2: The Sequel

0:00:10 > 0:00:13Y'know, I mean, do what you like. I'm not your mum.

0:00:37 > 0:00:41Hello, and welcome to Movie Mistakes 2: The Sequel.

0:00:41 > 0:00:43Like any sequel, we're bigger, louder,

0:00:43 > 0:00:47and most snobs are going to say we're not as good as the first one.

0:00:47 > 0:00:50Well, that's not true, because our crack team of celluloid super-geeks

0:00:50 > 0:00:54have outdone themselves by trawling this year's top movies

0:00:54 > 0:00:56alongside some revered classics

0:00:56 > 0:00:59to compile a brand-new collection of cinematic clunkers.

0:00:59 > 0:01:03Oh, and apparently, in order to compete with the latest movie fad,

0:01:03 > 0:01:07we've got to do something 3D, so please put on your 3D glasses now

0:01:07 > 0:01:10and prepare to get your mind blown.

0:01:10 > 0:01:11OK, ready?

0:01:11 > 0:01:13Whoo! Whoo! Oh! Whoo!

0:01:16 > 0:01:19There. Take that, Avatar.

0:01:19 > 0:01:23Now you can take your 3D glasses off, cos you look ridiculous. Oh.

0:01:23 > 0:01:25Right, let's get on with it.

0:01:25 > 0:01:27On tonight's show:

0:01:37 > 0:01:41It's always reassuring to see that even the rich and powerful Hollywood gods

0:01:41 > 0:01:43make mistakes like us mere mortals.

0:01:43 > 0:01:47It's even more reassuring that they're on film, so we can point them out and laugh at them.

0:01:47 > 0:01:49Ha-ha! In your face, Hollywood!

0:01:49 > 0:01:53That said, if there are any powerful Hollywood directors watching,

0:01:53 > 0:01:54I am available for work.

0:01:55 > 0:02:00The new Karate Kid, and here's Jaden Smith off to China

0:02:00 > 0:02:02on plane number B-2460.

0:02:07 > 0:02:11Only thing is, the plane that lands is B-2443.

0:02:11 > 0:02:15You may be the son of a superstar, Smith, but that's "plane" wrong.

0:02:15 > 0:02:17Plane wrong!

0:02:19 > 0:02:22The film is all about a young American boy

0:02:22 > 0:02:24learning the basics of martial arts -

0:02:24 > 0:02:27control, standing on one leg up a mountain...

0:02:27 > 0:02:30Teasing deadly snakes.

0:02:30 > 0:02:33But can you spot this kung-fu clanger?

0:02:33 > 0:02:37Notice there are four bars on the outside of this window.

0:02:37 > 0:02:39Now wait for it...

0:02:39 > 0:02:41Ooh, here comes Jackie Chan.

0:02:41 > 0:02:44He's spotted the problem.

0:02:44 > 0:02:47Yep, on the inside there are eight bars.

0:02:47 > 0:02:49Appalling.

0:02:51 > 0:02:53# ..Instead of daisies

0:02:53 > 0:02:58# I don't know, though What do you think? #

0:02:58 > 0:03:01Now to the macabre musical Sweeney Todd.

0:03:01 > 0:03:04Tim Burton is truly the master of atmosphere.

0:03:04 > 0:03:08Everything looks atmospheric...even that modern plastic water bottle.

0:03:08 > 0:03:12- Still, at least Johnny Depp isn't singing.- I'm sorry. Excuse me.

0:03:14 > 0:03:18- # She was beautiful... # - Ah, here's Johnny Depp singing.

0:03:18 > 0:03:20# Foolish barber and his wife

0:03:20 > 0:03:25# She was his reason and his life And she was beautiful... #

0:03:25 > 0:03:28But we're interested in this baby's bottom,

0:03:28 > 0:03:31because it's covered in a 21st-century disposable nappy.

0:03:31 > 0:03:35Now that's a bum note.

0:03:38 > 0:03:42St Trinian's, and here's a girl so upset with her phone contract

0:03:42 > 0:03:45she plays hockey with her mobile.

0:03:45 > 0:03:48But if we slow it right down, you can see the phone

0:03:48 > 0:03:52suddenly disappears in the last shot and the head explodes all by itself.

0:03:59 > 0:04:02Legally Blonde 2, and a sped-up sunrise.

0:04:02 > 0:04:05That's all good and fine, but when we go back to real time,

0:04:05 > 0:04:09the sun's reflection is still speeded up in the window.

0:04:09 > 0:04:10Time to legislate!

0:04:10 > 0:04:13How does that work? Hm? Eh? Heh? Uh?

0:04:15 > 0:04:19A driving scene from Vanilla Sky, but something isn't quite right.

0:04:19 > 0:04:21I'm talking about the fact

0:04:21 > 0:04:24that the car is clearly on a high flatbed truck,

0:04:24 > 0:04:29because everything in the background is much lower, including all the other cars.

0:04:30 > 0:04:32Got to think about it.

0:04:32 > 0:04:35Probably the first time Tom Cruise has towered above anything.

0:04:35 > 0:04:37Don't tell anybody where I am.

0:04:39 > 0:04:41The unconscious Argentinian suffered from a sickness called narcolepsy.

0:04:41 > 0:04:45Perfectly fine one moment then suddenly unconscious the next.

0:04:45 > 0:04:48It's Moulin Rouge now. Director Baz Luhrmann uses the old trick

0:04:48 > 0:04:51of making an actor kneel on some shoes to make him look really short.

0:04:51 > 0:04:55Unfortunately, it's not so good when filmed from above -

0:04:55 > 0:04:58fake shoes on knees and real feet.

0:04:58 > 0:05:01Right, Toulouse, I still have to finish the music.

0:05:03 > 0:05:05Here's that same short character,

0:05:05 > 0:05:08Toulouse-Lautrec, in a musical number.

0:05:11 > 0:05:13Nice bit of fairy work from Kylie.

0:05:13 > 0:05:16We were off to the Moulin Rouge.

0:05:16 > 0:05:19By this point, they'd given up on the kneeling thing.

0:05:19 > 0:05:22Now he's got knee pads on and he's just standing in a hole.

0:05:22 > 0:05:25For Satine!

0:05:25 > 0:05:27Yeah!

0:05:33 > 0:05:37The thought-provoking film Crash asks a lot of questions, such as

0:05:37 > 0:05:40how do you turn off a light without actually touching the switch?

0:05:44 > 0:05:46Let's see that again.

0:05:50 > 0:05:52Nope, still don't know how that's done.

0:05:54 > 0:05:55Yeah, I ordered.

0:05:55 > 0:05:57Here's movie hunk Robert Pattinson

0:05:57 > 0:06:01showing us a fabulous magic trick with his cup of coffee.

0:06:01 > 0:06:04First adds some sugar, then stirs it.

0:06:04 > 0:06:07We throw in make-up, toiletries, cell-phone chargers...

0:06:07 > 0:06:09And now it's a cigarette. Ta-da!

0:06:09 > 0:06:12- And it's vanished again. - Then we do an infomercial.

0:06:12 > 0:06:14And it's back again! Ta-da!

0:06:14 > 0:06:16Provide us with actual money?

0:06:16 > 0:06:19He goes to light it...

0:06:19 > 0:06:21and for the big finale...

0:06:21 > 0:06:23it's a coffee cup again!

0:06:23 > 0:06:25Made more sense when he was a rubbish vampire.

0:06:27 > 0:06:31Next, we come to another classic movie mistake - crew in shot.

0:06:31 > 0:06:34I once saw a classic example of crew in shot.

0:06:34 > 0:06:38That's because the film was shot in the Cheshire town of Crewe.

0:06:38 > 0:06:42But seriously! I'm talking about when the film crew end up on screen,

0:06:42 > 0:06:47which is ridiculous, because they're not as important as us actors.

0:06:47 > 0:06:51OK, OK, I'm sorry, they're just as important.

0:06:51 > 0:06:53No, they're not. Roll VT.

0:06:55 > 0:06:59Here's Cuba Gooding Jnr wondering what he's done to deserve a role

0:06:59 > 0:07:01in cinematic turkey Pearl Harbor.

0:07:01 > 0:07:04But keep your eyes on the left of the screen.

0:07:04 > 0:07:08That's no navy crewman, that's a film crewman with a remote control for the camera.

0:07:16 > 0:07:19Martin Scorsese's masterpiece Taxi Driver, and it appears that

0:07:19 > 0:07:22Travis Bickle has noticed something out of his window.

0:07:22 > 0:07:26Maybe it's someone looking at him. He really hates people looking at him.

0:07:28 > 0:07:31Hang on, who was that? Let's see that again.

0:07:33 > 0:07:37It's the reflection of the cameraman and the guy pushing the dolly.

0:07:37 > 0:07:39They really were looking at him.

0:07:41 > 0:07:45They say that great art holds a mirror up to life.

0:07:45 > 0:07:48- Hey, where do you want this? - Uh, in the bedroom.

0:07:48 > 0:07:52But in the movie Ghost, they're holding up a mirror to the film crew. There they are.

0:07:52 > 0:07:55OK, we'll let them off that one mistake.

0:07:55 > 0:07:59- Hang on, there's a lighting stand in the shot, too.- Like it, huh?

0:07:59 > 0:08:01Like? "Like" is hardly the word.

0:08:01 > 0:08:03Oh, well, they're only human.

0:08:03 > 0:08:05Apart from the ghost. He's a ghost.

0:08:09 > 0:08:11Here's Surrogates.

0:08:11 > 0:08:14In this film, everyone has a robotic copy of themselves.

0:08:14 > 0:08:18So don't worry, all these people falling over are just robots.

0:08:18 > 0:08:20All robots.

0:08:20 > 0:08:22Apart from the film crew standing round the corner.

0:08:22 > 0:08:25They're not robots. They're idiots.

0:08:30 > 0:08:33Here's Steven Spielberg's classic film Duel.

0:08:33 > 0:08:35How do actors know when to start acting?

0:08:35 > 0:08:38It's when Steven tells them to.

0:08:38 > 0:08:39Watch his hand in the corner.

0:08:39 > 0:08:43And action! Let's see that again in slow motion.

0:08:44 > 0:08:47Ac-tion...

0:08:49 > 0:08:52Alfred Hitchcock used to have cameos in his films,

0:08:52 > 0:08:55so it's no surprise that Spielberg wanted to do the same.

0:08:55 > 0:08:57Actually, he didn't want to -

0:08:57 > 0:09:02he just stood right in front of the shiny, reflective phone booth.

0:09:02 > 0:09:03Hi, Steve!

0:09:05 > 0:09:08Now Ridley Scott's film American Gangster.

0:09:08 > 0:09:12Ridley is famed for his hard work, so you can forgive him

0:09:12 > 0:09:15putting his feet up and watching a bit of telly.

0:09:15 > 0:09:16There he is.

0:09:20 > 0:09:22And God bless the Unites States...

0:09:22 > 0:09:24This is the Triple Rock Baptist Church

0:09:24 > 0:09:27from the film The Blues Brothers, but even the frantic dancing

0:09:27 > 0:09:32can't distract you from a crew member blatantly running through the back of shot.

0:09:32 > 0:09:36Not so much Blues Brothers as "Where's the nearest loos, brothers?"

0:09:36 > 0:09:37I just thought of that myself.

0:09:40 > 0:09:44- # So exciting, the audience will... # - Baz Luhrmann captured the look,

0:09:44 > 0:09:49the feel and the spirit of a 1900s Parisian cabaret in Moulin Rouge.

0:09:52 > 0:09:54He also managed to capture a stage hand wearing

0:09:54 > 0:09:59a baseball cap and wristwatch swinging this actor back and forth.

0:09:59 > 0:10:01Hey, Mum, I told you I'd make it in showbiz!

0:10:04 > 0:10:06Finally, it's Charlie and the Chocolate Factory.

0:10:06 > 0:10:09You know, they're always telling you what to do, what not to do,

0:10:09 > 0:10:11and it's not conducive to a creative atmosphere.

0:10:11 > 0:10:13The great thing about a remake

0:10:13 > 0:10:16is that you can use technological advances to eliminate all mistakes.

0:10:16 > 0:10:20Or you can just lob some whopping great glasses on Johnny Depp

0:10:20 > 0:10:23and see a camera in the reflection. Either's good.

0:10:23 > 0:10:25If you don't believe me, you should ask.

0:10:27 > 0:10:30I've always found it easy to tell my left from my right

0:10:30 > 0:10:33by using the simple system of not being an idiot.

0:10:33 > 0:10:36But movie makers seem to mix them up all the time.

0:10:36 > 0:10:39It's not just stupid, it's dangerous, too.

0:10:39 > 0:10:43I found this out the hard way during a particularly aggressive round of the hokey-cokey,

0:10:43 > 0:10:47when I put my left foot in to the face of my ten-year-old niece.

0:10:47 > 0:10:52I cross my heart you'll never catch me making that sort of mistake again.

0:10:54 > 0:10:56Holly. Holly.

0:10:58 > 0:11:00Holly.

0:11:00 > 0:11:02Yes! Holly!

0:11:02 > 0:11:06First up, we have Land of the Lost, a comedy about a little hairy man

0:11:06 > 0:11:08who touches people inappropriately.

0:11:08 > 0:11:11Anyway, watch the hand, not the boob.

0:11:11 > 0:11:14- Chaka.- Chaka?

0:11:14 > 0:11:17The left hand on Anna Friel, and now it's suddenly the right hand.

0:11:17 > 0:11:19Clever monkey.

0:11:19 > 0:11:23Wi-ill. Will.

0:11:25 > 0:11:27Val Kilmer now, an actor so mesmerising

0:11:27 > 0:11:30he can make you forget which side is which.

0:11:30 > 0:11:32It's not a long shot. Harry, you're not listening to me!

0:11:32 > 0:11:34- Harry? Harry!- What?

0:11:34 > 0:11:38The left hand on Robert Downey's mouth...and now it's the right.

0:11:38 > 0:11:40That's some seriously powerful acting.

0:11:43 > 0:11:47Next up, it's horror classic Silence of the Lambs,

0:11:47 > 0:11:49and take a look at this door.

0:11:49 > 0:11:51The handle's on the right. Right?

0:11:56 > 0:11:58This film makes everything unsettling,

0:11:58 > 0:12:01even changing which side the door opens on.

0:12:04 > 0:12:07Creepy! Boo!

0:12:09 > 0:12:11Ah, The Hangover.

0:12:11 > 0:12:12We've all been there.

0:12:12 > 0:12:15A big, crazy night out and you don't know what you're doing...

0:12:17 > 0:12:19..and I happen to find 80,000 worth of Bellagio...

0:12:19 > 0:12:22You hold something in your right hand,

0:12:22 > 0:12:24and suddenly it's in your left.

0:12:26 > 0:12:29Whoo, yeah, we're...American!

0:12:31 > 0:12:35Here's everyone's second-favourite magical babysitter, Nanny McPhee.

0:12:37 > 0:12:40Oh, look, she's making statues come to life.

0:12:40 > 0:12:43Not as impressive, though, as making the sidecar

0:12:43 > 0:12:47go from the left of the bike to the right.

0:12:47 > 0:12:51See? Even the lion's disgusted at this movie mistake.

0:12:53 > 0:12:56Sean Penn now in this Oscar-winning performance as Harvey Milk.

0:12:56 > 0:13:01A powder-blue pen to sign the city's first gay-rights law.

0:13:01 > 0:13:04But don't watch that Penn, watch this one.

0:13:04 > 0:13:07The suity bloke holds it in his left hand...

0:13:07 > 0:13:09..substantive move for civil rights.

0:13:09 > 0:13:12..but he signs with his right hand.

0:13:12 > 0:13:15Right old load of old nonsense, more like.

0:13:18 > 0:13:22Here are the two stars of Fired Up - I can't recall their names -

0:13:22 > 0:13:25presumably running away from a massive horde of fans.

0:13:25 > 0:13:28When they jump over the wall, blondie is on the right.

0:13:28 > 0:13:32But in the water, they switch places, and he's now on the left,

0:13:32 > 0:13:35echoing my thoughts when I watched Fired Up.

0:13:35 > 0:13:40I wanted to swap places with someone not watching Fired Up.

0:13:40 > 0:13:43- Hey. I'm Nick. - Shawn.- Can we use your pool?

0:13:45 > 0:13:49Finally, a clip from the movie Very Bad Things, starring Cameron Diaz.

0:13:49 > 0:13:54Cameron's no stranger to very bad things herself.

0:13:54 > 0:13:56In this scene, she's just read the script

0:13:56 > 0:13:58for Charlie's Angels 2: Full Throttle.

0:13:58 > 0:14:01But keep an eye on the spray and the brush.

0:14:01 > 0:14:04As they fade from a crane shot to a helicopter shot,

0:14:04 > 0:14:06they've suddenly switched.

0:14:06 > 0:14:10Well done, Cameron, you've been upstaged by cleaning products.

0:14:12 > 0:14:14I love superheroes.

0:14:14 > 0:14:19Not normal, real-life heroes - you know, "Ooh, look at me, I saved a child from a burning building."

0:14:19 > 0:14:22Big deal. Learn to fly, then I'll be interested.

0:14:22 > 0:14:26I've always wanted to be a superhero, Web Man, who fires webs

0:14:26 > 0:14:31out of his wrists and uses them to swing from building to building. I can't believe no-one's done that.

0:14:31 > 0:14:34I think my favourite, though, must be Christian Bale in The Dark Knight.

0:14:34 > 0:14:40His main enemy is actually another superhero - not Superman or Spider-Man, but Lighting Man.

0:14:40 > 0:14:46"Ooh, I'm doing a scene here, and this guys walks right through my set with his lights. Ner ner ner!

0:14:46 > 0:14:50"I'm all distracted." Tch! Superheroes!

0:14:53 > 0:14:58Here's everyone's least favourite Superman, Brandon Routh,

0:14:58 > 0:15:00showing off in front of a crowd of people.

0:15:00 > 0:15:04Keep an eye on that pristine taxi on the ground.

0:15:10 > 0:15:14As soon as Superman gets anywhere near it, it's all smashed up.

0:15:14 > 0:15:18Oh, well, at least no harm will come to any more cars.

0:15:18 > 0:15:20Ah.

0:15:22 > 0:15:25A baseball game now, but what's that?

0:15:28 > 0:15:33Is it a bird? Is it a plane? Yeah, it's a plane. Well done.

0:15:33 > 0:15:36But where have all the baseball players gone?

0:15:36 > 0:15:38Ah, there they are.

0:15:38 > 0:15:40No, they're all gone again.

0:15:40 > 0:15:44Y'know, there's really nothing super about that at all.

0:15:44 > 0:15:47Put the plane down and sort out your movie.

0:15:49 > 0:15:51Next up, it's Catwoman and Batman

0:15:51 > 0:15:55going at it like cats and, er, bats on this rooftop.

0:15:55 > 0:15:58The reassuring thing about this scene is that if there's a fire,

0:15:58 > 0:16:01they can use the fire-escape ladder to climb down to safety.

0:16:01 > 0:16:06But holy changeroonies, Batman, where's the ladder gone?

0:16:06 > 0:16:10- Get up, man. - How could you? I'm a woman!

0:16:13 > 0:16:17Catwoman's back home, still upset about the last continuity error.

0:16:17 > 0:16:18You may have already noticed

0:16:18 > 0:16:21there's no frying pan on the stove there.

0:16:28 > 0:16:31Ooh, you know that frying pan that wasn't there a minute ago?

0:16:31 > 0:16:34Now it is.

0:16:34 > 0:16:36Me-ow!

0:16:38 > 0:16:41Batman Begins now, and keep an eye on the walking stick

0:16:41 > 0:16:44over baddie Liam Neeson's shoulder.

0:16:44 > 0:16:46Now you see it, now you don't.

0:16:46 > 0:16:47That's ninja skills, that is.

0:16:49 > 0:16:52You simply walk up behind them and stab them in the heart.

0:16:52 > 0:16:56Quick, watch Bruce Wayne make this man vanish.

0:16:56 > 0:16:57Smash! And he's gone.

0:16:57 > 0:16:59Disappeared. Incredible.

0:16:59 > 0:17:01I am going to stop you.

0:17:07 > 0:17:09Here's the pivotal moment when Peter Parker is bitten

0:17:09 > 0:17:13by a genetically modified spider, turning him into Spider-Man.

0:17:13 > 0:17:16I'm surprised his Spidey senses aren't tingling

0:17:16 > 0:17:18to tell him that he's being watched -

0:17:18 > 0:17:20by a member of the film crew reflected in this TV screen.

0:17:20 > 0:17:23There he is.

0:17:23 > 0:17:27If you're watching, why didn't you swat that spider, mate? Honestly!

0:17:29 > 0:17:33This cop is performing the not-quite-messianic feat

0:17:33 > 0:17:35of walking on sand without sinking.

0:17:35 > 0:17:38Not as impressive as it seems, actually, because

0:17:38 > 0:17:41you can see the edge of the wooden platform that's been installed.

0:17:43 > 0:17:47Still, he should be punished for such a revealing special effect.

0:17:47 > 0:17:49Ooh! That's not what I had in mind.

0:17:49 > 0:17:51And now my windscreen's ruined.

0:17:51 > 0:17:54Oh, no, it's been fixed.

0:17:54 > 0:17:56Autoglass really are quick.

0:17:58 > 0:17:59Look!

0:17:59 > 0:18:03In this clip, the villain isn't the Sandman but the Child Catcher,

0:18:03 > 0:18:05by the look of things. Keep an eye on this fireman.

0:18:05 > 0:18:07He picks up a small boy.

0:18:14 > 0:18:16And he picks up a small boy.

0:18:19 > 0:18:22And then he picks up a small boy.

0:18:24 > 0:18:27Never mind Spider-Man, someone call social services!

0:18:29 > 0:18:33I'm such a huge fan of yours. I didn't want to...

0:18:33 > 0:18:35Here's a clip from Iron Man 2,

0:18:35 > 0:18:37starring veteran actor Mickey Rourke.

0:18:37 > 0:18:41Notice there's no toothpick in his mouth.

0:18:41 > 0:18:45I only mention it because Rourke is renowned for his legendary toothpick work.

0:18:45 > 0:18:47Oui, oui. I'm fine.

0:18:49 > 0:18:51No toothpick.

0:18:51 > 0:18:53And there's the toothpick, out of nowhere!

0:18:53 > 0:18:54Please sit.

0:18:54 > 0:18:57If only he'd been that picky about some of his movie roles.

0:18:59 > 0:19:04Here's the Iron Man himself, Tony Stark, opening the Stark Expo.

0:19:04 > 0:19:06Notice how he's dressed for the occasion,

0:19:06 > 0:19:08complete with a white shirt and bow tie.

0:19:08 > 0:19:10Please welcome my father Howard.

0:19:12 > 0:19:16Everything is achievable through technology.

0:19:16 > 0:19:19Well, he doesn't leave the stage during the presentation,

0:19:19 > 0:19:23but before you can say "Robert Downey Jnr", here he is wearing a black shirt. Tch!

0:19:23 > 0:19:26Could've used an iron, man.

0:19:28 > 0:19:33Transformers, a series of films in which a variety of motor vehicles

0:19:33 > 0:19:35turn into a variety of robots.

0:19:35 > 0:19:37I'd love a car that turns into a robot.

0:19:37 > 0:19:42The only thing my car's ever turned into is my drive. I don't really have a drive.

0:19:42 > 0:19:44The films were directed by Michael Bay,

0:19:44 > 0:19:48a man who loves action so much even his diarrhoea is explosive.

0:19:48 > 0:19:52And they star Shia LaBeouf, a man who's no stranger to mistakes

0:19:52 > 0:19:55after his parents chose to call him Shia LaBeouf.

0:19:55 > 0:20:00Translated into English, his name means "Look at these terrible movie mistakes...LaBeouf."

0:20:00 > 0:20:04- Mikaela, do not touch it, OK? - All kinds of things transform

0:20:04 > 0:20:08in these films, such as the empty space on the floor.

0:20:10 > 0:20:13You're hot, but you ain't so bright.

0:20:13 > 0:20:16Suddenly, here's some cigar boxes.

0:20:16 > 0:20:18- That'll work. - And a couple of mousetraps.

0:20:18 > 0:20:20- Oh!- Clever, yeah?

0:20:20 > 0:20:22No, it's awful.

0:20:22 > 0:20:25What are you looking at, slobber puss?

0:20:27 > 0:20:29Egypt and Jordan, like the tip of a blade.

0:20:29 > 0:20:3329.5 degrees north, 35 east. Here it is.

0:20:33 > 0:20:36Here's Shia LaBeouf speeding through the Egyptian desert.

0:20:36 > 0:20:38But don't let the Pyramids distract you,

0:20:38 > 0:20:42because that's the shadow of the camera van driving alongside.

0:20:45 > 0:20:46We got the cops.

0:20:50 > 0:20:53Rule one when talking to a huge, angry robot:

0:20:53 > 0:20:55concentrate on what he's saying.

0:20:55 > 0:20:57Come here, boy.

0:20:57 > 0:21:00And don't move around. First Shia's at the top of the stairs...

0:21:00 > 0:21:02You remember me?

0:21:02 > 0:21:04..now he's halfway down.

0:21:04 > 0:21:07He's jumped from here to here.

0:21:08 > 0:21:14- Just don't hurt her.- And he's moved again, from here to here.

0:21:15 > 0:21:18That'll teach him.

0:21:20 > 0:21:21You going to wear handcuffs?

0:21:21 > 0:21:23Watch out for Shia's hoodie in this scene.

0:21:23 > 0:21:26One moment it's off...

0:21:26 > 0:21:27This is real.

0:21:29 > 0:21:31..and now it's on.

0:21:31 > 0:21:34I have a record, because I went and turned my dad in.

0:21:34 > 0:21:38When have you had to sacrifice anything in your perfect little life?

0:21:38 > 0:21:40Still on. Tense moment.

0:21:40 > 0:21:41Big guys. Big guys with big guns.

0:21:41 > 0:21:43And now it's half off.

0:21:43 > 0:21:46- Answer me!- A clip that features self-removing clothes,

0:21:46 > 0:21:50and none of them on Megan Fox. Unbelievable.

0:21:54 > 0:21:58Here we see our heroes getting hot and bothered in the desert.

0:21:58 > 0:22:02Shia's trying to cool off, waving his jacket around like a madman.

0:22:08 > 0:22:10And suddenly, it's gone.

0:22:10 > 0:22:14Shame - it was 30 quid from Top Man.

0:22:14 > 0:22:18But don't fret, jacket fans, the next scene it's back in his hands.

0:22:18 > 0:22:21He should really "jacket" in.

0:22:23 > 0:22:26Here's a gripping action scene from director Michael Bay.

0:22:26 > 0:22:29The wheels on the bus don't so much go round and round

0:22:29 > 0:22:32as explode in a fiery ball of metal and human flesh.

0:22:32 > 0:22:35I say "human flesh", but looking at the clip again,

0:22:35 > 0:22:39we see that the bus doesn't have any passengers or even seats,

0:22:39 > 0:22:40just a dummy driver.

0:22:40 > 0:22:44It's as empty as a local cinema showing a Shia LaBeouf-a-thon.

0:22:47 > 0:22:50Obviously, actors don't do all their own acting themselves.

0:22:50 > 0:22:53Sometimes they're replaced with a body double or even a dummy.

0:22:53 > 0:22:56It's ridiculous. You can't replace talent with a dummy.

0:22:56 > 0:22:57Isn't that right, David Mitchell?

0:22:57 > 0:22:59"That's right, Robert.

0:22:59 > 0:23:02"Although I should say, you were always the talented one."

0:23:02 > 0:23:04See? I never use a body double.

0:23:04 > 0:23:07Why would I, when I've got a body like this?

0:23:08 > 0:23:11You're going to put in a six-pack in Post, yeah?

0:23:11 > 0:23:14Cheers.

0:23:15 > 0:23:18First up, it's '80s classic Fatal Attraction.

0:23:18 > 0:23:21Here we see Michael Douglas having a bit of rough and tumble

0:23:21 > 0:23:23with original bunny boiler Glenn Close.

0:23:25 > 0:23:27Ooh, wait - that's not Michael Douglas.

0:23:34 > 0:23:36Let's have another look at him.

0:23:36 > 0:23:38Wait for it.

0:23:38 > 0:23:41Hang on, is that Jerry Seinfeld?

0:23:41 > 0:23:44Well, it looks more like him than Michael Douglas.

0:23:44 > 0:23:46Work's probably dried up since the sitcom finished.

0:23:48 > 0:23:51Don't turn that engine on, I swear to God.

0:23:51 > 0:23:56This scene from Role Models features Ronnie, a small boy stealing a car.

0:23:56 > 0:23:57If there's anything funnier

0:23:57 > 0:24:00than children recklessly endangering their own lives,

0:24:00 > 0:24:02I don't know what it is.

0:24:02 > 0:24:04But don't worry, all the actual driving is being done

0:24:04 > 0:24:08by a much taller, fully road-legal stuntman.

0:24:08 > 0:24:10Kids, eh? They grow up so fast.

0:24:10 > 0:24:12What are you doing?!

0:24:17 > 0:24:21When you love someone, you've got to trust them. There's no other way.

0:24:21 > 0:24:24Casino, a cinema classic.

0:24:24 > 0:24:28In this opening scene, director Martin Scorsese gambled that nobody

0:24:28 > 0:24:32would spot him replacing Robert De Niro with a rubbish plastic dummy.

0:24:32 > 0:24:33..kinda love I had.

0:24:35 > 0:24:37Did you spot it?

0:24:37 > 0:24:39Bobby De Niro.

0:24:39 > 0:24:43Booby De Niro! No dice, Scorsese.

0:24:46 > 0:24:50No, it's not Dancing on Ice, it's edgy thriller Ronin.

0:24:50 > 0:24:52I've always thought that ice skating

0:24:52 > 0:24:54was a popular sport, but apparently not.

0:24:57 > 0:25:01Look, they've had to fill out the audience with cardboard cut-outs.

0:25:01 > 0:25:04There we are. That's it, mate, take a closer look.

0:25:06 > 0:25:09Thomas Jefferson once shot a man on the White House lawn for treason.

0:25:09 > 0:25:11Speaking of cardboard characters,

0:25:11 > 0:25:15here's John Travolta, up to his old tricks in the movie Swordfish...

0:25:18 > 0:25:20..shooting guys and blowing up people.

0:25:23 > 0:25:27Ooh, but that's not a people, it's another dodgy lookalike dummy.

0:25:27 > 0:25:30Those guys should really avoid cars altogether.

0:25:34 > 0:25:37The Blues Brothers - all singing, all dancing,

0:25:37 > 0:25:41and all couldn't be bothered to turn up for the crowd scene.

0:25:43 > 0:25:47Those are actually two mannequins at the back. Typical.

0:25:49 > 0:25:51Saline solution...

0:25:51 > 0:25:53Now, most people's legs would turn to jelly

0:25:53 > 0:25:56if they were about to be tortured by Gerard Butler.

0:25:56 > 0:26:00But this guy's left foot has turned to rubber...

0:26:00 > 0:26:01Comfortable?

0:26:01 > 0:26:04..because it's fake.

0:26:04 > 0:26:06- Boing!- You are shaking.

0:26:06 > 0:26:08Are you sure you're all right?

0:26:11 > 0:26:16Next up is Avatar, the worldwide blockbuster that asks an age-old question -

0:26:16 > 0:26:20what if giant Smurfs with pointy ears could control flying dragons with their tails

0:26:20 > 0:26:22and make a tree go all glowy and...?

0:26:22 > 0:26:25Yeah, I didn't understand it, either. And it was so long.

0:26:25 > 0:26:30James Cameron, take a leaf out of your brother David's book and make some harsh cuts.

0:26:30 > 0:26:34If I want to spend three hours in a darkened room wearing a pair of cheap plastic glasses,

0:26:34 > 0:26:36I'll go to a tanning salon.

0:26:38 > 0:26:42Avatar is set in the mythical world of Pandora

0:26:42 > 0:26:45and features a Pandora's box full of movie mistakes,

0:26:45 > 0:26:48such as combining the plots of FernGully and Pocahontas.

0:26:50 > 0:26:55In this scene, Neytiri's ponytail is out of sight over her shoulder.

0:26:56 > 0:26:58Then it's on her back.

0:27:03 > 0:27:06And when she goes to plug it into her dragon/horse,

0:27:06 > 0:27:09it's round her front again.

0:27:09 > 0:27:12- Is not horse.- Ooh, well, excuse me!

0:27:13 > 0:27:17- You are clear to...- This guy may be the corporate baddie of the film,

0:27:17 > 0:27:19but he's got incredible golf skills.

0:27:19 > 0:27:22He can move balls without touching them.

0:27:22 > 0:27:24First, the two balls are close together.

0:27:24 > 0:27:26You were looking at the monitor.

0:27:26 > 0:27:28I love this putter, Ronnie.

0:27:28 > 0:27:30I love this putter.

0:27:30 > 0:27:33- Next, they're far apart.- Parker!

0:27:33 > 0:27:36You know, I used to think it was benign neglect,

0:27:36 > 0:27:39but now I see that you're intentionally screwing me.

0:27:39 > 0:27:43Grace, you know, I enjoy our little talks.

0:27:43 > 0:27:45Then they're back together.

0:27:45 > 0:27:48- Oops.- This is wrong in all three dimensions.

0:27:48 > 0:27:50..not some jarhead dropout.

0:27:53 > 0:27:56Here we see Jake return from his avatar to the real world,

0:27:56 > 0:28:00the boring old real world, where mystical things don't exist...

0:28:00 > 0:28:04like Sigourney's hand magically moving from his arm

0:28:04 > 0:28:07to his shoulder...back to his arm.

0:28:07 > 0:28:11Avatar? 'Ave a word with yourself, Mr Cameron.

0:28:13 > 0:28:17And it happens again. Watch - Jake's arms start on the table.

0:28:17 > 0:28:20- That's called taking the initiative, son.- Now they're on his wheelchair.

0:28:20 > 0:28:22Look, Sully, Sully, just find out...

0:28:22 > 0:28:24Now they're out straight.

0:28:24 > 0:28:26Now bent.

0:28:26 > 0:28:28Now straight again.

0:28:28 > 0:28:32Honestly, it makes me turn blue with rage.

0:28:34 > 0:28:39Here's a big fight from the end of the film.

0:28:39 > 0:28:43Have a look at Colonel Quaritch in his cockpit.

0:28:43 > 0:28:46There's a wing mirror right at the back, behind his head.

0:28:46 > 0:28:48Notice how the front strut is completely mirrorless.

0:28:51 > 0:28:53But then suddenly...

0:28:53 > 0:28:58Hello! A mirror right by that strut and clearly in front of his head.

0:28:58 > 0:29:00A bit of high tension in the jungle.

0:29:00 > 0:29:03No mirror in front of him here.

0:29:03 > 0:29:05Still no mirror in front of him...

0:29:05 > 0:29:09And hello, a handy mirror to see a horsey dragon

0:29:09 > 0:29:11attacking his giant robot.

0:29:17 > 0:29:21Let's look now at continuity errors, those tiny little mistakes

0:29:21 > 0:29:23that film-makers fail to spot,

0:29:23 > 0:29:26so there are small changes in scenery or props,

0:29:26 > 0:29:30costume or even hair that make the scene almost unwatchable.

0:29:30 > 0:29:32All right, you get the idea.

0:29:32 > 0:29:36Two hours it's taken us to film this 30-second link. Two hours!

0:29:36 > 0:29:37I hope you're happy.

0:29:41 > 0:29:43It's wrinkle-fest Wild Hogs.

0:29:43 > 0:29:46That's going to stain. Ha!

0:29:46 > 0:29:47The tough guy at the back

0:29:47 > 0:29:51has mustard all over his forehead, nose and cheek.

0:29:51 > 0:29:53Spicy!

0:29:54 > 0:29:58But in the next shot, his face is practically clean.

0:29:58 > 0:30:02When the director saw this, he was furious, according to my "sauces".

0:30:02 > 0:30:04Ha-ha! Sauces!

0:30:06 > 0:30:09Shallow Hal now, and a scene-stealing performance

0:30:09 > 0:30:11from Jack Black's towel.

0:30:11 > 0:30:13She's got cankles, for God's sake!

0:30:13 > 0:30:15- First it's in his hand.- What?

0:30:15 > 0:30:18Cankles! She's got no ankles. It's like the calf merged with the foot.

0:30:18 > 0:30:20Now it's on his neck.

0:30:20 > 0:30:24- I know what cankles are! Rosemary doesn't have them.- Now it's gone.

0:30:24 > 0:30:27I know what you're doing here.

0:30:27 > 0:30:31- You're scared.- Scared of getting upstaged by a towel.- Yep.

0:30:33 > 0:30:36Ocean's 13 here, with a spectacular spectacle gaffe.

0:30:36 > 0:30:40No, not Brad's glasses. Watch Pacino's.

0:30:40 > 0:30:42- I don't want this thing on my desk. - On his face.

0:30:42 > 0:30:45- Then they're gone.- I'll tell you what you don't want -

0:30:45 > 0:30:49- your hotel on the cover of Time magazine.- And now they're back.

0:30:49 > 0:30:51Whoo-ha, what a mistake!

0:30:53 > 0:30:57If I belonged to a group known as the Losers,

0:30:57 > 0:30:59I'd probably not play cards.

0:30:59 > 0:31:01But keep your eyes on the guy with glasses.

0:31:01 > 0:31:05- His card has a picture of a woman. She's lying down.- What?

0:31:05 > 0:31:08All right. Let's go.

0:31:08 > 0:31:14- Standing up.- I will raise you. - You don't want to do that.- Oh, no?

0:31:14 > 0:31:17- ..that piece you got off that Honduran general.- Lying down again.

0:31:17 > 0:31:19- Who's the loser now, Losers? - I'm definitely in.

0:31:21 > 0:31:26- Come now, Stu. You can feel it. - Phone Booth. Gritty thriller.

0:31:26 > 0:31:29Colin Farrell on a worn and tattered phone.

0:31:29 > 0:31:32Anyway, he spends the whole film nattering away.

0:31:32 > 0:31:36And by the end, the sticker is brand-new again.

0:31:36 > 0:31:38Phone booth or TARDIS?

0:31:38 > 0:31:42It's the killers that get the cover of Time magazine. Right?

0:31:44 > 0:31:47TARDIS, I reckon, because at the start of the movie,

0:31:47 > 0:31:48he takes his wedding ring off.

0:31:48 > 0:31:51That old trick, eh, Colin?

0:31:51 > 0:31:54A bit later, it's still off...

0:31:54 > 0:31:59Look, it's our friends from Channels 2 and 5, your local news, Stu.

0:31:59 > 0:32:01You could never do this for any of your clients.

0:32:01 > 0:32:05..and then magically pops back on his finger again. Make your mind up, man.

0:32:05 > 0:32:08Stick your head out a little so they can get a better angle.

0:32:10 > 0:32:12Ah, we've all been in this position before.

0:32:12 > 0:32:15Hey! Hey there!

0:32:15 > 0:32:18What are you doing there? Oh, no, no, no, no, wait, it's OK.

0:32:18 > 0:32:20Stranger danger! Stranger danger!

0:32:20 > 0:32:23But watch the toilet roll as it comes out of the bin.

0:32:23 > 0:32:26In this shot, it's clean.

0:32:26 > 0:32:28And now it's covered in debris.

0:32:28 > 0:32:33Toilet roll - clean one minute, filthy the next. Nothing new there.

0:32:36 > 0:32:40An audition scene in Bruno now, but it's the cowboy hat

0:32:40 > 0:32:44- on the back of the door that's making all the right moves.- Hello.

0:32:44 > 0:32:46I'm looking for my vife!

0:32:48 > 0:32:50- Shaddap, women. - It's moved.- Fine.

0:32:50 > 0:32:52I couldn't hear your woice...

0:32:52 > 0:32:54And it's moved again.

0:32:54 > 0:32:57..or laugh about it vith you.

0:32:57 > 0:32:59Should call it Bor-hat. Hur!

0:33:02 > 0:33:07Here we see Will Smith literally in The Pursuit of Happyness.

0:33:07 > 0:33:11- Don't move. Don't move!- Doesn't he realise it's an unachievable goal?

0:33:11 > 0:33:12When he says, "Don't move,"

0:33:12 > 0:33:16he's actually talking to that green sticker on the side of the train.

0:33:16 > 0:33:19See it? Maybe that's the key to happiness.

0:33:19 > 0:33:23- Oh, unlucky, Will, it's gone. - Stop the train!

0:33:25 > 0:33:29Ah, the car chase, that old movie chestnut.

0:33:29 > 0:33:31You never see them in real life, do you?

0:33:31 > 0:33:34The closest I've ever come is desperately needing the loo

0:33:34 > 0:33:37and being 15 miles away from Toddington services.

0:33:37 > 0:33:42And if you think movie chases end messily, you should have seen what I left on the hard shoulder of the M1!

0:33:42 > 0:33:45Well, let's have a look at some car-based clunkers

0:33:45 > 0:33:49in a section I'm calling The Steering Wheel of Misfortune.

0:33:49 > 0:33:52What? Oh.

0:33:52 > 0:33:56Apparently I'm not calling it that, I'm calling it Great Car Chase Mistakes.

0:33:56 > 0:33:59Would it kill them to listen to my ideas just once in a while?

0:33:59 > 0:34:03Jamie Foxx and Tom Cruise in Collateral here,

0:34:03 > 0:34:05about to have an almighty car crash.

0:34:07 > 0:34:10But don't get too distracted by the taxi flipping over...

0:34:12 > 0:34:13..because what's this?

0:34:13 > 0:34:16Has someone left a bag on the road?

0:34:16 > 0:34:20No, that'll be a badly hidden camera filming the close-up shot.

0:34:20 > 0:34:21There it is.

0:34:21 > 0:34:26Maybe it was left there by someone who gets a kick out of filming car crashes.

0:34:26 > 0:34:28Probably waiting for George Michael.

0:34:31 > 0:34:35A classic car chase from Mission: Impossible II.

0:34:35 > 0:34:36Even Ethan Hunt knows that

0:34:36 > 0:34:40it's good health and safety practice to buckle up,

0:34:40 > 0:34:43especially when you're driving like a maniac.

0:34:43 > 0:34:45Hang on, the safety belt's gone again.

0:34:49 > 0:34:51No, you're definitely not wearing it, Tom, you fibber.

0:34:54 > 0:34:58Who would've thought that Tom Cruise was capable of telling the world a massive lie?

0:35:05 > 0:35:07Oh, no, hang on, it's back on again.

0:35:07 > 0:35:11Much better. Tom, I take it all back and apologise.

0:35:11 > 0:35:12No!

0:35:15 > 0:35:19If the world does end in 2012, at least it'd stop John Cusack

0:35:19 > 0:35:22making any more shocking disaster movies.

0:35:22 > 0:35:25Here he is, saving his family and his wife's new husband,

0:35:25 > 0:35:27who appears to be played by me.

0:35:27 > 0:35:29I don't remember doing that.

0:35:30 > 0:35:33First he knocked my Porsche into a hole in the ground.

0:35:33 > 0:35:36Ooh, look how annoyed I am.

0:35:36 > 0:35:37Sorry.

0:35:37 > 0:35:40But then, as he drives away, the hole and my lovely Porsche

0:35:40 > 0:35:44have completely disappeared. Cusack!

0:35:47 > 0:35:50This film is called Race To Witch Mountain.

0:35:50 > 0:35:53To me, that sounds like the sort of question a confused hiker might ask.

0:35:53 > 0:35:55"Which mountain?"

0:35:55 > 0:35:58Just look at that bumper. Ooh, it's all smashed up.

0:35:58 > 0:36:02But don't worry, this is Dwayne "The Rock" Johnson driving,

0:36:02 > 0:36:04so suddenly it's all fixed!

0:36:04 > 0:36:07So the big question is not "Which mountain?"

0:36:07 > 0:36:10but "Why am I watching this nonsense?"

0:36:13 > 0:36:16Here's a masterclass in gaffe-ridden car chases

0:36:16 > 0:36:19from the master, John Landis.

0:36:19 > 0:36:21First, there's the barely hidden ramp

0:36:21 > 0:36:25that sends the cop car tilting off to one side.

0:36:25 > 0:36:29Then there are the slide marks ahead of the upside-down car.

0:36:29 > 0:36:31You've done this before, haven't you?

0:36:36 > 0:36:40Best of all is the very obvious turntable underneath,

0:36:40 > 0:36:42making the car spin round.

0:36:42 > 0:36:44Did I say best of all?

0:36:44 > 0:36:49There's always time for a gormless extra to smash into the camera.

0:36:49 > 0:36:51Smash! Textbook.

0:36:53 > 0:36:55Take the wheel.

0:36:57 > 0:37:01Now another spot of movie magic, this time from Swordfish.

0:37:01 > 0:37:04And I really mean magic.

0:37:04 > 0:37:07Look closely as this car literally takes off.

0:37:07 > 0:37:10The ramp it drove up has been removed in the edit.

0:37:12 > 0:37:14Prepare for lift-off.

0:37:14 > 0:37:16And crash.

0:37:19 > 0:37:23More movie nonsense now with The Taking of Pelham 123.

0:37:23 > 0:37:25Check out this police car's lights

0:37:25 > 0:37:27getting smashed off as it rolls over.

0:37:27 > 0:37:30Look out!

0:37:30 > 0:37:32Yeah, definitely gone.

0:37:36 > 0:37:38And now, all of a sudden,

0:37:38 > 0:37:40they're back again.

0:37:40 > 0:37:44How convenient. Actually, nothing about that is convenient.

0:37:46 > 0:37:48Bond! James Bond!

0:37:48 > 0:37:51His appeal is the exotic locations, the beautiful women

0:37:51 > 0:37:54and the fancy cars, but he is after all a civil servant,

0:37:54 > 0:37:58and even Bond' style is bound to be cramped in this age of government spending cuts.

0:37:58 > 0:38:03"How do you like your martini, Mr Bond?" "Er, buy one, get one free?

0:38:03 > 0:38:05"I haven't got much money, Penny..."

0:38:05 > 0:38:07I am, of course, joking.

0:38:07 > 0:38:11The Bond films are based on a series of books by Ian Fleming. What a guy.

0:38:11 > 0:38:14Yeah, writing spy novels and discovering penicillin.

0:38:14 > 0:38:20Unfortunately, he is also responsible for 22 films' worth of movie mistakes.

0:38:20 > 0:38:24Let's start at the beginning - Sean Connery in Dr No.

0:38:24 > 0:38:29Bond is waiting to knock someone off with his silenced weapon.

0:38:29 > 0:38:33Notice he's wearing a tie. Did I say tie? No tie.

0:38:33 > 0:38:35You can't be sherioush.

0:38:38 > 0:38:41Another classic scene, Connery and Ursula Andress on the beach

0:38:41 > 0:38:45being shot at and shouted at by a man with a megaphone.

0:38:45 > 0:38:46Are you coming out?

0:38:46 > 0:38:50But here's the gaffe. When the shouty man removes the megaphone,

0:38:50 > 0:38:52he still has a megaphone voice.

0:38:52 > 0:38:53..be back with the dogs!

0:38:53 > 0:38:57- Full speed ahead. - MEGAPHONE: No need to shout, mate.

0:38:59 > 0:39:01Say what you like about Roger Moore,

0:39:01 > 0:39:04he could take a kick in the face like no other Bond...

0:39:06 > 0:39:09..probably because when it was face-kicking time,

0:39:09 > 0:39:13he had a very unconvincing stuntman take his place.

0:39:13 > 0:39:16Right in the kisser.

0:39:21 > 0:39:23Here's the iconic opening

0:39:23 > 0:39:26from Brosnan's first Bond outing, GoldenEye,

0:39:26 > 0:39:29with some freestyle dam-diving.

0:39:31 > 0:39:34Notice how there's no snow anywhere to be seen.

0:39:34 > 0:39:36It actually looks quite warm and sunny.

0:39:37 > 0:39:41He's covertly breaking into an army base at the bottom, by the way.

0:39:45 > 0:39:49But a little later, when Bond emerges from the base,

0:39:49 > 0:39:53it's suddenly the middle of winter, with snow all over the ground.

0:39:54 > 0:39:57Oh, and he's right at the top of a mountain,

0:39:57 > 0:40:00not at the bottom of a dam. Dam it, Bond!

0:40:04 > 0:40:09Here's Alan Cumming as supergeek Boris Grishenko.

0:40:09 > 0:40:12He's such a lovely man. Butter wouldn't melt in his mouth.

0:40:12 > 0:40:13Or snow.

0:40:13 > 0:40:18That's because it isn't real snow, it's very non-melty fake snow.

0:40:18 > 0:40:20Come on, Cumming...

0:40:25 > 0:40:27Bond's in a bit of a pickle here -

0:40:27 > 0:40:30well, a helicopter ejector seat, to be precise.

0:40:33 > 0:40:37Luckily, he's got those two lovely white parachutes

0:40:37 > 0:40:39to bring him down to safety.

0:40:42 > 0:40:47Did I say white? Sorry, I meant red and white.

0:40:47 > 0:40:51The things we do for frequent-flyer mileage.

0:40:51 > 0:40:52Oh, Pierce, you joker!

0:40:52 > 0:40:55My side is literally splitting.

0:40:57 > 0:41:01Now Martin Scorsese's Shutter Island. Shutter Island?

0:41:01 > 0:41:05They should shut down the whole film there are so many gaffes!

0:41:05 > 0:41:08In this movie thriller, nothing is what it seems.

0:41:08 > 0:41:10Is this an asylum? Are you crazy?

0:41:10 > 0:41:12Am I crazy? I most certainly am!

0:41:12 > 0:41:15Crazy about all the mistakes we've been able to find.

0:41:15 > 0:41:19I'm going to go and put on a straitjacket and get my medication

0:41:19 > 0:41:23from Nursey while you watch these unhinged clangers.

0:41:23 > 0:41:25It's the boat over to Shutter Island,

0:41:25 > 0:41:27a prison for the criminally insane!

0:41:27 > 0:41:29Four people died.

0:41:29 > 0:41:31It was the smoke that got them, not the fire.

0:41:31 > 0:41:36Perhaps a quick cigarette to calm the nerves. There it goes.

0:41:36 > 0:41:38Hang on, pop it in again.

0:41:38 > 0:41:41Maybe I AM the one going insane.

0:41:43 > 0:41:46- A little more prone to seasickness. - Ah, dehydration.

0:41:46 > 0:41:48- You all right, boss?- Yeah.

0:41:48 > 0:41:51- In that case, you're right. - Watch the glass in Leo's hand.

0:41:51 > 0:41:53Swallow it down, Leo.

0:41:53 > 0:41:57When I said swallow, I meant the pill, not the glass as well.

0:41:57 > 0:41:59And one more time.

0:41:59 > 0:42:02Glass, no glass. Crazy!

0:42:04 > 0:42:07There's no way we can cross those rocks.

0:42:07 > 0:42:10Here, Mark Ruffalo ruffles around in his pocket for a bit of paper.

0:42:10 > 0:42:14But in the next shot, he's ruffling around all over again.

0:42:14 > 0:42:16Talk about building your part up, Ruffalo.

0:42:16 > 0:42:19Which they said repeatedly doesn't exist!

0:42:19 > 0:42:21I'm getting to that lighthouse.

0:42:23 > 0:42:26I don't know what this ugly fella's in prison for.

0:42:26 > 0:42:28Perhaps pickpocketing.

0:42:28 > 0:42:31He's certainly able to move his hands without us noticing.

0:42:31 > 0:42:33They're on the top bar...

0:42:35 > 0:42:39- ..then the bottom bar. - But you're wrong, you're wrong.- Oh?

0:42:39 > 0:42:43Really? Been alone much since you got here?

0:42:43 > 0:42:46- Back on that bar... - I've been with my partner.

0:42:46 > 0:42:48..back on his head.

0:42:48 > 0:42:50Mental!

0:42:50 > 0:42:51Easy.

0:42:53 > 0:42:56Leo's got Max von Sydow up against a wall.

0:42:56 > 0:42:59What are you going to do, kill me?

0:42:59 > 0:43:02But look at this reverse shot.

0:43:02 > 0:43:06Why is the syringe further away? Where's the wall?

0:43:06 > 0:43:09Why is Leo looking up at him in the right shot,

0:43:09 > 0:43:12but looking down at a shorter man on the left?

0:43:12 > 0:43:13For what? Hm?

0:43:13 > 0:43:17From the back, it looks more like Bruce Forsyth than Max von Sydow.

0:43:17 > 0:43:19Good game, good game.

0:43:26 > 0:43:27Come in out of the rain, lads.

0:43:27 > 0:43:31And now for the greatest mystery of Shutter Island,

0:43:31 > 0:43:34the legend of Ruffalo's disappearing coat.

0:43:34 > 0:43:36Where's it gone?

0:43:36 > 0:43:38Let's see it again.

0:43:38 > 0:43:39Jesus Christ.

0:43:39 > 0:43:41He takes it off. And it's gone.

0:43:41 > 0:43:44I'll have nightmares for weeks.

0:43:46 > 0:43:49Movie folk aren't always the smartest tools in the box,

0:43:49 > 0:43:52and this is apparent when they're asked to write something.

0:43:52 > 0:43:57If the clips we're about to see are to be believed, then apparently, it is impossible

0:43:57 > 0:44:00to put pen to paper on screen without making some massive error.

0:44:00 > 0:44:03Well, if that really is true, then I've got a word for you.

0:44:05 > 0:44:08Ooh, hang on. No, that's right. Roll the clips.

0:44:08 > 0:44:12St Trinian's, and no, the mistake here isn't the whole movie.

0:44:12 > 0:44:15Keep an eye on the blackboard behind Russell Brand.

0:44:15 > 0:44:17Nothing written next to number five.

0:44:17 > 0:44:19Search for the criminal inside yourself. Yes?

0:44:21 > 0:44:23- TOGETHER:- Theft.

0:44:23 > 0:44:28Then suddenly, writing has appeared on Russell's blackboardy-woardy.

0:44:28 > 0:44:29Good work.

0:44:31 > 0:44:35Here's a newspaper that clearly says it's from the year 1980.

0:44:35 > 0:44:38But hold the press, what's this?

0:44:40 > 0:44:42TheEmbreyStar.com?!

0:44:42 > 0:44:44A web address in 1980?

0:44:44 > 0:44:47The World Wide Web didn't exist until the 1990s.

0:44:50 > 0:44:53Here's a film about a hotel for dogs called Hotel For Dogs.

0:44:53 > 0:44:57One of the dogs staying at the hotel is called Henry,

0:44:57 > 0:45:01as can be seen from his name written in green ink in the guest register.

0:45:01 > 0:45:03Note the lovely red heart above.

0:45:03 > 0:45:07But later in the film, when Don Cheadle reads out his name,

0:45:07 > 0:45:10it's written in red pen and no sign of a heart.

0:45:10 > 0:45:12Don, you're an Oscar winner.

0:45:12 > 0:45:14You're better than this.

0:45:16 > 0:45:19To decide that she will cheat on the math test.

0:45:19 > 0:45:23X marks the spot here in mystery thriller Donnie Darko.

0:45:23 > 0:45:26Good. Good, very good.

0:45:26 > 0:45:27Mr Darko?

0:45:27 > 0:45:29The biggest mystery, though,

0:45:29 > 0:45:32is why that X becomes almost invisible in the next shot.

0:45:32 > 0:45:35We'll just chalk this one up to experience.

0:45:37 > 0:45:39Another Oscar winner now.

0:45:39 > 0:45:43Look at the word "direktor" being written on Oskar Schindler's door.

0:45:43 > 0:45:47But later in the film, the letters look completely different -

0:45:47 > 0:45:50much bigger and in a different font.

0:45:50 > 0:45:53I'm sorry, you can't blame this one on the Nazis.

0:45:55 > 0:45:57I imagine you sitting in a dark basement room

0:45:57 > 0:46:00bent over papers and computer screens.

0:46:00 > 0:46:03And finally, a chilling scene from Hannibal.

0:46:03 > 0:46:07When crazy old Dr Lecter signs his letter to Clarice Starling,

0:46:07 > 0:46:10there is no hyphen between "Hannibal Lecter"

0:46:10 > 0:46:12and "MD".

0:46:13 > 0:46:15'PS Clearly...'

0:46:15 > 0:46:19But when Starling reads the letter, there's a hyphen.

0:46:19 > 0:46:22Someone's head should be served on a platter for this mistake.

0:46:22 > 0:46:25Maybe with some minted peas and a nice cabernet sauvignon.

0:46:25 > 0:46:26HE SLURPS

0:46:28 > 0:46:30Let's talk wardrobe malfunctions.

0:46:30 > 0:46:34And no, I don't mean getting to number 30 on your IKEA instructions

0:46:34 > 0:46:38to find you're missing two screws and an Allen key. I hate you, IKEA.

0:46:38 > 0:46:40I'm talking about costume.

0:46:40 > 0:46:43Marlon Brando supposedly performed without trousers

0:46:43 > 0:46:45to stop directors filming his big belly.

0:46:45 > 0:46:47Demi Moore famously performed topless

0:46:47 > 0:46:50to ensure directors would film her at all.

0:46:50 > 0:46:52But where would we be without costume?

0:46:52 > 0:46:57Naked, and no-one wants to see me naked. Apparently.

0:46:57 > 0:47:02What we do want to see are these terrible costume-based clangers.

0:47:02 > 0:47:04Nobody walks down a street like Brad Pitt,

0:47:04 > 0:47:08and no-one can make their suit jacket vanish like him, either.

0:47:08 > 0:47:13Now you see it, now you don't. That's just the Pitts.

0:47:15 > 0:47:17I missed the part about where my office is.

0:47:17 > 0:47:20If you want to be a successful lawyer,

0:47:20 > 0:47:22you've got to accessorise properly,

0:47:22 > 0:47:25right down to elbow-length gloves and a dog in a hat.

0:47:25 > 0:47:28Then I am going to need a glue gun, some pinking shears...

0:47:28 > 0:47:32Reese Witherspoon takes her gloves off, and...

0:47:32 > 0:47:34- Ooh, they're back on again. - DOG BARKS

0:47:34 > 0:47:35Even the dog spotted this gaffe.

0:47:37 > 0:47:40Here's Johnny Depp about to be executed

0:47:40 > 0:47:42for crimes against continuity.

0:47:42 > 0:47:44Keep your eye on the hat ribbon.

0:47:44 > 0:47:45The axe man moves it...

0:47:45 > 0:47:47As long as I can get at your neck.

0:47:47 > 0:47:49..and then it's back on the neck again.

0:47:49 > 0:47:53- I'm right behind you. - Off with his head!

0:47:55 > 0:47:57Ben Stiller is getting all dressed up

0:47:57 > 0:48:02for his first Night at the Museum, but where's his tie?

0:48:02 > 0:48:04Just wanted to say good luck, son.

0:48:04 > 0:48:07And goodbye. We're clocking out for the last time.

0:48:07 > 0:48:09Oh, there it is. Never mind.

0:48:09 > 0:48:11Wait, you guys are going out of town?

0:48:13 > 0:48:16- Hello, Natalie. - Hello, David. I mean, Sir.

0:48:16 > 0:48:19Now, which tie should Hugh Grant wear to meet EastEnders' Tiffany?

0:48:19 > 0:48:21The one with the big spots...

0:48:21 > 0:48:23I'm so sorry, Sir.

0:48:23 > 0:48:26..or the one with the tiny spots?

0:48:26 > 0:48:29D'you know, I don't care.

0:48:31 > 0:48:34Please, line up on the beach.

0:48:34 > 0:48:37Keep your eyes on the girl in the green dress.

0:48:37 > 0:48:39Men on one line...

0:48:39 > 0:48:42There she is, taking off her shoes.

0:48:42 > 0:48:46But in the next scene, they're back on.

0:48:46 > 0:48:47Oi, love! Take 'em off!

0:48:47 > 0:48:49Remove your mask.

0:48:49 > 0:48:51Ooh, not you.

0:48:54 > 0:48:57In Shallow Hal, Gwyneth Paltrow plays a fatty

0:48:57 > 0:49:01who Jack Black sees as a fitty. Look at her shoes.

0:49:01 > 0:49:04High heels, right?

0:49:04 > 0:49:06Dang it! Rosemary, don't move.

0:49:06 > 0:49:07Is your back all right?

0:49:07 > 0:49:09- Yeah.- Is she all right? What happened here?

0:49:09 > 0:49:13Yeah. Listen, you got to get some decent chairs in here, man.

0:49:13 > 0:49:15- Do me a favour... - Just moments later,

0:49:15 > 0:49:18fatty Gwyneth's shoes are completely different and flat,

0:49:18 > 0:49:21just like Jack would be if she sat on him.

0:49:21 > 0:49:23If you took all the women you two have gone out with,

0:49:23 > 0:49:25put 'em together, they wouldn't equal one of her.

0:49:25 > 0:49:28We're not arguing that!

0:49:30 > 0:49:31Down now!

0:49:31 > 0:49:33Pierce Brosnan's furious. No wonder,

0:49:33 > 0:49:36he doesn't know whether to button up his jacket or not.

0:49:36 > 0:49:38Now it's open...

0:49:38 > 0:49:41Good God, you toss that word around...

0:49:41 > 0:49:43..and now it's done up.

0:49:43 > 0:49:47You wouldn't catch Bond making this kind of sartorial gaffe.

0:49:49 > 0:49:53It's notoriously difficult to act whilst eating. If you ask me,

0:49:53 > 0:49:55I can't see what the fuss is about.

0:49:55 > 0:49:57I'm sorry.

0:49:57 > 0:49:59I can't...

0:49:59 > 0:50:02I... I can't...

0:50:05 > 0:50:10I don't envy movie stars for their flashy houses, fast cars and beautiful girlfriends.

0:50:10 > 0:50:16What I do envy is them having drinks that never seem to end, as these clips show.

0:50:16 > 0:50:19Here's a classic food and drink gaffe from the film Duel.

0:50:19 > 0:50:22Drink it. Drink it.

0:50:23 > 0:50:25Yeah, drink it, all of it.

0:50:25 > 0:50:27Drink all of it.

0:50:27 > 0:50:29There you go.

0:50:29 > 0:50:32Hang on, the glass is completely full again!

0:50:32 > 0:50:34What if I called the local police?

0:50:34 > 0:50:35They can't help you.

0:50:37 > 0:50:42Ray Winstone is drinking with Mel Gibson. Always a dangerous pastime.

0:50:42 > 0:50:46See how he leaves a good swig at the bottom of his glass.

0:50:46 > 0:50:49But in the wide it's completely empty!

0:50:49 > 0:50:51I think Mel finished it.

0:50:53 > 0:50:58You should always keep an eye on your drink at a party, as this clip from American Pie demonstrates...

0:50:58 > 0:51:00You're really beautiful.

0:51:01 > 0:51:02Really?

0:51:03 > 0:51:05Oh, yeah.

0:51:05 > 0:51:11..because the young lady's clear cup suddenly turns into a blue plastic cup.

0:51:11 > 0:51:12And it's back again.

0:51:12 > 0:51:15I wouldn't drink that if I was you.

0:51:17 > 0:51:19God, I'm so nervous. I don't know why!

0:51:19 > 0:51:23Here's a film I will never be able to unwatch, Bride Wars.

0:51:23 > 0:51:26Keep an eye on the champagne glass.

0:51:26 > 0:51:27Y'know, honestly...

0:51:27 > 0:51:30It's transformed into a make-up compact.

0:51:30 > 0:51:32..the pressure we put on brides...

0:51:32 > 0:51:35And now it's champagne again.

0:51:35 > 0:51:38Do you know, I could do with a drink after watching that gaffe.

0:51:38 > 0:51:40Or some make-up.

0:51:42 > 0:51:46- I mean, you've handled some pretty rough customers, huh?- Yeah, I have.

0:51:46 > 0:51:50Watch the table in front of taxi driver Travis Bickle.

0:51:50 > 0:51:52Just a cup of coffee, right?

0:51:52 > 0:51:56Wrong. There's an entirely magically appearing burger there as well.

0:51:56 > 0:51:58Hey, Travis, I'm talking to you.

0:51:58 > 0:52:01I said I'm talking to... Oh, let's move on.

0:52:03 > 0:52:07Josh Brolin here as US president George W Bush.

0:52:07 > 0:52:09You know I got tasters in the kitchen?

0:52:09 > 0:52:14He's so busy he can't even eat his lunch without running the country at the same time.

0:52:14 > 0:52:18Quick bite or two to keep his stamina up...

0:52:18 > 0:52:22We got 200 million Americans dead on our hands.

0:52:22 > 0:52:25But this must be a self-replenishing sandwich,

0:52:25 > 0:52:28because, moments later, both halves are intact again.

0:52:29 > 0:52:33Because I'm more worried now than I was on 9/11.

0:52:35 > 0:52:38It's your car! Your insurance should pay for it.

0:52:38 > 0:52:40Movie classic Back To The Future.

0:52:40 > 0:52:45Keep your eye on the sweet jar next to Marty McFly. It's full to the brim with candy.

0:52:45 > 0:52:49I haven't yet, but I figured since they weren't due till...

0:52:49 > 0:52:51Hello? Hello?

0:52:51 > 0:52:55But, just moments later, it's half-empty.

0:52:55 > 0:53:00Still, it's a welcome distraction from him trying to cop off with his mother.

0:53:02 > 0:53:04Cheers.

0:53:04 > 0:53:06The only impossible mission in this clip

0:53:06 > 0:53:09is trying to keep track of Ving Rhames' pint glass.

0:53:09 > 0:53:11It bounces from his hand

0:53:11 > 0:53:13to the table...

0:53:13 > 0:53:15Why don't you come back with me?

0:53:17 > 0:53:19I just...

0:53:19 > 0:53:22I just don't know why I'd be doing it.

0:53:22 > 0:53:24..and back to his hand again.

0:53:24 > 0:53:26Americans really can't handle their beer.

0:53:28 > 0:53:31- OUT OF SYNC:- You know what I hate? Those moments in films

0:53:31 > 0:53:35when the actor's mouth isn't synched up with what they're saying.

0:53:35 > 0:53:39Sometimes their mouth isn't moving, sometimes it's moving but nothing's coming out.

0:53:39 > 0:53:42Still, it's better than watching Twilight,

0:53:42 > 0:53:46where you can see Robert Pattinson's mouth moving but what you hear is absolute drivel.

0:53:46 > 0:53:47Well, we found their hide-out.

0:53:47 > 0:53:49Let's start with The Goonies

0:53:49 > 0:53:52and the man driving the car trying to do an Amy Winehouse,

0:53:52 > 0:53:55singing and smoking at the same time. Look in the car mirror.

0:53:55 > 0:53:58HE SINGS IN ITALIAN

0:53:58 > 0:54:00SINGING CONTINUES

0:54:00 > 0:54:03We can hear his voice, but his mouth isn't moving.

0:54:03 > 0:54:05Watch and learn, Winehouse.

0:54:07 > 0:54:10In the movie Collateral, Tom Cruise and Jamie Foxx

0:54:10 > 0:54:14go to a jazz club that's so groovy, it ignores the rules of physics.

0:54:14 > 0:54:17It's off melody. Behind the notes. Not what's expected.

0:54:17 > 0:54:22Listen as the trumpet note continues even though the trumpeter's stopped blowing.

0:54:25 > 0:54:26Nice!

0:54:29 > 0:54:32- Have I told you about Sammy Jankis? - Mm. Yeah.

0:54:32 > 0:54:35Memento now, and watch the guy on the right's mouth.

0:54:35 > 0:54:36You think he's still here?

0:54:36 > 0:54:40Another one talking without actually moving his lips.

0:54:40 > 0:54:42- You think he's still here?- Who?

0:54:42 > 0:54:44Johnny G, the guy you're looking for.

0:54:45 > 0:54:47..others exceedingly cruel...

0:54:47 > 0:54:52Now, this woman is talking so much, you can still hear her when her mouth isn't moving.

0:54:52 > 0:54:55Watch closely as she's put down on the sofa.

0:54:55 > 0:54:56..coffee shop downstairs.

0:54:56 > 0:55:00Not that I'd trade a day, an hour, a moment of it for anything!

0:55:00 > 0:55:01I don't know what came over me!

0:55:03 > 0:55:05The Windsor plantation.

0:55:05 > 0:55:10And here is a classic mouth-wrong from the film The Notebook.

0:55:10 > 0:55:16Take note - just because a scene is dimly lit does not mean you can dub over completely different words.

0:55:16 > 0:55:17Be careful it isn't broken.

0:55:17 > 0:55:19Look at that.

0:55:19 > 0:55:22Oh, this place is gigantic!

0:55:22 > 0:55:24Yeah, a gigantic piece of...

0:55:26 > 0:55:30Awards ceremonies, what a load of ridiculous nonsense.

0:55:30 > 0:55:33The people who win react like it's the greatest moment of their life

0:55:33 > 0:55:36and start gushing and crying and thanking everyone they've ever met.

0:55:36 > 0:55:41It's pathetic. I mean, it's just a little gold statue, after all,

0:55:41 > 0:55:43that...feels kind of special to hold.

0:55:43 > 0:55:48I suppose it makes you feel like you've achieved something in your life, and...it's all been...

0:55:48 > 0:55:50worth it, and...

0:55:50 > 0:55:52I promised myself I wouldn't cry,

0:55:52 > 0:55:56but I wouldn't be here if it wasn't for my family and my agent.

0:55:56 > 0:55:59No, I'm only kidding. It's all nonsense, isn't it?

0:55:59 > 0:56:03And even Oscar winners muff things up on a regular basis.

0:56:03 > 0:56:06James Cameron's Oscar-winning epic Titanic perfectly captured

0:56:06 > 0:56:10what it was like to be aboard the famous ship in 1901,

0:56:10 > 0:56:13right down to the camera crew reflected in every door.

0:56:13 > 0:56:15Let's see that again.

0:56:15 > 0:56:17Oh, dear.

0:56:23 > 0:56:30Invictus tells the story of South Africa during the 1995 rugby World Cup. Wow, look at that.

0:56:30 > 0:56:33It's just like being in South Africa in 1995,

0:56:33 > 0:56:37if you don't look at the 2009 Range Rover driving past.

0:56:37 > 0:56:40Or listen to Matt Damon's accent.

0:56:43 > 0:56:46Precious now, and Mum, played by Mo'Nique,

0:56:46 > 0:56:50is going to do a classic magic trick here, the disappearing cigarette.

0:56:50 > 0:56:52Now you see it.

0:56:54 > 0:56:57But with a clunk from her magic frying pan...

0:56:57 > 0:57:00Clang! Now you don't.

0:57:00 > 0:57:02Precious doesn't seem that impressed.

0:57:02 > 0:57:04What if she makes it reappear?

0:57:04 > 0:57:08Still nothing? Some people, eh?

0:57:10 > 0:57:11Break!

0:57:11 > 0:57:15I reckon Hilary Swank wore two gum shields in Million Dollar Baby.

0:57:15 > 0:57:17There's one being taken out.

0:57:17 > 0:57:20- ..just keep punching. - I ain't doing great, I'm losing!

0:57:20 > 0:57:21You're wearing her down!

0:57:21 > 0:57:24And, look, there's another one immediately back in her mouth.

0:57:24 > 0:57:27Better to be safe than sorry, Hilary.

0:57:31 > 0:57:37Here's Scarlett Johansson alone in her hotel room. Or is she?

0:57:38 > 0:57:42Looks like there's a reflection of someone closing a door.

0:57:45 > 0:57:49Maybe she didn't deserve that Oscar after all. On reflection.

0:57:51 > 0:57:54# Gonna make you, make you, make you notice... #

0:57:54 > 0:57:57It's karaoke night in Lost In Translation,

0:57:57 > 0:58:00and there's quite a party happening in room number 601.

0:58:00 > 0:58:05# Gonna use my style Gonna use my sidestep. #

0:58:05 > 0:58:10Anyway, Scarlett Johansson steps outside while Bill Murray takes the mic.

0:58:10 > 0:58:13But when he comes out, it's room 602.

0:58:13 > 0:58:16That's kara-not-OK.

0:58:18 > 0:58:21# There may come a time when a hard-boiled employer

0:58:21 > 0:58:24- # Thinks you're... - Awful nice... #

0:58:24 > 0:58:26Moulin Rouge won the Oscar for costume,

0:58:26 > 0:58:30which is strange, because, if you look at Nicole Kidman's hands,

0:58:30 > 0:58:32right hand ungloved,

0:58:32 > 0:58:34then it's gloved again.

0:58:34 > 0:58:37Her wardrobe is overacting even more than she is.

0:58:37 > 0:58:39Where is he?

0:58:40 > 0:58:42Bullitt won the Best Film Editing award.

0:58:42 > 0:58:46What the film makers didn't edit was an unwitting member of the public

0:58:46 > 0:58:49walking into shot and being clobbered by a policeman.

0:58:53 > 0:58:54"Where are you going, son?"

0:58:59 > 0:59:05The Terminator series asks life's big questions, like who'd win in a battle between man and machine

0:59:05 > 0:59:07and why DID that third film get made?

0:59:07 > 0:59:11At the heart of the Terminator movies is an impossible time-travel paradox.

0:59:11 > 0:59:17It makes me so angry I want to build a robot, travel back in time and kill everyone responsible.

0:59:17 > 0:59:21Oh, if only that was possible. Which it isn't. Which is why I'm angry.

0:59:21 > 0:59:24On the plus side, if machines did take over humanity,

0:59:24 > 0:59:29they'd probably avoid making movies that contained these clunking clunkers.

0:59:29 > 0:59:32John Connor was here. Where did he go?

0:59:32 > 0:59:36Here's T3, with my favourite kind of Terminator,

0:59:36 > 0:59:38the "making cars inexplicably explode" cyborg.

0:59:42 > 0:59:45Watch the truck. They're heading towards the sports car.

0:59:46 > 0:59:49Then they completely miss it.

0:59:49 > 0:59:52But the car shoots to the side by itself

0:59:52 > 0:59:55and there's a massive explosion. Absolute drivel.

0:59:57 > 0:59:59Sector's down.

0:59:59 > 1:00:03Keep your eye on this white-haired elderly lady in the chopper,

1:00:03 > 1:00:09because we're either about to see a massive gaffe or they've kicked her out for a quicker take-off.

1:00:09 > 1:00:11Call the surgical team.

1:00:11 > 1:00:14Remarks - it's Connor.

1:00:14 > 1:00:15She's gone.

1:00:15 > 1:00:20Whatever happened to the phrase "leave no man or old white-haired lady behind", eh, guys?

1:00:22 > 1:00:24Give me a strap.

1:00:24 > 1:00:28You can never be too careful when dealing with deadly robot bits.

1:00:28 > 1:00:33Here the resistance fighters are securely strapping down this Terminator arm.

1:00:33 > 1:00:35There are the straps.

1:00:37 > 1:00:40But in this shot the straps have gone.

1:00:40 > 1:00:43Well, that was a terminal waste of time, wasn't it?

1:00:43 > 1:00:45Oh, they're back. Strapping stuff!

1:00:45 > 1:00:46Bring up a portable shortwave.

1:00:46 > 1:00:49- I need to test it on something larger in the field.- All right.

1:00:51 > 1:00:53You will not get a second chance.

1:00:53 > 1:00:56It's reassuring that in this age of CGI there's still room

1:00:56 > 1:00:59for some good old-fashioned creaky special effects.

1:00:59 > 1:01:03I'm proud to present, a table hanging on a string.

1:01:03 > 1:01:05Doinnnng!

1:01:08 > 1:01:10Let's see that again.

1:01:12 > 1:01:13Boinnng!

1:01:13 > 1:01:15A table on a string.

1:01:19 > 1:01:24Here are three heroes from Terminator: Salvation making a right old mess of the place.

1:01:28 > 1:01:31But what's even more of a mess is the continuity here.

1:01:31 > 1:01:33Watch them jump through the hole in the wall.

1:01:33 > 1:01:35Man on right, little girl on left.

1:01:35 > 1:01:38And Bale, as John Connor, goes through the middle.

1:01:38 > 1:01:42On the other side, Connor's suddenly on the right, not in the middle,

1:01:42 > 1:01:44and the other two have changed places, too.

1:01:44 > 1:01:48If you ask me, they deserve to be terminator-ed for this gaffe.

1:01:54 > 1:01:56Christian Bale is in trouble here,

1:01:56 > 1:01:59with a Terminator standing almost on top of him.

1:02:00 > 1:02:02Oh, no, he's shot the molten metal.

1:02:02 > 1:02:05It will surely go all over both of them.

1:02:05 > 1:02:08Well, no, because now Bale is miles away from the Terminator.

1:02:10 > 1:02:13I'll be back. Back here where it's nice and safe.

1:02:15 > 1:02:17Every film pays people to meticulously

1:02:17 > 1:02:22work through the finer details and ensure that not even minute errors end up on the big screen.

1:02:22 > 1:02:27However, our team of super-nerds have proven to be even more meticulous than them,

1:02:27 > 1:02:29by spotting these even harder to reach clunkers.

1:02:29 > 1:02:33So...1-0 to the nerds, then, hmm?

1:02:34 > 1:02:38There's nothing worse than having your airline seat downgraded,

1:02:38 > 1:02:42so imagine how the passengers in Final Destination must feel.

1:02:42 > 1:02:47They started in a spacious 747, with its trademark double-decker nose

1:02:47 > 1:02:50and two engines on each side,

1:02:50 > 1:02:56but, on take-off, it's clearly a much smaller two-engined plane.

1:02:56 > 1:02:58There they go. Here we stay.

1:03:00 > 1:03:03'70s-set thriller Zodiac,

1:03:03 > 1:03:07which features a shot of the then state-of-the-art computer game Pong.

1:03:07 > 1:03:10- The score's 15-9.- My own kids would kill me for one of those.

1:03:10 > 1:03:15Unfortunately, the game performs a back and forth of its own,

1:03:15 > 1:03:18because now it's 14-9, and back to 15-9.

1:03:18 > 1:03:21Careful, Robert Downey Jr, we almost caught a glimpse of YOUR ping-pongs.

1:03:25 > 1:03:28- You don't like it, you can move back with your mum.- I can't, actually...

1:03:28 > 1:03:34Here's a classic nerdy Hollywood nerd playing nerdy Second Life in Hot Tub Time Machine.

1:03:34 > 1:03:37But surely a nerd of this calibre would have spotted that

1:03:37 > 1:03:41he's not actually playing the game, he's watching a video.

1:03:41 > 1:03:46Because those are the controls for Quicktime Media Player.

1:03:46 > 1:03:48Or am I a nerd for spotting that?

1:03:48 > 1:03:51Why do you waste your time with that Second Life bull...

1:03:54 > 1:03:56Here's lovable moron Forrest Gump

1:03:56 > 1:04:00receiving a letter confirming his shares in Apple Incorporated.

1:04:00 > 1:04:04He got me invested in some kind of fruit company.

1:04:04 > 1:04:07Well, here's a catchphrase for you, Forrest.

1:04:07 > 1:04:11Stupid is having a letter from Apple Incorporated dated 1974,

1:04:11 > 1:04:14which wasn't actually incorporated for another three years.

1:04:14 > 1:04:18I said, "That's good. One less thing."

1:04:21 > 1:04:26Kiss Kiss Bang Bang now, a film so bad they named it twice.

1:04:26 > 1:04:29But they clearly didn't watch it twice, because if they did

1:04:29 > 1:04:32they might have spotted this bona fide clanger.

1:04:32 > 1:04:36On the outside, this book is titled You Wouldn't Want To Live There.

1:04:36 > 1:04:41But on the inside it's The Man Beneath The Uniform.

1:04:41 > 1:04:45Should have called it The Fake Book Beneath The Photocopied Jacket.

1:04:45 > 1:04:46SHE thinks it's funny.

1:04:48 > 1:04:50Here we see the Girl with the Dragon Tattoo

1:04:50 > 1:04:54sending an e-mail to fellow hacker, Plague.

1:04:54 > 1:04:58Being a top-secret e-mail, she's going to want to encrypt it.

1:04:58 > 1:05:00Wait, decrypting?

1:05:00 > 1:05:04Oh, but that's the exact opposite of what she should have done.

1:05:04 > 1:05:08Next thing, we'll find out her tattoo isn't really a dragon at all, it's a...

1:05:08 > 1:05:10What's the opposite of a dragon?

1:05:13 > 1:05:16Zombieland now, set in America.

1:05:16 > 1:05:18Look, that's the stars and stripes.

1:05:18 > 1:05:21And, listen, they're playing The Star Spangled Banner.

1:05:21 > 1:05:24And, uh... Oh, dear.

1:05:24 > 1:05:26That's a British roundabout

1:05:26 > 1:05:30right outside the Washington, DC, Capitol building.

1:05:30 > 1:05:35If I thought I was in the States but it turned out to be Swindon, I'd be furious.

1:05:35 > 1:05:37Like this guy.

1:05:39 > 1:05:40Nice place, huh?

1:05:40 > 1:05:45The Blues Brothers are about to be fired at by a four-barrelled rocket launcher.

1:05:45 > 1:05:48So that'll be four explosions, right?

1:05:48 > 1:05:50There's one, two,

1:05:50 > 1:05:51three,

1:05:51 > 1:05:53four,

1:05:53 > 1:05:58five? That's not right. Quick, drive off before anyone notices.

1:06:00 > 1:06:05Kick Ass? They should have called it Kick Out The Director Because Of All The Mistakes That Are...

1:06:05 > 1:06:07Actually, their title's better.

1:06:07 > 1:06:10Kick-Ass, or, as it's called in Britain, Kick-Bottoms,

1:06:10 > 1:06:13is about a superhero that's good at getting beaten up.

1:06:13 > 1:06:16If that's a superpower, I think I've got it, too.

1:06:16 > 1:06:22I also have a special geek sense for detecting super-size continuity errors. Watch this.

1:06:22 > 1:06:25HE FARTS

1:06:25 > 1:06:28Does it not bug you? Thousands of people want to be Paris Hilton

1:06:28 > 1:06:29and nobody wants to be Spider-Man.

1:06:29 > 1:06:34Let's kick off with Kick-Ass's sidekick. Watch the guy on the left.

1:06:34 > 1:06:36He's holding a comic and...

1:06:36 > 1:06:38now it's on a table.

1:06:38 > 1:06:40That's a superpower in its own right.

1:06:42 > 1:06:44It was time for Mindy to get ready, too.

1:06:44 > 1:06:46Here's another comic-based super-gaffe.

1:06:46 > 1:06:50Notice the page on the left side with its three vertical panels.

1:06:50 > 1:06:52HAMMER IS COCKED

1:06:52 > 1:06:54How'd you find me, Marcus?

1:06:54 > 1:06:57One of us is still a cop, remember?

1:07:03 > 1:07:05Moments later we see it again

1:07:05 > 1:07:09and it's completely different, with four pictures in a grid.

1:07:09 > 1:07:10So you brainwashed Mindy?

1:07:10 > 1:07:13You say brainwashed. I say made it into a game.

1:07:13 > 1:07:15I say it's a terrible movie gaffe.

1:07:18 > 1:07:20Feel like checking out that new Kate Hudson movie where...

1:07:20 > 1:07:24In this scene, Kick-Ass is in his civilian clothes

1:07:24 > 1:07:27and hanging out with Katie, whom he has the hots for.

1:07:27 > 1:07:31They're inside because it's absolutely pouring down outside.

1:07:34 > 1:07:38But when they go out back to check out each other's fillings,

1:07:38 > 1:07:41there's not a drop of rain in the sky. Not that they'd notice.

1:07:43 > 1:07:44Can I get a puppy?

1:07:44 > 1:07:47Here are Big Daddy and Potty-Mouth Girl on their day off.

1:07:47 > 1:07:49Yeah. A cuddly, fluffy one.

1:07:49 > 1:07:52But keep an eye on her spoon.

1:07:52 > 1:07:54She puts it in the glass...

1:07:54 > 1:07:58and it's back in her hand. Now, that's BLEEP impressive.

1:07:58 > 1:08:01Look, I'd love a Benchmade model-42 butterfly knife.

1:08:05 > 1:08:08Here's the film's villain, Frank D'Amico.

1:08:08 > 1:08:10He's holding a popular make of phone.

1:08:10 > 1:08:14Apparently I'm not allowed to say the brand name, so I can't say iPhone.

1:08:14 > 1:08:18But in this shot it's silver on the back.

1:08:18 > 1:08:22- What is this? What am I looking at here?- It was Sal's phone.

1:08:22 > 1:08:24They found it in his hand.

1:08:24 > 1:08:26He must have taken that right before he died.

1:08:26 > 1:08:28And now it's black on the back.

1:08:31 > 1:08:34I'm a bit confused now. Can I phone a friend?

1:08:34 > 1:08:37Who? Kick-Ass?

1:08:39 > 1:08:42One of the worst movie clunkers is a boom in shot.

1:08:42 > 1:08:45No, not when something in shot goes boom, but when a sound man's

1:08:45 > 1:08:48over-head microphone drops down and ruins the entire scene.

1:08:48 > 1:08:50Can you watch what you're doing?!

1:08:50 > 1:08:52God, sound men are such idiots.

1:08:52 > 1:08:55Oh! I asked for that.

1:08:58 > 1:09:02Any film about Pearl Harbor is going to have a bit of boom in shot.

1:09:02 > 1:09:05Get it? Boom? Like an explosion? No?

1:09:05 > 1:09:07You're right. It was a tragedy.

1:09:08 > 1:09:11And the actual war was pretty bad, too.

1:09:14 > 1:09:18Here's Michael Douglas starring in Fatal Attraction.

1:09:18 > 1:09:20- See you tomorrow night.- Love you.

1:09:20 > 1:09:22Keep your eye on the windscreen.

1:09:22 > 1:09:24Boom!

1:09:24 > 1:09:27Never mind fatal attraction, there's a fatal distraction.

1:09:31 > 1:09:33Creative differences?

1:09:33 > 1:09:36Next up is Al Pacino in S1m0ne.

1:09:38 > 1:09:42And here's a blink and you'll miss it moment. Boom!

1:09:42 > 1:09:44Let's see it again.

1:09:45 > 1:09:48Luckily they got away with this gaffe

1:09:48 > 1:09:51because no-one actually went to see that film.

1:09:53 > 1:09:55Here's Jack Black in Shallow Hal,

1:09:55 > 1:09:57displaying his admirable acting range

1:09:57 > 1:09:59by playing a tubby yet loveable goofball.

1:10:00 > 1:10:03But that's not the only thing on display here.

1:10:03 > 1:10:05Boom!

1:10:05 > 1:10:09No, no. It's my fault. I didn't see... This is your cab.

1:10:09 > 1:10:10I'm going to get the next cab.

1:10:10 > 1:10:12Boom again!

1:10:12 > 1:10:14Taxi for the sound man.

1:10:16 > 1:10:18While watching Enchanted,

1:10:18 > 1:10:21I like to play a game called Boom Shake The Room.

1:10:21 > 1:10:25Every time I see a boom in shot - there's one - I trash my room.

1:10:25 > 1:10:29She's a seriously confused woman who's fallen into our laps.

1:10:29 > 1:10:30Good night, OK?

1:10:30 > 1:10:35There it is again. Right, I'm off to throw a sofa out of the window.

1:10:37 > 1:10:40Tense action thriller Ronin now.

1:10:40 > 1:10:44- Watch as De Niro runs through this dressing room.- Ten seconds.

1:10:45 > 1:10:49Did you spot the gaffe? Let's take a closer look at those mirrors.

1:10:49 > 1:10:51Ten seconds.

1:10:51 > 1:10:54That's the camera man, and boom!

1:10:54 > 1:10:56That's the sound man.

1:10:56 > 1:10:58Actors, eh? Can't go anywhere without their entourage.

1:11:00 > 1:11:04Sometimes a film can't afford to hire a large number of extras

1:11:04 > 1:11:08and has to use the same people over and over in a variety of different roles.

1:11:08 > 1:11:12I thought I'd found a classic example of this until the producers informed me

1:11:12 > 1:11:18that Eddie Murphy ASKED to play every role in Nutty Professor 2: The Klumps. Who can blame him?

1:11:18 > 1:11:21If I read a script that hilarious, I'd want to play every role.

1:11:21 > 1:11:25Oh, the Klumps, you hilarious, obese balls of flatulence.

1:11:25 > 1:11:29Anyway, here are a few clips of repeated extras that will have you laughing,

1:11:29 > 1:11:34like I did when I first saw Nutty Professor 2: The Klumps.

1:11:35 > 1:11:37'Scuse us for just a second.

1:11:37 > 1:11:42Let's start with little Leo DiCaprio, acting all grown up with a moustache in Aviator.

1:11:42 > 1:11:46I thought I might pilot the first one myself. Oughta be some fun.

1:11:46 > 1:11:49See these two smart gents in the background?

1:11:49 > 1:11:52- I'll buy you anything you want. - You can buy me dinner.

1:11:52 > 1:11:55Here they go again in the same direction.

1:11:55 > 1:11:58Dinner, then. We got a date?

1:11:58 > 1:12:00And once more.

1:12:01 > 1:12:03I'll be back in a second.

1:12:05 > 1:12:07It's romantic comedy The Ugly Truth,

1:12:07 > 1:12:11showing off the sensitive side of 300 macho man Gerard Butler.

1:12:11 > 1:12:16But never mind him, keep an eye on the blonde extra in the blue.

1:12:16 > 1:12:19She's in the shot once...twice...

1:12:19 > 1:12:22Can't get enough of your sparkling wit and charm.

1:12:22 > 1:12:25Stewart thought you needed a producer more than...

1:12:25 > 1:12:28- ..three times a lady, right back where she started.- Wow.

1:12:30 > 1:12:33Before South Park creator Trey Parker, seen here,

1:12:33 > 1:12:36and his buddy, Matt Stone, were hilariously funny,

1:12:36 > 1:12:40they were painfully unfunny in slacker comedy BASEketball.

1:12:40 > 1:12:43We're not beat yet. We can still win this thing.

1:12:43 > 1:12:45But keep an eye on these two extras in Trey's team.

1:12:45 > 1:12:47- Can we do it?- Yeah!- Can we do it?

1:12:47 > 1:12:49Yeah! Yeah!

1:12:51 > 1:12:56Because here they are again, in different jerseys, also playing for the opposing team.

1:12:59 > 1:13:02This is a clip from Final Destination,

1:13:02 > 1:13:05in which college kids try to out-run the Grim Reaper.

1:13:05 > 1:13:07And who doesn't love a good funeral?

1:13:07 > 1:13:10This woman at the back certainly does.

1:13:10 > 1:13:13She gets up to pay her respects once...

1:13:15 > 1:13:18..some meaningful glances...

1:13:21 > 1:13:23..more mourners...

1:13:23 > 1:13:26..and there's that woman going up all over again.

1:13:26 > 1:13:28Ma'am, step away from the coffin.

1:13:30 > 1:13:33We will go up there, pretend we're boyfriend and girlfriend...

1:13:33 > 1:13:35Here's The Proposal,

1:13:35 > 1:13:38in which Sandra Bullock persuades Ryan Reynolds to marry her.

1:13:38 > 1:13:41And that she isn't more than a decade older than him.

1:13:41 > 1:13:45Keep an eye on the unusually short woman in a green top to the left.

1:13:45 > 1:13:48If you send someone walking through shot over and over,

1:13:48 > 1:13:52probably best not to pick the most noticeable woman on the set.

1:13:52 > 1:13:54Sorry, were you not in that room?

1:13:54 > 1:13:58- Then I quit, and you're screwed. Buh-bye, Margaret.- Andrew!

1:13:58 > 1:14:00Andrew! Fine! Fine.

1:14:00 > 1:14:02Have you spotted her? Have you?

1:14:02 > 1:14:04There she is!

1:14:04 > 1:14:10If you do the Alaska weekend and the immigration interview, I will make you editor.

1:14:10 > 1:14:14A bit more zingy dialogue and a bit more really obvious repeated extra.

1:14:14 > 1:14:16She's really starting to grow on me.

1:14:18 > 1:14:21Here's a mean-looking Denzel Washington

1:14:21 > 1:14:24getting released from prison in the role of drug baron Frank Lucas.

1:14:26 > 1:14:29Watch the guy in white walking though shot.

1:14:36 > 1:14:40Well, here you can see him do exactly the same walk all over again.

1:14:40 > 1:14:41It's like deja vu,

1:14:41 > 1:14:45which is also the name of the Denzel Washington film before this one.

1:14:45 > 1:14:47See what I did there? Mmm, brilliant.

1:14:50 > 1:14:56Comedy The Hangover was a huge box-office smash. No wonder, if they hired girls in bikinis...

1:14:56 > 1:14:57That is my tooth!

1:14:57 > 1:15:03..got them to walk past once up close, once in the distance, and once up close again.

1:15:07 > 1:15:09# Spider-Man, Spider-Man

1:15:09 > 1:15:11# Repeats his extras whenever he can. #

1:15:11 > 1:15:15- Great honour to meet you, sir.- Harry tells me you're quite the science...

1:15:15 > 1:15:18Watch out for the college student with red hair.

1:15:18 > 1:15:21You know, I'm something of a scientist myself.

1:15:21 > 1:15:23I read all your research on nano-technology.

1:15:23 > 1:15:25There she is again...

1:15:25 > 1:15:28- Yes, I wrote a paper on it. - Impressive.

1:15:28 > 1:15:29..again...

1:15:30 > 1:15:32..and again.

1:15:32 > 1:15:34Hey, you two! Let's move!

1:15:34 > 1:15:36Nice to meet you.

1:15:36 > 1:15:38- Hope to see you again.- Yeah.

1:15:38 > 1:15:41Never mind seeing him again. Let's see her.

1:15:41 > 1:15:42He doesn't seem so bad.

1:15:42 > 1:15:47Bingo! My movie-mistake senses are tingling.

1:15:49 > 1:15:51- Jenny!- Here's Forrest Gump,

1:15:51 > 1:15:55who prefers to repeat entire crowds of extras.

1:15:57 > 1:16:01Keep an eye on just these two guys in hats, for example.

1:16:01 > 1:16:04Forrest knocks them out of the way once

1:16:04 > 1:16:06and then all over again.

1:16:06 > 1:16:09Like Forrest says, "Life is like a box of idiots."

1:16:12 > 1:16:14And, finally, Monsters, Inc,

1:16:16 > 1:16:19here to show that even when your extras don't actually exist,

1:16:19 > 1:16:22they can still crop up in two places at once.

1:16:22 > 1:16:25Stay where you are. Number One wants to talk to you.

1:16:25 > 1:16:29Each monster in a yellow suit has its own unique number.

1:16:29 > 1:16:33Here's worker 112, standing next to Mike and Sully.

1:16:35 > 1:16:41Then, moments later, here he, or it, is again.

1:16:43 > 1:16:47Two and a half years of undercover work were almost wasted.

1:16:50 > 1:16:54Fans of Star Trek prefer to be called Trekkers, because the term "Trekkie" is deemed offensive.

1:16:54 > 1:16:57A bit like "tragic, lonely geek-face".

1:16:57 > 1:17:01Some fans have even gone to the trouble of learning the entire language of Klingon.

1:17:01 > 1:17:04To those people I say, "Brak nik toff jah bak mak,"

1:17:04 > 1:17:09which doesn't mean anything as I've got better things to do with my life.

1:17:09 > 1:17:13As it happens, Bones McCoy was a nickname of a kid I went to school with,

1:17:13 > 1:17:18after he was caught in an uncompromising situation with a bag of crinkle-cut crisps.

1:17:18 > 1:17:22Stand by for some hi-tech, high-action sky-diving

1:17:22 > 1:17:25from the recent Star Trek reboot.

1:17:25 > 1:17:28We can see the order of the sky-divers on the display screen.

1:17:28 > 1:17:31Red first, then blue, then yellow.

1:17:31 > 1:17:335,800 metres.

1:17:33 > 1:17:35Distance to target, 5,000 metres.

1:17:35 > 1:17:38When we see them outside, they're in a completely different order.

1:17:38 > 1:17:40Blue, yellow, red.

1:17:42 > 1:17:46Obviously, the guy in red dies horribly, as required by Star Trek law.

1:17:47 > 1:17:49Don't people ever learn?

1:17:53 > 1:17:57Here's Nero, the villain, throttling some poor bloke.

1:17:57 > 1:17:59But, looking at his missing right ear tip,

1:17:59 > 1:18:04I'd guess he's already been in a fight, possibly with Mike Tyson.

1:18:04 > 1:18:08- Spock!- But now it's his left ear that's all chewed up.

1:18:08 > 1:18:10- And his right ear is all pointy. - Spock!

1:18:10 > 1:18:13You leave that Spock alone, it's not his fault.

1:18:15 > 1:18:18- Stop the ship.- Kirk, how the hell did you get on board the Enterprise?

1:18:18 > 1:18:21Here's Uhura standing right by her man, Mr Spock.

1:18:21 > 1:18:24Only, in this shot, she's standing quite far away.

1:18:24 > 1:18:26Women!

1:18:30 > 1:18:32Some old-school Trek now,

1:18:32 > 1:18:35back when they knew how to dress for every occasion.

1:18:35 > 1:18:38Falling to your certain death, only a black outfit will do.

1:18:43 > 1:18:48Being saved just before certain death, maybe a blue top would be more suitable.

1:18:48 > 1:18:50I suspect his trousers are brown though.

1:18:53 > 1:18:57Some people complained that William Shatner's acting was a bit wooden, like a puppet.

1:18:57 > 1:19:01Well, I think that's a bit unfair. He's nothing like a puppet.

1:19:01 > 1:19:05You know, with strings attached, holding him up in the air.

1:19:05 > 1:19:11Or people just off-screen pushing him about, controlling his every move during fight scenes.

1:19:11 > 1:19:13No, nothing like a puppet.

1:19:15 > 1:19:17Ambassador...

1:19:17 > 1:19:21Ambassador, with this next movie mistake you are really spoiling us.

1:19:21 > 1:19:23Spare me your human platitudes, Kirk.

1:19:23 > 1:19:25Look at the display of guns on the wall.

1:19:25 > 1:19:28Your son meant more to me than you can know.

1:19:28 > 1:19:30And now look.

1:19:30 > 1:19:32Can you spot the difference?

1:19:32 > 1:19:33Yes, of course you can!

1:19:36 > 1:19:40Ah, there's the moustachioed Scotty, standing behind Kirk,

1:19:40 > 1:19:43his right-hand man there to comfort him in his time of need.

1:19:43 > 1:19:46This death takes place in the shadow of new life.

1:19:46 > 1:19:48The sunrise of a new world.

1:19:48 > 1:19:52A world that our beloved comrade gave his life to protect and nourish.

1:19:52 > 1:19:55Hang on, where's Scotty?

1:19:58 > 1:20:01Who's playing those blooming bagpipes? Oh, Scotty's back.

1:20:01 > 1:20:04Turns out he CAN change the laws of physics.

1:20:08 > 1:20:13Keep an eye on the injured actor in this scene from The Wrath Of Khan.

1:20:13 > 1:20:16He's making the most of his big moment by dying not once...

1:20:18 > 1:20:20..but twice.

1:20:21 > 1:20:23Let's see that again.

1:20:23 > 1:20:25He dies

1:20:25 > 1:20:27and then decides to close his eyes.

1:20:27 > 1:20:28Talk about overplaying your part.

1:20:30 > 1:20:34More vintage Star Trek now. Look at that lovely jumper.

1:20:34 > 1:20:37But it's the whales we're looking for here.

1:20:37 > 1:20:40There they are. Big remote-controlled whales.

1:20:40 > 1:20:43How do we know they're remote-controlled?

1:20:45 > 1:20:48Because that's the special-effects diver releasing them.

1:20:48 > 1:20:53I feel cheated. Next you'll be telling me there's no such thing as transparent aluminium.

1:20:57 > 1:20:59Look at the big Klingon spaceship

1:20:59 > 1:21:02casting a huge shadow over the fishing boat.

1:21:02 > 1:21:07It's no good just turning the boat around, you won't get away from it that easily. Or will you?

1:21:08 > 1:21:09Well, the shadow's gone.

1:21:09 > 1:21:13That must mean the spaceship has too. Yay!

1:21:13 > 1:21:15Oh, no, there it is.

1:21:17 > 1:21:20There are a lot of things that are just wrong about Hollywood.

1:21:20 > 1:21:22Why do the actors get paid so much?

1:21:22 > 1:21:25Why does Jennifer Aniston make so many dodgy rom-coms?

1:21:25 > 1:21:28And why, Mel Gibson, why?

1:21:28 > 1:21:33But we're here to right some movie wrongs, or at least point them out and be sarcastic about them.

1:21:33 > 1:21:35Enjoy!

1:21:35 > 1:21:40Get Him To The Greek now, and we join the party in full swing.

1:21:40 > 1:21:42With Russell Brand, some sexy girls,

1:21:42 > 1:21:46Puff Diddy Daddy Combs and something on fire.

1:21:46 > 1:21:48- Sergio's gone crazy! - I love this game!

1:21:48 > 1:21:51And note the night-time cityscape in the windows.

1:21:51 > 1:21:53A real night to remember.

1:21:53 > 1:21:55I don't think so!

1:21:55 > 1:21:58Only when they get outside it's not night at all,

1:21:58 > 1:21:59it's the middle of the day.

1:22:01 > 1:22:04Exactly how long is that walk from the room to the exit?

1:22:08 > 1:22:11Look carefully at this clip from Ronin.

1:22:11 > 1:22:15Someone's spying on some tough guys from a window through a camera.

1:22:17 > 1:22:20But the next camera shot is clearly from someone standing

1:22:20 > 1:22:23right in front of them on the street. Very undercover.

1:22:26 > 1:22:29Harry Potter's full of all kinds of magical nonsense.

1:22:29 > 1:22:31That's it, all I need's a bit of luck.

1:22:31 > 1:22:36He's got an invisibility cloak, but in this scene he's also got invisibility glasses.

1:22:36 > 1:22:37Look, no lenses.

1:22:39 > 1:22:42It's a miracle.

1:22:45 > 1:22:49In Final Destination we see a young lady striking a tiny match

1:22:49 > 1:22:52that suddenly becomes absolutely massive.

1:22:52 > 1:22:55You could say... the match doesn't match.

1:22:57 > 1:22:59Look, it's all completely chicken soup.

1:22:59 > 1:23:01- It's what?- It's kosher.

1:23:01 > 1:23:03As Christmas.

1:23:03 > 1:23:06Lock Stock may have Two Smoking Barrels, but in this scene there's one massive clunker.

1:23:06 > 1:23:10- I need some artillery, too.- The fruit machine sounds like it's working.

1:23:10 > 1:23:11This is London, not the Lebanon.

1:23:11 > 1:23:15But no reels move at any point.

1:23:15 > 1:23:19Oi, Guy Ritchie, back up the apples and pears and sort your movie out.

1:23:21 > 1:23:23I don't like you.

1:23:23 > 1:23:26Dustin Hoffman about to reveal a revolutionary new product.

1:23:26 > 1:23:28Shaving foam that shaves for you.

1:23:30 > 1:23:33Leave on for a bit during a dramatic scene.

1:23:33 > 1:23:34Wipe foam off...

1:23:34 > 1:23:37and you're clean-shaven.

1:23:37 > 1:23:40Mrs Robinson, get that boy to the Dragon's Den.

1:23:42 > 1:23:43PHONE RINGS Pick it up.

1:23:43 > 1:23:49A dark, atmospheric thriller from the Coen brothers and what could be more creepy than a haunted phone?

1:23:49 > 1:23:52It's still ringing after she picks it up.

1:23:52 > 1:23:54Let's see that again.

1:23:59 > 1:24:02Oh, hi, it's Robert from Movie Mistakes.

1:24:02 > 1:24:04I'd like my money back, please.

1:24:06 > 1:24:11Quentin Tarantino is one of the greatest directors of his generation.

1:24:11 > 1:24:15He's also a very naughty boy. By calling his last film Inglourious Basterds,

1:24:15 > 1:24:20he thought his misspelling would allow him to get away with using a swearword. What a dockhead.

1:24:20 > 1:24:23The film follows the adventures of a group of Nazi-hunters.

1:24:23 > 1:24:26Well, Nazi hunters, our mistake hunters are after you.

1:24:26 > 1:24:29But just because our hunters are hunting Nazi-hunters,

1:24:29 > 1:24:33it doesn't mean we're on the same side as the Nazis. OK? They're not.

1:24:33 > 1:24:35This film is filled with the kind of mistakes

1:24:35 > 1:24:38that make you want to track down those responsible

1:24:38 > 1:24:41and carve the word "numpty" into their forehead.

1:24:41 > 1:24:45Sergeant Hugo Stiglitz.

1:24:45 > 1:24:47Heard of him?

1:24:47 > 1:24:50Everybody in the German army's heard of Hugo Stiglitz.

1:24:50 > 1:24:55Let's start with the scene where we find out about a Nazi turned good guy who goes by the name of....

1:24:55 > 1:24:57Well, you can probably read it for yourself.

1:24:59 > 1:25:02And here's a newspaper article all about the Nazis he's meant to have killed.

1:25:02 > 1:25:06On the top row here, there are six photos.

1:25:06 > 1:25:07Go ahead and count them.

1:25:07 > 1:25:10Hugo Stiglitz is a celebrity among German soldiers.

1:25:10 > 1:25:13But in this close-up there are actually seven photos across.

1:25:13 > 1:25:16Which is it Hugo, six or seven?

1:25:16 > 1:25:18You will answer me!

1:25:20 > 1:25:23Keep an eye on Colonel Landa's cigarette in this clip.

1:25:23 > 1:25:26He's just lit it.

1:25:26 > 1:25:30Already, there's ash hanging off.

1:25:31 > 1:25:34Hmm. Tension mounting.

1:25:34 > 1:25:37Doesn't even take a single drag.

1:25:41 > 1:25:45But seconds later, he puts it out in his apfel strudel.

1:25:45 > 1:25:48And suddenly it's burned down to a stub.

1:25:50 > 1:25:52Leading lady Shosanna puts on heavy lipstick

1:25:52 > 1:25:54for an evening of Nazi bothering.

1:25:56 > 1:26:00But hang on, in this shot, she's hardly wearing any lipstick.

1:26:00 > 1:26:03And there's no big, red mark on the wine glass.

1:26:07 > 1:26:11No, it's all right, lipstick's back again. As you were.

1:26:16 > 1:26:18I've been chewed out before.

1:26:18 > 1:26:20It's the end of the film with everyone making a break for freedom.

1:26:20 > 1:26:23Heard that deal you made with the brass.

1:26:23 > 1:26:29But something else is trying to make a run for it and that's Brad Pitt's tie.

1:26:29 > 1:26:32- First you can see both sides...- I'd make that deal.- I don't blame you.

1:26:32 > 1:26:35Then one side has made a run for it.

1:26:35 > 1:26:39And that pretty little nest you've feathered for yourself. Well, if you're willing to barbecue

1:26:39 > 1:26:42the whole high command, I suppose that's worth certain considerations.

1:26:42 > 1:26:44Don't worry, it'll be back.

1:26:44 > 1:26:46But I do have one question.

1:26:46 > 1:26:48Yeah, who's in charge of continuity here?

1:26:50 > 1:26:53There really is no excuse for mistakes in animation films.

1:26:53 > 1:26:56Why, oh why do animators make so many mistakes?

1:26:56 > 1:27:02It's just drawing a picture or two, or you know, quite a few, say, roughly 30 pictures per second,

1:27:02 > 1:27:081,800 pictures a minute so that's about 162,000 pictures per film, I mean, how hard can it be?

1:27:08 > 1:27:10Some of these animators should be drawn themselves,

1:27:10 > 1:27:14hung, drawn and quartered - for crimes against movie continuity!

1:27:14 > 1:27:17Possibly a bit harsh, but you know.

1:27:17 > 1:27:19Let's kick things off with Monsters Inc.

1:27:19 > 1:27:24Keep an eye on the train set on the bedroom floor.

1:27:26 > 1:27:28- Argh!- ARGH!

1:27:28 > 1:27:31Just moments later, it's gone.

1:27:31 > 1:27:35And has been replaced by all these painful, spiky things.

1:27:35 > 1:27:39These monsters should be incarcerated, not incorporated!

1:27:41 > 1:27:43Keep coming, keep coming.

1:27:43 > 1:27:48look at Mike's hand at the bottom of the screen. It's completely normal.

1:27:48 > 1:27:51Apart from the fact it's green and has pointy nails.

1:27:51 > 1:27:54Could almost be my ex-wife, am I right, fellas?

1:27:54 > 1:27:57Actually, I don't even have an ex-wife.

1:27:57 > 1:27:59- Is that...- Sorry it took so long.

1:27:59 > 1:28:03Anyway, now the hands are all covered in plasters.

1:28:05 > 1:28:07Even the credits are wrong.

1:28:07 > 1:28:10See Sulley hide little girl Boo behind him.

1:28:10 > 1:28:14But watch closely because during the song, she vanishes into thin air.

1:28:14 > 1:28:19Mind you, I disappear when people start dancing too.

1:28:19 > 1:28:22Get away from me, you guys.

1:28:26 > 1:28:32Look at young Cal here waking up in his PJs.

1:28:32 > 1:28:36Wow, it's been snowing ice cream.

1:28:39 > 1:28:42And a coat just magically appeared on him.

1:28:42 > 1:28:45Happy birthday, son.

1:28:45 > 1:28:47- Dad?- This is your day.

1:28:47 > 1:28:49If no-one else here is going to ask the question, I will.

1:28:49 > 1:28:51Where did that coat come from?

1:28:54 > 1:28:59Next the laugh-every-few-minutes hit-and-miss, Planet 51.

1:28:59 > 1:29:02Keep your eyes on the spaceman's visor.

1:29:02 > 1:29:04What the...

1:29:04 > 1:29:06duck?

1:29:08 > 1:29:12Aliens? Yeah, we're surprised, too, because they've got no reflection in your shiny helmet.

1:29:17 > 1:29:21# I call him lollipop, lollipop oh lolly, lolly, lolly, lollipop... #

1:29:21 > 1:29:23Planet 51 and mistake number two.

1:29:23 > 1:29:26So the alien dog pees on a lamp-post.

1:29:28 > 1:29:31The lamp-post falls down...

1:29:33 > 1:29:35..the lamp-post disappears.

1:29:35 > 1:29:39Yet another reason not to watch this film.

1:29:42 > 1:29:45Keep an eye on the two glasses.

1:29:45 > 1:29:47She must be real thirsty.

1:29:47 > 1:29:49I'm real thirsty.

1:29:49 > 1:29:53Told you. The only problem is one of the glasses has vanished.

1:30:02 > 1:30:04I don't want to walk any more.

1:30:04 > 1:30:07Russell is being dragged along by his face.

1:30:07 > 1:30:10I imagine that'll make him all dirty.

1:30:10 > 1:30:13There are no tigers in South America.

1:30:13 > 1:30:16- Zoology.- Yep.

1:30:16 > 1:30:21That's kids for you, eh? Dirty one second, completely clean the next.

1:30:21 > 1:30:23Weird.

1:30:25 > 1:30:28Let's take a look at Twilight, a series of films

1:30:28 > 1:30:31about pretty teenagers mainly moping about in forests.

1:30:31 > 1:30:34They have it all, vampires, werewolves, action romance,

1:30:34 > 1:30:38all mixed up together to create a bunch of boring, old rubbish.

1:30:38 > 1:30:41Twilight is chock-full of dodgy moral messages.

1:30:41 > 1:30:43Edward is over 100 years old

1:30:43 > 1:30:46and yet he's dating a 17-year-old schoolgirl,

1:30:46 > 1:30:47so we're all fine with this?

1:30:47 > 1:30:50Oh, and it's fine for the dead to get off with the living,

1:30:50 > 1:30:53but when it's the other way round, apparently it's creepy.

1:30:56 > 1:31:00Fitting in as the new kid can be hard. For a start, what do you wear?

1:31:00 > 1:31:04My first day at a new school, it's March in the middle of the semester.

1:31:04 > 1:31:07Well, that guy's got a red hoodie. He's pretty cool.

1:31:14 > 1:31:17- Nice ride.- Only now, he's also wearing a bodywarmer.

1:31:17 > 1:31:19- Thanks.- Oh, now he isn't.

1:31:19 > 1:31:21I can't keep up with teen fashion.

1:31:23 > 1:31:27I'm sorry I'm rude all the time, I just think it's the best way.

1:31:27 > 1:31:29Guess who just asked me to prom!

1:31:29 > 1:31:32Never mind the prom, where did that clipboard come from?

1:31:32 > 1:31:35Let's see that again.

1:31:35 > 1:31:38No clipboard, clipboard!

1:31:38 > 1:31:40And flounce...

1:31:42 > 1:31:45Where is he?

1:31:45 > 1:31:47Where's... Where's Edward?

1:31:47 > 1:31:51Here we see the loyal R-Patz sitting guard for injured Bella.

1:31:52 > 1:31:56There he is sleeping right by the window.

1:31:56 > 1:31:57Yep, right next to the...

1:31:57 > 1:32:01Oh, hang on, who moved the window?

1:32:03 > 1:32:04Come on, it's just a game.

1:32:04 > 1:32:07You have to be careful playing baseball,

1:32:07 > 1:32:10especially with sexy vampires.

1:32:10 > 1:32:11Nice kitty.

1:32:11 > 1:32:15Although it's not so dangerous that Bella needs a body double.

1:32:15 > 1:32:19Look, that's clearly not her, look at that massive chin.

1:32:24 > 1:32:29Ah, she's been reading Romeo and Juliet. How romantic.

1:32:29 > 1:32:32Happy birthday.

1:32:32 > 1:32:36But now, the book's gone. What did you do with it, Bella?

1:32:36 > 1:32:37Bore it out of existence?

1:32:39 > 1:32:44A werewolf so moody and sexy he has to walk around with his top off.

1:32:44 > 1:32:47Nice tattoo right up by his shoulder.

1:32:47 > 1:32:51Only in this shot, it seems to have slipped halfway down his arm.

1:32:51 > 1:32:52Bad dog.

1:32:57 > 1:32:59Finally in this scene, R-Pats flings Bella to safety,

1:32:59 > 1:33:03knocking over two vases.

1:33:03 > 1:33:07But the next time we see them, four vases are smashed.

1:33:07 > 1:33:11Either way, you only win a prize if you knock all five down, I'm afraid.

1:33:13 > 1:33:16One of the things that always amazes me about the film business

1:33:16 > 1:33:18is that there are actually trained specialists

1:33:18 > 1:33:21who are paid enormous sums of money to spot continuity mistakes.

1:33:21 > 1:33:26Basically, their job is to watch movies all day and point out small errors. Call that a job?

1:33:26 > 1:33:31It's pathetic. How exactly is that contributing to a better, healthier society for us all?

1:33:31 > 1:33:36Anyway, here's some mistakes that we spotted while being paid to watch movies the other day.

1:33:36 > 1:33:42A saucy scene where Stifler's mom seduces one of her son's friends.

1:33:42 > 1:33:45- Are you lost? - Keep your eyes on his balls.

1:33:45 > 1:33:48The pool balls, people!

1:33:48 > 1:33:51OK, there's a yellow ball in the middle of the table.

1:33:51 > 1:33:53No, no, not lost just...

1:33:53 > 1:33:55you know, taking the tour.

1:33:55 > 1:34:02He's so distracted by her mature allure, he doesn't notice the ball's moved all by itself. Steamy.

1:34:04 > 1:34:06Want show him the room, Dale?

1:34:06 > 1:34:13John C Reilly and Will Ferrell play, er, step-brothers. Watch the napkin.

1:34:13 > 1:34:17Hey, listen, I like to have a lot of fresh fruit around.

1:34:17 > 1:34:20And chocolate chips in my pancakes, OK?

1:34:20 > 1:34:22- Write it down so you don't forget. - Show him the room.

1:34:22 > 1:34:25Hang on, it's gone.

1:34:27 > 1:34:28Wait! Dastan!

1:34:29 > 1:34:33Ooh, it's The Prince Of Persia swordfighting

1:34:33 > 1:34:36in his brand new M&S shirt. And, oh, no, that's torn it.

1:34:36 > 1:34:38His mum will be furious.

1:34:38 > 1:34:42Only she won't, because look, it's immediately as good as new.

1:34:42 > 1:34:44Magic.

1:34:46 > 1:34:51It's the 1960s when men sat up front and women sat in the back.

1:34:51 > 1:34:54But it was also the decade of sexual liberation.

1:34:54 > 1:34:55- Might be worth a look.- Mm-hmm.

1:34:55 > 1:35:02Because when they stop, one of the men has become a woman, and nobody bats an eyelid.

1:35:04 > 1:35:09A man who so loved his watch, he could look at it for ages.

1:35:11 > 1:35:13It's 6pm.

1:35:13 > 1:35:15Next thing you know, it's 6:25.

1:35:15 > 1:35:18I guess time flies when you're on the run.

1:35:20 > 1:35:24Here's Anne Hathaway sprawling on the floor.

1:35:24 > 1:35:26Steve Carell is getting an eyeful,

1:35:26 > 1:35:28so he'll probably notice that she's got bare feet.

1:35:30 > 1:35:32Are you staring at my butt?

1:35:32 > 1:35:34No, I'm not.

1:35:34 > 1:35:40But in the same scene, after Steve Carell's stunt double has demonstrated his flexibility.

1:35:40 > 1:35:42That's impressive, wow.

1:35:42 > 1:35:44Hathaway's suddenly got shoes on.

1:35:44 > 1:35:47How good am I at spotting mistakes?

1:35:47 > 1:35:48Very good.

1:35:50 > 1:35:55Ah, legs crossed left over right, the classic relaxation position.

1:35:55 > 1:35:59- I will never become an Omega... - I mean, right over left.

1:35:59 > 1:36:01That's it, right over left.

1:36:01 > 1:36:03Left over right?

1:36:04 > 1:36:06Right over left?

1:36:06 > 1:36:09I cannot keep up with the Joneses.

1:36:11 > 1:36:13This isn't about me selling my products,

1:36:13 > 1:36:16I have to ensure my unit is selling their products.

1:36:16 > 1:36:18Here's that guy Mulder, from The X Files,

1:36:18 > 1:36:20with some paranormal activity.

1:36:20 > 1:36:24Keep an eye on his arm. It's up by his head.

1:36:24 > 1:36:26Separate bedrooms perhaps?

1:36:26 > 1:36:28Down again.

1:36:28 > 1:36:31You're not a great salesman.

1:36:31 > 1:36:33Touching his ear.

1:36:33 > 1:36:36Touching the table. Spooky.

1:36:39 > 1:36:45And here's that guy Mulder from The X Files in...The X Files.

1:36:45 > 1:36:51What's inexplicable in this shot is how the driver's side window is all ragged and smashed.

1:36:55 > 1:36:58But then there's not a shard of glass to be seen.

1:36:58 > 1:37:03The truth is out there. The truth is nobody was paying attention.

1:37:03 > 1:37:04Yeah, that'll learn you.

1:37:06 > 1:37:08I enjoyed Team America all right,

1:37:08 > 1:37:12I just found the acting a bit, I don't know, wooden?

1:37:12 > 1:37:16Here's a puppet looking at a picture of four other puppets,

1:37:16 > 1:37:19like Cheryl Cole thinking back on her Girls Aloud days.

1:37:19 > 1:37:21Hello, young man. Congratulations on a terrific performance.

1:37:21 > 1:37:28But in the wide shot, that photo of four has turned into a photo of two.

1:37:28 > 1:37:31What a Muppet! I mean, puppet.

1:37:31 > 1:37:34The name is Spottswoode.

1:37:36 > 1:37:39Action, punching, kicking, running away from the police,

1:37:39 > 1:37:41I love a night out in Liverpool,

1:37:41 > 1:37:43but now let's look at some action sequences.

1:37:43 > 1:37:48Action sequences are brilliant, you know, when actions happen in a sequence.

1:37:48 > 1:37:51In fact, come to think of it, everything is an action sequence really, isn't it?

1:37:51 > 1:37:54If a film didn't have any action, it would just be a bloke standing there

1:37:54 > 1:37:57talking straight to the camera and that would be rubbish.

1:37:57 > 1:38:00Let's watch some action howlers!

1:38:00 > 1:38:01Yah!

1:38:01 > 1:38:05Ah, the days of King Arthur when men were real man.

1:38:05 > 1:38:10Tough and strong, charging on horseback, wielding swords in battle and...

1:38:10 > 1:38:13dying when the sword hasn't even touched them.

1:38:17 > 1:38:19Get up, you big wuss.

1:38:23 > 1:38:27Some serious medieval-style action's about to kick off.

1:38:30 > 1:38:33But don't worry, they're not real soldiers, they're actors.

1:38:33 > 1:38:37They just do as they're told, keep walking and stop when you get

1:38:37 > 1:38:41to the rubbish sticks and bit of rope marking the edge of shot.

1:38:47 > 1:38:51The scouts have the motto "be prepared".

1:38:51 > 1:38:54These guys in Daybreakers must be former scouts, I reckon.

1:38:54 > 1:38:57They're so prepared, their car is riddled with bullet holes

1:38:57 > 1:38:59before any shots have been fired.

1:39:01 > 1:39:05- Put the gun down.- Let's go.

1:39:05 > 1:39:07And here come the bullets.

1:39:09 > 1:39:12I imagine they're prepared for me to tell them that they're idiots.

1:39:14 > 1:39:19Here's some more bullet hole nonsense.

1:39:20 > 1:39:25Never mind the goats, what the men, whoever they are, should be staring at is this windscreen.

1:39:25 > 1:39:27Which is shot one minute

1:39:29 > 1:39:33and then magically unshot. Stare at that, goat men.

1:39:35 > 1:39:37America will go nuts for BASEKetball.

1:39:37 > 1:39:41Watch the background of this crazy party in BASEKetball.

1:39:41 > 1:39:44The guy on the roof wearing the leather jacket and white trousers

1:39:44 > 1:39:46is so drunk he falls off twice.

1:39:46 > 1:39:49Listen to that crowd.

1:39:49 > 1:39:51See?

1:39:51 > 1:39:53He must've been drinking doubles.

1:39:55 > 1:39:58They say you should never work with children or animals.

1:39:58 > 1:40:02But after you've seen these clips, you can add vehicles to that list.

1:40:02 > 1:40:07Here's a collection of classic gaffes featuring planes, trains and automobiles.

1:40:07 > 1:40:10Ooh, that's a catchy title. Well done me.

1:40:10 > 1:40:14Anyway, I haven't seen transport blunders like this since I got a lift home with George Michael.

1:40:14 > 1:40:17Here's a famous scene from Borat.

1:40:17 > 1:40:20Eventually, I managed to hike a hitchings

1:40:20 > 1:40:24with group of young scholars also travelling across country. All right!

1:40:26 > 1:40:29Yes, it's all so completely spontaneous and not pre-planned.

1:40:29 > 1:40:33So spontaneous, the RV he gets out of later that night

1:40:33 > 1:40:37is a different one from the day before. Isn't that nice?

1:40:39 > 1:40:42- Hit the brakes! Hit the brakes, come on!- I can't!

1:40:42 > 1:40:46The fellows are in a spot of bother here.

1:40:46 > 1:40:49Look, the wheel's fallen off. This can't end well.

1:40:53 > 1:40:55Hold on, the wheel's back.

1:40:55 > 1:40:56Nothing can go wrong now.

1:41:01 > 1:41:02What the...?

1:41:02 > 1:41:07Get Smart not taking its own advice with this stupid movie blunder.

1:41:07 > 1:41:09Keep an eye on the car wing mirror.

1:41:09 > 1:41:11It gets smashed...

1:41:11 > 1:41:15- I cannot get over the fact that 23 is a traitor.- Sand trap!

1:41:15 > 1:41:17But now it's whole again.

1:41:17 > 1:41:20Now I know how you must have felt when you thought I was a traitor.

1:41:20 > 1:41:24- It is demoralising.- Tractor! - Wait, no, it's hanging off again.

1:41:24 > 1:41:27I don't know how I missed it. I'm usually very observant.

1:41:27 > 1:41:30- Swordfish!- Get Smart? Get lost.

1:41:33 > 1:41:37It's canine comedy caper, Hotel For Dogs.

1:41:37 > 1:41:39It's kind of like a dinner date, isn't it?

1:41:40 > 1:41:45How clever, a little train set bringing out the dogs' food.

1:41:45 > 1:41:49Ooh, not so clever, the food's not there in this shot.

1:41:49 > 1:41:52Well, they've made a right dog's dinner out of this scene.

1:41:54 > 1:41:58Here's Mel Gibson, furious at the side of the road as usual.

1:41:58 > 1:42:02But keep an eye on the door in the background. It's firmly shut.

1:42:07 > 1:42:09Oops, door's open.

1:42:12 > 1:42:13And the door's shut again.

1:42:16 > 1:42:21- What does it feel like? - Anyway, Mel's had enough and is off to shout at some police officers.

1:42:23 > 1:42:25OK, shouting done,

1:42:25 > 1:42:30Mel's now on his way home from this multi-storey car park.

1:42:30 > 1:42:34- Where you going?- Well, he's not going to the exit, that's for sure.

1:42:34 > 1:42:36Because it's that way.

1:42:38 > 1:42:41Mel? Mel? Mel!

1:42:43 > 1:42:48A movie masterclass in how not to make a film.

1:42:48 > 1:42:51But there are bigger mistakes than the casting of Ben Affleck.

1:42:55 > 1:42:58In this scene, we can clearly see that it's daytime.

1:43:01 > 1:43:03But when Affleck comes up for air -

1:43:04 > 1:43:07here he comes - it's suddenly night time.

1:43:07 > 1:43:10What a terrible...film.

1:43:12 > 1:43:14An anachronism is when something stands out

1:43:14 > 1:43:19from everything around it as just being from the wrong era in time.

1:43:19 > 1:43:21Think Prince Philip at a Justin Bieber concert.

1:43:21 > 1:43:25A glaring anachronism can immediately ruin any good period movie.

1:43:25 > 1:43:31I mean, Pride and Prejudice would have been rubbish if Darcy and Bennett had met via online dating.

1:43:31 > 1:43:34Or if the soldiers in 300 had got together at a flash mob.

1:43:34 > 1:43:39"Spartans, tonight we meet on Twitter!"

1:43:39 > 1:43:42Doesn't really work, does it?

1:43:42 > 1:43:45Just what we needed, yet another Robin Hood movie.

1:43:45 > 1:43:50But this one is going to be perfect, right down to every last detail.

1:43:50 > 1:43:55Like this smoothly cut tree stump that has blatantly been cut with a modern machine.

1:43:55 > 1:43:59Because they didn't use axes back then, they used ye olde chainsaw.

1:44:06 > 1:44:09In Robin Hood's day, they also used modern war equipment, just like

1:44:09 > 1:44:13these World War Two landing craft straight out of Saving Private Ryan.

1:44:13 > 1:44:16Despite the fact that they weren't invented until the 1920s.

1:44:16 > 1:44:20Only 700 years out. Yaar!

1:44:25 > 1:44:27Might as well go the whole hog, Robin.

1:44:27 > 1:44:30What's that up in the sky in this shot?

1:44:30 > 1:44:33That's right, the vapour trail from an aircraft.

1:44:33 > 1:44:35In the year 1200.

1:44:40 > 1:44:45The high seas, 1589, and a couple of clips from St Trinian's 2.

1:44:45 > 1:44:49This film is full of anachronisms, not least casting Girls Aloud's

1:44:49 > 1:44:52Sarah Harding as a 16-year-old schoolgirl.

1:44:57 > 1:45:01But in this scene, the clanger is a view through a telescope.

1:45:01 > 1:45:06I don't need to tell you that the telescope wasn't invented until 1608.

1:45:06 > 1:45:08He doesn't care.

1:45:10 > 1:45:12What an honour.

1:45:13 > 1:45:17The famous Captain Fritton aboard my humble vessel.

1:45:17 > 1:45:19It's everyone's favourite Doctor Who, David Tennant.

1:45:19 > 1:45:23He's dressed as a 17th century dandy.

1:45:23 > 1:45:26I say, golly gosh.

1:45:26 > 1:45:31Only they've just told us it's 1589 and those clothes won't be in fashion for decades.

1:45:31 > 1:45:34This is the solution to the greatest threat mankind has ever known.

1:45:34 > 1:45:36You're not a Time Lord any more, David.

1:45:39 > 1:45:42In the improbably titled Hot Tub Time Machine,

1:45:42 > 1:45:45a group of modern-day losers go back to the year 1986

1:45:45 > 1:45:48in a hot tub that's also a...time machine.

1:45:48 > 1:45:54No foreign army has ever occupied American soil until now.

1:45:54 > 1:45:55Well, I'll believe that, but not this.

1:45:55 > 1:45:58A poster for Rambo 3.

1:45:58 > 1:46:02It wasn't released until 1988, two years later.

1:46:02 > 1:46:04Who's responsible for this mistake?

1:46:04 > 1:46:07- The Ruskies. - Yeah, I might have guessed.

1:46:09 > 1:46:12Accident blackspot? These aren't accidents.

1:46:12 > 1:46:16A cinema classic that struggles to stay in the '60s.

1:46:16 > 1:46:19They're throwing themselves into the road to escape all this hideousness.

1:46:19 > 1:46:21Throw yourselves into the road, darling!

1:46:21 > 1:46:26Tearing down a '60s road in their '60s car with a bottle of '60s booze.

1:46:26 > 1:46:31But they seem to have taken a wrong turn and ended up in the 1980s.

1:46:31 > 1:46:35See those? Loads of '80s cars.

1:46:35 > 1:46:38Well, that's what drink-driving will do for you.

1:46:38 > 1:46:39Are you out of your mind?

1:46:39 > 1:46:41Pull over, you haven't got a licence.

1:46:41 > 1:46:43They also pass a modern motorway sign.

1:46:43 > 1:46:50In fact, the M25 didn't exist until 1975, and that's not in the 1960s.

1:46:55 > 1:47:00Here's a clip from the smash hit, The Girl With The Dragon Tattoo.

1:47:00 > 1:47:05When our hero, Mikael Blomkvist, goes for a jog, he has a flashback to his childhood in the '60s.

1:47:07 > 1:47:14Spot the problem? Yeah, this was a childhood in which he wore modern trainers from the future.

1:47:16 > 1:47:21Now on to Zodiac, a taut thriller set in the '70s.

1:47:21 > 1:47:24But what do we have here reflected on the car?

1:47:24 > 1:47:26Well, it's true what they say,

1:47:26 > 1:47:31Starbucks are popping up all over the place. Even in the past.

1:47:31 > 1:47:35I'll have a double decaf latte with an extra shot of get-your-facts-right.

1:47:35 > 1:47:41I don't understand it, if it's so difficult for movie-makers to get the weather right,

1:47:41 > 1:47:44then why don't they just write scripts where it's always nice?

1:47:44 > 1:47:46Singing In The Rain could just become Singing In The Dry,

1:47:46 > 1:47:50The Perfect Storm could become The Perfectly Pleasant Afternoon,

1:47:50 > 1:47:53and in An Inconvenient Truth, Al Gore could just reveal

1:47:53 > 1:47:56that it's going to get quite mild, much more convenient.

1:47:56 > 1:48:00Anyway, here's some weather that we can really complain about.

1:48:01 > 1:48:04Let's start with a clip from romantic comedy, Enchanted.

1:48:04 > 1:48:06Plenty of snow on the pavement.

1:48:06 > 1:48:09It's clearly the middle of winter.

1:48:12 > 1:48:18But hang on, a little later in the same scene, the pavement is suddenly snow free.

1:48:19 > 1:48:23This has ruined an otherwise completely realistic movie for me.

1:48:25 > 1:48:30Here's the opening scene from comedic turkey Paul Blart: Mall Cop.

1:48:30 > 1:48:32But the animal we're interested in is the dog.

1:48:32 > 1:48:37See how there's a clear shadow underneath the pooch in the bright sunlight?

1:48:37 > 1:48:39Well, not in the close-up.

1:48:39 > 1:48:45This is actually only the second worst mistake, right after having made the film in the first place.

1:48:49 > 1:48:53A small ship on stormy seas. It's being thrown all over the place

1:48:53 > 1:48:57in the opening scene of this Brit flick.

1:48:57 > 1:49:01We're about to get our first glimpse of the famous boat that rocked,

1:49:01 > 1:49:06only problem being that the boat that rocked isn't rocking at all.

1:49:06 > 1:49:09Unlike the small boat, it's in much calmer waters.

1:49:11 > 1:49:15Here's a fully grown man kerb-crawling for schoolgirls.

1:49:15 > 1:49:17How did the concert go?

1:49:17 > 1:49:20You can see from the rain on the car that it's absolutely pouring down.

1:49:20 > 1:49:22- What are you playing?- Elgar.

1:49:22 > 1:49:26Ah, I think it's a shame he spent so much time...

1:49:26 > 1:49:30We can always hear the rain, but she's clearly walking in the sunshine.

1:49:30 > 1:49:33Looks like the film's continuity person needs a bit of an education.

1:49:37 > 1:49:41George Clooney looking for a bit of love action in the winter snow.

1:49:41 > 1:49:42So I was in the neighbourhood...

1:49:42 > 1:49:45But keep an eye on the snow that's coming down.

1:49:47 > 1:49:51It's everywhere, except in this shot, when the snow machine obviously went on the blink.

1:49:51 > 1:49:55And it's snowing again. And not. And snow.

1:49:57 > 1:49:59And finally, a clip in which some frozen teens

1:49:59 > 1:50:02complain about being frozen, in the movie Frozen.

1:50:03 > 1:50:07They're stuck on a chairlift and clearly really, really cold.

1:50:07 > 1:50:09Frozen even.

1:50:09 > 1:50:12It's frigging cold up here!

1:50:12 > 1:50:16Hmm, so why can't we see their breath at any point in this scene?

1:50:16 > 1:50:18Probably because they're in a cosy, warm studio, that's why.

1:50:22 > 1:50:26Props are a regular source of terrible movie mistakes.

1:50:26 > 1:50:29Sometimes it's a thing that doesn't look quite right,

1:50:29 > 1:50:31like a heavy rock that's clearly made out of polystyrene.

1:50:31 > 1:50:34Or something that shouldn't have been in the film in the first place,

1:50:34 > 1:50:37like Ray Winstone in the last Indiana Jones movie.

1:50:37 > 1:50:40Prop mix-ups could have disastrous consequences.

1:50:40 > 1:50:43I mean, what if the man with the golden gun had lost his golden gun?

1:50:43 > 1:50:45It would just be called The Man.

1:50:45 > 1:50:49And I've not seen the film myself, but what if Schindler had lost his shopping list?

1:50:49 > 1:50:51It is a shopping list, isn't it?

1:50:51 > 1:50:56If there's one man you can trust in Hollywood, it's Richard Gere.

1:50:56 > 1:51:02Here's a scene in which he promises to look after some letters.

1:51:02 > 1:51:06Popping off letters for my dad, my mom and my sis.

1:51:06 > 1:51:09Don't worry, still got them.

1:51:09 > 1:51:11Oh, Richard, you've lost them.

1:51:11 > 1:51:14You're neither an officer, nor a gentleman.

1:51:18 > 1:51:21If you don't mind me saying, you're still angry.

1:51:21 > 1:51:23Rupert Everett now, someone else with no letters.

1:51:23 > 1:51:25- Even though he is holding a letter opener.- I'm not angry.

1:51:25 > 1:51:28I'm just very, very, very...

1:51:30 > 1:51:34Very confused because now the letter opener is a dart.

1:51:37 > 1:51:39Disappointed.

1:51:44 > 1:51:47Here's Billy Bob Thornton as Bad Santa,

1:51:47 > 1:51:49relaxing after a hard day's being miserable.

1:51:49 > 1:51:52But keep an eye on the bottle he's swigging from.

1:51:52 > 1:51:55You can see it's made of thin plastic.

1:51:55 > 1:51:57Shouldn't smash like glass then, eh?

1:51:59 > 1:52:01Bad Santa.

1:52:03 > 1:52:08It's futuristic sci-fi hit Moon now, which features an epic plot clanger.

1:52:08 > 1:52:12Keep your eye on the table for an unexpected reworking

1:52:12 > 1:52:14of Little House On The Prairie.

1:52:14 > 1:52:16High five.

1:52:16 > 1:52:17Only in the future,

1:52:17 > 1:52:20it's called Little House On The Ping-pong Table. Weird.

1:52:23 > 1:52:25Oh, my God in Heaven!

1:52:25 > 1:52:29The mistake in this scene is not the clearly fake cow.

1:52:29 > 1:52:31See how Jim Carrey throws his gun away.

1:52:34 > 1:52:38Let go, girl, on to greener pastures.

1:52:38 > 1:52:42- A quick cow wrestle later... - They're clear cutting a place in heaven for you.

1:52:42 > 1:52:45And there's the gun right next to him.

1:52:45 > 1:52:48I've got a real beef with this clip.

1:52:50 > 1:52:56- John Travolta appears to be running out of time.- I think I need to pray.

1:52:56 > 1:52:59As we can see on the black-faced watch he's wearing.

1:52:59 > 1:53:01Give me a minute.

1:53:01 > 1:53:06Only the next time we see his watch, it changes to a white one.

1:53:06 > 1:53:09And there's the black one again.

1:53:09 > 1:53:12- Should we tell him? - Tell him the truth or a lie?

1:53:12 > 1:53:13Tell him the truth.

1:53:15 > 1:53:18Why do extras insist on being referred to as background artists?

1:53:18 > 1:53:22Artists? They're standing in a lift or pretending to eat at a diner.

1:53:22 > 1:53:24They're not flipping Rembrandt.

1:53:24 > 1:53:25But whatever they call themselves,

1:53:25 > 1:53:28they need to remember that just because they're in the background

1:53:28 > 1:53:30doesn't mean we can't see them.

1:53:30 > 1:53:34And their mistakes. As these clips show.

1:53:35 > 1:53:39Being an extra isn't so hard. There are just a few basics to get right.

1:53:39 > 1:53:43Watch the guy playing a French reporter in mystical blockbuster,

1:53:43 > 1:53:46Angels and Demons. His left arm is up.

1:53:46 > 1:53:48And now it's down.

1:53:48 > 1:53:50Poor workmanship, monsieur.

1:53:52 > 1:53:54In this rousing scene from Legally Blonde 2

1:53:54 > 1:53:58Elle's colleagues are shoulder to shoulder in the close shot.

1:53:58 > 1:54:00Extra fries.

1:54:02 > 1:54:07But in the wide shot, they're suddenly miles apart from each other.

1:54:07 > 1:54:09Miles. OK, inches.

1:54:11 > 1:54:18Come on, sneak a peek!

1:54:18 > 1:54:22Here's Uma Thurman with a hairdo so terrifying it turns people into stone.

1:54:26 > 1:54:29And even stone extras screw up their part as we're about to see.

1:54:29 > 1:54:32She grabs the girl's wrist at elbow level.

1:54:32 > 1:54:36And now it's down by her waist. The snakes will be very angry.

1:54:38 > 1:54:41- How are you?- Very well.- Watch out for the extra playing a waiter.

1:54:41 > 1:54:45He really doesn't want to miss his big moment.

1:54:45 > 1:54:47- May I have a drink? - A drink, of course.

1:54:47 > 1:54:51He walks through shot, but then you can see him waiting for his cue right there in the reflection.

1:54:51 > 1:54:54- He didn't see me.- Waiter?

1:54:54 > 1:54:56- I will have a martini. - Blimey, that's quick service.

1:55:01 > 1:55:04Keep an eye on this guy. All he needs to do is clap normally

1:55:04 > 1:55:06and not look like a complete weirdo.

1:55:06 > 1:55:09Unfortunately, he can't do either.

1:55:09 > 1:55:11See you in four years, yeah?

1:55:11 > 1:55:15Presumably, because he's been told to clap silently and not ruin the soundtrack.

1:55:16 > 1:55:19Let's have one more look at this fine extra work.

1:55:19 > 1:55:24- Wow, he stands out like a Jamaican in the Winter Olympics. - Yeah, man.- Oh...

1:55:28 > 1:55:32First thing you learn at the academy of not being a crap extra

1:55:32 > 1:55:35is don't look at the camera.

1:55:35 > 1:55:38This girl manages to do it once...

1:55:38 > 1:55:39Twice.

1:55:39 > 1:55:42Who wants to see my big ass dancing anyhow?

1:55:42 > 1:55:45Three times. Cut!

1:55:49 > 1:55:52And finally, here's an extra in the crowd

1:55:52 > 1:55:54who's doing absolutely everything wrong.

1:55:54 > 1:55:58The audience has been told not to react to the band, but not this guy.

1:55:58 > 1:56:01He's mugging at the camera and generally having a one-man party.

1:56:01 > 1:56:04Sir, we salute you.

1:56:06 > 1:56:08Right, that's all we've got.

1:56:08 > 1:56:10Remember, as long as there are movie mistakes,

1:56:10 > 1:56:14there will be geeks to laugh at them. Goodnight.

1:56:32 > 1:56:35Subtitles by Red Bee Media Ltd

1:56:35 > 1:56:38E-mail subtitling@bbc.co.uk