:00:13. > :00:15.We are going live to Central London for the build up to the Baftas
:00:16. > :00:20.Hello and welcome to viewers on BBC News and to our international
:00:21. > :00:40.It's the biggest night in British film.
:00:41. > :00:43.All the stars will be arriving over the next hour and a half and I will
:00:44. > :00:48.be talking to some of them. In a moment I'll be joined
:00:49. > :00:51.by our film critic, Jason Solomons, and fashion editor, Jo Glynn-Smith,
:00:52. > :00:53.but first let's just take a look at this year's
:00:54. > :01:02.nominations for Best Film. All right, the originals
:01:03. > :01:08.were simple. Thousands of triple-A
:01:09. > :01:10.mortgages bundled together, The modern ones are different,
:01:11. > :01:15.they're private and they are made Apparently you are not
:01:16. > :01:27.an American citizen. And according to your boss,
:01:28. > :01:32.you're not a Soviet citizen either. Nothing in particular,
:01:33. > :01:43.what do you do? Maybe you would like to come
:01:44. > :01:49.and visit me sometime. At least there is some pretty
:01:50. > :01:53.country around where I live. Would you like to come
:01:54. > :02:20.and visit me this Sunday? We need to focus on the institution,
:02:21. > :02:23.not the individual priests. Show me the Church
:02:24. > :02:26.manipulated the system so these guys would not
:02:27. > :02:28.have to face charges. Show me that they put those same
:02:29. > :02:31.priests back into parishes Show me it is systemic -
:02:32. > :02:51.that it came from the top down. Those are the films in the running
:02:52. > :02:58.for the Best Film. Lots to talk about their with Jason and Joe, who
:02:59. > :03:04.will be keeping an eye on all the fashion. Here is also our
:03:05. > :03:10.entertainment correspondent at the other end of the red carpet talking
:03:11. > :03:20.to the stars as they arrive and as with one of the nominees for
:03:21. > :03:25.Promising Newcomer. This actress is one of the nominees. How does it
:03:26. > :03:31.fail to be nominated? It feels really weird because I've watched
:03:32. > :03:38.the Baftas for years. It is exciting but weird. You have worked hard at
:03:39. > :03:50.your career. Was that always your aim? Theatre and film are always my
:03:51. > :03:57.two favourite things to do. I have always aspired to be in the movies.
:03:58. > :04:03.I will definitely go back and do more theatres soon. What is it like
:04:04. > :04:09.walking down the red carpet with the people you have been watching for so
:04:10. > :04:12.long? It is surreal but inspiring. If you want something you can work
:04:13. > :04:24.hard and get it and eventually it will happen. What is next for you? A
:04:25. > :04:28.lot of period movies. I'm really excited about them. Thank you for
:04:29. > :04:46.talking to us. Have a good evening. That is the category where members
:04:47. > :04:49.of the public get to vote. It is quite exciting because I think that
:04:50. > :04:57.is where we're going to see the popular vote goal. Twilight won it
:04:58. > :05:09.when it was up for it. We know that the most popular film is going to
:05:10. > :05:13.win. My money is on him tonight and I'm pleased about it because I think
:05:14. > :05:20.he is terrific and Star Wars. It is good to see the young generation
:05:21. > :05:28.represented. It is a strange award but it means a lot to the winner and
:05:29. > :05:40.they go on to have Stella Creasy is. -- way careers.
:05:41. > :05:48.One of the rising stars has been nominated in Best Actress. It feels
:05:49. > :05:54.like your popularity which is a different aspect. When it is time
:05:55. > :05:58.for Bafta members to vote for you and admire your art, but no younger
:05:59. > :06:06.actors bring things like Facebook and instant gram with them will stop
:06:07. > :06:19.-- and saw the social media platforms with them. We sought Scott
:06:20. > :06:28.back -- we saw the list for Best Film. We are waiting for the stars
:06:29. > :06:37.to arrive. Will be the talking about The Revenant all-night? I don't know
:06:38. > :06:42.who is going to win. It is a close race. The Reverend and there's got
:06:43. > :06:51.to be in there and it is very popular. I feel like Leonardo
:06:52. > :06:58.DiCaprio tonight. But the Bridge Of Spies was also very popular. And a
:06:59. > :07:14.solid film from Steven Spielberg, his 28 movie. But there is also
:07:15. > :07:19.Carol in there. And that black satire about the financial
:07:20. > :07:26.situation. They love that one and were very impressed with it. A lot
:07:27. > :07:31.of members thought that was a smart way into that problem. I don't know
:07:32. > :07:40.who's going to win. If you want me to put my money somewhere, I'm going
:07:41. > :07:44.to go for Spotlight. I know as journalists relate to see other
:07:45. > :07:49.journalists glorified on the big screen, but this makes them seem
:07:50. > :07:52.normal. It is not hanging out listening to things and twiddling
:07:53. > :07:59.knobs in meeting contacts in the dark. It is a very quiet film.
:08:00. > :08:06.Nothing grabs you with the cinematography. But people enjoyed
:08:07. > :08:11.the story and a remarkable effort on behalf of those journalists. It is
:08:12. > :08:18.building the painstaking case for the story which reveals systematic
:08:19. > :08:24.abuse in the Catholic Church in Boston at that time. People come
:08:25. > :08:29.forward and evidence slots into place. By the end of the film you
:08:30. > :08:34.are outraged. That great liberal moral outrage that some of the great
:08:35. > :08:43.Bafta winners of the past have had. That is why I am going with that.
:08:44. > :08:49.Welcome to our platform overlooking the entrance to the opera house. We
:08:50. > :08:54.will be keeping an eye on what everyone is wearing. Is it fair to
:08:55. > :09:02.say that we increasingly have to look at what they would -- what the
:09:03. > :09:07.women and men are both wearing. It is a big night for fashion. I think
:09:08. > :09:10.it is important that the men are given some airtime as well as the
:09:11. > :09:16.women. There is pressure on the actresses to look the part and it is
:09:17. > :09:21.very cold, but now we're looking at the guys as well and what they are
:09:22. > :09:27.wearing. This is a platform for fashion and film together. We have a
:09:28. > :09:36.channel dedicated to red carpet fashion. Much more to talk about
:09:37. > :09:48.with you as the evening progresses. Now letters go to another rising
:09:49. > :09:53.star. How are you, John? You had an astonishing 2015 and this nomination
:09:54. > :09:59.on top of it. How does that feel? I cannot believe that I'm here this
:10:00. > :10:04.year. I was presenting here last year. I appreciate it. Thank you for
:10:05. > :10:09.having me as part of your nominations. People have seen you in
:10:10. > :10:13.Star Wars that you had a working in film for a number of years. It is
:10:14. > :10:19.not overnight success. How does it feel now you have got to this place?
:10:20. > :10:25.The hard work is sure not and the results are paying off. I'm very
:10:26. > :10:31.appreciative of this and I am aware that it is a brilliant opportunity.
:10:32. > :10:38.This is a moment for me to take him this time in my life in my career. I
:10:39. > :10:47.feel good. I have to get up at 6am tomorrow. The bar has been set high
:10:48. > :10:56.by the success of the previous Star Wars movies. Does this one satisfy?
:10:57. > :11:03.It take some risks and that is the only way to go forward from The
:11:04. > :11:09.Force Awakens. It is something new in a universe they are used to. We
:11:10. > :11:17.are very excited for you guys to watch this movie. Thank you for
:11:18. > :11:24.talking to us. Thank you. To have that level of
:11:25. > :11:29.confidence at that young age. I was never like that in my early years.
:11:30. > :11:39.He has been like that for a long time. He was terrific. A very good
:11:40. > :11:42.actor. In Star Wars he is doing an American accent and hauled in this
:11:43. > :11:45.part in a blockbuster film and he holds a brilliantly and carries on
:11:46. > :11:54.so well and he has done this so well. He is very gifted and he is
:11:55. > :11:59.able boon to British cinema. Here's a black actor and it is important to
:12:00. > :12:03.see how important that film has been with the lead character as a black
:12:04. > :12:11.actor. I am glad to have him included. He is nominated for Star
:12:12. > :12:19.Wars. I think the biggest grossing film of last year and of many years,
:12:20. > :12:21.but people watching this might think that it shows awards are elitists
:12:22. > :12:27.because that is the film everyone went to see and where all the money
:12:28. > :12:38.went. It is also nominated in other categories. People do look at these
:12:39. > :12:42.awards and think that some of the films are not the biggest hits
:12:43. > :12:50.around. But it is up to the Academy to be case setters. We need to keep
:12:51. > :12:57.going with the art. That is hard to do these days. The difference
:12:58. > :13:03.between artistic film and blockbusters is not always there.
:13:04. > :13:12.Star Wars is trailing in the biggest films of all time is to Avatar. Star
:13:13. > :13:22.Wars is consigned to that sort of blockbuster Ben. We will see it
:13:23. > :13:28.tonight, do not worry. It has been nominated for 4- by technical
:13:29. > :13:34.awards. -- four or five technical awards. We're looking at the
:13:35. > :13:46.nominees on the screen for the best actor. You have spoken to Bafta
:13:47. > :13:50.members who really loved Brooklyn. But we need to think about the
:13:51. > :14:03.category as a whole. But I'm not a batter member. -- I am not a Bafta
:14:04. > :14:08.member. I'm with you. There are some very good actresses. She is up
:14:09. > :14:17.against Cate Blanchett and Dame Maggie Smith, who I have a great
:14:18. > :14:27.soft spot for. It is a tough category to call. Sydney at the town
:14:28. > :14:31.would be a big call. It is about a girl who travels to Brooklyn in the
:14:32. > :14:35.1950s and lives in a boarding house and then blossoms in front of our
:14:36. > :14:45.eyes. She becomes an independent women throughout this movie. The
:14:46. > :14:48.best actresses are lining up and chomping at the bit to get up there
:14:49. > :14:56.on the red carpet and shall ask their stuff. The Danish Girl was one
:14:57. > :15:03.of my favourite films this year. I'm joined by someone who has been
:15:04. > :15:09.nominated for two movies. How does it fail to be doubly honoured by
:15:10. > :15:18.Bafta tonight. It is wonderful to be invited here. I have grown-up
:15:19. > :15:26.watching British film and now I live here and most of my films have been
:15:27. > :15:37.done out of the UK. So it is humbling to be here tonight.
:15:38. > :15:44.Starting with the Danish Girl. How was it playing it in that particular
:15:45. > :15:51.way? It was an emotional love story that really attracted me and I was
:15:52. > :16:04.amazed that I didn't know more about these two pioneering woman at the
:16:05. > :16:10.time. It was almost 100 years ago and they had the emotional strength
:16:11. > :16:14.to go on that journey together. You're also nominated Best
:16:15. > :16:22.supporting actress. How did you give a robot sympathy and empathy at the
:16:23. > :16:27.same time. I thought the script was brilliant when I read it. I got the
:16:28. > :16:32.chance to read a character who was like a blank page because she is the
:16:33. > :16:37.first of what she is and then trying to play a robot and get the audience
:16:38. > :16:47.to connect with this thing was very interesting. Thank you very much.
:16:48. > :16:53.Perhaps we will be able to talk about the fact that she was
:16:54. > :16:58.nominated twice. Let's talk about what she was wearing. She looks
:16:59. > :17:08.fantastic, it is a Louis the tonic dress. It looks really fresh on her,
:17:09. > :17:15.she could make anything look fantastic. I really love this really
:17:16. > :17:21.structured address. Is it safe to assume that will have been made to
:17:22. > :17:26.her? It would have been made to fit her, if not made for her. No one
:17:27. > :17:33.will allow any of their pieces to walk down the red carpet not looking
:17:34. > :17:37.absolutely perfect. Banks are now. Just a short while ago Jason and I
:17:38. > :17:46.were talking about Spotlight, a film about Boston Globe journalist. I
:17:47. > :17:51.joined by the director of the film. It is up for best movie, Tom
:17:52. > :17:55.McCarthy, how does that feel? It is very exciting, I was in New York
:17:56. > :17:59.last night for the right Guild awards, I was on a plane this
:18:00. > :18:03.afternoon and now we are on the red carpet, it is a real honour to be
:18:04. > :18:08.here. Do you feel more responsibility that you are making a
:18:09. > :18:13.movie about such traumatic real-life events? I think so, not just because
:18:14. > :18:18.of the reporters, but because of the survivors and how they shared their
:18:19. > :18:21.stories and quite honestly how they continued to come forward and share
:18:22. > :18:28.their stories. There is a screening at about Bataclan and we feel it is
:18:29. > :18:37.part of the public discourse. -- at the Vatican. An amazing cast. Rachel
:18:38. > :18:41.McAdams, Mark Ruffalo, Michael Keaton, are you pleased to see Mark
:18:42. > :18:49.Ruffalo picked out for a sporting actor award nomination. I think it
:18:50. > :18:56.could have been any one of them, but it could not happen to a nicer guy.
:18:57. > :19:00.Thank you, great to be here. Interesting that Tom McCarthy was
:19:01. > :19:05.particularly asked in talking about Mark Ruffalo. I am a big Mark
:19:06. > :19:09.Ruffalo fan, it is good ensemble work, it is about a team of
:19:10. > :19:14.journalists, but I did think Mark Ruffalo was particularly good. You
:19:15. > :19:20.have to give the script some energy and differentiate it. Everyone gets
:19:21. > :19:24.the sense of the same characters in these journalism films. You have
:19:25. > :19:29.Michael Keaton doing his tics and then you have this passionate guy,
:19:30. > :19:33.Mark Ruffalo, he wants to get it out there, he cannot do it because the
:19:34. > :19:37.photocopier may not be working. I make the film sound thrilling!
:19:38. > :19:41.LAUGHTER He has the laughter and the tension
:19:42. > :19:47.and you feel like he has not slept. You are up drinking caffeinated
:19:48. > :19:53.drinks with him all night. The seal of the newsroom, it is a good memory
:19:54. > :19:58.for journalists to know that newsroom still count. That film lies
:19:59. > :20:06.in the hard graft that actors put in. It is an ensemble piece. It
:20:07. > :20:10.seems unfair pulling anyone out that ensemble piece, they all do such a
:20:11. > :20:21.terrific job. When we touched on this earlier, when we do watch it,
:20:22. > :20:25.is it fair to say thinking about The Big Short, you felt a lot of Academy
:20:26. > :20:30.members liked it because it could be a dry subject, but the film whatever
:20:31. > :20:34.you think of it is certainly very inventive. It is very clever at
:20:35. > :20:43.telling a very, the coded story. It tells it very gradually in
:20:44. > :20:47.Spotlight, but The Big Short cuts away and tries to explain what is
:20:48. > :20:50.happening in these deals, these terribly structured financial things
:20:51. > :20:58.that made the world collapse. It cuts away to a bar or a celebrity
:20:59. > :21:02.chef telling you what happened. It takes a different approach. For me
:21:03. > :21:08.it is a bit too zippy, I preferred the measured approach of Spotlight.
:21:09. > :21:20.The big Short has worked and it has these great terms from Ryan Gosling,
:21:21. > :21:26.Christian Bale, Steve Carrell. It kept on saying look at me though, I
:21:27. > :21:31.am a film, I am a film! Here are some pictures of Cate Blanchett
:21:32. > :21:35.arriving. I hope we do find out who created that, that is staggering. I
:21:36. > :21:41.don't know if you can judge anything at a first glance. It is absolutely
:21:42. > :21:45.beautiful, so decorative. She always gets it right. She is one of those
:21:46. > :21:51.actresses who is not only incredible at her craft, but she always gets
:21:52. > :21:56.the red carpet Right, so elegant and she is an asset to any film company,
:21:57. > :22:02.an asset to the industry as a whole. She looks incredible, I can't wait
:22:03. > :22:06.to find out. In terms of how it all works during film season, do we
:22:07. > :22:09.assume that all the really big names, all these people who were
:22:10. > :22:14.nominated for Best actress, Best supporting actress that fashion
:22:15. > :22:22.houses are pretty much throwing designs at them saying please wear
:22:23. > :22:26.my creation. It is a bit like that, these people have the eyes of the
:22:27. > :22:30.world on them, the red carpet is one of the best places to PR your
:22:31. > :22:35.product. You have these amazing women to wear your clothes. You have
:22:36. > :22:39.a team of people around you, none of these actresses have just left the
:22:40. > :22:42.house, done their ironing and come to the red carpet, they have teams
:22:43. > :22:49.of people making them look fantastic. The stylus are all
:22:50. > :22:53.looking for the best dresses for the actresses to wear, so we can blast
:22:54. > :23:01.and look at these amazing creations. I can only dream of that, it sounds
:23:02. > :23:06.wonderful. It is a must do part of the job. On a night like tonight
:23:07. > :23:11.where it is very chilly, I looked at those cutaway shoulders and I feel
:23:12. > :23:15.cold just looking at that. We will see a lot of shoulders, they are
:23:16. > :23:22.very in fashion. I do for them. The adrenaline must keep you going.
:23:23. > :23:26.People screaming your name. It is a really big deal. There is a lot of
:23:27. > :23:32.pressure on women and men to look their best. As soon as you put a
:23:33. > :23:39.foot wrong, it is everywhere as well as if you look fabulous. We would
:23:40. > :23:42.never say anything negative about anybody, but the light bulb flashes
:23:43. > :23:50.are on you, it is such a brave thing to do, I take my hat off to all of
:23:51. > :23:54.them. It is a brave thing to do. In terms of performances, I did think
:23:55. > :23:57.that Cate Blanchett was excellent in Carroll, but it is a strong
:23:58. > :24:10.category, I would not want to be calling that one. -- Carol. She has
:24:11. > :24:20.fantastic costumes in the film. It really is about the clothes. Cate
:24:21. > :24:23.Blanchett has a lesbian affair with Rooney Mara in 1950s New York and it
:24:24. > :24:28.is about the blossoming of people through their clothes. It is about
:24:29. > :24:33.the smoulder of a cigarette and the touch of a hand on some velvet, it
:24:34. > :24:38.is the coding of those things. That is why Cate Blanchett carries
:24:39. > :24:43.herself so well on the red carpet, the role is about that, she is
:24:44. > :24:53.carrying a bit Carol with her. As she was doing it when she did it for
:24:54. > :24:58.Blue Jasmine a few years ago. It is a beautiful film. You mentioned the
:24:59. > :25:05.wonderful sandy Powell and some great hair and make up nominations.
:25:06. > :25:10.It is stunning to look at. There is not a pin or brooch out of place. It
:25:11. > :25:15.is an absolutely beautiful film. It may be too perfect for someone to
:25:16. > :25:21.go, I love that film, I want it to win. It is so hermetically sealed,
:25:22. > :25:25.almost as if it is a dream. I loved it, I thought the writing and the
:25:26. > :25:29.acting and the cinematography for sure. The director has done a
:25:30. > :25:36.beautiful job of getting his vision across. It is a vision, it is like a
:25:37. > :25:40.dream world, very delicately done. It is probably the film I loved the
:25:41. > :25:46.most, but I know that it does not get over the line may be for people
:25:47. > :25:52.to vote for it. People may want something like Spotlight, that may
:25:53. > :25:57.have a better chance. Carol is the one you swoon over. It is a swoon of
:25:58. > :26:05.the film. Cate Blanchett has already won awards over in the States. It
:26:06. > :26:19.has started to get incredibly noisy, it is hard to hear anything at all.
:26:20. > :26:26.I think we can go back to Lizo. You are up for best documentary, what
:26:27. > :26:32.surprised you most? There are two parts to your answer, as a person I
:26:33. > :26:36.had no idea how witty and funny, how amazingly intelligent Amy was. There
:26:37. > :26:41.was a part of her personality I was not aware of. As an artist, her
:26:42. > :26:45.songwriting was incredible. We really made a point of highlighting
:26:46. > :26:52.her lyrics, they were like papers from her diary. In terms of
:26:53. > :26:56.documentary research and preparation, how'd you get it down
:26:57. > :27:02.to something that is such a short film? That is a challenge, it took
:27:03. > :27:05.three years of making this film, amazing editing, brilliant
:27:06. > :27:12.producing, a lot of research. It took a while. This took three years,
:27:13. > :27:17.the previous film took five years, maybe we are getting there, the main
:27:18. > :27:21.thing is to get it right. What will your next project be? We are working
:27:22. > :27:28.on a couple of things, hopefully once this is all over we will know
:27:29. > :27:33.what we are doing. Good luck. What a wonderful film-maker, you and I are
:27:34. > :27:41.on the same page when it comes to him, we loved Amy, a desperately sad
:27:42. > :27:47.film just as we loved Senna before that. There is Cate Blanchett. It is
:27:48. > :27:50.an Alexander McQueen dress, we should have relied, the
:27:51. > :27:55.craftsmanship involved in any one of his creations is beyond anything. He
:27:56. > :28:01.was a true artist and the company continues that trend. The bottom of
:28:02. > :28:05.this dress is made out of feathers. It absolutely blows in the window.
:28:06. > :28:09.It is absolutely stunning, if you look at the detail around her
:28:10. > :28:14.bodice, the colours, the technicality that has gone into
:28:15. > :28:19.that, that will have been made to fit her perfectly. It just flows
:28:20. > :28:26.out. It is unbelievably elegant. You could see that standing in the halls
:28:27. > :28:30.of the end a flop ever -- in the halls of the Victoria and Albert New
:28:31. > :28:41.Zealand forever. It is so incredibly beautiful. -- in the halls of the
:28:42. > :28:48.Victoria and Albert Museum for ever. She looks so regal. Imagine if she
:28:49. > :28:52.does not win, she will not get to show it off on stage, it is
:28:53. > :28:58.criminal! But she gets to wear the dress and she has won in that way
:28:59. > :29:03.already! Simple hair, not too much going on with the hair and the
:29:04. > :29:09.jewellery is very simple as well. Does Cate Blanchett have a
:29:10. > :29:13.association with McQueen? Some actors have very close ties with
:29:14. > :29:20.certain brands. She is normally with Armani. We may see how wear Armani
:29:21. > :29:32.at the Oscars. She does love to experiment with her clothes even
:29:33. > :29:36.though she doesn't experiment in a weird Bjork way. She has the ability
:29:37. > :29:41.to spot something that suits her very easily, she is tall and slim,
:29:42. > :29:47.most clothes will look fabulous on her, she is very lucky in that way.
:29:48. > :29:55.Fantastic, Cate Blanchett nominated for her role in Carol, adapted from
:29:56. > :30:00.the novel by Patricia Highsmith. Looking over to the left, I was
:30:01. > :30:12.chatting to Joe about styling and we can see that Lizo will speak to
:30:13. > :30:16.Saoirse Ronan. Yes, you have been nominated for the film Brooklyn, did
:30:17. > :30:19.you find it helpful that you had a personal resonance with the
:30:20. > :30:25.character's journey, leaving home and moving to a new place? I did and
:30:26. > :30:28.when you are going through such a similar experience to your character
:30:29. > :30:34.which is something completely new territory for make, at the time you
:30:35. > :30:39.feel quite overwhelmed by it all. In hindsight it probably worked out for
:30:40. > :30:44.the best. It made the whole thing even more emotional for me I think.
:30:45. > :30:48.Another part of the emotional experience is the difficult choices
:30:49. > :30:55.your character has to make. Ultimately I think the choice is
:30:56. > :31:00.about -- I think the film is about a choice, she has to make a for
:31:01. > :31:04.herself. She is faced with the option of one life or another. I
:31:05. > :31:08.love that it kind of gets to this point where she has to choose
:31:09. > :31:14.between the two, it is what is best for her and it is not a decision for
:31:15. > :31:24.anyone else. It was great to get a chance to play that. Enjoy the
:31:25. > :31:28.evening. I was just looking behind me because another big cry went up.
:31:29. > :31:33.You know how it is on the red carpet, lots of people wanting to
:31:34. > :31:37.get autographs and photos. Let's just talk about the wonderful
:31:38. > :31:42.Saoirse Ronan, still very young, very early 20s. I think you have a
:31:43. > :31:46.bit of information on who she was wearing as it were. She was wearing
:31:47. > :31:50.Burberry which is very fitting for a young actress. They are the
:31:51. > :31:56.ambassadors of use and they do manage to capture the way that
:31:57. > :32:01.people are feeling with fashion and they adopted the young punk
:32:02. > :32:05.generation early on with their clothing. She was wearing a
:32:06. > :32:10.strapless dress, very sparkling necklace. Actually quite surprising,
:32:11. > :32:16.a very big piece of jewellery for a young girl to wear. Very colourful.
:32:17. > :32:22.It did compliment the dress that she was wearing. We are just looking at
:32:23. > :32:26.pictures of Kate Winslet getting out of her car at the far end of the red
:32:27. > :32:32.carpet. You were already detecting something of a trend from what we
:32:33. > :32:38.have seen so far, not with Kate Winslet, but elsewhere a lot of
:32:39. > :32:42.metallics. A lot of sparkle and metallics, there were lots of those
:32:43. > :32:48.outfits on the catwalk in the spring, there are also some autumn
:32:49. > :32:57.winter collections we have not seen yet. There is definitely a trend, a
:32:58. > :33:04.lot of detail. Another big screamer goes up behind us, I was chatting to
:33:05. > :33:08.a lot of members of the public earlier... Kate Winslet signing
:33:09. > :33:13.autographs. Some of the people will be very happy. I spoke to them and
:33:14. > :33:17.afternoon, my goodness, I could not believe the number of people who
:33:18. > :33:24.said they arrived in the early hours of Saturday morning. They have
:33:25. > :33:28.basically been out in the London winter for 36 hours, a lot of them
:33:29. > :33:31.slept overnight after collecting their wristbands that allow them
:33:32. > :33:39.into the public section that you can see on the left hand of the screen.
:33:40. > :33:43.You can go home with your wristband, but hard-core stayed here. I cannot
:33:44. > :33:54.tell you how cold it is in London, I said to one lady, you are cold. Yes,
:33:55. > :34:00.I have been cold for 36 hours! Kate Winslet, my goodness, someone that
:34:01. > :34:05.Jason we have seen on red carpets that so many years, she keeps going,
:34:06. > :34:09.she won the Golden Globe for her role in Steve Jobs, she pushes on
:34:10. > :34:17.each year. There is always a performance out there. It is not the
:34:18. > :34:23.Baftas if she is not here. It is the second biggest award ceremony in the
:34:24. > :34:28.world. I think she is terrific in Steve Jobs, she gets the accident
:34:29. > :34:33.right, a Polish American accent. She is the only one who stands up to
:34:34. > :34:37.Michael Fassbender and gives as good as she gets, playing his PA and his
:34:38. > :34:45.conscience. It is a very strange film, Steve Jobs. It is not up there
:34:46. > :34:58.with the best films, Danny Boyle as director. He is such a favourite
:34:59. > :35:01.here at Bafta. It is like a theatrical beast. Especially when
:35:02. > :35:11.Kate Winslet and Michael Fassbender are together, they go at it in a
:35:12. > :35:23.way. It is like watching your ball and John McEnroe. -- Borg. We are
:35:24. > :35:29.seeing a different kind of aspects to Kate Winslet's performance. She
:35:30. > :35:35.does a terrific job. She is probably favourite to seal the wind in the
:35:36. > :35:51.best supporting actress category. -- the wind. We are looking at Steven
:35:52. > :35:56.Spielberg arriving, director of Bridge of Spies. I really enjoyed
:35:57. > :36:05.it. He is getting quite good at this, this Spielberg fell oh! This
:36:06. > :36:10.movie takes its time. -- fellow! It will be a very tight category, Mark
:36:11. > :36:13.Rylance up against Idris Elba. You watch a film like that and you can
:36:14. > :36:22.see some shots in there that no one else can do. The light bulb popping
:36:23. > :36:31.on the floor, just like the cup in Jurassic Park shaking. Spielberg
:36:32. > :36:35.makes events happen as part of this great drama between Mark Rylance who
:36:36. > :36:39.is arrested for being a Russian spy and Tom Hanks who has to go out
:36:40. > :36:44.there and fight for his release foreign exchange in Cold War Berlin.
:36:45. > :36:49.It is not a film I have ever seen before. Nothing quite like
:36:50. > :37:03.Spielberg. He injects it with this energy. It is nominated for best
:37:04. > :37:06.screenplay, the screenwriter worked with the Coen brothers. There is
:37:07. > :37:11.nothing flashy about it, but the many members they really enjoyed it.
:37:12. > :37:20.Younger viewers may have gone to see Star Wars, but he can still do this.
:37:21. > :37:25.It strikes me as one of those films going back to what we were saying
:37:26. > :37:31.about Star Wars, it is a good watch, critically acclaimed. I think that
:37:32. > :37:36.is sort of balance. I am just trying to work out who everyone is shouting
:37:37. > :37:44.for. I think it is the Saoirse Ronan. I think it is. I just spotted
:37:45. > :37:48.Julie Walters arriving and she is in Brooklyn, going back to the film we
:37:49. > :37:55.were talking about before. She gets the funny lines. Type camera deal
:37:56. > :38:00.that the producers are also working on making Brooklyn a TV series. It
:38:01. > :38:05.will be the first film tonight that has a spin off TV series that will
:38:06. > :38:12.be set in that boarding house where Saoirse Ronan goes to when she first
:38:13. > :38:16.arrived in America. I think it is a great idea. Julie Walters has signed
:38:17. > :38:21.up to be in the boarding house. I think it will be a great series. It
:38:22. > :38:25.is interesting to see what is happening with movies, they are the
:38:26. > :38:30.big stuff, but TV is also huge these days. People are looking to have
:38:31. > :38:47.eight part TV series, things that will run and run on digital media.
:38:48. > :38:59.We are seeing Idriss Alber nominated for Beasts of No Nation which was
:39:00. > :39:06.originally all networks -- on Netflix. Best supporting actress
:39:07. > :39:11.nominee, Julie Walters, what was it like playing Saoirse Ronan's Sara
:39:12. > :39:15.get mother. She was a sort of Sara get mother. I could take acting
:39:16. > :39:23.lessons from her. She was 19 when she did that part. Just phenomenal.
:39:24. > :39:33.She is just so honest, the joy, a lovely person. A great director, a
:39:34. > :39:39.wonderful script, I loved playing her because it is my childhood, my
:39:40. > :39:45.mother and her friends and it reminds me of all of that, Heaven.
:39:46. > :39:53.The film really has an incredibly emotional punch to it, what gives
:39:54. > :40:01.it's that power? It is a coming of age sort of film. People love that,
:40:02. > :40:05.getting through, stories about people getting through, but also
:40:06. > :40:11.about duty and love and being torn and lots of people have to leave
:40:12. > :40:16.home. Everybody, not everybody, but most people have moved from our
:40:17. > :40:18.childhood homes and gone on and it wrenches at you and everybody
:40:19. > :40:25.identifies with it. That separation thing. Thank you for talking to us
:40:26. > :40:31.and enjoy the rest of the red carpet. Thank you. Julie Walters, I
:40:32. > :40:35.was quite surprised when we saw the information on the bottom of the
:40:36. > :40:40.screen that she had been nominated for 15 years, she has been very busy
:40:41. > :40:47.making television and not films. She is to horrific actress and she lends
:40:48. > :40:51.great energy Brooklyn. -- she is a brilliant actress. It is a lovely
:40:52. > :40:57.film Brooklyn, a quiet film, but then you realise that there is this
:40:58. > :41:12.magic. Nick Hornby's screenplay is nominated, one to watch out for. It
:41:13. > :41:20.is from Colm Toibin's novel. Was that Valentino? He did. I am very
:41:21. > :41:25.excited about that. He swept past looking at all the fashions as he
:41:26. > :41:31.went, looking a bit cold, he is not used to this weather with his town.
:41:32. > :41:36.He looked very tanned. He did not look like a man used to London. I've
:41:37. > :41:41.just had a close view of Saoirse Ronan's dress, the necklace she is
:41:42. > :41:46.wearing picks up all the colour of the bleeding of her dress. On closer
:41:47. > :41:52.viewing it worked brilliantly. The whole look. It was really beautiful.
:41:53. > :41:56.I suppose that goes back to what you were saying about stylus working
:41:57. > :42:02.with them and making sure everything is perfect. It is very carefully
:42:03. > :42:08.planned. From the jewellery to the way that they style their hair. It
:42:09. > :42:14.has to be on trend, it has to be forward thinking, these people are
:42:15. > :42:23.showing us the fashion trends going through. One film that we have not
:42:24. > :42:39.talked about a great deal tonight is Trumbo and I can see Bryan Cranston
:42:40. > :42:44.standing on the red carpet. What an incredible talent, how difficult was
:42:45. > :42:50.it getting underneath his skin? He is a man who did not want this fight
:42:51. > :42:54.to come to him, but when it didn't he wanted and needed to defend his
:42:55. > :42:58.Civil Liberties, the right to free speech, the right to assemble, the
:42:59. > :43:03.right to be a member of any political party he chooses. In any
:43:04. > :43:07.enlightened society we should be wise enough to be able to embrace
:43:08. > :43:12.that kind of diversity and not be afraid of somebody else's opinion
:43:13. > :43:19.that may differ from ours. For you is at a film about the individual or
:43:20. > :43:26.a film about American history? -- is it. I don't think you can divide the
:43:27. > :43:30.two, there was an assault on civil liberties and that was a blight on
:43:31. > :43:35.the foundation of American principles. For me it was just about
:43:36. > :43:40.being able to get into that man's skin and be able to as honestly as I
:43:41. > :43:45.could betray that sensibility. How did you research it, did you look at
:43:46. > :43:52.old newsreels, films? One of the things that is good about a
:43:53. > :43:55.nonfictional character is the availability of source material,
:43:56. > :43:58.video tape, his daughters are alive and well and they helped from
:43:59. > :44:09.industry. Thank you for talking to us. Thank you. Bryan Cranston
:44:10. > :44:14.playing Dalton Trumbo, a film I felt should have been better because the
:44:15. > :44:22.story is so fantastic, so much rich material about the McCarthy, the
:44:23. > :44:29.blacklisting of lots of screen writers. He was really good, I
:44:30. > :44:36.cannot put my finger on it. I always liked there being a floor mat --
:44:37. > :44:41.being a flamboyant writer who becomes the hero! People will be
:44:42. > :44:46.surprised to see how well he changes, he sits in the bar typing
:44:47. > :44:59.away, the big cigarette holder, drinking whiskey. It is a great
:45:00. > :45:07.performance, very different to Breaking Bad. John Wayne pops up,
:45:08. > :45:11.Dame Helen Mirren is in their, but Bryan Cranston is representing
:45:12. > :45:14.Trumbo at the moment. Lets talk more about Steve jobs. I am with Michael
:45:15. > :45:24.Fassbender. How tricky was getting under the
:45:25. > :45:30.skin of a man as complex as Steve jobs? It was tricky! I spend a lot
:45:31. > :45:34.of time with the script and a lot of time with him however I could
:45:35. > :45:41.through watching videos, whatever was out there. Just bending time
:45:42. > :45:44.with the script. It is a dramatisation, the story we are
:45:45. > :45:50.telling is the script at the moment we are telling are in there, so I
:45:51. > :45:54.try to focus on that and just get a handle on the words but also the
:45:55. > :46:02.cadence and rhythm that are rights to and respecting that and doing it
:46:03. > :46:06.justice. And also trying to integrate as best as possible with
:46:07. > :46:11.the other ensemble members. If one person loses that rhythm than the
:46:12. > :46:15.whole piece can sort of fall apart. Really that's a long way of saying
:46:16. > :46:21.that most of the work was based on the script. What was your approach
:46:22. > :46:27.to him, if large family man or a creative genius? I think creative
:46:28. > :46:34.genius for sure. Someone who are robbery wealth of focus, passion and
:46:35. > :46:38.drive. So much so that he bent the universe, at least the one that we
:46:39. > :46:46.live in and how we live and communicate. How we shop, watch
:46:47. > :46:57.movies, listen to music. Bags for your time. -- thanks for your time.
:46:58. > :47:01.Michael Fassbender, a talented man. We both really liked him in Steve
:47:02. > :47:06.jobs. But it was a film that certainly did not go down too well
:47:07. > :47:11.in America, did it? It didn't. I'm not sure what reason, perhaps too
:47:12. > :47:15.talkative. Michael Fassbender is extraordinary, he gives this
:47:16. > :47:21.performance of Steve jobs over three different periods of his life.
:47:22. > :47:26.Michael Fassbender can make working on a computer exciting. And he has
:47:27. > :47:32.had a terrific year, he was Mike also, many thought that might be
:47:33. > :47:38.nominated here. -- he was in Macbeth. He has always been a
:47:39. > :47:44.magnetic star since he broke through with Hunger a few years ago. He has
:47:45. > :47:50.become one of our greatest actors on screen, magnetic, a hugely popular
:47:51. > :47:55.guy, very easy on the eye and a cool guy come he brings a fresh air to
:47:56. > :47:58.stardom and seems to wear red lightly. He is great fun to have at
:47:59. > :48:03.the after parties as well, and all-round good blog! They could be
:48:04. > :48:09.that on the film poster, all-round good blog. Julie Walters, there was
:48:10. > :48:12.an enormous screen for her from the crowd behind me which is lovely
:48:13. > :48:16.because you get used to them shouting for Leonardo DiCaprio and
:48:17. > :48:20.Cate Blanchett and the other big names, not that she is not a big
:48:21. > :48:30.name, but in film terms perhaps less so than the Cate Blanchetts of this
:48:31. > :48:34.world. And as I looked down at Lizo Mzimba, down at the other end of the
:48:35. > :48:39.red carpet, he has the director of one of my favourite films of the
:48:40. > :48:44.year. I am of Tom Hooper, the man behind The Danish Girl. For
:48:45. > :48:50.outstanding British movie. How tricky was getting head around
:48:51. > :48:54.subject subject matter? It has been an eight year journey to bring that
:48:55. > :48:59.to the screen, the writer has an working on it for 15 years. I always
:49:00. > :49:03.connected with the incredible love story at the centre of this film, I
:49:04. > :49:06.found it incredibly moving. And I suppose the main battle was just to
:49:07. > :49:14.get it onto the big screen in the first place so I am pleased we are
:49:15. > :49:18.here. And we took a lot of advice. Eddie and I met many inspiring trans
:49:19. > :49:23.men and women who shared their stories and educated us about what
:49:24. > :49:28.the character might have gone through a hundred years ago. Lily
:49:29. > :49:32.was going through this at a time when there was no precedent and the
:49:33. > :49:38.was no word transgender. One can only admire her bravery as we look
:49:39. > :49:45.at how the world is beginning to catch up with her as a pioneer. It
:49:46. > :49:51.is an incredible historical story that has relevance today in the
:49:52. > :49:55.21st-century. Yes, and it is unusual to tell a story that is most 100
:49:56. > :49:59.years old but is only just coming into its own right now. That is
:50:00. > :50:08.banks to some other great TV and film making that has gone on over
:50:09. > :50:15.the last few years, transparent, Oranges New Black there is must be
:50:16. > :50:22.the tipping point for a trans-drama. Thanks for your time. Tom Hooper,
:50:23. > :50:27.director of The Danish Girl, we saw Alicia Vikander earlier, she arrived
:50:28. > :50:34.looking absolutely stunning. And Julianne Moore, this time last year
:50:35. > :50:42.she was the toast of London and Hollywood given that heartbreaking
:50:43. > :50:48.but wonderful film, Still Alice. She returns the reigning champion, I
:50:49. > :50:54.think. And she is still a wonderful start, she has new film out this
:50:55. > :50:59.week. She can get in promotion for that as well. A film of people
:51:00. > :51:05.expected to be nominated, has not quite made the grade, but she is
:51:06. > :51:09.still a terrific start and last year's Still Alice is still fresh in
:51:10. > :51:17.people's memory, a film about early onset Alzheimer's. The BAFTAs shows
:51:18. > :51:22.the stars are happy still just a common present, 90 present of people
:51:23. > :51:33.nominated have turned up. -- 90 present. The magnet of this red is
:51:34. > :51:37.still strong. It has grown and grown over the last ten years. It has
:51:38. > :51:45.become a much stronger pool. And we still expect Leonardo DiCaprio to be
:51:46. > :51:52.here, names like that. Leonardo and Kate Winslet together, since
:51:53. > :51:59.Titanic. I help we are all safe here! Let's hope so. That was
:52:00. > :52:03.Benicio Del Toro we just saw. Yes, a wonderful performance in the film
:52:04. > :52:09.Sicario, a little overlooked. It was about the war on drugs in the
:52:10. > :52:13.Mexican border. He plays this will like assassin. I think he is
:52:14. > :52:19.terrific in there. Much was made in the US but he was not nominated,
:52:20. > :52:22.this diversity issue. In the BAFTAs we're seeing them perhaps slightly
:52:23. > :52:28.more inclusive than the Oscar race has become. Which I think is a major
:52:29. > :52:33.coup for BAFTA. And they can perhaps even improve on that and see more
:52:34. > :52:40.edgy films being nominated. There are some cool stuff going on at
:52:41. > :52:45.BAFTA. Just remind us, Jason, who votes? Who makes up after? Huge
:52:46. > :52:54.number of members. 6500 voting members. They are not all film
:52:55. > :53:01.people. It is made up of film folk, TV producers, actors and writers,
:53:02. > :53:08.and also gaming, I am no expert on gaming. But there are people who do
:53:09. > :53:10.gaming to gamble for BAFTA. Perhaps they will vote for The Revenant
:53:11. > :53:14.because it is like one of those endless running games. That is why
:53:15. > :53:24.the BAFTAs is different from the Oscars and beget a different kind of
:53:25. > :53:27.result. I'm with Kate Winslet nominated for Best supporting
:53:28. > :53:32.actress in Steve jobs. You play almost his moral conscience, his
:53:33. > :53:37.long-standing love. What was it like working with Michael Fassbender on
:53:38. > :53:41.that? It was definitely one of the highlights of my whole working life
:53:42. > :53:45.to work with Michael Fassbender. He is an incredible actor and is so
:53:46. > :53:50.dedicated and committed. His focus every day was extraordinary to be
:53:51. > :53:57.around. And I feel very proud of the film and incredibly proud of him and
:53:58. > :54:02.impressed by his performance. How easy is to betray someone such a
:54:03. > :54:07.long period of time? And someone who was due to the story but about him
:54:08. > :54:11.so was known? It was quite hard. I did not know anything about her, and
:54:12. > :54:15.so spending time with the real Joanna, which I was able to do, was
:54:16. > :54:17.really helpful because she was able to talk to me about her friendship
:54:18. > :54:24.with Steve, not just the working relationship. And it was the
:54:25. > :54:27.friendship that was almost more important for me to know about. All
:54:28. > :54:36.this shouting, it is probably legal! Yes, it is Leo! Such an
:54:37. > :54:42.interruption! But it was fantastic to have that time because I was able
:54:43. > :54:49.to talk with her about Steve, and that is what kept the film warm at
:54:50. > :54:54.its centre between the two of them. She can get a side on him that not
:54:55. > :54:57.everyone can get. She got the behind-the-scenes version of Steve
:54:58. > :55:01.jobs, and that was a lot of fun to play around with. Thanks, Kate.
:55:02. > :55:15.Alleging Doctor Leonardo, you do have a lot to catch up with! No, we
:55:16. > :55:26.see job all the time! I can barely feel my toes, I can't imagine what
:55:27. > :55:33.it is like for Howard! -- for her. Kate Winslet lights are more fitted
:55:34. > :55:38.dresses. And so she is showing off her figure in this particular
:55:39. > :55:42.outfit, and her shoulders. One thing we can pick up is that all these
:55:43. > :55:53.actresses are wearing the most incredible jewellery. A lot of big
:55:54. > :56:00.dangle earrings. Maybe we will see some more dresses coming through
:56:01. > :56:06.with big necklaces later on. I love that beautiful bracelet, simple but
:56:07. > :56:09.stunning. It is, and it is an opportunity for jewellery houses to
:56:10. > :56:13.show off the most spectacular of their pieces. It is not often the
:56:14. > :56:19.public will see this type of jewellery. It is incredible, very
:56:20. > :56:24.high value. And these actresses are the perfect people to wear it.
:56:25. > :56:31.Unaffordable for us mortals, but we can dream. We can, and there are
:56:32. > :56:39.other ways of showing them. There is Bryan Cranston. This is the shot we
:56:40. > :56:44.see just before the guests walking to the Opera house, over to our
:56:45. > :56:48.left. The reason you could not cure yourself think earlier was because
:56:49. > :56:52.the most enormous screen went up for Bryan Cranston, quite deafening. And
:56:53. > :57:00.I am guessing that as people who love breaking bad rather than
:57:01. > :57:06.Trumbo, dare I say. I was more fond of Trumbo the new, and I like that
:57:07. > :57:09.period of 1950s Hollywood that it recreates, but you're right, it is
:57:10. > :57:12.not the most popular of movies and I don't think Bryan Cranston will win
:57:13. > :57:16.tonight. It is great for him to have broken through from TV, White later
:57:17. > :57:21.his career, to become a movie star, and here's seizing this moment. I'm
:57:22. > :57:26.not sure that will happen for him a lot. There are not that many parts
:57:27. > :57:30.for all directors to come on with and get to award season with. I'm
:57:31. > :57:35.glad he is living it and enjoying it and glad that the audience are
:57:36. > :57:42.really picking up on that. It is what we were talking about, that TV
:57:43. > :57:49.and movie crossover. It really is bubbling under. If you have a TV
:57:50. > :57:52.hits you are suddenly a movie star. If you are in general thrones or
:57:53. > :58:04.down to Gnabry, you suddenly can be in movies. -- game of thrones. It
:58:05. > :58:09.will change the way movies are made. Some of us have been watching Maggie
:58:10. > :58:20.Smith for our whole lives, and you come up with a 20 old who thinks she
:58:21. > :58:24.is only famous for Downton Abbey. And we're still waiting for a few
:58:25. > :58:28.big names. We have not seen Leonardo, but we know he is coming
:58:29. > :58:37.to light. That'll teach me to mention his name... I think you
:58:38. > :58:43.might be in that car. He is apparently somewhere at the far end.
:58:44. > :58:46.There he is, Leonardo DiCaprio, and that might be the man a lot of
:58:47. > :58:53.people are talking about tonight. One thing we can say for sure, that
:58:54. > :58:57.film company has made it clear how horrendously hard it was to make the
:58:58. > :59:02.film, The Revenant, filmed on location in Canada. The only shot
:59:03. > :59:08.for a few hours a day using natural light. It certainly looks beautiful,
:59:09. > :59:13.but the conditions were grim. A bit of an endurance test. It is about
:59:14. > :59:18.Leonardo DiCaprio who gets left for dead, mauled by a bear, left four
:59:19. > :59:26.dead in the town, and makes his way back, the title, The Revenant, is
:59:27. > :59:32.French for back from the dead. It is a survival picture. It has done very
:59:33. > :59:39.well, become a popular film, with big box office. A lot to do with the
:59:40. > :59:44.star power of Leonardo DiCaprio. The people who stayed out all night here
:59:45. > :59:48.at the BAFTAs will know how he felt in that movie. But they have made a
:59:49. > :59:52.lot of how hard and arduous it was to make the movie. I'd treat that
:59:53. > :59:57.with some scepticism. There is a warm trailer and a cup of tea
:59:58. > :00:03.waiting for just off-screen. That said, he is a tremendous movie star,
:00:04. > :00:07.he has been up and down this carpet many times, nominated for times. I
:00:08. > :00:11.think this is the time we will finally see him crowned. He is not
:00:12. > :00:19.just the child star anymore, Romeo and Juliet or Jack from Titanic. He
:00:20. > :00:24.is a bona fide movie star upon which much of this hinges. He is the big
:00:25. > :00:28.name and I think you will go home with the trophy. I think he deserves
:00:29. > :00:32.it. The Revenant perhaps not my favourite film of his, but a
:00:33. > :00:35.tremendous performance full stop he won the Golden Globe and we are a
:00:36. > :00:44.couple of weeks away from the Oscars. Everyone is saying, could it
:00:45. > :00:48.be his year at the Oscars? It would be extraordinary for him not to win
:00:49. > :00:57.it again. And I think he is probably the best star out there. I think the
:00:58. > :01:00.male actor category is not surely. Buttle Fassbender is terrific but
:01:01. > :01:09.not as obvious a winner as Leonardo DiCaprio. I will put my big money on
:01:10. > :01:13.Leonardo tonight, and if I go home poor, that is the perils of this
:01:14. > :01:19.business. Julianne Moore posing for pictures as she goes in. Let's head
:01:20. > :01:26.to Lizo Mzimba, and other star of television. Giving away one of the
:01:27. > :01:36.worst tonight, and Biglia Clark from the series Game Of Thrones. What is
:01:37. > :01:42.it like walking down the red carpet and getting as many screams as the
:01:43. > :01:48.film stars? It is amazing. It is cold, but it is nice to be back. And
:01:49. > :01:54.what are you giving away tonight? Special effects denied, with Matt
:01:55. > :02:04.Smith. And a little film called Star Wars in their? I think it might get
:02:05. > :02:12.it, but I'm just guessing! Game Of Thrones at huge success, any chance
:02:13. > :02:19.of a Game Of Thrones movie? There are rumours. It makes sense, we will
:02:20. > :02:24.have two wait-and-see. Is a crude was your first big audition out of
:02:25. > :02:29.drama school? Pretty much. Has it changed your life? It has changed my
:02:30. > :02:37.life entirely, in the best way, in an amazing way. Dragons, they are
:02:38. > :02:47.life changing! A pleasure, thank you. Immediate Clark from Game Of
:02:48. > :02:53.Thrones. Not wearing a necklace, did she not get the memo? Wearing a
:02:54. > :03:04.plunging neckline and a very bold colour which is on trend. She looked
:03:05. > :03:10.very simple, a small and perfectly formed actress. Someone who
:03:11. > :03:16.particularly codger imagination, Julianne Moore we saw just going in.
:03:17. > :03:24.She swept down behind us, wearing Armani. By the time she got here,
:03:25. > :03:28.because it is so cold, she had a beautiful black cape on and looked
:03:29. > :03:39.amazing with the Gjedde earrings she was wearing. Again, I think of her
:03:40. > :03:46.in the Cate Blanchett category of having a good sense of what suits
:03:47. > :03:49.her, having an individual style. What is great about the actresses
:03:50. > :03:53.who are a little older, they have done this for a long time, they know
:03:54. > :03:57.what will work well on the red carpet because they have experience,
:03:58. > :04:02.and they can use that experience in situations like this. They will not
:04:03. > :04:08.experiment. They probably did when they started out. That is really get
:04:09. > :04:13.these very elegant looks on some of these Morris published actresses.
:04:14. > :04:18.And we can just see Dame Maggie Smith in the centre of the crowd,
:04:19. > :04:26.but is our camera at the far end of the red carpet. Expecting quite a
:04:27. > :04:31.big cheer, it is increasingly noisy hearing Covent garden. Mark Ruffalo
:04:32. > :04:39.just went past. Someone we talked about earlier. And great performance
:04:40. > :04:44.in Spotlight as we mentioned. And it is Maggie Smith we hope to hear
:04:45. > :04:51.from. The lady in the van, equipped essential British film, some might
:04:52. > :04:59.say. And added from one of Alan Bennett's fabulous works. And now we
:05:00. > :05:03.can hear from another rising star. I am joined by Dakota Johnson. Or does
:05:04. > :05:08.it like being nominated for something like this? It is
:05:09. > :05:14.incredible. I'm honoured and shocked. It is very exciting to be
:05:15. > :05:20.here and even be considered and surrounded by these incredibly
:05:21. > :05:24.talented people. It is amazing. Yup and working on your career for quite
:05:25. > :05:27.a long time, does it feel as if you have achieved overnight success or
:05:28. > :05:35.does it feel like the end of a long road? Or the start of a long road?
:05:36. > :05:40.The latter. It has been a crazy year, but only really a year. There
:05:41. > :05:46.is a lot going on, but hopefully it is not over. And how important has
:05:47. > :05:52.that movie been for you last 12 months? Amazing. It has changed my
:05:53. > :05:58.life. It is exciting, every day is exciting. And have you seen the
:05:59. > :06:04.other movies tonight? Any particular favourites? I have seen most of
:06:05. > :06:09.them. I am very excited. I have a few friends that are nominated and I
:06:10. > :06:22.am just looking forward to everybody having a good night. Best of luck
:06:23. > :06:31.tonight. Dakota Johnson talking to Lizo Mzimba. And Jill, you were
:06:32. > :06:39.reflecting another peer download, not embellished by jewellery. I
:06:40. > :06:43.think when you do wear a bold colour it is idea to play down. A simple
:06:44. > :06:52.look, very fragile, what Dakota Johnson was wearing. She was wearing
:06:53. > :06:57.strong lips and eyes, so she made up her look in other ways than with
:06:58. > :07:04.jewellery. The trend is very low maintenance make public, but she was
:07:05. > :07:12.wearing almost a red eye shadow. It is fair to say as militaries
:07:13. > :07:16.pictures of Maggie Smith, we have not talked quite as much about the
:07:17. > :07:21.men as we should. We started off the conversation by saying it is just as
:07:22. > :07:26.important when we think of someone like Eddie Redmayne, very strong
:07:27. > :07:32.fashion associations. Has anything I did you with any of the men's
:07:33. > :07:36.outfits? Is that something fashion houses still want to work on?
:07:37. > :07:42.Getting mail brand awareness about their? Absolutely, the male fashion
:07:43. > :07:48.industry has grown, and because of social media and the stars on the
:07:49. > :07:56.carpet, people are paying attention to what they are wearing. I have
:07:57. > :08:03.noticed a lot of velvet tux jacket. Also quite a slim cut in tailoring.
:08:04. > :08:11.The menswear, it is a very important market for designers. And certainly
:08:12. > :08:15.when you have got an amazing looking actors like Michael Fassbender or
:08:16. > :08:23.Eddie Redmayne, it is the perfect mannequin for your designs. And
:08:24. > :08:26.there is the wonderful Idris Elba. Jason, you were explaining the
:08:27. > :08:36.nuances of his film. Another television linkup. That's right it's
:08:37. > :08:41.a film that was made and financed on Netflix. It only had a small release
:08:42. > :08:48.on the big screen here. People were wondering if a qualified even, but
:08:49. > :08:58.he did get a nomination for his role as a warlord. I to cut you off, but
:08:59. > :09:04.Lizo Mzimba has a big star. I'm joined by Eddie Redmayne. Nominated
:09:05. > :09:10.for his film The Danish Girl. How difficult was it externalising the
:09:11. > :09:17.turmoil of the character? You know, I suppose for me the more convoluted
:09:18. > :09:21.site for me was at internal journey. I had a long time to prep for this
:09:22. > :09:25.film and I met a lot of women from the trans community and they were
:09:26. > :09:31.incredibly generous. And historical story that is real relevance in the
:09:32. > :09:35.21st perhaps even more so. It has been extraordinary for us as we made
:09:36. > :09:39.the film as it came out how trans issues have come into the mainstream
:09:40. > :09:42.media. What a shocking to me is that it is most 100 years since her
:09:43. > :09:46.story, and whilst there has been progress in the last year two there
:09:47. > :09:53.were still a long way to go. Hopefully in some way the film helps
:09:54. > :09:57.encourage the conversation. And your co-star Alicia Vikander nominated
:09:58. > :10:02.twice, you must be thrilled for her. Thrilled, she is wonderful I can be
:10:03. > :10:06.more thrilled for. I am presenting the best supporting actress one, so
:10:07. > :10:12.fingers crossed. Thanks, Eddie. Nice to see you. The ever charming Eddie
:10:13. > :10:16.Redmayne, also presenting an award this year. Last year we were all
:10:17. > :10:22.talking about him because of his performance as Stephen Hawking. Yes,
:10:23. > :10:27.he is back in The Danish Girl. A transformative performance. He did
:10:28. > :10:34.that last year and does it again here. Playing one of the first
:10:35. > :10:38.transitioning artists towards a six change operation in the 1920s in
:10:39. > :10:46.Denmark. I preferred his performance last year, The Danish Girl did not
:10:47. > :10:52.do it for me. I found it too much acting. As a film overall I liked
:10:53. > :11:00.The Danish Girl enormously. It is the sort of film at BAFTA likes. It
:11:01. > :11:04.looks very nice and has lovely furniture, Newbiggin looks lovely.
:11:05. > :11:11.Another movie that I would want to see much anymore. We would just
:11:12. > :11:17.knocking about Eddie Redmayne and there he is. He was wearing
:11:18. > :11:25.Valentino which is a very successful brand at the moment. It was the
:11:26. > :11:33.catwalk show that the lander decided to launch, it is a very hot label at
:11:34. > :11:37.the moment, perfect for him to wear. And one assumes that is why we solve
:11:38. > :11:41.Valentino walking up the red carpet half an hour ago. One assumes.
:11:42. > :11:48.Perhaps they will sit at the same table. You know far more about the
:11:49. > :11:53.fashion industry than I do, but Eddie Redmayne seems as if he can do
:11:54. > :11:56.no wrong. In acting terms as well, but to have that crossover, to be
:11:57. > :12:03.used as a model by such big names in the way he is. Do traditional
:12:04. > :12:06.models, people who surely make their living out of modelling, do they get
:12:07. > :12:11.upset when actors and actresses come and steal their thunder? I don't
:12:12. > :12:15.think so because it has been going on for quite a long time. We have a
:12:16. > :12:23.lot of faces who are ambassadors for brands. Adding the models are doing
:12:24. > :12:28.all right. And I think it is great when you have a personality like
:12:29. > :12:32.Eddie. He is such a skilled craftsman, it says a lot about their
:12:33. > :12:40.own brand so I had a stand by the ghost of actors. It has been a while
:12:41. > :12:45.since we talked about the film The Big Short. Let's back to Lizo Mzimba
:12:46. > :12:51.for more. I am with the writer and director Adam McKay. Firstly, it
:12:52. > :12:55.would be easy to read a very serious and intense study of the run-up to
:12:56. > :13:01.the crash, you took a different direction. Why was that? I really
:13:02. > :13:07.feel like this information is exciting. It has energy to it, as I
:13:08. > :13:11.think a lot of people think finance has to be boring, part of my goal in
:13:12. > :13:17.this movie was to excite people and give them energy about what this
:13:18. > :13:25.film is about. That's why we chose the path of showing the true story.
:13:26. > :13:34.How challenging wasn't trying to keep audiences and gazed with a film
:13:35. > :13:37.full of financial models in terms. It was tricky. I did a lot of
:13:38. > :13:42.reading and asked a lot of questions. But eventually you
:13:43. > :13:47.realise it is just about moving their money around. We give us a lot
:13:48. > :13:51.of fancy names and try to confuse you, it is not that hard at the
:13:52. > :13:57.root. Once I got that I was able to put the movie together. An
:13:58. > :14:01.incredible cast, denied of course Christian Bale nominated for Best
:14:02. > :14:05.supporting actor. You must be pleased for him. Christian Bale is
:14:06. > :14:11.so amazing. This whole cast is incredible. Some of the best actors
:14:12. > :14:15.working today. And we really needed that for this movie. We did actors
:14:16. > :14:20.who would transform and become real people to draw in the audience. And
:14:21. > :14:25.everyone was on board. I am thrilled for a Christian Bale. The work you
:14:26. > :14:36.did on this movie is amazing. Adam, thank you for talking to us. Thank
:14:37. > :14:39.you so much. The Big Short. Will that be one of the winners here
:14:40. > :14:45.tonight? We will know in the next few hours. And it will not surprise
:14:46. > :14:49.you to learn that a very large scream has been going on for
:14:50. > :14:55.Leonardo DiCaprio. Jason, you describe him as the ultimate,
:14:56. > :15:02.Bournemouth Ideye film star, -- bona fides on star. And that is borne out
:15:03. > :15:06.by people queuing for a 36 hours for him. That is one of the men they
:15:07. > :15:13.wanted to see. I hope you took a few minutes to sign autographs because
:15:14. > :15:18.he really is very popular indeed. We are edging up to the end of our time
:15:19. > :15:22.here on the red carpet. There will be more later because beatified out
:15:23. > :15:28.who has won. Let's get some closing thoughts. What has stood out for you
:15:29. > :15:33.tonight on the red carpet? What stays in your mind?
:15:34. > :15:39.The amount of drama in some of the outfits. Cate Blanchett looked so
:15:40. > :15:49.beautiful, she glided down the plaque form, absolutely amazing.
:15:50. > :15:55.Jason, as we leave with these images of Leonardo DiCaprio, your very
:15:56. > :16:01.quick guesswork. I think it will be his night tonight, I don't know
:16:02. > :16:05.which film will win. The only thing I am disappointed about is there
:16:06. > :16:09.will be a different British film and won Best film, one is American and
:16:10. > :16:15.one is British, we should say we are good enough to take on the Americans
:16:16. > :16:20.in the Best film category. I am hoping 45 years wins the Britain. I
:16:21. > :16:26.think Amy for best documentary is a shoo-in. I cannot tell you for sure
:16:27. > :16:33.what will happen. There are some very good films here tonight. Many
:16:34. > :16:38.thanks for being here tonight. We will find out more in the next few
:16:39. > :16:43.hours, from London's Covent Garden, that is all for now.