:00:25. > :00:29.Hello and welcome to Film 2014 we are live. If you would like to get
:00:30. > :00:37.in touch the details are on the screen now. Coming up: Mark Wahlberg
:00:38. > :00:42.and his Navy SEALs fight for their lives in Lone Survivor. This op is
:00:43. > :00:47.compromised. We are going home. Roger that, sir. Christian Bale
:00:48. > :00:51.battles to save his brother in Out of the Furnace. I'm Ronnie's
:00:52. > :00:56.brother. I ain't leaving without him. Zac Efron wrestles with matters
:00:57. > :01:03.of heart in That Awkward Moment. We are not suppose to see them more
:01:04. > :01:13.than twice in one week. You are seeing this chick twice in one day.
:01:14. > :01:20.We meet Ralpf Fiennes. We are joined by Dan yes and Tim Robey. Hi. Lone
:01:21. > :01:27.Survivor the true story of how a mission to kill a Al-Qaeda terrorist
:01:28. > :01:32.goes wrong for a unit of Navy SEALS. Red wings are go. Bad guy, senior
:01:33. > :01:46.Taliban commander. Killed 20 Marines last week. 20. We are going in with
:01:47. > :01:52.a four-man team. It's a lot more than 10 guys. It's an army. The
:01:53. > :02:03.mission was to locate, identify and capture or kill a terrorist. Guys
:02:04. > :02:07.that want to destroy America. A lot of things started going wrong.
:02:08. > :02:11.Before the Seal cos figure a way out of it, they were in trouble. There
:02:12. > :02:18.was a violent gunfight ensued. When it was over, one survived. It was
:02:19. > :02:21.that story. It's feeling like a cursed op. No curses. It's just
:02:22. > :02:25.Afghanistan. That is all. It's a kill mission. Once the mission is
:02:26. > :02:36.compromised we have is a serious decision to make between the four of
:02:37. > :02:41.us. This op is compromised. Radio check. Danny, is your radio working?
:02:42. > :02:49.We have two options. One, let them go. Roll the dice. When they run
:02:50. > :02:54.down there, we have 200 on our back. We terminate. I care about you, I
:02:55. > :02:57.care about you, I care about you. This is not a vote. We will cut them
:02:58. > :03:04.lose and going home. Roger that, sir. They are not superheroes. They
:03:05. > :03:08.are not larger than life. At the end of the day, they're just, you know,
:03:09. > :03:12.talented competent men who care about each other very much. Who are
:03:13. > :03:28.in a horrible, horrible bind. They fight for each other. There's a
:03:29. > :03:32.storm inside of us. A drive. You push yourself through anything
:03:33. > :03:36.anyone can think possible. I have played soldiers in the past. This is
:03:37. > :03:39.a different thing. SEAL guys training us were like, they made
:03:40. > :03:45.damn sure we were going to look real. We were training with the
:03:46. > :03:51.M4rifle mostly. Learning how to fire that, with real bullets. An intense
:03:52. > :03:55.learning curve. By the time they came to shooting they had been
:03:56. > :04:02.through the training campment they were like a band of brothers.
:04:03. > :04:09.Melissa? The cool one from the Cold Play concert. She coming? She is a
:04:10. > :04:13.bridesmaid. Is she coming? It's not a flag-waving movie. It's a bigger
:04:14. > :04:22.thing. It's not political. It's much more personal. Who these guys are
:04:23. > :04:28.and what real courage is. We are good, right? We're solid.
:04:29. > :04:34.Danny. I know it sounds strange, I don't think of Lone Survivor as a
:04:35. > :04:38.war movie. It doesn't feel like a war movie for all the hardware and
:04:39. > :04:44.blood. It feels like a western. You have insanely out numbered cowboys
:04:45. > :04:48.and Indians coming to get them. It feels like a slasher movie. Where
:04:49. > :04:52.you have hapless characters lost in the woods being stalked and picked
:04:53. > :04:59.up a by a psycho killer. By the end of the film, what it feels like to
:05:00. > :05:03.me is a very expensive ad for the Navy SEALs. It is well made film and
:05:04. > :05:08.well crafted and adrenaline in your veins. If you are a 16 American
:05:09. > :05:12.kill, you will come out of the cinema and renounce your porn habit
:05:13. > :05:17.and head to the recruitment office. I have to leave it up to people to
:05:18. > :05:23.decide if that is a recommendation film. I'm puzzled they called it
:05:24. > :05:27.Lone Survivor. It's a spoiler. You expect Mark Wahlberg up a mountain
:05:28. > :05:34.on his own. That is not the film. He is up there with his buddies. It's
:05:35. > :05:38.like Black Hawk Dawn. They are ambushed. The next hour of the film
:05:39. > :05:42.is pretty strong. It's quite powerful. It puts you up there. You
:05:43. > :05:46.don't want to be there. Which is sort of interesting given thatth
:05:47. > :05:54.kind of general drift of the film seems to be pro-military. If you
:05:55. > :06:00.think of other Hollywood wood war films being platoon. While you are
:06:01. > :06:04.up on that mountain you don't want to be there. They call in air
:06:05. > :06:07.support. Which is the more horrendous, jaw-dropping thing. That
:06:08. > :06:11.part of the film works for me. Then I think it let's itself down, I
:06:12. > :06:16.think, like, the remaining 20 minutes or so become quite, quite
:06:17. > :06:20.cheesy and contrived. I thought really at the end, it's almost like
:06:21. > :06:27.we are being emotionally blackmailed. We get the survivorsen
:06:28. > :06:30.o the end credits. I found the end credits moving. That is just me.
:06:31. > :06:35.It's interesting what you are talking about. Whether it's pro-war
:06:36. > :06:39.or not. There is a scene where you hear the helicopter blades going
:06:40. > :06:46.around you think of apocalypse Now. You think of it a druggie war epic.
:06:47. > :06:52.As a kid I it bass a thought of a pro-war film. Full Met app Jacket,
:06:53. > :06:57.you would think war epic. A director walked out of the screening saying
:06:58. > :07:01.it was a recruitment ad. When you make the fit am exciting you make
:07:02. > :07:06.the risk of war seeming apelling. Peter Berg has a cameo where he is
:07:07. > :07:12.sitting there watching, he is a Navy SEAL, watching another Navy SEAL wv
:07:13. > :07:18.ig out to music. He thinks he is one of them. I think he has got a real
:07:19. > :07:23.knack for camaraderie for soldiers and for action scenes. Physical
:07:24. > :07:28.action scenes, explosion, gunfights, body tumbling... It's bloody. He is
:07:29. > :07:33.good at that stuff. To do it well you you have to have a grasp of
:07:34. > :07:38.acrobatics and precision. He loves the kit and jargon. I think he
:07:39. > :07:42.thinks the violence is sexy. Too entrenched in that world. He has
:07:43. > :07:47.used Navy SEALS as consultants on all his films including Hancock. Why
:07:48. > :07:54.would you need Navy SEALS on board. There they were. It feels he is too
:07:55. > :07:59.in there. After the 15 slow mo scene of gun play it feels like Alan
:08:00. > :08:03.Partridge. They are striving for realism. The more realistic the
:08:04. > :08:07.wounds on soldier's faces and the bone sticking out of broken limb,
:08:08. > :08:11.the more you see, the more I'm reminded these aren't Navy SEALS in
:08:12. > :08:19.Afghanistan in 2005, it's actors in a nation mall Park in New Mexico.
:08:20. > :08:23.Boot camp for Hollywood stars. Ben Foster I believe as a soldier. Mark
:08:24. > :08:27.Wahlberg I want think from his performance, the madness in his
:08:28. > :08:31.eyes. You want him to look as if he would bite someone's head off. You
:08:32. > :08:35.get it once at the end. Not enough of it. I couldn't get over the fact,
:08:36. > :08:39.maybe it's me. I couldn't get over the idea that Mark Wahlberg was not
:08:40. > :08:44.doing the stuff in 2005. In the summer of 2005, his character was in
:08:45. > :08:51.Afghanistan, Mark Wahlberg was having lunch with his agent and he
:08:52. > :09:00.went shoe shopping. We will see how that uponed out. You were actually.
:09:01. > :09:10.There Next. The new film The Invisible woman. We went to mean
:09:11. > :09:16.RalphFiennes. Thank you. It was remarkable. It was? Readings double
:09:17. > :09:23.sales. You are an admirer of my husband's work? Of course.
:09:24. > :09:25.Constantly on show. Constantly watched. Life is nothing without
:09:26. > :09:42.good company. You are endear as Dickens. You are
:09:43. > :09:46.chatting, smiling, it does strike me that is an unusual thing for you to
:09:47. > :09:52.be doing? Yes, I suppose it is. That is one of the intractions. When I
:09:53. > :09:57.read Abbey's screenplay what came off this page is a man of great
:09:58. > :10:02.energy, the centre of attention in the room of he wanted attention. He
:10:03. > :10:06.loved giving attention. Gathering people around. I think that is why I
:10:07. > :10:13.wanted to show in the early scenes of the film him in rehearsal. He is
:10:14. > :10:22.a father figure to actors and his own family. What a beautiful theatre
:10:23. > :10:29.you have built. I'm glad. We have tried. Welcome. You have had a good
:10:30. > :10:33.journey. Yes, thank you. Good. You must be... We tried to recreate
:10:34. > :10:38.after theatre performance atmosphere, dancing and singing and
:10:39. > :10:45.a feeling he relishing being at the centre. He is is the perfect guy at
:10:46. > :10:55.parties? Ic he loved arranging parties or games social events. It
:10:56. > :10:59.has so much to say about fame an celebrity did that resonate with
:11:00. > :11:07.you? The public figure that needed oughtience. In en ens' case it was
:11:08. > :11:10.cripplely important. He needs to justify himself publicly in the
:11:11. > :11:15.letter to the Times in the way he was going to dissolve their
:11:16. > :11:19.marriage. In the Victorian era people didn't want scandal. When he
:11:20. > :11:25.head towards the trauma of being in love with Nellie where did it leave
:11:26. > :11:38.his marriage. The public sense of himself. I think it was a
:11:39. > :11:44.catastrophe. I know what I have done. Nelly. Nelly. What is it that
:11:45. > :11:47.we are? It's hard question to answer, what kind of director are
:11:48. > :11:52.you? What is your style with actors compared to some of the directors
:11:53. > :11:57.you have worked with, if you think of somebody by Mangella? I loved the
:11:58. > :12:02.way Antony worked. I loved the way he would articulate. Often I think
:12:03. > :12:10.you need to, I don't know... I like to communicate. I like to be direct.
:12:11. > :12:17.I think I like to be honest. Another person I remembered in my head, it
:12:18. > :12:20.was Steven Spielberg had an adrenaline about how you explored a
:12:21. > :12:25.moment. I remember one occasion when he was trying to breakthrough my own
:12:26. > :12:30.preparedness, if you like. I think film likes the surprise moment that
:12:31. > :12:34.even the actor hasn't prepared. I think Steven was trying to get me
:12:35. > :12:43.not to be so meticulous almost in it. Tend to sort of roughle my
:12:44. > :12:49.feathers slightly. -- ruffle. I would like so much to reach out and
:12:50. > :12:54.touch you in your loneliness. What would that be like, I wonder? I
:12:55. > :13:02.mean... What would be wrong with that? Obviously it a dark character
:13:03. > :13:07.like that. Then, to a lesser degree, the English Patient something about
:13:08. > :13:10.those withdrawn and witheld people. Don't know from the outside you
:13:11. > :13:15.imagine that might be quite liberating to play a part like that?
:13:16. > :13:20.I don't know. I mean it can be liberating. You go into a tunnel
:13:21. > :13:23.with people like that. I mean the psychology of the character in the
:13:24. > :13:26.English Patient fantastic creation, these characters are the sort of
:13:27. > :13:36.churning around with their inner turmoil. How can you stand there?
:13:37. > :13:43.How can you ever smile as if your life hadn't capsized? There is a
:13:44. > :13:45.interior clas row phobia that you feel. Sometimes it was great to have
:13:46. > :14:04.moments of release. Experience. Six months. I was a
:14:05. > :14:10.skillet... Experience, zero. The pleasure is mine. These are not
:14:11. > :14:17.except the ball. Education? -- acceptable.
:14:18. > :14:24.You have made this movie with Wes Anderson. He has a specific tone and
:14:25. > :14:31.feel and look. Visit constricting? You know that is his style. A couple
:14:32. > :14:37.times, you banged up against it, the control of it. I liked it. I liked
:14:38. > :14:42.the fact he was precise. A bit of me was like that.
:14:43. > :14:50.Have you been questioned by the authorities? I was arrested and
:14:51. > :14:58.tortured. You know the drill. We will review the film next week.
:14:59. > :15:00.Now, Zac Efron, playing a man with the relationship dilemma in That
:15:01. > :15:08.Awkward Moment. Are you serious? This is a den of
:15:09. > :15:19.testosterone. She will talk about Xbox. She better have hot friends.
:15:20. > :15:23.Open the door. The movie is about best friends
:15:24. > :15:28.figuring out what it means to fall in love. Figuring out how much they
:15:29. > :15:34.rely on each other. Realising that being there for someone when they
:15:35. > :15:41.need you most is what being a true friend is. That is a direct line
:15:42. > :15:52.from the movie. Give me the ice cream. I need it. We are going out.
:15:53. > :15:59.You are single. We are staying single with you. Would you like a
:16:00. > :16:05.mint. You have four hours to drink like Keith Richards. I wanted to do
:16:06. > :16:12.a romantic comedy from the perspective of the guy. It was
:16:13. > :16:17.something important to me. I felt it should be on the screen. There is a
:16:18. > :16:26.changing dynamic in the way people date. And in the roles that guys and
:16:27. > :16:33.girls take. I am not going to do that. I will
:16:34. > :16:39.make you wait 40 days. I was going to make you wait. I feel it is
:16:40. > :16:44.different from other romantic comedies. You do not get the peek
:16:45. > :16:48.behind the curtain into some of the dumb things that otherwise smart
:16:49. > :16:53.individuals do. We had a chance to bond before
:16:54. > :17:00.filming, taking a trip into the wilderness, into the mountains. We
:17:01. > :17:08.chilled out in a cabin. We got to explore what the movie was about. I
:17:09. > :17:16.have got to take a leak. This is a stupid idea.
:17:17. > :17:23.What is to do with you and Chelsea? What are you doing here?
:17:24. > :17:29.It does not mean what you think it means. What does our relationship
:17:30. > :17:34.being? The most terrifying moment in
:17:35. > :17:40.relationships is the where is this going? What are we doing? Sometimes,
:17:41. > :17:45.you do not get exactly what you want and it makes it terrifying for
:17:46. > :17:57.people. I love the way we fit together in bed.
:17:58. > :18:03.Man, you are doing it. Before we begin, I will read out a
:18:04. > :18:08.tweet. This is from somebody called David, That Awkward Moment has
:18:09. > :18:15.pretty people playing horrible characters.
:18:16. > :18:20.I am with them. In a week with the death and scowling going on in other
:18:21. > :18:24.films, there is something to be said for a bit of fluff. It is like the
:18:25. > :18:31.fluff you pick out of your belly button. Do not go there. There are
:18:32. > :18:34.so many awkward moments and all of them feel very contrived. The
:18:35. > :18:41.awkward moment when you sleep with Imogen Poots, wake up and come to
:18:42. > :18:48.the conclusion she is a prostitute. The awkward moment when you find
:18:49. > :18:51.yourself you're relating horizontally and talking to your
:18:52. > :18:57.friends. None of the comedy comes from honest observation about
:18:58. > :19:04.20-something dating. It is a phoney plot. It is probably more fun
:19:05. > :19:11.working out who should go and see the movie because it is a chick
:19:12. > :19:20.flick inside a bromance. There are jokes about shoes and spray tans. I
:19:21. > :19:24.suppose it is for a couple on their first date, who do not have much to
:19:25. > :19:31.talk about and they can watch it and feel belittled and insulted about it
:19:32. > :19:38.and then go off and discuss it. It is a bit wrong. I feel bad saying
:19:39. > :19:45.it is wrong, but it should be funnier. It feels fake.
:19:46. > :19:52.It cannot admit what New York really is. It half admits that you need to
:19:53. > :20:01.own a oil producing former Soviet republic to live in man --
:20:02. > :20:07.Manhattan. Imogen Poots, she goes out and is picked up by Zac Efron,
:20:08. > :20:14.if you go out in Manhattan, you will find these people from Wall Street,
:20:15. > :20:20.or, gay men. The boys need to work through issues. Half of them -- half
:20:21. > :20:29.of the movie is spent in his apartment, discussing their penis
:20:30. > :20:41.size. They are like the sons of Patrick Bateman. One of them is
:20:42. > :20:46.good. I like Imogen Poots, but not in this role. In the first scene she
:20:47. > :20:52.has a dreadful monologue, explaining to somebody buying her a drink,
:20:53. > :20:57.saying she cannot take the drink because they will end up married. It
:20:58. > :21:04.is like being trapped in a romantic comedy hell. At the end of the film,
:21:05. > :21:11.Zac Efron re-enacts the scene, as if it is the great highlight. He says
:21:12. > :21:17.the words in the right order... People love Zac Efron. If we went to
:21:18. > :21:22.the movies and you had Lone Survivor, and you have this in the
:21:23. > :21:28.middle, sweet cute boys, running around New York, eating fruit, no?
:21:29. > :21:32.You can see in the clip in the interview how much fun they were
:21:33. > :21:38.having. Knowing he inspired that level of enthusiasm in them...
:21:39. > :21:46.Christian Bale and Casey Affleck are starring in Out Of The Furnace. A
:21:47. > :21:58.man takes the law into his own hands. It is tough. It makes me want
:21:59. > :22:14.to jump in there with you. I need the money. Always trouble. Since he
:22:15. > :22:20.was a little kid. There is nothing wrong with working for a living. I
:22:21. > :22:28.gave my life for this country. What has it done for me? I will do this
:22:29. > :22:50.one last fight and then I will be done. Showtime. They have not been
:22:51. > :23:01.able to find your brother. It is a whole other world. It does not
:23:02. > :23:07.include us. This guy, she holds the mountains.
:23:08. > :23:26.-- he haunts the mountains. I am Rodney Baze's brother. I am not
:23:27. > :23:34.leaving without him. What do you think? It is stuffed full of
:23:35. > :23:42.excellent performances. But it is predictable. It opens with any
:23:43. > :23:49.Jones, at a drive-in movie theatre -- Vinnie Jones. He is in a film. It
:23:50. > :23:55.is the last time the movie surprises you. A member of Pearl Jam starts
:23:56. > :24:01.grunting away and you find yourself in Pennsylvania, a blue-collar town.
:24:02. > :24:09.You start to think I have seen this town before and you realise it is in
:24:10. > :24:18.the Deer Hunter. It starts to remind you of that film up until the point
:24:19. > :24:22.where they go deer hunting. They skim the deer and we are
:24:23. > :24:30.intercutting with Casey Affleck with his face beaten to a pulp. It is not
:24:31. > :24:35.very subtle. Instead of Russian roulette in the Deer Hunter, we have
:24:36. > :24:42.bare-knuckle boxing. This is what Casey Affleck's character is drawn
:24:43. > :24:48.into. We have Woody Harrelson, he is playing a crazed, hillbilly psycho.
:24:49. > :25:00.If you ever thought about the kid in deliverance playing the banjo grew
:25:01. > :25:12.up to be. I like this performance more than in American hustle, by
:25:13. > :25:18.Christian Bale. There is some good stuff going on. It does not feel
:25:19. > :25:26.personal. It feels like a bunch of other films. I think you are being
:25:27. > :25:32.mean about it. I was hooked. As a portrayal of bad luck. Casey Affleck
:25:33. > :25:37.was brilliant. I do not think we disagree about performances but the
:25:38. > :25:41.story lost me. It is a film about the recession, you have the election
:25:42. > :25:45.of President Obama. Teddy Kennedy filmed on TV. There is an overtone
:25:46. > :25:51.that something bigger is being talked about. It just adds up to a
:25:52. > :25:59.hard luck story. You want more than that. That is OK. I admired its
:26:00. > :26:06.ambition but the theme of men in crisis, it is hammered home in a way
:26:07. > :26:18.that is not subtle. In this scene, Woody Harrelson, shoving a Frank --
:26:19. > :26:24.Frankfurt down a woman's throat. I wanted it to be more brave. I wished
:26:25. > :26:30.the plot did not hinge on a mobile phone going off when the voicemails
:26:31. > :26:38.pinned a key point in the narrative. I think Christian Bale is great. It
:26:39. > :26:44.is a stodgy role. He brings more than decency. You have the sense he
:26:45. > :26:51.has two thoughts in his head at once. There is a depth there, more
:26:52. > :26:58.than what he has done in other films. The bare knuckle fight. Even
:26:59. > :27:04.when he is breaking somebody's nose in a fight, he is fragile. Will
:27:05. > :27:20.Defoe is fantastic. Too many actors are given scraps. Film of the week?
:27:21. > :27:34.Insider Lewin Davies. -- Llewyn Davis. We are going to play out with
:27:35. > :27:39.a film. It was the two us after my father left. Her hands started
:27:40. > :27:46.shaking beyond her control. Leaving the house was difficult. I wonder if
:27:47. > :27:55.you can give me a hand. You are bleeding. He was kind enough to
:27:56. > :28:05.offer me a ride. We cannot help you. This needs to happen. Where do you
:28:06. > :28:14.want to go? Your house. Police are looking for Frank Chambers, an
:28:15. > :28:21.inmate at prison for murder. If somebody came by, we would need to
:28:22. > :28:28.make it look like I kidnapped you. I never intentionally hurt anybody in
:28:29. > :28:32.my life. What happened? There is more to the story then you see in
:28:33. > :28:43.that paper. You will not be needing that any longer. That is good. We
:28:44. > :28:51.should throw most of them away before they rot. I have another
:28:52. > :29:00.idea. He got together with his secretary. I should go. Maybe you
:29:01. > :29:01.should stay. They