0:00:00 > 0:00:05And a warning that the programme does contain some strong language.
0:00:11 > 0:00:12CHEERING
0:00:12 > 0:00:17CHEERING.
0:00:26 > 0:00:30Royal Highness is, my lords, ladies and gentlemen and everybody watching
0:00:30 > 0:00:38at home. A very warm welcome to the British film Academy awards, Baftas
0:00:38 > 0:00:44annual selection of excellence in film. Original music and make up and
0:00:44 > 0:00:53hair now is surrogate parlour in and Gemma Chen.Is take a look at the
0:00:53 > 0:00:54nominations are.
0:00:54 > 0:00:55-- Sergei.
0:00:57 > 0:01:00-- let's take a look at the nominations.
0:01:46 > 0:01:56And the BAFTA goes to. The shape of water.APPLAUSE
0:01:56 > 0:02:02And the BAFTA goes to. The shape of water.APPLAUSE.Quite a venue for
0:02:02 > 0:02:11music. Thank you, it is marvellous. Your film is unique and the poetry
0:02:11 > 0:02:19that you have given us is amazing. For music, there is a very good
0:02:19 > 0:02:24bonding between music and poetry, so thank you very much. Is marvellous.
0:02:24 > 0:02:30Also, my agent, thank you.With their incredible skill and attention
0:02:30 > 0:02:34to detail, the great hair and make-up team will bring the look of
0:02:34 > 0:02:38the character to life.Is look at the nominations. -- let's.
0:03:33 > 0:03:44And the BAFTA goes to... Darkest Hour.
0:03:50 > 0:04:05Oh my goodness. Well, from all of us, thank you. Thank you to my
0:04:05 > 0:04:10lovely team who helped us on this film. The amazing cast, very
0:04:10 > 0:04:14supportive producers and I have to say Joe Wright, it is always a
0:04:14 > 0:04:18pleasure to follow your lead. Thank you so much.APPLAUSE
0:04:18 > 0:04:21pleasure to follow your lead. Thank you so much.APPLAUSE.The next
0:04:21 > 0:04:25awards are for costume design and animated film. It is Edward
0:04:25 > 0:04:36Holdcroft and from dark Tower, Tom Taylor.Thank you. The range of
0:04:36 > 0:04:40design in this year 's nominations shows us the incredible combination
0:04:40 > 0:04:45of creativity and craft that makes a truly great designer.The nominees
0:04:45 > 0:04:48are...
0:06:06 > 0:06:17And the BAFTA goes to... Phantom Thread, Mark riches. -- bridges.
0:06:22 > 0:06:27Hello. First I need to thank Paul Thomas Anderson for writing a
0:06:27 > 0:06:36script, a story about a British coup to a person and letting the design
0:06:36 > 0:06:41it. This is important to me because British film has always been an
0:06:41 > 0:06:45inspiration to me. Something to admire and something to aspire to as
0:06:45 > 0:06:51a level of quality. So I treasure this, thank you.
0:06:55 > 0:06:59The three films nominated this year are a reminder of what is possible
0:06:59 > 0:07:03once a filmmaker leaves behind the possibilities of the physical world
0:07:03 > 0:07:06and it is a universe of limitless possibility.Here are the
0:07:06 > 0:07:09nominations.
0:07:11 > 0:07:12-- and enters.
0:07:18 > 0:07:27If I want to get to the land of the living, I need a blessing! That is
0:07:27 > 0:07:32really specific. He is my great-great-grandfather.Later that
0:07:32 > 0:07:35summer he would hang around these rich boys who threw big boating
0:07:35 > 0:07:48parties are. -- big boating parties. Vincent seemed shy around them.You
0:07:48 > 0:07:52never did have much luck with women.
0:08:07 > 0:08:12And the BAFTA goes to... Coco.
0:08:22 > 0:08:26Thank you to the British Academy for this award, it is an incredible
0:08:26 > 0:08:30honour. I would like to share it with legions of talented and
0:08:30 > 0:08:35passionate people on my crew. That the people of Mexico, your culture
0:08:35 > 0:08:38and traditions inspired me to make cocoa and it would not exist without
0:08:38 > 0:08:42you and your endlessly beautiful celebration of the day of the dead.
0:08:42 > 0:08:46With Coco we try to take a step forward towards a world where
0:08:46 > 0:08:50nonwhite children can grow up to see characters in movies that live and
0:08:50 > 0:08:54talk like they do. Representation matters. Marginalised people deserve
0:08:54 > 0:09:07to feel like they belong. I hope that we have made a difference and I
0:09:07 > 0:09:15hope it is just a beginning. Muchos gracias.Please welcome Haley
0:09:15 > 0:09:23Squires and Natalie Dormer.Sydney Pollack said that editing feels like
0:09:23 > 0:09:28Scott in. Well now we get to honour our sculptors.
0:09:28 > 0:09:28-- scultping.
0:09:53 > 0:09:56Are you out of your mind?
0:10:31 > 0:10:33And the BAFTA goes to...
0:10:37 > 0:10:4280 Driver.
0:10:45 > 0:10:46-- Baby Driver.
0:10:48 > 0:10:55Thank you to after, of course. You know, I think you are very lucky as
0:10:55 > 0:10:59an editor if you get the opportunity to work with someone of the calibre
0:10:59 > 0:11:04of of a go right. For me, it is the doing of it, it is its own reward,
0:11:04 > 0:11:08so for something like this it just makes it extra special, so thank you
0:11:08 > 0:11:15so much indeed.Documentary makers cannot rewrite reality. They must
0:11:15 > 0:11:19forge their stories from the world as they find it, although, to be
0:11:19 > 0:11:22fair, it must be easier to find crazy stories from real life these
0:11:22 > 0:11:26days.Here are the nominations.
0:11:35 > 0:11:38Were you the mastermind of a statewide system that cheated the
0:11:38 > 0:11:39Olympics?
0:11:45 > 0:11:51The future of the Negro in this country is precisely as right or as
0:11:51 > 0:11:53dark as the future of the country.
0:11:56 > 0:12:01There is a wake-up call here and that is climate change and our
0:12:01 > 0:12:06vulnerability to get. It was true ten years ago, it was true five
0:12:06 > 0:12:09years ago, it was undeniable today.
0:12:28 > 0:12:34I could hardly believe it. Four months the chimps had been running
0:12:34 > 0:12:43off when they saw me, now one had actually visited my camp.And the
0:12:43 > 0:12:49BAFTA goes to...I am not your Negro.
0:13:02 > 0:13:10Thank you very much. I want to thank the British Academy for this award,
0:13:10 > 0:13:14I am very honoured and humble. I need to thank the great James
0:13:14 > 0:13:16Baldwin.APPLAUSE
0:13:16 > 0:13:23need to thank the great James Baldwin.APPLAUSE.James Baldwin,
0:13:23 > 0:13:32who is the perfect, the perfect image of a great humanist and he
0:13:32 > 0:13:43left us with words that are today urgently necessary in a world of
0:13:43 > 0:13:46unapologetic ignorance. Thank you so much to all.APPLAUSE
0:13:46 > 0:13:52unapologetic ignorance. Thank you so much to all.APPLAUSE.We now move
0:13:52 > 0:13:55on to outstanding British contribution to cinema in honour of
0:13:55 > 0:14:00Michael Balkan. To present it is a brilliant actress, a great friend
0:14:00 > 0:14:06and a consummate professional. Celia Emery.The National film and
0:14:06 > 0:14:09television School has been a collaboration between the government
0:14:09 > 0:14:15and the industry since 1971. And just look at the winners it can
0:14:15 > 0:14:18boast. Here are the sparkling names that have come through. Nick Park,
0:14:18 > 0:14:28Molly Dineen and Rajan, Roger Deakin 's. And here to receive the award,
0:14:28 > 0:14:34please welcome John Ward will and Nick Powell.
0:14:44 > 0:14:46It is a tremendous honour to
0:14:47 > 0:14:49It is a tremendous honour to collect this award on behalf of the
0:14:49 > 0:14:54students, staff, governance and graduates of our school. For almost
0:14:54 > 0:14:59five decades we have been at the forefront of developing food film,
0:14:59 > 0:15:03television and games makers who are not only highly valued members of
0:15:03 > 0:15:07the industry and widely in demand but who also have the skill, talent
0:15:07 > 0:15:12and social conscience to lead it. Thank you, BAFTA. This means a huge
0:15:12 > 0:15:28amount.British short animation and British short film. The star of
0:15:28 > 0:15:35Black Panther is here to present. Let's see some short highlights of
0:15:35 > 0:15:40some short films.
0:16:10 > 0:16:15And the award goes Poles Apart. Paloma Baeza, Ser En Low to...
0:16:24 > 0:16:32Thank you so much. Just to be nominated alongside Will was
0:16:32 > 0:16:39incredible enough. Thank you so much to the National film and television
0:16:39 > 0:16:43School and to each and every member of our team who are here tonight who
0:16:43 > 0:16:49should be up here on stage. They are committed and the most incredible
0:16:49 > 0:16:53collaborators we could have wished to have. Without them we would just
0:16:53 > 0:16:58not be here and we feel fantastically lucky. Thank you,
0:16:58 > 0:17:11BAFTA. Thank you so much.With solidarity to the creators of the
0:17:11 > 0:17:16short films, we are giving this award a very short introduction.
0:17:16 > 0:17:28Here other nominations.
0:17:37 > 0:17:41That these books are not worth bothering with. Your dad is an
0:17:41 > 0:17:51idiot.I'm going to stay in my room tonight and literally work. Do you
0:17:51 > 0:17:55give a...?Yes!
0:18:10 > 0:18:15What?
0:18:23 > 0:18:30And the Bafta goes to... Cowboy Dave.
0:18:39 > 0:18:44Cowboy Dave is a film about the choices we make, some good, some bad
0:18:44 > 0:18:51and it is also a about inspiration and hope. I would like to thank
0:18:51 > 0:19:00these men behind me as well as Catherine, Quincy, Christine, Chris,
0:19:00 > 0:19:08Miley, Chris Joyce, Green Mathie, Matt, Claire and many others who
0:19:08 > 0:19:13made the storm a reality. Thank you very much.
0:19:19 > 0:19:26To present the award for film not in the English language, the
0:19:26 > 0:19:33sensational Andrea Rice broke. The films nominated Irene Persian,
0:19:33 > 0:19:46Japanese, French, Russian, Korean and Max Remak. -- Khmer.
0:21:39 > 0:21:51And the Bafta goes to The Handmaiden. Unfortunately the
0:21:51 > 0:21:55directors could not be here tonight but we will make sure this gets to
0:21:55 > 0:22:09them. Cinematography is the next award. The never not brilliant
0:22:09 > 0:22:20Dennis Quaid.Cinematographers are masters of showing this world in
0:22:20 > 0:22:23detail we could never imagine. This year's nominees have shown us the
0:22:23 > 0:22:31real-life past most of us never knew, a stark presence and a pair of
0:22:31 > 0:22:36imaginary world. Their audiences lived in them and will never four
0:22:36 > 0:23:57get them. Denominations are... -- of the nominations are. And the winner
0:23:57 > 0:24:06is, of the Bafta, Roger Deakins, Blade Runner 2049.
0:24:18 > 0:24:22Unfortunately Roger Deakins can not be with us tonight. He is shooting a
0:24:22 > 0:24:29movie in New York right now. He asked me to thank his crew and his
0:24:29 > 0:24:42wife. As the director of the movie I would like to just say thank you to
0:24:42 > 0:24:45our producer and others involved especially Ridley Scott. Thank you
0:24:45 > 0:24:50for the freedom, we never have enough freedom. Ridley, thank you
0:24:50 > 0:24:54also for the inspiration. I would also like to say thank you to the
0:24:54 > 0:25:00Bafta for honouring my friend tonight who is truly a master of our
0:25:00 > 0:25:08times and I earned him a lot. We made this movie together.And that
0:25:08 > 0:25:18is it for the Bafta awards tonight. Thank you to everyone who played
0:25:18 > 0:25:25their part to. And Stephen, Stephen Fry, if you are watching, I hope
0:25:25 > 0:25:51this is OK. Until next year, good night.