:00:27. > :00:35.Hello and welcome to film 2000 12678 we are live if you want to
:00:35. > :00:39.get in touch. The details are on the screen now. Coming up. Channing
:00:39. > :00:47.Tatum and Jonah Hill go back to school in 21 Jump Street. I promise
:00:47. > :00:53.we will be superprofessional. Wahlberg is the man with the swag
:00:53. > :00:57.in Contraband. I'm coming for you. And Matt Damon goes in search of
:00:57. > :01:01.the good life in We Bought A Zoo. will give this everything if you
:01:02. > :01:11.sting with me. First tonight, Jonah Hill and Channing Tatum play
:01:11. > :01:16.undercover cops who get to relive high school in 21 Jump Street.
:01:16. > :01:20.shady. I haven't seen you since high school. The movie is about two
:01:20. > :01:25.friends, that went to high school together the first time who didn't
:01:25. > :01:29.really get along, and then we both join the police force and become
:01:29. > :01:36.friends through the police academy. Are you ready for a lifetime of
:01:36. > :01:41.being bad asses. I am. I thought this job would have more car chases.
:01:41. > :01:48.No-one respects ut and we have a crumby job and we screw up really
:01:48. > :01:52.bad. I got to read him his rights. Do you even know them. Do you have
:01:52. > :02:00.to right to remain an Attorney Generaly. Did you say you have the
:02:00. > :02:10.right to remain an attorney? We get sent to this new unit called...
:02:10. > :02:15.Jump Street. You are here because you are Justin Bieber look ing kids.
:02:15. > :02:21.Seven years ago his character is the coolest dude in school. He is
:02:21. > :02:27.athletic and strong. You have exceptional muscle tone, when did
:02:27. > :02:34.you go through puberty? Seven? the nerdy guys are cool. Kids are
:02:34. > :02:38.weird these days. So Joanna is the cool guy right away. It's awesome.
:02:38. > :02:44.And Chaning winds us having to find out what it is like to be the geek
:02:44. > :02:49.in school. I don't know who you are.. You are at my party. It is
:02:49. > :02:55.getting hot in here. It is getting very real. It is like seven
:02:55. > :03:05.strangers living in one house. Come on. What is your real one?
:03:05. > :03:06.
:03:06. > :03:16.there are jokes. Some car chases. And some explosions. Some love
:03:16. > :03:18.
:03:18. > :03:23.making. Let me check out your chest. You OK? Hello. Hello to you. What
:03:23. > :03:28.did you think? The signs aren't good. 21 Jump Street is adapted
:03:28. > :03:31.from an 80's TV show we never saw. You have Channing Tatum the potato
:03:31. > :03:36.that is Channing Tatum. It should be as funny as your first night in
:03:36. > :03:41.prison. It is very funny indeed. It is difficult describing a comedy,
:03:41. > :03:46.as soon as you do that the humour drains out. What is nice everyone
:03:46. > :03:51.will have a favourite scene. Mine is what is the greatest cinematic
:03:52. > :04:00.taking of drugs I have seen since Performance. You have to hand it to
:04:00. > :04:04.the producer, who knows what mad stroke of inspiration made them
:04:04. > :04:08.cast Channing Tatum. Somehow it works. His performance is a peels
:04:08. > :04:12.of comic genius, he deserves all the cred it in the world. He may
:04:12. > :04:18.deserve an apology from those who have been unkind to him in the past.
:04:18. > :04:22.It's a good point. I was mean about him in The Vow. At one point I
:04:22. > :04:27.laughed so hard I thought I was going to be sick. You weren't
:04:27. > :04:32.though. I managed to keep it in. It is properly, it is relentlessly
:04:32. > :04:38.funny. There is no, there is no let up. Not only that, funny and you
:04:38. > :04:43.care about them. Is that just me? Jonah Hill and Channing Tatum are a
:04:43. > :04:46.brilliant pairing. The writing is great. I want to mention the
:04:46. > :04:52.supporting cast. Ellie who was in brids made as the teacher who
:04:52. > :04:55.doesn't know what to say is brilliant. Ice Cube is funny. All
:04:55. > :05:01.of them, Dave Franco is great. There is an art in making a dumb
:05:01. > :05:06.comedy this smart. It is credit to the directors Phil Lord and Chris
:05:06. > :05:10.Miller. Their background is animation. We talked about the
:05:10. > :05:18.deranged John Carter. They have done the same thing here. This is,
:05:18. > :05:22.it is like the best of a ka toon -- cartoon, the gags keep coming, when
:05:22. > :05:26.the gags fall flat, it is also, there is a focus on character and
:05:26. > :05:31.there is a focus, it sounds weird, people will have seen the clip, you
:05:31. > :05:37.have to trust me, it is a movie which says interesting things about
:05:37. > :05:40.school and whether we ever leave school. In that respect it reminds
:05:40. > :05:45.me of is There's Something About Mary. Which is a movie that was
:05:45. > :05:49.smart and had a lot of soul and at least one joke which for any man in
:05:49. > :05:56.the audience will make you cross your legs and never uncross them
:05:56. > :06:03.again. These two guys, Lord and Miller, give them every comedy in
:06:03. > :06:10.Hollywood. I always have to mention Rob Wriggle, and the doves. We owe
:06:10. > :06:15.Channing Tatum a profound apology. We couldn't recommend it enough.
:06:15. > :06:18.Expect Tays are low for this but everyone who has seen it has had
:06:18. > :06:23.the same response. It's a pleasant suprise. It is a great comedy.
:06:23. > :06:28.go and see it in a full cinema. You will be howling this Friday night.
:06:28. > :06:34.Next Mark Wahlberg is forced to do one last job of course, in the
:06:34. > :06:40.action film Contraband. There is strong language. You were the best
:06:40. > :06:49.of the best. The proudest day of my life was when you turned legit. You
:06:49. > :06:54.started the family and you got out of life. What's going on. Chris,
:06:54. > :06:59.come home. It's my brother. What happened? I was running something.
:06:59. > :07:04.And I dumped a package. promised me you would stay out of
:07:04. > :07:09.it. They're going to kill me. not going to kill you. These guys
:07:09. > :07:13.are coming off him for the money. If he can't pay they will come
:07:13. > :07:19.after him. I try to approach him and say we will figure a way to pay
:07:19. > :07:26.you back. I am forced to go out on one last run. I have to try and fix
:07:26. > :07:30.this. What are we running? Currency. It is the size of a mini Cooper.
:07:30. > :07:34.knew a bit about the shipping world and containers and how dirty that
:07:34. > :07:38.world is, and how much stuff is going on under the surface. So I
:07:38. > :07:48.was attracted to it. I thought it was an attractive premise for a
:07:48. > :07:52.
:07:52. > :07:56.good story. You are running something on my ship.. Immediately
:07:56. > :08:01.when we started bringing up the name, you know, the big name, Mark
:08:01. > :08:06.Wahlberg, he is perfect. Because I think he has that mixture of boyish
:08:07. > :08:16.charm, and he is blue collar kind of, and you believe him as a blue
:08:17. > :08:18.
:08:18. > :08:24.collar guy. You think you are the only guy with a locking gun? You
:08:24. > :08:33.mention my wife and kids you done. He has a seedy past. He did things
:08:33. > :08:38.in the past. It is very real to this character. We're going to war.
:08:38. > :08:44.Open the container, where is my wife? Tell him not to dump it in
:08:44. > :08:50.the water. You will never find that money. To good news is, I am now
:08:50. > :08:53.obsessed by shipping and containers. That is good news. I am not joking.
:08:53. > :08:56.The stuff shot with these extraordinary massive tankers with
:08:56. > :09:01.all these containers on them is exciting. Mu problem, if you like
:09:01. > :09:07.with the film, and I want to be nice about it because there is no
:09:07. > :09:11.point. Don't be nice. So that, let me say that out loud. The problem
:09:11. > :09:17.is it is always, just a premise, the idea it is one last job, he was
:09:17. > :09:25.bad, he is now good, for the family has to do one last thing. I was
:09:25. > :09:28.tire odd of that. The guy he is doing it for, his nephew, just
:09:28. > :09:33.makes endless bad decision, so just when you think he can't do anything
:09:33. > :09:36.else thick, he manages it, and I am not sure whether the family
:09:36. > :09:42.wouldn't group together, hold a meal and say maybe it is time to
:09:42. > :09:46.cut him off. Maybe he has done too much, you know, let him go. You are
:09:46. > :09:50.a cruel woman Claudia. I am suprised it has taken this long to
:09:50. > :09:54.make a movie about smuggling. I would have thought someone would
:09:54. > :09:58.have snapped that idea up. I think that setting gives it a freshness
:09:58. > :10:02.and energy, if anyone loves containers and ships more than you,
:10:02. > :10:08.hard to imagine I know, it is probably Baltasar Kormakur because
:10:08. > :10:13.he loves this stuff. He lovers the overhead shot, he has a real eye
:10:13. > :10:17.for detail. That carrys the movie a long way. Two thirds is occupyed
:10:17. > :10:22.with smuggling and shipping and those two thirds are great. You
:10:22. > :10:29.have to forgive the cliches a bit. There are creeks and cliches. Kate
:10:29. > :10:35.Beckinsale, it takes more than a bad bleached hair do to make me buy
:10:35. > :10:41.her as a hard ass New Orleans chick. It depends on the hero surrounding
:10:41. > :10:46.himself with people who are so stupid you wouldn't trust them to
:10:46. > :10:50.order a meal for you. We should say Mark Wahlberg is brilliant, after
:10:50. > :10:54.Boogie Nights and The Fighter he can do anything. He can play this
:10:54. > :10:58.character in his sleep. I like the fact they down play the fact it is
:10:58. > :11:02.in nor lean, you barely notice that, but it is strange from a British
:11:02. > :11:08.perspective, he is famous from coming from Boston, he is the least
:11:08. > :11:13.New Orleans actor you could imagine. It is like a crime thriller set in
:11:13. > :11:18.Newcastle and the crime Lord is Stephen Fry. How did you feel about
:11:18. > :11:22.the nine different endings? They were a problem for me. The other
:11:22. > :11:26.thing was Giovanni Ribisi. Giovanni Ribisi seems to think he is in a
:11:26. > :11:30.different and worse film than everyone else. He has got, an
:11:30. > :11:35.accent going on, facial hai, he has Kate Beckinsale left over stick on
:11:35. > :11:40.tattoo, there is a scene he storms in and men nanss maul's kids. They
:11:40. > :11:45.are not screaming at you, they are screaming at the acting: There is a
:11:45. > :11:50.lot to recommend about this movie. I enjoyed it for what te it was but
:11:50. > :11:55.Giovanni Ribisi is not one of them. It is time for the top five. This
:11:55. > :11:59.week Catherine can't stand her favourite teachers on film. They
:11:59. > :12:03.say everyone remembers a good teacher. But then again everyone
:12:03. > :12:13.remembers a bad one too. Either way they make for memorable movie roles.
:12:13. > :12:13.
:12:13. > :12:19.Here is my pick of the top five. At number five it is Mr Sugden in Kes.
:12:19. > :12:26.Get changed. Give you a sample of my footballing skills. A rare
:12:26. > :12:33.delight. Brian Glover's competitive games master is the actor's first
:12:33. > :12:38.role. He used to be a proetion ifal wrestler. Penalty. Who do you think
:12:38. > :12:43.you have are? He casts himself as bobby Charlton in the scal's
:12:43. > :12:49.football match. The referee's decision is final. And he is not
:12:49. > :12:59.about to let a little thing like fair play get in the way of his
:12:59. > :13:03.
:13:03. > :13:11.inevitable triumph. And that boys is how to make a -- take a penalty.
:13:11. > :13:19.At number for it is Election. Matthew Broderick took the role of
:13:19. > :13:24.Jim McAllister in Election. He is pushed to the edge by the school
:13:24. > :13:34.captain. Spwr Tracy won the election by a single vote. I was
:13:34. > :13:36.
:13:36. > :13:43.about to announce my tally when... The sight of Tracy that the moment,
:13:43. > :13:53.affected me in a way I can't fully explain. Part of it was she was
:13:53. > :13:57.spying but mostly it was her face. Who knew how high she would climb
:13:57. > :14:07.in life. How many people would suffer because of her. I had to
:14:07. > :14:25.
:14:25. > :14:29.And so justice, if not democracy, At number three, it is Miss Norbury
:14:29. > :14:34.from Mean Girls. As well as scripting it, Tina Fay also stars
:14:34. > :14:42.as Miss Norbury. Seeing teachers outside of school is like seeing
:14:42. > :14:50.the dog walker on its hind legs. What's up, guys? Shopping? Just
:14:50. > :14:53.here with my boyfriend. I'm joking. Sometimes older people make jokes.
:14:53. > :15:00.It is a brilliant evocation of every out of school in County you
:15:00. > :15:07.have had with a teacher. There should encounter. This has been
:15:07. > :15:11.sufficiently awkward. See you tomorrow. That is bleak.
:15:12. > :15:15.At number two, Mr Chips from Goodbye Mr Chips. There is an
:15:15. > :15:18.undeniable charm to this British classic about their beloved teacher
:15:18. > :15:28.looking back over his career. You would have to have a heart of stone
:15:28. > :15:29.
:15:29. > :15:39.not to be moved by that final speech. I thought I heard you say...
:15:39. > :15:44.
:15:44. > :15:50.I never had any children. But I have. 1,000 of them. 1,000s of them.
:15:50. > :15:57.And they were all boys. And that number one, Miss Brodie
:15:57. > :16:01.from the Prime of Miss Jean Brodie. Maggie Smith's teaching triumph in
:16:01. > :16:07.the role that would have her Best actress Oscar. A woman in her
:16:07. > :16:17.private 1930s Edinburgh miss Brodie believes in truth, beauty. Observed
:16:17. > :16:18.
:16:18. > :16:21.Stanley Baldwin. He got in as Prime Minister and got out again. Our
:16:21. > :16:28.headmistress retained him on the walls because she believes in
:16:28. > :16:33.safety first. Safety does not come first. Goodness, truth and beauty
:16:33. > :16:43.come first. Miss Jean Brodie believes in an art, truth, beauty
:16:43. > :16:47.and, unfortunately, fascism. Benito Mussolini, ill Duce A. The leader
:16:47. > :16:52.Supreme. A Roman worthy of his heritage, the greatest Roman of
:16:52. > :17:00.them all. Brilliant choice. I had a teacher
:17:00. > :17:09.very much like that. We have to read out some tweets. Gazza says
:17:09. > :17:15.the best teacher is yoga. Quite a few Henry Winkler in Scream. And
:17:15. > :17:21.Mathilde. I would like to give another shared out two Election. --
:17:21. > :17:27.share Ted. Cancel everything this year, just watch Election.
:17:27. > :17:37.Sebastian Coe has said yes. Next, We Bought A Zoo, directed by
:17:37. > :17:38.
:17:38. > :17:44.Cameron Crowe and starring Matt You don't have to take a picture. A
:17:44. > :17:52.why not? Because we are going to live here. The story is about a man
:17:52. > :17:56.who is a widower with two children and is just looking for a new life
:17:56. > :18:02.for himself and for his kids. place is perfect. Why didn't you
:18:02. > :18:12.mention it earlier? It is complicated. Complicated is OK.
:18:12. > :18:12.
:18:13. > :18:16.What is so complicated? Well, you see... It is a zoo. A zoo?
:18:16. > :18:19.The through line is the story of this guy who takes on a huge
:18:19. > :18:26.project that seems a little bit unwieldy and crazy.
:18:26. > :18:33.I would like to declare us all modern-day adventurers. And
:18:33. > :18:36.sponsors of animal greatness. OK, terrific.
:18:36. > :18:43.People will be able to relate to times in their life when they felt
:18:43. > :18:48.a bit overwhelmed and had a chance to kind of make the leap like this.
:18:48. > :18:51.That is the posture of a quitting man. He is like your brother, or
:18:51. > :18:57.your best friend. You just believe everything he says
:18:57. > :19:02.and you believe that he knows you and you know him. Welcome to your
:19:02. > :19:08.Zoo. The this is what you want, not what I want. At the risk a stating
:19:08. > :19:14.the obvious, you are insane. good, thanks. Phyllis that? That is
:19:14. > :19:17.Kelly. Dump the animals, keep Kelly, that is true joy.
:19:17. > :19:22.He will walk out and think, I didn't expect to go to that place
:19:22. > :19:28.and care about those people and miss them a little bit. And that is
:19:28. > :19:33.what I hope happens with We Bought I don't have a lot, but I do have
:19:33. > :19:38.enough. If you stick with me, I will give this everything. A like
:19:38. > :19:42.the animals but I love the humans. -- I like. All you need is 25
:19:42. > :19:47.seconds of insane courage and I promise you something great will
:19:47. > :19:52.come of it. The only word I can find to
:19:52. > :19:55.describe how I felt after this movie is "Molested". Cameron Crowe
:19:55. > :19:59.is so keen to get his hands on your heart strings and give them a
:19:59. > :20:03.plaque, but the problem is the story does not have enough drama,
:20:04. > :20:07.so it keeps falling back on the same things. You have that child
:20:07. > :20:13.who always looks like she is on the verge of breaking out in songs from
:20:13. > :20:19.Annie, areas glum looking animals, and more than anything else, we
:20:19. > :20:22.have the Icelandic music. And don't get me wrong, I like that music a
:20:22. > :20:27.lot, but anybody who likes it will know that the whole point of the
:20:27. > :20:31.band is they can make the scaling a kettle in two and potentially --
:20:32. > :20:35.emotionally intense experience. Cameron Crowe is not the first
:20:35. > :20:40.person to realise what that kind of music can do, they are run every
:20:40. > :20:44.advert on British TV, so what should be a big feel-good movie
:20:44. > :20:51.about the loss feels like a mobile phone advert with the waft of
:20:51. > :20:57.chopped onions coming through the cinema. Or am I wrong? Well,
:20:57. > :21:03.highlighted more than you, which wouldn't be difficult. -- I like it.
:21:03. > :21:07.I am themed. I got so excited by the idea I could work in a zoo. But
:21:07. > :21:13.I got involved. Never mind that, I like Matt Damon and I love some of
:21:13. > :21:18.other Cameron Crowe's films. -- at the other. The problem with this if
:21:18. > :21:24.you like is that the story is so fascinating and so tender, about a
:21:24. > :21:30.man who loses his wife far too young and goes and rebuild his life,
:21:30. > :21:36.that it doesn't need the extras shmaltz. It is so schmaltzy at
:21:36. > :21:41.times. I did solve a lot in it, but I felt a bit like I had been had.
:21:41. > :21:45.That I did cry. Matt Damon is good, Scarlett Johansson is good. The
:21:45. > :21:50.only problem is there weren't enough animals. They didn't buy a
:21:50. > :21:53.zoo, they bought three animals. Matt Damon is the saving grace, he
:21:53. > :21:58.is so sturdy and likeable, but he has to be because the character he
:21:58. > :22:01.is playing makes no sense. Although Benjamin Mee is a real person,
:22:01. > :22:06.nothing adds up. He is playing a character he is pretty much left in
:22:06. > :22:12.sole charge of his kids and Jacques his job in. Anybody knows that is
:22:12. > :22:16.the first thing you do when you are in sole control of your child. He
:22:16. > :22:19.also spent time with Scarlett Johansson making goo goo eyes at
:22:19. > :22:24.him and he doesn't even notice. And on the subject of Scarlett
:22:24. > :22:33.Johansson, and talking about the zoo keepers, I have been to a zoo,
:22:33. > :22:40.I have seen zoo keepers, it doesn't mean it deeper to in a fleece, I
:22:40. > :22:48.will believe she is a zoo-keeper -- if you put it. The rest of them
:22:48. > :22:53.look like they have smokers do? Her stars of almost famous are there as
:22:53. > :22:57.a stark warning as to what will happen if you work with Cameron
:22:57. > :23:03.Crowe. There is a scene where the bear is depressed, and tries to
:23:03. > :23:07.escape, running away thinking can I not work with the man who made The
:23:07. > :23:10.Artist? There will be behind the scenes but it with Matt Damon
:23:10. > :23:16.trying to do the same thing and Cameron Crowe with a tranquilliser
:23:16. > :23:21.gun dragging him back by his feet. Shall we move on? I am scared by
:23:21. > :23:26.that. We are gearing up for a summer full of comic book inspired
:23:26. > :23:32.blockbusters. We take a look at why they are such big news.
:23:32. > :23:38.If you like comic books and if you like films, and S the programme's
:23:38. > :23:42.resident peak, you are in for a treat this summer. Comic-book
:23:42. > :23:46.movies are huge in Hollywood. Over the last 10 years, they have taken
:23:46. > :23:52.more than $6.5 billion at the US box-office alone, and this summer
:23:52. > :24:01.could be the biggest yet with films written from the pages. It is
:24:01. > :24:06.called The Avengers initiative. And first up, or The Avengers.
:24:06. > :24:13.Characters like the whole, Iron Man, Thor and Captain America. -- the
:24:13. > :24:17.Hulks. Then the amazing Spider-Man. The Reboot of the favourite word
:24:17. > :24:22.slinger. The we all have secret, ones we keep than once that are
:24:22. > :24:26.kept from us. And then the film are promises to be the biggest of the
:24:26. > :24:32.year, The Dark Knight rises. Christopher Nolan's epic conclusion
:24:32. > :24:37.to this gritty trilogy. There is a storm coming. Expect those three
:24:37. > :24:41.alone to add on another $1 billion at least in what could be the most
:24:41. > :24:47.successful year yet for comic books. Yet it hasn't always been this way.
:24:47. > :24:50.The for Sam Raimi's Spider-Man broke box-office records in 2002,
:24:50. > :24:55.Hollywood had hardly endeared itself to superheroes. Boasted,
:24:55. > :25:04.they were cheap, canopy and contentious of their origins. Three
:25:04. > :25:10.words, Batman and Robin. I want a car. Chicks feed a car. This is why
:25:10. > :25:14.Superman works alone. So what changed? We asked people with the
:25:14. > :25:18.inside track. The problem was overkill. They just could making
:25:18. > :25:23.and making films, any property they could get their hands on, and
:25:23. > :25:27.usually they just weren't done very well. One of the Marvel Comics made
:25:27. > :25:31.indie -- a lot of the Marvel Comics film made in the 1980s and 1990s
:25:31. > :25:37.have very low budgets, and people tried their best to be political,
:25:37. > :25:44.but it just wasn't, it was doomed from the start. Computer graphics
:25:44. > :25:48.really in the late 90s, early 00s, it opened up where people could
:25:48. > :25:52.figure out what to do and could afford to do it. There hadn't been
:25:52. > :25:55.a lot of comic book films that had used the comics, the emotion and
:25:55. > :26:00.the story and the deep characterisation in the comics as
:26:00. > :26:08.the jumping off point. Generally, it was the kind of guy that what
:26:08. > :26:13.did yours four doing a comic-book movie -- did yours. Then the good
:26:13. > :26:21.guys came in. As the profile has risen, so has the Caliber of
:26:21. > :26:26.director. Many have made comic-book films that a silenced critics that
:26:26. > :26:32.think comic books are just the kids. -- that have. A lot of kids there
:26:32. > :26:39.are comic book films themselves and can be appreciated by the World at
:26:39. > :26:43.large. They also hated when people screw around with them. People
:26:43. > :26:47.started to take up and -- sit up and take notice when big directors
:26:47. > :26:52.came in, and then Christopher Nolan and people coming through. There
:26:52. > :26:58.are certainly a lot more peaks in the upper office than there used to
:26:58. > :27:03.be, and that has certainly helped. Things like The Dark Knight and
:27:03. > :27:07.Batman Begins, they hit something special. They seemed to be coming
:27:07. > :27:13.at it from not a desire to raise the comic book up, just a desire to
:27:13. > :27:17.tell a great story and be as mature as they possibly can be. It is
:27:17. > :27:22.despite it is a comic book. audiences ever more sophisticated.
:27:22. > :27:26.What they want is not only to be entertained but they want to think
:27:26. > :27:30.as well. But there is an ominous threat on the horizon. Will
:27:30. > :27:35.audiences get sick of the seemingly never ending onslaught of bigger,
:27:35. > :27:38.more lavish blockbusters? Will the comic book move the bubble burst?
:27:38. > :27:43.lot of people have been anticipating the collapse of the
:27:43. > :27:47.comic-book movie but if anything, it seems to get bigger. It is like
:27:47. > :27:51.a monster, nothing we have ever seen. The superman symbol is one of
:27:51. > :27:57.the most recognised in the world, everybody knows these characters,
:27:57. > :28:01.and successive generations Cape coming back to them. We have been
:28:01. > :28:05.publishing at Marvel Comics, 50, 100 comic every month, every month
:28:05. > :28:10.for 60 years. That is a lot of stories. The bobble hat and burst
:28:10. > :28:15.yet. Can we turn everyone into a movie? Of course not -- the bubble
:28:15. > :28:20.has not burst. But it can last for a long time. The trick is that if
:28:20. > :28:25.you tell the story well enough, people will want to see it, even if
:28:25. > :28:31.they think it has all of the ingredients are something they are
:28:31. > :28:34.not interested in. I think the bubble can burst, I love -- hate to
:28:34. > :28:38.sound like Gordon Brown, but I think it is impossible, because
:28:38. > :28:45.comics is not a genre, it is a medium. Frankly, it is hard to see
:28:45. > :28:49.it happening. The about of adaptations -- and those moaning
:28:49. > :28:56.about the lack of variety, it is not all about people in spandex
:28:57. > :29:02.punching figure people in spandex. With 2013 bringing us Superman and
:29:02. > :29:12.more, it is clearly the capes, masks and tights that are not going
:29:12. > :29:14.
:29:14. > :29:24.away. And that is super. No, Next once upon a time -- Once Upon
:29:24. > :29:24.
:29:24. > :30:45.Apology for the loss of subtitles for 81 seconds
:30:45. > :30:51.A Time In Anatolia, a Turkish crime As we were watching that I could
:30:51. > :30:56.feel us getting lost into it again. I think, before we talk about it
:30:56. > :31:01.and it is brilliant. Some of it is beautiful. We should tell people it
:31:01. > :31:06.is long. Long and proud of it. know, and you adore it. I want to
:31:06. > :31:11.say out loud it is about two-and-a- half hours. You have to let it wash
:31:11. > :31:14.over you. It is phenomenonally slow as well. The thing is it takes you
:31:14. > :31:18.by suprise. It is just after sunset and you have a couple of murder
:31:19. > :31:23.suspects to go and find a body. You think it's a crime thriller, a cop
:31:23. > :31:28.movie but after a while, they can't find the body and you have a crew
:31:28. > :31:31.of people. You have the prosecutor, soldier, a doctor, the suspect, all
:31:31. > :31:35.tooling round the Turkish countryside trying to find the body.
:31:35. > :31:39.You think, the cops are making small talk about biscuits and you
:31:39. > :31:44.think it is a strange dark comedy, then they still can't find the body
:31:44. > :31:48.and the night goes on, as dawn approaches you realise it is
:31:48. > :31:54.something es, the rambling road movie, it is about life-and-death.
:31:54. > :31:59.The title is a nod to once upon a time in the west, the classic from
:31:59. > :32:04.1968. Couldn't be more different. They have an epic quality. It is,
:32:04. > :32:09.it is a two-and-a-half hour Turkish movie in which really not much
:32:09. > :32:15.happens apart from people talking. But it is fantastic cinema. It
:32:15. > :32:18.looks incredible. And there is a depth to it. So, I... Two-and-a-
:32:18. > :32:23.half hours long. It will stay longer in the mind. What is your
:32:23. > :32:26.film of the week? I am going to say Once Upon A Time In Anatolia and 21
:32:26. > :32:29.Jump Street, they are both in their ways fantastic movies. I think
:32:29. > :32:34.people should take the chance to have the weirdest double bill and
:32:34. > :32:38.see them both. How about you? Probably 21 Jump Street. Yes, both.
:32:38. > :32:41.Once Upon A Time In Anatolia is on limited nationwide release from
:32:41. > :32:50.Friday 16th March. Log on to the website to find out where it will
:32:50. > :32:57.be showing. Now the questionnaire. This week it is Olivia Williams.
:32:57. > :33:03.There was a generation of buddy movies that I haven't -- I have an
:33:03. > :33:07.infinite capacity for. I love The Man Who Would Be King. The Sting.
:33:07. > :33:13.And I love Butch Cassidy and the Sundance kid. What is your idea
:33:13. > :33:16.this time? Bolivia. What is Bolivia? Bolivia, that is a country
:33:16. > :33:22.stupid: I love the moment, I love the humour in them, I love the
:33:22. > :33:28.relationship between them. I think it has set off something in my life
:33:28. > :33:34.of wanting to be a boy. What I love about Paul Newman he had enormous
:33:34. > :33:44.fiscal humour, that was just made all the more astonish -- aston
:33:44. > :33:55.
:33:55. > :34:02.anywhereing by his beautiful good I saw as I think most kids of my
:34:02. > :34:09.generation did, Paper Moon, and wanted to be Tatum O'Neill and
:34:09. > :34:12.wanted Ryan O'Neal to be my dad. # Keep your sunny side up, up #
:34:12. > :34:17.Subsequent events have shown that might have been a bad choice of
:34:17. > :34:22.both life and parenting. They look like they are having such fun but
:34:22. > :34:27.there was such drama and love, and disappointment, and euphoria in
:34:27. > :34:34.their story and relationship. It is a kind of buddy movie where the
:34:34. > :34:39.girl gets to function on equal footing, and sort of asexual
:34:39. > :34:46.function with the school bloke. What did you find out? He keeps it
:34:46. > :34:53.in a bin outback. How big it is? big as our car. There is a shack
:34:53. > :34:57.but he didn't go in it. Honey, how about a walk before daddy puts you
:34:57. > :35:03.into bed. Goody. It was the fact she got to be mischievous and the
:35:03. > :35:12.fact she was tough and could, you know, struck a good deal. He was a
:35:12. > :35:22.tomboy. You are too young to smoke. You will set the place on fire. --
:35:22. > :35:27.she was a tomboy. Tess. The moment when Tess decides that she will
:35:27. > :35:33.tell her future husband what happened to her, and the note
:35:33. > :35:43.instead of sitting on the doormat slips under it and he never sees it.
:35:43. > :35:49.
:35:49. > :35:57.And that was unbearable. I know plans sci -- plans I can came under
:35:57. > :36:03.tact for casting Natasha kins I can, I think she did it very beautifully.
:36:03. > :36:13.I don't know if it was because I was impressionable. Perhaps I could
:36:13. > :36:18.
:36:18. > :36:21.climb along the back. I have gone to this trouble for your sake
:36:21. > :36:25.alone.. Polanski is very knowledgeable about Hardy and the
:36:25. > :36:35.novels but has a tremendously instinctive emotional response to
:36:35. > :36:38.
:36:38. > :36:43.things. I just wish I could have been Liz ya minutely as Sally bowls
:36:43. > :36:52.in that astonishing movie. thought there might be a room to
:36:52. > :37:02.rent here. Not too expensive I hope. Amazing scene where he says screw
:37:02. > :37:10.
:37:10. > :37:14.max millian. Screw max millian. So do I. To be able to say those
:37:14. > :37:17.lines and have that revelation, yeah, I want to play the part, I
:37:17. > :37:22.want to sing the song, dance the dance and wear the costumes but I
:37:22. > :37:25.think it would be very embarrassing if I ever did. That is all for
:37:25. > :37:30.tonight. Next week's show will be on Tuesday and we will be reviewing
:37:30. > :37:37.the hunger game, wild bill and The Pirates, plus we will take a look
:37:37. > :37:41.at the summer blockbusters coming your way. Playing us out is pusher.
:37:41. > :37:51.It is in cinemas this August. Thank you very much for watching. Good
:37:51. > :37:59.night. Good night. Frankie my friend. Got to get hold of some
:37:59. > :38:08.money. Got a batch coming in. much? That's a lot of gear. Frankie.
:38:08. > :38:16.You're my friend. This way you'll get the three grand quicker. OK.
:38:16. > :38:26.the deal. Come back with the money. Don't have the dope, and I don't
:38:26. > :38:40.