Episode 8

:00:29. > :00:29.Hello and welcome to the last in Hello and welcome to the last in

:00:29. > :00:31.Hello and welcome to the last in the present series of Film 2013

:00:31. > :00:32.the present series of Film 2013 the present series of Film 2013

:00:32. > :00:34.with me Claudia Winkleman. And me, with me Claudia Winkleman. And me,

:00:34. > :00:35.with me Claudia Winkleman. And me, with me Claudia Winkleman. And me,

:00:35. > :00:36.Danny Leigh. We are live. If you Danny Leigh. We are live. If you

:00:36. > :00:36.Danny Leigh. We are live. If you Danny Leigh. We are live. If you

:00:36. > :00:39.would like to get in touch the would like to get in touch the

:00:39. > :00:40.would like to get in touch the details are on the screen now.

:00:40. > :00:41.details are on the screen now. details are on the screen now.

:00:41. > :00:42.Coming up: Nicole Kidman and Coming up: Nicole Kidman and

:00:42. > :00:44.Coming up: Nicole Kidman and Coming up: Nicole Kidman and

:00:44. > :00:46.Matthew Goode keep it in the family Matthew Goode keep it in the family

:00:46. > :00:48.Matthew Goode keep it in the family Matthew Goode keep it in the family

:00:48. > :00:50.in Stoker. Come and say hello to in Stoker. Come and say hello to

:00:50. > :00:52.in Stoker. Come and say hello to your uncle Charlie. Breaking bad.

:00:52. > :00:52.your uncle Charlie. Breaking bad. your uncle Charlie. Breaking bad.

:00:52. > :00:54.Russell Crowe and Mark Wahlberg Russell Crowe and Mark Wahlberg

:00:54. > :00:54.Russell Crowe and Mark Wahlberg Russell Crowe and Mark Wahlberg

:00:54. > :00:55.take charge of a broken city. The take charge of a broken city. The

:00:56. > :01:02.take charge of a broken city. The take charge of a broken city. The

:01:02. > :01:04.best is yet to come. Our pick of best is yet to come. Our pick of

:01:04. > :01:05.best is yet to come. Our pick of best is yet to come. Our pick of

:01:06. > :01:06.the films coming up. Plus, we have the films coming up. Plus, we have

:01:07. > :01:07.the films coming up. Plus, we have Richard Gere in Arbitrage and

:01:07. > :01:10.Richard Gere in Arbitrage and Richard Gere in Arbitrage and

:01:10. > :01:12.Caesar Must Die. First tonight is Caesar Must Die. First tonight is

:01:12. > :01:12.Caesar Must Die. First tonight is Caesar Must Die. First tonight is

:01:12. > :01:16.Stoker a twisted family tale of the Stoker a twisted family tale of the

:01:16. > :01:18.Stoker a twisted family tale of the director of Oldboy, Park Chan-wook.

:01:18. > :01:20.director of Oldboy, Park Chan-wook. director of Oldboy, Park Chan-wook.

:01:20. > :01:22.director of Oldboy, Park Chan-wook. Richard Stoker was taken from us by

:01:22. > :01:24.Richard Stoker was taken from us by Richard Stoker was taken from us by

:01:24. > :01:25.Richard Stoker was taken from us by a cruel twist of faith. Pray for

:01:26. > :01:28.a cruel twist of faith. Pray for a cruel twist of faith. Pray for

:01:28. > :01:29.strength for Richard's wife and strength for Richard's wife and

:01:29. > :01:30.strength for Richard's wife and daughter. India, say hello to your

:01:30. > :01:31.daughter. India, say hello to your daughter. India, say hello to your

:01:31. > :01:33.daughter. India, say hello to your uncle Charlie. It's a coming of age

:01:33. > :01:34.uncle Charlie. It's a coming of age uncle Charlie. It's a coming of age

:01:34. > :01:35.story about a young 18-year-old story about a young 18-year-old

:01:35. > :01:36.story about a young 18-year-old girl whose father has recently died

:01:36. > :01:37.girl whose father has recently died girl whose father has recently died

:01:37. > :01:39.girl whose father has recently died and her uncle turns up out of

:01:39. > :01:40.and her uncle turns up out of and her uncle turns up out of

:01:40. > :01:42.nowhere and so begins a love nowhere and so begins a love

:01:42. > :01:43.nowhere and so begins a love triangle between her, her uncle and

:01:43. > :01:45.triangle between her, her uncle and triangle between her, her uncle and

:01:45. > :01:46.her mother. Yeah, it was described her mother. Yeah, it was described

:01:46. > :01:53.her mother. Yeah, it was described her mother. Yeah, it was described

:01:53. > :01:54.to me as a twisted Fairbanksy tale. to me as a twisted Fairbanksy tale.

:01:54. > :01:57.to me as a twisted Fairbanksy tale. -- fairytale. I'm not sure what

:01:57. > :01:59.-- fairytale. I'm not sure what -- fairytale. I'm not sure what

:01:59. > :02:00.-- fairytale. I'm not sure what this is. Is it a thriller? Is it

:02:00. > :02:02.this is. Is it a thriller? Is it this is. Is it a thriller? Is it

:02:02. > :02:06.this is. Is it a thriller? Is it horror? I'm not quite sure what it

:02:06. > :02:16.horror? I'm not quite sure what it horror? I'm not quite sure what it

:02:16. > :02:31.

:02:31. > :02:34.Maybe we could talk about you Maybe we could talk about you

:02:34. > :02:35.Maybe we could talk about you living here with Charlie like this?

:02:35. > :02:37.living here with Charlie like this? living here with Charlie like this?

:02:37. > :02:38.Uncle Charlie, who is my character, Uncle Charlie, who is my character,

:02:38. > :02:40.Uncle Charlie, who is my character, Uncle Charlie, who is my character,

:02:40. > :02:41.comes back. He has been away for, comes back. He has been away for,

:02:41. > :02:43.comes back. He has been away for, he has been "travelling" for 20

:02:43. > :02:43.he has been "travelling" for 20 he has been "travelling" for 20

:02:43. > :02:46.he has been "travelling" for 20 years. The main theme about it is

:02:46. > :02:47.years. The main theme about it is years. The main theme about it is

:02:47. > :02:48.years. The main theme about it is about bad blood. The idea of where

:02:48. > :02:50.about bad blood. The idea of where about bad blood. The idea of where

:02:50. > :02:51.evil possible comes from? Is there evil possible comes from? Is there

:02:51. > :02:53.evil possible comes from? Is there a possible pre-dispotion within the

:02:53. > :02:55.a possible pre-dispotion within the a possible pre-dispotion within the

:02:55. > :02:56.a possible pre-dispotion within the family blood line to do some pretty

:02:56. > :02:58.family blood line to do some pretty family blood line to do some pretty

:02:58. > :03:01.naughty things? What do you want naughty things? What do you want

:03:01. > :03:02.naughty things? What do you want naughty things? What do you want

:03:02. > :03:10.from me? To be friends.We don't from me? To be friends.We don't

:03:10. > :03:13.from me? To be friends.We don't need to be friends. We're family.

:03:13. > :03:15.need to be friends. We're family. need to be friends. We're family.

:03:15. > :03:17.need to be friends. We're family. She's of age. Of age for what?

:03:17. > :03:18.She's of age. Of age for what? She's of age. Of age for what?

:03:18. > :03:19.think with director Park he's just think with director Park he's just

:03:19. > :03:21.think with director Park he's just very particular and once you get

:03:21. > :03:23.very particular and once you get very particular and once you get

:03:23. > :03:24.very particular and once you get used to what he likes. Once you get

:03:24. > :03:25.used to what he likes. Once you get used to what he likes. Once you get

:03:25. > :03:27.used to what he likes. Once you get his rhythm you can kind of read his

:03:28. > :03:29.his rhythm you can kind of read his his rhythm you can kind of read his

:03:29. > :03:31.mind. That is just because he's... mind. That is just because he's...

:03:31. > :03:31.mind. That is just because he's... mind. That is just because he's...

:03:31. > :03:34.He is very, very precries in what He is very, very precries in what

:03:34. > :03:35.He is very, very precries in what He is very, very precries in what

:03:36. > :03:36.he wants and how he wants it. I he wants and how he wants it. I

:03:36. > :03:37.he wants and how he wants it. I he wants and how he wants it. I

:03:37. > :03:40.caught tonne it early. I was able caught tonne it early. I was able

:03:41. > :03:41.caught tonne it early. I was able caught tonne it early. I was able

:03:41. > :03:42.to work with him that way. to work with him that way.

:03:42. > :03:47.to work with him that way. to work with him that way.

:03:47. > :03:49.wondered why it is we have children. wondered why it is we have children.

:03:49. > :03:50.wondered why it is we have children. wondered why it is we have children.

:03:50. > :03:52.When we first met director Park he When we first met director Park he

:03:52. > :03:53.When we first met director Park he When we first met director Park he

:03:53. > :03:55.gave us a folder with every single gave us a folder with every single

:03:55. > :03:56.gave us a folder with every single frame beautifully drawn out. So, we

:03:56. > :03:58.frame beautifully drawn out. So, we frame beautifully drawn out. So, we

:03:58. > :03:59.frame beautifully drawn out. So, we frame beautifully drawn out. So, we

:03:59. > :04:01.had a fit... We had a sense of how had a fit... We had a sense of how

:04:01. > :04:02.had a fit... We had a sense of how the film would feel. You didn't

:04:02. > :04:03.the film would feel. You didn't the film would feel. You didn't

:04:03. > :04:04.the film would feel. You didn't know how it would be shot. Some of

:04:05. > :04:05.know how it would be shot. Some of know how it would be shot. Some of

:04:05. > :04:07.know how it would be shot. Some of the stuff was kept from us. I

:04:07. > :04:07.the stuff was kept from us. I the stuff was kept from us. I

:04:07. > :04:08.remember Nicole saying, "I didn't remember Nicole saying, "I didn't

:04:08. > :04:09.remember Nicole saying, "I didn't remember Nicole saying, "I didn't

:04:09. > :04:12.realise what he was going to do realise what he was going to do

:04:12. > :04:15.realise what he was going to do realise what he was going to do

:04:15. > :04:18.with that shot with the hair." It's with that shot with the hair." It's

:04:18. > :04:19.with that shot with the hair." It's beautifully shot. Mitt When I saw

:04:19. > :04:20.beautifully shot. Mitt When I saw beautifully shot. Mitt When I saw

:04:20. > :04:22.beautifully shot. Mitt When I saw it for the first time, you could

:04:22. > :04:23.it for the first time, you could it for the first time, you could

:04:23. > :04:24.it for the first time, you could hear a pin drop. He creates his own

:04:24. > :04:34.hear a pin drop. He creates his own hear a pin drop. He creates his own

:04:34. > :04:42.

:04:42. > :04:43.Who are you? I had very, very high Who are you? I had very, very high

:04:43. > :04:44.Who are you? I had very, very high hopes for Stoker, normally it turns

:04:44. > :04:45.hopes for Stoker, normally it turns hopes for Stoker, normally it turns

:04:45. > :04:46.hopes for Stoker, normally it turns out to be a disaster. You have to

:04:46. > :04:48.out to be a disaster. You have to out to be a disaster. You have to

:04:48. > :04:51.imagine my surprise when it turned imagine my surprise when it turned

:04:51. > :04:53.imagine my surprise when it turned imagine my surprise when it turned

:04:53. > :04:54.out to be this mad black hearted out to be this mad black hearted

:04:54. > :04:57.out to be this mad black hearted triumph. A gotic chocolate box film.

:04:57. > :04:57.triumph. A gotic chocolate box film. triumph. A gotic chocolate box film.

:04:57. > :04:59.It is overblown. It is fiercely It is overblown. It is fiercely

:04:59. > :04:59.It is overblown. It is fiercely It is overblown. It is fiercely

:05:00. > :05:02.proud of all those things. It looks proud of all those things. It looks

:05:02. > :05:04.proud of all those things. It looks pristine and gorgeous. I think it's

:05:04. > :05:06.pristine and gorgeous. I think it's pristine and gorgeous. I think it's

:05:07. > :05:07.deeply preverse. It's deeply wrong, deeply preverse. It's deeply wrong,

:05:07. > :05:08.deeply preverse. It's deeply wrong, deeply preverse. It's deeply wrong,

:05:08. > :05:09.in the best sense of the word. I in the best sense of the word. I

:05:09. > :05:10.in the best sense of the word. I in the best sense of the word. I

:05:10. > :05:12.wanted to roll around in this film. wanted to roll around in this film.

:05:12. > :05:13.wanted to roll around in this film. wanted to roll around in this film.

:05:13. > :05:14.The moment I came out of it, I The moment I came out of it, I

:05:14. > :05:15.The moment I came out of it, I wanted to turn around and go

:05:15. > :05:16.wanted to turn around and go wanted to turn around and go

:05:16. > :05:17.straight back in. Isn't that straight back in. Isn't that

:05:17. > :05:18.straight back in. Isn't that interesting. The moment I came out

:05:18. > :05:19.interesting. The moment I came out interesting. The moment I came out

:05:19. > :05:20.interesting. The moment I came out interesting. The moment I came out

:05:20. > :05:21.I wanted to go back in and ask for I wanted to go back in and ask for

:05:21. > :05:21.I wanted to go back in and ask for I wanted to go back in and ask for

:05:22. > :05:23.those two hours of my life back. those two hours of my life back.

:05:23. > :05:24.those two hours of my life back. They are never coming back. They

:05:24. > :05:25.They are never coming back. They They are never coming back. They

:05:25. > :05:27.are never coming back. I thought are never coming back. I thought

:05:27. > :05:29.the performances were brilliant. the performances were brilliant.

:05:29. > :05:32.the performances were brilliant. Can I read this out, "forgetable

:05:32. > :05:33.Can I read this out, "forgetable Can I read this out, "forgetable

:05:33. > :05:35.Can I read this out, "forgetable and choppy, a real shame given the

:05:35. > :05:36.and choppy, a real shame given the great performances." They are

:05:36. > :05:37.great performances." They are great performances." They are

:05:37. > :05:38.fabulous. I wanted, I think it fabulous. I wanted, I think it

:05:38. > :05:38.fabulous. I wanted, I think it fabulous. I wanted, I think it

:05:38. > :05:40.might have something to do with my might have something to do with my

:05:40. > :05:41.expectations which were incredibly expectations which were incredibly

:05:41. > :05:41.expectations which were incredibly expectations which were incredibly

:05:41. > :05:43.high. I thought it was going... I high. I thought it was going... I

:05:43. > :05:45.high. I thought it was going... I high. I thought it was going... I

:05:45. > :05:46.was told it was a horror. It's not was told it was a horror. It's not

:05:46. > :05:47.was told it was a horror. It's not was told it was a horror. It's not

:05:47. > :05:49.a horror. As I was watching it I a horror. As I was watching it I

:05:49. > :05:51.a horror. As I was watching it I was thinking there is a joyless

:05:51. > :05:51.was thinking there is a joyless was thinking there is a joyless

:05:51. > :05:53.was thinking there is a joyless ninny who would fail to get this

:05:53. > :05:55.ninny who would fail to get this ninny who would fail to get this

:05:55. > :05:56.ninny who would fail to get this film. Maybe we would have to shake

:05:56. > :05:59.film. Maybe we would have to shake film. Maybe we would have to shake

:05:59. > :06:01.them vigorously and say, "do you them vigorously and say, "do you

:06:01. > :06:02.them vigorously and say, "do you like movies" and leave them to

:06:02. > :06:04.like movies" and leave them to like movies" and leave them to

:06:04. > :06:05.theirmisery. That is me and them. theirmisery. That is me and them.

:06:05. > :06:07.theirmisery. That is me and them. theirmisery. That is me and them.

:06:07. > :06:09.There is a lot. I will read more, There is a lot. I will read more,

:06:09. > :06:12.There is a lot. I will read more, "all style and no substance."

:06:12. > :06:12."all style and no substance." "all style and no substance."

:06:12. > :06:15."all style and no substance." is a wonderful thing going on. This

:06:15. > :06:16.is a wonderful thing going on. This is a wonderful thing going on. This

:06:16. > :06:18.is a wonderful thing going on. This will put you in mind of Hitchcock

:06:18. > :06:19.will put you in mind of Hitchcock will put you in mind of Hitchcock

:06:19. > :06:21.will put you in mind of Hitchcock Shadow of a Doubt. You have the

:06:21. > :06:23.Shadow of a Doubt. You have the Shadow of a Doubt. You have the

:06:23. > :06:26.innocence, you have the Outsiders innocence, you have the Outsiders

:06:26. > :06:28.innocence, you have the Outsiders innocence, you have the Outsiders

:06:28. > :06:30.and Twin Peaks Night of the Hunter, and Twin Peaks Night of the Hunter,

:06:30. > :06:32.and Twin Peaks Night of the Hunter, and Twin Peaks Night of the Hunter,

:06:32. > :06:33.it is still it's own film. You are it is still it's own film. You are

:06:33. > :06:37.dismissive about the performances. dismissive about the performances.

:06:38. > :06:39.dismissive about the performances. That is my favourite bit?

:06:39. > :06:40.That is my favourite bit? That is my favourite bit?

:06:40. > :06:41.Wasikowska impeccable. We have to Wasikowska impeccable. We have to

:06:41. > :06:42.Wasikowska impeccable. We have to talk about Nicole Kidman. I don't

:06:42. > :06:44.talk about Nicole Kidman. I don't talk about Nicole Kidman. I don't

:06:44. > :06:45.talk about Nicole Kidman. I don't think as an actress, she has had an

:06:45. > :06:46.think as an actress, she has had an think as an actress, she has had an

:06:47. > :06:48.think as an actress, she has had an odd career. I don't think there is

:06:48. > :06:48.odd career. I don't think there is odd career. I don't think there is

:06:48. > :06:50.odd career. I don't think there is an at actress of her stature who

:06:50. > :06:51.an at actress of her stature who an at actress of her stature who

:06:51. > :06:52.an at actress of her stature who would or could play this role so

:06:52. > :06:54.would or could play this role so would or could play this role so

:06:54. > :06:55.perfectly. She has that frozen doll perfectly. She has that frozen doll

:06:55. > :06:57.perfectly. She has that frozen doll perfectly. She has that frozen doll

:06:57. > :06:59.face. She looks like she is dipped face. She looks like she is dipped

:06:59. > :07:01.face. She looks like she is dipped face. She looks like she is dipped

:07:01. > :07:02.in plastic. She is playing a widow in plastic. She is playing a widow

:07:02. > :07:03.in plastic. She is playing a widow with an itch in her pants.

:07:03. > :07:04.with an itch in her pants. with an itch in her pants.

:07:04. > :07:06.with an itch in her pants. Brilliant is a word I try not to

:07:06. > :07:08.Brilliant is a word I try not to Brilliant is a word I try not to

:07:08. > :07:09.use. It's your word. It's my use. It's your word. It's my

:07:09. > :07:11.use. It's your word. It's my favourite word. I stay away from.

:07:11. > :07:13.favourite word. I stay away from. favourite word. I stay away from.

:07:13. > :07:13.It it's brilliant. Somewhere out It it's brilliant. Somewhere out

:07:14. > :07:17.It it's brilliant. Somewhere out there tonight Tim Burton has been

:07:17. > :07:18.there tonight Tim Burton has been there tonight Tim Burton has been

:07:18. > :07:20.brought his horlicks and has dosed brought his horlicks and has dosed

:07:20. > :07:21.brought his horlicks and has dosed brought his horlicks and has dosed

:07:21. > :07:22.and is waving his arms and legs and is waving his arms and legs

:07:22. > :07:23.and is waving his arms and legs and is waving his arms and legs

:07:23. > :07:25.about like dogs, do he is dreaming about like dogs, do he is dreaming

:07:25. > :07:26.about like dogs, do he is dreaming about like dogs, do he is dreaming

:07:26. > :07:28.of having made a film this good. of having made a film this good.

:07:28. > :07:31.of having made a film this good. Really? I hear you. Performances

:07:31. > :07:32.Really? I hear you. Performances Really? I hear you. Performances

:07:32. > :07:33.brilliant. Don't go! Next, Mark brilliant. Don't go! Next, Mark

:07:34. > :07:41.brilliant. Don't go! Next, Mark Wahlberg and Russell Crowe star in

:07:41. > :07:43.Wahlberg and Russell Crowe star in Wahlberg and Russell Crowe star in

:07:44. > :07:45.the thriller Broken City. When I the thriller Broken City. When I

:07:45. > :07:47.the thriller Broken City. When I was elected Mayor, this was a

:07:47. > :07:48.was elected Mayor, this was a was elected Mayor, this was a

:07:48. > :07:50.broken city. Tell me things haven't broken city. Tell me things haven't

:07:50. > :07:52.broken city. Tell me things haven't broken city. Tell me things haven't

:07:52. > :07:53.changed? Do you know who I am?Yeah. changed? Do you know who I am?Yeah.

:07:53. > :07:56.changed? Do you know who I am?Yeah. Step-by-step, I've been getting it

:07:56. > :07:57.Step-by-step, I've been getting it Step-by-step, I've been getting it

:07:57. > :07:59.fixed. Here's our guy. Mr Mayor. fixed. Here's our guy. Mr Mayor.

:08:00. > :08:03.fixed. Here's our guy. Mr Mayor. fixed. Here's our guy. Mr Mayor.

:08:03. > :08:04.Look in my eyes, a hero. Thank you. Look in my eyes, a hero. Thank you.

:08:04. > :08:05.Look in my eyes, a hero. Thank you. I'm a detective named Billy Taggart,

:08:05. > :08:07.I'm a detective named Billy Taggart, I'm a detective named Billy Taggart,

:08:07. > :08:08.I'm a detective named Billy Taggart, he has taken the law into his own

:08:08. > :08:09.he has taken the law into his own he has taken the law into his own

:08:09. > :08:11.hands after a huge miscarriage of hands after a huge miscarriage of

:08:11. > :08:12.hands after a huge miscarriage of hands after a huge miscarriage of

:08:12. > :08:14.justice. He is forced to resign or justice. He is forced to resign or

:08:14. > :08:15.justice. He is forced to resign or face criminal charges. He becomes a

:08:15. > :08:16.face criminal charges. He becomes a face criminal charges. He becomes a

:08:16. > :08:17.private investigator he is called private investigator he is called

:08:17. > :08:18.private investigator he is called by the Mayor to investigate his

:08:18. > :08:19.by the Mayor to investigate his by the Mayor to investigate his

:08:19. > :08:20.by the Mayor to investigate his wife who he thinks is having an

:08:20. > :08:22.wife who he thinks is having an wife who he thinks is having an

:08:22. > :08:24.affair. I'm not sure I'm following affair. I'm not sure I'm following

:08:24. > :08:26.affair. I'm not sure I'm following affair. I'm not sure I'm following

:08:26. > :08:27.you. I need you to find the man you. I need you to find the man

:08:27. > :08:28.you. I need you to find the man sleeping with my wife. Done. You

:08:28. > :08:29.sleeping with my wife. Done. You sleeping with my wife. Done. You

:08:29. > :08:31.sleeping with my wife. Done. You are my eyes. What do we have?

:08:31. > :08:33.are my eyes. What do we have? are my eyes. What do we have?

:08:33. > :08:34.are my eyes. What do we have? have him. It's good, Billy. As I

:08:34. > :08:35.have him. It's good, Billy. As I investigate her I unravel

:08:35. > :08:36.investigate her I unravel investigate her I unravel

:08:36. > :08:38.investigate her I unravel corruption and I decide, I will not

:08:38. > :08:42.corruption and I decide, I will not corruption and I decide, I will not

:08:42. > :08:44.corruption and I decide, I will not be the Mayor pawn, I will take him

:08:44. > :08:44.be the Mayor pawn, I will take him be the Mayor pawn, I will take him

:08:44. > :08:46.be the Mayor pawn, I will take him down if it means risk my own

:08:46. > :08:47.down if it means risk my own down if it means risk my own

:08:47. > :08:49.down if it means risk my own freedom. It's not what you think it

:08:49. > :08:50.freedom. It's not what you think it freedom. It's not what you think it

:08:50. > :08:53.freedom. It's not what you think it is. If the last seven years of your

:08:53. > :08:54.is. If the last seven years of your is. If the last seven years of your

:08:54. > :08:55.life mean anything, walk away. If life mean anything, walk away. If

:08:55. > :08:57.life mean anything, walk away. If you think you are investigating

:08:57. > :08:59.you think you are investigating you think you are investigating

:08:59. > :09:03.adultery, Mr Taggart, you don't adultery, Mr Taggart, you don't

:09:03. > :09:06.adultery, Mr Taggart, you don't know Nicholas Hostetler very well.

:09:06. > :09:08.know Nicholas Hostetler very well. know Nicholas Hostetler very well.

:09:08. > :09:09.Russell, who is fairly method comes Russell, who is fairly method comes

:09:09. > :09:10.Russell, who is fairly method comes Russell, who is fairly method comes

:09:10. > :09:12.on to set. He is charming people on to set. He is charming people

:09:12. > :09:13.on to set. He is charming people and shaking hands and telling jokes

:09:13. > :09:14.and shaking hands and telling jokes and shaking hands and telling jokes

:09:14. > :09:15.and kissing babies and being the and kissing babies and being the

:09:15. > :09:16.and kissing babies and being the and kissing babies and being the

:09:16. > :09:18.Mayor. I need a drink.A lot of Mayor. I need a drink.A lot of

:09:18. > :09:20.Mayor. I need a drink.A lot of these people who have taken these

:09:20. > :09:21.these people who have taken these these people who have taken these

:09:21. > :09:23.offices are corrupted by power and offices are corrupted by power and

:09:23. > :09:24.offices are corrupted by power and money. It's a very tempting thing.

:09:24. > :09:24.money. It's a very tempting thing. money. It's a very tempting thing.

:09:25. > :09:28.money. It's a very tempting thing. That's the case that we are dealing

:09:28. > :09:28.That's the case that we are dealing That's the case that we are dealing

:09:28. > :09:30.That's the case that we are dealing with in Broken City. I might have

:09:30. > :09:32.with in Broken City. I might have with in Broken City. I might have

:09:32. > :09:33.to hire someone to investigate you. to hire someone to investigate you.

:09:33. > :09:34.to hire someone to investigate you. to hire someone to investigate you.

:09:34. > :09:35.You are good Mayor, you have it all You are good Mayor, you have it all

:09:35. > :09:36.You are good Mayor, you have it all You are good Mayor, you have it all

:09:36. > :09:37.worked out. Perhaps that is why the worked out. Perhaps that is why the

:09:37. > :09:38.worked out. Perhaps that is why the people keep electing me, Billy,

:09:38. > :09:39.people keep electing me, Billy, people keep electing me, Billy,

:09:39. > :09:40.people keep electing me, Billy, because I simply get the job done.

:09:40. > :09:41.because I simply get the job done. because I simply get the job done.

:09:41. > :09:42.because I simply get the job done. All this, it was all for the City?

:09:42. > :09:43.All this, it was all for the City? All this, it was all for the City?

:09:43. > :09:45.All this, it was all for the City? Everything I do is for this great

:09:45. > :09:46.Everything I do is for this great Everything I do is for this great

:09:46. > :09:47.Everything I do is for this great city. I try to stay optimistic with

:09:47. > :09:50.city. I try to stay optimistic with city. I try to stay optimistic with

:09:50. > :09:50.city. I try to stay optimistic with the officials we elect and that we

:09:50. > :09:51.the officials we elect and that we the officials we elect and that we

:09:51. > :09:53.the officials we elect and that we -- they will take care of the

:09:53. > :09:53.-- they will take care of the -- they will take care of the

:09:53. > :09:54.-- they will take care of the people that elected them and try to

:09:54. > :09:57.people that elected them and try to people that elected them and try to

:09:57. > :09:58.better all the things that they better all the things that they

:09:58. > :09:59.better all the things that they have promised to better and change

:09:59. > :10:00.have promised to better and change have promised to better and change

:10:00. > :10:05.while running for office. You know, while running for office. You know,

:10:05. > :10:08.while running for office. You know, it doesn't always happen. He's a

:10:08. > :10:09.it doesn't always happen. He's a it doesn't always happen. He's a

:10:09. > :10:10.dangerous man, Billy. He knows dangerous man, Billy. He knows

:10:10. > :10:11.dangerous man, Billy. He knows people who kill people. You're

:10:11. > :10:11.people who kill people. You're people who kill people. You're

:10:11. > :10:13.people who kill people. You're going to walk away. That is the

:10:13. > :10:18.going to walk away. That is the going to walk away. That is the

:10:18. > :10:19.going to walk away. That is the deal, Mayor. I suggest you take it.

:10:19. > :10:22.deal, Mayor. I suggest you take it. deal, Mayor. I suggest you take it.

:10:22. > :10:24.deal, Mayor. I suggest you take it. It's a movie out of time. It's a

:10:24. > :10:24.It's a movie out of time. It's a It's a movie out of time. It's a

:10:24. > :10:26.40's film. Somehow it stumbled 40's film. Somehow it stumbled

:10:26. > :10:29.40's film. Somehow it stumbled around in the year 2013. One

:10:29. > :10:30.around in the year 2013. One around in the year 2013. One

:10:30. > :10:33.character says, "do they have character says, "do they have

:10:33. > :10:34.character says, "do they have private I's any more", that is

:10:34. > :10:35.private I's any more", that is private I's any more", that is

:10:36. > :10:37.private I's any more", that is strange. If you have a soft spot

:10:37. > :10:38.strange. If you have a soft spot strange. If you have a soft spot

:10:38. > :10:39.strange. If you have a soft spot for noir it is slick and gets the

:10:39. > :10:41.for noir it is slick and gets the for noir it is slick and gets the

:10:41. > :10:43.for noir it is slick and gets the job done in a B movie fashion. If

:10:43. > :10:45.job done in a B movie fashion. If job done in a B movie fashion. If

:10:45. > :10:46.job done in a B movie fashion. If you are into New York, you are a

:10:46. > :10:47.you are into New York, you are a you are into New York, you are a

:10:47. > :10:48.connoisseur of New York porn and connoisseur of New York porn and

:10:48. > :10:50.connoisseur of New York porn and like the yellow cabs and the

:10:50. > :10:51.like the yellow cabs and the like the yellow cabs and the

:10:51. > :10:52.Chrysler building across the night Chrysler building across the night

:10:52. > :10:54.Chrysler building across the night sky it delivers on that, because

:10:54. > :10:59.sky it delivers on that, because sky it delivers on that, because

:10:59. > :11:00.sky it delivers on that, because New York is about noir and Ready

:11:00. > :11:01.New York is about noir and Ready New York is about noir and Ready

:11:01. > :11:04.Brek. If you have low expectation Brek. If you have low expectation

:11:04. > :11:08.Brek. If you have low expectation it delivers. Everything is about

:11:09. > :11:10.it delivers. Everything is about it delivers. Everything is about

:11:10. > :11:11.expectations as we dis -- discussed. expectations as we dis -- discussed.

:11:11. > :11:12.expectations as we dis -- discussed. expectations as we dis -- discussed.

:11:12. > :11:13.How bad can this be? You realise How bad can this be? You realise

:11:13. > :11:15.How bad can this be? You realise How bad can this be? You realise

:11:15. > :11:16.how difficult it is to make a how difficult it is to make a

:11:16. > :11:17.how difficult it is to make a gripping film. I thought it wasn't

:11:17. > :11:17.gripping film. I thought it wasn't gripping film. I thought it wasn't

:11:17. > :11:20.gripping film. I thought it wasn't nearly as good as it should have

:11:20. > :11:20.nearly as good as it should have nearly as good as it should have

:11:20. > :11:22.nearly as good as it should have been. I will read this out, John

:11:22. > :11:24.been. I will read this out, John been. I will read this out, John

:11:24. > :11:26.Milton says, "thought it was OK, Milton says, "thought it was OK,

:11:26. > :11:27.Milton says, "thought it was OK, not bad, not great, kind of

:11:27. > :11:27.not bad, not great, kind of not bad, not great, kind of

:11:28. > :11:28.average." Thank you very much for average." Thank you very much for

:11:28. > :11:29.average." Thank you very much for tweeting. The problem is, it should

:11:30. > :11:31.tweeting. The problem is, it should tweeting. The problem is, it should

:11:31. > :11:32.have been better. I thought it have been better. I thought it

:11:32. > :11:33.have been better. I thought it was... It goes exactly where you

:11:33. > :11:34.was... It goes exactly where you was... It goes exactly where you

:11:34. > :11:35.was... It goes exactly where you think it will go. It goes there

:11:35. > :11:36.think it will go. It goes there think it will go. It goes there

:11:37. > :11:38.exactly when you think it's going exactly when you think it's going

:11:38. > :11:39.exactly when you think it's going exactly when you think it's going

:11:39. > :11:40.to go. I don't think... I don't to go. I don't think... I don't

:11:40. > :11:41.to go. I don't think... I don't to go. I don't think... I don't

:11:41. > :11:43.think that is the end of the world. think that is the end of the world.

:11:43. > :11:45.think that is the end of the world. It's not unafraid of cliches, put

:11:45. > :11:45.It's not unafraid of cliches, put It's not unafraid of cliches, put

:11:46. > :11:46.it that way. The performances hold it that way. The performances hold

:11:46. > :11:48.it that way. The performances hold it together. Mark Wahlberg gets it

:11:48. > :11:48.it together. Mark Wahlberg gets it it together. Mark Wahlberg gets it

:11:48. > :11:50.it together. Mark Wahlberg gets it a sense of robustness at the heart

:11:50. > :11:52.a sense of robustness at the heart a sense of robustness at the heart

:11:52. > :11:53.a sense of robustness at the heart of it all. Russell Crowe, this is,

:11:53. > :11:54.of it all. Russell Crowe, this is, of it all. Russell Crowe, this is,

:11:54. > :11:55.I haven't enjoyed a Russell Crowe I haven't enjoyed a Russell Crowe

:11:55. > :11:56.I haven't enjoyed a Russell Crowe I haven't enjoyed a Russell Crowe

:11:56. > :11:57.performance as much as this in a performance as much as this in a

:11:57. > :11:58.performance as much as this in a long-term. He is not singing for

:11:58. > :11:59.long-term. He is not singing for long-term. He is not singing for

:11:59. > :12:00.long-term. He is not singing for one thing, which is a relief. A

:12:00. > :12:02.one thing, which is a relief. A one thing, which is a relief. A

:12:02. > :12:07.one thing, which is a relief. A relief to me, I suppose to him as

:12:07. > :12:08.relief to me, I suppose to him as relief to me, I suppose to him as

:12:08. > :12:12.relief to me, I suppose to him as well. There is a whiff of gammon

:12:12. > :12:13.well. There is a whiff of gammon well. There is a whiff of gammon

:12:13. > :12:15.you could imagine albacheen owe you could imagine albacheen owe

:12:15. > :12:25.you could imagine albacheen owe you could imagine albacheen owe

:12:25. > :12:27.

:12:27. > :12:27.saying, "you could take it down a saying, "you could take it down a

:12:27. > :12:29.saying, "you could take it down a saying, "you could take it down a

:12:29. > :12:30.notch or two." If you expect a film notch or two." If you expect a film

:12:30. > :12:32.notch or two." If you expect a film notch or two." If you expect a film

:12:32. > :12:33.to be in next year's Oscars it to be in next year's Oscars it

:12:33. > :12:34.to be in next year's Oscars it to be in next year's Oscars it

:12:34. > :12:35.won't be. As a B movie that will won't be. As a B movie that will

:12:35. > :12:45.won't be. As a B movie that will won't be. As a B movie that will

:12:45. > :12:47.

:12:47. > :12:48.Now we have Caesar Must Die, set in Now we have Caesar Must Die, set in

:12:48. > :12:49.Now we have Caesar Must Die, set in a real Italian prison, this prize-

:12:49. > :12:50.a real Italian prison, this prize- winning docu-drama depicts inmates

:12:50. > :12:51.winning docu-drama depicts inmates winning docu-drama depicts inmates

:12:51. > :13:01.preparing to give a performance of preparing to give a performance of

:13:01. > :13:01.

:13:01. > :14:01.Apology for the loss of subtitles for 60 seconds

:14:01. > :14:03.Until now, the best known screenan Until now, the best known screenan

:14:03. > :14:07.Until now, the best known screenan adaptation of jewel July goes back

:14:07. > :14:09.adaptation of jewel July goes back adaptation of jewel July goes back

:14:09. > :14:18.to 1953 starring Marlon Brando. to 1953 starring Marlon Brando.

:14:18. > :14:20.to 1953 starring Marlon Brando. Here you have James Mason, playing

:14:20. > :14:21.Here you have James Mason, playing Here you have James Mason, playing

:14:21. > :14:21.Here you have James Mason, playing a man in prison. All the characters

:14:22. > :14:22.a man in prison. All the characters a man in prison. All the characters

:14:22. > :14:24.a man in prison. All the characters are mafioso. We know that at the

:14:24. > :14:24.are mafioso. We know that at the are mafioso. We know that at the

:14:24. > :14:25.start of the film. They're start of the film. They're

:14:25. > :14:27.start of the film. They're introduced to the director, talk a

:14:28. > :14:29.introduced to the director, talk a introduced to the director, talk a

:14:29. > :14:30.bit about who they are, what bit about who they are, what

:14:30. > :14:31.sentences they're serving. After sentences they're serving. After

:14:31. > :14:32.sentences they're serving. After that, it's the play essentially.

:14:32. > :14:33.that, it's the play essentially. that, it's the play essentially.

:14:33. > :14:34.It's Julius Caesar but as performed It's Julius Caesar but as performed

:14:34. > :14:35.It's Julius Caesar but as performed It's Julius Caesar but as performed

:14:35. > :14:37.by this cast and I think very by this cast and I think very

:14:37. > :14:38.by this cast and I think very smartly and very interestingly, it

:14:38. > :14:39.smartly and very interestingly, it smartly and very interestingly, it

:14:39. > :14:40.leaves their criminal careers in leaves their criminal careers in

:14:40. > :14:41.leaves their criminal careers in leaves their criminal careers in

:14:41. > :14:42.the background and leaves it to you the background and leaves it to you

:14:42. > :14:43.the background and leaves it to you the background and leaves it to you

:14:43. > :14:44.to put two and two together about to put two and two together about

:14:44. > :14:45.to put two and two together about the meaning why Julius Caesar means

:14:45. > :14:46.the meaning why Julius Caesar means the meaning why Julius Caesar means

:14:46. > :14:47.the meaning why Julius Caesar means the meaning why Julius Caesar means

:14:47. > :14:48.so much to them. I think as a play, so much to them. I think as a play,

:14:48. > :14:48.so much to them. I think as a play, so much to them. I think as a play,

:14:48. > :14:50.as a presentation as a play I think as a presentation as a play I think

:14:50. > :14:51.as a presentation as a play I think this is stark and impressive, very

:14:51. > :14:52.this is stark and impressive, very this is stark and impressive, very

:14:53. > :14:53.handsome. It's a powerful piece of handsome. It's a powerful piece of

:14:54. > :14:54.handsome. It's a powerful piece of handsome. It's a powerful piece of

:14:54. > :14:56.cinema. I totally agree. I know it cinema. I totally agree. I know it

:14:56. > :14:56.cinema. I totally agree. I know it sounds weird because they're in a

:14:56. > :14:57.sounds weird because they're in a sounds weird because they're in a

:14:57. > :14:58.prison but a it's extraordinary prison but a it's extraordinary

:14:58. > :15:00.prison but a it's extraordinary prison but a it's extraordinary

:15:00. > :15:01.escapism. If you want to go into a escapism. If you want to go into a

:15:01. > :15:02.cinema and watch something cinema and watch something

:15:02. > :15:05.completely difrpblgts not watch completely difrpblgts not watch

:15:06. > :15:08.completely difrpblgts not watch Broken City, which will remind you

:15:08. > :15:08.Broken City, which will remind you Broken City, which will remind you

:15:08. > :15:10.Broken City, which will remind you of ten other things, go and see

:15:10. > :15:11.of ten other things, go and see of ten other things, go and see

:15:11. > :15:14.of ten other things, go and see this. I'm going to read this. This

:15:14. > :15:15.this. I'm going to read this. This this. I'm going to read this. This

:15:15. > :15:18.this. I'm going to read this. This is bugging - Season Must Die, bad

:15:18. > :15:20.is bugging - Season Must Die, bad is bugging - Season Must Die, bad

:15:20. > :15:21.is bugging - Season Must Die, bad to the bone - Roman prisoners act

:15:21. > :15:22.to the bone - Roman prisoners act to the bone - Roman prisoners act

:15:22. > :15:24.out a superb power struggle - out a superb power struggle -

:15:24. > :15:25.out a superb power struggle - that's from Allie. It's stripped

:15:25. > :15:26.that's from Allie. It's stripped that's from Allie. It's stripped

:15:26. > :15:28.that's from Allie. It's stripped down. It does catch you on the hop.

:15:28. > :15:29.down. It does catch you on the hop. down. It does catch you on the hop.

:15:29. > :15:30.down. It does catch you on the hop. It did me at least because you

:15:30. > :15:30.It did me at least because you It did me at least because you

:15:30. > :15:31.It did me at least because you can't help but expect this is going

:15:31. > :15:32.can't help but expect this is going can't help but expect this is going

:15:32. > :15:33.can't help but expect this is going to be the story of the prisoners

:15:33. > :15:34.to be the story of the prisoners to be the story of the prisoners

:15:34. > :15:35.to be the story of the prisoners and the prison. It's not that stuff

:15:35. > :15:37.and the prison. It's not that stuff and the prison. It's not that stuff

:15:37. > :15:38.is kept at arm's length. What's is kept at arm's length. What's

:15:38. > :15:38.is kept at arm's length. What's nice about it is the filmmakers

:15:38. > :15:39.nice about it is the filmmakers nice about it is the filmmakers

:15:39. > :15:41.nice about it is the filmmakers trust you to put together the fact

:15:41. > :15:43.trust you to put together the fact trust you to put together the fact

:15:43. > :15:43.when you're seeing a convict act when you're seeing a convict act

:15:43. > :15:44.when you're seeing a convict act out scenes from Julius Caesar

:15:44. > :15:46.out scenes from Julius Caesar out scenes from Julius Caesar

:15:46. > :15:47.talking about having blood on their talking about having blood on their

:15:47. > :15:49.talking about having blood on their hands, there is probably quite a

:15:49. > :15:50.hands, there is probably quite a hands, there is probably quite a

:15:50. > :15:51.literal truth to that. It doesn't literal truth to that. It doesn't

:15:51. > :15:52.literal truth to that. It doesn't literal truth to that. It doesn't

:15:52. > :15:53.need saying. I think on that level need saying. I think on that level

:15:53. > :15:55.need saying. I think on that level need saying. I think on that level

:15:55. > :15:56.it's great. I also think it looks... it's great. I also think it looks...

:15:56. > :15:57.it's great. I also think it looks... Beautiful. Yes, looks stunning. You

:15:57. > :15:58.Beautiful. Yes, looks stunning. You Beautiful. Yes, looks stunning. You

:15:58. > :15:59.Beautiful. Yes, looks stunning. You have this black and white centre to

:15:59. > :16:00.have this black and white centre to have this black and white centre to

:16:00. > :16:01.have this black and white centre to the film, then you have - bookended

:16:01. > :16:02.the film, then you have - bookended the film, then you have - bookended

:16:02. > :16:03.by colour scenes which is actually by colour scenes which is actually

:16:03. > :16:05.by colour scenes which is actually in the prison, out of character.

:16:05. > :16:06.in the prison, out of character. in the prison, out of character.

:16:06. > :16:08.It's an unusual and interesting It's an unusual and interesting

:16:08. > :16:09.It's an unusual and interesting It's an unusual and interesting

:16:09. > :16:09.film. Next, Richard Gere stars as a film. Next, Richard Gere stars as a

:16:09. > :16:14.film. Next, Richard Gere stars as a Wall Street billionaire in the

:16:14. > :16:15.Wall Street billionaire in the financial thriller Ashley Benson.

:16:16. > :16:17.financial thriller Ashley Benson. financial thriller Ashley Benson.

:16:17. > :16:20.A dedicated businessman, a family A dedicated businessman, a family

:16:20. > :16:23.A dedicated businessman, a family man, my mentor, my father. World

:16:23. > :16:26.man, my mentor, my father. World man, my mentor, my father. World

:16:26. > :16:28.events all evolve around five events all evolve around five

:16:28. > :16:30.events all evolve around five things - (Spelling) Money. We make

:16:30. > :16:31.things - (Spelling) Money. We make things - (Spelling) Money. We make

:16:31. > :16:33.things - (Spelling) Money. We make a great return. Ashley Benson is a

:16:33. > :16:34.a great return. Ashley Benson is a a great return. Ashley Benson is a

:16:34. > :16:35.thriller about a billionaire named thriller about a billionaire named

:16:35. > :16:40.thriller about a billionaire named Robert Miller. He's known as the

:16:40. > :16:42.Robert Miller. He's known as the Robert Miller. He's known as the

:16:42. > :16:46.Robert Miller. He's known as the oracle of Grade C square. He's got

:16:46. > :16:47.oracle of Grade C square. He's got oracle of Grade C square. He's got

:16:47. > :16:48.the mansion, a beautiful family... the mansion, a beautiful family...

:16:48. > :16:50.the mansion, a beautiful family... I did like this character. These

:16:50. > :16:51.I did like this character. These I did like this character. These

:16:51. > :16:52.are guys that know what's happening. are guys that know what's happening.

:16:52. > :16:54.are guys that know what's happening. They're smarter than us, more

:16:54. > :16:55.They're smarter than us, more They're smarter than us, more

:16:55. > :16:56.capable than us, more charming than capable than us, more charming than

:16:56. > :16:58.capable than us, more charming than capable than us, more charming than

:16:58. > :16:59.us - they have it all, and there us - they have it all, and there

:16:59. > :17:00.us - they have it all, and there us - they have it all, and there

:17:00. > :17:01.seems to be no hiccup with them at seems to be no hiccup with them at

:17:01. > :17:05.all. There's no hesitation. all. There's no hesitation.

:17:05. > :17:06.all. There's no hesitation. Everything is as it should be.

:17:06. > :17:15.Everything is as it should be. Everything is as it should be.

:17:15. > :17:17.Everything is as it should be. No! Some terrible events occur, and

:17:17. > :17:18.No! Some terrible events occur, and No! Some terrible events occur, and

:17:18. > :17:18.No! Some terrible events occur, and he's in a lot of trouble with his

:17:19. > :17:20.he's in a lot of trouble with his he's in a lot of trouble with his

:17:20. > :17:21.company. He's cooked up the books company. He's cooked up the books

:17:21. > :17:23.company. He's cooked up the books company. He's cooked up the books

:17:23. > :17:24.to try to hide a bad investment, so to try to hide a bad investment, so

:17:24. > :17:25.to try to hide a bad investment, so to try to hide a bad investment, so

:17:25. > :17:25.when we meet him, he's in the worst when we meet him, he's in the worst

:17:25. > :17:27.when we meet him, he's in the worst when we meet him, he's in the worst

:17:27. > :17:28.week of his life. We did that with week of his life. We did that with

:17:28. > :17:31.week of his life. We did that with American Gigolo too. We took a

:17:31. > :17:32.American Gigolo too. We took a American Gigolo too. We took a

:17:32. > :17:33.character and presented him as an character and presented him as an

:17:33. > :17:35.character and presented him as an iconic, known entity. We kind of

:17:35. > :17:37.iconic, known entity. We kind of iconic, known entity. We kind of

:17:37. > :17:38.get these guys, and then literally get these guys, and then literally

:17:38. > :17:39.get these guys, and then literally deconstructed him. We do the same

:17:39. > :17:40.deconstructed him. We do the same deconstructed him. We do the same

:17:40. > :17:41.here. What happened to your head? here. What happened to your head?

:17:41. > :17:42.here. What happened to your head? What? Your head, what happened to

:17:43. > :17:43.What? Your head, what happened to What? Your head, what happened to

:17:43. > :17:44.What? Your head, what happened to your head? That's a nasty cut. I

:17:44. > :17:44.your head? That's a nasty cut. I your head? That's a nasty cut. I

:17:45. > :17:46.your head? That's a nasty cut. I have been looking at that for the

:17:46. > :17:47.have been looking at that for the have been looking at that for the

:17:47. > :17:49.last five minutes. Does it hurt last five minutes. Does it hurt

:17:49. > :17:51.last five minutes. Does it hurt last five minutes. Does it hurt

:17:51. > :17:54.you? No, no. I hit it on the you? No, no. I hit it on the

:17:54. > :17:55.you? No, no. I hit it on the medicine cabinet. Last night?

:17:55. > :17:55.medicine cabinet. Last night? medicine cabinet. Last night?

:17:55. > :17:56.morning. Hate when that happens. morning. Hate when that happens.

:17:56. > :17:57.morning. Hate when that happens. morning. Hate when that happens.

:17:57. > :17:58.Guys like this, they want to win Guys like this, they want to win

:17:58. > :17:59.Guys like this, they want to win Guys like this, they want to win

:17:59. > :18:00.the game. They want to be in the the game. They want to be in the

:18:00. > :18:01.the game. They want to be in the the game. They want to be in the

:18:01. > :18:02.game. They want to win the game, game. They want to win the game,

:18:02. > :18:04.game. They want to win the game, game. They want to win the game,

:18:04. > :18:08.game. They want to win the game, and on the way to keep score of who

:18:08. > :18:09.and on the way to keep score of who and on the way to keep score of who

:18:09. > :18:10.and on the way to keep score of who and on the way to keep score of who

:18:10. > :18:11.won - is by who has the plane and won - is by who has the plane and

:18:11. > :18:12.won - is by who has the plane and the money and the house. Torture

:18:12. > :18:13.the money and the house. Torture the money and the house. Torture

:18:13. > :18:15.the money and the house. Torture for these guys would be not being

:18:15. > :18:16.for these guys would be not being for these guys would be not being

:18:16. > :18:17.allowed to play the game anymore. allowed to play the game anymore.

:18:17. > :18:18.allowed to play the game anymore. allowed to play the game anymore.

:18:18. > :18:23.What would you have bid? 600. What would you have bid? 600.

:18:23. > :18:23.What would you have bid? 600. What would you have bid? 600.

:18:23. > :18:26.you would have taken? 475. So we you would have taken? 475. So we

:18:26. > :18:27.you would have taken? 475. So we you would have taken? 475. So we

:18:27. > :18:28.made a good deal. Nick, who wrote made a good deal. Nick, who wrote

:18:28. > :18:31.made a good deal. Nick, who wrote and directed this movie, his

:18:31. > :18:32.and directed this movie, his and directed this movie, his

:18:32. > :18:32.father's quite a famous commodities father's quite a famous commodities

:18:32. > :18:34.father's quite a famous commodities trader. I didn't know anything

:18:34. > :18:35.trader. I didn't know anything trader. I didn't know anything

:18:35. > :18:36.trader. I didn't know anything about this stuff, nor did I care

:18:36. > :18:37.about this stuff, nor did I care about this stuff, nor did I care

:18:37. > :18:38.about this stuff, nor did I care frankly, but when I read the script,

:18:38. > :18:40.frankly, but when I read the script, frankly, but when I read the script,

:18:40. > :18:41.it had that taste of being it had that taste of being

:18:41. > :18:42.it had that taste of being it had that taste of being

:18:42. > :18:43.something that was true. I grew up something that was true. I grew up

:18:43. > :18:45.something that was true. I grew up around it. We'd have arguments at

:18:45. > :18:46.around it. We'd have arguments at around it. We'd have arguments at

:18:46. > :18:48.around it. We'd have arguments at the kitchen table at six years old

:18:48. > :18:49.the kitchen table at six years old the kitchen table at six years old

:18:49. > :18:50.the kitchen table at six years old about currency swaps, so I did have

:18:50. > :18:51.about currency swaps, so I did have about currency swaps, so I did have

:18:51. > :18:53.about currency swaps, so I did have a Brack ground in it. But as timely

:18:53. > :18:54.a Brack ground in it. But as timely a Brack ground in it. But as timely

:18:54. > :18:56.a Brack ground in it. But as timely as this is, this all goes back to

:18:56. > :18:56.as this is, this all goes back to as this is, this all goes back to

:18:56. > :18:57.as this is, this all goes back to Shakespeare, the Greeks - I am such

:18:57. > :18:59.Shakespeare, the Greeks - I am such Shakespeare, the Greeks - I am such

:18:59. > :18:59.Shakespeare, the Greeks - I am such Shakespeare, the Greeks - I am such

:18:59. > :19:01.a big shot. I can do no wrong. Then a big shot. I can do no wrong. Then

:19:01. > :19:02.a big shot. I can do no wrong. Then a big shot. I can do no wrong. Then

:19:02. > :19:03.boom, the fates don't allow you to boom, the fates don't allow you to

:19:03. > :19:05.boom, the fates don't allow you to strut that big. They'll smack you

:19:05. > :19:06.strut that big. They'll smack you strut that big. They'll smack you

:19:06. > :19:06.down. The police have been trying down. The police have been trying

:19:06. > :19:08.down. The police have been trying down. The police have been trying

:19:08. > :19:08.to talk me, and I'm not going to to talk me, and I'm not going to

:19:08. > :19:15.to talk me, and I'm not going to to talk me, and I'm not going to

:19:15. > :19:16.lie for you. The guy did it. Let's lie for you. The guy did it. Let's

:19:16. > :19:18.lie for you. The guy did it. Let's be frank, the weirdest thing about

:19:18. > :19:18.be frank, the weirdest thing about be frank, the weirdest thing about

:19:18. > :19:21.be frank, the weirdest thing about this film is the title - do you

:19:21. > :19:23.this film is the title - do you this film is the title - do you

:19:23. > :19:26.this film is the title - do you remember 30 - Tina Faye, can't say

:19:26. > :19:27.remember 30 - Tina Faye, can't say remember 30 - Tina Faye, can't say

:19:27. > :19:29.her friend's film - the National her friend's film - the National

:19:29. > :19:30.her friend's film - the National her friend's film - the National

:19:30. > :19:31.Juror - you can't say... You can't Juror - you can't say... You can't

:19:31. > :19:32.Juror - you can't say... You can't say Ashley Benson... You have to

:19:32. > :19:34.say Ashley Benson... You have to say Ashley Benson... You have to

:19:34. > :19:35.say Ashley Benson. Whatever it is... say Ashley Benson. Whatever it is...

:19:35. > :19:35.say Ashley Benson. Whatever it is... say Ashley Benson. Whatever it is...

:19:35. > :19:36.Go ahead. It's a very New York Go ahead. It's a very New York

:19:36. > :19:37.Go ahead. It's a very New York movie like Broken City, but instead

:19:38. > :19:39.movie like Broken City, but instead movie like Broken City, but instead

:19:39. > :19:40.movie like Broken City, but instead of being a film about cops and

:19:40. > :19:42.of being a film about cops and of being a film about cops and

:19:42. > :19:43.politicians it's a film about money politicians it's a film about money

:19:43. > :19:44.politicians it's a film about money men, really it's a movie about

:19:45. > :19:46.men, really it's a movie about men, really it's a movie about

:19:46. > :19:46.Bernie Madoff. But it's not the Bernie Madoff. But it's not the

:19:46. > :19:49.Bernie Madoff. But it's not the Bernie of reality. It's Richard

:19:49. > :19:50.Bernie of reality. It's Richard Bernie of reality. It's Richard

:19:50. > :19:50.Bernie of reality. It's Richard Gere. It's Silver fox in a private

:19:50. > :19:52.Gere. It's Silver fox in a private Gere. It's Silver fox in a private

:19:52. > :19:52.Gere. It's Silver fox in a private Gere. It's Silver fox in a private

:19:52. > :19:53.jet. I think there is a bit of an jet. I think there is a bit of an

:19:53. > :19:54.jet. I think there is a bit of an identity crisis going on here

:19:54. > :19:55.identity crisis going on here identity crisis going on here

:19:55. > :19:56.because certainly for the first because certainly for the first

:19:56. > :19:58.because certainly for the first because certainly for the first

:19:58. > :20:02.five mince of the film you think, five mince of the film you think,

:20:02. > :20:04.five mince of the film you think, is this a retrothrow-back to Basic

:20:04. > :20:05.is this a retrothrow-back to Basic is this a retrothrow-back to Basic

:20:05. > :20:06.Instinct, no-one wants that despite Instinct, no-one wants that despite

:20:06. > :20:08.Instinct, no-one wants that despite Sharon Stone. It's the portrait of

:20:08. > :20:10.Sharon Stone. It's the portrait of Sharon Stone. It's the portrait of

:20:10. > :20:14.Sharon Stone. It's the portrait of a scum bag in a $10,000 suit, and

:20:14. > :20:15.a scum bag in a $10,000 suit, and a scum bag in a $10,000 suit, and

:20:15. > :20:16.a scum bag in a $10,000 suit, and it's smart and neat and well acted.

:20:16. > :20:17.it's smart and neat and well acted. it's smart and neat and well acted.

:20:17. > :20:18.it's smart and neat and well acted. I have a thing for Richard Gere. I

:20:18. > :20:20.I have a thing for Richard Gere. I I have a thing for Richard Gere. I

:20:20. > :20:21.I have a thing for Richard Gere. I I have a thing for Richard Gere. I

:20:21. > :20:22.am kind of an old lady on the verge am kind of an old lady on the verge

:20:22. > :20:22.am kind of an old lady on the verge am kind of an old lady on the verge

:20:22. > :20:25.of the menopause - he always gives of the menopause - he always gives

:20:25. > :20:26.of the menopause - he always gives of the menopause - he always gives

:20:26. > :20:28.me a thrill. He's wearing a hat. me a thrill. He's wearing a hat.

:20:28. > :20:29.me a thrill. He's wearing a hat. has the same initials as Ryan

:20:30. > :20:30.has the same initials as Ryan Gosling. They're practically twins.

:20:30. > :20:32.Gosling. They're practically twins. Gosling. They're practically twins.

:20:32. > :20:33.I thought this was really, really I thought this was really, really

:20:33. > :20:33.I thought this was really, really I thought this was really, really

:20:33. > :20:35.good. I thought it was somebody - good. I thought it was somebody -

:20:35. > :20:37.good. I thought it was somebody - good. I thought it was somebody -

:20:37. > :20:38.we have a lot of messages going - we have a lot of messages going -

:20:38. > :20:40.we have a lot of messages going - we have a lot of messages going -

:20:40. > :20:41.are you supposed to root for the are you supposed to root for the

:20:41. > :20:44.are you supposed to root for the bad guy? Yes, Richard Gere strolls

:20:44. > :20:46.bad guy? Yes, Richard Gere strolls charismatically through the movie

:20:46. > :20:47.charismatically through the movie charismatically through the movie

:20:47. > :20:48.just as his character strolls just as his character strolls

:20:48. > :20:50.charismatically through life. I charismatically through life. I

:20:50. > :20:51.charismatically through life. I charismatically through life. I

:20:51. > :20:52.think the movie is a bit smitten think the movie is a bit smitten

:20:53. > :20:53.think the movie is a bit smitten think the movie is a bit smitten

:20:53. > :20:54.with his character. It purts you in with his character. It purts you in

:20:54. > :20:55.with his character. It purts you in this position where you have this

:20:55. > :20:58.this position where you have this this position where you have this

:20:58. > :21:00.ticking clock device, and you are ticking clock device, and you are

:21:00. > :21:02.ticking clock device, and you are rooting for this guy who is

:21:02. > :21:02.rooting for this guy who is rooting for this guy who is

:21:02. > :21:03.repulsive and violent. The movie repulsive and violent. The movie

:21:03. > :21:04.repulsive and violent. The movie repulsive and violent. The movie

:21:04. > :21:05.says there is one law for the rich, says there is one law for the rich,

:21:05. > :21:07.says there is one law for the rich, another for the poor, but then

:21:07. > :21:09.another for the poor, but then another for the poor, but then

:21:09. > :21:10.you're in a position of constantly you're in a position of constantly

:21:10. > :21:12.you're in a position of constantly you're in a position of constantly

:21:12. > :21:13.cheering him on. It does allow for cheering him on. It does allow for

:21:13. > :21:15.cheering him on. It does allow for some meaty acting. There are good

:21:15. > :21:16.some meaty acting. There are good meaty scenes particularly between

:21:16. > :21:18.meaty scenes particularly between meaty scenes particularly between

:21:18. > :21:19.Richard Gere and Tim Roth. They Richard Gere and Tim Roth. They

:21:19. > :21:20.Richard Gere and Tim Roth. They have one scene together, like

:21:20. > :21:21.have one scene together, like have one scene together, like

:21:21. > :21:24.cinematic ping-pong. Also I love cinematic ping-pong. Also I love

:21:24. > :21:24.cinematic ping-pong. Also I love cinematic ping-pong. Also I love

:21:24. > :21:25.Brit Marling. Can I say that? She's Brit Marling. Can I say that? She's

:21:25. > :21:26.Brit Marling. Can I say that? She's fantastic, Susan Sarandon. This is

:21:26. > :21:28.fantastic, Susan Sarandon. This is fantastic, Susan Sarandon. This is

:21:28. > :21:29.fantastic, Susan Sarandon. This is my film of the week. What's yours?

:21:29. > :21:30.my film of the week. What's yours? my film of the week. What's yours?

:21:30. > :21:34.The interesting thing is the week The interesting thing is the week

:21:34. > :21:37.The interesting thing is the week after Oscar week is usually like

:21:37. > :21:38.after Oscar week is usually like after Oscar week is usually like

:21:38. > :21:39.sitting under the gunge tank. We sitting under the gunge tank. We

:21:39. > :21:40.sitting under the gunge tank. We should be grateful for what we've

:21:40. > :21:40.should be grateful for what we've should be grateful for what we've

:21:40. > :21:41.should be grateful for what we've got. Stoker, you have been wrong so

:21:42. > :21:43.got. Stoker, you have been wrong so got. Stoker, you have been wrong so

:21:43. > :21:43.many times. You're so wrong now. many times. You're so wrong now.

:21:43. > :21:44.many times. You're so wrong now. many times. You're so wrong now.

:21:44. > :21:46.Stoke soak is the film of this week. Stoke soak is the film of this week.

:21:46. > :21:47.Stoke soak is the film of this week. Stoke soak is the film of this week.

:21:47. > :21:48.It would be the film of most weeks. It would be the film of most weeks.

:21:48. > :21:50.It would be the film of most weeks. It would be the film of most weeks.

:21:50. > :21:51.Would it? Maybe I am going to go Would it? Maybe I am going to go

:21:51. > :21:53.Would it? Maybe I am going to go Would it? Maybe I am going to go

:21:53. > :21:55.see it again with you and you can see it again with you and you can

:21:55. > :21:56.see it again with you and you can point out the important bits.

:21:56. > :21:57.point out the important bits. point out the important bits.

:21:57. > :21:58.point out the important bits. Finally tonight, we have a look at

:21:58. > :21:59.Finally tonight, we have a look at Finally tonight, we have a look at

:21:59. > :22:09.Finally tonight, we have a look at the films coming up in the next

:22:09. > :22:09.

:22:09. > :23:52.Apology for the loss of subtitles for 60 seconds

:23:52. > :24:02.the films coming up in the next Take it or leave it. Andy, I am so

:24:02. > :24:02.

:24:02. > :24:51.Apology for the loss of subtitles for 60 seconds

:24:51. > :24:54.Take it or leave it. Andy, I am so I really need to see this. I can't

:24:54. > :25:04.I really need to see this. I can't I really need to see this. I can't

:25:04. > :25:05.

:25:05. > :25:06.I really need to see this. I can't All very low budget, no special

:25:06. > :25:07.All very low budget, no special All very low budget, no special

:25:07. > :25:11.All very low budget, no special effects at all you'll be pleased to

:25:11. > :25:11.effects at all you'll be pleased to effects at all you'll be pleased to

:25:11. > :25:12.know. Guest guest guest have joined know. Guest guest guest have joined

:25:12. > :25:13.know. Guest guest guest have joined us to -- Antonia, Chris and

:25:13. > :25:14.us to -- Antonia, Chris and us to -- Antonia, Chris and

:25:14. > :25:16.us to -- Antonia, Chris and Catherine have joined us to tell us

:25:17. > :25:17.Catherine have joined us to tell us Catherine have joined us to tell us

:25:17. > :25:19.Catherine have joined us to tell us which films to look out for. What

:25:19. > :25:21.which films to look out for. What which films to look out for. What

:25:21. > :25:22.which films to look out for. What kind of summer is it going to be?

:25:22. > :25:24.kind of summer is it going to be? kind of summer is it going to be?

:25:24. > :25:24.Time will tell. There is wham. Time will tell. There is wham.

:25:24. > :25:26.Time will tell. There is wham. There's bam. There might even be

:25:26. > :25:27.There's bam. There might even be There's bam. There might even be

:25:27. > :25:28.some thank you, ma'am. Who knows. some thank you, ma'am. Who knows.

:25:28. > :25:30.some thank you, ma'am. Who knows. some thank you, ma'am. Who knows.

:25:30. > :25:30.How do you feel? Most of these How do you feel? Most of these

:25:30. > :25:31.How do you feel? Most of these How do you feel? Most of these

:25:31. > :25:32.films are in colour. I don't know films are in colour. I don't know

:25:32. > :25:33.films are in colour. I don't know films are in colour. I don't know

:25:33. > :25:34.how to share that with you. Through how to share that with you. Through

:25:34. > :25:35.how to share that with you. Through how to share that with you. Through

:25:35. > :25:36.the medium of film recently I have the medium of film recently I have

:25:36. > :25:37.the medium of film recently I have discovered a whole new world of

:25:37. > :25:40.discovered a whole new world of discovered a whole new world of

:25:40. > :25:40.colour, and I am really looking colour, and I am really looking

:25:40. > :25:41.colour, and I am really looking forward to Burt Waterstone which is

:25:42. > :25:43.forward to Burt Waterstone which is forward to Burt Waterstone which is

:25:43. > :25:44.forward to Burt Waterstone which is a movie about the magicians. I fell

:25:44. > :25:45.a movie about the magicians. I fell a movie about the magicians. I fell

:25:45. > :25:47.a movie about the magicians. I fell in love with this movie on the

:25:47. > :25:50.in love with this movie on the in love with this movie on the

:25:50. > :25:51.stills alone. Sadly, they do start stills alone. Sadly, they do start

:25:51. > :25:52.stills alone. Sadly, they do start stills alone. Sadly, they do start

:25:52. > :25:54.moving. Do they? Oh, well! Yes, you moving. Do they? Oh, well! Yes, you

:25:54. > :25:55.moving. Do they? Oh, well! Yes, you fall in love on the stills.

:25:55. > :25:56.fall in love on the stills. fall in love on the stills.

:25:56. > :25:57.Absolutely. Talk to me, Catherine, Absolutely. Talk to me, Catherine,

:25:57. > :25:59.Absolutely. Talk to me, Catherine, because we have the very serious

:25:59. > :26:00.because we have the very serious because we have the very serious

:26:00. > :26:01.because we have the very serious Oscar films. Now are you going to

:26:01. > :26:02.Oscar films. Now are you going to Oscar films. Now are you going to

:26:02. > :26:03.be slightly disappointed as there be slightly disappointed as there

:26:03. > :26:04.be slightly disappointed as there is something - number four or

:26:04. > :26:05.is something - number four or is something - number four or

:26:05. > :26:07.is something - number four or however it goes? Don't get me wrong.

:26:07. > :26:08.however it goes? Don't get me wrong. however it goes? Don't get me wrong.

:26:08. > :26:09.however it goes? Don't get me wrong. I love a gourmet meal, but we have

:26:09. > :26:10.I love a gourmet meal, but we have I love a gourmet meal, but we have

:26:10. > :26:12.been eating gourmet meals for been eating gourmet meals for

:26:12. > :26:12.been eating gourmet meals for months now. Enough!Yeah, three

:26:13. > :26:13.months now. Enough!Yeah, three months now. Enough!Yeah, three

:26:13. > :26:15.months now. Enough!Yeah, three hours, plus, all this. I don't know

:26:15. > :26:15.hours, plus, all this. I don't know hours, plus, all this. I don't know

:26:15. > :26:17.hours, plus, all this. I don't know about you, Claudia, but I am in the

:26:17. > :26:18.about you, Claudia, but I am in the about you, Claudia, but I am in the

:26:18. > :26:20.mood for a dirty take-away. mood for a dirty take-away.

:26:20. > :26:21.mood for a dirty take-away. always want a dirty take-away. You

:26:21. > :26:22.always want a dirty take-away. You always want a dirty take-away. You

:26:22. > :26:24.always want a dirty take-away. You have met me. I like cold pizza.

:26:24. > :26:25.have met me. I like cold pizza. have met me. I like cold pizza.

:26:25. > :26:26.have met me. I like cold pizza. Let's look ahead. You can tell me

:26:26. > :26:26.Let's look ahead. You can tell me Let's look ahead. You can tell me

:26:27. > :26:28.specifically what you're going to specifically what you're going to

:26:28. > :26:30.specifically what you're going to specifically what you're going to

:26:30. > :26:31.be looking out for so people can go, be looking out for so people can go,

:26:31. > :26:32.be looking out for so people can go, be looking out for so people can go,

:26:32. > :26:33.oh, Chris said that one or... oh, Chris said that one or...

:26:33. > :26:34.oh, Chris said that one or... oh, Chris said that one or...

:26:34. > :26:35.have it on very good authority that have it on very good authority that

:26:35. > :26:36.have it on very good authority that the Place Beyond the Pines is

:26:36. > :26:36.the Place Beyond the Pines is the Place Beyond the Pines is

:26:36. > :26:38.fantastic. I was really excited fantastic. I was really excited

:26:38. > :26:39.fantastic. I was really excited fantastic. I was really excited

:26:39. > :26:41.about this, but then Dani said it about this, but then Dani said it

:26:41. > :26:44.about this, but then Dani said it about this, but then Dani said it

:26:44. > :26:47.and said -- saw it and said he and said -- saw it and said he

:26:47. > :26:48.and said -- saw it and said he wasn't overwhelmed. No. A very

:26:48. > :26:49.wasn't overwhelmed. No. A very wasn't overwhelmed. No. A very

:26:49. > :26:50.esteemed critic... Can we say who esteemed critic... Can we say who

:26:50. > :26:51.esteemed critic... Can we say who esteemed critic... Can we say who

:26:51. > :26:53.it was? David Thompson said it was it was? David Thompson said it was

:26:53. > :26:54.it was? David Thompson said it was it was? David Thompson said it was

:26:54. > :26:56.one of the greatest films he ever one of the greatest films he ever

:26:56. > :27:00.one of the greatest films he ever seen. The Director of Blue

:27:00. > :27:01.seen. The Director of Blue seen. The Director of Blue

:27:01. > :27:02.Valentine, I love, and Michelle Valentine, I love, and Michelle

:27:02. > :27:03.Valentine, I love, and Michelle Goesling also stars in this -

:27:03. > :27:04.Goesling also stars in this - Goesling also stars in this -

:27:05. > :27:05.vaguely familiar - as a stunt vaguely familiar - as a stunt

:27:05. > :27:07.vaguely familiar - as a stunt driver who gets involved in

:27:07. > :27:08.driver who gets involved in driver who gets involved in

:27:08. > :27:10.robberies but is tracked down by robberies but is tracked down by

:27:10. > :27:14.robberies but is tracked down by Bradley Cooper, who always gets his

:27:14. > :27:16.Bradley Cooper, who always gets his Bradley Cooper, who always gets his

:27:16. > :27:17.Bradley Cooper, who always gets his man as a cop. Ryan behind the wheel

:27:17. > :27:21.man as a cop. Ryan behind the wheel man as a cop. Ryan behind the wheel

:27:21. > :27:24.man as a cop. Ryan behind the wheel is crazy. Who would - let's look at

:27:24. > :27:25.is crazy. Who would - let's look at is crazy. Who would - let's look at

:27:25. > :27:30.the clip. Ladies and gentlemen, the clip. Ladies and gentlemen,

:27:30. > :27:31.the clip. Ladies and gentlemen, introducing the heart-throb! Is she

:27:31. > :27:35.introducing the heart-throb! Is she introducing the heart-throb! Is she

:27:35. > :27:37.here? Who's that guy? He's yours. here? Who's that guy? He's yours.

:27:37. > :27:40.here? Who's that guy? He's yours. Never heard from you every year,

:27:40. > :27:41.Never heard from you every year, Never heard from you every year,

:27:41. > :27:43.Never heard from you every year, just took off. How are you going to

:27:43. > :27:45.just took off. How are you going to just took off. How are you going to

:27:45. > :27:46.just took off. How are you going to take care of him? Got a kid? You

:27:46. > :27:47.take care of him? Got a kid? You take care of him? Got a kid? You

:27:47. > :27:48.take care of him? Got a kid? You want to provide for that kid? You

:27:48. > :27:50.want to provide for that kid? You want to provide for that kid? You

:27:50. > :27:51.want to provide for that kid? You got to do that using your skill set,

:27:51. > :27:55.got to do that using your skill set, got to do that using your skill set,

:27:55. > :27:57.got to do that using your skill set, and your skill set - shazam!

:27:57. > :27:58.and your skill set - shazam! and your skill set - shazam!

:27:58. > :27:59.and your skill set - shazam! Gliers - bleach, love it. Go ahead.

:27:59. > :28:00.Gliers - bleach, love it. Go ahead. Gliers - bleach, love it. Go ahead.

:28:00. > :28:01.Gliers - bleach, love it. Go ahead. What are you after I am hugely

:28:01. > :28:02.What are you after I am hugely What are you after I am hugely

:28:02. > :28:03.excited about two comedies coming excited about two comedies coming

:28:03. > :28:04.excited about two comedies coming out in August. Catherine is going

:28:04. > :28:06.out in August. Catherine is going out in August. Catherine is going

:28:06. > :28:08.out in August. Catherine is going to talk about one, and I'll talk

:28:08. > :28:10.to talk about one, and I'll talk to talk about one, and I'll talk

:28:10. > :28:13.about the other, Edgarites, the about the other, Edgarites, the

:28:13. > :28:16.about the other, Edgarites, the World's End, Three Flavours Corn it

:28:16. > :28:19.World's End, Three Flavours Corn it World's End, Three Flavours Corn it

:28:19. > :28:20.to, Blood, Sweat trilogy, going to to, Blood, Sweat trilogy, going to

:28:20. > :28:21.to, Blood, Sweat trilogy, going to be sawsome. Five guys reunite after

:28:22. > :28:23.be sawsome. Five guys reunite after be sawsome. Five guys reunite after

:28:23. > :28:24.be sawsome. Five guys reunite after 20 years away, go on a pub crawl,

:28:24. > :28:25.20 years away, go on a pub crawl, 20 years away, go on a pub crawl,

:28:25. > :28:26.20 years away, go on a pub crawl, then the end of the world starts

:28:26. > :28:32.then the end of the world starts then the end of the world starts

:28:32. > :28:33.then the end of the world starts and how to deal with that.

:28:33. > :28:34.and how to deal with that. and how to deal with that.

:28:34. > :28:35.that's still being worked on. We that's still being worked on. We

:28:35. > :28:36.that's still being worked on. We that's still being worked on. We

:28:36. > :28:37.don't have a clip of that. The one don't have a clip of that. The one

:28:37. > :28:38.don't have a clip of that. The one don't have a clip of that. The one

:28:38. > :28:39.don't have a clip of that. The one don't have a clip of that. The one

:28:39. > :28:40.we do have a clip of - I am a bit we do have a clip of - I am a bit

:28:40. > :28:42.we do have a clip of - I am a bit we do have a clip of - I am a bit

:28:42. > :28:43.fed up with being pigeonholed. I am fed up with being pigeonholed. I am

:28:44. > :28:44.fed up with being pigeonholed. I am fed up with being pigeonholed. I am

:28:44. > :28:45.always seen as the geek, the comic always seen as the geek, the comic

:28:45. > :28:47.always seen as the geek, the comic always seen as the geek, the comic

:28:47. > :28:48.book guy, so I want to do something book guy, so I want to do something

:28:48. > :28:48.book guy, so I want to do something book guy, so I want to do something

:28:48. > :28:50.a little bit different, so I have a little bit different, so I have

:28:50. > :28:52.a little bit different, so I have a little bit different, so I have

:28:52. > :28:53.gone for Ironman 3. Here's the clip. gone for Ironman 3. Here's the clip.

:28:53. > :28:54.gone for Ironman 3. Here's the clip. gone for Ironman 3. Here's the clip.

:28:54. > :28:54.Got a lot of apologies to make. Got a lot of apologies to make.

:28:54. > :28:58.Got a lot of apologies to make. Got a lot of apologies to make.

:28:58. > :29:00.Nothing has been the same since New York.

:29:00. > :29:01.York. York.

:29:01. > :29:02.You experience things, and then You experience things, and then

:29:02. > :29:02.You experience things, and then they're over. I can't sleep, and

:29:02. > :29:05.they're over. I can't sleep, and they're over. I can't sleep, and

:29:05. > :29:06.when I do, I have nightmares. when I do, I have nightmares.

:29:06. > :29:07.when I do, I have nightmares. Honestly, there's a hundred people

:29:07. > :29:08.Honestly, there's a hundred people Honestly, there's a hundred people

:29:08. > :29:10.Honestly, there's a hundred people Honestly, there's a hundred people

:29:10. > :29:11.that want to kill me. I hope I can that want to kill me. I hope I can

:29:11. > :29:21.that want to kill me. I hope I can that want to kill me. I hope I can

:29:21. > :29:31.

:29:31. > :29:32.protect the one thing I can't live That's an effect. Catherine? I

:29:32. > :29:33.That's an effect. Catherine? I That's an effect. Catherine? I

:29:34. > :29:35.That's an effect. Catherine? I didn't know what else to say - I

:29:35. > :29:38.didn't know what else to say - I didn't know what else to say - I

:29:38. > :29:39.was like woo-hoo! Cliffs. Catherine, was like woo-hoo! Cliffs. Catherine,

:29:39. > :29:40.was like woo-hoo! Cliffs. Catherine, was like woo-hoo! Cliffs. Catherine,

:29:40. > :29:42.tell me? The comedy to which Chris tell me? The comedy to which Chris

:29:42. > :29:44.tell me? The comedy to which Chris tell me? The comedy to which Chris

:29:44. > :29:45.alluded to I am excited about is alluded to I am excited about is

:29:46. > :29:46.alluded to I am excited about is the Alan partridge movie, but not

:29:46. > :29:48.the Alan partridge movie, but not the Alan partridge movie, but not

:29:48. > :29:51.until September there is a horror until September there is a horror

:29:51. > :29:52.until September there is a horror movie - it's a remake, horror

:29:52. > :29:53.movie - it's a remake, horror movie - it's a remake, horror

:29:53. > :29:53.movie - it's a remake, horror reboot, we'll call it a remake. It

:29:53. > :30:03.reboot, we'll call it a remake. It reboot, we'll call it a remake. It

:30:03. > :30:17.

:30:17. > :30:19.You have to get me out of here. You have to get me out of here.

:30:19. > :30:25.You have to get me out of here. Leave this book alone. No! You

:30:25. > :30:29.Leave this book alone. No! You don't understand. There was

:30:29. > :30:30.don't understand. There was don't understand. There was

:30:30. > :30:32.don't understand. There was something in the woods. Can I say I

:30:32. > :30:36.something in the woods. Can I say I something in the woods. Can I say I

:30:36. > :30:38.something in the woods. Can I say I love that you chose that and Alan

:30:38. > :30:39.love that you chose that and Alan love that you chose that and Alan

:30:39. > :30:41.Partridge. What are you excite Partridge. What are you excite

:30:41. > :30:44.Partridge. What are you excite Partridge. What are you excite

:30:44. > :30:47.about? 15 years ago I was excited about? 15 years ago I was excited

:30:47. > :30:50.about? 15 years ago I was excited by Gumo. I'm excited about Spring

:30:50. > :30:51.by Gumo. I'm excited about Spring by Gumo. I'm excited about Spring

:30:51. > :30:52.Breakers. Here is a clip. Breakers. Here is a clip.

:30:52. > :30:53.Breakers. Here is a clip. Breakers. Here is a clip.

:30:53. > :30:56.# Every time I try to fly # Every time I try to fly

:30:56. > :30:57.# Every time I try to fly # Every time I try to fly

:30:57. > :30:59.# Every time I try to fly # I fall without my wings I feel so

:30:59. > :31:01.small small

:31:01. > :31:02.small small

:31:02. > :31:03.# I guess I need you baby # I guess I need you baby

:31:03. > :31:05.# I guess I need you baby # I guess I need you baby

:31:05. > :31:06.# I guess I need you baby # And every time I see you in my

:31:06. > :31:09.dreams dreams

:31:09. > :31:11.dreams dreams

:31:11. > :31:17.# I see your face, it's haunting me # I see your face, it's haunting me

:31:17. > :31:27.# I see your face, it's haunting me # I see your face, it's haunting me

:31:27. > :31:29.

:31:29. > :31:30.# I guess I need you baby # I guess I need you baby

:31:30. > :31:34.# I guess I need you baby # I make-believe that you are

:31:34. > :31:39.here... # here... #

:31:39. > :31:40.here... # here... #

:31:40. > :31:43.I'm confused? My head on my... I'm confused? My head on my...

:31:43. > :31:45.I'm confused? My head on my... Franko can weapon brave. It's

:31:45. > :31:47.Franko can weapon brave. It's Franko can weapon brave. It's

:31:47. > :31:49.Scarface. Talk to us about Sunday Scarface. Talk to us about Sunday

:31:49. > :31:59.Scarface. Talk to us about Sunday night? Sunday night I have a

:31:59. > :32:00.

:32:00. > :32:02.night? Sunday night I have a documentary coming out. It's

:32:02. > :32:03.documentary coming out. It's documentary coming out. It's

:32:03. > :32:05.something for boxing fans for movie something for boxing fans for movie

:32:05. > :32:10.something for boxing fans for movie fans and boxing movie fans like

:32:10. > :32:10.fans and boxing movie fans like fans and boxing movie fans like

:32:10. > :32:12.myself. Sunday night, 9.00pm, BBC myself. Sunday night, 9.00pm, BBC

:32:12. > :32:14.myself. Sunday night, 9.00pm, BBC myself. Sunday night, 9.00pm, BBC

:32:14. > :32:16.Four. We are all in. That made us Four. We are all in. That made us

:32:16. > :32:17.Four. We are all in. That made us go, yes, never mind the movies.

:32:17. > :32:19.go, yes, never mind the movies. go, yes, never mind the movies.

:32:19. > :32:20.Let's just watch that. Have a Let's just watch that. Have a

:32:20. > :32:22.Let's just watch that. Have a lovely summer. We will go away

:32:22. > :32:25.lovely summer. We will go away lovely summer. We will go away

:32:25. > :32:26.lovely summer. We will go away together and move into a nice house

:32:26. > :32:27.together and move into a nice house together and move into a nice house

:32:27. > :32:28.in Bournemouth. That's all for this in Bournemouth. That's all for this

:32:28. > :32:29.in Bournemouth. That's all for this week and for the current series,

:32:29. > :32:31.week and for the current series, week and for the current series,

:32:31. > :32:34.week and for the current series, but we'll be back later in the year.

:32:34. > :32:38.but we'll be back later in the year. but we'll be back later in the year.

:32:38. > :32:39.Playing us out tonight is an Playing us out tonight is an

:32:39. > :32:39.Playing us out tonight is an exclusive look at Star Trek Into

:32:39. > :32:42.exclusive look at Star Trek Into exclusive look at Star Trek Into

:32:42. > :32:44.exclusive look at Star Trek Into Darkness. We wanted to up the ante.

:32:44. > :32:47.Darkness. We wanted to up the ante. Darkness. We wanted to up the ante.

:32:47. > :32:48.There are a lot of characters There are a lot of characters

:32:48. > :32:49.There are a lot of characters people were looking forward to

:32:49. > :32:50.people were looking forward to people were looking forward to

:32:50. > :32:51.people were looking forward to seeing. I'm more excited than I can

:32:51. > :32:52.seeing. I'm more excited than I can seeing. I'm more excited than I can

:32:52. > :32:55.seeing. I'm more excited than I can tell you. The action of this movie,

:32:55. > :32:55.tell you. The action of this movie, tell you. The action of this movie,

:32:55. > :32:57.tell you. The action of this movie, the scale of this movie is light-

:32:57. > :32:58.the scale of this movie is light- the scale of this movie is light-

:32:58. > :32:59.the scale of this movie is light- years beyond what we did in the

:32:59. > :33:00.years beyond what we did in the years beyond what we did in the

:33:00. > :33:01.years beyond what we did in the first movie. It was magical to see

:33:01. > :33:02.first movie. It was magical to see first movie. It was magical to see

:33:02. > :33:04.first movie. It was magical to see what they were able to create this

:33:04. > :33:05.what they were able to create this what they were able to create this

:33:05. > :33:06.time. I think it's stunningly time. I think it's stunningly

:33:06. > :33:07.time. I think it's stunningly time. I think it's stunningly

:33:07. > :33:08.beautiful. The word I come back to beautiful. The word I come back to

:33:08. > :33:11.beautiful. The word I come back to is just, relentless. One thing

:33:11. > :33:12.is just, relentless. One thing is just, relentless. One thing

:33:12. > :33:14.after another after another, after after another after another, after

:33:14. > :33:16.after another after another, after another. This is the film that

:33:16. > :33:18.another. This is the film that another. This is the film that

:33:18. > :33:19.movie was made for. Without movie was made for. Without

:33:19. > :33:20.movie was made for. Without movie was made for. Without

:33:20. > :33:21.question, the IMAX and 3D of it question, the IMAX and 3D of it

:33:21. > :33:23.question, the IMAX and 3D of it will enable viewers to get another

:33:23. > :33:24.will enable viewers to get another will enable viewers to get another

:33:24. > :33:25.level of excitement. This movie was level of excitement. This movie was

:33:25. > :33:27.level of excitement. This movie was the most fun and challenging

:33:27. > :33:28.the most fun and challenging the most fun and challenging