:00:26. > :00:31.Hello and welcome to the last in the present series of Film 2012.
:00:31. > :00:38.We're. If you want to get in touch the details are on the screen now.
:00:38. > :00:43.Coming up: Jennifer Lawrence stars in the futuristic drama the Hunger
:00:43. > :00:48.Games. We want a good show. That is all they want. There is 24, only
:00:48. > :00:53.one come out. Aardman take to the high seas inth Pirates in an
:00:53. > :00:56.adventure with scientists. We take a look at some of the biggest and
:00:56. > :01:05.Best Films heading your way this summer. This is the greatest night
:01:05. > :01:11.of my life. Plus, Terry Jones talks us to about the making of The Life
:01:11. > :01:17.Of Brian. First Hunger Games, science fiction adventure starring
:01:17. > :01:22.Jennifer Lawrence. Welcome, welcome. The time has come to select one
:01:22. > :01:32.young man or woman for the honour of representing District 12 in the
:01:32. > :01:49.
:01:49. > :01:52.Primrose Everdeen. Prim! I volunteer. I volunteer as Tribute.
:01:52. > :01:56.Hunger Games are games that the Government of this new formed
:01:56. > :02:00.country called Panem forces random boy and girl from these districts
:02:00. > :02:03.they have split the country into. They go into the Hunger Games to
:02:03. > :02:09.fight until there is one survivor remaining to show the people they
:02:09. > :02:13.have the ultimate power over them. They want a good show. There are 24
:02:13. > :02:17.of us, only one comes out. I heard about it from my kids. They were
:02:17. > :02:22.the first ones who discovered the book. I had stop them from telling
:02:22. > :02:27.me the whole book. Their enthusiasm was infectious. I went upstairs. I
:02:27. > :02:32.started reading about 10.00pm I finished 1.30 am and put the book
:02:32. > :02:38.down and said, "I have to make this movie, I have to". I went through
:02:38. > :02:43.all of this in a matter of days. I thought they were incredible. It's
:02:43. > :02:46.hard to say true about something in the future. When you look at what
:02:46. > :02:50.is on reality television and history repeating itself it's
:02:50. > :02:56.relevant. I thought it was a very important story to be told. This is
:02:57. > :03:01.the time to show them everything. Make sure they remember you. I keep
:03:01. > :03:06.wishing I could think of a way to show them that they don't own me if
:03:06. > :03:11.I'm going to die I want to still be me. I can't afford to think like
:03:11. > :03:15.that. It has a lot of followers. A lot of fans of the books. If a lot
:03:15. > :03:25.of fans of the books come out to see the movie, I think we will do
:03:25. > :03:27.
:03:27. > :03:32.all right. 5-4-3-2-1. I want to see it again tomorrow. What did you
:03:32. > :03:38.think? Hollywood would love this film to be a huge success. The
:03:38. > :03:43.Twilight series is coming to an end. They could do with a teen-friendly
:03:43. > :03:47.film. I think the Hunger Games will be popular and successful. It
:03:47. > :03:52.deserves to be. I will stop mentioning Twilight the comparison
:03:52. > :03:58.doesn't hold. It is a different money. It's a blockbuster. It has
:03:58. > :04:03.roots from the Rollerball to Running Man. There is a flash of
:04:04. > :04:07.Lord of the Flies. It's often very thrilling. Always very, very smart.
:04:07. > :04:13.Which is very unusual for a movie of this scale. I highly recommend
:04:13. > :04:17.it. Do you? Yes, I do. I adored. It I love Jennifer Lawrence. If it was
:04:17. > :04:23.OK, I would like to make a small model of her so we could embrace it.
:04:23. > :04:28.That might be slightly odd. OK. little bit. It is the last show. I
:04:28. > :04:35.have play do. Why wouldn't I? with it. She is brilliant,
:04:35. > :04:39.compassionate, she is hard, but she's cool. What was weird, I like
:04:39. > :04:44.to read the book and see the film, I did it the other way round. She
:04:44. > :04:48.is older than is played in the book. She does it fantastically. It's
:04:48. > :04:54.very, very dark subject matter. This is about children killing each
:04:54. > :05:00.other. So, you go... All of the kids seem older other than Pru,
:05:00. > :05:05.this young girl. Jennifer Lawrence is fianceeal. The film is brilliant.
:05:05. > :05:13.You will be sitting at the edge of your seat. She will be talked about
:05:13. > :05:18.and talked about. I will mention Stanley Tucci. He is an oily TV
:05:18. > :05:22.host you can't help thinking of other actors, maybe Robert De Niro
:05:22. > :05:26.coming in and Lilleteing you know every second they are above this
:05:26. > :05:29.and slumming it. Stanley Tucci plays it straight and as a result
:05:29. > :05:34.the performance is chilling and brilliant. That is the hallmark of
:05:34. > :05:40.the film. What makes it good is that it never insults anyone's
:05:40. > :05:50.intelligence least of all its teen audience. Utterly brilliant.
:05:50. > :05:52.Someone on Twitter hates when I say brilliant. Suck it up. Next The
:05:52. > :05:58.Pirates! In an Adventure with Scientists!. It features the voice
:05:58. > :06:08.of the dreamy Hugh Grant, the latest animation from the Aardman
:06:08. > :06:11.
:06:11. > :06:16.Studios. A set of cheerful, but utterly incompetent pirates. Blast,
:06:16. > :06:21.I'm the Pirate Captain. I'm here for your gold. This is a ghost ship.
:06:21. > :06:31.And, they will be fine except the captain decides on no evidence at
:06:31. > :06:35.
:06:35. > :06:43.all that this year he is going to win the ultimate prize in pirate si.
:06:43. > :06:48.-- pirates. He fails but bumps into Charles Darwin. It's the scientific
:06:48. > :06:55.discovery of our age. Here is the plan. We go to London. We get a
:06:55. > :07:00.huge pile of booty. I enter Pirate of the Year. I win. Impossible odds.
:07:00. > :07:10.It's only impossible if you think about it. The captain encounters
:07:10. > :07:11.
:07:11. > :07:20.his evil Nemesis. In this case Queen Victoria. Steady on. And, you
:07:20. > :07:26.know, surprising, absurdest adventure follows. It is ambitious
:07:26. > :07:32.in scale. People always assume that we work like in a shed down in
:07:32. > :07:35.Bristol. Everything is quite large. The boot was like 15 foot long and
:07:35. > :07:45.20 foot high. There was a positivism about the whole
:07:45. > :07:46.
:07:46. > :07:51.production. How wonderful to be on that set? A lot of plasticine.
:07:52. > :07:56.big boat much I could go there and make a small Jennifer Lawrence to
:07:56. > :08:01.worship. Let's move on. As you would exact it's Aardman, it's
:08:01. > :08:09.absolutely knockout. It is funny, all I'm saying is Ham Night. Watch
:08:09. > :08:17.it, it will all come together. The voices are fabulous. Amelda
:08:17. > :08:22.Staunton is the biggest baddie on a tiny pony. Hugh Grant is brilliant.
:08:22. > :08:30.Martin Freeman wonderful. I think adults and kids will love it.
:08:30. > :08:38.is old school Aardman Animations. He has spent many hours wrestling
:08:38. > :08:41.with plasticine. The sheer volume of jokes is dizzying. We live in an
:08:41. > :08:47.era were modern animated comedies there are the jokes for the adults
:08:47. > :08:55.and the kids. The jokes here work with everyone at the same time.
:08:55. > :09:01.There is a monkey butler. Everyone finds a monkey butler funny, I have
:09:01. > :09:06.no hope for you. You might as well go to Switzerland to one of those
:09:07. > :09:10.clinics and finish the whole thing. It's how I feel. There is a
:09:10. > :09:17.lairyness. It's unusual. Aardman got in trouble before the film came
:09:17. > :09:23.out. They made a joke about leprosy. It upset a few people. The nudests
:09:23. > :09:32.Hans haven't got off lightly. The Elephant Man and Charles Darwin who
:09:32. > :09:42.is portrayed as a creepy fetishness. I think Darwin would have a good
:09:42. > :09:43.
:09:43. > :09:51.case to Sue from beyond the dead. Hugh Grant having an obscene amount
:09:51. > :09:55.of fun. Instead of our usual Top 5, Chris, Catherine and Antiona pick
:09:56. > :10:00.their Top Blockbuster moments. Summer is when studios release
:10:00. > :10:07.their most expensive movies. Some critics say they dump down the
:10:07. > :10:16.movies there are some examples of pure cinema. To which Jurassic Park
:10:16. > :10:21.T-recognises attack sequence. you feel that? He ramps up the
:10:21. > :10:29.tension like this cup of water that heralds the T-Rex's terrible
:10:29. > :10:35.approach. Then it appears. Trying to get to the screaming snacks
:10:35. > :10:41.inside the Jeep, Spielberg doesn't let up for one second. A lot of the
:10:41. > :10:50.success of this sequence is down to the sound. Not one note of John
:10:50. > :10:58.William's score is heard. Next up the Joker Unveiled in The Dark
:10:58. > :11:08.Knight. Chris if fer Nolan's fopup to Batman's Begins grossed more
:11:08. > :11:21.
:11:21. > :11:27.that its predecessor. That can be Pretty soon he is taken out by the
:11:27. > :11:33.surviving clown who approaches him for a very iconic unveiling. Look
:11:33. > :11:41.at you. What do you believe in? believe whatever doesn't kill you
:11:41. > :11:44.simply makes you stranger. Great choices. You can't talk about
:11:44. > :11:50.blockbusters without talking about James Cameron. My top choice is
:11:50. > :12:00.Terminator 2 Judgment Day. You can't beat the sweaty end of the
:12:00. > :12:01.
:12:01. > :12:11.line scrappyness of Zaire Connor's attack on the T1,000 Terminator.
:12:11. > :12:11.
:12:11. > :12:21.Only for him to recover. With think it's all over. Then Arnie saves the
:12:21. > :12:22.
:12:22. > :12:27.day. Of course, blockbusters aren't just about shooting up the bad guys.
:12:27. > :12:37.They can also be about movie magic. For that sheer ability to create a
:12:37. > :12:44.
:12:44. > :12:52.sense of awe and spectacle, Steven It doesn't get much bet r than
:12:52. > :12:57.Elliot and ET traversing the Full moon. It's the best of American
:12:57. > :13:03.mainstream movie making distilled into a single image. In the grand
:13:03. > :13:12.tradition of corporate Hollywood it went on to become Steven Spielberg
:13:12. > :13:17.as's production company logo. Adrenaline, awe, escapism. Try this
:13:17. > :13:27.one on for size. The opening moments of the 1977 Star Wars. You
:13:27. > :13:33.
:13:34. > :13:40.are six years old and sitting in Suddenly, there is words scrolling
:13:40. > :13:46.everywhere telling you about rebel spies and armoured space stations.
:13:46. > :13:51.Your father drops his mini tub of ice-cream in the confusion. The
:13:51. > :14:01.audience is totally lost and completely gripped. This is the
:14:01. > :14:04.
:14:04. > :14:10.most confident opening to a film of all-time. When audiences first saw
:14:11. > :14:16.Kong crushing through the jungle to sweep Faye Ray into his fists they
:14:16. > :14:22.couldn't believe their eyes or ears. This was during the lowest point of
:14:22. > :14:27.the American Depression. Audiences caeved the escapism of the lonely
:14:27. > :14:31.anticipate man longing for his platinum blonde companion. The
:14:31. > :14:40.block busting moment when Kong falls to his death from the Empire
:14:40. > :14:46.State Building is easily one of the best cinema has ever offered us.
:14:46. > :14:56.They got him. Oh, no. It wasn't the aeroplanes, it was beauty who
:14:56. > :15:02.
:15:02. > :15:06.A brilliant choices. I've had a lot of tricks. Will Smith punching the
:15:06. > :15:16.alien in Independence Day, a star is born. Back to the future. And
:15:16. > :15:18.
:15:18. > :15:21.die hard. Inception. Jaws of. Next, Wild Bill, the directoial
:15:21. > :15:24.debut of actor Dexter Fletcher. It stars Charlie Creed Miles as a man
:15:24. > :15:34.who is relesed from prision after eight years and returns home to
:15:34. > :15:37.
:15:37. > :15:43.find his sons have been abandoned I'm never going back. It nearly
:15:43. > :15:53.killed me. It's a man who got a to prison for violent crimes. It seems
:15:53. > :15:53.
:15:53. > :16:01.like yesterday you got sent down. Usual? 10 pints and a punch-up? No
:16:01. > :16:07.trouble. We hear snippets of his past. By all accounts, he was a bit
:16:07. > :16:13.of a lunatic back in the day. He comes out of prison. There's
:16:13. > :16:21.something different about him. is that? Your old man. He goes to
:16:21. > :16:25.find his two young sons. Where am I? Funny, I said the same thing for
:16:26. > :16:33.the last eight years. He finds out that their mother has gone to Spain
:16:33. > :16:42.with her new fellow. She just left you? And you didn't? I didn't have
:16:42. > :16:47.a choice. That's not what she said. That's my mum you're talking about.
:16:47. > :16:54.He has to go to social services. It's the story of the man who
:16:54. > :17:00.learns to be a father. There's not enough room for both of you. What
:17:00. > :17:07.makes you think I would listen to you, anyway? You are a joke.
:17:07. > :17:10.are you going to sort this out? It's easy with the name and the
:17:10. > :17:18.setting and the nature of the characters for it to be another
:17:18. > :17:24.gangster flick. But it's really just a slice of life, a real story.
:17:24. > :17:29.His criminal past his second to what the film is really about,
:17:29. > :17:38.father trying to regain a relationship with his son. Do you
:17:38. > :17:40.know Bill? Who's asking? One of the film's he has been most
:17:40. > :17:46.associated with his with Guy Ritchie. The problem with Guy
:17:46. > :17:50.Ritchie is that, deep down, if he encountered one of his characters
:17:50. > :17:54.in real life, he would have one of his foot men come down and shoot
:17:54. > :18:02.them but that's not the truth whip Dexter Fletcher. He knows this
:18:02. > :18:09.world. His vantage point is better than just being driven through by
:18:09. > :18:15.your dad show for. Also, Charlie Creed Miles, of casting, because
:18:15. > :18:20.he's a big bruiser, a character. A fearsome reputation. Charlie Creed
:18:20. > :18:25.Miles is more wiry, and do you accept him straight away as someone
:18:26. > :18:30.with a terrifying reputation and the man trying to be a father. It's
:18:30. > :18:34.fantastic having Charlie Creed Miles back. He starred in Nil By
:18:34. > :18:38.Mouth, one of the best films ever made. Since then, he has
:18:38. > :18:43.disappeared for long periods of time. It's good news to have him
:18:43. > :18:51.back. If he was here, I was going to say I would hug him but that
:18:51. > :18:57.sounds weird so we would have a firm handshake. It is thrilling,
:18:57. > :19:05.thrilling. Absolutely brilliant. I think he's fantastic. I think the
:19:05. > :19:10.boys, they are fantastic. Brilliant directing from Dexter to bring out
:19:11. > :19:14.the best of them. The choice of music is fantastic. The best ending
:19:14. > :19:19.of a film I have seen this year and you're watching a man transformed
:19:19. > :19:25.in front of your eyes, but it feels incredibly real. The performances
:19:25. > :19:29.are great. You expect that from Dexter Fletcher, an actor. There's
:19:29. > :19:36.good performances across the board but it trickier to get the tone
:19:36. > :19:43.right with this kind of film. It is lovely but not mushy. The Olympic
:19:43. > :19:52.Park is in there which could have been horribly gimmicky for the time.
:19:52. > :19:56.I have seen lots of crime movies in my time off. Next, The Kid With A
:19:56. > :20:06.Bike, a Belgian film about a 12 year old boy living in care and the
:20:06. > :20:06.
:20:06. > :22:04.Apology for the loss of subtitles for 117 seconds
:22:04. > :22:08.relationship he strikes up with a I was about to start off by saying
:22:08. > :22:12.it's not depressing but of course, that moment is incredibly hard
:22:13. > :22:17.braking and it is a beautiful, beautiful film. The hairdresser is
:22:18. > :22:21.a fabulous in it, and so is the young boy but you might think this
:22:21. > :22:28.is going to be dark. There is something strangely uplifting about
:22:28. > :22:34.it. Of course, he's a damaged, abandoned boy. But it's fabulous.
:22:34. > :22:39.They had this mighty reputation, the directors, but it's not an art-
:22:39. > :22:44.house film. It classically simple and a simple story of a boy trying
:22:44. > :22:49.to pursue his father and perform a relationship with him. And trying
:22:49. > :22:52.to make his way in the adult world. Hollywood would have filled this up
:22:52. > :22:58.with rousing moment and big emotional speeches but the film
:22:58. > :23:04.doesn't need that. A classically simple story and one I think, even
:23:04. > :23:09.if people think they hate art house cinema, I defy anybody not to watch
:23:10. > :23:16.this movie with bated breath, as much as any of the blockbusters.
:23:16. > :23:26.And he is brilliant. The scene where he is angry, I don't want to
:23:26. > :23:30.
:23:30. > :23:39.give too much away, but he's fabulous. Yes, the kid is called
:23:39. > :23:41.Thomas Doret. And he has not been to stage school. He has such an
:23:41. > :23:48.incredible character. There's something almost cartoonish about
:23:48. > :23:56.him. There is something of Tintin about him. A Rundle -- a bundle of
:23:56. > :24:01.energy. An endearing performance, and a weird mixture of total
:24:01. > :24:04.naivety and cynicism at the same time. It's a lovely movie. The Kid
:24:04. > :24:07.With A Bike is on limited nationwide release from Friday 23rd
:24:07. > :24:14.March. Log on to our website to find out where it will be showing.
:24:14. > :24:19.This is an impossible question. What is your film of the week?
:24:19. > :24:27.Listen, The Kid With A Bike is a great movie. I would recommend all
:24:27. > :24:32.of them, Wild Bill. Hunger Games is a special Blockbuster. Yes, but
:24:32. > :24:35.Wild Bill is brilliant and so is the pirates. Next, Catherine, Chris
:24:35. > :24:39.and Antonia tell us what movies to look out for while we're off air.
:24:39. > :24:49.But first here's a round up of some of the films heading your way over
:24:49. > :24:59.
:24:59. > :25:09.You are sweating like a human. Next, it will be tears. What are you
:25:09. > :25:30.
:25:30. > :25:40.waiting for? Mirror, mirror, on the Do the deal and come back with the
:25:40. > :25:47.
:25:48. > :25:53.money. Time's up. What kind of bird You have my permission to die.
:25:53. > :26:03.club is totally out of control! This is the greatest night of my
:26:03. > :26:04.
:26:04. > :26:14.We all have secrets. The ones we keep and the ones that are kept
:26:14. > :26:37.
:26:37. > :26:47.from us. What is your name? Albert. These pages are all stuck together
:26:47. > :26:48.
:26:48. > :26:58.again? I hate my kids right now. They are all dead. We were set
:26:58. > :27:12.
:27:12. > :27:18.You have no right to rule the way you do. You don't say? You think
:27:18. > :27:28.I'm going to kill myself there to make you look bad? Welcome to the
:27:28. > :27:30.
:27:30. > :27:40.programme. Who the hell is he? is an agent. You speak American?
:27:40. > :27:41.
:27:41. > :27:45.What are you prepared to do? bringing the party to you!
:27:45. > :27:53.joining us, Catherine, Chris and Antonia here. Hello. There is a lot
:27:53. > :27:59.on. Who is the most excited about street dance to? You are. I can't
:27:59. > :28:04.help it. And I'm an old lady. What should we be looking forward to and
:28:04. > :28:10.the big hits? What are you most excited about? I have already seen
:28:10. > :28:17.this. I'm excited about a comedy horror called Cabin In The Woods.
:28:17. > :28:22.It is about a cabin in the woods. It's fantastic. Bunny, scary.
:28:22. > :28:28.the trailer and they jumped a lot. It has the balance right which a
:28:28. > :28:32.lot of comedy horror is don't get right. This gets it absolutely
:28:32. > :28:42.right, as you would expect from some of the creative team behind
:28:42. > :28:46.
:28:46. > :28:56.Buffy The Vampire Slayer. OK, quite. I seriously believe something weird
:28:56. > :29:04.
:29:04. > :29:14.What is bad thing? This isn't right. Good idea. Really? We have got to
:29:14. > :29:25.
:29:25. > :29:30.Some body cent of those things to That is genuinely terrifying. I
:29:30. > :29:35.will have to sleep tonight with the lights on. Have a nice hot milk and
:29:35. > :29:44.you will be fine. It is scary and brilliant and it deconstructs the
:29:44. > :29:49.horror genre. OK. I totally trust you. Antonia, I can only imagine
:29:49. > :29:55.you pick something made in the 1930s, by a man wearing a beret,
:29:55. > :30:01.not a bad way? There's not a single lousy subtitled movie to choose
:30:01. > :30:09.from this summer for for so, in response, I'm not leaving the house
:30:09. > :30:15.for anything less than Anna Karenina, out on 7th September. The
:30:15. > :30:20.director did pride and prejudice. And Keira Knightley is in the lead
:30:20. > :30:25.and I think she's shaping up to be the best actress in the country.
:30:25. > :30:33.There was a film called last night which came out last year. Didn't
:30:33. > :30:37.you like it? Fight! She just turns in the most sophisticated, elegant
:30:37. > :30:42.melancholy performance. It's incredible. Then I thought she
:30:42. > :30:51.wiped the floor with Michael Fassbender. One of the finest
:30:51. > :30:55.actors in the world. Or so I love Joe Wright in pride and prejudice.
:30:55. > :31:01.The only other actress who has done this before was Greta Garbo, so she
:31:01. > :31:05.has a standard to reach but it's interesting that the 1935 film was
:31:05. > :31:15.a small film and I have heard this is an enormous production with
:31:15. > :31:16.
:31:16. > :31:24.millions of pounds. It may have all It takes place inside a theatre.
:31:25. > :31:29.You have trains going through the theatre. Maybe he had to re-
:31:29. > :31:33.calibrate quickly. I have all the inside tracks. As always. If I was
:31:33. > :31:39.allowed I would be sitting in your lap. What film should we be excited
:31:39. > :31:45.about? I have been banging on about The Raid. I will not go for that
:31:45. > :31:54.one. You think I might go for The Dark Night knight Rises. But I'm
:31:54. > :32:04.going tor Prometheus. This could well be his hat-trick. People are
:32:04. > :32:32.
:32:32. > :32:38.Yeah, how can you not be excited about that. Is there a plot? Do you
:32:38. > :32:42.know of one? There is. It's about expedition of scientists who
:32:42. > :32:46.discover clues on earth that make them believe mankind was birthed.
:32:46. > :32:50.They go out to this planet and discover things that they shouldn't
:32:50. > :32:58.tamper with. It could possibly lead ultimately to alien. This is very
:32:58. > :33:04.much its own basis. It has the same haunted house movie in space that
:33:04. > :33:12.Alien had. It had this epic scale like 2001 where we tackle themes
:33:12. > :33:20.like the dawn of mankind and, why are we here! It feels like I've
:33:20. > :33:26.seen it. I will give you titles. A French movie, Tales Of The Night.
:33:26. > :33:36.And We Are Poets. And The Raid, best action movie in ten years.
:33:36. > :33:38.
:33:38. > :33:44.People have to see it. The juicy carrot is The Master. He has made
:33:44. > :33:53.four films in his career. The idea that he will be back behind the
:33:53. > :33:59.camera again. My breath is baited already. It's my Movie of the Year.
:33:59. > :34:03.Dark Knight Rises my choice. I clapped the trailer. It's time for
:34:03. > :34:13.director's cut. Terry Jones talk to us about The Life Of Brian. There
:34:13. > :34:15.
:34:15. > :34:24.is, obviously, some strong language. I wasn't there when the idea of
:34:24. > :34:30.Jesus Christ lust for glory came about. We are three wise men.
:34:30. > :34:34.We are three wise men. What are you doing creeping around a cow shed at
:34:34. > :34:38.2.00 am in the morning. That doesn't sound wie wise to me.
:34:38. > :34:46.started reading the Bible. It wasn't Christ. Everything he says
:34:46. > :34:53.is great, you know, so we weren't... The idea of making fun of Christ
:34:53. > :34:58.was quickly put aside. The idea was of parallel massiah came up. They
:34:58. > :35:03.started following me yesterday. Well, they can stop following you
:35:03. > :35:13.right now. Now, stop following my son. You ought to be ashamed of
:35:13. > :35:18.yourselves. Massiah, massiah. who? The massiah. There is no
:35:18. > :35:27.massiah in here. There is a mess all right, but no massiah. Now, go
:35:27. > :35:37.away. John was very keen to play Brian. We all that thought that was
:35:37. > :35:40.
:35:40. > :35:50.a terrible idea. Lock off. What? Judean People Front. We are the
:35:50. > :35:50.
:35:50. > :35:56.People Front of Judea. We persuaded him he was necessary for all the
:35:56. > :36:05.other parts. He does it again in Brian, brilliantly. If you want to
:36:05. > :36:13.join a PFJ you would have to have really hate the rch omans. I do.
:36:13. > :36:21.How much? A lot. Right, you're in. I could tell you some things that
:36:21. > :36:27.you may not have seen in the film What about you. Look for Mike with
:36:27. > :36:34.Chris Lagham, he is pulling a very funny face. When I say the name
:36:34. > :36:40.because... In themanger scene with the three wise men there is a large
:36:40. > :36:47.cable with a plug on it, right in the foreground. It's so obvious.
:36:47. > :36:52.You never see it. # Always look on the bright side of
:36:52. > :36:56.life... # In Always Look on the Bright Side
:36:56. > :37:06.Seymour Hoffman quens will is a man wondering about at the bottom of
:37:06. > :37:10.
:37:10. > :37:19.the crosses. -- sequence" there is a man wondering about at the bottom
:37:19. > :37:26.of the crosses. I have to like it now -- I have got to like it now.
:37:26. > :37:33.Christ is playing by an actor Ken Colly. He is treated respectfully.
:37:33. > :37:39.The camera pans away to someone who shouts, "speak up" they can't hear
:37:40. > :37:45.him. That utterly undermines his faith in Christ. I started off by
:37:45. > :37:50.saying this is such a tenth rate film that I don't believe it would
:37:50. > :37:59.disturb anybody's faith. started out with an open mind.
:37:59. > :38:09.have never seen Michael so angry really. What Mike said was that
:38:09. > :38:09.
:38:09. > :38:14.they missed the beginning of the film. The Bishop of Southwark and
:38:14. > :38:19.Mugridg hadn't seen the first 15 minutes. How could they have missed
:38:19. > :38:28.it. It's a gad piece of work, I think. That's how I feel. Quite
:38:28. > :38:32.self-satisfied about it. It's the end of the film. Incidentally, this
:38:32. > :38:41.record is available. Brilliant. More from Terry Jones on our
:38:41. > :38:44.website. Danny would like to say something. I'm away Paul Thomas
:38:45. > :38:48.Anderson has made five films. will be back in October. Playing us
:38:48. > :38:58.out it can only be The Muppets. Thank you for watching. Have a
:38:58. > :38:59.
:38:59. > :39:02.MUSIC: Tapping Feet, I've Got Everything That I Need
:39:02. > :39:07.# I've got everything I need right in front of me
:39:07. > :39:09.# Nothing is stopping me # Nothing I can't deal with with
:39:09. > :39:15.you right next to me # Life it a piece of cake
:39:15. > :39:18.# Life is a piece of pie # Life's an easy road
:39:18. > :39:21.# With someone beside to you share the road
:39:21. > :39:27.# Life is a high # Life is a leg of lamb