:00:00. > :00:22.Ladies and gentlemen, good evening and welcome to the British Academy
:00:23. > :00:31.Film Awards. We move on to make up and cinematography and hair. She was
:00:32. > :00:37.sharp and true in swords of Vengeance, and he was a blockhead in
:00:38. > :00:49.Sex Drugs and Rock 'n' roll. Annabel Wallace and Tom Hughes.
:00:50. > :01:00.Good evening. It is wonderful to be here at the British Academy Film
:01:01. > :01:04.Awards. We are so pleased to be presenting two awards. First up make
:01:05. > :01:05.up and hair. All the nominees are magnificent. Let's look at their
:01:06. > :01:38.work. The Danish Girl. And the BAFTA is awarded to... Mad
:01:39. > :02:38.Max Fury Road. Thank you very much to all of the
:02:39. > :02:43.members of BAFTA for thinking that our work was worthy of this award.
:02:44. > :02:50.First and foremost we have to thank George Miller for taking us less --
:02:51. > :03:05.taking us on this journey. Thank you to our cruise through the globe --
:03:06. > :03:09.crew. And to friends and family and partners who supported us. Great
:03:10. > :03:21.respect to the other nominees. It was a great race. Thank you.
:03:22. > :03:26.APPLAUSE. And now the BAFTA for cinematography. The art of
:03:27. > :03:31.filmmaking. When done right it can turn a good move into a great one.
:03:32. > :04:26.Let's look at some of the best examples of this from the last year.
:04:27. > :04:48.Unfortunately he could not be here tonight so we will look after this
:04:49. > :04:58.and make sure he gets it. Thank you very much. Congratulations. It is
:04:59. > :05:03.documentary and original music given the honour next, and to present them
:05:04. > :05:13.be positively perfect pair. He was triumphant in Trumbo and she was
:05:14. > :05:27.glorious in Guardians of the Galaxy. Please welcome them now.
:05:28. > :05:44.This seems to be a running theme, interracial dating. Lucky me. Happy
:05:45. > :05:54.Valentines. Kiss cam. She is married. Thank you very much. It is
:05:55. > :06:00.great to be here to celebrate another fantastic year in film and
:06:01. > :06:05.to be presenting two BAFTA awards. First, the BAFTA four documentary,
:06:06. > :06:11.and genre which has both educated and entertained in equal measure --
:06:12. > :06:13.BAFTA for documentary. Let's take a look at some of these sensational
:06:14. > :06:31.films. My father said, have you forgiven
:06:32. > :06:37.them? All of this time you have never felt angry? No. Everybody's
:06:38. > :07:03.got a good side if you look for it. I look like a flowing head. I've got
:07:04. > :07:11.no hair. I am just on a black screen. There is my hand. What's
:07:12. > :07:41.goin' on? And the BAFTA is awarded to... Amy.
:07:42. > :07:51.Thank you so much. Thank you to everyone who voted for the film.
:07:52. > :07:55.Thank you to everyone who worked on the film. All of the people who
:07:56. > :08:00.contributed, those who trusted us to tell this story. It was difficult to
:08:01. > :08:05.make but in the end it was all about Amy. We fell in love with her when
:08:06. > :08:11.we were making the film. The aim was to show the world what an amazing
:08:12. > :08:14.person she was, how intelligent, witty and beautiful before it got
:08:15. > :08:21.out of control and went crazy. I just want to say thank you to
:08:22. > :08:29.Altitude. Chris King, partner in crime, and Adam Barker. Most people
:08:30. > :08:31.in this room would know someone who had struggled with addiction and yet
:08:32. > :08:38.the media thought it was okayed to tear someone apart. Someone like
:08:39. > :08:56.this comes along let's try to be more grown-up about it. Show a bit
:08:57. > :08:59.more love. --OK. Now, the BAFTA for original music. Let's take a look at
:09:00. > :09:59.the five nominees. Shall we? And the BAFTA goes to... The Hateful
:10:00. > :10:07.Eight. Unfortunately, he cannot be here tonight, but has sent the
:10:08. > :10:10.following message: I am sorry a car not be in person in London. I am
:10:11. > :10:17.conducting a concert in Dublin tonight, including the score for the
:10:18. > :10:20.Hateful Eight. My thanks go to the British Academy Film Awards for this
:10:21. > :10:25.honour. I would like to thank Quentin Tarantino, the entire team
:10:26. > :10:29.and the Weinstein company for inviting me to be part of this song.
:10:30. > :10:33.Collaborations with great directors have given me creative pleasure over
:10:34. > :10:41.the 55 years since I wrote the first film score. At 87 years old it is
:10:42. > :10:49.gratifying that my work is still deemed relevant. Thank you.
:10:50. > :10:53.APPLAUSE. The next awards are for British Short film and British Short
:10:54. > :11:02.animation, and to present them we are not short of presenters, he was
:11:03. > :11:03.in between one before and magnificent in The Inbetweeners and
:11:04. > :11:23.she made waves in Shanghai. Good evening, everyone. It is
:11:24. > :11:29.wonderful to be here tonight at the British Academy Film Awards at this
:11:30. > :11:32.truly stunning venue. We are taking our cue from the categories and
:11:33. > :11:42.keeping it short, so let's look at the nominations for British Short
:11:43. > :11:46.film. Writing at Pulham, are we? Think we are a bit of Keats, a bit
:11:47. > :12:00.of a Byron? -- poem. I know that of a sudden... That was
:12:01. > :12:29.a flash moment way back then. The fire! Try to calm down. Listen,
:12:30. > :12:40.I need you to stay where you are. The crew are on their way. And BAFTA
:12:41. > :13:21.is awarded to... Operator. APPLAUSE. Thank you. I will keep this short.
:13:22. > :13:31.So many people to thank. Kate Dickie and VIcki McLure. The amazing people
:13:32. > :13:40.who work for nothing. Those who funded the film. The Fire Brigades'
:13:41. > :13:42.Union, Simon and treat a -- Trita Hall and to my friends and family.
:13:43. > :13:59.Thank you so much. Now let's have a look at the
:14:00. > :14:49.nominations for British Short Animation. Edmond.
:14:50. > :15:14.And the BAFTA is awarded to... Edmond !
:15:15. > :15:24.Wow. OK. It was already so good to be nominated, I was having a really
:15:25. > :15:31.good time and it was such an honour to be nominated with Simon, who is
:15:32. > :15:37.my best friend. And also with Richard Williams, who has actually
:15:38. > :15:43.taught me how to animate with his animation survival kit. So thank you
:15:44. > :15:48.so much, Richard, as well. It's been so... An honour to be nominated with
:15:49. > :15:53.you. And of course we have to thank so many people for this short film.
:15:54. > :15:58.It took us a year and I think a year ago we were thinking about how this
:15:59. > :16:02.character was going to be, you know, how we could empathise with this
:16:03. > :16:06.character, who actually eats the people he loves. But it kind of
:16:07. > :16:14.worked! So that's really good. I want to thank the team, the national
:16:15. > :16:23.film television school team and my family and my friends and Adam
:16:24. > :16:34.Watts, who really helped us with the animation. Thank you so much.
:16:35. > :16:40.We come now to editing and sound and the present them, the British
:16:41. > :16:44.Japanese actress and an Irish actor who was legendary in Legend.
:16:45. > :17:03.Welcome! It is an absolute pleasure to be
:17:04. > :17:07.here this evening to present the BAFTA for editing. We did have a
:17:08. > :17:14.very long introduction, but in keeping with this award we have
:17:15. > :18:12.edited it it right down. Let's have a look at the nominees.
:18:13. > :18:43.And the BAFTA goes to... Mad Max: Fury Road !
:18:44. > :18:52.Wow. Thank you. Thank you, BAFTA. I am just happy that the film is being
:18:53. > :18:57.recognised in this way. You know, this film really was an editor's
:18:58. > :19:03.dream job and there's really only one person I have to thank. George
:19:04. > :19:09.Miller. His passion for the language of cinema and the language of the
:19:10. > :19:13.action film. This makes everyday in the cutting room and adventure. So,
:19:14. > :19:24.George, thank you so much. This is for you too.
:19:25. > :20:20.Now it's time to hear the five nominees vying for the Sound BAFTA.
:20:21. > :21:00.And the BAFTA goes to... The Revenant ! This is quite a surprise.
:21:01. > :21:04.Thank you, BAFTA, and most of all thank you Alejandro for making this
:21:05. > :21:08.amazing world. Yes, you are an amazing director but you are in an
:21:09. > :21:13.even more amazing human being and that's what you can see here. -- and
:21:14. > :21:20.even. I was very lucky to be introduced to this beautiful country
:21:21. > :21:24.through the movies. The first time I heard about London and the UK was
:21:25. > :21:30.through a film written by Alan Parker called Melody. We were kids
:21:31. > :21:35.looking at... Through the window of the cinema and travelling for the
:21:36. > :21:40.first time beyond our boundaries. So that's obviously one of the amazing
:21:41. > :21:45.things that cinema has, it can make you go other places. I'm very
:21:46. > :21:54.honoured to share this with my friends, so I will be brief. Thank
:21:55. > :21:58.you so much. A lot of people I have to acknowledge who really help us
:21:59. > :22:08.through this great journey that we were put on by Alejandro, Lisa
:22:09. > :22:16.Levine, Tom Meadows, everyone at Regency was such a support. Amazing
:22:17. > :22:19.support. Universal, everyone at Universal, thank you so much. And
:22:20. > :22:26.thank you so much Alejandro. Thank you.
:22:27. > :22:34.Well, we now come to the board for Production Design. To help us with
:22:35. > :22:41.this one we have two jawdropping actors, who were in a film about the
:22:42. > :22:46.student days called --of David Cameron and Boris Johnson. It was
:22:47. > :22:55.called the Riot Club. They went on to ruin the country... Run the
:22:56. > :23:10.country! Run the country! Max Irons and Douglas Booth! Good evening,
:23:11. > :23:18.everyone. It is an honour to be here and thank you for mentioning The
:23:19. > :23:23.Riot Club. It's a shame we had to cut the scene with a pig. I put
:23:24. > :23:26.effort into that one. Let's take a look at the nominations for
:23:27. > :24:30.Production Design. And the BAFTA goes to... Mad Max:
:24:31. > :24:44.Fury Road! Colin Gibson and Lisa Thompson!
:24:45. > :24:55.It could only be better if Rebel Wilson gave it to me. I've been
:24:56. > :24:59.fortunate enough to thank my art department crew on a number of other
:25:00. > :25:03.occasions tonight. I would like to add a few names to the honour roll,
:25:04. > :25:08.who don't often... Well, who haven't had a chance online for a presenter
:25:09. > :25:20.tonight. Obviously the marvel that is George Miller. To our producers,
:25:21. > :25:26.Doug Mitchell and PJ, carrot and stick, a well under way. To the all
:25:27. > :25:31.dancing and all singing stop him, orchestrated by the lovely and
:25:32. > :25:37.talented Guy Norris. And to the actors, the ensemble who brought the
:25:38. > :25:43.pulse, the face and heart. There are things you can't design into
:25:44. > :25:50.anything. But when Charlie is the Ron sits in a couple of used cars
:25:51. > :26:03.you get to win one of these. -- Charlise Theron. Thank you all very
:26:04. > :26:10.much, thank you BAFTAs. A million congratulations to all nominees and
:26:11. > :26:14.of course all winners. I am going off now to haste in my own demise by
:26:15. > :26:20.eating and drinking like a wild rattling warthog who knows no shame
:26:21. > :26:26.and no table manners. And I suggest that you do the same. I will see you
:26:27. > :26:27.at the trough. Good night. Thank you. Thank you very