:00:32. > :00:41.Hello and welcome to Film 2011. We are live and if you want to get on
:00:41. > :00:49.touch here are the details: coming up on tonight's show: An all star
:00:49. > :00:59.cast assemble for New Year's Eve. There's double trouble in Another
:00:59. > :00:59.
:00:59. > :01:09.Earth. And David Fincher talks social
:01:09. > :01:09.
:01:09. > :01:17.networks and dragon tattoos. Plus Terry Gilliam talks to us
:01:17. > :01:24.about the making of Brazil. First, New Year's Eve, a Newcombe difrom
:01:24. > :01:28.director Garry Marshall. 3, 2, 1. The biggest night of my
:01:28. > :01:36.career. All these people have come from all over the world just to be
:01:36. > :01:43.here. It only happens, once a year. It is a story revolves around a
:01:43. > :01:47.life of several different people on New Year's Eve.
:01:47. > :01:53.What I like about it is it's not just about love stories, there are
:01:53. > :01:58.a lot of different things going on. I want to go to Times Square
:01:58. > :02:05.tonight. I'm 15, this is not a training bra. This is not girls
:02:05. > :02:12.gone wild. Every year when New Year's Eve when it ends, you feel
:02:12. > :02:22.like you have a fresh start. My new year resolutions, I just took care
:02:22. > :02:36.
:02:36. > :02:45.of the first one. You quit your job? Paul is a young energetic, guy.
:02:45. > :02:53.The first baby delivered in the new year gets $25,000. Tess is very,
:02:53. > :03:01.very pregnant and is going to go into labour at any moment. My water
:03:01. > :03:05.broke. That's too early, can you turn it off. How do you suggest I
:03:05. > :03:15.do that. Do a down ward dog or upward dog or
:03:15. > :03:43.
:03:43. > :03:48.Happy new year! Nothing beats New York on New
:03:48. > :03:52.Year's Eve. Danny, I think it is important to always have answers to
:03:52. > :03:57.questions you might be asked. What is your favourite pudding, cheese
:03:57. > :04:03.cake, what is your favourite animal, otter. What is your favourite
:04:03. > :04:08.season, spring. What is the worst film of all time. Could it be show
:04:08. > :04:14.girls, could it be Australia, I have news for you, search is over.
:04:14. > :04:23.The panic is over. I have found the worst film of all time and it's
:04:23. > :04:26.called New Year's Eve. Tltss a moment in it when Lee Michelle
:04:26. > :04:30.starts singing. There should be a warning sign. If you had anything
:04:30. > :04:35.sharp you would hurt yourself. It is a painful two hours. What do you
:04:35. > :04:42.think? I loved it. I didn't love it! Let's talk about the cast. The
:04:42. > :04:49.cast is the big selling point. If ever there was a group of actors
:04:49. > :04:53.assembled for an Apocalypse movie it is this cast, but that doesn't
:04:53. > :05:00.happen. They pair off and teach each other life lessons about
:05:00. > :05:08.second chances and listen to your heart. You have Sarah Jessica
:05:08. > :05:18.Parker, her daughter running away. You have Robert De Niro, just at
:05:18. > :05:20.
:05:20. > :05:30.the point when you think it is not sentimental enough, he used to be a
:05:30. > :05:37.
:05:37. > :05:41.credible actor. You have Catherine Heigl and Jon Bon Jovi. You think
:05:41. > :05:45.the whole cast will slap each other across the face, that film I would
:05:45. > :05:52.go back on Friday and pay money to go and see again. I would take the
:05:52. > :05:56.wife, make an evening of it. I would buy the DVD. Unfortunately
:05:56. > :06:01.they haven't made that film, they have made this one instead. What is
:06:01. > :06:06.embarrassing about it, you have all the actors, Robert denear ra,
:06:06. > :06:10.Jessica Biel, all there, isn't it easier to make something good,
:06:10. > :06:18.isn't it? You have Michelle Pfeiffer who is the best thing in
:06:18. > :06:23.it, the whole thing... What I loved in the screaming, go if you are
:06:23. > :06:33.bored, go, because we were all there and there was physical
:06:33. > :06:35.
:06:35. > :06:41.groaning, there was, like, stop. Catherine who wrote the script,
:06:41. > :06:48.though script is a loose term, I mean, maybe I am not the right
:06:48. > :06:55.person for this... You have ears. It is time for the top five this
:06:55. > :07:02.week. My favourite film cameos and it does contain some strong
:07:02. > :07:09.language. Even the lit littlest cameo moment
:07:09. > :07:19.m a movie can go the deepest. Here are my top five.
:07:19. > :07:46.
:07:46. > :07:50.At number 5, Orson Wells in the Prepare the standard rich and
:07:50. > :08:00.famous contract for Kermit the Frog and company.
:08:00. > :08:03.
:08:03. > :08:09.At number 4, Silvester still own in bananas.
:08:09. > :08:19.The 25-year-old still own as subway thug number one complete with
:08:19. > :08:27.
:08:27. > :08:33.goatee and Cuban heels, some things At number 3, Alec Baldwin. One of
:08:33. > :08:43.the greatest thrills cinema has to offer is when an actor turns up for
:08:43. > :08:47.
:08:47. > :08:54.Let's talk about something important. In this brutal monologue
:08:54. > :09:01.about how to be a better salesman, Alec Baldwin is the most foul
:09:01. > :09:06.mouthed sergeant imaginable. Attention, do I have your attention.
:09:06. > :09:13.Interest. Are you interested? I know you are, because you close or
:09:14. > :09:17.you hit the bricks. Decision. Have you made your decision for Christ?
:09:17. > :09:22.At number 2 Deborah winger in Rachel getting married. I know it
:09:22. > :09:30.is not a cameo because she turns up in several scenes but her
:09:30. > :09:34.appearance as the estranged mother always feels like a cameo.
:09:34. > :09:42.everything all right with the wedding?
:09:42. > :09:52.The sheer thrill of seeing her so beautiful, tightly coiled in this
:09:52. > :09:59.
:09:59. > :10:07.confrontation scene is a prod from At number one, Spike Milligan in
:10:07. > :10:11.The Life of Brian. The pythons adored Milligan in the
:10:11. > :10:21.Goon Show. When they heard he was in Tunisia where they were filming,
:10:21. > :10:27.
:10:27. > :10:37.they asked him to make an Comeeth to us like the scene of the
:10:37. > :10:43.grave. A brilliant top five. We have had
:10:43. > :10:53.many tweets. Lots about Alfred Hitchcock.
:10:53. > :10:54.
:10:54. > :11:04.What is your favourite? Martin score say see After Hours.
:11:04. > :11:11.
:11:11. > :11:18.Next Dreams Of A Life, a drama I am looking for any information no
:11:18. > :11:23.matter how minor... A woman lice dead for three years and at the
:11:23. > :11:32.moment I saw it, I thought I am going to make a film about this.
:11:32. > :11:36.Three years and nobody has come looking for her. I didn't want to
:11:36. > :11:39.concentrate on the circumstances of how she was found. I wanted to
:11:39. > :11:47.concentrate on bringing her back to life and resurrecting her in the
:11:47. > :11:53.sense of creating the person that so many people thought she was.
:11:53. > :11:59.People gravitated towards her. Everybody fancied her. She reminded
:11:59. > :12:06.me of somebody I would like to be. People said she looked like Whitney
:12:06. > :12:16.Houston. The project came through to me like any other really as a
:12:16. > :12:18.jobbing actor. I think in a lot of documentaries, you get a kind of
:12:18. > :12:24.somebody explaining something and then you see it and I wanted to
:12:24. > :12:30.move away from that because the beauty of film is you can begin to
:12:30. > :12:39.create something that is unsaid. One thing she was clear about was
:12:39. > :12:49.to keep me away from the interviews you see in the film, and your first
:12:49. > :12:51.
:12:51. > :12:57.port of call, you want those real- life testaments. I felt I was
:12:57. > :13:07.pursuing the puzzle to be solved. It is like she never really existed.
:13:07. > :13:07.
:13:07. > :13:12.She was a story. It was like someone we made up almost, partly
:13:12. > :13:22.because of the fact way... I think some of it is inexplicable, how
:13:22. > :13:28.
:13:28. > :13:36.this could happen. I think about her a lot really.
:13:37. > :13:42.did she get herself into this situation.
:13:42. > :13:47.Dream of a life is a very special movie. You have this tragic story
:13:47. > :13:53.and a mystery of how anyone falls through the cracks to this extent
:13:54. > :14:00.but particularly someone who was very beautiful and talented. But
:14:00. > :14:05.that mystery, what is so impressive, it is the incredible investigation,
:14:05. > :14:09.she clung on to this news story which everybody else forgot about
:14:09. > :14:15.and has pieced it together and has pulled together the people around
:14:15. > :14:19.her and people who know her. I think she's made something
:14:19. > :14:25.remarkable here. It is original, imaginative and it is a fine piece
:14:25. > :14:30.of filmmaking and detective work. Orson Wells, it is a strange
:14:30. > :14:35.comparison to make, it was a cameo film made out of a nugget of a
:14:35. > :14:40.person and expanded. Strange comparison, dreaming of a life does
:14:40. > :14:43.something similar. I think you might have liked it more than me. I
:14:43. > :14:50.found it incredibly heartbreaking. There were certain lines in the
:14:50. > :14:57.film you never forget, somebody said "How did she melt into her
:14:57. > :15:04.sofa ". I cannot get it out of my head. I read something, somebody
:15:04. > :15:08.said, I have seen 40 films and this is the one, I cannot forget her.
:15:08. > :15:12.People will take the film different ways but anyone who sees it will
:15:12. > :15:17.find it difficult to get out of their heads. There are aspects of
:15:17. > :15:22.this movie are are horrific, but you don't come away feeling
:15:22. > :15:28.horrified as much as just touched. People will respond differently.
:15:28. > :15:36.The brave decision is the casting and having this reconstruction, the
:15:36. > :15:41.risk there is that it comes across as an episode of Crimewatch.
:15:41. > :15:45.thought the end shot, which I won't give away, is absolutely phenomenal
:15:45. > :15:50.and it's very very cleverly released at this time because at
:15:50. > :15:56.Christmas you think about reaching out. You watch it and think who
:15:56. > :16:03.have I not contacted. That is something everyone will have, I
:16:03. > :16:11.hope there is not a Joyce in my life. It's such a strange irony,
:16:11. > :16:16.someone said this film does exactly what New Year's Eve spent so much
:16:16. > :16:21.money trying to do. Dreams Of A Life is on limited
:16:21. > :16:25.nationwide release from Friday 16th December.
:16:25. > :16:35.Director David Fincher is not very keen on giving interviews so when a
:16:35. > :16:40.
:16:40. > :16:48.rare chance arrows for us to talk We need to talk. Who do you think
:16:48. > :16:52.you are? Put some clothes on. I want you to help me catch a killer.
:16:52. > :16:56.You have been quoted in the past about talking about making movies
:16:56. > :17:04.and making films and there is a difference between the two. Which
:17:04. > :17:14.is is The Girl With The Dragon Tattoo. It is a very popular
:17:14. > :17:20.
:17:20. > :17:26.adaptation of a mass culture phenomenon.
:17:26. > :17:36.Hopefully there is stuff in it for repeat viewings, little touches and
:17:36. > :17:49.
:17:49. > :17:56.Your report is light in another area. Anything you chose not to
:17:56. > :18:06.disclose? He's had a long standing sexual relationship, it wrecked his
:18:06. > :18:09.
:18:09. > :18:12.marriage, but not hers. Earlier in your career, there were
:18:12. > :18:16.headbuttings with Hollywood, is that somebody you feel you don't
:18:16. > :18:21.have to deal with now, you get the respect of those? I don't think it
:18:21. > :18:26.is about respect. I think if you are involved in an endeavour where
:18:26. > :18:31.you have to get $100 million from somebody to do your craft, you are
:18:31. > :18:38.going to have differences of opinion about how it should be
:18:38. > :18:43.spent. It is creative Darwinism, the best ideas usually win out.
:18:43. > :18:51.terms of being fatalistic, there have been films in the past which
:18:51. > :18:57.haven't got the reception, is that something that bothers you or do
:18:57. > :19:02.you finish the film and move on. The reception of Fight Club was,
:19:02. > :19:12.other than what I had hoped for, it was other than I expected. I
:19:12. > :19:20.
:19:20. > :19:25.thought people would understand I don't want to die without any
:19:25. > :19:30.scars. Hit me before I lose my nerve. People who are responsible
:19:30. > :19:40.for trying to get asses on seats, they felt the movie wasn't funny,
:19:40. > :19:47.that it had no wit to it, it was just a bare knuckle boxing picture.
:19:47. > :19:52.The fact that it was completely misunderstooned by people whose job
:19:52. > :19:59.it was to solicit an audience only created more of a disparity between
:19:59. > :20:06.what the audience's expectations was. People that went, went to see
:20:06. > :20:12.violence. Thinking about Fight Club and The Social Network, both films
:20:12. > :20:17.were talked about, films which said something about contemporary
:20:17. > :20:27.reality, is that something you feel obliged to deal with? The Social
:20:27. > :20:29.
:20:29. > :20:34.Network was a script I read that I thought was amazingly facile. But I
:20:34. > :20:38.think the notion of it being an indictment of a culture was
:20:38. > :20:48.something that was trialled on, a little bit heavy after the film
:20:48. > :20:53.
:20:53. > :21:03.came out. Is For my mind it was better as a piece of entertainment.
:21:03. > :21:04.
:21:04. > :21:14.If it talked about a larger issue which is American or cultural
:21:14. > :21:25.
:21:25. > :21:34.exceptional. Facebook is cool. You don't know what it is yet. How far
:21:34. > :21:41.it it can go. You know what's cool... A billion dollars. How do
:21:41. > :21:46.you balance the relationships on set, I don't think it is
:21:46. > :21:52.dictatorial at all. I will say this, if the movie is great, I am going
:21:52. > :22:00.to get too much credit. If the movie sucks I am going to get too
:22:00. > :22:07.much flap. My first movie was a disaster. I stupidly felt that the
:22:07. > :22:13.people financing it had more to lose than I did if it was bad. I
:22:13. > :22:21.allowed myself to be to be steered into this communal making and then
:22:21. > :22:24.when the shit hits the fan, all of a sudden, you are the guy standing
:22:24. > :22:30.there, going who has got a suggestion now. If I am going to
:22:30. > :22:36.take the blame, the brunt of it, I am going to make the decisions.
:22:36. > :22:40.you had to choose one piece from your career so far that you were
:22:40. > :22:50.ploughedest of? I don't know, do the best you can, try to live it
:22:50. > :22:55.now. A good motto to live by. I love the hand shake. Also we will
:22:55. > :23:05.be bringing you, we will be discussing the girl with a dragon
:23:05. > :23:14.
:23:14. > :23:21.Is anyone out there? Another Earth, I guess I would
:23:21. > :23:28.describe it as epic, minimalist, science friction dramatic thriller.
:23:28. > :23:38.It is basically a drama with someone science friction element
:23:38. > :23:39.
:23:40. > :23:49.that serves the purpose of the metaphor. It does have a science
:23:50. > :23:53.
:23:53. > :23:59.friction element. All 6.3 billion of us are also living. People
:23:59. > :24:02.coming in expecting aliens and lasers and blood and guts and
:24:02. > :24:11.nuclear weapons and things growing out of people's heads, that is not
:24:11. > :24:16.in the movie, but using the science friction literature ideas, the
:24:16. > :24:26.twist on reality to understand something about humans, that is the
:24:26. > :24:33.
:24:33. > :24:40.idea. It is about a girl. She does something unforgivable. She goes to
:24:40. > :24:46.apologise, she lies to him. Here we have two characters that are
:24:46. > :24:50.isolated and when they come together they lift each other's
:24:50. > :24:59.spirits up, they find this joy. Even though it is built on a lot,
:24:59. > :25:02.she doesn't reveal her identity as the killer of his family. There is
:25:02. > :25:08.something bittersweet that is beautiful and joyous about it and
:25:08. > :25:16.yet the underpinning is so tragic and you know with all secrets there
:25:16. > :25:26.is an expiration date and eventually it is going to pop. It
:25:26. > :25:39.
:25:39. > :25:48.is quite beautiful on the one hand We don't know what's out there.
:25:48. > :25:52.Let me say, lots of tweets about this. One says very good, very
:25:52. > :25:56.promising, fantastic to see original writing in the age of
:25:56. > :26:06.remakes. I really, really like this film. It is small, it's deeply
:26:06. > :26:06.
:26:06. > :26:13.unsettling. I talked about dream of a life, the girl who created it,
:26:13. > :26:16.very impressive, she wrote it, and is in it and it is sci-fi but small
:26:16. > :26:22.and I really believed in their relationship. I found it
:26:22. > :26:28.heartbreaking. I think I liked it less than you. But it's got a lot
:26:28. > :26:38.going for it. The other earth, this very simple idea, nicely executed,
:26:38. > :26:47.
:26:48. > :26:56.visually it's perfect. You sense this Apocalypse movie. There is
:26:56. > :27:01.this human drama at the centre which works brilliantly, a
:27:01. > :27:08.brilliant scientist who causes the car crash, where the wife and child
:27:08. > :27:14.are killed and she ingraishiates herself into his life. It works
:27:14. > :27:18.very well and a lot of that is due to chemistry. A lot of is it is due
:27:18. > :27:23.to the way they move around each other. Two damaged people doing
:27:23. > :27:28.this strange dance around each ear. It works beautifully. I don't think
:27:28. > :27:38.it is perfect, it is just short of what it could be but it is very
:27:38. > :27:41.
:27:42. > :27:51.good. A great ending. A fantastic ending. Antonio Banderos dons a hat
:27:52. > :28:16.
:28:16. > :28:25.It is about Puss In Boots and how his legend came to be. The centre
:28:25. > :28:30.of that the friendship with the egg. How dare you show your face to me.
:28:30. > :28:40.I know you are angry, you have every right, but it is good to see
:28:40. > :28:42.
:28:42. > :28:52.you Puss. He is an outlaw that is obsessed with a great sense of
:28:52. > :29:02.justice. Puss, can you help us, there's no time to waste. I will do
:29:02. > :29:02.
:29:02. > :29:12.it. Considering all the energy and the size of Antonio's personality,
:29:12. > :29:16.
:29:16. > :29:25.I can't think of anyone other than Salma who could really match that.
:29:25. > :29:35.You are dangerous. Humpty says you like danger. Just think of all the
:29:35. > :29:37.
:29:37. > :29:40.trouble we can get into. Fur free to create your own character. They
:29:40. > :29:49.suck very much from your personality to create your
:29:49. > :29:59.character and that is the way to create it. She is making faces,
:29:59. > :30:06.
:30:06. > :30:16.You made the cat angry. You don't want me to get angry. How dare you
:30:16. > :30:33.
:30:33. > :30:37.It's not not Shrek five and no singing involved, but actually it
:30:37. > :30:47.has a lot to be said for it. There is a story, which is great, not all
:30:47. > :30:55.kids have a story but there is one here. It is a spin on Jack and the
:30:55. > :31:05.Beanstalk. There is a lot of personality here. More than
:31:05. > :31:05.
:31:05. > :31:09.anything else, everyone seems like they are having fun. There is a
:31:09. > :31:15.sense of glee and everyone is having a laugh. The dancing is
:31:15. > :31:20.brilliant. You know I like any animal dancing. I am the only
:31:20. > :31:24.person who thought that Happy Feet 2, marvellous, they dance. Anything
:31:24. > :31:32.dancing. But the dancing is brilliant. I am not sure about the
:31:32. > :31:38.story. Salma Hayek is brilliant. It is definitely enjoyable. I'm really
:31:38. > :31:43.not a fan of grown up jokes in kids movies. I got tired of it in the
:31:43. > :31:50.Shrek series, but there is a couple here too good to miss, about what
:31:50. > :31:56.might happen to a young innocent egg in prison. There are times
:31:56. > :32:03.where you can't argue. The way he drinks milk. What is your film of
:32:03. > :32:13.the week. Dream of a life. Directors cut now, Terry talks to
:32:13. > :32:35.
:32:35. > :32:40.I was sitting on the beach in Port Talbot. I guy was picking up tunes
:32:40. > :32:44.from somewhere in South America, there is a grim reality in this sun
:32:44. > :32:52.drenched world. It was about a welling up of my frustrations with
:32:52. > :33:01.reality. It seemed like a good beginning. I wrote it for a younger
:33:01. > :33:06.man, a slimmer man, a better looking guy. I was offered Tom
:33:06. > :33:10.Cruise and all sorts of people. Jonathan was hassling me and he was
:33:11. > :33:19.astonishing me. He surprised me every day, because he is inventive.
:33:19. > :33:26.There is one moment all these troops have surrounded a girl, he
:33:26. > :33:31.suddenly turns up and takes charge. I'm in charge now. That is not me
:33:31. > :33:40.directing, that is Jonathan creating a moment, it's brilliant.
:33:40. > :33:50.Terrifying and funny. I will include your fine handling of the
:33:50. > :33:52.
:33:52. > :34:01.situation in my report. Great. is my moment, to give him all the
:34:01. > :34:06.credit he deserves. What was great was take what exists and adapt it.
:34:06. > :34:13.It was done in an old mill and there was all this milling
:34:13. > :34:22.equipment and we turned it into the clerk's pool. We only had one bit
:34:22. > :34:28.of the clerk's pool so we had to find a point, so we had to go back
:34:28. > :34:32.to the original and do it again. I don't think I have done anything
:34:32. > :34:38.quite as interesting, the energy, the the madness, it is saying so
:34:38. > :34:48.much about the husbandel and businessle of bureaucracy. Then
:34:48. > :34:48.
:34:49. > :34:58.this man at the top with the horizontal striped suit.
:34:58. > :35:08.We used a power station for the under workings of the place. The
:35:08. > :35:10.
:35:10. > :35:15.space was utterly phenomenal. I didn't design the film to be a
:35:15. > :35:25.seriously, once I saw the cooling tower, I said throw it out, let's
:35:25. > :35:33.
:35:33. > :35:38.He was a huge star, the idea of him turning up in a bit part was
:35:38. > :35:46.shocking to an audience. I came here for the action, the excitement,
:35:46. > :35:51.get in, get out. Now they got the whole country sectioned off.
:35:51. > :35:59.became obsessed about this part and how he did it right and we had we
:35:59. > :36:08.had to build a set for him. He was going in New York, to watch brain
:36:08. > :36:12.surgery. He has a quality, when he is acting, I don't see what is
:36:12. > :36:19.going on and just being off two degrees, you don't see it, the
:36:19. > :36:25.camera sees it, but I couldn't see it half the time.
:36:26. > :36:30.There are so many things I didn't like about Hollywood, and so the
:36:30. > :36:40.studio decided they didn't like the film. It was like years of
:36:40. > :36:44.frustration with the Hollywood system H H most of the time I was
:36:44. > :36:54.convinced I was going to fail, but I did have a certain arrogance and
:36:54. > :36:56.
:36:56. > :37:02.a sense of human or. 7 -- humour. The finest moment for me is out of
:37:02. > :37:09.Africa was having its premiere, it was biggest day of the year and it
:37:09. > :37:19.was announced at an expensive dinner, best picture Brazil. This
:37:19. > :37:19.
:37:19. > :37:26.is the LA critics. The film didn't make any money but it didn't matter,
:37:26. > :37:34.it is out there, it's alive. You can see more from that interview on
:37:35. > :37:40.the Film 2011 website. We have lots of tweets about New Year's Eve.
:37:40. > :37:47."New Year's Eve is a must watch based on that review, I can hardly
:37:47. > :37:50.wait ". Next week we will be talking about Sherlock Holmes and
:37:50. > :38:00.The Girl With The Dragon Tattoo. We will be discussing our films of the
:38:00. > :38:20.
:38:20. > :38:30.year. Playing us out is the exotic Your first time in India? Yes.
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:38:30. > :38:37.Welcome to the best exotic Marigold hotel.
:38:37. > :38:47.I have a dream to create a home for the elderly that is so wonderful,
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