Episode 7

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0:00:20 > 0:00:29Hello and welcome to Film 2013 with me Claudia Winkleman. And me Danny

0:00:29 > 0:00:33Leigh. We are live, get in touch by tweeting or email. Coming up: Tom

0:00:33 > 0:00:39Hanks and Halle Berry make a connection in Cloud Atlas. What are

0:00:39 > 0:00:43you doing in here? Love and loss for Ben Affleck in Terrence

0:00:43 > 0:00:49Malick's To The Wonder. Gongs and glad rags, it's Oscar time again.

0:00:49 > 0:00:53You will procure me these votes. Plus, Robbie Collin and Xan Brooks

0:00:53 > 0:00:57Brooks are here to chat all things Oscar. First up is Cloud Atlas,

0:00:57 > 0:01:03based on the best-selling novel by David Mitchell. The film was shot

0:01:03 > 0:01:08by three directors and chronicles six narratives with actors playing

0:01:08 > 0:01:13multiple roles. This is the Cloud Atlas secretaries at the time?

0:01:13 > 0:01:21doubt there are more than a handful of coppice in South America. I know.

0:01:21 > 0:01:26It I know I know. It That is it. The music from my dream. I imagined

0:01:26 > 0:01:30us meeting again and again in different lives and different ages.

0:01:30 > 0:01:33The thing that got me about the screenplay when I read it was this

0:01:33 > 0:01:36idea we are all connected it doesn't matter when we are alive or

0:01:36 > 0:01:40not. If you want to call it something more like reincarnation,

0:01:40 > 0:01:44that is not as important to me, we are connected by the things we

0:01:44 > 0:01:54create and the decision that is we make. These forces begin long

0:01:54 > 0:01:57

0:01:57 > 0:02:02before we are born and continue after we perish. We live in a world

0:02:02 > 0:02:06where cinema is not allowed to have the same, kind of, of expansiveness

0:02:06 > 0:02:10that cinema once had or that literature has ever had. The

0:02:10 > 0:02:15history of literature is a history of full of philosophical

0:02:15 > 0:02:22investigation, but we never are allowed in cinema to talk about

0:02:22 > 0:02:30philosophy, explicitly. Yesterday, my life was headed in one direction.

0:02:30 > 0:02:35Today, it is headed in another. agree on, you know, so many

0:02:35 > 0:02:40substantial issues in regards to art and how we imagine cinema to be

0:02:40 > 0:02:45and what we long for in cinema nowadays. We feel it's probable

0:02:45 > 0:02:53going to triple the potential for something exciting if we do it the

0:02:53 > 0:03:00three of us. It was very democratic. Film-making is a social art form.

0:03:00 > 0:03:04And, this is a natural extension of that. Action! The idea of making a

0:03:04 > 0:03:09movie where one person got to play four or five, sometimes six

0:03:09 > 0:03:13different characters really excited me. Where we didn't always

0:03:13 > 0:03:20understand it, or we weren't always aware of how we were connecting to

0:03:20 > 0:03:24one another, they always knew that. Fear, love, the phenomenon that

0:03:24 > 0:03:29determine the course of our lives. Everything has been thoroughly

0:03:29 > 0:03:34processed and yet I believe that what we have also been able to do

0:03:34 > 0:03:40is, like, leave things open to the audience. There is not a tiny

0:03:40 > 0:03:49single spot that I feel we've been lazy with. There is a natural order

0:03:49 > 0:03:52to this world and those who try to up-end it do not farewell. Cloud

0:03:52 > 0:03:57Atlas will have passionate fans and detractors. Everyone who sees this

0:03:58 > 0:04:05film will see it with their jaw hanging open. As a book it was

0:04:05 > 0:04:12subtle and gorgeously written. As a film it is an unhinged, feel-good

0:04:12 > 0:04:17extravaganza. It is three hours long, give it or take. It cost $100

0:04:17 > 0:04:21million. It all feels like what would happen if you abducted a

0:04:21 > 0:04:26large group of actors and locked them in a fancy dress shop. You

0:04:26 > 0:04:31would come back in the morning they would have made Cloud Atlas. It's

0:04:31 > 0:04:35wildly imaginative, wildly ambition. It's also, if we are being honest,

0:04:35 > 0:04:39wildly ridiculous, from time to time. I have to be honest, it has

0:04:39 > 0:04:43been a little while since I have seen a film this stoneed. I think

0:04:43 > 0:04:48that is why I liked it. That is interesting. I thought it was...

0:04:48 > 0:04:52Hats off to them. It is a big old ride. It is long. It, sort of,

0:04:52 > 0:05:02careers around a bit. I think you just have to give them points for

0:05:02 > 0:05:08bravery. I love this tweet. Some people, like you say, very anti.,

0:05:08 > 0:05:18"disjointed and confusing, way too long, weirdly entertaining a sort

0:05:18 > 0:05:19

0:05:19 > 0:05:24of, "spot the actor film", now I need to read the book. ." It is

0:05:24 > 0:05:29spectacular. The acting has to go big. You have 13 actors playing the

0:05:30 > 0:05:37whole of humanity across thousands of years. Some of the cast scope

0:05:37 > 0:05:42better than others. Tom Hanks is having a good time. I have to say

0:05:42 > 0:05:48I'm not convinced he always knew there was a camera rolling. That is

0:05:48 > 0:05:51a good thing. The book, you could take it as a series of short

0:05:52 > 0:05:58stories. Everything has been cross cut here you are settling into a

0:05:58 > 0:06:02story about a love struck young composer in Cambridge when Hugo

0:06:02 > 0:06:06Weaving comes up from the future. That is distracting. I liked that.

0:06:06 > 0:06:13It was good value-for-money. As a night out... That sounds weird, I

0:06:13 > 0:06:17would say, go, it is bonkers, go. have never seen anything quite like

0:06:17 > 0:06:21Cloud Atlas before. That is not meant to sound like a backhander.

0:06:21 > 0:06:27There are things I admire about it and applaud about it. Not sure I

0:06:27 > 0:06:37would want to sit next to it on the bus. Now it's time for To The

0:06:37 > 0:06:38

0:06:38 > 0:06:46Wonder, Terrence Malick's latest film about life and love. You shall

0:06:46 > 0:06:53love, whether you like it or not. Emotionless, -- emotionss, they

0:06:54 > 0:07:01come and go like clouds. Love is not only a feeling, you shall love.

0:07:01 > 0:07:05To love. To love is to run the risk of failure. The risk of betrayal.

0:07:05 > 0:07:12You fear your love has died. You, perhaps, it is waiting to be

0:07:12 > 0:07:16transformed into something higher. It's instantly recognisable. It's

0:07:16 > 0:07:21filled with beauty and a sense of rapporteur in nature. It is filled

0:07:21 > 0:07:30with voice overs as well asking us questions, as we just saw like,

0:07:30 > 0:07:35"what is this love that loves us" which is what we asked ourselves

0:07:35 > 0:07:38standing in the chip chip shop. This a movie where at moments you

0:07:38 > 0:07:43are watching a masterclass in cinema. Moments you are watching

0:07:43 > 0:07:47something which is genuinely profound. There are other moments

0:07:47 > 0:07:55when you are watching something that should be projected at the

0:07:55 > 0:08:00perfume counter at a duty-free shop. There are other sections that are

0:08:00 > 0:08:05solemn. I loved it. I don't know how to say that when I look at you.

0:08:05 > 0:08:11Terrence Malick is great. It spoke to my 20-year-old self where I

0:08:11 > 0:08:16wandered around, I didn't actually. I would have liked to have wandered.

0:08:16 > 0:08:20Looking over your shoulder? Yes. You go, this is not how women are.

0:08:20 > 0:08:26Women don't give up their children for men. They are not clinging.

0:08:26 > 0:08:35They don't run in fields. That is not how we work. We like jobs,

0:08:35 > 0:08:42eating and working. Then I realised how he did men. Here is one tweet,

0:08:42 > 0:08:48"it seemed like I was one of a handful at the press screening who

0:08:48 > 0:08:52wasn't exasperated." I will see it again. I think it's horribly

0:08:52 > 0:08:57miscast. Ben Affleck is a talented man, but an actor who can express

0:08:57 > 0:09:03great emotion just by standing silently stair -- staring into the

0:09:03 > 0:09:13middle distance is he is not. I had no idea what was going on with him.

0:09:13 > 0:09:14

0:09:14 > 0:09:19He was confused, unwell. Olga Kurylenko spends 95% of the film

0:09:19 > 0:09:23running through fields looking over your shoulder. It is a strange

0:09:23 > 0:09:30because Terrence Malick has made a beautiful and thought-provoking

0:09:30 > 0:09:36film. His lead actors look like shop dummy ries coming to life.

0:09:36 > 0:09:42Next, Terence Stamp and Vanessa Redgrave star in Song for Marion.

0:09:42 > 0:09:49have entered us into a choir competition. Hello. What are you

0:09:49 > 0:09:55doing here? We are singing. Better get someone who can sing then.

0:09:55 > 0:10:01me your rock-and-roll. It's about two old age pensioners, married,

0:10:01 > 0:10:10completely devoted to each other. She joins a choir. He's just

0:10:10 > 0:10:16jealous. Bomb gone off in here. are making cakes. Did grandad tell

0:10:16 > 0:10:21you he came to hear me singing? wouldn't call it singing. Hip-hop.

0:10:21 > 0:10:31Like the kids. Why don't you join in. Like this.

0:10:31 > 0:10:32

0:10:32 > 0:10:37# Grandad's rap, it's so crap... # Who taught you that word? Grandma,

0:10:37 > 0:10:45she says she keeps having to crap. I don't know what is wrong with

0:10:45 > 0:10:55your lot, completely crackers. OK. His life is suddenly empty,

0:10:55 > 0:10:56

0:10:56 > 0:11:01doesn't have any reason to do anything really. Then, the Gemma

0:11:01 > 0:11:08Arterton character insist there is is something in him that he isn't

0:11:08 > 0:11:12acknowledging. Enjoy yourself? It isn't me. Let everyone see you.

0:11:12 > 0:11:19The exciting thing for me was the redemption. This is a man, very

0:11:19 > 0:11:27late in life, who suddenly has the realisation that there is something

0:11:27 > 0:11:33within him that is really alive. Would you like to sing? All right.

0:11:33 > 0:11:43You're a dark horse, Arthur. Even if I fall flat on my arse, I'm

0:11:43 > 0:11:43

0:11:43 > 0:11:48going to do the song. It would be easy to snipe and take pot-shots

0:11:48 > 0:11:52for it being predictable and broad and sentimental, it is all of those

0:11:52 > 0:11:57things. It is all of those things endearingly. I spent the first half

0:11:57 > 0:12:03of the film waiting for it to turn into a Mike Leigh movie. It didn't

0:12:04 > 0:12:12do that. It is not that kind of film. It is softer like the

0:12:12 > 0:12:15Calendar girls or The Full Monty. I think life is short. This film is

0:12:15 > 0:12:20actually gentle and I think it's heartfelt. I think it takes nerve

0:12:20 > 0:12:28really to make a fill thm sweet. Redgrave is absolutely brilliant.

0:12:28 > 0:12:36We had so many tweets about it, "as funny as it is hard breaking. The

0:12:36 > 0:12:39veterans command the centre stage". You were impressed? It is all about

0:12:39 > 0:12:44the performance. Terence Stamp can carry a movie. Vanessa Redgrave is

0:12:44 > 0:12:46always Vanessa Redgrave. Gemma Arterton is very strong here.

0:12:46 > 0:12:50Fantastic to see Christopher Eccleston. I wish Christopher

0:12:50 > 0:12:54Eccleston made more movies. He is good when he does. The

0:12:54 > 0:12:59relationships between Christopher Eccleston and Terence Stamp as

0:12:59 > 0:13:04father and son feels real. All those characters who may be

0:13:04 > 0:13:07cartoonish on the page feel very well real. That means the film can

0:13:07 > 0:13:13get away with being sentimental. It has something true at the heart of

0:13:13 > 0:13:17it. What is your Film of the Year? My book of the week would be Cloud

0:13:17 > 0:13:26Atlas. I would encourage everyone to get. It is a mighty thing. All

0:13:26 > 0:13:35three of the films are, as Cloud Atlas would say, interlinked. They

0:13:35 > 0:13:42are heartfelt, Cloud Atlas gives you the most bang for your buck.

0:13:42 > 0:13:52was going to say see To The Wonder? Because it is Malick, you have to

0:13:52 > 0:13:52

0:13:52 > 0:13:59keep up with what he is doing. Read Cloud Atlas. The Oscars take place

0:13:59 > 0:14:05this Sunday here's a quick reminder of who is leading the race. It can

0:14:05 > 0:14:08only be the 85th annual Academy Awards. Leader of the pack is

0:14:08 > 0:14:14Steven Spielberg's Lincoln. Two- time Oscar winner, Daniel Day-Lewis

0:14:14 > 0:14:19is hoping to do the triple and become the first actor to win three

0:14:19 > 0:14:24Best Actor Academy Awards. He will need them, no-one has ever won an

0:14:24 > 0:14:29Oscar for a lead role in a Steven Spielberg movie. Some things you

0:14:29 > 0:14:35can rely on. Lincoln composer John Williams gets his 48th nomination.

0:14:35 > 0:14:3911 more and he will tie with record holder Walt Disney. Next is Life of

0:14:40 > 0:14:43Pi with 11 nominations, seven of which are in the technical

0:14:43 > 0:14:49categories. It is the fourth film in Oscar history to achieve such a

0:14:49 > 0:14:53feat. Les Miserables and Silver Linings Playbook are both on song

0:14:53 > 0:14:59with eight nominations. Les Miserables is the first musical to

0:14:59 > 0:15:02be nominated for Best Picture since Chicago in 2002. Silver Linings

0:15:03 > 0:15:10Playbook has been recognised in all four acting categories. Everybody.

0:15:10 > 0:15:17With its Best Picture nod could be a contender for the big five. The

0:15:17 > 0:15:27last film to be nominated was Reds. Argo has seven nominations.

0:15:27 > 0:15:43

0:15:43 > 0:15:49want to come to Hollywood and act Ben Affleck is the most prominent

0:15:49 > 0:15:542013 Oscar snub. Django Unchained and zero DUP 13

0:15:54 > 0:15:59may both have five nominations apiece but their directors Quentin

0:15:59 > 0:16:05Tarantino and Kathryn Bigelow did not make the cut. Skyfall failed to

0:16:05 > 0:16:11get into the best picture race. Amour also has five nominations,

0:16:11 > 0:16:17including one for 85-year-old Emmanuelle Riva for best actress.

0:16:17 > 0:16:23She is up against the nine-year-old start of peace of the sudden wild.

0:16:23 > 0:16:30They are the oldest and youngest nominees ever -- Beith of the

0:16:30 > 0:16:36southern wild. There are just four days left until the big decisions

0:16:36 > 0:16:43are made. Here with us now I'd journalists

0:16:43 > 0:16:51Robbie Collins and Xan Brooks. Thank you for coming in. Is it a

0:16:51 > 0:16:55good year? It is not an obvious year, is it? It is certainly an

0:16:55 > 0:17:00exciting year if you want a close race where all the challenger

0:17:00 > 0:17:05seemed to have a glass jaw. Nobody seems to have the complete

0:17:05 > 0:17:15advantage. Lincoln was leading the race at Bath does and then coming

0:17:15 > 0:17:15

0:17:15 > 0:17:20up short. It seems as if Argo has the momentum -- at the BAFTA ors.

0:17:20 > 0:17:28The Michael Haneke is up for best picture, Emmanuelle Riva for Best

0:17:28 > 0:17:32actress, it has nominations in all four categories. There is an

0:17:32 > 0:17:37offensive Western from Quentin Tarantino and then Lincoln which is

0:17:37 > 0:17:43a period piece. Oh great year for diversity in the top category.

0:17:43 > 0:17:49Usually it is the either / or at this pace. Now there are seven or

0:17:49 > 0:17:54eight film swirling around. Last year, we all knew it was the Artist.

0:17:54 > 0:18:01It played at Cannes in July and everybody said that will win, job

0:18:01 > 0:18:04done. This year, there was some real momentum behind Argo at

0:18:04 > 0:18:07Toronto and then when the nominations were announced and Ben

0:18:07 > 0:18:14Affleck was snubbed for Best Director, people thought it would

0:18:14 > 0:18:24not win. Since the 1930s, only one film has won best picture without a

0:18:24 > 0:18:26

0:18:26 > 0:18:33Best Director which was Driving Miss Daisy. Let's just remind

0:18:33 > 0:18:43ourselves of the films which were nominated in best picture category.

0:18:43 > 0:18:45

0:18:45 > 0:18:55You really believe this story? Osama Bin Laden? Yes.

0:18:55 > 0:18:56

0:18:56 > 0:19:06If you are right, the whole world will want in on this.

0:19:06 > 0:19:14

0:19:14 > 0:19:24Without Richard Parker I would have Bull's eye. What is your name?

0:19:24 > 0:19:38

0:19:38 > 0:19:42When life reaches out at the moment like this, it is a sin if you do

0:19:42 > 0:19:50not reach back. You have to do everything you can. It you stay

0:19:50 > 0:20:00positive you have a shot at a silver lining. There are millions

0:20:00 > 0:20:02

0:20:02 > 0:20:07in bondage and unborn millions to come. I have got an idea. They are

0:20:07 > 0:20:12Canadian film crew for a science fiction movie. Will fly out as a

0:20:12 > 0:20:22film crew. You have a better idea than this? This is the best idea we

0:20:22 > 0:20:24

0:20:24 > 0:20:34have, by far. I see everything that made me.

0:20:34 > 0:20:53

0:20:53 > 0:21:02# life has killed a dream. Hydra in. Can I just say, massive

0:21:02 > 0:21:08generalisation, men and women, you three were sobbing. Nine-year --

0:21:08 > 0:21:14nine films in best category this year, last year there were 10. What

0:21:15 > 0:21:22is missing? The Master. It is the 10th film which should be there. To

0:21:22 > 0:21:28would you agree? A wholeheartedly, yes. It is a film made for film

0:21:28 > 0:21:32lovers and incredibly informed. It draws on the traditions of American

0:21:32 > 0:21:35cinema. The performances from Robert De Niro and Orson Welles

0:21:35 > 0:21:39found all these incredible things from film history, the fact that

0:21:39 > 0:21:43the academy has not recognise that, even though it is tricky without

0:21:43 > 0:21:49the resolution at the end which people crave, to me it is

0:21:49 > 0:21:56disappointing. I remember at the time I came out, we thought, that

0:21:56 > 0:22:01has got to be it, the opening shot alone. It is this weird thing off

0:22:01 > 0:22:06films Peking and trusting. It peaked at the Venice Film Festival.

0:22:06 > 0:22:13We said there surely it is the best film of the year. I think it was a

0:22:13 > 0:22:19bit too wild and strange for the Academy. What de we think will win?

0:22:19 > 0:22:23I have the latest odds and it looks like Argo. Affleck is not nominated

0:22:23 > 0:22:32for best director. A what looked like an open race a week ago has

0:22:32 > 0:22:38narrowed down to our cost. I think it risks being... I think it risks

0:22:38 > 0:22:43becoming a trivia question in a pub quiz in 20 years' time, what won

0:22:43 > 0:22:49the best Oscar in the year that the Life Of Pi and Lincoln came out? No

0:22:49 > 0:22:54one will get it and no one will remember what Argo was. Is it the

0:22:54 > 0:22:58best film of the year? Of course it is not. People have a great deal of

0:22:58 > 0:23:02affection towards it. Something very worthy like Lincoln, the

0:23:02 > 0:23:07costumes are great, the production design is terrific, when you are

0:23:07 > 0:23:12filling out nominations that is easy to choose. When you fell out

0:23:12 > 0:23:16your ballot paper and think which of these films are excited any in

0:23:16 > 0:23:20the cinema, Argo is a film which connected people. We should

0:23:20 > 0:23:25remember that the people who voted in the Academy only had to put in

0:23:25 > 0:23:34their ballot papers on Tuesday. All the BAFTAs and all these other

0:23:34 > 0:23:39things, will they think, we snubbed Ben Affleck, it should win? Yes, I

0:23:39 > 0:23:44think he will. Of the Academy think they are being radical in going for

0:23:44 > 0:23:51Argo, it is a bit out there, not respectable history like Lincoln.

0:23:51 > 0:24:01If they wanted to be really radical they could give the best picture to

0:24:01 > 0:24:01

0:24:01 > 0:24:11Zero Dark 30 odd Django Unchained. This happens all the time at the

0:24:11 > 0:24:18Oscars. Look at the year Crash won. It was interesting but not two gay

0:24:18 > 0:24:24cowboys. Ang Lee also missed out that year. There is Lincoln and

0:24:24 > 0:24:29Life Of Pi, it seems you would all be delighted with Life Of Pi?

0:24:29 > 0:24:33silly. It is strange to talk about it being underrated when it has 11

0:24:33 > 0:24:37nominations but a lot of those are in the technical category and there

0:24:37 > 0:24:45is a risk it could be shunted aside. The worst anyone says about Life Of

0:24:45 > 0:24:50Pi is it is mushy. That is not criticism I accept. It could have

0:24:50 > 0:24:55been a career killer for Ang Lee. It was the book which should not be

0:24:55 > 0:25:02adapted. I think Life Of Pi is a triumph. I completely agree. Ang

0:25:02 > 0:25:08Lee took a book which was considered none the adaptable. It

0:25:08 > 0:25:13is very cinematic. When you see it you sink -- you think it is

0:25:13 > 0:25:19designed to be on the big screen. Ang Lee's achievement is much more

0:25:19 > 0:25:27so than Ben Affleck. There is also a resistance to the Life Of Pi

0:25:27 > 0:25:32because the Academy think it is too sentimental. Is there a feeling

0:25:32 > 0:25:39that they like George Clooney, they like Ben Affleck, is there a

0:25:39 > 0:25:44feeling that he deserves this? certainly have a sentimental streak

0:25:44 > 0:25:48and they have their darlings. Clooney is also -- almost becoming

0:25:48 > 0:25:52the Jack Nicholson of his generation. He is the one the

0:25:52 > 0:25:57camera cuts to and the one the host is making jokes about and he is

0:25:57 > 0:26:02laughing along with it. One of the things about the Oscars is as well

0:26:02 > 0:26:07as shining a light on great films, it can destroy a film for me. I

0:26:07 > 0:26:13liked Argo when I saw it back in the autumn. The more we are told it

0:26:13 > 0:26:20is the Oscar favourite, you think no, surely not. You have gone off

0:26:20 > 0:26:23it! You like it before it was cool. Absolutely. It reminds me of the

0:26:23 > 0:26:29Booker Prize where traditionally the book which has won the Booker

0:26:29 > 0:26:34Prize is a book which nobody has hated. It has been a compromise and

0:26:34 > 0:26:39a fudge. I think Argo risks going down in history as the film nobody

0:26:39 > 0:26:44hated. The for going on to best director, I have to ask you what

0:26:44 > 0:26:53would you like to win? In the absence of the mast I think it

0:26:53 > 0:27:03should be Life Of Pi. Life Of Pi. would go Django Unchained. Left me

0:27:03 > 0:27:10

0:27:10 > 0:27:15$:/STARTFEED. If David O'Russell wins I will hear you from my house?

0:27:15 > 0:27:21I'm boycotting any conversation about Silver Linings Playbook.

0:27:21 > 0:27:24Lincoln, it should be? Yes. With Barack Obama beginning his second

0:27:24 > 0:27:27term, that feels like the completion of the process that was

0:27:27 > 0:27:31started with the events that happened in Lincoln. I think,

0:27:31 > 0:27:36perhaps, there will be a move to reward Spielberg in that sense.

0:27:36 > 0:27:41There is the sense that the Best Director Oscar is seeing as a

0:27:41 > 0:27:45runner up prize, a, "thanks for trying" prize. There are lots of

0:27:45 > 0:27:53people not on this list like Bigelow or Tarantino, are you

0:27:53 > 0:27:57disappointed by their omissions? is strange. Could you have a

0:27:57 > 0:28:03parallel list. Affleck not tkwg going on -- being on that. That is

0:28:03 > 0:28:13notable. They are saying that Argo is the Best Film of the year, the

0:28:13 > 0:28:13

0:28:13 > 0:28:20only thing bad about it was the idiot behind it. OK. Let us remind

0:28:20 > 0:28:27ourselves who is up for Best Actor and Best Actress. You look nice.

0:28:27 > 0:28:37How did Tommy die? It was an ordinary day. You know me, I was in

0:28:37 > 0:28:37

0:28:37 > 0:28:43shape to fly. Do you have a problem saying that? Things that are equal

0:28:43 > 0:28:49to the same thing are equal to each other. The only way to defend

0:28:49 > 0:28:53ourselves is to attack. Calm down. It will be OK. He is dangerous.

0:28:53 > 0:29:01# Gave me hope # When hope was gone hbg he gave me

0:29:01 > 0:29:11strength to turn it on... # There are two narratives about the

0:29:11 > 0:29:19

0:29:19 > 0:29:29You have a problem? I have a problem? You say more inappropriate

0:29:29 > 0:29:34

0:29:34 > 0:29:44things than appropriate things. and my daddy, we stayed right here.

0:29:44 > 0:29:45

0:29:45 > 0:29:50Thank you. Thank you. Thank you so much. First things first, actor,

0:29:50 > 0:29:59Daniel Day-Lewis, done. Am I wrong or right? That is a done deal.

0:29:59 > 0:30:04can move on to Best Actress. There is a lot of love for Emmanuelle

0:30:04 > 0:30:12Riva., "Emmanuelle Riva deserves all the awards. If she doesn't win

0:30:12 > 0:30:18the whole thing is a farce." Another one here, "if Jennifer

0:30:18 > 0:30:28Lawrence doesn't win they should scrap the ceremony." It is either

0:30:28 > 0:30:31

0:30:31 > 0:30:41or? Jennifer Lawrence has been the frontrunner for months. She was the

0:30:41 > 0:30:47frontrunner for a very long time. Emmanuelle Riva was named the Best

0:30:47 > 0:30:52Actress at the BAFTAs. I hope Oscar voters have gone away and look at

0:30:52 > 0:30:55Amour and see the complexity and depth of that performance that

0:30:55 > 0:31:02outclasses every nominee on that list. She is second odds on, if you

0:31:02 > 0:31:05like to win. Who would you like it to go to? I would like it to go to

0:31:05 > 0:31:11her too. She has the momentum. It is the best performance of the

0:31:11 > 0:31:16bunch. It is an astonishing piece of work. She has the sentimental

0:31:16 > 0:31:21value as well of being, celebrating her 86th birthday on the night of

0:31:21 > 0:31:27the Oscars. Sh shouldn't matter. The the Academy likes a good news

0:31:27 > 0:31:37story. Shame to get her from Paris to send her all the way home.

0:31:37 > 0:31:37

0:31:37 > 0:31:42will be voting for Emmanuelle Riva while. Why she has picked up these

0:31:42 > 0:31:46nominations, and her could-star hasn't had a nomination anywhere. I

0:31:46 > 0:31:52find it pusleing because it was a film about a couple. Best

0:31:52 > 0:31:59Supporting, that is Hathaway. There has been support for Amy Adams.

0:31:59 > 0:32:06Hathaway they will give the Oscar for Best Musical Performance not

0:32:06 > 0:32:16Best Supporting Actress. Who is Best Actress? It could be Tommy Lee

0:32:16 > 0:32:16

0:32:16 > 0:32:23Jones. It could be De Niro. He is gunning for. This it has been 30

0:32:23 > 0:32:27years since his last one. Who are we putting our money on? Tommy Lee

0:32:27 > 0:32:30Jones. We are back next week. We will review Stoker, Broken City,

0:32:30 > 0:32:39Arbitrage and Caesar Must Die. Playing us out tonight, West Side

0:32:39 > 0:32:45Story our opportunity to dance. In 1962 it was nominated for 11 Oscars

0:32:45 > 0:32:53and won 10, making it the musical with the most Oscar wins. A record