:00:30. > :00:38.Hello and welcome to the programme, if you want to get in touch,
:00:38. > :00:41.details are on the screen. Coming up: all is fair in love and
:00:41. > :00:47.espionage. Reese Witherspoon and Tom Hardy *
:00:47. > :00:54.In This Means War. Jennifer Aniston and Paul ride are
:00:54. > :01:03.suffering from Wanderlust. should make love some time.
:01:03. > :01:07.And things Burrell added control in Project X. -- spiral out of control.
:01:07. > :01:17.Plas Edgar Wright talks to us about the making of Shaun Of The Dead. If
:01:17. > :01:21.
:01:21. > :01:28.Such a delicate touch! Sheer magnetism, darling. Plenty more of
:01:28. > :01:33.that later. Charlie Higson told us why he loves to play seven. First,
:01:33. > :01:43.Shaun Of The Dead, starring Tom Hardy, Reese Witherspoon and Chris
:01:43. > :01:52.
:01:52. > :02:02.You're my best friend. I would take a bullet for you. What would happen
:02:02. > :02:03.
:02:03. > :02:13.if James Bond was best friends with I was doing the same thing. You
:02:13. > :02:15.
:02:16. > :02:21.want to see her? That is Lauren They respect each other, but would
:02:21. > :02:27.one have acquiesced to the other? Never!
:02:27. > :02:37.You date her. What does that mean? I think we should lay down some
:02:37. > :02:38.
:02:38. > :02:46.ground rules. Let her decide. But left the best man win. It is like
:02:46. > :02:52.the classic straight man, funnyman. He wants to have a family, led a
:02:53. > :02:58.solid wife -- life with his wife and kid. His colleague is like a
:02:58. > :03:03.labrador, let's play, let's have fun. Lauren is the woman who makes
:03:03. > :03:13.their friendship stronger. He teaches them what it means to be
:03:13. > :03:25.
:03:25. > :03:29.Really? Have you ever killed anybody with your bare hands?
:03:29. > :03:35.this week. We were having a great time making
:03:35. > :03:42.a picture like this. Life is very difficult to stop we have all had a
:03:42. > :03:52.great deal of tragedy in our lives. We can all do a bit of dreaming.
:03:52. > :03:53.
:03:53. > :04:02.That wonderful. So you are not I imagine this is your film of the
:04:02. > :04:08.year. At the EU know me so well! This is like if fiendish Hollywood
:04:08. > :04:12.film, the perfect beach movie and rum,. As a film, it is mostly more
:04:12. > :04:17.enjoyable than being kicked between the legs. As an experiment, it is
:04:17. > :04:21.doomed to fail. The action elements do not work. It is sloppy and
:04:21. > :04:25.flaccid. A great action movie is a great thing but it needs to be
:04:25. > :04:28.added with a scalpel and this is edited with a fish slice. The
:04:28. > :04:35.romance is rather strange, because there is a love triangle at the
:04:35. > :04:43.centre of the movie. There is only one side of that. He doesn't mean
:04:43. > :04:46.it. It doesn't involve Reese Witherspoon. The romance is so
:04:46. > :04:51.overheated that if I were a woman and my boyfriend didn't deceive the
:04:51. > :04:58.movie, I would raise a quizzical eyebrow afterwards and wonder if
:04:58. > :05:04.they won't try to tell me something. We do you think, Claudia? Only just.
:05:04. > :05:12.We have had a lot of tweeds. Andrew Jones says, at this is painful.
:05:12. > :05:17.Gail Smith says, this is not tinker, tailor. Life is about expectations,
:05:17. > :05:23.so I went in like that. It is not great, but I liked the fact that it
:05:23. > :05:29.is a nonsense. The job is a nonsense, the house, the boys at
:05:29. > :05:34.the CIA is sit around at desks, and occasionally Angela Bassett says...
:05:35. > :05:39.What about international terrorism! No, it is an absolute nonsense.
:05:39. > :05:45.Chelsea Handler saves it for me, she is hilarious. She has a couple
:05:45. > :05:51.of moments, but they are laugh out loud. Once you get it into your
:05:51. > :05:57.head about the tiny hands, you never look at anything else.
:05:57. > :06:03.Somebody says, why is she listening to that old man? I quite liked the
:06:03. > :06:07.fact that it is all out ridiculous. What Reese Witherspoon where it
:06:07. > :06:11.doesn't make sense. She constantly dresses as if she's going to a
:06:11. > :06:16.black-tie ball. I'm not going to argue with that. But I think Tom
:06:16. > :06:19.Hardy is better than this. Everyone associated with it is better, I
:06:19. > :06:23.take on board what the director says one East is not everything has
:06:23. > :06:27.to be about the human condition, but surely a movie should be more
:06:27. > :06:30.than a barely adequate way to fill the time on a long-haul flight
:06:30. > :06:38.between finishing the in-flight magazine Andy Baddeley and kicking
:06:39. > :06:42.in. Breaking news that quite on the poster if they want! To a mention a
:06:42. > :06:47.Hitchcock film and talk about chatting up a goal in a video shop,
:06:47. > :06:51.because that is what they do in 2012! He says the great thing about
:06:51. > :06:55.Hitchcock is he could make these movies which were action movies,
:06:55. > :07:00.romances, thrillers, blended into one. You think, oh my God, this is
:07:00. > :07:05.what they think they are doing here. But to create a movie like a
:07:05. > :07:11.Hitchcock movie, you need to have such delicacy, lightness of touch.
:07:11. > :07:16.This is like watching a didn't making a souffle! Let's move on.
:07:16. > :07:19.am not very good with a souffle. Next, Project X, the story of a
:07:19. > :07:24.group of teenagers who want to throw the ultimate house party.
:07:24. > :07:34.It is my birthday today. You should swing vital stop it is on Beacon
:07:34. > :07:34.
:07:34. > :07:38.Street. That is your party? See you guys tonight then!
:07:38. > :07:42.Project X is the story of these three kids from an anonymous call
:07:42. > :07:45.the one to make a name for themselves. They have the
:07:45. > :07:51.opportunity to throw a party, they want to change something in their
:07:52. > :07:58.lives. The whole idea is to get pictures to recognise this. How do
:07:58. > :08:04.you not to the point? It is the ideal scenario 20 teenager, you
:08:04. > :08:07.parents Garway, you have a certain amount of time. -- your parents go
:08:07. > :08:17.away for the weekend. The party because bigger than it anything
:08:17. > :08:22.they had imagined. It is more crazy that it is even funny. It is just
:08:23. > :08:28.like, what is going on in this movie! It is not a straight out
:08:28. > :08:34.comedy, honestly, it is really just a maybe about a few bad decisions
:08:34. > :08:39.and things spiralling out of control. My dad will go crazy if
:08:39. > :08:43.anything happens to my car. -- his car. I like the idea of some of
:08:43. > :08:49.these partygoers being part of the moody, let's give them cameras,
:08:50. > :08:55.phones. It was amazing, there is a lot of the ditch to go through, but
:08:55. > :09:05.you find that little gem. -- a lot of footage to go through. It is
:09:05. > :09:06.
:09:06. > :09:11.Look at her! We should it mostly chronologically, so the
:09:11. > :09:19.transformation of our physical appearances was real. It is time to
:09:19. > :09:27.shut it down. Shut down or I am calling the cops. It is all on
:09:27. > :09:32.tape! All I got was you punching his face. This was a real house,
:09:32. > :09:36.real people partying. That really added to the whole chaos and the
:09:36. > :09:45.real Miss of this movie, which gives it the texture it has.
:09:45. > :09:51.will have a whole day. What if my parents see it? This high school
:09:51. > :09:56.party, have you seen the footage? This film is absolutely not by me.
:09:56. > :10:02.I am and little old lady. And I was on the side of that poor neighbour
:10:02. > :10:08.who was tasered. We are all on his side. I was very anxious, and they
:10:08. > :10:14.are creating a mass, this is a very bad. I did not what -- don't know
:10:14. > :10:23.what insurance company will cover this. The characters are repellent,
:10:23. > :10:29.I could talk to you for now about the depiction of women in it. --
:10:30. > :10:36.have fallen apart. But the point is, if I was 17 and I sneaked into this
:10:36. > :10:41.film with four of friends, with weird hot dogs, I imagine that I
:10:41. > :10:46.had died and gone to heaven. It is a nonsense. There is no character,
:10:46. > :10:53.no story. I think one moment, they say, party till the break of dawn.
:10:53. > :10:59.You think, that is a moment. But this promise not for people like me.
:10:59. > :11:03.The Oscars last week, there was a huge celebration of the past, but
:11:03. > :11:08.the elephant in the room was the box office figures across America,
:11:08. > :11:15.the end degeneration seem to be getting away. So what do the job
:11:15. > :11:18.catches do, the perfect time to unveil Project X. It is a time to
:11:18. > :11:23.start off with a stone the Yorkshire terrier on a bouncy
:11:23. > :11:28.castle. A garden gnome are full of Ecstasy and the right chord
:11:28. > :11:33.arriving. But that is it. That is what is grimly interesting. You try
:11:33. > :11:39.and review this film, you think of it, performance, characterisation,
:11:39. > :11:43.number of this matters. -- none of this matters. I have feeling this
:11:43. > :11:50.film is going to be hugely successful. It to music is good,
:11:50. > :11:57.the director has struck lot of videos. Her you are watching it,
:11:57. > :12:02.you think, I have never been to a party like this. But you think,
:12:02. > :12:07.that was a whole youth I didn't have. It is so strange seeing a
:12:07. > :12:12.film made up entirely... Jackass was so real and imaginative, but
:12:13. > :12:16.this is made up of clips from people's cameraphones on YouTube
:12:16. > :12:22.commander had this horrible feeling, if the Oscars was all about cinemas
:12:22. > :12:29.past, you have the strange feeling that this is maybe the future of
:12:29. > :12:33.cinema, in which case I may take up rambling. This is fine for this
:12:33. > :12:40.film to have an audience, but if you're on legal, to see this film,
:12:40. > :12:47.it means you are to hold for it. Now time to the top five, now the
:12:47. > :12:51.top five film teenagers. Teenagers - can't live with them,
:12:51. > :12:57.can't make them tidy their rooms, and you cannot begin to
:12:58. > :13:04.excruciating -- understand their excruciating text speak. They are
:13:04. > :13:10.usually smarter and sassier on film. Here are my top five.
:13:10. > :13:15.At No. 5, Jim Stark in Rebel Without A Cause. The cinema has
:13:15. > :13:25.been full of surly, rebellious teenagers, but one of the first and
:13:25. > :13:26.
:13:26. > :13:29.best remains James Dean in Rebel Without A Cause. The film was one
:13:29. > :13:33.of the first which showed him railing aimlessly at his school
:13:33. > :13:41.mates, parents, his life, everything. You are tearing me
:13:41. > :13:51.apart! What? You say one thing, everybody changes back again!
:13:51. > :13:58.
:13:58. > :14:03.Deanna died a month before its At 4, it is Superbad. I am McLovin.
:14:03. > :14:08.He is a hapless geek, whose journey of discovery as two bumbleing cops
:14:08. > :14:13.show him the time of his life is heart-warming. How is it going with
:14:13. > :14:23.the ladies? It is not the going with the ladies I care about. It's
:14:23. > :14:32.the coming! I get it! It features tonnes of cracking dialogue - this
:14:32. > :14:40.is important - it sounds like stuff that a teenager might say. I've got
:14:40. > :14:50.a bona. Good. So it is not Shakespeare. At three, it is Carrie
:14:50. > :14:53.
:14:53. > :15:00.in Carrie. Take Carrie, a sweet soul... It is Carrie... Carrie is
:15:00. > :15:07.abused at home by her nut-job of a mum, shunned by her teachers and
:15:07. > :15:17.bullied by her classmates. She is a melting pot of Torment and rage
:15:17. > :15:19.
:15:19. > :15:25.which boils over at the school prom. At two, it is Olive in Easy A. Here
:15:26. > :15:29.is a teenager who can restore faith in the future of the human race.
:15:29. > :15:35.She's smart, articulate and schooled enough in pop culture to
:15:35. > :15:43.know that she is living her life inside a John Hughes' movie.
:15:43. > :15:49.Whatever happened to chivalry? I want John Cusack holding a Boombox
:15:49. > :15:56.outside my window. I want Jake waiting outside the church with me.
:15:56. > :16:06.I want Judd Nelson thrusting his fist in the air because he knows he
:16:06. > :16:07.
:16:07. > :16:16.got me just once. No, no, John Hughes did not direct my life.
:16:16. > :16:20.one, it's Marty McFly in Back To The Future. The hero of Robert
:16:20. > :16:23.Zemeckis' time-travel flick is special. He is smart, resourceful
:16:23. > :16:29.and self-possessed enough to be best friends with a crazy white-
:16:29. > :16:36.haired old man. Wait a minute, Doc, are you telling me you built a Time
:16:36. > :16:46.Machine? He's also seriously cool, whether he is taking care of
:16:46. > :16:49.
:16:49. > :16:55.bullies, Marty is the ultimate teenager. He invented the Blues.
:16:56. > :17:03.You know that new sound you were looking for? Listen to this!
:17:03. > :17:07.the skateboard, and the concept of repeats! Great Scott, he is
:17:07. > :17:17.amazing(!) Brilliant. We have had so many e-
:17:17. > :17:24.
:17:24. > :17:29.mails. One has to be Ferris Bueller. Saturday morning detention has
:17:29. > :17:35.never been so fun. That is only a few. Thanks very much. Next,
:17:35. > :17:41.Wanderlust, a comedy starring Jennifer Aniston and Paul Rudd.
:17:41. > :17:48.ready for your meeting? Yeah. them dead, all right? I'll call you
:17:48. > :17:56.later. Know what I want to do? I want to take off that robe. Why are
:17:56. > :17:59.you not at work? I got fired! Linda and I are this couple who is kind
:18:00. > :18:04.of, I kind of think hanging by a thread. As soon as we can get back
:18:04. > :18:13.on our feet, we'll come back to New York. Atlanta is the best place for
:18:13. > :18:20.us to be. The bottom drops out of their life. They stumble into a
:18:20. > :18:28.bed-and-breakfast which is this commune and they have an amazing
:18:29. > :18:36.night there. It is coming after us! He wants to make a suit out of our
:18:36. > :18:41.skin. You guys OK? There he is, my homeless brother. Where's your
:18:41. > :18:47.cardboard box? Your body is... think you are making everybody
:18:47. > :18:55.uncomfortable. When it is such a nightmare, George's brother, Rick...
:18:55. > :19:02.You want me to enter this data? questioning me? Are you serious?
:19:02. > :19:05.They final decide why not, let's go for it and move into this place.
:19:05. > :19:14.Welcome to the community. It is not like we are signing a lease. We
:19:14. > :19:20.will give it a month... Two weeks. I felt very close to Linda, coming
:19:20. > :19:25.out of your shell and getting out of the rules and letting your guard
:19:25. > :19:31.down. George, I hear Eva asked to have intercourse with you? What?
:19:31. > :19:36.Yes, thanks(!) That was what I was going to tell you. Apparently, they
:19:36. > :19:39.practice free love. She's found her, as Paul would say, her Wanderlust.
:19:39. > :19:44.She doesn't want to leave, she's contributing, she is finally being
:19:44. > :19:51.part of the community and helping and giving and making a difference.
:19:51. > :19:57.This place is incredible. I feel I'm part of something that is real.
:19:57. > :20:07.What is this? I can fly! You can't. I believe I can fly. If you are
:20:07. > :20:09.
:20:09. > :20:15.going to get literal with an R Kelly song do Trapped in a Closet.
:20:15. > :20:18.I'm not having an on-air nervous breakdown. There is something that
:20:18. > :20:22.was very funny. You have this New York couple whose lives are
:20:22. > :20:30.unravelling and there is a pace and a rhythm that feels like a
:20:30. > :20:40.screwball comedy. After that, their lives take a different take and
:20:40. > :20:41.
:20:41. > :20:45.they end up in this old-fashioned New York commune. The comedy is
:20:45. > :20:51.often a bit creaky, it is a bit repetitive, bup there is a lot of
:20:51. > :20:57.funny stuff -- but there is a lot of funny stuff in there as well. I
:20:57. > :21:01.am detecting a lot of hostility from you. Yes, correct. Why so
:21:01. > :21:05.hostile? Well, it is not funny enough! It is not funny enough and
:21:05. > :21:09.I found it ever so painful. The screening, everybody else was
:21:09. > :21:14.laughing so maybe there is something wrong with me! LAUGHTER
:21:14. > :21:20.Don't! Don't tweet about that! Be a love. The point is, it is not funny
:21:20. > :21:25.enough. I think if I'm honest, I have a problem - I love her as
:21:25. > :21:29.Rachel Green, but Jennifer Aniston, it is the same mannerisms. Paul
:21:29. > :21:33.Rudd is great. The stereotype of this commune come think and fast
:21:33. > :21:36.and in a minute somebody will make a gift out of twigs and oranges -
:21:36. > :21:42.there it is. In a minute, there will be a naked guy making wine -
:21:42. > :21:46.oh, there it is. I just found it - it's sad because you think it is
:21:46. > :21:51.going to be funnier and it just isn't funny. Life is very short.
:21:52. > :21:59.I'm not going to spend much of it defending Jennifer Aniston. I will
:22:00. > :22:04.stick up for her seeing as she "trips her balls off". Paul Rudd is
:22:05. > :22:09.in every American comedy that has come out over the last ten years.
:22:09. > :22:18.His timing here and his responses are fantastic. Listen, this isn't
:22:18. > :22:28.Some Like It Hot, this isn't Airplane, but there is a warmth to
:22:28. > :22:30.
:22:30. > :22:37.it - even the minor characters get something to do. There are some
:22:37. > :22:41.classic lines. Another week I would be less charitable about it. Listen,
:22:41. > :22:47.it is perfectly decent. I will settle for that. There is a bigger
:22:47. > :22:49.conversation to be had about who these films are for, both Reese
:22:49. > :22:53.Witherspoon's film, This Means War, and this one. I don't think they
:22:53. > :22:58.have done very well. We will have to ask Charles Gant. I don't know
:22:58. > :23:02.who they are for. They should be aimed at me? It is Hollywood's
:23:02. > :23:07.problem. Yeah. The film which we are reviewing this week is Project
:23:07. > :23:17.X, that will make money. Next, Charlie Higson, author of the Young
:23:17. > :23:22.
:23:22. > :23:27.Bond series tells us why 007 will James Bond has been a huge part of
:23:27. > :23:30.my life. I can actually remember the first film I went to see in the
:23:30. > :23:35.cinema, it was Thunderball. I can vividly remember everything about
:23:35. > :23:41.that night, the excitement of it, the scale, the music, the action,
:23:41. > :23:46.the jet-pack. The villain's boat that splits in half. The underwater
:23:46. > :23:50.scenes where you haven't got a clue who anybody is. For me, and for
:23:50. > :24:00.everyone else in the '60s, James Bond was the coolest guy in the
:24:00. > :24:02.
:24:02. > :24:06.world. He must have followed us. think he got the point! And James
:24:06. > :24:12.Bond has managed to remain being the coolest guy in the world by
:24:12. > :24:18.constantly adapting to the times. Sean Connery's '60s bond handed
:24:18. > :24:25.over to Roger Moore's camp '70s disco Bond and then we had Timmy
:24:25. > :24:28.Dalton's politically correct Bond, the '90s gave us Pierce Brosnan's
:24:28. > :24:33.designer Bond and Daniel Craig has brought the character right up-to-
:24:33. > :24:38.date with his portrayal of James Bond. He perfectly captures these
:24:38. > :24:43.murky uncertain times in which we are living. Like everybody else, my
:24:43. > :24:49.James Bond will be the one that I grew up with. I'm much obliged.
:24:49. > :24:52.all began in 1962 with the release of Dr No. While they were filming
:24:52. > :24:59.it, there were no great expectations. Certain things came
:24:59. > :25:06.together on that film to create the perfect storm. Sean Connery had an
:25:06. > :25:14.animal sexuality, he knew how to wear a suit, fire a gun and deliver
:25:14. > :25:24.a one-liner. It's a Smith and Wesson and you have had your six!
:25:24. > :25:30.
:25:30. > :25:35.Sean Connery was... Bond, James Bond. And then there was Ursula
:25:35. > :25:45.emerging from the sea in the Caribbean. It led to a succession
:25:45. > :26:07.
:26:07. > :26:13.My favourite Bond Girl - Diana Rigg and Ava Green were classy, Britt
:26:13. > :26:20.Eckland appealed to my teenage years, but I'm going to go for
:26:21. > :26:26.Madeleine Smith because Roger Moore got to try out a gadget - a watch -
:26:26. > :26:31.that unzips dresses. Such a delicate touch. I can't find one
:26:31. > :26:38.anywhere! The next killer ingredient was Ken Adams' amazing
:26:38. > :26:44.sets and there will never be a better set than the volcano in You
:26:44. > :26:47.Only Live Twice, the ultimate Bond villain's lair. Many of the Bond
:26:47. > :26:52.interiors have been shot here. What made the film stand out right from
:26:52. > :27:02.the start was the use of genuine exotic foreign locations. James
:27:02. > :27:15.
:27:15. > :27:20.Bond has been everywhere and done I only have to hear those opening
:27:20. > :27:27.twangy guitar notes and I am back there as a seven-year-old boy in my
:27:27. > :27:32.seat, in wonder at James Bond. Add in M, Moneypenny, the villain, the
:27:32. > :27:42.cars, the guns, the gadgets, you have the most enduring hero in
:27:42. > :28:03.
:28:03. > :28:11.You expect me to talk? No, Mr Bond, He has no wife and kids, no boring
:28:11. > :28:15.domestic life and he is allowed to kill people - fantastic. Brilliant.
:28:15. > :28:25.Next, Carancho, a thriller about an ambulance-chasing personal injury
:28:25. > :28:25.
:28:25. > :30:15.Apology for the loss of subtitles for 109 seconds
:30:15. > :30:21.In an odd week, finally we get to a film which is worth the ticket
:30:21. > :30:25.price. I should explain a bit about the plot. It is about ambulance
:30:25. > :30:30.chasers in Buenos Iris, doesn't sound exciting, but it really is.
:30:31. > :30:36.It is a warped love story, and the end is the best climax ever. Well,
:30:36. > :30:40.not ever! But this week. We have talked a lot about Hollywood and
:30:40. > :30:44.its failings, one of the things they used to do well in the Fifties
:30:44. > :30:48.was churn out these tough films about real issues, which were
:30:48. > :30:54.gripping dramas which were not afraid to have characters with
:30:54. > :30:59.murky pasts. Hollywood doesn't make those often any more, but
:30:59. > :31:09.thankfully, someone does. Film two is a punchy little film noir. --
:31:09. > :31:15.film two. He has got this great are haunted presence, he is haunted and
:31:15. > :31:19.great for the role. You so wanted to work. He is so well cost, there
:31:19. > :31:25.is a love story, it is the one chink of light in this otherwise
:31:25. > :31:30.dark moody. I wish I could get another director in to watch this.
:31:30. > :31:36.What is your film of the week? is this one. But I'm going to stick
:31:36. > :31:42.up for Wanderlust. What I was obviously in a slightly odd mood!
:31:42. > :31:51.Now it is time for director's cut. Edgar Wright talks twice about
:31:51. > :31:55.Shaun Of The Dead. Some strong When we first pitched it, we said
:31:55. > :32:05.it was like life is sweet with zombies. We didn't want it to be a
:32:05. > :32:19.
:32:19. > :32:29.So, to be true to form to the sum the films we loved, most of the
:32:29. > :32:52.
:32:52. > :33:00.The first day of the shoot was this shot where he walked from his house
:33:00. > :33:05.to the corner shop and back. I remember wandering out on a Sunday
:33:05. > :33:11.morning, just walking up the road and across the street to the corner
:33:11. > :33:15.shop and back again without seeing any cars. What if you walked out
:33:15. > :33:25.here and there were zombies, what if you saw it from the point of
:33:25. > :33:27.
:33:27. > :33:33.view of somebody who was hung over It could bigger based on the
:33:33. > :33:43.distance between the two locations. We couldn't find a flat we liked
:33:43. > :33:47.and a corner shop we liked. So we had to make that interesting. The
:33:47. > :33:51.cameraman on the film said that he believed the shot would be cut out,
:33:51. > :33:56.his be said there was no way it would stay in the movie. I said, I
:33:56. > :34:00.am going to make it is as -- interesting. So why did it with
:34:00. > :34:10.some background jokes, because I was annoyed at this guy had
:34:10. > :34:20.
:34:20. > :34:25.suggested it would be cut out. It has been a funny sort of day.
:34:25. > :34:30.When I look back did come are the thing I most proud of is the scene
:34:30. > :34:36.with his mum. It was kind of distressing to shoot, as well,
:34:36. > :34:41.because it was her last seen. So literally, her laughter shock when
:34:41. > :34:51.she was on -- her last shot when she was on the screen was heard
:34:51. > :34:55.getting shot. She is not going anywhere! She is my mum! He was
:34:55. > :35:01.right towards the end of the shoot, everybody was really tired. You can
:35:01. > :35:11.see that Simon is really emotional. Because we were kind of tired and
:35:11. > :35:20.
:35:20. > :35:26.We relied may be too heavily on some very lovely fans of Space that
:35:26. > :35:32.he came out and worked for essentially nothing. They were
:35:32. > :35:37.pouring on those windows for two weeks street. When they eventually
:35:37. > :35:43.came into the pub and attacked Dylan, you can see this bloodlust
:35:43. > :35:50.rising, because they were trying -- finally getting to do something.
:35:50. > :35:56.They are a bit crazy because they had been waiting around along time.
:35:56. > :36:03.Can I have two sugars? Adventurist! I might pop into the garden for a
:36:03. > :36:07.bit. The joke is that he gets the best of both worlds, he gets to
:36:07. > :36:17.live with his girlfriend, but keep his best friend, his childhood
:36:17. > :36:22.
:36:22. > :36:28.Some people have said that it is a romantic comedy between two dies,
:36:28. > :36:32.which they think is probably pretty accurate. -- two dies. Brilliant.
:36:32. > :36:42.You can see more of that interview on our website. That is all for
:36:42. > :36:43.
:36:43. > :36:53.tonight. Playing as at, a look at the branded the trailer for --
:36:53. > :36:58.
:36:58. > :37:08.playing as out a look at this brand War has started. And we are
:37:08. > :37:18.
:37:18. > :37:28.Are you trying to get me back in the world? Trying to save it.
:37:28. > :37:30.
:37:30. > :37:38.need you to come in. A what if I What are you asking me to do?
:37:38. > :37:48.called the Avengers initiative. thought I didn't qualify.
:37:48. > :37:58.
:37:58. > :38:08.Apparently I was a volatile, self- How desperate to buy you? -- had
:38:08. > :38:10.