:00:33. > :00:41.Hello. Welcome to Film 2011. We're live. If you want to get in touch,
:00:41. > :00:46.details on the screen. Coming up - the saga continues, as Edward and
:00:46. > :00:49.bale la return in The Twilight Saga: Breaking Dawn. You have --
:00:49. > :00:54.Bella return in The Twilight Saga: Breaking Dawn. You have to tell me.
:00:54. > :01:03.You give me no choice. And as we come of age, we look back over the
:01:03. > :01:13.last 40 years. Happy dirge bay. they say, life begins at 40. First,
:01:13. > :01:24.
:01:24. > :01:30.The Twilight Saga: Breaking Dawn, Bella is absolutely certain that
:01:30. > :01:34.she wants to spend forever with Edward. Jaib cob starts out the
:01:34. > :01:38.movie as young -- Jacob starts out the movie as young teenager and
:01:38. > :01:44.liking the girl he can't get and throughout the whole movie he's
:01:44. > :01:51.forced to grow up and become his own man and his own wolf. It's
:01:51. > :01:58.think Edward has proposed 50 times by now. It will be quite nice. At
:01:58. > :02:07.least he doesn't have to propropose any more. I Edward Cullen take you
:02:07. > :02:15.Bella Swan. For better, for worse. To love. To cherish. As long as we
:02:15. > :02:24.both shall live. I'm nothing, if not traditional. Bella and Edward
:02:24. > :02:34.take their honeymoon on a beautiful island in Brazil. It starts off
:02:34. > :02:35.
:02:35. > :02:40.quite nice. It just gets progressively worse. There are big
:02:40. > :02:45.things to figure out here, sex for the first time. Talking wolves. It
:02:45. > :02:49.is about taking something that is written as a fantasy and actually
:02:49. > :02:59.bringing the moviegoer along to the degree that they believe in it.
:02:59. > :03:09.Tell me what is going on. I'm late. My period's late. The honey moon
:03:09. > :03:16.
:03:16. > :03:21.gets cut short when Bella finds out she's pregnant. Can this happen?
:03:21. > :03:26.The foetus isn't compatible with your body. It's too strong. Your
:03:26. > :03:31.heart will give out before you can deliver. Bella wants the baby and
:03:31. > :03:35.Edward's terrified of it and thinks it will destroy her and thinks she
:03:35. > :03:39.is ridiculous for thinking she is strong enough to have a vampire.
:03:39. > :03:43.break the treaty and it definitely causes a lot of stir among the pack
:03:43. > :03:47.and eventually it tears the pack apart. You don't know what they
:03:47. > :03:53.bred. We have to protect the tribe before it's too late. You are the
:03:53. > :04:01.enemy now. Sam won't hesitate. You will be slaughtered. I'm the one
:04:01. > :04:05.who will lose you. You have to accept what is. You've given me no
:04:05. > :04:09.choice. They are coming for Bella. If you kill her, you kill me.
:04:09. > :04:13.Daniel, what did you think? I think lots of people will think it's
:04:13. > :04:18.another Twilight, but if you are a fan it's significant. Partly,
:04:18. > :04:24.because it's the first half of the final. There will be part two next
:04:24. > :04:30.year, but also because so much of what has taken place is coming to
:04:30. > :04:39.fruition. Edward and Bella going on honeymoon and accidents do happen
:04:39. > :04:44.and it unfolds, it is up the stick, and the idea of a vampire baby may
:04:44. > :04:50.strike a non-fan as ridiculous, but Bill Condon, it strikes him too.
:04:50. > :04:54.He's a very capable kind of filmmaker, but what he's doing here
:04:54. > :05:00.is approaching the film at arm's length and laughing behind his hand.
:05:00. > :05:05.It is all too knowing and there are whole scenes, with Jacob and the
:05:05. > :05:09.talking wolves and they are treated like Mel Brooks. Also, the birth of
:05:09. > :05:17.the child, but when the child is finally brought forward and held up
:05:17. > :05:22.and she is called Rinesmae. It is treated like a punchline and it
:05:22. > :05:26.shouldn't be. I am a mid-of-aged man. I'm not going to say that I
:05:26. > :05:29.feel involved. I don't. It would be creepy and bogus and weirdly
:05:29. > :05:34.patronising to pretend, but I think that fans deserve better than this,
:05:34. > :05:42.because I think they are having the Mickey taken. I laughed a lot. I
:05:42. > :05:48.have to say, there is a moment and I don't want to give too much away,
:05:48. > :05:52.but a foam cup and Bella drinks and everybody was howling with laughter
:05:52. > :05:58.and obviously it is unintentional. However, I think they might all be
:05:58. > :06:02.in on the joke. I imagine every time Bill says cut, everyone thinks
:06:02. > :06:07.they bought it. The idea that Taylor Lautner is running and
:06:07. > :06:16.ripping off his clothes in seconds. I can't be mean, because it's not
:06:16. > :06:20.for me. I'm a middle-aged woman. It is like being mean about Peppa Pig.
:06:20. > :06:26.The only thing that I liked about this, is the first three movies
:06:26. > :06:30.they were so full of angst and this poor girl, chewing her lip off and
:06:30. > :06:35.in this the decision has been made and I felt they were moving on.
:06:35. > :06:40.think Twilight is all about that. I think you are right, probably lots
:06:40. > :06:46.of people were in on the joke, but for fans it's not a joke and I
:06:46. > :06:50.think it does a disservice to them and the actors. Robert Pattinson
:06:50. > :06:56.could be completely forgiven for his eyes wandering elsewhere. He is
:06:56. > :06:59.thinking of his life beyond this. He still is turning up for work and
:06:59. > :07:05.bothering. Kristen Stewart, I think is one of the real success stories
:07:05. > :07:09.and she is the one person who is taking this seriously and giving it
:07:09. > :07:15.gusto and conviction and she is the saving grace. The rest of the film
:07:15. > :07:25.is delivered in quote marks. OK. We did laugh out loud. We shouldn't be.
:07:25. > :07:28.I know, but I did! Next, take Take Shelter. A father who is plagued by
:07:28. > :07:36.visions, and whether to protect his family from the coming storm or
:07:36. > :07:42.from himself. I've been having these dreams and they start with a
:07:42. > :07:52.kind of storm. I'm thinking about cleaning up that storm shelter out
:07:52. > :07:52.
:07:52. > :07:56.back. I first started thinking about Shelter in 2008. It was
:07:56. > :08:00.during my first year of marriage and I had been thinking a lot about
:08:00. > :08:08.marriage and what it means to be married and all this other stuff
:08:08. > :08:16.and I was in love and life was really good, but I had this
:08:16. > :08:21.overwhelming sense that the world outside of my world was in for
:08:21. > :08:27.something bad on the horizon. anyone seeing this? I think that's
:08:27. > :08:32.the thing about the characters. I think the people can identify with
:08:32. > :08:36.what he's going through. It's somebody who feels like something
:08:36. > :08:46.is wrong or something bad is going to happen. I'm dog this for us. I
:08:46. > :08:48.
:08:48. > :08:54.know you don't understand. The storm is a Met fore -- metaphor for
:08:54. > :08:58.any kind of trouble or instability. The world is inherently a fragile
:08:58. > :09:02.place. Things can go like that. You never know when that might happen
:09:02. > :09:12.or why it might happen, or whether you are going to see it coming or
:09:12. > :09:22.
:09:22. > :09:26.whether you are not going to see it I think the question is, do you let
:09:26. > :09:35.that incapacitate you, or do you find a way to deal with the anxiety
:09:35. > :09:38.and accept it? I think that's what he is struggling with. It's pushed
:09:38. > :09:46.to an extreme in this film and more than anything, it's because it's a
:09:46. > :09:50.piece of art. To me it's very poetic and it's a metaphor. It's
:09:50. > :10:00.not meant to be always taken literally. This storm could
:10:00. > :10:02.
:10:02. > :10:07.represent a lot of different things. Are you OK? I thought this film was
:10:07. > :10:10.so incredibly powerful. Even though it's not a horror, it is horrifying.
:10:10. > :10:14.It feels incredibly timely if you read the papers and watch the news.
:10:14. > :10:20.You feel like the world might come to an end. He certainly feels like
:10:20. > :10:25.that. I think Michael Shannon and Jessica Chastain is fantastic. You
:10:26. > :10:30.don't feel like you are watching actors. It has a quiet power. I
:10:31. > :10:36.would be amazed if anyone could watch this and sleep well. I didn't.
:10:36. > :10:44.Michael Shannon is a strange actor because she is human tobasco sauce.
:10:44. > :10:50.He has been a great ingredient in lots of films. If you remember
:10:50. > :10:53.Receive -- revolutionary Road. It's a film where he'll be in every
:10:53. > :10:57.scene and he's playing a character who is clearly very troubled, which
:10:57. > :11:00.he has done a lot of before. I think it works well and it works
:11:00. > :11:03.beautifully, because his performance is underplayed for all
:11:03. > :11:09.of the film. Also, the character that he is playing is someone who
:11:09. > :11:13.at the same time he's gripped by the visions, is also rational and
:11:13. > :11:17.he's aware that he may be losing his mind. It feels rooted in
:11:17. > :11:25.reality and in the reality of a family struggling for money. That's
:11:25. > :11:29.why it works well. Jessica Chastain is equally good. She is clearly in
:11:29. > :11:34.79% of the movies relessed this year. It's a very impressive
:11:34. > :11:39.package. What did you think of the CGI, because I found his visions
:11:40. > :11:45.absolutely terrifying. There aren't many of them, but they are somehow
:11:45. > :11:49.so lifelike? Absolutely. It's integral. We think about the Statue
:11:49. > :11:52.of Liberty covered in snow and all the rest, but it's on a much more
:11:52. > :11:55.realistic and human level, so you have the brooding skies that aren't
:11:55. > :12:00.quite right. It looks like a thunderstorm, but there is
:12:00. > :12:04.something else. When it starts raining it is raining motor oil or
:12:04. > :12:08.brown suss stance, so it sounds demented, but it feels like this is
:12:08. > :12:14.what the end of the world would be like. It's very nicely put. The
:12:14. > :12:19.film is very well made. It's nicely paced and measureed. It's a very
:12:19. > :12:26.solid, striking movie. Unforgetable. Take Shelter will be in cinemas on
:12:26. > :12:31.Friday, 25th November. Next, thanks to an inspired tweet from someone
:12:31. > :12:41.called Song Warmonger. This week instead of our usual top five,
:12:41. > :12:45.
:12:45. > :12:52.Antonio, Chris and Catherine share their favourite homage film moments.
:12:52. > :13:02.Filmmakers have kept everything alive through homage. My favourites
:13:02. > :13:04.
:13:04. > :13:14.are - Cleo by the great Left Bank director. It bur less beings the
:13:14. > :13:18.
:13:18. > :13:25.silent films of the likes of Harold Lloyd, -- burl less beings.
:13:25. > :13:33.Christian Slater in Heathers. He has spent his adult career has
:13:33. > :13:43.spent his career doing impressions of Jack Nicholson. However, he look
:13:43. > :13:47.
:13:47. > :13:53.like a younger, better Jashing -- Jack. Slater nails the restlessness
:13:53. > :14:00.and deep disquiet and humour of the young Nicholson. Ham and cheese in
:14:01. > :14:08.the microwave and feast on a turbodog. It is spot on. Rubbish.
:14:08. > :14:16.If you ask me his homage is a full- blown rip-off. It should be a
:14:16. > :14:26.playful wink to the past and Point Break, to whit, Hot Fuzz. Simon
:14:26. > :14:29.
:14:29. > :14:39.Pegg here. It's so steeped. Nick Frost is a man who say massive fan
:14:39. > :14:50.
:14:50. > :14:56.4th a trick for any director who wants to show off his a Dolly's him.
:14:56. > :15:02.Alfred Hitchcock used it in vertigo. He wanted to induce a sense of,
:15:02. > :15:08.well, vertigo in his audience. Zoom in and sent out to achieve the
:15:08. > :15:12.effect. It has been relentlessly copied ever since, and the gold
:15:12. > :15:18.standard of homage goes to Steven Spielberg who used it to stunning
:15:18. > :15:28.effect in Jaws. When I think homage, I think animation and it does not
:15:28. > :15:37.get more brilliant than the South Park movie tribute to Disney's
:15:37. > :15:47.Little Mermaid song. # I wish I could be part of your
:15:47. > :15:52.
:15:52. > :15:57.world #. # I want to live up there. #.
:15:57. > :16:04.It forces us to consider the softer side of Satan. We could not make a
:16:04. > :16:09.list of great homage without mentioning this sequence from
:16:09. > :16:14.battleship Potemkin. I guarantee you have seen a reference to this
:16:14. > :16:24.somewhere in the films of Woody Allen, Alfred Hitchcock, Francis
:16:24. > :16:27.
:16:27. > :16:37.Ford Coppola and Terry Gilliam. And We have had brilliant tweeds. I
:16:37. > :16:40.
:16:40. > :16:48.would like to read one, his favourite, at some Like It Hot.
:16:48. > :16:55.Saying, wedded to pick up that cheap trip? From Scarface.
:16:55. > :17:02.Next, a film about a husband out for revenge.
:17:02. > :17:10.She has several deep lacerations, internal bleeding. Sorry to hear
:17:10. > :17:16.about your wife, is she OK? We can take care of him for you.
:17:16. > :17:20.represent an organisation. I don't know what you are talking about.
:17:20. > :17:26.You don't know what I am talking about. It will not cost anything
:17:26. > :17:34.financially but we may ask a favour from you in the future.
:17:34. > :17:39.committed suicide. We just need you to do one thing. Nobody said
:17:39. > :17:45.anything in the agreement about killing anybody. Get out of my life.
:17:45. > :17:51.Tell them everything. A promise is a prize. Let's not forget what we
:17:51. > :18:01.did for you. -- a promise is a promise. We are just a few citizens
:18:01. > :18:01.
:18:01. > :18:07.As is often the case with Nicolas Cage Movies, the best and worst
:18:07. > :18:11.thing about this is Nicolas Cage. It starts promisingly, he is
:18:11. > :18:17.dancing in a way only Nicolas Cage can, he has some kind of sequinned
:18:17. > :18:22.face mask on and you are thinking, I am in, but quickly do think, I
:18:22. > :18:26.wish I was out. He is quite -- it is quite a grubby revenge may be
:18:26. > :18:31.that turns into a conspiracy thriller and it is muddled and far-
:18:31. > :18:34.fetched and also quite dull. The problem at the centre of it is the
:18:34. > :18:39.casting, the Miss casting of Nicolas Cage, because he is playing
:18:39. > :18:43.an Everyman here with the world's largest wardrobe of casualwear, and
:18:43. > :18:49.he wants to do the right thing, which is not what Nicolas Cage is
:18:49. > :18:54.about, he is outlandish and flamboyant and larger than life. It
:18:54. > :19:02.is like asking Heston Blumenthal to cut your dinner and then getting
:19:02. > :19:07.crispy pancakes. I love those! Don't we all? It puts you in mind
:19:07. > :19:13.of a film from last year which was the best Nicolas Cage has made in a
:19:13. > :19:17.long time. He cannot help wishing you were watching that film or that
:19:17. > :19:21.his character from that would come into this film. It is weird,
:19:21. > :19:26.because it is obviously a thriller, but it is strangely not that
:19:26. > :19:31.thrilling. There are some great films out this week. We are about
:19:31. > :19:36.to talk about another one. I don't know if I would fully recommend
:19:36. > :19:41.Justice. I don't think I would recommend it on any level! It has
:19:41. > :19:46.January Jones, Guy Pearce, Nicolas Cage. If it was anybody else, I
:19:46. > :19:51.don't think it would be in cinemas, am I right? Right and wrong. There
:19:51. > :19:56.are things that are fun about it, it is a film giving people
:19:56. > :20:00.instructions I have a mobile phones but they are always incredibly
:20:00. > :20:10.elaborate, saying, go into the drugstore, buy a packet of gum, do
:20:10. > :20:11.
:20:11. > :20:16.a roly-poly, wash your car, come back in. The villains' identifying
:20:16. > :20:21.marker his Cuban heels snakeskin boots, which seems like it is from
:20:21. > :20:25.an episode of Quincy in 1975. I am more fond of it in hindsight.
:20:25. > :20:31.Talking about it I go, I would see it again. There are small pleasures,
:20:31. > :20:39.but they are small. Time now for the questionnaire. It
:20:39. > :20:43.is a treat. This week it is Tom Hiddleston.
:20:43. > :20:47.The Fabulous Baker Boys, I love that film. There is a scene where
:20:47. > :20:51.they are arguing about Michelle Pfeiffer's character in a hotel
:20:51. > :20:55.room. They are playing brothers and they are real brothers and it
:20:55. > :21:01.always makes me laugh when Jeff Bridges throws a pineapple at his
:21:01. > :21:06.brother and it seems so authentic. He is so cool in that film, it is
:21:06. > :21:11.effortless. One of those performances which is so natural,
:21:11. > :21:21.wearing a suit, playing the piano. Michelle Pfeiffer is singing, and
:21:21. > :21:25.
:21:25. > :21:30.it is sexy and fantastic. The last of the money can. I felt
:21:30. > :21:36.the last 20 minutes of that film is some of the most breathtaking
:21:36. > :21:42.cinematographer -- the last of the man he cans. It is telling the
:21:42. > :21:45.story with complete silence. When she jumps off the side, I felt I
:21:45. > :21:51.cried the tears of a man for the first time instead of the tears of
:21:51. > :21:58.a boy, which is a ridiculous thing to say, but it really knocked my
:21:58. > :22:03.socks off. That brings me today and a Day Lewis, -- Daniel Day-Lewis, I
:22:03. > :22:09.think that is his most complete performance. Running at full tilt
:22:09. > :22:14.through the forest and shooting a rifle, while running at full tilt,
:22:14. > :22:24.and he green loans it with his teeth, and that is not acting, it
:22:24. > :22:26.
:22:26. > :22:31.is incredible -- heat pre-loads it. Righteous Kill, starring Robert De
:22:32. > :22:39.Niro and Al Pacino, it seemed the magic was not there. There is a
:22:39. > :22:42.scene where they are in the gym, working out. They are not working
:22:43. > :22:47.very hard in the gym and not working very hard at solving the
:22:47. > :22:57.crime. It does not quite ignite. need a better reason why he could
:22:57. > :23:00.
:23:00. > :23:06.be a suspect, OK? PMS, got to be. Jason Bourne is probably the most
:23:06. > :23:12.efficient assassin with a good heart in cinematic history. The
:23:12. > :23:18.best moment was when he runs rings around Joan Allen and David and
:23:18. > :23:23.sends them on a wild goose chase. He calls him and Matt Damon says,
:23:23. > :23:29.where are you? David replies... am sitting in my office. I doubt
:23:29. > :23:39.that. Why would you doubt that? you were in your office right now
:23:39. > :23:42.
:23:42. > :23:49.we would be having this Harrison Ford in Indiana Jones, all
:23:49. > :23:52.three of them. Just because! I am probably showing my use all my age,
:23:52. > :23:58.but that actor playing that character in that hat, wearing that
:23:58. > :24:08.leather jacket, riding that horse to that John Williams theme tune
:24:08. > :24:13.
:24:13. > :24:20.I love him. Next come as no tan, based on the
:24:20. > :24:23.true story of the 16-year-old boy who get involved at last --
:24:23. > :24:31.Snowtown, based on the story of a boy who gets involved in
:24:31. > :24:39.Australia's most notorious gang. Along comes a guy who offers this
:24:39. > :24:42.boy some hope. But more in, how are you doing?
:24:42. > :24:50.cleans the place up, makes them food, they have never had someone
:24:50. > :24:54.like this before. It is all their Christmas is at once.
:24:54. > :24:59.When John met Jamie he was 14. Will your mum like this? Probably
:25:00. > :25:06.not. The fact that he found a father
:25:06. > :25:12.figure or mentor in this man seduced by him was intriguing to me.
:25:12. > :25:15.He does not have any direction or ambition in life, he is just
:25:15. > :25:19.apathetic and wandering through, waiting for something to come along,
:25:19. > :25:26.and that is why when John comes along he sees this guy as an
:25:26. > :25:32.amazing person and wants to join in his world. He sucks them in, he is
:25:32. > :25:41.such a chasm it -- such a charismatic guy. Slowly but surely
:25:41. > :25:49.through manipulation, he brings them into his line of thinking.
:25:49. > :25:52.While we are sitting here some little kid is being touched up.
:25:52. > :25:58.ends up torturing and killing these people along with three other men
:25:58. > :26:06.and Kris Boyd. Before he knows it, it is too late and he is involved -
:26:06. > :26:11.- and this boy. Why not do something about it?
:26:11. > :26:16.I never wanted the violence in the film to lead like a front character
:26:16. > :26:20.like it usually does in horror films. To me, it was like a love
:26:20. > :26:30.story, a father-son relationship film that went out of whack in a
:26:30. > :26:33.really horrific way. We have cast people from the actual area, and a
:26:33. > :26:38.fine there is an incredibly strong voice in the film from the area
:26:38. > :26:42.that is authentic and true. The reason we did this is to see a
:26:42. > :26:49.story underneath that was very human and question why and how
:26:49. > :26:54.something like this happened in this particular area.
:26:54. > :26:59.I don't know how to describe this firm other than the fact that it is
:26:59. > :27:05.definitely one of the most chilling, scariest films I have ever seen,
:27:05. > :27:14.and also incredibly powerful. Daniel Henshall is phenomenal in it,
:27:14. > :27:18.bat is not to be gay word. Not at all. -- that is not to beat a word.
:27:18. > :27:24.It is based on true events, which makes it more terrifying. What is
:27:24. > :27:30.amazing about it is that it is just so brutal, and so cold, and yet
:27:30. > :27:34.he's so charismatic. People should be aware there is a certain team to
:27:34. > :27:39.it, an incredibly tough guy, one scene in particular where your
:27:39. > :27:43.natural response is that what you are seeing is so brutal you want to
:27:43. > :27:47.get up and walk out. That is a compliment of sorts, believe it or
:27:47. > :27:52.not, and people should stick with the film because it is incredibly
:27:52. > :27:56.powerful piece of film-making. Without wanting to put people off,
:27:56. > :28:01.those scenes that I have talked about are not what upsets you about
:28:01. > :28:04.the movie. What is so affected is that where this is taking place,
:28:04. > :28:08.the suburbs of Australia, where the politicians and police had
:28:08. > :28:13.abandoned people and it is possible to go around killing people and
:28:13. > :28:17.nobody cares, nobody is bothered remotely, and I think it was
:28:17. > :28:22.touched on in the clip, what is genuinely chilling is this is a
:28:22. > :28:26.film about a father and son relationship, a boy who has no male
:28:26. > :28:31.father figure, and John Bunting comes along, a weirdly charismatic
:28:31. > :28:35.figure, and it is almost like, people think of the Texas chainsaw
:28:35. > :28:40.Massacre, the scene which always gets me is the family dinner which
:28:40. > :28:45.is not grotesque and obscene, and it is the same some version of the
:28:45. > :28:49.family unit here. We should mention Animal Kingdom because lots of
:28:50. > :28:56.people are comparing with it. Is that fair? They feel like different
:28:56. > :29:01.films. There are similarities. Set in the same parts of Australia, the
:29:01. > :29:06.so Muller cinema geography, but I think the movie reminds me more of
:29:06. > :29:16.something like portrait of a serial killer. This is something different.
:29:16. > :29:20.Fell of the week? Snowtown is a fine movie. -- film of the week.
:29:20. > :29:25.This week, the Film show celebrates its 40th birthday so we look back
:29:25. > :29:31.over 40 years. 1971, Jim Morrison found dead in
:29:31. > :29:40.Paris, Arsenal winning the Double, but it was not all bad news.
:29:40. > :29:42.The premise for a Film 71 would -- was that it would be an essay from
:29:42. > :29:48.one person like a column in a newspaper and would not pull
:29:48. > :29:58.punches. What was the secret of its excess? It contains an
:29:58. > :30:01.extraordinary number of ravishingly pretty girls. 175 million people a
:30:01. > :30:05.year go to the cinema in this country, and they want to know what
:30:05. > :30:15.is going on, and I think a programme that tells them what is
:30:15. > :30:15.
:30:15. > :30:18.going on suggests what might be People love films. They love
:30:19. > :30:22.hearing about films and seeing people talking about films. Back
:30:22. > :30:27.then, hard as it is for people to realise, you had no other way of
:30:27. > :30:32.seeing it in advance. You saw coming attractions when you were at
:30:32. > :30:37.the cinema, or there was the show on the BBC. The show has had a
:30:38. > :30:43.mixed bag of presenters, some or recognisable than others. -- more
:30:43. > :30:48.recognisable than others. A clutch of family films. What has happened
:30:48. > :30:56.to the dear, old horror movie? We'll begin with a charming story.
:30:56. > :31:00.That was Peter Sellers. We have Fast Times. I'm your attendant this
:31:00. > :31:05.week. I think being paid to go to the movies is a definition of
:31:05. > :31:10.paradise and sometimes I wonder what on earth am I doing watching
:31:10. > :31:15.this tripe? Mr Barry has gone away to make some films and I've been
:31:15. > :31:20.asked to keep shop. The longest is Barry Norman. I wasn't sitting
:31:20. > :31:25.there addressing the nation. I liked to think I was talking to an
:31:25. > :31:31.individual. I have nothing against it. I rather enjoy it. What I
:31:31. > :31:37.object to is a movie like this that aims and misses and scores a
:31:37. > :31:43.bullseye on bordem. For a broadcaster to get into the
:31:43. > :31:47.livingroom is incontinuingible and Barry had that. I remember some
:31:47. > :31:54.wonderful interviews with Barry Norman and not wanting it to be
:31:54. > :31:58.over. I've got to go out and spend $55 million. That's all it steaks.
:31:58. > :32:01.No star was too big to avoid a grilling from Barry. You do
:32:01. > :32:05.sometimes have a reputation for being a difficult man to work with
:32:05. > :32:12.from a director's point of view. Is that fair? You won't hear that from
:32:12. > :32:18.any good directors. It's a preposterous plot. Yes, it is.
:32:18. > :32:23.There is the pro-lobby. And then anti? I'm dying to hear this.
:32:23. > :32:28.Overnight success in your case took about 15 years. It was a long night.
:32:28. > :32:32.Is this superstardom going to change your life? No, I've had my
:32:32. > :32:40.change of life. Sometimes Barry got a grilling himself. Why do you do
:32:40. > :32:46.this thing? Probably because I like it. Largely because I like it.
:32:46. > :32:56.right. You like women or anything like that? Yes, I like women.
:32:56. > :32:57.
:32:57. > :33:03.like them? Yes. You do. There was an incident with Robert diNero.
:33:03. > :33:07.sat down to interview him and as I expected he was mono syllabic and I
:33:07. > :33:11.got angry because he was waisting - - wasting my time and then I asked
:33:11. > :33:18.him a question he didn't like. was originally going to be
:33:18. > :33:26.considered for the role in Big, which Tom hanks took. We found this
:33:26. > :33:31.remarkable, so Barry asked the question to him. He went ballistic.
:33:31. > :33:34.He said you had to get that one in, didn't you? I said what are you
:33:34. > :33:40.talking about? He said, you know. I swept out after him. I thought I'm
:33:40. > :33:44.going to lose my presenter. We were knows-to-nose snarling at each
:33:45. > :33:50.other. He sort of said, "I was told you were a good guy." I don't know
:33:50. > :33:55.what planet he's from, but he's not from this one. After nearly three
:33:55. > :33:59.decades Barry finally called, cut. My thanks to you for watching and
:33:59. > :34:02.all the talented people who have made this a pretty damn good
:34:02. > :34:08.programme over the years. I was honoured and flattered to get the
:34:08. > :34:12.job. I auditioned for it. We have splashed out and bought a new sofa,
:34:12. > :34:16.but other than that, it's business as usual. When we started I was on
:34:16. > :34:19.one of my periodic more bloated periods, so I didn't like the way I
:34:20. > :34:24.looked. People were very kind to say he does seem to know what he's
:34:24. > :34:29.talking about, because I'm just a very enthusiastic amateur.
:34:29. > :34:34.brought his own brilliant style to the role. You look like you have
:34:34. > :34:39.dressed as a burglar today. We look like a Christmas tree. Thank you
:34:40. > :34:44.for wearing the pinstripe. Speaking as a straight man who appreciates
:34:44. > :34:50.male beauty. I can't speak as a straight man. We make movies.
:34:50. > :34:54.watch them. I don't know how many people see all the films.
:34:54. > :34:58.anyone sat in my chair and you've seen the film and hated it and you
:34:58. > :35:03.have said I liked it. Let's not bring Robin Williams into it. You
:35:03. > :35:08.want to try working for a living. You want to. You see how I suffer?
:35:08. > :35:14.There's absolutely nothing of worth in this film. Dull, biblical deluge
:35:14. > :35:21.of awfulness, dire, woeful, depressing failure. Too-dimentional.
:35:21. > :35:26.Dreary, poor, rubbish. You can't polish a terd. So there. The show
:35:26. > :35:31.also has the greatest theme tune in the history of great TV theme tunes.
:35:31. > :35:39.Yeah, even better than Dallas. hated it. I hated it. I wanted it
:35:39. > :35:43.to be replaced with something more jamming. Maybe grime. I think it's
:35:43. > :35:49.sophisticated and metropolitan and it strikes for some reason I can't
:35:49. > :35:52.explain, a deeply emotional note. Various heads of department and
:35:52. > :35:57.people have suggested a change, but you do not change the signature
:35:57. > :36:01.tune. It is iconic. It might have been a friend's birthday and we
:36:01. > :36:08.went out to a posh hotel for a meal and it was one that had a pianist
:36:08. > :36:12.in the bar area. As we walked in, he saw me and he started playing
:36:12. > :36:16.the theme. Everyone looked over and I thought this is temporarily my
:36:16. > :36:21.theme and it was such a lovely moment. Even then I remember going
:36:21. > :36:25.over to him and I said, "You know that's Barry's theme?" Like
:36:25. > :36:28.everybody who goes to see films, everyone has an opinion. It's
:36:28. > :36:33.interesting hearing what Claudia's opinion is and Barry's. It's always
:36:33. > :36:40.been very good. You go on there and you are dealing with intelligent
:36:40. > :36:45.people. It's the pre-eminent television programme about the
:36:45. > :36:50.movies. I rather like the way that two people present it. I felt
:36:50. > :36:56.several years ago that the style in America of two people presenting
:36:56. > :37:00.the programme is quite good, so it's rather nice and on the
:37:00. > :37:05.occasions when I can see Claudia's face when she pushes her hair back,
:37:05. > :37:07.she looks rather pretty. We see this guy and he's like 40 or
:37:07. > :37:12.something and he's like Prince of Wales or a Lord or the king, but
:37:12. > :37:15.not the king now, the king yonks ago in the 80's or something when
:37:15. > :37:20.everything was black and white. He tries to give a speech and he's
:37:20. > :37:23.going, abuaabu. That's all from this edition from film 75 and from
:37:23. > :37:28.this series. We hope to return in the autumn with another series
:37:29. > :37:32.which will be called, surprise, surprise Film 79 and will be four
:37:32. > :37:38.years ahead of its time, so until then it's good night from me and
:37:38. > :37:42.it's good night from him. That's all from tonight. Next week, we'll
:37:42. > :37:46.discuss Moneyball, 50/50 and The Deep Blue Sea. Playing us out, Snow
:37:46. > :37:53.White and the Huntsman. Thank you very much for watching us. Good
:37:53. > :37:59.night. I'm Chris continue Stewart. Here's an exclusive look at our new
:37:59. > :38:07.movie, Snow White and the Huntsman. I hope you enjoy it. Trn It once
:38:07. > :38:12.pained me to know that I'm the cause of such despair, but now
:38:12. > :38:20.their crys -- cries give me strength. Mirror, mirror, on the
:38:20. > :38:26.wall, who is fairest of them all? You are the fairest. But there is
:38:26. > :38:33.another destined to surpass you. Consume her heart and you shall
:38:33. > :38:42.live forever. Find me someone who doesn't fear the dark forest to