are little peridots, aren't they?
0:14:04 > 0:14:08- Little peridots, yes.- One thing intrigues me with this, right?
0:14:08 > 0:14:14- Because I think the value of these, I would recommend that we sell these as one lot.- OK.
0:14:14 > 0:14:19And I think that we can look at an auction estimate of £60 to £90.
0:14:19 > 0:14:21We'll put a reserve on them of £60.
0:14:21 > 0:14:26One thing that just interests me is that when we started this conversation, you said, "When I
0:14:26 > 0:14:32- "was in Nepal, I bought some things there because I wanted to have some memories of my time there."- Mm.
0:14:32 > 0:14:34- And now you don't. - But I've still got the silver items.
0:14:34 > 0:14:37Ah, right, OK. I'll let you off.
0:14:37 > 0:14:39I hope someone goes to the auction
0:14:39 > 0:14:46- and I hope that someone buys them who will really enjoy them and perhaps who will wear them.- Mm.
0:14:46 > 0:14:48That would be absolutely brilliant, so let's keep our fingers
0:14:48 > 0:14:51- crossed and let's hope that they do well at the auction for you.- Lovely.
0:14:59 > 0:15:02For most of us, a wood like this one in Derbyshire
0:15:02 > 0:15:05is a place where we come for a pleasant walk for the day,
0:15:05 > 0:15:09maybe with the dog, embrace nature and see a lot of wildlife
0:15:09 > 0:15:13and hopefully have a nice picnic and then at the end of the day go home.
0:15:13 > 0:15:16There's not many of us would think of spending the night here,
0:15:16 > 0:15:20especially without a tent, let alone go foraging for food.
0:15:23 > 0:15:28But there is one man who does exactly that, and his name is Dave Watson,
0:15:28 > 0:15:33and he teaches bushcraft skills here at Spring Wood, and he's promised to show me
0:15:33 > 0:15:38how I can live in this environment with just the things that surround me.
0:15:41 > 0:15:43Dave! It's great to meet you.
0:15:43 > 0:15:47- Hi.- What's your dog called?- Jess.
0:15:47 > 0:15:49She's beautiful, a collie, how lovely.
0:15:49 > 0:15:53So what are the key ingredients I need to survive in the woods?
0:15:53 > 0:15:57Well, you need to have a shelter, you need a fire.
0:15:57 > 0:15:58Yeah, keep warm.
0:15:58 > 0:16:00Some water and some food.
0:16:00 > 0:16:03So everything is here around us right now?
0:16:03 > 0:16:07Yes. A bit like learning a language, you've got to understand how to interpret it.
0:16:07 > 0:16:11- It's all here.- And you've got to know where to look?- That's right.
0:16:11 > 0:16:14OK, I see you've got some A-frames there. Shall we start
0:16:14 > 0:16:17by looking at how to build the home? OK.
0:16:17 > 0:16:22Here's one that was done yesterday by a bunch of schoolchildren.
0:16:22 > 0:16:28About an hour's work there with obviously lots of them, so perhaps two or three hours for yourself.
0:16:28 > 0:16:32Looks nice and cosy, that will keep you warm, so we've got a home established there.
0:16:32 > 0:16:35That's obviously the start of it, the superstructure.
0:16:35 > 0:16:38- It is, it's very important. - Let's have a look at that.
0:16:38 > 0:16:42So what we've got here is a strong ridge pole,
0:16:42 > 0:16:46which we've just stuffed into the ground to find like buffer.
0:16:46 > 0:16:51We've got two strong branches, and they're propping it up.
0:16:51 > 0:16:56Next, you want some poles to make the frame.
0:16:56 > 0:16:58Shall I give you a hand? What happens here?
0:16:58 > 0:17:00OK, thick end at the bottom
0:17:00 > 0:17:04and then just find a place where it naturally lays.
0:17:04 > 0:17:09- So now we need to weather-proof it. - That's right.- Next stage.
0:17:09 > 0:17:16So we need a few more branches to form like an anchorage, and then we get bundles of bracken,
0:17:16 > 0:17:20fronds pointing down, and then it really is a thatch.
0:17:20 > 0:17:24And this, if it's done well, really keeps the weather out.
0:17:24 > 0:17:27That looks nice and cosy. So we've got our home built.
0:17:27 > 0:17:31The next thing is to build a fire in front of it so we can keep warm.
0:17:31 > 0:17:36Yes, but for the method we are going to use today, we are going to need some string.
0:17:36 > 0:17:41String is another invaluable tool that the woods can provide.
0:17:41 > 0:17:44Stinging nettles supply the fibres needed to produce a cord.
0:17:44 > 0:17:49The nettles are first stripped, revealing the strong internal fibres.
0:17:49 > 0:17:52They're then dried out over a number of hours.
0:17:52 > 0:17:55These fibres are then bound using a simple twisting technique.
0:17:55 > 0:17:58One of the many uses for this natural string is to create a bow.
0:17:58 > 0:18:03OK, here's one that I made last year.
0:18:03 > 0:18:06This has been used for making several fires.
0:18:06 > 0:18:10- Hopefully it'll do another one for us today.- What's the next stage?
0:18:10 > 0:18:15Well, we've got string, we've got a bit of hazel, which is like a universal drill.
0:18:15 > 0:18:19We get that on, a stone as a bearing block.
0:18:19 > 0:18:21That pushes the pressure down.
0:18:21 > 0:18:23It could be a hard bit of wood.
0:18:23 > 0:18:29Then we need something to catch the coal, so we've got a slip of bark.
0:18:29 > 0:18:34So put the drill in place and then start off slowly,
0:18:34 > 0:18:36making sure it all sort of works.
0:18:36 > 0:18:39And look at that.
0:18:39 > 0:18:42That's very quick! I didn't think it would be that quick.
0:18:42 > 0:18:45Well, I can make it last longer if you want.
0:18:45 > 0:18:48No!
0:18:48 > 0:18:51I love the smell. Oh, that's wonderful.
0:18:51 > 0:18:56We've wafted it, it continues to smoke, so we know we've got a coal,
0:18:56 > 0:18:59and then we take the base away,
0:18:59 > 0:19:02let the oxygen feed into this,
0:19:02 > 0:19:05and then this is going to get bigger and hotter, so I'm not rushing.
0:19:05 > 0:19:08Then we've got some dry grass,
0:19:08 > 0:19:10in the centre of which I've got some fine tinder,
0:19:10 > 0:19:12a bit of rosebay willowherb.
0:19:12 > 0:19:15We've formed it very much into the nest,
0:19:15 > 0:19:19and then we take this precious ruby, drop that into the centre.
0:19:21 > 0:19:23Fold it over.
0:19:23 > 0:19:25Some long, drawn out blows.
0:19:29 > 0:19:32- Fire!- Exactly!
0:19:35 > 0:19:38- And there we go. - Oh, dear, look at that.
0:19:38 > 0:19:43And then you get fine sticks placed on there.
0:19:43 > 0:19:46If the flames look like they're dying down, we can...
0:19:46 > 0:19:48Get the oxygen in there.
0:19:53 > 0:19:55That is really good, Dave.
0:19:55 > 0:19:59We've got a great fire going to keep warm. What we need now is some food.
0:19:59 > 0:20:04Dave assures me that in this stretch of woods alone there are enough nutrients to sustain us.
0:20:04 > 0:20:08And taking a brief stroll from our shelter, we came across just some
0:20:08 > 0:20:11of the wood's edible plants and wild foods.
0:20:11 > 0:20:14Even more important is knowing what to avoid.
0:20:14 > 0:20:17- Plants like this, the foxglove. - It's poisonous, isn't it?
0:20:17 > 0:20:20Deadly, so you do need to know what you're talking about.
0:20:20 > 0:20:24To highlight what a great diversity of wild foods can be found here,
0:20:24 > 0:20:29we headed back to camp, where Dave had prepared some other plants.
0:20:29 > 0:20:33- Well, the fire looks good, Dave. It has picked up now.- Yes.
0:20:33 > 0:20:37We've talked about what sort of foods are available,
0:20:37 > 0:20:40and you went on a forage this morning before I arrived.
0:20:40 > 0:20:43- What have you got? - Well, I've got a few treats.
0:20:43 > 0:20:45We've got some of those berries.
0:20:45 > 0:20:47We've got some redcurrant, which is out,
0:20:47 > 0:20:50and that's lovely and sweet.
0:20:50 > 0:20:53- Have one of those.- Thank you.
0:20:53 > 0:20:55Oh, that's beautiful.
0:20:55 > 0:20:57What are those?
0:20:57 > 0:21:00- Well, this is ear fungus.- Urgh!
0:21:00 > 0:21:03It's quite pleasant, when you chop it up, stir fry it, this is great.
0:21:03 > 0:21:07- You can't eat it raw like that. - Well, you can.
0:21:07 > 0:21:10It's like rubber, is it? Ear fungus - where does that come from, a tree?
0:21:10 > 0:21:13Yes, it comes from elder, mostly.
0:21:13 > 0:21:17- Yeah.- We've also got some of the wild garlic, the ramsons,
0:21:17 > 0:21:20and that grows abundantly in places.
0:21:20 > 0:21:23Lovely! That's gorgeous.
0:21:23 > 0:21:25What else is in there?
0:21:25 > 0:21:32- We've also got some horns, or the shoots of the reedmace, and this is good food.- Can you eat that raw?
0:21:32 > 0:21:37- It's not a good idea, because it comes from a pond.- Oh, right.
0:21:37 > 0:21:41So, it's good to make sure you can neutralise all of the bacteria.
0:21:41 > 0:21:44So it's best sort of chopped up and cooked.
0:21:44 > 0:21:48It's all about knowledge. The more knowledge you've got, the easier it is to survive.
0:21:48 > 0:21:53The more time you put into honing your skills, the less effort it is to do whatever task you want to do.
0:21:53 > 0:21:56Point out the difference between survival and bushcraft.
0:21:56 > 0:22:00Well, on the surface a lot of skills may appear to be the same,
0:22:00 > 0:22:04but the root of them is quite different.
0:22:04 > 0:22:08So, in survival you're fighting against the situation,
0:22:08 > 0:22:09to get to a better place.
0:22:09 > 0:22:13With bushcraft, you're working with your situation.
0:22:13 > 0:22:15I can see you love what you doing
0:22:15 > 0:22:19and it must be wonderful passing on this knowledge to all people
0:22:19 > 0:22:22from all walks of life, kids, city people,
0:22:22 > 0:22:26they come here and they develop a new personality, basically.
0:22:26 > 0:22:28That's what makes me tick.
0:22:28 > 0:22:31Yes, I can see that.
0:22:31 > 0:22:35Yeah, I recommend it to anybody, even if it's just for the day.
0:22:35 > 0:22:38Come and learn a bit about bushcraft skills.
0:22:38 > 0:22:40- Thanks so much.- Pleasure.
0:22:45 > 0:22:46Before we head off to auction room,
0:22:46 > 0:22:49here's a quick reminder of what we have seen.
0:22:49 > 0:22:53Firstly, there was the little gold and aquamarine brooch that Michael fell for.
0:22:53 > 0:22:55But will the price be right for Rosy?
0:22:55 > 0:22:59With the stones from Nepal and the chains from Hong Kong, Joan's
0:22:59 > 0:23:04earring and pendant set is certainly exotic but will the bidders be allured by the taste of the Orient?
0:23:04 > 0:23:08Cath may have fallen out of love with her loving cup, but being solid
0:23:08 > 0:23:12silver and with a good pedigree, it should do well at auction.
0:23:12 > 0:23:15Finally, this Hornby rail set got Philip's piston going
0:23:15 > 0:23:18but will there be a wad of cash at the end of the line?
0:23:20 > 0:23:24We're back on familiar territory. This is Bamfords auction house in the heart of Derby
0:23:24 > 0:23:29and it's also home to our very own James Lewis who's going to be on the rostrum flogging all our lots.
0:23:39 > 0:23:42Philip, Pete, good luck. The Hornby train set, a lovely box set.
0:23:42 > 0:23:45It's just about to go under the hammer. Any regrets?
0:23:45 > 0:23:50- No.- A sad goodbye?- Not at all. Let somebody else enjoy it.
0:23:50 > 0:23:52Let's hope we get £90.
0:23:52 > 0:23:55- It would be nice.- It has been played with. It's been used.
0:23:55 > 0:23:58Been looked after though.
0:23:58 > 0:24:00Yes. But collectors are fussy people.
0:24:00 > 0:24:03This could go through the sky, we don't know.
0:24:03 > 0:24:04- It would be nice.- It would be.
0:24:04 > 0:24:07If we don't get derailed I don't mind.
0:24:07 > 0:24:11It's going under the hammer now so good luck both of you.
0:24:11 > 0:24:15Hornby trains. The 201 tank goods set etc.
0:24:15 > 0:24:20I can start bidding here at £45. 45, 50. 50 anywhere?
0:24:20 > 0:24:23At £45. And 50. 50 and five. 60.
0:24:23 > 0:24:26At 55 has it. 60 now?
0:24:26 > 0:24:2860 anywhere? At 55 I'm selling.
0:24:28 > 0:24:29£60 in the third row.
0:24:29 > 0:24:31Selling at 60.
0:24:31 > 0:24:33At £60, sir. Five anywhere? At 60.
0:24:33 > 0:24:37All the bidding very close indeed.
0:24:37 > 0:24:40It's gone now, £60, a good result.
0:24:40 > 0:24:42We're chuffed. Choo-choo!
0:24:44 > 0:24:49- You're taking the kids away. - The grandkids away to Majorca to their uncle Andy's.
0:24:49 > 0:24:51I thought the Andes were in America.
0:24:51 > 0:24:54No. On the end of your armies!
0:25:04 > 0:25:06I love this next lot.
0:25:06 > 0:25:08It's a two-handled loving cup, it belongs to Cath.
0:25:08 > 0:25:13We got the cup but we don't have Cath. We do have her son and daughter-in-law. What's your name?
0:25:13 > 0:25:15- Martin.- And?- Charlie.
0:25:15 > 0:25:16Thank you for being here. Where's Mum?
0:25:16 > 0:25:21- On holiday in Siberia.- Is she? On the phone later, then.
0:25:21 > 0:25:22Hopefully with some good news.
0:25:22 > 0:25:25- Hopefully. - We've got a fixed reserve at £200.
0:25:25 > 0:25:27We're looking at 200-300.
0:25:27 > 0:25:30A nice domestic piece of Georgian silver.
0:25:30 > 0:25:35That's what they make, so hopefully there'll be someone here, a member of the trade, happy to pay that.
0:25:35 > 0:25:38A packed house. We'll find out any second.
0:25:38 > 0:25:40It can't go for a penny under, can it?
0:25:40 > 0:25:42- No.- Strict instructions.
0:25:42 > 0:25:45Fixed reserve.
0:25:45 > 0:25:48Mum will bash you! Let's not upset her.
0:25:48 > 0:25:50Let's hope it sells at the top end.
0:25:50 > 0:25:53- Good luck.- George III loving cup.
0:25:53 > 0:25:56Wonderful colour to it.
0:25:56 > 0:26:001792 and two bids on it.
0:26:00 > 0:26:03- £190 bid.- Just short.
0:26:03 > 0:26:05190, I can let it go just, I think.
0:26:05 > 0:26:10190. 200? 200 is it? At 190 with me, do I see 200?
0:26:10 > 0:26:13He'll use his discretion.
0:26:13 > 0:26:15190. It says firm. Do you want me to use discretion?
0:26:15 > 0:26:20- Up to you.- No.- No? At 190, all done.
0:26:20 > 0:26:23Oh, that was just so close.
0:26:23 > 0:26:26We got strict instructions to stick to the reserve.
0:26:26 > 0:26:28Yeah. If that was what Mum wants.
0:26:28 > 0:26:33Bearing in mind you do have to pay commission so you will be losing a bit more money as well.
0:26:42 > 0:26:45Joan's earrings and necklace are up next with a value of £60-£90.
0:26:45 > 0:26:49Joan, you're well travelled because the stone was bought in Nepal.
0:26:49 > 0:26:52- Yes, in the '70s. - The whole thing was mounted
0:26:52 > 0:26:56in Hong Kong. Now we're flogging it here in Derby.
0:26:56 > 0:26:59I never thought I'd hear you ask a lady if she was well travelled.
0:26:59 > 0:27:03- What's wrong with that? - You can't say that to a lady.
0:27:03 > 0:27:05They'll sell and sell well.
0:27:05 > 0:27:08- They should do. - Really well.- Quality.
0:27:08 > 0:27:09Let's find out what they do.
0:27:09 > 0:27:13- Going under the hammer now.- Lot 590 is a nine carat gold pendant,
0:27:13 > 0:27:18necklace, conforming earrings, set with the purple and green amethysts.
0:27:18 > 0:27:21I can start the bidding here at £50. And five do I see?
0:27:21 > 0:27:24At 55. 55, yes. 55 and 60.
0:27:24 > 0:27:2760 now. 60 standing. 60 and five?
0:27:27 > 0:27:3265. 70. At £65. At 65.
0:27:32 > 0:27:35- £65.- Very good.
0:27:35 > 0:27:37That's OK, isn't it? Mid-estimate.
0:27:37 > 0:27:39- Happy with that.- Yes.
0:27:39 > 0:27:41What will you spend that money on?
0:27:41 > 0:27:43I've got guttering needs repairing.
0:27:43 > 0:27:45Stop the leaking.
0:27:45 > 0:27:47You've got to get your down pipes sorted.
0:27:53 > 0:27:58Next under the hammer is Jane's gold and aquamarine brooch. It's been in the family for a long time.
0:27:58 > 0:28:02- How can you bear to part with it? - It's been in a drawer for years...
0:28:02 > 0:28:05- It's the answer we always get. - The usual answer.
0:28:05 > 0:28:08There's no point keeping things in drawers. Move them on
0:28:08 > 0:28:13- and get something you want with the money.- Yeah, spend the money. Did you ever wear it?
0:28:13 > 0:28:15Nobody wore it, that I know of.
0:28:15 > 0:28:19- You don't want to keep it in the family. Kids don't want it? - No, they're not interested.
0:28:19 > 0:28:22- Let's flog it. That's what we're here for.- Absolutely.
0:28:22 > 0:28:26Let's put it under the hammer right now. This is it, good luck.
0:28:26 > 0:28:28Art Nouveau nine-carat gold pendant
0:28:28 > 0:28:30set with aquamarines and sea pearls.
0:28:30 > 0:28:35And start the bidding, we've got a single bid on it, £60. And five now.
0:28:35 > 0:28:37£60. 5. 70. 5.
0:28:37 > 0:28:4075. 80 and 5. 85. 90.
0:28:40 > 0:28:43Against the commission at £85. 90 now.
0:28:43 > 0:28:46At 85. 90 behind?
0:28:46 > 0:28:48No. At 85. Lady standing, at £85.
0:28:48 > 0:28:52Do I see 90? With you at 85.
0:28:52 > 0:28:57- That's a good result. - That's a fair price.- £85, Jane.
0:28:57 > 0:28:58It's better than putting it
0:28:58 > 0:29:02- in a drawer, at least you've got the money to spend.- Thank you very much.
0:29:02 > 0:29:05Spend it on something you're not going to put in a drawer!
0:29:05 > 0:29:09- Me and my daughter are going to spend it between us.- There you go.
0:29:12 > 0:29:16Well, that's it. You've just seen our first batch of antiques has gone under the hammer.
0:29:16 > 0:29:20We are coming back here later on in the show but right now I'm going
0:29:20 > 0:29:24to nip up the road and visit a great British icon.
0:29:24 > 0:29:26First, I've got to hail a cab.
0:29:26 > 0:29:28MUSIC: "Ghost Town" by the Specials
0:29:33 > 0:29:37I've climbed aboard this taxi and we're heading off to the famous brewing town
0:29:37 > 0:29:39of Burton-on-Trent.
0:29:39 > 0:29:41Here's a few clues as to what I'm going to see.
0:29:41 > 0:29:45A quarter of all British people take this on holiday with them.
0:29:45 > 0:29:49Travel writer and author Bill Bryson once described it as having
0:29:49 > 0:29:53the visual properties of industrial lubricant.
0:29:53 > 0:29:57It was a sort of standard part of the ration packs for soldiers during the First World War.
0:29:59 > 0:30:01Have you guessed what it is yet?
0:30:01 > 0:30:03Of course you have! It's Marmite.
0:30:10 > 0:30:13Marmite, that tangy savoury spread. You either love it or hate it.
0:30:13 > 0:30:19That famous black jar with the yellow lid, it's so quintessentially British.
0:30:19 > 0:30:25Marmite was first developed and produced here in Burton in 1902.
0:30:25 > 0:30:29But its connection with the town is more than just coincidence.
0:30:29 > 0:30:33The first person I'm here to see today is head of production, Mark.
0:30:33 > 0:30:35- Hi.- Hi.- Pleased to meet you.
0:30:35 > 0:30:37It's all going on in there.
0:30:37 > 0:30:40I want to know the ingredients for Marmite or is it secret?
0:30:40 > 0:30:44There are some secrets. The main ingredient is brewer's yeast.
0:30:44 > 0:30:49We collect it from all over the UK and that is the main ingredient that goes into making Marmite
0:30:49 > 0:30:54but there are some little bits of tweaking that we do with the product at the end of the process.
0:30:54 > 0:30:57I'm afraid that is top secret and you'll never know that secret.
0:30:57 > 0:31:02That's obviously hence the connection to Burton and the brewing industry.
0:31:02 > 0:31:04Is this the only Marmite factory in the world?
0:31:04 > 0:31:09It's not. There are two, one in South Africa and this one in the UK.
0:31:09 > 0:31:13We are supplying everywhere in the world except for South Africa for Marmite.
0:31:13 > 0:31:16Just standing here talking to you for a couple of minutes is making me feel rather hungry.
0:31:16 > 0:31:18The smell in there is absolutely delicious.
0:31:18 > 0:31:20It's nice, isn't it? Yeah.
0:31:28 > 0:31:32Well, here's a pallet ready to be loaded up on to a lorry.
0:31:32 > 0:31:34This one, my word, it's going all the way to Canada.
0:31:34 > 0:31:36Well, good luck, Marmite!
0:31:36 > 0:31:40The factory here produces 4,000 tonnes of the stuff each year,
0:31:40 > 0:31:44that's enough to fill 25 million little jars.
0:31:44 > 0:31:50And it's the black glass with the yellow lid, and I've got one here, that makes this product so iconic.
0:31:50 > 0:31:52But how did it come to be this way?
0:31:52 > 0:31:56I was keen to learn more about Marmite's history.
0:31:56 > 0:31:59And how the brand has evolved and changed through the decades.
0:31:59 > 0:32:02I was meeting up with packaging and brand expert Robert Opie.
0:32:02 > 0:32:04Robert, thank you so much for bringing in,
0:32:04 > 0:32:09well, it's a very small part of your collection, I know you've outgrown the house now, haven't you?
0:32:09 > 0:32:12Yeah, very much so, and now there is actually a museum
0:32:12 > 0:32:15in Notting Hill in London where you can come and see a lot of this.
0:32:15 > 0:32:18- Full of thousands of products. - Thousands and thousands of products!
0:32:18 > 0:32:23What I want to know today is, just talk me through a little bit of the potted history of Marmite.
0:32:23 > 0:32:29Right, well, in fact the story goes a bit further than 1902, when Marmite arrived.
0:32:29 > 0:32:34You can go back to Justin Von Liebig, a great German scientist who
0:32:34 > 0:32:39discovered you could extract meat from a cow and put it into a jar.
0:32:39 > 0:32:47And he produced Liebig's Extract of Meat, which was on sale in this country in the 1860s.
0:32:47 > 0:32:50And at the same time he was also working out,
0:32:50 > 0:32:55how can I make brewer's yeast into something which was nourishing?
0:32:55 > 0:32:57And he did actually find a solution to that.
0:32:57 > 0:32:59So where does the name come from?
0:32:59 > 0:33:05Well, Marmite is actually French, marmite, and it's French for a stewpot or stockpot.
0:33:05 > 0:33:10And there it is on the front of a label, it is essentially the trade mark.
0:33:10 > 0:33:14And it has stood the testament all the way through this wonderful history, there it has remained.
0:33:14 > 0:33:17And you see the early pots, these straight-sided pots.
0:33:17 > 0:33:20Now, I don't actually have one of the first pots in my collection.
0:33:20 > 0:33:23I'm still looking. Somebody, please send me one.
0:33:23 > 0:33:25But you can see what it should look like
0:33:25 > 0:33:30from the advertisements, thankfully the advertisements give you the clue.
0:33:30 > 0:33:32That's how it was right up until 1925, when suddenly they
0:33:32 > 0:33:35decided, OK, we're going to do something a bit more special.
0:33:35 > 0:33:38Now this new wondrous pot arrived in its own box,
0:33:38 > 0:33:46and of course then the box became the firm favourite, it gave you something really exciting inside it.
0:33:46 > 0:33:49- Where do you find all this?- Do you know, you have to keep on looking,
0:33:49 > 0:33:53they turn up in people's homes, in shops, all kinds of different places.
0:33:56 > 0:34:00I've heard of Oxo cubes, I've seen them, I never knew there were Marmite cubes.
0:34:00 > 0:34:07No, well, Oxo cubes arrived in 1910, and towards the end of the 1930s, the Marmite cube arrived.
0:34:07 > 0:34:10And you find these wonderful tins - elegant, aren't they?
0:34:10 > 0:34:13The trick, though, is to find the contents as well.
0:34:13 > 0:34:17And actually in this one you still have the original cubes in there.
0:34:17 > 0:34:19How long was that in production?
0:34:19 > 0:34:23Not that long because the war arrived in 1939, and that dished it altogether.
0:34:23 > 0:34:27We've had the same shaped bottle since the 1920s, has it been the same ever since?
0:34:27 > 0:34:31Well, pretty well, yes, but there was a moment in the mid-'70s,
0:34:31 > 0:34:34between '74 and '76, when there was a big bottle shortage
0:34:34 > 0:34:38and the manufacturers couldn't get the right shape,
0:34:38 > 0:34:42so they had to go into something a bit more standard, shall we say,
0:34:42 > 0:34:45and ended up with just the straight-sided ones.
0:34:45 > 0:34:50It really has stood the test of time, have there been any recent changes at all?
0:34:50 > 0:34:53Well, I suppose the one that really upset the Marmite lovers
0:34:53 > 0:34:58was when the traditional tin lid went into plastic.
0:34:58 > 0:35:01We get so familiar with these things,
0:35:01 > 0:35:03and it didn't feel right to have a plastic lid.
0:35:03 > 0:35:08I discovered people scooping out from the old jars into the traditional ones.
0:35:08 > 0:35:10So that was a traumatic moment.
0:35:10 > 0:35:14And recently they've brought out some sort of new flavours, like Guinness.
0:35:14 > 0:35:18Yes, well, that was fun, wasn't it? There's nothing like experimenting,
0:35:18 > 0:35:21particularly if you connect two great brands together, what fun.
0:35:21 > 0:35:25And now you've got the convenience of squeezing it onto your toast.
0:35:25 > 0:35:28It's not the same, is it?
0:35:28 > 0:35:31Well, I think the next generation will get used to that,
0:35:31 > 0:35:35and I think we're now in the squeezy generation, aren't we?
0:35:35 > 0:35:39Well, you are a brand expert. Does Marmite really stand out as one of the most iconic?
0:35:39 > 0:35:43Undoubtedly, it is one of the classic brands, it's got one of the classic
0:35:43 > 0:35:47designs that stood the test of time, it's up there with the leaders.
0:35:47 > 0:35:54It's the whole story of a product, and the whole story of a culture, it's part of all our lives, we've
0:35:54 > 0:36:00grown up with these amazing brands, and they become part of our lives, we do actually love them.
0:36:08 > 0:36:12Well, it's been fascinating to learn a bit more about Marmite's iconic brand.
0:36:12 > 0:36:18Who'd have thought a handful of brewer's yeast would give us one of the country's best-loved spreads?
0:36:18 > 0:36:23Let's hope that little black pot with a yellow lid is around for at least another 100 years.
0:36:23 > 0:36:27Right now it's time for me to join up with our experts back at the valuation day.
0:36:33 > 0:36:35So here we've got Lady and the Tramp.
0:36:35 > 0:36:37Not lady and the tramp, but Lady and the Tramp!
0:36:37 > 0:36:40- Lady and the Tramp. - Now, you said that, not me!
0:36:40 > 0:36:44- That's right!- Cos these are from the Walt Disney film, aren't they?
0:36:44 > 0:36:50- Yes.- How did you come by these? - At a garden party, I either won them or got them for a small amount.
0:36:50 > 0:36:52How long ago was this?
0:36:52 > 0:36:56- This was 20 years.- So mid 1980s?
0:36:56 > 0:36:57Yes.
0:36:57 > 0:37:01Right. Cos they're from Lady and the Tramp, which is Walt Disney,
0:37:01 > 0:37:05- and Lady and the Tramp would be what, mid-70s?- I don't know.
0:37:05 > 0:37:07- They are by Wade.- Yes.
0:37:07 > 0:37:11Little Wade whimsies and little Wade Lady and the Tramp figures that we normally associate
0:37:11 > 0:37:14are very tiny and these are the blown-up versions.
0:37:14 > 0:37:18So that is Dashy the Daschund and which one is this one?
0:37:18 > 0:37:21We think that's Trusty. He is a Bloodhound, isn't he?
0:37:21 > 0:37:23He's a Bloodhound, absolutely.
0:37:23 > 0:37:30These things were mass produced and weren't intended to be great quality like Derby, Worcester or whatever.
0:37:30 > 0:37:32So why do you want to sell them?
0:37:32 > 0:37:34They're on a window sill at the moment.
0:37:34 > 0:37:41Or they were, but we put them into a cupboard, because we thought the value of them, in a window sill,
0:37:41 > 0:37:44if a grandchild knocks them off, they won't be worth anything.
0:37:44 > 0:37:47- Absolutely right. - So we thought, well, let's dispose.
0:37:47 > 0:37:51You know, five years ago, I think these things were probably worth more than they are now.
0:37:51 > 0:37:55But the advent of the internet and people selling these things
0:37:55 > 0:38:02has meant that it flushes more of them out and the days of high prices for these, in my view, is gone.
0:38:02 > 0:38:07Now, we've looked at some auction records this morning and
0:38:07 > 0:38:11we've found some figures that, three to four years ago,
0:38:11 > 0:38:16these two might have made between £200 and £300.
0:38:16 > 0:38:19But I think those days have gone.
0:38:19 > 0:38:24If you've got something that's a bit of a kitsch market, which sort of goes up and down on a fad
0:38:24 > 0:38:30or a fashion, which I believe these are, then prices of those can fluctuate greatly.
0:38:30 > 0:38:38It's my view that at auction you need to estimate these at £80 to £120.
0:38:38 > 0:38:40Now, if you have a real result,
0:38:40 > 0:38:43it might be
0:38:43 > 0:38:46that they might go and make £150 to £200.
0:38:46 > 0:38:51I think you might just struggle with them and our 80 to 120 is a good estimate.
0:38:51 > 0:38:56You know, the valuation of something, really, is what somebody's prepared to pay for it.
0:38:56 > 0:39:00So when we go to Bamford sale room, my guess is we'll find out what these
0:39:00 > 0:39:03are worth. And I imagine that we'll all be wrong!
0:39:03 > 0:39:06Thank you very much for coming.
0:39:06 > 0:39:09- We'll see you at Bamford's. - Right.- Right.
0:39:12 > 0:39:17Janet, I hope your mantelpiece isn't bare from bringing these in today to us.
0:39:17 > 0:39:19No, they're not on my mantelpiece.
0:39:19 > 0:39:22They're super things, can you tell me where did you get them from?
0:39:22 > 0:39:28- I've had the Naples vases since 1971.- Right.
0:39:28 > 0:39:33And they were given to me partly in memory of a friend who died.
0:39:33 > 0:39:37I see, a lovely remembrance. And where did the little pots come from?
0:39:37 > 0:39:43They came from another dear friend of mine who died unfortunately some years later,
0:39:43 > 0:39:48when she did a swap for some childhood plates in the Victorian age.
0:39:48 > 0:39:51Oh, the little Victorian ones, splendid. Let's have a look,
0:39:51 > 0:39:58they're lovely little hand-painted vases and hopefully there's a mark on every bit of China that we see.
0:39:58 > 0:40:04And it's Limoges Art China, France, which basically tells us all we need to know about them.
0:40:04 > 0:40:08I imagine they date to around 1910, 1920.
0:40:08 > 0:40:11And it's nice to have a small pair, the gilding's slickly worn there.
0:40:11 > 0:40:16But these you describe as your Naples vases, but often in ceramics you will
0:40:16 > 0:40:22get different factories imitating wares, and they're certainly Naples style,
0:40:22 > 0:40:26which is characterised by these flamboyant over-the-top colours
0:40:26 > 0:40:29and this bas relief decoration around the front.
0:40:29 > 0:40:35- And it's entirely Grecian and Roman in feel.- Oh, it is Roman in style?
0:40:35 > 0:40:39- Absolutely. So, Naples style... - But they're not my style, really.
0:40:39 > 0:40:43They're not everybody's taste, are they? They're a little bit full-on.
0:40:43 > 0:40:45But, erm, they are very interesting.
0:40:45 > 0:40:52The one thing I would say is that we've got an exposed rim here, with no glaze on it.
0:40:52 > 0:40:57- That would suggest that originally that both had little covers.- I've never had the stoppers.
0:40:57 > 0:41:02No, well, it tends to be that if one gets broken, the other gets put away in a drawer so they look the same.
0:41:02 > 0:41:05And then of course they're separated and lost for ever.
0:41:05 > 0:41:09You say they're not on your mantelpiece, are they on display at all?
0:41:09 > 0:41:12They are actually on the sideboard, amongst a lot of other things!
0:41:12 > 0:41:15So you've got a forest of China!
0:41:15 > 0:41:18You won't miss a couple of trees out of the forest.
0:41:18 > 0:41:20They're attractive things.
0:41:20 > 0:41:22The market for them has declined a little bit in recent years.
0:41:22 > 0:41:24Yes, I realise that.
0:41:24 > 0:41:29Everybody wants Poole Pottery, they want Troika and they want Clarice Cliff.
0:41:29 > 0:41:32And they've moved away from the more traditional areas.
0:41:32 > 0:41:36But still these have a nice decorative feel.
0:41:36 > 0:41:38Did you have any idea what they might be worth?
0:41:38 > 0:41:41Well, I wasn't really sure what they were worth.
0:41:41 > 0:41:45- Right, it's not fortunes, I'm afraid. - No, I didn't think it was.
0:41:45 > 0:41:51I think the small pair of Limoges vases are worth between £30 and £50.
0:41:51 > 0:41:56- Is that...?- With the wear and the fact that they're not the very best Limoges quality.
0:41:56 > 0:41:59But certainly they would appeal to someone,
0:41:59 > 0:42:01and we could put a fixed reserve of £30 on those.
0:42:01 > 0:42:05The Naples vases are a bit bigger, a bit more imposing.
0:42:05 > 0:42:10Even lacking the covers, I think £50-£100 for those.
0:42:10 > 0:42:15- Oh, lovely.- It's a broad estimate because missing their covers, we're not entirely sure what they'll make.
0:42:15 > 0:42:17But if we put a fixed reserve of £50 on those as well,
0:42:17 > 0:42:20- would you be happy for us to put them into the auction for you?- Yes.
0:42:20 > 0:42:27Splendid, well, we'll do that, and hope that we have French and Italian collectors on the telephone!
0:42:27 > 0:42:30- Thank you so much for bringing them in, Janet.- Thank you.
0:42:37 > 0:42:40- Colin, how are you doing? - I'm fine, how's yourself?
0:42:40 > 0:42:43- Yeah, pretty good. And this is your collection?- It's part of it.
0:42:43 > 0:42:46Just one word, really, Colin - why?
0:42:48 > 0:42:50Engineering.
0:42:50 > 0:42:53- One word, that one.- And that's it?
0:42:53 > 0:42:59- Yeah.- And it started you off collecting razor blades, razors and shaving accoutrements?- It did.
0:42:59 > 0:43:05I'm not quite sure they're valuable but they're just great bits of social history.
0:43:05 > 0:43:09You've got this razor here, and the blades are all labelled,
0:43:09 > 0:43:12Sunday, Monday, Tuesday, Wednesday, Thursday, Friday, Saturday.
0:43:12 > 0:43:15No flies on me, clearly one for every day of the week.
0:43:15 > 0:43:21And this one here, it all sort of takes apart, so the brush, the badger's brush fits in there,
0:43:21 > 0:43:24top screws on there, that then goes on to there,
0:43:24 > 0:43:28- and this unscrews and drops into there. Brilliant, isn't it? - It's excellent.
0:43:28 > 0:43:33And this is absolutely lethal, this thing here, look.
0:43:33 > 0:43:35It's a Bakelite case...
0:43:37 > 0:43:39Would that ever hurt?
0:43:39 > 0:43:40Possibly!
0:43:40 > 0:43:44- I've never tried it. - Haven't you?- No. You can.
0:43:44 > 0:43:47No, it's actually comes as a huge relief to, that, to me, Colin.
0:43:47 > 0:43:49I mean, you've got everything here, haven't you?
0:43:49 > 0:43:52You've even got this little
0:43:52 > 0:43:56lady's one here. I'm not sure what ladies would do with it.
0:43:56 > 0:43:57No, we won't go there.
0:43:59 > 0:44:01Where do you get razor blades for that from?
0:44:01 > 0:44:04- Out of the box.- They're in there?
0:44:04 > 0:44:08- It's a lady's boudoir razor.- So if she wanted to shave her boudoir... - I've no idea.
0:44:08 > 0:44:11- Oh, right.- There's a road we don't want to go down.
0:44:11 > 0:44:13I'll swiftly put it back in the box then.
0:44:13 > 0:44:16Dear me. How long have you spent collecting these?
0:44:16 > 0:44:221975 I started with the first Rolls razor which I found in a little antique shop.
0:44:22 > 0:44:24- What did you pay for that?- Er, £2.
0:44:24 > 0:44:26- £2.- It's beautiful though.
0:44:26 > 0:44:29- Beautiful? - What a piece of engineering.
0:44:29 > 0:44:32- Have you ever thought about counselling?- Yeah.- Yeah.
0:44:32 > 0:44:35This is only part of your collection, isn't it?
0:44:35 > 0:44:37- It is.- How many are there in total?
0:44:37 > 0:44:42- I would think 40 to 50. - 40 to 50. Why are you selling them?
0:44:42 > 0:44:45They've been in the loft space now for quite a long time.
0:44:45 > 0:44:48I've not added to it because they seem to be getting rarer,
0:44:48 > 0:44:51because people throw them away sooner than save them.
0:44:51 > 0:44:54So, I thought, they might go to another home.
0:44:54 > 0:44:56Somebody who wants a starter kit for the same thing.
0:44:56 > 0:45:00In terms of value I haven't, truthfully,
0:45:00 > 0:45:06got a clue what they're going to make, really. I think they're interesting.
0:45:06 > 0:45:08I do think they're a bit of a...
0:45:08 > 0:45:10let's just say a narrow market.
0:45:10 > 0:45:12- Yes.- Do you want to sell them?
0:45:12 > 0:45:14- They've got to go? - They've just got to go.
0:45:14 > 0:45:16- Whatever they make they've got to go? - Yeah.
0:45:16 > 0:45:20Let's put a £20 to £40 come-buy-me estimate on them and I think
0:45:20 > 0:45:24that some of the ones you've got I think they'll sell and sell well.
0:45:24 > 0:45:29It ought to go well as a collection for someone but I'm just not sure
0:45:29 > 0:45:33- how many shaver collectors there are out there in the world.- Right.
0:45:33 > 0:45:36- What we really want is Mr Gillette at the sale.- This is true.
0:45:36 > 0:45:40- Bidding against Mr Wilkinson.- Yep. - Right, that'll do then.
0:45:45 > 0:45:51Absolutely fantastic, this is what I wanted to see here today in Derby, something with local interest.
0:45:51 > 0:45:53- Look at it, it's written all over it, Maurice.- It is.
0:45:53 > 0:45:58- Thank you very much for bringing it in. And Aileen, isn't it?- Yes.
0:45:58 > 0:46:00A station wall clock.
0:46:00 > 0:46:05I'd say this is around circa 1880, the late Victorian period.
0:46:05 > 0:46:07What I want to know is its story.
0:46:07 > 0:46:10How did you come by this?
0:46:10 > 0:46:15Well my uncle got it off the station when they pulled the station down.
0:46:15 > 0:46:21- Yeah.- That was some 50 years ago and, of course, with him working as
0:46:21 > 0:46:26an engineer in the offices close by for the railway,
0:46:26 > 0:46:29the different chaps they got clocks, signs...
0:46:29 > 0:46:32- you know waiting room signs. - All the memorabilia.- That's right.
0:46:32 > 0:46:34- Which is big business, isn't it?- Yeah.
0:46:34 > 0:46:37- It really is, it's very collectible. - Because everything had got to go.
0:46:37 > 0:46:40- Oh, it's lovely and I bet it keeps beautiful time.- It does, yeah.
0:46:40 > 0:46:43Fusee movement, you see.
0:46:43 > 0:46:48Every weekend I wind it up and give it a polish.
0:46:48 > 0:46:51- Eight days?- Eight days, yeah.
0:46:51 > 0:46:54And you have no trouble with it. You know, it just ticks away.
0:46:54 > 0:46:57I've got to ask, Aileen, why do you want to sell it?
0:46:57 > 0:47:01- Well we thought we could do something with the money.- OK.
0:47:01 > 0:47:05- Something else we might like to do. - What would you like to do with the money?
0:47:05 > 0:47:07Well I'd like to purchase a new television.
0:47:07 > 0:47:12- A new telly, a big flat screen one, I guess.- Then we can see Flog It! Clearer!
0:47:12 > 0:47:15Well let's just take a closer look at the movement, shall we?
0:47:15 > 0:47:18There we go.
0:47:18 > 0:47:20They made 'em simple in those days.
0:47:20 > 0:47:23- Oh, yes.- Look at that. - Do you want me to move that for you?
0:47:23 > 0:47:27Yeah. That's nice, let's just take a quick look at this.
0:47:30 > 0:47:31That's access to the...
0:47:31 > 0:47:33That's access to the movement.
0:47:33 > 0:47:36That's access to the pendulum.
0:47:36 > 0:47:39Yes, to adjust the pendulum and here's the pendulum.
0:47:39 > 0:47:42Great and you've got the key, fantastic!
0:47:42 > 0:47:44OK, now let's have a look at the movement.
0:47:44 > 0:47:46The condition's fantastic, isn't it?
0:47:46 > 0:47:50- It is.- You've looked after this, haven't you?- Oh yes.- There you go.
0:47:50 > 0:47:52There's the fusee movement.
0:47:52 > 0:47:54That actually regulates...
0:47:54 > 0:47:58..perfectly. I can put this near my microphone and you'll hear this.
0:47:58 > 0:48:02RAPID TICKING
0:48:02 > 0:48:04There's nothing wrong with that.
0:48:04 > 0:48:08It's absolutely lovely and here is the pendulum.
0:48:08 > 0:48:12That is your fine adjustment.
0:48:12 > 0:48:15- That's right.- I won't touch it because you've obviously
0:48:15 > 0:48:17- worked this.- It's spot on.
0:48:17 > 0:48:22You can move that up or move that down to slow the clock down or speed it up so that it keeps good time.
0:48:22 > 0:48:29Well, I would like to think this would fetch, in auction, around £600.
0:48:29 > 0:48:33Hopefully a little bit more on a good day with two people bidding against each other.
0:48:33 > 0:48:38To get to that sort of figure I've got to say to you we really need
0:48:38 > 0:48:43- to catalogue it at 400 to 600 if that's OK with you.- That's fine.
0:48:43 > 0:48:45Is that all right?
0:48:45 > 0:48:47How about a fixed reserve at 400?
0:48:47 > 0:48:52- Yes.- Yeah, because I don't want this clock to go for a penny less.- No.
0:48:52 > 0:48:54Right, my next question is...
0:48:54 > 0:48:57Can you make the auction in a month's time?
0:48:57 > 0:49:01- I don't think we can, we're booked on holiday.- Oh, you're going away, where are you going?
0:49:01 > 0:49:03We're going to north Devon.
0:49:03 > 0:49:05Oh, are you. For a couple of weeks or a week?
0:49:05 > 0:49:07- Two weeks.- Oh, lovely.- Yes, yes.
0:49:07 > 0:49:10Off on your holidays. Look, I'll tell you what,
0:49:10 > 0:49:12I'll be there
0:49:12 > 0:49:16for you. It's in good hands and I'll let you know exactly how it's doing.
0:49:16 > 0:49:19- Oh, that's nice.- Fingers crossed we're going to get that £600, you're
0:49:19 > 0:49:22going to get your telly and you'll also have a fantastic holiday.
0:49:22 > 0:49:26Thank you very much for taking that trouble for us.
0:49:26 > 0:49:31It's auction time again and here's a quick reminder of what's going under the hammer.
0:49:31 > 0:49:35Two pairs of matching vases was more than enough to catch Michael's eye.
0:49:35 > 0:49:40They've been entered as two different lots, so which pair do you think is going to make the most?
0:49:40 > 0:49:44Colin's collection of razor blades has to be unique, making valuing it
0:49:44 > 0:49:49practically impossible but with no reserve, it's going to go.
0:49:49 > 0:49:54Maurice and Aileen's wall clock is without question my favourite item of the day.
0:49:54 > 0:49:58Beautifully made and with that key local interest, I hope it makes the
0:49:58 > 0:50:03top end but nothing is guaranteed when it comes to auction.
0:50:03 > 0:50:06Finally, Philip may have doted on the dog figurines,
0:50:06 > 0:50:10but will the bidders be bitten by their charms?
0:50:14 > 0:50:18- Cedric and Jean, great to see you again. Who is the dog lover? - I am.- They were yours, were they?
0:50:18 > 0:50:20Why are you flogging them now?
0:50:20 > 0:50:24I thought someone might like them for their collection as they're rare.
0:50:24 > 0:50:27We've got a value of £80 to £120, Philip.
0:50:27 > 0:50:30I had a quick chat to James the auctioneer before the sale
0:50:30 > 0:50:34and he chuckled and said, this is so typical, these things are selling so well,
0:50:34 > 0:50:38compared to anything, let's say, 18th-century porcelain.
0:50:38 > 0:50:41- Nonsense, really. - It is crazy, absolutely crazy.
0:50:41 > 0:50:44But there are collectors that want this kind of thing.
0:50:44 > 0:50:47- You sell them at your sale room? - Absolutely.
0:50:47 > 0:50:52The pair of Wade Disney blow-up figures, Lady and the Tramp.
0:50:52 > 0:50:54We've got three bids,
0:50:54 > 0:50:57£70 starts them. 70. 80 now?
0:50:57 > 0:51:0080 do I see? 80. 90? 100. And 10.
0:51:00 > 0:51:01Look at the price of these!
0:51:01 > 0:51:05At 120. 130. New place. 140. 150.
0:51:05 > 0:51:08150. 160. 170?
0:51:08 > 0:51:12170, shakes his head at 170.
0:51:12 > 0:51:14Are you sure? At 160, it's here.
0:51:14 > 0:51:17All done at 160. 165 if you like.
0:51:17 > 0:51:21At £160, are we all done?
0:51:21 > 0:51:24The hammer's gone down at £160.
0:51:24 > 0:51:27Can you remember buying them?
0:51:27 > 0:51:28- Yes.- What did you pay for them?
0:51:30 > 0:51:33I got them from a white elephant stall
0:51:33 > 0:51:37in a garden party and it was about 20 years ago.
0:51:37 > 0:51:39And what did you pay for them?
0:51:39 > 0:51:41- I can't remember. - About a pound, I would think.
0:51:41 > 0:51:46- A couple of quid. What a good investment!- I bet it wasn't £160, that's for sure!
0:51:46 > 0:51:50If you've got any Wade figures like that, hang on to them or put them into an auction,
0:51:50 > 0:51:53because they're making top money right now.
0:51:56 > 0:52:01I gather, Janet, you're selling these Naples vases because they're gathering dust.
0:52:01 > 0:52:05Well, I've got to downsize because I might have to go into a home.
0:52:05 > 0:52:07- Oh, no.- I'm getting too old.
0:52:07 > 0:52:10Well we're all getting a bit old, aren't we?
0:52:10 > 0:52:12Every second of every day, unfortunately.
0:52:12 > 0:52:13Do you like the vases?
0:52:13 > 0:52:16- Ask me another question.- OK.
0:52:16 > 0:52:17- Are they well made?- Yes.
0:52:17 > 0:52:21- Ask me another question.- Will we get the top end of your estimate?- Erm...
0:52:21 > 0:52:26They're not really my cup of tea but I was given them 40 years ago.
0:52:26 > 0:52:28They're not Michael's cup of tea, or mine but I tell you what,
0:52:28 > 0:52:32someone will absolutely love them and they'll be in this room today.
0:52:32 > 0:52:36Lot 760, the pair of vases...
0:52:36 > 0:52:41Sadly lacking their covers but still a good shape to them.
0:52:41 > 0:52:43And £50 for them, please. 50?
0:52:43 > 0:52:46- £50?- £50, come on.
0:52:46 > 0:52:4840 bid, 40 and 5 now. 40 and 5...
0:52:48 > 0:52:515 and 50. 50 and 5... 55 and 60.
0:52:51 > 0:52:54- Oh gosh.- £55, all done?
0:52:54 > 0:52:57At £55 it's with you.
0:52:57 > 0:52:59- We've sold them! - We've sold them, oh good.
0:52:59 > 0:53:01£55, Janet.
0:53:01 > 0:53:03- That's great, isn't it?- Yes.
0:53:07 > 0:53:08We've got those two Limoges vases.
0:53:08 > 0:53:10- Yes.- What will we get, top end, come on?
0:53:10 > 0:53:13I think £40 is a fair price for them.
0:53:13 > 0:53:15Happy if we get 40?
0:53:15 > 0:53:17- Yes.- We'd like a bit more but we'll settle for 40.
0:53:17 > 0:53:20- Whatever we can get for them. - OK. This is it, good luck.
0:53:20 > 0:53:23The pair of Limoges ovoid ewers.
0:53:24 > 0:53:28Nicely decorated, two bids on them, one of 25, one higher.
0:53:28 > 0:53:31£30 starts it. 30 and 32 do I see?
0:53:31 > 0:53:3632, 35, 38 and 40... 42, 45...
0:53:36 > 0:53:38at 42 at the back. 45 now?
0:53:38 > 0:53:40At £42... 45 anywhere?
0:53:40 > 0:53:43At 42 and selling.
0:53:43 > 0:53:45- Yes.- Yes, good.
0:53:45 > 0:53:47- £42.- We hoped for 40.
0:53:47 > 0:53:49- You did.- And £2 to spare.
0:53:49 > 0:53:51- Jolly good.- That's great, isn't it?
0:53:58 > 0:54:01Well we're at the cutting edge because
0:54:01 > 0:54:06we've got Colin's razor blades with accessories going under the hammer with a valuation of £20 to £40.
0:54:06 > 0:54:08Who knows!
0:54:08 > 0:54:10- No reserve? - Well I'm not actually sure
0:54:10 > 0:54:14what these are worth since we don't sell too many razor blades.
0:54:14 > 0:54:16- No.- It's a cut-throat business.
0:54:16 > 0:54:17Yeah.
0:54:20 > 0:54:23Somebody's going to buy them but I have to say I don't know why.
0:54:23 > 0:54:26No and you're going to say it's going to be a close shave.
0:54:26 > 0:54:29- It's going to be a very close shave. - The shaving memorabilia...
0:54:29 > 0:54:32The collection of razors, where shall we start that, £20 for it.
0:54:32 > 0:54:35£20... 15 if you like.
0:54:35 > 0:54:37£15... 10 then.
0:54:37 > 0:54:40Who wants it at £10? Anybody want those? £10.
0:54:40 > 0:54:43James, you could do with that.
0:54:43 > 0:54:45Yeah, I could do with them, couldn't I?
0:54:45 > 0:54:49Anybody want them? They're out of fashion.
0:54:49 > 0:54:51- Clearly.- That's the problem. Anybody want them?
0:54:51 > 0:54:54£5...
0:54:54 > 0:54:55I think this is going to be a Flog It lowest ever.
0:54:55 > 0:54:57£5 anywhere?
0:54:57 > 0:55:01£5 in the corner at 5, shall we see 6 somewhere?
0:55:01 > 0:55:04Give him some competition. 6... at £5 to the left.
0:55:04 > 0:55:08All done and selling at £5, are you sure, is that OK?
0:55:08 > 0:55:10- Are you all right with that?- Yes.
0:55:10 > 0:55:13£5 in the corner. Anywhere else?
0:55:13 > 0:55:15- You're happy though, aren't you? - I'm happy they've gone.
0:55:15 > 0:55:17They've gone to a collector, hopefully.
0:55:17 > 0:55:21Hopefully they have, yeah. Somebody who'll start a collection now, who knows.
0:55:21 > 0:55:24- Are you going to collect anything else, are you going to buy anything else?- No.
0:55:24 > 0:55:26- Definitely not.- Definitely not. That's the end of that.
0:55:26 > 0:55:28Thank the Lord for that!
0:55:35 > 0:55:38Time is now up for Maurice and Aileen's station wall clock.
0:55:38 > 0:55:40We've got the clock, we haven't got the couple
0:55:40 > 0:55:44they're on holiday but we've got Lorraine, the daughter.
0:55:44 > 0:55:45- Good to see you.- Thank you.
0:55:45 > 0:55:49Did you see this little clock as a child in the house?
0:55:49 > 0:55:52- Yeah, it was always there.- Yeah. - It was always there.- Kept good time.
0:55:52 > 0:55:55Yeah, kept you awake when you slept downstairs.
0:55:55 > 0:55:58What did you say to them when you realised they were going to flog this?
0:55:58 > 0:56:01- Were you a bit upset? - They didn't tell me straightaway.
0:56:01 > 0:56:04They waited until I noticed.
0:56:04 > 0:56:05Then I went, "Oh, right."
0:56:05 > 0:56:08You noticed the missing space on the wall and went, "Mum..."
0:56:08 > 0:56:10"Where has it gone?"
0:56:10 > 0:56:14I know they've been decorating. I thought they'd taken it down for decorating.
0:56:14 > 0:56:17I guess they need the money, they want to move on.
0:56:17 > 0:56:19We're looking for £400 to £600 and it's going under the hammer.
0:56:19 > 0:56:21- Yes.- OK? Now...
0:56:21 > 0:56:25The circular dial station timepiece...
0:56:25 > 0:56:27This is a great lot.
0:56:29 > 0:56:30And, a lot of interest.
0:56:30 > 0:56:36- One, two, three, four, five, six, seven, eight, nine, ten, 11 bids on it.- Gosh.
0:56:36 > 0:56:39- That's a lot.- The list goes on.
0:56:39 > 0:56:43Loads of them and I'll start it at the lower end of the estimate at 400 and see how we go.
0:56:43 > 0:56:48At £400 and 20 do I see? At 400, 420 in the room.
0:56:48 > 0:56:53420, 440, 460, 480, 500...
0:56:53 > 0:56:56500 standing, at 520 seated.
0:56:56 > 0:57:03550, 580, 600, 620, 650, 680, 700, 720, 750...
0:57:03 > 0:57:06- Crikey!- This is great. - 800...- This is really good.
0:57:06 > 0:57:11850, 900, 950... Yes?
0:57:11 > 0:57:13Go on.
0:57:13 > 0:57:15It's the best one I've ever seen. It's worth it.
0:57:15 > 0:57:18920 if it helps you.
0:57:18 > 0:57:21- At 900 standing... - Oh, we're on £900. Here...
0:57:21 > 0:57:25920 or 50? 920, 950?
0:57:25 > 0:57:29950, well done. 980?
0:57:29 > 0:57:32980... 1,000, round it up?
0:57:32 > 0:57:34Sure? 980, on the phone at 980.
0:57:34 > 0:57:371,000 do I see?
0:57:37 > 0:57:39Anybody else?
0:57:39 > 0:57:41Yes! Crack, that is a sold sound.
0:57:41 > 0:57:44£980, Maurice is going to be so pleased.
0:57:44 > 0:57:46That's going to make their holiday.
0:57:46 > 0:57:48- It will. - Get on the phone straightaway.
0:57:48 > 0:57:51- Yes, I will. - Thanks for being a great stand-in.
0:57:51 > 0:57:52Yours.
0:57:52 > 0:57:54There's not a profit in that.
0:57:57 > 0:57:59Well, that's it, it's all over for our owners.
0:57:59 > 0:58:02As you can see the auction is still going on around me, people are
0:58:02 > 0:58:06bidding as I'm speaking but I've got to say what a cracking day it was.
0:58:06 > 0:58:08I wish Maurice could have been here.
0:58:08 > 0:58:13He's on holiday in the West Country but his little clock sold for a staggering £980.
0:58:13 > 0:58:17You can definitely say time is up and sadly it is for us as well today.
0:58:17 > 0:58:20So, until the next time, it's cheerio.
0:58:43 > 0:58:46Subtitles by Red Bee Media Ltd