:00:35. > :00:38.Hello and welcome with Claudia Winkleman and Danny Leigh. Tweet
:00:38. > :00:43.wore e-mail, the details are on the screen now.
:00:43. > :00:48.Coming up: Hail to the chief, Steven Spielberg
:00:48. > :00:54.talk about his new film, Lincoln. I like our chances now.
:00:54. > :01:00.Hunting Bin Laden, Jessica Chastain stars in Zero Dark Thirty. I'm not
:01:00. > :01:03.your friend, I'm not going to help you, I'm going to break you.
:01:03. > :01:13.He's back, Schwarzenegger returns in The Last Stand. How are you
:01:13. > :01:17.
:01:17. > :01:21.Sheriff? Old! Plus, we have the Top Five Movie Mother. First up Steven
:01:21. > :01:27.Spielberg's Lincoln, it stars Daniel Day-Lewis and is nominated
:01:27. > :01:31.for 12 Oscars. Mr Lincoln, I hate them all, I do, I'm a prejudiced
:01:31. > :01:37.man. Congress must never declare equal those whom God created
:01:37. > :01:45.unequal. You are going to try to pass the
:01:45. > :01:52.amendment to abolish slavery, no- one has as much in the people as
:01:52. > :01:55.you, don't waste that power. chose to tell the story about one
:01:55. > :02:00.of the little known events in American history, about the fight
:02:00. > :02:05.to pass the 13th amendment to abolish slavery. To explore that
:02:05. > :02:10.story in as much detail as we felt it deserved, we counted on the
:02:10. > :02:16.audiences for Lincoln to supply the now universal understanding that
:02:16. > :02:22.slavery was horrific, the same way we count on the audiences'
:02:22. > :02:30.awareness of the horrific Civil War. We will win the war, it is enI have
:02:30. > :02:37.table. It ain't won yet. You will begin your second term with semi-
:02:37. > :02:41.divine statisticture, imagine what peace will bring, why tarnish the
:02:41. > :02:46.battle luster with a battle in the Congress. It is the same hacks that
:02:46. > :02:51.rejected it ten months ago, we will lose. I like our chances now.
:02:51. > :02:54.you began to think about the subject that you are taking on in
:02:54. > :02:59.the case of Lincoln, you would never get out of bed, would you let
:02:59. > :03:03.somebody else do it T I think you create for yourself a certain
:03:03. > :03:08.irremember regins. It is not disrespectable, dr irreverence, it
:03:08. > :03:12.is not disrespectable but necessary to do the work. We focused on the
:03:13. > :03:16.last four months of his life, because we wanted today show
:03:16. > :03:23.Lincoln accomplishing something great, that was abolishing slavery
:03:23. > :03:28.and ending the Civil War. Come February the 1st, I intend to sign
:03:28. > :03:32.the 13th amendment. We are coming to oppose peace. Abolishing slavery
:03:32. > :03:40.settles the fate of millions in bondage, and unborn millions to
:03:40. > :03:44.come. It is either the amendment or confederate peace. Slavery is death.
:03:44. > :03:46.It is interesting that it is Spenceful even though you know what
:03:46. > :03:52.Spenceful even though you know what will happen. I had that feeling
:03:52. > :03:57.when I was writing it, it is dramatic, democracy is a dramatic
:03:57. > :04:00.process. We wanted to include Lincoln's family dynamic, only in
:04:00. > :04:04.the moments it actually collided with the public events that this
:04:04. > :04:08.whole story is about. You think I'm ignorant of what you are up to
:04:08. > :04:12.because you haven't discussed this scheme with me as you ought to have
:04:12. > :04:15.done, when have I been so easily balm boozeled, I believe you when
:04:15. > :04:20.you insist amending the constitution and abolishing slavery
:04:20. > :04:27.will end the war. Since you are end sending my son into war, woe unto
:04:27. > :04:32.you if you fail to pass the amendment. Seward doesn't want me
:04:32. > :04:38.leaving big muddy footprints all over town. No-one has every lived
:04:38. > :04:44.who knows better than you the proper placement of foot falls on
:04:44. > :04:50.treacherous paths. Seward can't do it, you must, because if you fail
:04:50. > :04:54.the the necessary votes -- you fail to acquire the necessary votes, woe
:04:54. > :04:59.unto you, circumstance you answer to me. It was her incyst tense that
:04:59. > :05:02.he was brilliant, and she would never let up on that, and telling
:05:02. > :05:06.him how brilliant he is, and what he was going to do. She never had
:05:06. > :05:12.any doubt that he was going to be President, and he was going to
:05:12. > :05:18.change the world. He was so open, and that was one of the most
:05:18. > :05:23.beautiful surprises of getting to know him. Was how insanely
:05:23. > :05:27.accessible that man was, at a time when it was physically very
:05:27. > :05:32.dangerous, in his case, to be accessible. Think of all the boys
:05:32. > :05:38.who will die if you make peace. can't end this war until we cure
:05:38. > :05:44.ourselves of slavery, this amendment is that cure. We need two
:05:44. > :05:49.yeses. Get out and get them. How? I'm the President of the United
:05:49. > :05:53.States, clothed in immense power, you will procure me these votes.
:05:53. > :05:57.Lincoln certainly guided the country through the worst crisis in
:05:57. > :05:59.the entire history, more than any other single person he helped the
:06:00. > :06:04.United States to survive. Doing this he helped the idea of
:06:05. > :06:09.democracy, as a viable political system to survive. And more than
:06:09. > :06:19.any other single person, Lincoln helped end slavery. Today we will
:06:19. > :06:25.
:06:25. > :06:28.What did you think? The challenge for Steven Spielberg was to not
:06:29. > :06:34.take a $07 million museum exhibit. I don't think he has, it is a
:06:34. > :06:38.little bit polite and respectable. There are a lot of well-loved
:06:38. > :06:42.actors in historically authentic facial hair. It is absorbing, and
:06:42. > :06:46.not quite the movie people expect it to be. I totally agree, it is
:06:46. > :06:50.Daniel Day-Lewis, it is about a hero, who Steven Spielberg himself
:06:50. > :06:53.says he was obsessed by from the age of four. It is Spielberg, John
:06:54. > :06:58.Williams, it will be rousing, there will be moments where they want you
:06:58. > :07:00.to stand up and weep. It is not like that, I felt everyone
:07:00. > :07:04.underplayed, definitely Daniel Day- Lewis, and Spielberg, it is three
:07:04. > :07:09.hours of men talking. But I loved it. I could have watched another
:07:09. > :07:13.three hours. It is a less pithy West Wing. It is about politics and
:07:13. > :07:16.I found it deeply interesting. I liked that it wasn't sentimental?
:07:16. > :07:20.will agree with you. It is a much smaller movie than people might
:07:20. > :07:24.expect. Most of the action takes place around drawing room tables.
:07:24. > :07:27.You are right, there is an absence of rousing speeches, it is about
:07:28. > :07:31.the dirty work of politics, really. I think it is a sturdy film about
:07:31. > :07:35.politics and a politician, and you don't feel like you will be grabbed
:07:35. > :07:45.by the shoulders and led into the grift shop afterwards. Lots of
:07:45. > :07:49.people say it is a bit of a bore, "painfully dull, a badly performed
:07:49. > :07:54.film". Someone else says that Day- Lewis is full of ease and charisma,
:07:54. > :07:59.and Spielberg's best. Let's talk about Daniel Day-Lewis? Let's talk
:07:59. > :08:04.about Spielberg first. I have to be honest and say I think's a great
:08:04. > :08:08.film maker. He has a career-long smaltz problem. I think here he has
:08:09. > :08:13.it under control. If I was going to be picky, I would mention the John
:08:13. > :08:18.Williams sko, I wish it could be turned down or scurgically removed.
:08:18. > :08:25.It gets everywhere. If Spielberg is showing you a battlefield with dead
:08:25. > :08:28.bodies, you don't need the mournful orchestra to see that. It is a
:08:28. > :08:31.great film. In terms of Daniel Day- Lewis, we almost risk taking him
:08:31. > :08:37.for granted, what he does here is phenomenal, really, he does that
:08:37. > :08:41.thing which actors talk about a lot, I have very rarely seen, he
:08:41. > :08:45.disappears inside the character. If you look at Meryl Streep, in the
:08:45. > :08:49.Iron Lady, it is a comparable role, it is a great performance, but you
:08:49. > :08:54.are aware of a great performance going on. Here you are unaware of
:08:54. > :08:58.the performance, Day-Lewis Louis isn't there any more, it's
:08:58. > :09:02.unnerving, it is like an old photograph coming to life. There is
:09:02. > :09:06.not another actor alive who could do what he does here. I feel I
:09:06. > :09:11.shouldn't have said that, someone is getting the stove pipe hat and
:09:11. > :09:15.beard ready. He is brilliant. It is worth mentions Tommy Lee Jones and
:09:15. > :09:18.Sally Field, across the bored? There is not a duff performance. As
:09:18. > :09:23.an actor's film it is great. Kathryn Bigelow directs Zero Dark
:09:23. > :09:30.Thirty, the story of the decade- long hunt for Osama Bin Laden.
:09:30. > :09:38.You really believe this story? Osama Bin Laden. Yeah. What part
:09:38. > :09:43.convinced you? Her confidence. Zero Dark Thirty chronicles the
:09:43. > :09:50.hunt for Osama Bin Laden, that look place over ten years, from 9/11
:09:51. > :09:55.2001, to May 21st2011. My character is working in the CIA as a targeter,
:09:55. > :09:59.she finds a lead that will lead her to the compound and Bin Laden. Many
:09:59. > :10:03.people doubt her, but she stays on it until the very end. There are
:10:03. > :10:07.two narratives about the location of Osama Bin Laden, the one that
:10:07. > :10:11.you are most familiar with is that UBL is hide anything a cave in the
:10:11. > :10:17.tribal areas, and surrounded by a large contingent of loyal fighters,
:10:18. > :10:21.but that narrative is pre-9/11 understanding of UBL. Mya, is
:10:21. > :10:26.somebody that gives up everything in her life for this mission. She
:10:26. > :10:30.believes she was chosen for this, that she was called to do this. It
:10:30. > :10:33.take as fanatical behaviour to catch a fanatic. This woman was
:10:33. > :10:38.fascinating to me, I was surprised that I was surprised that there
:10:38. > :10:43.were so many women who work in intelligence. The more research I
:10:43. > :10:47.was doing in women in the CIA, they have been trained to be unemotional
:10:47. > :10:55.and analytically precise. If she appears to be an emotional person,
:10:55. > :11:05.no-one will believe anything she says. Third floor, north-east
:11:05. > :11:06.
:11:06. > :11:11.corner. You don't think she's a little young for the hard stuff.
:11:11. > :11:14.Washington says she's a killer. writer, who wrote The Hurt Locker,
:11:14. > :11:19.comes from an investigative journalist background. He prides
:11:19. > :11:24.himself on the reality of the facts, as much as possible. But what that
:11:24. > :11:27.then does is not incorporate any back story. If you think of the The
:11:27. > :11:31.Hurt Locker, we didn't find out much about the guy, we were with
:11:31. > :11:35.them doing what they were doing, the same is true of Mya, you don't
:11:35. > :11:39.find out about her past were she comes from, or who she is. All you
:11:39. > :11:43.are really concerned with is her relentless drive to capture this
:11:43. > :11:46.guy. Bin Laden is the one who keeps telling them to...When I first go
:11:46. > :11:50.to a script, I make two lists, one list is everything my character
:11:50. > :11:54.says about herself, the second thing is everyone else says about
:11:54. > :12:03.her n those lists there is clues everywhere.
:12:03. > :12:09.Can I be honest with you? I am bad news. I'm not sure friend, I'm not
:12:09. > :12:18.going to help you, I'm going to break you.
:12:18. > :12:23.Any questions? Do people really think that Kathryn Bigelow and Mark
:12:23. > :12:27.Bole will make a movie that says torture is a good thing. To have
:12:27. > :12:30.omitted harsh tactics or the detainee programme, as part of that
:12:30. > :12:36.ten-year journey, would have been whitewashing history. It was very
:12:36. > :12:42.important to us to keep all the elements of the story intact. The
:12:42. > :12:46.fact that depiction is some how conflated with being pro--something,
:12:46. > :12:51.is extremely -- pro-something, is extremely confusing to me. We lay
:12:51. > :12:56.out the story as it exist, it in no way articulates one's endorsement
:12:56. > :13:03.of T personal lie I think it is reprehensible, and that is the take
:13:03. > :13:13.away of the film. You will never find him.
:13:13. > :13:15.
:13:15. > :13:19.He's one of the disappeared ones. It is no good that I want to swear,
:13:19. > :13:21.I won't, go ahead? Don't swear, we will end up in a situation! Zero
:13:21. > :13:25.Dark Thirty has been so smothered in controversy, you feel like you
:13:25. > :13:28.have to give it two reviews, you have to review the film and the
:13:28. > :13:33.controversy. As cinema I think this is staggering. There is a lot going
:13:33. > :13:37.on here which I think is knocking on for flawless. You have a
:13:37. > :13:39.thriller, where going in will know the ending in the simplest terms,
:13:39. > :13:43.and yet you are gripped and transfixed, it is a movie that
:13:44. > :13:48.takes you by the scruff of the neck and doesn't let go. In the last 30,
:13:48. > :13:51.40 minutes it becomes an action movey, it is a masterclass of an
:13:51. > :13:55.action movey, it doesn't put a shot wrong. We are talking about this at
:13:55. > :13:58.a time when TV is supposed to have overtaken movies, and we are
:13:58. > :14:03.supposed to sit at home and watch the box sets rather than the cinema.
:14:03. > :14:08.This is a reminder of what cinema can be. There are programmes out
:14:08. > :14:13.there with similar subject matter, it makes Homeland look like
:14:13. > :14:17.Hollyoaks. I should watch more Hollyoaks! Watching that clip again
:14:17. > :14:21.makes me want to watch it. When it finished I wanted more. It trips
:14:21. > :14:24.you up all the time. She did it also in the The Hurt Locker, just
:14:24. > :14:28.when you think we are going down this route, or maybe there will be
:14:28. > :14:33.a Roman, maybe she will do this or this, every single time it pulls
:14:33. > :14:38.you up. It goes, no, this is not what's happening. Jessica Chastain
:14:38. > :14:44.is phenomenal in it. It is a thriller, I'm going to read out
:14:44. > :14:48.some tweets. Jay is trying to come up with a new word to describe it
:14:48. > :14:53."overrated", that is not true. Another viewer says it is a triumph,
:14:53. > :14:58.some of the most arresting and breath-taking cinema. Eerie, wasn't
:14:58. > :15:02.it. Chas chats chas is fan it is a -- Jessica Chastain is fantastic,
:15:02. > :15:08.and it is interesting talking about her in the same week as Daniel Day-
:15:08. > :15:11.Lewis. We know that he's making a believable human out of a
:15:11. > :15:16.historical film, Jessica Chastain has to take a character and make a
:15:16. > :15:20.story out of no back story. We have to talk about a cold and troubling
:15:20. > :15:27.film about cold and troubling event. Is it pro-torture, people will have
:15:27. > :15:30.to make their own minds up. From my side, is it pro-torture, throw
:15:30. > :15:35.another question back, does it show torture working? I don't think it
:15:35. > :15:39.does, it is the portrait of a botch job. The CIA took ten years to
:15:39. > :15:42.track one man down. This film doesn't shy away from the
:15:42. > :15:46.incompetence, and torture didn't deliver results and it ruined
:15:46. > :15:50.America's reputation in the process. We have to ask are these people
:15:50. > :15:56.heros, including Jessica Chastain. As well as a great thriller and
:15:56. > :16:02.action movie, it is a great revenge story. Like all revenge stories the
:16:02. > :16:06.Searchers, Straw Dogs, Dead Man Shoes, you are feeling uneasy and
:16:06. > :16:11.queasy, and you don't know what taking revenge has taken out of the
:16:11. > :16:13.people responsible. What I do have a problem is in calling it
:16:13. > :16:23.journalism, this isn't journalism, they have made a mistake doing,
:16:23. > :16:31.
:16:31. > :16:36.that but it is a great movie. Welcome Katherine. Hello. I know I
:16:36. > :16:40.said this, not recently, quite recently, this is the best top five
:16:40. > :16:46.ever. Top *Five Mothers. There is so many, all amplified. Why have
:16:46. > :16:49.you chosen it this week? It is a tribute to Sally Field, who have we
:16:49. > :16:56.have been talking about Lincoln, the ultimate movie mother. She has
:16:56. > :17:00.a film out this week. What's number five? Number five we have the
:17:00. > :17:02.formidable Angel Lansbury performance in The Manchurian
:17:02. > :17:08.Candidate, she is just probably the most evil person on this list.
:17:08. > :17:16.Let's take a look at her. This is a clip.
:17:16. > :17:21.But now we have come almost to the end. One last step. And then when I
:17:21. > :17:31.take power they will be pulled down and ground into dirt for what they
:17:31. > :17:34.
:17:34. > :17:38.did to you. And what they did in so con temptously underestimating me.
:17:38. > :17:43.That is all together eerie? One of the greatest pleasures in life is
:17:43. > :17:49.take people who have only seen Angel Lansbury in Murder She Wrote,
:17:50. > :17:53.and showing her in Chanderpaul. That is the her The Manchurian
:17:53. > :17:58.Candidate. That is her with her son for those who don't know it. There
:17:58. > :18:03.is a link isn't there? The role of number four Angel Lansbury was
:18:03. > :18:08.interested in playing. At number four here is to her, Mrs Robinson,
:18:08. > :18:18.it is Anne Bancroft in The Graduate. This is the most brilliant clip, we
:18:18. > :18:23.
:18:23. > :18:28.could watch it all day. In your head put in Angela! Oh God. Let me
:18:28. > :18:32.out. Don't be nervous. Get away from that door. I want to say
:18:32. > :18:36.something first. Jesus Christ. want to know I'm available to you,
:18:36. > :18:39.if you won't sleep with me this time, you can call me any time you
:18:39. > :18:44.want and we will make an arrangement. Do you understand.
:18:44. > :18:49.me out. Do you understand? Yet yes, let me out. I find you very
:18:49. > :18:53.attractive. The best thing is the noise he makes, it's like, make it
:18:53. > :18:58.stop. It is so terrible for Anne Bancroft, Dustin Hoffman is six
:18:58. > :19:02.years younger than her. She has to say she's twice his age. He has a
:19:02. > :19:06.side parting, that will take years off. The next clip is my all-time
:19:06. > :19:11.favourite, it makes me cry. next one is traumatic, it is a film
:19:11. > :19:21.I first saw when I was three, it still upsets me just as much now.
:19:21. > :19:47.
:19:47. > :19:54.It is Mrs Jumbo in Dumb bow. # Baby mind
:19:55. > :20:01.# Don't you cry # Baby mind
:20:01. > :20:04.# Dry your eyes # Rest your head
:20:04. > :20:08.# Close to my heart Do you know what I love about the
:20:08. > :20:13.clip, when we showed it earlier, all the cool boys behind the
:20:13. > :20:20.cameras, who were like, all right Claudia, eating cookies, scratching
:20:20. > :20:25.their heads, were like sniffing and cute mum! Disney know this stuff,
:20:25. > :20:29.if you are a mother in a Disney film you are ending up dead,
:20:29. > :20:33.separated or something awful. is number two, a fantastic one?
:20:33. > :20:42.is another horrible one, I'm afraid. You know me. Here we have Kenneth
:20:42. > :20:52.Whiteside played by Piper Laurie in stef -- Laurie White played by
:20:52. > :20:55.
:20:55. > :21:00.Piper Laurie in the Stephen King movie Carrie. He's not gonna come.
:21:00. > :21:04.Stop it momma. Stop hurting yourself momma.
:21:04. > :21:08.He's gonna laugh, they are all going to laugh at you. They are not
:21:08. > :21:11.going to laugh at me. It is not too late, you can stay with me. I don't
:21:11. > :21:16.want to stay with you momma. I will answer the door and tell them that
:21:16. > :21:22.you are sick and you changed your mind. Sit down and be quiet. Can I
:21:22. > :21:26.say I watched that a bit too young, even still now, I'm not ready, I'm
:21:26. > :21:31.not grown up, even though I'm 74? It is one of the most banned books
:21:31. > :21:35.in high schools, apparently. that true, I didn't know that.
:21:35. > :21:43.we talk about Twitter world? Interestingly there is a lot of
:21:43. > :21:51.unanimity, an awful lot of Jackie Weaver in Animal Kingdom, and
:21:51. > :22:01.Aliens, and the Psycho conundrum, nor man and Mrs Bates. For the life
:22:01. > :22:01.
:22:01. > :22:05.action ones I wanted actual actresses, exempt for Dumbo. Julian
:22:05. > :22:10.Moore, the film she's in is out this year. Number one, did you know
:22:10. > :22:13.it would be number one? I did, not agreeing for form's sake, this is
:22:13. > :22:23.genuinely, this one is head and shoulders above all the rest for me.
:22:23. > :22:24.
:22:24. > :22:33.There can be no other contender it is Sarah Connor, from Terminator 2.
:22:33. > :22:38.Men like you built the hydrogen bomb. Men like you messed it up.
:22:38. > :22:42.You think you're so creative. You don't know what it's like to really
:22:42. > :22:47.create something. To create a life. To feel it growing inside you, all
:22:47. > :22:53.you know how to create is death and destruction. Mom, mom! We need to
:22:53. > :22:56.be a little more constructive here, OK! She is the coolest of all time.
:22:56. > :23:00.It is such an evolution, we have seen her in the first time, this is
:23:00. > :23:04.what being a mother has done to her, that and the threat of nuclear war.
:23:04. > :23:08.That will do it! Who is your favourite? It is a great list, I
:23:08. > :23:16.have no problem with it. It is David Lynch's birthday, it might
:23:16. > :23:22.have been nice to have Wild At Hard, with Diane Ladd, she plays her
:23:22. > :23:27.real-life daughter, Laura Dern's mother, as a monstrosity, that is a
:23:27. > :23:33.movie mum. What is the next top five? It is sequels, I'm looking
:23:33. > :23:38.forward to it. Aliens, otherwise we will have a fight. Predator 12.
:23:38. > :23:44.is ten years, everybody will be happy, he's back, Arnie stars in
:23:45. > :23:51.The Last Stand. There is the elephant right there,
:23:51. > :23:55.boys. I thought he wasn't working today.
:23:55. > :24:02.Hey ray, how you doing. Good to see you. You looking jacked, you been
:24:02. > :24:06.working out. Give me that damn thing. It is an
:24:06. > :24:12.underdog story where I play basically a Sheriff that has just
:24:12. > :24:17.come back to his home town to spent the last few years in my home town,
:24:17. > :24:25.and then retire. When all of a sudden this town gets hit by
:24:25. > :24:29.violent criminals. Sure, the FBI, I have a violent
:24:29. > :24:33.criminal making a run for the Mexican border. A couple of
:24:33. > :24:37.truckers stopped in town, there is something off about them. Complete
:24:37. > :24:45.your mission. Get me across that border. Something big is going on
:24:45. > :24:48.here. I want a roadblock right here, right now.
:24:48. > :24:52.I picked this movie because it was fantastic script. The story was
:24:52. > :24:59.great, it had intensity, drama, it had a lot of action, which I love,
:24:59. > :25:05.and which my fans expect me to deliver. It is, without any doubt,
:25:05. > :25:13.a tense action movie. But, with Comic Relief. The FBI says there is
:25:13. > :25:17.an escaped fugutive heading our way. When it rains it pours. I'm not
:25:17. > :25:23.going to let that guy come through our town without a fight. How will
:25:23. > :25:28.we come up against all that fire power? I got an idea.
:25:28. > :25:34.I was back in an action movie where from the beginning to the end I was
:25:34. > :25:39.punching, I was shooting. I was running, I was climbing. I was
:25:39. > :25:43.kicked, I was beaten, and I was in cars and crashing into cars.
:25:43. > :25:46.the hell are you? I am eight Sheriff.
:25:46. > :25:56.It was from the beginning to the end. All action. It was
:25:56. > :26:01.
:26:01. > :26:05.unbelievable. How are you Sheriff? Old!
:26:05. > :26:10.They are selling this as the any comeback movie, and a lot of
:26:10. > :26:14.shoppers will check carefully the contents of their burgers this week,
:26:14. > :26:17.people should know there are limited quantities of
:26:17. > :26:20.Schwarzenegger in this movie. Maybe he's at a certain age where the
:26:20. > :26:24.action stuff isn't doable, or maybe he has better things to do. This is
:26:24. > :26:27.the kind of movie where you think the golf clubs are out of shot. He
:26:27. > :26:32.goes missing for long periods of time. It leaves the movie with
:26:32. > :26:42.space to fill. The movie tries to do that by, Johnny Knoxville, and
:26:42. > :26:43.
:26:43. > :26:48.it even has a go at becoming another Fast And The Furious, the
:26:48. > :26:54.Pablo Esqobar, drug Lord who he's coming up against, is also a
:26:54. > :26:58.champion racing drama, competing in South America under an assumed name.
:26:58. > :27:03.Forest Whitaker had the job of explaining that, and I haven't felt
:27:03. > :27:08.so sorry for an actor. Often you don't know you have missed
:27:08. > :27:13.something until it is become, mouse saki, give it a Government any,
:27:13. > :27:16.welcome. He is the colour of teak. I can only dream about being that
:27:16. > :27:21.colour. He's a mountain, he can't move any more, because he's full of
:27:21. > :27:27.foetus, I don't know what he's full of! He's walking along, nothing
:27:27. > :27:31.makes sense, give me the keys, somebody gets in the bus, nobody is
:27:31. > :27:33.in town, nothing, but it is also about 40 minutes long, the other
:27:33. > :27:39.films we have done are three-and-a- half. The things that don't make
:27:39. > :27:45.sense, why does a small two-horse town in Arizona have a 65-year-old
:27:45. > :27:52.huge as youry ian for the Sheriff. Film of the week? Zero Dark Thirty
:27:52. > :27:58.Lincoln for me. Next week we are back on Tuesday, who knew! He
:27:58. > :28:08.earlier time of 11.25 we will review Hyde Park On Hudson. Michael
:28:08. > :28:08.