:00:30. > :00:33.Hello and welcome to Film 2013, with me Claudia Winkleman. And me,
:00:34. > :00:41.Danny Leigh. We are live. If you want to get in touch, tweet or
:00:41. > :00:46.email. The details are on the screen right now. Tonight: Jamie
:00:46. > :00:53.Foxx saddles up in Quentin Tarantino's Django Unchained.
:00:53. > :00:57.Django. The "D" is silent. There is true life crime in The Wee Man.
:00:57. > :01:03.John Hawkes and Helen Hunt get together in The Sessions. Is it
:01:03. > :01:08.possible for me to know a woman in the biblical sense? Are we talking
:01:08. > :01:17.about sexual enter course. Chris Hewitt is here with his Top Five
:01:17. > :01:27.Shootouts. First it's Django Unchained by Quentin Tarantino.
:01:27. > :01:36.Good cold evening, gentleman. I'm Dr King Schultz. What is your name?
:01:36. > :01:44.Django. You're the one I'm looking for. No sale. Oh, very well. It's a
:01:44. > :01:50.film about an exslave who become as bounty hunter. He has his freedom
:01:50. > :01:55.he has this talent with the pistol and legality behind him he rescues
:01:56. > :02:02.his wife who is still a slave. sold my wife. I don't know to who.
:02:02. > :02:09.Will you help me to do that? I'll give you your freedom and take you
:02:09. > :02:14.to rescue your wife. When are we going? I play a slave who become as
:02:14. > :02:19.bounty hunter. She is my wife who gets separated from me in a brutal
:02:19. > :02:23.way. When I meet my friend we go from plantation to plantation to
:02:23. > :02:30.find her. You kill people and they give you a reward? Certain people,
:02:30. > :02:35.yeah. Bad people? Ah! The Bader they are, the bigger the reward.
:02:36. > :02:42.The film is this epic western cowboy western film, but it's in
:02:42. > :02:48.the name of love. I like the way you die, boy. I have wanted to do a
:02:48. > :02:54.western for a long time. I thought Pulp Fiction was a rock-and-roll
:02:54. > :03:00.western. Now, it's time to do one for proper. Bull's-eye. I can only
:03:00. > :03:04.think about five other westerns that have dealt with slavery as a
:03:04. > :03:08.subject. It's an issue America are afraid to bring up, they are
:03:08. > :03:14.embarrassed about it. I wanted to deal with. It We have a fight going
:03:14. > :03:18.on. It's good fun. A lot of films touched on it that make you think
:03:18. > :03:25.slavery was this thing where people sung songs in the fields and picked
:03:25. > :03:35.cotton and they were OK. It wasn't. It was a horrible institution.
:03:35. > :03:38.
:03:38. > :03:46.said, you said you didn't know him? I don't. Yes, you do. Mr Stephen, I
:03:46. > :03:53.don't. Why is you lying to me? Lying? Why is you crying? You're
:03:53. > :03:59.scaring me. Why is I am scaring you? Because you're scaring...
:03:59. > :04:04.Action! Coming from America, if you are going to do a movie about
:04:04. > :04:09.slavery it will be a hot potato. That is good. People are having
:04:09. > :04:13.real conversations about slavery, in a way that hasn't gone on for at
:04:13. > :04:18.least 30 years. We had a great laeter in Quentin Tarantino. For
:04:18. > :04:22.the most part, it's been fantastic -- leader. It takes pressure off
:04:22. > :04:30.myself and Carrey. We are the African-American people in the
:04:30. > :04:35.movie. It will be laid at our feet if it were to go awr e. It makes
:04:35. > :04:42.you step back. It is nowhere near as horrible as the stuff that
:04:42. > :04:49.happened. What is your name? Django. This would be a good time for, in
:04:49. > :04:56.our relationship, you told me your "D" was silent and I could call you
:04:56. > :05:00.Anne. I'd rather you didn't. Flagging it up. I am don't come at
:05:00. > :05:05.this movie as Quentin Tarantino. She talented. A lot of what he has
:05:05. > :05:09.done for 10 years could be filed under "self-pleasure. Django is
:05:09. > :05:15.funny and brutal. It's recognisable. It couldn't be made by anyone else.
:05:15. > :05:19.It is insanely entertaining. For those of us, like me, who have felt
:05:19. > :05:26.iffy about Tarantino, going back to Jackie Brown this is welcoming back
:05:26. > :05:31.an old friend. A talking old friend. On that note? On the subject of
:05:31. > :05:35.fowl mouth, if you see this film you will stand up and you will want
:05:35. > :05:40.to shout obscenities in a good way. Possibly punch the air. Will you
:05:40. > :05:45.love. It you will feel invigorated. Can I read out some tweets, because
:05:45. > :05:52.we said the thing, they have come in. Quentin Tarantino back to his
:05:52. > :06:00.best. The Best Film maker of his generation from Nathan Polly. Ryan
:06:00. > :06:03.says - Django is fun but massively overrated. Django being the least
:06:03. > :06:06.interesting character. We will talk about the actors in a minute.
:06:06. > :06:10.Before we move off the subject, I want to talk about Tarantino more.
:06:10. > :06:14.I think, listen, no-one sprays blood across a screen like him. We
:06:15. > :06:17.all know. That when he is on form there is so much more going on here.
:06:18. > :06:23.Dialogue, the rhythm of the dialogue, you can nod your head to.
:06:23. > :06:28.It you could dance to it. It's a thing of beauty. He is over rated
:06:28. > :06:34.and he doesn't get enough credit if that makes sense. It makes absolute
:06:34. > :06:40.sense. There are moments in this film that funny. He is wearing blue.
:06:40. > :06:46.A moment when he says "say goodbye to Miss Laura." I will not say
:06:46. > :06:50.anything else. When you see it, you will know what we mean. I have seen
:06:50. > :06:55.it with someone who loved. It I watched it again. I think it's
:06:55. > :06:58.worth bringing up with somebody who found the violence too much. It was
:06:58. > :07:03.in the news a lot. Silly not to mention. There has been talk about
:07:03. > :07:10.Tarantino and violence. By this stage of his career if you don't
:07:10. > :07:14.like gun play you are better off having a Radox bath than watching a
:07:14. > :07:19.Tarantino film. The violence is more interesting than the violence
:07:19. > :07:23.he doesn't show than the violence he does show. There is a lot of
:07:23. > :07:28.slap stick. You never doubt how seriously this movie takes slavery.
:07:28. > :07:35.You don't have to be Spielberg to make a point. I want to say
:07:35. > :07:38.something quick about the actors. Jamie Foxx and Christoph Waltz get
:07:38. > :07:42.all the attention. I want to say something about Leonardo Di Caprio.
:07:42. > :07:45.She a very smart move casting him here. The thing about Leonardo Di
:07:45. > :07:50.Caprio, he has ruined any number of films in the last few years.
:07:50. > :07:53.Whatever the role is, he looks like this over fed man baby. In fact,
:07:53. > :08:02.here that is the character. That is exactly the character he is playing.
:08:02. > :08:07.He is a perfect fit. Very, very smart move casting Leonardo Di
:08:07. > :08:12.Caprio. Samuel L Jackson extraordinary? Yes. Next, Helen
:08:12. > :08:16.Hunt and John Hawkes star in The Sessions, the true life story of
:08:16. > :08:26.Mark O'Brien, a polio sufferer paralysed from the neck down, who
:08:26. > :08:34.
:08:34. > :08:40.sets out to lose his virginity aged Oh. Shit. I had not heard this
:08:40. > :08:44.story told before. You know, a guy who was spent most of his life in
:08:44. > :08:50.an iron lung. All of a sudden he wanted to lose his virginity.
:08:50. > :08:56.possible for me to know a woman in the biblical sense? Are we talking
:08:56. > :09:01.about sexual enter course? My penis speaks to me, Father. When I read
:09:01. > :09:06.the script. I thought, this is a new story. A world I have never
:09:06. > :09:11.seen before. You go, this is like this movie but they are on Mars. I
:09:11. > :09:19.have not seen this story before or met this woman before. So. Your
:09:19. > :09:24.money is on the desk over there. Yes, it is. Thank you. That was the
:09:24. > :09:29.wrong way to start of. It really was. Shall we start again? Please.
:09:29. > :09:34.You start. Although the aim is for us to have sex. I'm not a
:09:34. > :09:39.prostitute. You don't have to pay me up front. I have nothing against
:09:39. > :09:43.prostitutes. There is a difference. We can talk about that later.
:09:43. > :09:49.sorry. The concept of a sex surrogate. What is this role, a
:09:49. > :09:54.woman who has sex for money, it's not prostitution? It weighs
:09:54. > :09:58.irresistable. I understand you are able to have an erection. Yes, but
:09:58. > :10:05.not by choice. The First question I had for the director, who had also
:10:05. > :10:10.written the script was, why not a disabled actor, Ben is disabled
:10:10. > :10:16.himself, a polio survivor. He had met with actors with disability and
:10:16. > :10:20.actors without disability trying to find his character. He hadn't found
:10:20. > :10:24.the right actor, he felt. I'm glad he thought I could do. It I'm glad
:10:24. > :10:30.I decided to do. It God wasn't actually denying my sexuality, he
:10:30. > :10:37.was just pointing out to me how useless it was. It's amazing to me
:10:37. > :10:42.how often God is brought into the sex act. I understand, even among
:10:43. > :10:46.non-believers the most common expression of sexual ecstasy is "oh,
:10:47. > :10:53.God." To find the humour in this film was hugely important to me.
:10:53. > :10:57.The fact that the audiencience is laughing so loud they can't hear
:10:57. > :11:02.the neck line means when I come in they are more open and engaged and
:11:02. > :11:09.vulnerable. I said to my boyfriend at the premier in LA, before I come
:11:09. > :11:13.in and get naked, "it's very quiet in here all of a sudden." You will
:11:13. > :11:16.listen to signals from your body. That way you will be able to have
:11:16. > :11:20.control. One of the unique things about the movie, often when two
:11:20. > :11:23.people come together in a movie or in real-life, they are really
:11:24. > :11:29.looking out for themselves. Whereas, in this case, they come together
:11:29. > :11:36.for one of them. They come together for him. I think, it works best as
:11:36. > :11:41.a relationship movie. It's kind of like, a hidden love story, really.
:11:41. > :11:45.I was ready to often comfort to the furlong. I would love to hear it.
:11:45. > :11:49.Love is a journey. I like it already. That's it. That is all I
:11:49. > :11:53.have got. What do you think? terms of award season,th Sessions
:11:53. > :11:57.hasn't been invited to the party. I think that is a shame. The reasons
:11:57. > :12:02.it has been ignored are exactly the reasons it should be embraced.
:12:02. > :12:07.Unstayed and under played. It tell as movie story without leaving your
:12:07. > :12:11.heart strings feeling like they have been molested. It has a really
:12:11. > :12:17.great refreshing attitude towards sex. In big Hollywood blockbusters
:12:17. > :12:24.they try to pretend sex doesn't exist. People in Christopher Nolan
:12:25. > :12:28.films I don't think have gentals. Here, John Hawks' character is
:12:28. > :12:33.learning a new language from Helen Hunt's character. Sex is fun and
:12:33. > :12:38.healthy. The movie industry spends a lot of its time catering for
:12:38. > :12:45.virgins and over grown virgins. It's nice to have a movie which is
:12:45. > :12:49.a truly adult film in the best sense. Absolutely adult.
:12:49. > :12:53.Performances brilliant. It is funny. What do you think of the
:12:53. > :12:56.performances? Helen Hunt has an Oscar nod. It's well and good the
:12:57. > :13:01.film having this sense of being matter-of-fact about sex. She has
:13:01. > :13:06.to embody. That she has to play this part. She spends half the film
:13:06. > :13:10.in the altogether. Very brave. Fine, fine performance. There are two
:13:10. > :13:13.fine performances going on. It's a film about two people. John Hawkes,
:13:13. > :13:18.who I think is superb here. Because of the nature of the character he
:13:18. > :13:24.is playing, he can only ability act with his eyes and voice. Have you a
:13:24. > :13:28.physical performance. To me, this is impressive as Tom Cruise on top
:13:28. > :13:33.of a hotel in Mission Impossible 4. There is a real beauty to this. I
:13:33. > :13:38.think, I don't know, what do you great being under stated and under
:13:38. > :13:44.played? That is what John Hawkes is here. You sit at the back in the
:13:44. > :13:54.Oscars unnominated while Bradley Cooper is nominated as Best Actor
:13:54. > :13:56.
:13:56. > :14:01.for doing Silverlinings play. That is a travesty. Bradley, well done.
:14:01. > :14:07.Now the Oscars, do you have gripes. Are you OK? How do you feel about,
:14:07. > :14:11.I'm scared to ask, Best Director? That is a real problem. The
:14:11. > :14:14.omissions are more interesting than what has been included. Best
:14:14. > :14:18.Director is fascinating. You can reel off a list that haven't been
:14:18. > :14:25.named, Tarantino not being named. Paul Thomas Anderson hasn't been
:14:25. > :14:33.nominated for The Master. It is not up for Best Film. Not among the
:14:33. > :14:41.best ten films this year, that is crazy. Ben Affleck with Argo.
:14:41. > :14:48.won at the Globes. Another one, Zero Dark 30. We will talk about it
:14:48. > :14:55.next week. Anyone who watched the live stream of the nominations that
:14:55. > :15:00.Catherine Bigglow, people were clapping. Every time Zero Dark 30
:15:00. > :15:10.was mentioned there was a silence. Interesting stuff going on in play
:15:10. > :15:11.
:15:11. > :15:17.I don't even dare say I liked it again for fear you will get...
:15:17. > :15:21.Please don't. Please don't. Listen... Also, Tom Hooper got
:15:21. > :15:27.nominated but Les Mis... We have just named five directors - it's
:15:27. > :15:32.the alternative Best Directer list, an interesting thing. I am pleased
:15:32. > :15:35.the Southern World got nominated. It has picked up several
:15:35. > :15:42.nominations. I can't help but thinking this is just the academy
:15:42. > :15:52.proving they have seen a foreign and an indie film this year. And
:15:52. > :15:57.
:15:57. > :16:04.Moonrise Kingdom. That's enough for Hello, and welcome, Chris, into Top
:16:04. > :16:08.Five world. How are you? I am gl. How you? You have top five
:16:09. > :16:12.Shootouts? I have. Because of Django? Because of Django and
:16:12. > :16:17.because we're going to shoot each other. Hopefully not - definitely
:16:17. > :16:22.not. Can I converse with you about Shootouts? You can. Many your head,
:16:22. > :16:27.is that a mass of people because I just want it to be defined by you.
:16:27. > :16:30.Yes. We're differing on this. slightly differ on this because I
:16:30. > :16:34.would have thought Shootouts was two people. That's a due. Then
:16:34. > :16:38.there is a gunfight which is a couple of people. I would say it is
:16:38. > :16:42.usually a lot of people. Listening to you, I think you're right. You
:16:42. > :16:48.think a shoot-out is two people with guns. Listen, we could do this
:16:48. > :16:52.all night. If I am shooting at you and you shooting at me it's a
:16:52. > :16:56.shoot-out. People shooting anywhere... Out of a bush? Anywhere,
:16:56. > :17:00.out of a nightclub. Immediately, when you got the phone call, did
:17:00. > :17:04.you go, that's easy? I am doing that with my eyes closed? I knew my
:17:05. > :17:11.number one. I knew any number two, then the rest with my eyes closed.
:17:11. > :17:15.I love John Wu movies. I am wearing the T-shirt but Die Hard didn't
:17:15. > :17:21.make it. It was very, very tough. There is a disgruntlement about the
:17:21. > :17:24.absence of John Wu on twit. They're livid. Let's start with number five.
:17:24. > :17:27.When I think of shoot-outs I think of bank robberies and westerns, so
:17:27. > :17:32.I went for a western for number five. There is another one in there
:17:32. > :17:36.later on, but I wanted something that felt realistic, a realistic
:17:36. > :17:40.shoot-out. If we were shooting at each other we'd be missing because
:17:40. > :17:45.we'd be nervous. You would be missing! You'd be hitting me in the
:17:45. > :17:50.face obvious by but I went for Kevin Costner's Open Range which
:17:50. > :17:53.has a fantastic climactic shoot-out where bullets blow people apart and
:17:53. > :17:57.they did realistic physics but also people missing. OK. Let's have a
:17:57. > :18:07.clip. Looks like you're losing your Army,
:18:07. > :18:32.
:18:32. > :18:35.Snoop couldn't hit a barn door. No. Number four totally - anybody does
:18:35. > :18:39.a cartwheel in slow motion wins. think you're going to give it away
:18:39. > :18:47.with this one. This is my style over substance choice. I was going
:18:47. > :18:50.to go for a John Wu film but decided I had to go for The Matrix
:18:50. > :19:00.for the noughties in many ways but Keanu Reeves looks very, very cool.
:19:00. > :19:02.
:19:02. > :19:12.You say cool. I always think, what a coat. Let's have a look.
:19:12. > :19:30.
:19:30. > :19:34.Don't you think that looks dated, though? I look at that and go, God,
:19:34. > :19:37.1999 - that looks so... But every film that came after copied it. It
:19:38. > :19:41.still looks pretty fresh. Yes, that lobby scene - I remember seeing it
:19:41. > :19:47.for the first time and I remember seeing it a million times. "We're
:19:47. > :19:51.going to need guns, lots of guns." What's next? A western. This one I
:19:51. > :19:56.think influenced pretty much every major action film-maker for the
:19:56. > :20:02.last 30, 40 years including my beloved John Wu. It is the ultimate
:20:02. > :20:12.blaze of glory, the ultimate electric shoot-out. It's the end of
:20:12. > :20:38.
:20:38. > :20:45.Wild Bunch. You know with The Wild Bunch, they
:20:45. > :20:49.had six cameras going at six different speeds, six different
:20:49. > :20:53.frameworks, six different cameras at the same time - that was the
:20:53. > :20:58.only way he could get that sense of time. There would have been no The
:20:58. > :21:03.Matrix without The Wild Bunch. Half of cinema would have been taken out.
:21:03. > :21:13.He didn't shoot in FPS, did he? What's your next choice? I had to
:21:13. > :21:15.
:21:15. > :21:23.go for a comedy. I love the movies of Jim Zucker and David Zucker, a
:21:23. > :21:27.World War II film called Top Secret!. It plays on all the
:21:27. > :21:37.cliches and conventions of a shoot- out, and it's just hilarious.
:21:37. > :21:58.
:21:58. > :22:01.My favourite thing about that - we have watched it all day - I can't
:22:01. > :22:05.imagine how many times you have seen that - still like a four-year-
:22:05. > :22:09.old giggling. Not even the best joke. There are better jokes in
:22:09. > :22:14.that sequence. Are there? There is an amazing joke with a machine gun
:22:14. > :22:18.you have to see to believe. You have to. Very good. So number one -
:22:18. > :22:23.I am hoping it's going to be what Twitter want you to choose as
:22:23. > :22:27.number one... Yes. Otherwise there is going to be a ruckus.
:22:27. > :22:31.disqualified John Wu, so... They did want this one at number one.
:22:31. > :22:34.You may have noticed a young Val Kilmer in Top Secret! That was his
:22:34. > :22:39.first movie. I have gone for another Val Kilmer movie for number
:22:39. > :22:44.one. It is an amazing shoot-out in Heat where the characters are
:22:44. > :22:46.trying to get away from Al Pacino and his Army of cops, and they use
:22:46. > :22:56.incredible military tactics to get away. It's fantastic. OK. Here's
:22:56. > :23:34.
:23:34. > :23:38.It's a fine choice. Nice wig on Val as well. Is that a wig? I am saying
:23:38. > :23:45.it is. I am not taking anything away from Heat. One comes from
:23:45. > :23:49.Twitter. I feel strongly about it myself, the Third Man - I don't see
:23:49. > :23:53.how you can do this without mentioning that movie. It's not a
:23:53. > :24:02.shoot-out. My God that cinema. need at least a dozen people for a
:24:02. > :24:08.party. Scarface - you could do this on the top five movie - Scarface.
:24:08. > :24:12.How can you leave that out? considered my Blaze of Glory moment
:24:12. > :24:19.but The Wild Bunch pipped it in the end. Everybody has a favourite.
:24:19. > :24:25.nightclub scene in Scarface where Octavio - you know, he's the
:24:25. > :24:32.cocaine weevil - he gets caught up in the shoot-out. You're an amazing
:24:32. > :24:42.man, but... Number six - I am looking for two words, Star Wars.
:24:42. > :24:48.
:24:48. > :24:58.don't know. We're out of time. Next week with Catherine Bray. Now a
:24:58. > :25:02.clip from Wee Man. It's time you took the ladder. I chose to be a
:25:02. > :25:08.gangster. The Commonwealth always despised
:25:08. > :25:14.him. You leave Ferris to me. I have grand plans on him. Someone has put
:25:14. > :25:17.a price on his head. This has to stop if we're going to have a
:25:18. > :25:22.future. You know who he was. You knew what you signed up for. I want
:25:22. > :25:31.you to pass on a message. I am scared, so scared. It's gone too
:25:31. > :25:37.far. It's taken over your life. It's possessed your soul. If you
:25:37. > :25:41.want a moment, you can have it. it begins. We don't have a lot of
:25:41. > :25:47.time, so I am going to ask you, is it worth seeing? If you like
:25:47. > :25:51.Scottish gangster films - I don't know if you're in the mood - it's
:25:51. > :25:55.aiming for I am Bruce Scorsese. It has some swagger to it and fine
:25:55. > :25:58.performances. The director also directed Love, Honour and Obey,
:25:58. > :26:01.which is one of the worst films I have ever seen. He has been in
:26:01. > :26:04.prison for the last 30 years because of that. Martin Compston is
:26:04. > :26:06.very, very good. Next, Chained, a dark and disturbing horror film
:26:06. > :26:14.from director Jennifer Chambers Lynch. If you scare easily, close
:26:14. > :26:19.your eyes now. Hey, hon. It's us. We're in a cab.
:26:19. > :26:25.We're on our way home. Love you. Excuse me. That was our exit.
:26:25. > :26:29.Mum? I've got a child back here, and you're beginning to scare the
:26:29. > :26:36.bejesus out of me. Chained is in my opinion a story about how monsters
:26:36. > :26:42.are really made, and it's the tale of a serial killer who drives a
:26:42. > :26:52.taxicab who picks up a fare, a mother and her son, and takes them
:26:52. > :27:02.
:27:02. > :27:06.home instead of to their required Mom! Stay in the car. And he ends
:27:06. > :27:10.up killing the mom and keeping the boy for ten years, and it's the
:27:10. > :27:16.story of that experience. Mom! wanted to explore the dynamic
:27:16. > :27:20.between the man and the boy and try and figure out exactly why this man
:27:20. > :27:28.was doing what he was doing and maybe create a dialogue about child
:27:28. > :27:36.abuse and why humans do bad things. I didn't ask for you, but since
:27:36. > :27:43.you're here, I'm going to make the most of it. You will have one job.
:27:43. > :27:53.You do what I say. SCREAMING
:27:53. > :28:00.Jonny Evans -- Evan Burd is an incredible actor. Yes, he's a child.
:28:00. > :28:04.If he wanted to change something, he had the room to do that. I don't
:28:04. > :28:08.think somebody needs to be tortured in order to look like they're being
:28:08. > :28:18.tortured. It is for some people a very tough watch, but I think it's
:28:18. > :28:32.
:28:32. > :28:40.You will serve me for the rest of What's your name? I'm Rabbit.
:28:40. > :28:45.long have you been here? Since I We have run out of time. Should
:28:45. > :28:50.people buy a ticket to this? It's claustrophobic and evocative. For
:28:50. > :28:55.horror fan, absolutely. For non- horror fans it's undermined by
:28:55. > :29:00.having a plot twist which even a dog would find implausible and not
:29:00. > :29:06.even a clever dog. Agreed. It's released on February 1. Your film
:29:06. > :29:11.of the week? Django Unchained. But it can't get into cinemas because
:29:11. > :29:13.of that terrible singing, Django Unchained is great. Go and see
:29:14. > :29:16.Sessions too. That's all for tonight. Next week
:29:17. > :29:20.we're back at the later time of 11.50pm, and we'll be reviewing
:29:20. > :29:23.Lincoln and Zero Dark Thirty. Plus, I sit down to chat with Steve
:29:23. > :29:26.Spielberg. Playing us out tonight the new trailer for A Good Day To
:29:26. > :29:36.Die Hard. It stars Bruce Willis and is in cinema's February. Thank you
:29:36. > :29:40.
:29:40. > :29:50.and goodnight. Jack? Dad? This is what you have been doing, 007, a
:29:50. > :29:52.
:29:52. > :30:01.playing field in New Jersey. Relax. You're safe now. Save my ass.
:30:01. > :30:09.guy's bad news - terrorism, weapons grade European Union -- uranium,
:30:09. > :30:19.nukes. Someone's got to stop him. That a boy. Knock, knock. Whoa!
:30:19. > :30:23.