0:00:44 > 0:00:48The name's Webb, Robert Webb and I've got a license to kill...
0:00:48 > 0:00:51the next two hours of your life,
0:00:51 > 0:00:53with all the mistakes from the latest movie releases.
0:00:53 > 0:00:56It's the return of the show that leaves the movie industry
0:00:56 > 0:00:58shaken and stirred by pointing out
0:00:58 > 0:01:01when it's made a right Thunder... up.
0:01:01 > 0:01:04Our team of movie nerds have been on Her Majesty's secret service
0:01:04 > 0:01:08to spot this year's brand new batch of movie clunkers.
0:01:08 > 0:01:12They're for your eyes only and, believe me, Dr No...one will...
0:01:12 > 0:01:14Sorry, I'm not going to do this for the whole show.
0:01:14 > 0:01:17When I said I want a James Bond style opening, I thought you'd
0:01:17 > 0:01:20give me fast cars, exotic locations and beautiful women,
0:01:20 > 0:01:22not a dodgy tux and bad puns.
0:01:22 > 0:01:25What, The Man With The Golden Pun? Yeah, very strong.
0:01:25 > 0:01:29Yeah, great. That's it, forget it. That's the last straw.
0:01:29 > 0:01:30Get Keith Lemon!
0:01:32 > 0:01:35That's better. There'll be no more of that nonsense.
0:01:35 > 0:01:38Instead, we're going to review clip after clip
0:01:38 > 0:01:41of the greatest movie mistakes from this year's films
0:01:41 > 0:01:43and my word is my bond.
0:01:43 > 0:01:45Hang on!
0:02:02 > 0:02:04Don't sequels just do your head in?
0:02:04 > 0:02:07It seems that, nowadays, people can't just let a good thing happen
0:02:07 > 0:02:10without exploiting it over and over again.
0:02:10 > 0:02:13Repeating the same tired formula until there's nothing original left.
0:02:13 > 0:02:17At least that's what we think here at Movie Mistakes...Three.
0:02:17 > 0:02:20Statistically, sequels gross more at the box office
0:02:20 > 0:02:23than the first film in a series, so do prequels.
0:02:23 > 0:02:26So I've come up with a plan, make the second film first,
0:02:26 > 0:02:30then do the first film second, but because you've made the second film
0:02:30 > 0:02:33first, the second film, which is in fact the first film,
0:02:33 > 0:02:36will technically be a prequel. Ker-ching!
0:02:36 > 0:02:40The best thing about sequels is that they get to have subtitles.
0:02:40 > 0:02:43Terminator 2, Judgement Day, Babe 2 - Pig In The City,
0:02:43 > 0:02:46Garfield 2 - who allowed this to get made.
0:02:48 > 0:02:52The foreboding and climactic Harry Potter And The Deathly Hallows.
0:02:52 > 0:02:57Here, the charmingly named Mundungus knocks over a stack of newspapers.
0:02:57 > 0:02:59Listen, I panicked...
0:02:59 > 0:03:01Daily Prophets everywhere.
0:03:02 > 0:03:06But, perhaps a special cleaning spell is used as, later on,
0:03:06 > 0:03:08we see the papers are neatly stacked again.
0:03:08 > 0:03:12Abracadabra? Abraca-bad-ra.
0:03:16 > 0:03:20Harry Potter critics say it became a little repetitive towards the end.
0:03:20 > 0:03:22- I think that's a bit unfair. - They're after you, mate.
0:03:22 > 0:03:26Oh, hang on, that waitress covers the same piece of ground twice.
0:03:27 > 0:03:29What about all the people the wedding?
0:03:29 > 0:03:30There she goes...
0:03:30 > 0:03:32and there she goes again.
0:03:32 > 0:03:34Maybe they had a point after all.
0:03:36 > 0:03:41Helena Bonham Carter straddling Emma Watson is a sight to get any
0:03:41 > 0:03:44Harry Potter fan-boy hot and bothered, but not like that.
0:03:44 > 0:03:47I'm talking about this massive movie clunker.
0:03:47 > 0:03:50SHE SCREAMS
0:03:53 > 0:03:55She goes to carve into her right arm,
0:03:55 > 0:03:57then, suddenly, she's attacking her left.
0:03:59 > 0:04:02It's awful. There's not even any mud for them to fight in.
0:04:05 > 0:04:08Ah, pirates - making alcoholism fun!
0:04:08 > 0:04:11It's the boisterous Pirates Of The Caribbean 4.
0:04:12 > 0:04:16And, as Geoffrey Rush tilts his hollow leg high to get a drink,
0:04:16 > 0:04:18Jack Sparrow wants a taste.
0:04:18 > 0:04:20I want one of those.
0:04:20 > 0:04:24Sadly, his hands are tied and could never tilt the leg high enough.
0:04:24 > 0:04:27Here's to revenge - sweet and clear.
0:04:28 > 0:04:30Revenge.
0:04:30 > 0:04:31How'd he do that?
0:04:31 > 0:04:32Come, Hector.
0:04:34 > 0:04:37It's the flaccid Little Fockers
0:04:37 > 0:04:40and here's Jessica Alba dropping off Ben Stiller in a lovely
0:04:40 > 0:04:42car with black seats.
0:04:43 > 0:04:45- Are you sure you're going to be OK? - Yeah.
0:04:45 > 0:04:48Well, it's not him you should worry about, it's your car
0:04:48 > 0:04:51because over night...the seats have turned white.
0:04:51 > 0:04:52You OK?
0:04:52 > 0:04:56Following the example of Dustin Hoffman's hair.
0:04:59 > 0:05:02Oh, it's the atmospheric Paranormal Activity 2.
0:05:02 > 0:05:03BANG
0:05:03 > 0:05:06And there's some spooky goings on in this household.
0:05:07 > 0:05:10Oh, keep an eye on the pots and pans hanging from the rack.
0:05:10 > 0:05:11That's enough.
0:05:13 > 0:05:16Oooh, they keep changing colour and shape.
0:05:17 > 0:05:20A poltergeist or cock-up?
0:05:20 > 0:05:21You decide.
0:05:23 > 0:05:26You know, it takes so much time and money
0:05:26 > 0:05:28to CGI those robots in Transformers,
0:05:28 > 0:05:32I'd just not bother putting them in every shot.
0:05:32 > 0:05:34I mean, who's going to notice?
0:05:34 > 0:05:36Unfortunately, we are!
0:05:36 > 0:05:39Keep an eye on this character, Brains, who transforms into
0:05:39 > 0:05:41thin air!
0:05:41 > 0:05:44Shame this film can't transform into a good one.
0:05:44 > 0:05:46That's what you love about me.
0:05:48 > 0:05:49You've got some BLEEP.
0:05:49 > 0:05:53It's annoying when there's loads of action going on.
0:05:53 > 0:05:55There's never time to shave, is there, Shia Labeouf?
0:05:58 > 0:06:02Especially when you're getting attacked by a flying robot.
0:06:05 > 0:06:06No!
0:06:06 > 0:06:11But, wait a second, he hasn't, has he?
0:06:11 > 0:06:15From Shia Labeouf to sheered Labeouf.
0:06:17 > 0:06:19You think you're a hero...
0:06:19 > 0:06:22It's near the end of transformers and time is tight.
0:06:22 > 0:06:23Who's the messenger?
0:06:23 > 0:06:26But look at this clock, it's got a mind of it's own.
0:06:26 > 0:06:28Starting at 2:20.
0:06:32 > 0:06:35It jumps back to 12:15...
0:06:37 > 0:06:40..and then back further to 11 o'clock.
0:06:40 > 0:06:42It's like Back To The Future, but with robots
0:06:42 > 0:06:45and without Michael J Fox.
0:06:45 > 0:06:48Actually, forget it, it's nothing like Back To The Future.
0:06:50 > 0:06:54Last clip from Transformers and lucky old sheered Labeouf is getting
0:06:54 > 0:06:57a snog from his latest supermodel girlfriend.
0:06:57 > 0:07:00But take a look at her mucky paws.
0:07:00 > 0:07:02I'm going to hold you to that.
0:07:02 > 0:07:05They keep changing from clean and over his shoulders,
0:07:05 > 0:07:07to dirty and on his face.
0:07:12 > 0:07:16The most popular genre of the moment seems to be the superheroes.
0:07:16 > 0:07:20Spiderman, Superman, Natalie Port-man, X-men, that's another one.
0:07:20 > 0:07:23I've always found their name confusing.
0:07:23 > 0:07:26X-men, they're ex-men. So they're women.
0:07:26 > 0:07:29If that's the case, I suppose that explains
0:07:29 > 0:07:31why I fancy Wolverine so very much.
0:07:31 > 0:07:34Everyone is quick to talk about superheroes, but no-one
0:07:34 > 0:07:36in interested in the real life heroes.
0:07:36 > 0:07:39For me, my hero in life has always been my old English teacher.
0:07:39 > 0:07:43He was caring and passionate, a real inspiration to all he taught
0:07:43 > 0:07:45and by night, he donned a mask and cape
0:07:45 > 0:07:47and went out and fought criminals.
0:07:47 > 0:07:50I'll never forget you, Mr Batman.
0:07:52 > 0:07:56Now it's time for breakneck action hit X-Men First Class.
0:07:56 > 0:07:59But that isn't a history class,
0:07:59 > 0:08:03as while they may be flashing back to 1944...
0:08:03 > 0:08:07that photo of Einstein was taken in 1947.
0:08:08 > 0:08:10Class dismissed.
0:08:14 > 0:08:17Here's James McAvoy as superhero, Professor Xavier.
0:08:17 > 0:08:21But every superhero has his weakness and for Xavier, it's windows.
0:08:22 > 0:08:24See that?
0:08:25 > 0:08:26I read the teleporter's mind.
0:08:26 > 0:08:29Ouch! He bangs his head against the glass.
0:08:29 > 0:08:31Curse you, window, I'll get you next time!
0:08:31 > 0:08:33I read the teleporter's mind.
0:08:35 > 0:08:37Now, James is rightly thinking twice
0:08:37 > 0:08:40about shooting his mate in the head.
0:08:40 > 0:08:43But look at the distance the gun is from his head,
0:08:43 > 0:08:45it changes with every shot.
0:08:45 > 0:08:49That's every shot of the camera, not of the gun, thankfully.
0:08:49 > 0:08:50No, I can't.
0:08:52 > 0:08:55Now have the animators made an error here? Look at Emma Frost -
0:08:55 > 0:08:58she's the one that's a woman.
0:08:58 > 0:09:01When she changes from diamonds back to human
0:09:01 > 0:09:03her hair style changes.
0:09:05 > 0:09:06Here it's loose.
0:09:06 > 0:09:07Now tied back.
0:09:07 > 0:09:09We don't harm our own kind.
0:09:09 > 0:09:12With her hair in that state, she must have been made from uncut diamonds.
0:09:15 > 0:09:18On to the let down that was Green Lantern
0:09:18 > 0:09:21and this guy is ecstatic because all day, he's been trying to keep
0:09:21 > 0:09:25his slippery headphones on his head and now he's finally made them...
0:09:25 > 0:09:28Oh. Oh well. Back to the drawing board.
0:09:32 > 0:09:34Take a look at Ryan Reynolds brown eyes.
0:09:34 > 0:09:37You know, you can't be a pilot if you're colour blind.
0:09:39 > 0:09:42Maybe they should have the same rule for casting directors because,
0:09:42 > 0:09:47according to this film, when he was younger, he had blue eyes.
0:09:50 > 0:09:52It's Ken Branagh's smart take on Thor.
0:09:52 > 0:09:54But where's the cock-up?
0:09:55 > 0:09:59As Dylan says, the answer, my friend, is blowing in the wind.
0:10:01 > 0:10:05Look at that stiff breeze blowing their hair across their faces...
0:10:05 > 0:10:09that suddenly disappears... and it returns.
0:10:09 > 0:10:15Misquoting Dylan again, let's hope, at that height, they're not sitting on the eves of destruction.
0:10:15 > 0:10:17I try, I fail.
0:10:17 > 0:10:19I'm going to get everything back.
0:10:22 > 0:10:25In this scene, it's tipping it down with rain
0:10:25 > 0:10:28and everyone's getting soaking wet.
0:10:29 > 0:10:31Apart from the guy from The Hurt Locker,
0:10:31 > 0:10:34who keeps a dry face at all times.
0:10:35 > 0:10:39With that condition, he must get through a hell of a lot of Nivea.
0:10:41 > 0:10:46Thor, again, and an exciting moment where a coffee spills over.
0:10:50 > 0:10:52But there's no use crying over it because,
0:10:52 > 0:10:56in just a matter of seconds, it goes from being knocked over
0:10:56 > 0:10:58to upright again.
0:10:59 > 0:11:01Better latte than never.
0:11:03 > 0:11:07In my opinion, a good movie always leaves you asking questions.
0:11:07 > 0:11:09Who was Keyser Soze?
0:11:09 > 0:11:12How did Nice Guy Eddie get shot? And, dude, where is my car?
0:11:12 > 0:11:16but this selection of clunkers is so terrible, it will leave you
0:11:16 > 0:11:20asking only one question. What were they thinking?
0:11:22 > 0:11:25Very geeky comedy with the film Paul, now,
0:11:25 > 0:11:28and the invisible alien looks at Nick Frost's passport.
0:11:31 > 0:11:34But it should say British citizen and not British subject.
0:11:34 > 0:11:37Could be worse, it could be French subject.
0:11:37 > 0:11:39That was always my least favourite subject.
0:11:42 > 0:11:44He's from another world.
0:11:44 > 0:11:46Take a look at the green oven mitt on the wall.
0:11:46 > 0:11:48It's about to disappear.
0:11:48 > 0:11:50If it makes you feel any better, my existence...
0:11:50 > 0:11:52There it goes.
0:11:52 > 0:11:55That's the thing about sci-fi films, I mean, the rule book is thrown
0:11:55 > 0:11:56out of the window.
0:11:56 > 0:11:57# Amazing grace... #
0:11:57 > 0:12:00In fact, I bet they did it on purpose.
0:12:00 > 0:12:03I bet it represents something like, you know, us,
0:12:03 > 0:12:06like, are we really here or are we just...
0:12:06 > 0:12:08Oh, yeah.
0:12:08 > 0:12:09Oh, never mind, it's back.
0:12:09 > 0:12:12Turns out it just represents a mistake they made.
0:12:14 > 0:12:17And now fireworks. Remember the code...
0:12:17 > 0:12:19That'll put us behind the tree...
0:12:19 > 0:12:20..light them at an arms length...
0:12:20 > 0:12:22Hey! Watch the fuse!
0:12:22 > 0:12:23..stand well back...
0:12:23 > 0:12:24That's not funny.
0:12:24 > 0:12:26..and take your head torch off twice.
0:12:26 > 0:12:29Arrh. Boom!
0:12:35 > 0:12:38But watch Pegg's head torch. He just lets it vanish.
0:12:40 > 0:12:42He's no responsible adult.
0:12:46 > 0:12:49Pretentious arty action in Hanna.
0:12:49 > 0:12:53Here, Cate Blanchett runs up a flight of stairs in comfy shoes,
0:12:53 > 0:12:55dropping her monkey head along the way.
0:12:56 > 0:12:59No time to worry about simian head gear, there's a child to chase.
0:13:05 > 0:13:08But, apparently, plenty of time to change shoes.
0:13:08 > 0:13:10Let's see that again.
0:13:12 > 0:13:16Before you can say, "Here come the girls," she's in boots!
0:13:20 > 0:13:24Here's Hanna herself and I know what you're thinking,
0:13:24 > 0:13:27Hanna was brought up as a trained assassin in isolation
0:13:27 > 0:13:30near the arctic circle, so how come she's got pierced ears?
0:13:31 > 0:13:34This movie has more holes than Hanna's lobes.
0:13:37 > 0:13:41Hanna's having a face-to-face chat with her friend Sophie,
0:13:41 > 0:13:43lying on her left hand side.
0:13:43 > 0:13:45And here's Sophie who, for some reason,
0:13:45 > 0:13:47appears to be also lying on her left side.
0:13:48 > 0:13:51So, how are they face-to-face?
0:13:51 > 0:13:52I like you.
0:13:52 > 0:13:54Look me in the eye and answer me!
0:13:55 > 0:13:57I'd like to have a friend.
0:13:59 > 0:14:01In the soppy Just Wright,
0:14:01 > 0:14:06Scott walks Leslie over to a covered object shaped very much like a car.
0:14:06 > 0:14:11She asks what it is and he reveals, to her great surprise...
0:14:11 > 0:14:12that it's a car.
0:14:12 > 0:14:15No, you didn't!
0:14:15 > 0:14:17But keep your eye on the antenna.
0:14:17 > 0:14:19It's visible even though the car's covered
0:14:19 > 0:14:22and doesn't move with the fabric.
0:14:25 > 0:14:28Just WRIGHT?! Just WRONG more, like!
0:14:28 > 0:14:30ROBERT WEBB CHUCKLES
0:14:32 > 0:14:34Here's the moribund Something Borrowed.
0:14:34 > 0:14:38Keep an eye on the girl on the far left fast asleep.
0:14:40 > 0:14:44Now she's wide awake and catching up on the latest gossip in Grazia.
0:14:44 > 0:14:46Can't have been a very interesting article because, look,
0:14:46 > 0:14:50sleeping on the job again. A bit like the continuity editor.
0:14:54 > 0:14:57On to the tongue-in-cheek Red now and here's lovely Helen Mirren
0:14:57 > 0:14:58looking glamorous,
0:14:58 > 0:15:02but then she could make a cheap plastic watch look glamorous.
0:15:02 > 0:15:05Which must be exactly what she's done
0:15:05 > 0:15:09as while the necklace sets off the metal detector,
0:15:09 > 0:15:11the watch doesn't.
0:15:15 > 0:15:16Still with Red and here,
0:15:16 > 0:15:19Bruce Willis gets a little help with his handcuffs.
0:15:19 > 0:15:23He's handed a key, but wait a second,
0:15:23 > 0:15:25the handcuffs aren't even locked.
0:15:27 > 0:15:29How much help do you need, Bruce?
0:15:29 > 0:15:32Do you want him to tie your shoelaces while he's at it?
0:15:34 > 0:15:35You can't beat watching a film in 3D.
0:15:35 > 0:15:39Not only do things jump out the screen at you,
0:15:39 > 0:15:43but when you get to any rude bits, you can do this. Ho-ho!
0:15:43 > 0:15:463D films are making huge waves at the moment,
0:15:46 > 0:15:48but what will be the next step? 4D? 5D?
0:15:48 > 0:15:51Here at Movie Mistakes 3, we can reveal the latest
0:15:51 > 0:15:55technological advancement that's about to take Hollywood by storm -
0:15:55 > 0:15:578D.
0:15:57 > 0:16:01I'm about to watch the latest Saw movie. OK!
0:16:02 > 0:16:03HE SCREAMS
0:16:03 > 0:16:06Turn it off! Turn it off!
0:16:09 > 0:16:12I think I'm going to stick to 2D.
0:16:15 > 0:16:20Dreary TRON: Legacy now and look at the dangerous driving.
0:16:20 > 0:16:22Surely he can't get away with this.
0:16:23 > 0:16:26He won't because the police have clocked him with a speed gun.
0:16:26 > 0:16:30But the police seem to have failed to spot the fact that everyone
0:16:30 > 0:16:33is driving the wrong way down that road.
0:16:36 > 0:16:38It's impossible to catch a cab in New York,
0:16:38 > 0:16:41so why not let a cab catch you?
0:16:42 > 0:16:45Watch out, here come the police.
0:16:47 > 0:16:48Here they are.
0:16:48 > 0:16:49You pay!
0:16:51 > 0:16:53And here they are again.
0:16:58 > 0:17:01Oh, he looks hard(!)
0:17:01 > 0:17:03As this poor lady's about to find out.
0:17:03 > 0:17:05You don't want to fight him.
0:17:05 > 0:17:08Look at the neon strip on her right leg.
0:17:09 > 0:17:13He's so tough, he can kick someone's trousers back to front.
0:17:13 > 0:17:16See, the strip is on the opposite side...
0:17:16 > 0:17:18and her side parting too.
0:17:18 > 0:17:20What a guy.
0:17:23 > 0:17:27A CGI Jeff Bridges speaks to his army of baddie motorcycle couriers.
0:17:27 > 0:17:33There's clearly no-one standing directly in front of him. Look.
0:17:35 > 0:17:38But the reflection in his visor suggests he's dead opposite him.
0:17:38 > 0:17:42He must have pushed his way to the front.
0:17:42 > 0:17:44What a crawler!
0:17:46 > 0:17:50Jackass 3D now and those hardcore lunatics
0:17:50 > 0:17:53take on one of my biggest fears - self-assembled furniture.
0:17:53 > 0:17:56Watch the corner of the room where the plant is,
0:17:56 > 0:18:00because in no time at all, they're going to put up...
0:18:00 > 0:18:01a bookcase!
0:18:01 > 0:18:03Jackass 3D is amazing.
0:18:03 > 0:18:07It really feels like they're bursting through your telly.
0:18:07 > 0:18:09See!
0:18:14 > 0:18:17Piranha 3D full of action, gore and mistakes.
0:18:17 > 0:18:21Here sheriff Elizabeth Shue falls in a big lake.
0:18:22 > 0:18:24Deputy fellow manages to get her out
0:18:24 > 0:18:28but moments later, she's bone dry. What a mistake.
0:18:28 > 0:18:31They should shoot the sheriff and the deputy for that one.
0:18:35 > 0:18:36Now, what's this idiot up to?
0:18:36 > 0:18:40You can't put a walkie-talkie in water.
0:18:40 > 0:18:43Oi, mate! They're not called swimmie-talkies, are they?
0:18:43 > 0:18:45It'll short-circuit.
0:18:45 > 0:18:51But in Piranha 3D anything can happen, even if it shouldn't.
0:18:51 > 0:18:52OK, I'm in.
0:18:52 > 0:18:54And the walkie-talkie works perfectly.
0:18:54 > 0:18:55'Do you copy?'
0:18:59 > 0:19:01The dim-witted Resident Evil: Afterlife
0:19:01 > 0:19:04and Milla Jovovich is taking down some baddies.
0:19:04 > 0:19:06As most ladies will tell you,
0:19:06 > 0:19:09although you may turn up at work in killer heels,
0:19:09 > 0:19:14keep a comfy pair of shoes in your bag, just in case you have to...
0:19:14 > 0:19:15you know, run up a wall.
0:19:21 > 0:19:24But like any good hero, she wants to be buried in her boots
0:19:24 > 0:19:27and her heels are back on.
0:19:31 > 0:19:35Now, this chap has a gun trained on Milla.
0:19:35 > 0:19:37Stop right there.
0:19:37 > 0:19:38And this other bloke looks nasty.
0:19:38 > 0:19:40There's no way out of this one.
0:19:40 > 0:19:45If only the gunman was as close enough to kick as those knives.
0:19:45 > 0:19:46Oh, now he is!
0:19:46 > 0:19:50Well, it was either that or grow telescopic legs.
0:19:55 > 0:19:58They say you should never meet your heroes,
0:19:58 > 0:20:00which I guess is why no-one ever comes up to me in the street
0:20:00 > 0:20:02and tells me how much they love my work.
0:20:02 > 0:20:04Thanks, guys. That means a lot(!)
0:20:04 > 0:20:07Everytime someone crosses the street to avoid meeting me,
0:20:07 > 0:20:10I think to myself, "There goes a true fan."
0:20:16 > 0:20:20The hard-boiled and vicious Mechanic goes a bit Weekend At Bernie's
0:20:20 > 0:20:24as Jason Statham covers up his killing by making the corpse
0:20:24 > 0:20:25swim a few more lengths.
0:20:29 > 0:20:32But look at his grip on the dead man's wrists.
0:20:32 > 0:20:35It should clearly be visible from above,
0:20:35 > 0:20:37but it's not.
0:20:37 > 0:20:39What would Bernie say?
0:20:39 > 0:20:42Well, nothing. He's dead.
0:20:44 > 0:20:47Angelina Jolie in the disjointed film Salt,
0:20:47 > 0:20:50here climbs down a lift shaft.
0:20:51 > 0:20:54Just a wait few minutes for the lift, you impatient madam.
0:20:56 > 0:20:58Thankfully, she emerges from what must be
0:20:58 > 0:21:00a filthy and greasy lift shaft
0:21:00 > 0:21:03with a pristine white shirt and clean, spotless skin.
0:21:03 > 0:21:05How does she do it?
0:21:09 > 0:21:11It's the crackpot action movie Red
0:21:11 > 0:21:15and Bruce Willis has kidnapped a lady and taped up her mouth.
0:21:15 > 0:21:19But the more she gesticulates, the more we can see that
0:21:19 > 0:21:22she has enough movement in her arms to take the tape off.
0:21:22 > 0:21:26Maybe if she stopped complaining and thought a second she'd work it out.
0:21:26 > 0:21:28I'm a little hungry too.
0:21:30 > 0:21:35Moody revenge film Faster now and The Rock hears an eagle call.
0:21:36 > 0:21:38# Who's that riding? #
0:21:38 > 0:21:41Trouble is, the bird he's seeing is actually a seagull.
0:21:43 > 0:21:48Maybe the seagull thinks it'll sound more impressive as an eagle.
0:21:48 > 0:21:51A bit like calling yourself "The Rock,"
0:21:51 > 0:21:53when your real name is Dwayne.
0:21:57 > 0:22:00It's the best actor of his generation, 50 Cent,
0:22:00 > 0:22:01in the very flat Blood Out
0:22:01 > 0:22:04doing some incredible sunglasses acting.
0:22:04 > 0:22:06Look good on you, man.
0:22:06 > 0:22:09They do look good on him, don't they?
0:22:09 > 0:22:10He should never take them off.
0:22:13 > 0:22:15Oh, wait a minute, they've disappeared.
0:22:15 > 0:22:19That's awful continuity if you want my 50 cents on the matter.
0:22:21 > 0:22:24And now, major movie storyline faults
0:22:24 > 0:22:28are reviewed and exposed in Great Pothole Mistakes.
0:22:28 > 0:22:31In the spooky and surprising Sixth Sense,
0:22:31 > 0:22:32Bruce Willis plays Dr Malcolm Crowe,
0:22:32 > 0:22:35a child psychologist who gets shot by a former patient
0:22:35 > 0:22:38and, ten months later, befriends a troubled young boy
0:22:38 > 0:22:41who can see dead people.
0:22:41 > 0:22:44One of whom, it turns out, is Dr Crowe, raising the question
0:22:44 > 0:22:46how good a doctor is he that it took him ten months
0:22:46 > 0:22:48to diagnose his own death?
0:22:48 > 0:22:50Surely there were clues.
0:22:52 > 0:22:54Like his wife crying into her dinner for one.
0:22:54 > 0:22:57Or when she went to a funeral he wasn't invited to.
0:22:57 > 0:23:00Or when she took up starfishing in bed.
0:23:00 > 0:23:04And then there must have been his sudden lack of bar presence,
0:23:04 > 0:23:08and having is phone cut off and not needing the toilet.
0:23:10 > 0:23:13And being able to go to the flicks without paying.
0:23:15 > 0:23:19And even if his unrequited sexual advances towards his wife
0:23:19 > 0:23:23were nothing new, surely when she made the bed with him still in it
0:23:23 > 0:23:26he must have wondered what the blazes was afoot.
0:23:26 > 0:23:28"Sorry, I'm still here."
0:23:28 > 0:23:33You stole the distinctive autumnal tones of my seminal movie.
0:23:33 > 0:23:34Be gone!
0:23:36 > 0:23:40Awards - what are they good for?
0:23:40 > 0:23:43Plumping up the already inflated egos of pampered performers.
0:23:43 > 0:23:46Rewarding someone for doing a job they've already been paid
0:23:46 > 0:23:48far too much money to do in the first place.
0:23:48 > 0:23:51As if all performers have a pathetic obsession with recognition.
0:23:51 > 0:23:54Awards are a complete sham, a massive waste of time
0:23:54 > 0:23:57and, as I stated very loudly at this year's Annual Clip Show Awards,
0:23:57 > 0:24:01I'm not interested in stupid awards and, yes, we have been passed over
0:24:01 > 0:24:04yet again and, yes, I may have been removed by security
0:24:04 > 0:24:07for causing a scene, but there is no way that
0:24:07 > 0:24:10Animal Foul Ups deserved to win again.
0:24:10 > 0:24:13Speaking of awards, here are some Oscar-nominated clips.
0:24:17 > 0:24:21Inception - where strange things happen almost without explanation.
0:24:21 > 0:24:24That's not the way I deal with things.
0:24:24 > 0:24:27Maybe that's how you justify the rain on the window behind Saito.
0:24:27 > 0:24:30But there's no rain on DiCaprio.
0:24:31 > 0:24:35And the continuity editor is thrown off the building
0:24:35 > 0:24:38- for one too many errors. - What will you do with him?- Nothing.
0:24:38 > 0:24:41You'd have thought working on Inception would be a dream job.
0:24:45 > 0:24:49Now a maths lesson from revealing biopic The Social Network.
0:24:49 > 0:24:52Facebook's run by some of the greatest business minds in the world.
0:24:52 > 0:24:55So these numbers will be meticulously crunched.
0:24:55 > 0:24:58Let's listen to how their business is divided up.
0:24:58 > 0:25:02That represents a 34.4% ownership share.
0:25:02 > 0:25:05So Eduardo owns 34.4%.
0:25:05 > 0:25:11- You should know that Mark has already taken his percentage from 60 down to 51.- Oh.
0:25:11 > 0:25:12Zuckerberg owns 51%.
0:25:12 > 0:25:14Who else is in?
0:25:14 > 0:25:17Dustin Moskovitz owns 6.81%,
0:25:17 > 0:25:23Sean Parker 6.47% and Peter Thiel 7%.
0:25:23 > 0:25:25Total 105%!
0:25:25 > 0:25:28Would you like to use my pen?
0:25:28 > 0:25:31Would you like to use my calculator?
0:25:34 > 0:25:38Ooh, the brutal and uncompromising Black Swan now
0:25:38 > 0:25:40and check out Natalie Portman's scarf.
0:25:40 > 0:25:43Did she kill a white swan to make it?
0:25:43 > 0:25:46Anyway, she's about to step through a magical door.
0:25:46 > 0:25:47Why is it a magical door?
0:25:47 > 0:25:52Because as she steps through it, her scarf's no longer round her neck.
0:25:54 > 0:25:56It's like a very low rent Mr Benn.
0:26:01 > 0:26:06The Fighter is so full of clangers, it makes me want to hurt someone.
0:26:06 > 0:26:09Not Marky Mark obviously, he's a bit tough.
0:26:09 > 0:26:11And not Bale, the lunatic!
0:26:13 > 0:26:16But Rock 'Em Sock 'Em Robots would help vent my frustrations.
0:26:16 > 0:26:20It's good, Dick. I'm just trying to figure out what's best for me.
0:26:22 > 0:26:26Where have they gone? I wasn't going to break them.
0:26:26 > 0:26:30I'm sorry, I don't know who you are or why you're taking.
0:26:30 > 0:26:34Oh, back now. Well, if you're going to be like that I don't want them.
0:26:34 > 0:26:36We're together. Do we need to do this again? Hi, I'm Charlene.
0:26:38 > 0:26:41In the emotional King's Speech,
0:26:41 > 0:26:44the Monarch struggles with a speech impediment.
0:26:44 > 0:26:50However, his missus Queen Bonham Carter has her own struggles.
0:26:50 > 0:26:52Her veil keeps moving on its own accord.
0:26:52 > 0:26:55First it's down...
0:26:55 > 0:26:56Indentured servitude?
0:26:56 > 0:26:59..then it's up...
0:26:59 > 0:27:02Well, we need to have your hubby pop by.
0:27:02 > 0:27:05- Tuesday would be good. - ..then it's down.
0:27:05 > 0:27:09They should make a film of that - The Queen's Manic Depressive Veil.
0:27:11 > 0:27:14Greetings, bold traveller. Far have you journeyed in the search
0:27:14 > 0:27:17of mistakes from the realm of fantasy films and weary must ye be,
0:27:17 > 0:27:21but finally ye shall be rewarded with what ye seek.
0:27:21 > 0:27:25First I will need drop of monk's wood from the vial of crisal wood
0:27:25 > 0:27:27to unlock the spell... Oh, stop this. Just play the clips.
0:27:27 > 0:27:33Here are the fantasy film mistakes. Yeah. No, over there.
0:27:36 > 0:27:39Over to Narnia and the exciting and epic Voyage Of The Dawn Treader.
0:27:39 > 0:27:46Look behind our brave explorers That door is firmly closed. How can they get in?
0:27:47 > 0:27:51Oh, it's already open and now we HEAR it opening.
0:27:51 > 0:27:52DOOR GRUNDLES OPEN
0:27:52 > 0:27:57Narnia's a confusing place. What next, a talking lion?
0:28:00 > 0:28:05What's your least favourite season? Autumn? Winter?
0:28:05 > 0:28:07Mine is The Season Of The Witch.
0:28:07 > 0:28:10That felt longer than both autumn and winter put together.
0:28:10 > 0:28:12Now, look at the boy's sword.
0:28:14 > 0:28:17Did you spot it? Let's see that again.
0:28:17 > 0:28:20Perhaps you can be of service.
0:28:22 > 0:28:28The sword swaps hands. Witchcraft, or maybe glitch craft?
0:28:31 > 0:28:34The actors in this half-hearted and messy take on Red Riding Hood
0:28:34 > 0:28:37must be a bit chilly.
0:28:37 > 0:28:39It's clearly the middle of winter,
0:28:39 > 0:28:42but everyone's wearing short-sleeved garments.
0:28:44 > 0:28:48Rumours that this film was shot on a Saturday night out in Newcastle have yet to be confirmed.
0:28:52 > 0:28:56Clint Eastwood's flawed fantasy Hereafter now, and in this scene,
0:28:56 > 0:29:00an expert is telling us about the great Charles Dickens.
0:29:00 > 0:29:05Over here on this wall we have several illustrations for The Mystery of Edward Drood...
0:29:05 > 0:29:08Oh dear. I hate to be a know-it-all,
0:29:08 > 0:29:12but I think you'll find it was The Mystery of Edwin Drood, not Edward Drood.
0:29:12 > 0:29:16To think I had such great expectations for this film.
0:29:19 > 0:29:22This is the film Your Highness,
0:29:22 > 0:29:28and this poor, helpless maiden is tied down so tightly she can barely move.
0:29:30 > 0:29:36But at the end of the scene, she's able to sit up quite easily whilst still being tied down.
0:29:36 > 0:29:41Your Highness, the film that hits an all-time lowness.
0:29:43 > 0:29:49Action films now. None of your namby-pamby romance or any of that girly stuff.
0:29:49 > 0:29:52Films for blokes, full of explosions and fights and guns.
0:29:52 > 0:29:55Films for real men. Real men like me!
0:29:55 > 0:29:58Are you talking to me?! Are you talking to me?!
0:29:58 > 0:30:00Oh, you are talking to me.
0:30:00 > 0:30:04What... We can't have the gun. Health and safety. Oh, OK.
0:30:04 > 0:30:05GUN BLASTS
0:30:06 > 0:30:07And talking of being sorry,
0:30:07 > 0:30:10I got kicked out of my local cinema the other week
0:30:10 > 0:30:14after I went up to the lady at the ticket kiosk and told her I was looking for a bit of action.
0:30:14 > 0:30:18I only wanted a ticket to see the new Jason Statham film.
0:30:18 > 0:30:20Well, that's what I told the police anyway.
0:30:22 > 0:30:24Nice vest.
0:30:24 > 0:30:27It's the ridiculous The Expendables,
0:30:27 > 0:30:30where the most expendable thing is that vest.
0:30:32 > 0:30:34Sly got on board wearing it...
0:30:34 > 0:30:36Now it's off.
0:30:37 > 0:30:39He hangs up his guns...
0:30:42 > 0:30:43And it's on again.
0:30:44 > 0:30:46And then it isn't.
0:30:46 > 0:30:51I haven't seen this much vest removal since Take That at Wembley in 1995.
0:30:55 > 0:31:00Cockney legend Statham starting some aggro with some sweaty crims.
0:31:00 > 0:31:04Here he is pokin' along on his bike in his levver jacket and 'elmet.
0:31:04 > 0:31:07That'll take a while to take off.
0:31:08 > 0:31:13But in an instant his trouble and strife is strolling away wiv his gear.
0:31:13 > 0:31:15Would you Adam and Eve it?
0:31:20 > 0:31:23A horrible scene of torture from The Expendables,
0:31:23 > 0:31:25but not as horrible as this goof.
0:31:27 > 0:31:29SHE SCREAMS
0:31:29 > 0:31:30MAN SPEAKS IN SPANISH
0:31:30 > 0:31:33She gives a defiant kick to her captors...
0:31:36 > 0:31:38THEY SPEAK IN SPANISH
0:31:38 > 0:31:42However, when she falls, you can see that her legs are tied together.
0:31:42 > 0:31:46Maybe the director was too tied up to notice this. Thanks again. Thanks.
0:31:48 > 0:31:52Cameron Diaz, in the straightforward and predictable Knight And Day,
0:31:52 > 0:31:57is being harassed by this villain in his neat beard.
0:31:57 > 0:32:02Wow, that beard could make any self-respecting man jealous.
0:32:02 > 0:32:08But not as much as his ability to grow a full beard later that day.
0:32:08 > 0:32:11Blimey. I can't even do Movember.
0:32:13 > 0:32:18Here's Angelina Jolie as Salt in the far-fetched Salt.
0:32:18 > 0:32:22Now, too much salt is bad for you, so let's keep this short.
0:32:22 > 0:32:26Here she's brought along an ashtray and a packet of fags.
0:32:26 > 0:32:28What about your insides, Salt?
0:32:28 > 0:32:30- I need to get to the phone. - No, no, no.
0:32:30 > 0:32:33Someone should really hide them. Oh, they have!
0:32:33 > 0:32:37But you can't fool Salt. She finds them again.
0:32:37 > 0:32:39Her IQ is as high as her blood pressure.
0:32:41 > 0:32:45Looks like Salt's about to get on a bouncy castle.
0:32:45 > 0:32:48She knows the rules. No shoes.
0:32:48 > 0:32:52That's right. Put them neatly behind you.
0:32:52 > 0:32:55But in the CCTV shot, they're scattered all over the place.
0:32:55 > 0:32:58No party bag for you!
0:33:01 > 0:33:06In this climactic scene, Salt... Spoiler alert!
0:33:06 > 0:33:08..kills the Russian president.
0:33:08 > 0:33:12And speaking of spoiling things, take a look at the dead pres.
0:33:12 > 0:33:14We need a medical crew down in the crypt.
0:33:14 > 0:33:18No need to look for a pulse. His eyes can tell you he's totally fine.
0:33:21 > 0:33:25They say dead men don't talk, but apparently they do blink.
0:33:28 > 0:33:31Now, this is the melodramatic Sanctum,
0:33:31 > 0:33:34and you'll need to watch very carefully.
0:33:35 > 0:33:39Something the director failed to do when they picked a stuntman.
0:33:39 > 0:33:44Look, a watch in this shot and no watch during the stunt.
0:33:47 > 0:33:50I wouldn't give this movie the time of day.
0:33:53 > 0:33:56I always thought that box office number ones
0:33:56 > 0:34:00were what the staff at the multiplex did when they had too many fizzy drinks.
0:34:00 > 0:34:03It turns out I was just wrong about that.
0:34:03 > 0:34:08Anyway, the mistakes you're about to see are all from movies which raked in the most money
0:34:08 > 0:34:10and were Top of the Pops in the week of their release.
0:34:10 > 0:34:17Rumours that Fast Five only got there through charging £250 a ticket are unsubstantiated.
0:34:20 > 0:34:25It's the mawkish Due Date, and Robert Downey Jr's looking cool.
0:34:25 > 0:34:28Peter... OK, listen.
0:34:28 > 0:34:31He's even got those light-sensitive sunglasses.
0:34:31 > 0:34:34Though this scene must have been filmed on a very changeable day,
0:34:34 > 0:34:37as his glasses go from very dark to...
0:34:38 > 0:34:40- I just didn't want to go... - ..completely gone.
0:34:40 > 0:34:43Proof that the director also needed specs.
0:34:45 > 0:34:48We say a deathly hallow to Harry Potter and chums
0:34:48 > 0:34:53in this lively scene where they're transported from a fiery tent...
0:34:53 > 0:34:54to the safety of...
0:34:54 > 0:34:57oncoming traffic.
0:34:57 > 0:34:58But look again.
0:34:58 > 0:35:03Harry's is on Hermione's left and Ron on her right.
0:35:04 > 0:35:08But when they reappear, it's the other way round.
0:35:10 > 0:35:13In this gory scene from the disappointing Little Fockers,
0:35:13 > 0:35:17Ben Stiller slices straight through his finger,
0:35:17 > 0:35:20making Bobby De Niro Bloody De Niro.
0:35:20 > 0:35:22THEY ALL SCREAM
0:35:23 > 0:35:28But there's blood on the right side of his face when earlier it was all over his left.
0:35:29 > 0:35:33That's not just blood on your face, Bobby. There's egg on it too.
0:35:37 > 0:35:40The Expendables, and Sly Stallone's got a gun ready to use
0:35:40 > 0:35:44in an exciting escape from some bad men.
0:35:44 > 0:35:46BRAKES SCREECH
0:35:48 > 0:35:53I worry that these days Sly's mind is not what it used to be.
0:35:53 > 0:35:57Look, he's forgotten that he should be holding the gun,
0:35:57 > 0:35:58not having it in his belt.
0:35:58 > 0:36:03But once Statham shouts the magic words, the gun's back...
0:36:03 > 0:36:04for Sly to throw away.
0:36:07 > 0:36:09A clever scene from Transformers
0:36:09 > 0:36:12with real footage of President Nixon on the TV.
0:36:12 > 0:36:16And they've carefully recreated the set to match it.
0:36:16 > 0:36:20However, was it too much of a push to get a lamp?
0:36:20 > 0:36:22It's here but not here.
0:36:22 > 0:36:26No, that would've been a giant leap too far.
0:36:28 > 0:36:31Fast paced sci-fi thrills in Limitless,
0:36:31 > 0:36:33and for a man with no limits,
0:36:33 > 0:36:36Bradley Cooper really struggles with the little things.
0:36:36 > 0:36:39Like sitting down on a chair properly.
0:36:41 > 0:36:45Oh, come on, don't cry. Look, the chair's back up again!
0:36:45 > 0:36:47You can have another go!
0:36:51 > 0:36:53My mother always used to say,
0:36:53 > 0:36:56"Never fly-kick a man with a massive hammer in the face."
0:36:56 > 0:36:59Sadly, Mila's mum didn't, which is bad news,
0:36:59 > 0:37:04because this man is going to hit Mila with the massive hammer.
0:37:04 > 0:37:10However, it's not all bad, because at least he hit her into a nice, soft bouncy wall.
0:37:12 > 0:37:14See? Every hammer has a silver lining.
0:37:18 > 0:37:21Now this girl's in pursuit.
0:37:21 > 0:37:24She slides underneath, shooting him as she goes.
0:37:24 > 0:37:26But wait.
0:37:26 > 0:37:28Look, that hammer's going to land on her!
0:37:28 > 0:37:32Phew. Saved by a continuity error.
0:37:32 > 0:37:35MC Hammer snuffs it and she's not even there.
0:37:41 > 0:37:45Adrenalin-pumping Fast Five now, and when robbing a bank,
0:37:45 > 0:37:47attention to detail really counts.
0:37:47 > 0:37:51Here the safe's unlocked with a right-hand print.
0:37:56 > 0:37:59Young Mia then goes to extreme measures,
0:37:59 > 0:38:00grabbing his print on her bikini.
0:38:03 > 0:38:05But it's the left hand.
0:38:05 > 0:38:09That shouldn't work, then. Caught you red-handed AND red-faced!
0:38:09 > 0:38:14- So did he just slap that- BLEEP - or did he grab and hold onto it?
0:38:16 > 0:38:19The only thing that keeps me on the edge of my seat more than
0:38:19 > 0:38:23watching a good thriller is a really, really small seat.
0:38:23 > 0:38:26I love a good thriller - it's my favourite genre of film.
0:38:26 > 0:38:29It's also a Michael Jackson album title.
0:38:29 > 0:38:33I also like films that are bad, dangerous or simply off the wall!
0:38:33 > 0:38:36HE LAUGHS
0:38:39 > 0:38:43Now the fraught and claustrophobic Buried.
0:38:43 > 0:38:48Here, Ryan Reynolds unties his hands and removes the gag around his neck.
0:38:48 > 0:38:50But then out of nowhere...
0:38:54 > 0:38:56..the gag's back around his neck!
0:38:56 > 0:39:00For a film full of gags, it's just not funny.
0:39:04 > 0:39:07Now Ryan grabs a pen and writes with his left hand.
0:39:08 > 0:39:11But when the shot changes, it's suddenly his right.
0:39:11 > 0:39:15So as well as being a big Hollywood star, he's also ambidextrous!
0:39:16 > 0:39:18Talk about buried talent!
0:39:23 > 0:39:26It's the gripping and gritty film The Town.
0:39:26 > 0:39:30The thing about towns nowadays is that businesses can change
0:39:30 > 0:39:32so quickly, can't they?
0:39:32 > 0:39:36Look at the bar across the road from this flower shop.
0:39:38 > 0:39:40- It's called Fitzgerald's, right? - I'm in.
0:39:40 > 0:39:42I have this.
0:39:42 > 0:39:46Well, not any more, because we see the bar is now called The Junction.
0:39:46 > 0:39:49Sounds like a naff gastropub to me.
0:39:51 > 0:39:56Matthew McConaughey in the solidly crafted Lincoln Lawyer.
0:39:56 > 0:39:58- Get the hell out of my house. - Take that, M Dog!
0:39:58 > 0:40:00I told you my son didn't kill...
0:40:00 > 0:40:02Lucky it was his left arm so he can shoot right back at her.
0:40:10 > 0:40:14Oh, hang on, that's his right arm in the sling.
0:40:14 > 0:40:17Sue the doctors for malpractice, Matthew,
0:40:17 > 0:40:20and then get a better lawyer than yourself to represent you.
0:40:20 > 0:40:22I thought I told you to be careful.
0:40:26 > 0:40:30Onto the intriguing Adjustment Bureau
0:40:30 > 0:40:32and Matt Damon has a phone in his coffee.
0:40:32 > 0:40:34Personally I prefer milk and sugar.
0:40:34 > 0:40:36- 'You won't believe who I just ran into?'- Who?- 'The girl from...'
0:40:36 > 0:40:41But what's this? Moments later, he's talking on a different phone.
0:40:41 > 0:40:42The one you kissed?
0:40:42 > 0:40:45- However, keep watching as during the same conversation...- Whatever, dude.
0:40:45 > 0:40:49- It won't work again. - ..he's back on the BlackBerry.
0:40:49 > 0:40:50And you didn't write it?
0:40:54 > 0:40:59Now Matt's looking at an article so good they've printed it twice.
0:40:59 > 0:41:04See, it's the same chunk of text here and here.
0:41:04 > 0:41:06How lazy to just repeat the same thing over again.
0:41:06 > 0:41:09How lazy to just repeat the same thing over again.
0:41:11 > 0:41:15It's torturous suspense flick The Resident.
0:41:15 > 0:41:18And weirdo Max has snuck into Juliet's bedroom to get some
0:41:18 > 0:41:21kind of creepy thrill from not quite touching her.
0:41:23 > 0:41:27However, the really odd bit is Juliet lying on her side...
0:41:27 > 0:41:30then instantly she's on her back.
0:41:30 > 0:41:32You've been out-weirded, Max!
0:41:32 > 0:41:35Go back home and count your toenail clippings collection.
0:41:37 > 0:41:38ALARM BEEPS
0:41:38 > 0:41:42Oh, no! It's 8:27am and Juliet's overslept.
0:41:44 > 0:41:49Hurry up, Juliet, get your trousers on. It's awful when you oversleep.
0:41:49 > 0:41:51You just can't get your brain into gear.
0:41:53 > 0:41:56And Juliet's not got her brain into gear as she's making a call
0:41:56 > 0:41:59when her phone is clearly still locked.
0:42:00 > 0:42:02I seriously overslept.
0:42:06 > 0:42:08Now, an abysmal film,
0:42:08 > 0:42:12The Roommate, where the roommates in question take a photo of themselves.
0:42:12 > 0:42:15That shot will look great on the shared house wall.
0:42:15 > 0:42:19Shame they get a different picture from the wrong angle then.
0:42:19 > 0:42:22And if they can't agree on that, it'll be murder
0:42:22 > 0:42:24when they do the cleaning rota.
0:42:27 > 0:42:30It's the contrived mystery movie Unknown.
0:42:30 > 0:42:35And here's an quick science lesson - what happens when you use something
0:42:35 > 0:42:38that gives out an electric shock on something that's soaking wet?
0:42:41 > 0:42:44A nasty electric shock for everyone concerned.
0:42:44 > 0:42:49However, concern is not something these ambulance men seem to have.
0:42:52 > 0:42:58In Unknown, Diane Kruger gets knocked unconscious with chloroform.
0:42:58 > 0:43:02But when one of her eyes is opened to check she's out, the other one opens as well.
0:43:02 > 0:43:04Blink and you'd miss it.
0:43:04 > 0:43:07Wink and you'd be better for the part than Diane.
0:43:10 > 0:43:13And now another movie storyline's faults are reviewed
0:43:13 > 0:43:16and exposed in Great Plothole Mistakes.
0:43:16 > 0:43:19In the exhausting action-packed thrill-fest
0:43:19 > 0:43:22that is Raiders of the Lost Ark,
0:43:22 > 0:43:25it's 1936 and celebrated archaeologist Dr Indiana Jones
0:43:25 > 0:43:27is approached by army intelligence.
0:43:27 > 0:43:32They tell him that Hitler's obsession with the occult has led him to seek the Ark of the Covenant,
0:43:32 > 0:43:35a sacred relic containing the wrath of God.
0:43:35 > 0:43:40In our version, Indy says, "Listen, guys, I just got back from Peru.
0:43:40 > 0:43:43"I've been chased by a massive ball. I'm shattered.
0:43:43 > 0:43:46"I've got lots of post to open, the garden's been neglected
0:43:46 > 0:43:49"and this hat needs dry cleaning. I might give this one a miss."
0:43:49 > 0:43:51"But the Ark of the Covenant, Dr Jones!" "Yeah, you know what?
0:43:51 > 0:43:56"It won't make much difference whether I go or not."
0:43:56 > 0:43:58So while Indy stays at home and gets his stuff sorted,
0:43:58 > 0:44:02the Nazis get the Ark undisturbed,
0:44:02 > 0:44:05transport it from Egypt all the way back to Berlin where
0:44:05 > 0:44:09a triumphant Fuhrer pops the lid in front of his evil acolytes.
0:44:09 > 0:44:14"Oh, goody!" And it melts his stupid face off, averting World War II.
0:44:18 > 0:44:22Comedy now. People have a lot of theories about comedy.
0:44:22 > 0:44:25They say tragedy plus time equals comedy.
0:44:25 > 0:44:28But Bambi came out years ago and every time I watch it,
0:44:28 > 0:44:31I bawl my eyes out. But then my mother was a deer.
0:44:31 > 0:44:35They also say it takes more muscles to frown than it does to smile.
0:44:35 > 0:44:40No wonder I felt so exhausted watching Cheaper By The Dozen 2.
0:44:40 > 0:44:44But most importantly, they say the secret of comedy is timing.
0:44:46 > 0:44:50Knowing the exact moment to say something hilarious.
0:44:52 > 0:44:56Actually, thinking about it, timing isn't quite as important as having something funny to say.
0:44:56 > 0:44:58Sorry.
0:45:00 > 0:45:02Junior Suite...
0:45:02 > 0:45:08It's quirky and unusual Cedar Rapids where Tim is staying 112.
0:45:08 > 0:45:10It's strange then that when Dean arrives, he says...
0:45:10 > 0:45:15Double stock my minibar, please, 1019. Thank you.
0:45:15 > 0:45:19Because, look, he's also staying in 112 with Tim and also Ronald.
0:45:19 > 0:45:22Someone in 1019 is going to get a nice surprise.
0:45:26 > 0:45:30Now notice all the climbers on the wall with Tim are securely
0:45:30 > 0:45:35tied on with ropes and harnesses to avoid falling off.
0:45:35 > 0:45:38Or suddenly inexplicably vanishing.
0:45:41 > 0:45:44Low brow and proud of it, it's Hall Pass
0:45:44 > 0:45:48and I do wish that that guy would stop flashing his chest about.
0:45:48 > 0:45:52His shirt agrees and has taken it upon itself to button up.
0:45:53 > 0:45:56It's one of those self-fastening shirts.
0:45:56 > 0:46:00The trouble with those is that they've got a habit of...
0:46:00 > 0:46:03- Yeah, it's unbuttoned again. - I gotta get going.
0:46:03 > 0:46:04We have a team meeting in 20 minutes.
0:46:04 > 0:46:07Best do it up yourself, yeah, fella.
0:46:09 > 0:46:14Sam Jackson and The Rock are wearing no ordinary medals
0:46:14 > 0:46:18in this frantic comedy, The Other Guys, they're mood medals.
0:46:18 > 0:46:20And we'd do it again and again.
0:46:20 > 0:46:22They disappear when they get angry.
0:46:22 > 0:46:25- If we want to hear you talk, I will shove my arm up your- BLEEP
0:46:25 > 0:46:28and work your mouth like a puppet! You hear me?! You hear me?
0:46:28 > 0:46:31And reappear when they're happy again. See?
0:46:31 > 0:46:35Either that or someone's been "medalling" - thanks - with the props.
0:46:39 > 0:46:43A police officer must always know where his gun is.
0:46:43 > 0:46:46However, Will Ferrell has forgotten his golden rule -
0:46:46 > 0:46:48he's rolling around on top of it.
0:46:50 > 0:46:54Only for it to return to his holster moments later.
0:46:58 > 0:47:04Here, Will Ferrell is in a violent rage with Alan Partridge.
0:47:04 > 0:47:06They say you can't reproduce truly great art,
0:47:06 > 0:47:09but when Will takes this mediocre squiggle off the wall,
0:47:09 > 0:47:12an exact reproduction immediately takes its place.
0:47:15 > 0:47:18The very raw comedy Horrible Bosses.
0:47:19 > 0:47:23Jamie Foxx is given a suitcase full of money.
0:47:23 > 0:47:24Well, a bit of money.
0:47:24 > 0:47:28Anyway, he'd best latch the suitcase all the same. Good man.
0:47:30 > 0:47:32But spool forward a bit...
0:47:32 > 0:47:35and the latches are undone again.
0:47:35 > 0:47:39With all that cash, you'd think he'd be able to buy a better suitcase.
0:47:41 > 0:47:45One of my favourites, Big Momma 3, with an angry woman
0:47:45 > 0:47:48covered in white foam making a mess of the door.
0:47:49 > 0:47:53- Never mind. Here's Big Momma's peerless acting skills.- Me?!
0:47:53 > 0:47:58- Well, thank you, sure. - But who's cleaned up that door?
0:47:58 > 0:48:03What a shame. This silly blunder ruins an otherwise perfect film(!)
0:48:05 > 0:48:08Historical movies are a personal favourite of mine.
0:48:08 > 0:48:13I often picture myself cast in a lavish version of a classic Jane Austen movie -
0:48:13 > 0:48:15Mr Darcy in a drenched shirt, open to the waist,
0:48:15 > 0:48:18climbing out of the water, whilst watching, in anticipation,
0:48:18 > 0:48:22dressed in a gorgeous bodice, holding a parasol, there I am.
0:48:22 > 0:48:26"Oh, Mr Darcy!" That's how I'd do it.
0:48:29 > 0:48:34Oscar fodder with the classy remake of True Grit.
0:48:34 > 0:48:37And times sure were tough in 19th-century Texas.
0:48:37 > 0:48:40Unless, that is, you're the heroine Mattie Ross
0:48:40 > 0:48:43and you have the amazing ability to go from soaking wet...
0:48:51 > 0:48:53..to bone dry in ten seconds flat.
0:48:57 > 0:48:59Consumer issues now and here,
0:48:59 > 0:49:01Jeff Bridges shows his disgust with the corn bread
0:49:01 > 0:49:03in his bargain bucket
0:49:03 > 0:49:05by spilling them out of the bag and shooting them.
0:49:05 > 0:49:08Luckily, it's Colonel Sanders' disappearing corn -
0:49:08 > 0:49:10it's nowhere to be seen.
0:49:14 > 0:49:16Well, he won't have to waste any more precious bullets.
0:49:20 > 0:49:24A ropey gaff now. See that chap hanging around in the branches?
0:49:24 > 0:49:29One minute he's top of the tree, next he's swinging a lot lower.
0:49:29 > 0:49:32How Jeff Bridges doesn't twig, I'll never know.
0:49:36 > 0:49:39Frivolous grave robbing jokery with Burke and Hare,
0:49:39 > 0:49:42and here's Simon Pegg chatting up her off of Home & Away.
0:49:42 > 0:49:46- When will I be able to see you again, Jenny?- At the Lyceum Theatre.
0:49:46 > 0:49:49- Really? When?- When we put...
0:49:49 > 0:49:53Maybe in 55 years' time, when the Lyceum Theatre is actually built.
0:49:53 > 0:49:56- Goodnight, William.- That's certainly one way to ditch a guy.
0:50:02 > 0:50:05Burke and Hare are chopping down a tree to stop a coach.
0:50:07 > 0:50:10And who's inside? Urgh!
0:50:10 > 0:50:14If I saw a coach with Michael Winner inside, I wouldn't want to stop it.
0:50:14 > 0:50:17But they've only made a tiny dent at chest height.
0:50:17 > 0:50:19Come on, put your back into it!
0:50:19 > 0:50:25However, this being the crazy world of true life drama, the entire tree comes tumbling down.
0:50:25 > 0:50:28Uh-oh. The winner takes a fall.
0:50:37 > 0:50:40- Hmm, that table looks a little bare. - Lovely.
0:50:41 > 0:50:45I know what's missing - she forgot the flowers.
0:50:45 > 0:50:46Oh, there they are.
0:50:46 > 0:50:49- Thank you. - Bit of an odd side dish, though.
0:50:54 > 0:50:56Here's BAFTA-winning actor Tom Wilkinson
0:50:56 > 0:51:00unveiling my nominees for the best actor in the movie Burke and Hare.
0:51:02 > 0:51:05But which corpse wins? None of them!
0:51:05 > 0:51:09The award goes to the incredible moving blanket.
0:51:09 > 0:51:12First the corpses are uncovered -
0:51:12 > 0:51:15quick round of applause -
0:51:15 > 0:51:17then one of them is covered up again.
0:51:18 > 0:51:21A bravura performance!
0:51:27 > 0:51:28Solving a crime, sir.
0:51:28 > 0:51:32The cream of British talent drops some home-grown blunders here.
0:51:32 > 0:51:35What on earth are you talking about?
0:51:35 > 0:51:38There's Ronnie Corbett - not a mistake, he actually is that small.
0:51:38 > 0:51:42I don't know what this little man is trying to prove.
0:51:42 > 0:51:46- Stephen Merchant plays goldfish bowl holder 4.- I want him removed.
0:51:46 > 0:51:50- It is you, sir!- And now Tim Curry, co-starring with his teeth.
0:51:53 > 0:51:56But ignore them and watch his background. He steps forward.
0:51:58 > 0:52:02But look, the background remains the same,
0:52:02 > 0:52:05suggesting he didn't step forward at all.
0:52:05 > 0:52:07We shall all have to pay the price.
0:52:07 > 0:52:11And now Merchant's bowl has disappeared.
0:52:11 > 0:52:17And to think he was chief bowl holder at the RSC. What an insult!
0:52:20 > 0:52:24Rip-roaring Roman caper The Eagle now and this looks like such
0:52:24 > 0:52:26an arduous journey it would give anyone a shock.
0:52:28 > 0:52:32It certainly did to Jamie Bell's horse who overnight changes
0:52:32 > 0:52:36colour from brown to white with no explanation.
0:52:38 > 0:52:40The dark and brutal Killer Inside Me
0:52:40 > 0:52:45starring Casey Affleck as a deputy sheriff-cum-homicidal maniac.
0:52:45 > 0:52:47Ho-hum, you might think.
0:52:47 > 0:52:50But I feel anguish and I'm sorry.
0:52:50 > 0:52:54But look all of a sudden, he's clutching a thick wooden plank!
0:52:54 > 0:52:58Superb uncredited cameo from his brother Ben.
0:53:00 > 0:53:02When a film is described as "cultural,"
0:53:02 > 0:53:06that probably means it hasn't got a good enough story to be popular,
0:53:06 > 0:53:08so it's being passed off as art.
0:53:08 > 0:53:11"Mm, yes, it's supposed to be boring! That's the point!"
0:53:11 > 0:53:15You can explain away all kinds of things using the art house excuse.
0:53:15 > 0:53:16Shaky cameras - it's art.
0:53:16 > 0:53:18Gaping plot holes - it's art.
0:53:18 > 0:53:20Pretentious acting - that's just Natalie Portman,
0:53:20 > 0:53:22there's nothing we can do about that now.
0:53:22 > 0:53:25Some films are pure entertainment.
0:53:25 > 0:53:28Others go a little deeper and ask questions like, "Why are we here,
0:53:28 > 0:53:32"in the cinema watching another M Night Shyamalan film?"
0:53:34 > 0:53:37Natalie Portman's in need of a champagne top-up, I think,
0:53:37 > 0:53:40in creepy ballet melodrama Black Swan.
0:53:40 > 0:53:42..appreciated presence on our stage.
0:53:42 > 0:53:47But being so freaked out by Winona Ryder giving her evils, none of us notice that,
0:53:47 > 0:53:50by the end of the scene, the flute is full to the brim again.
0:53:50 > 0:53:52To beauty.
0:53:54 > 0:53:59Next up, here's It's Kind Of A Funny Story,
0:53:59 > 0:54:02a One Flew Over The Cuckoo's Nest for Justin Bieber fans.
0:54:02 > 0:54:07And suicidal Craig has to give up all potentially harmful items.
0:54:07 > 0:54:08Your belt and shoelaces.
0:54:08 > 0:54:13- So his belt and shoelaces are gone. - We can't take chances.
0:54:14 > 0:54:18But later on, Craig and another patient Bobby are shooting hoops
0:54:18 > 0:54:20with draw-stringed trackie bottoms
0:54:20 > 0:54:24and very laced-up shoes. That basket ball's probably
0:54:24 > 0:54:28- a cyanide gobstopper. - Don't play dumb with me.
0:54:30 > 0:54:34Now, slow-moving alien thriller Monsters and our couple's being
0:54:34 > 0:54:38fleeced by a man who'd get Anne Robinson frothing at the mouth.
0:54:38 > 0:54:39Um, how much?
0:54:39 > 0:54:42That will be 5,000 colones.
0:54:42 > 0:54:46- 5,000?- Yeah, 5,000. - So that's 5,000 Costa Rican colones.
0:54:46 > 0:54:48That will be 5,000 colonies.
0:54:48 > 0:54:50- 5,000?- Yeah, yeah, 5,000.
0:54:50 > 0:54:54- 5,000 is a lot of money. - Yes, I know, but...
0:54:54 > 0:54:57Oh, it's now 5,000? Big mistake.
0:54:57 > 0:55:00At the current exchange rate, 5,000 is...
0:55:04 > 0:55:08No wonder this film had no cash for the special effects.
0:55:11 > 0:55:15Monsters again and this completely deserted town
0:55:15 > 0:55:18isn't quite as deserted as it seems.
0:55:18 > 0:55:21Now, before you cower behind the sofa, take another look.
0:55:24 > 0:55:26It seems the ali-ons prefer pick-up trucks to spaceships
0:55:26 > 0:55:32when they pop to the shop for a pint of milk and a family-sized Galaxy.
0:55:34 > 0:55:39Here's feisty teen Ree in gritty drama Winter's Bone.
0:55:39 > 0:55:41This confrontation looks like
0:55:41 > 0:55:44it'll get pretty tense as the gloves are well and truly off.
0:55:45 > 0:55:48No, hang on, they're back on again.
0:55:51 > 0:55:54Phew, looks like all will be fine after all.
0:55:56 > 0:56:01No, wait, they're off again! Oh, make your mind up, love.
0:56:01 > 0:56:04Thanks for watching Great Movie Mistakes.
0:56:04 > 0:56:09I hope we haven't completely taken the shine off your favourite films this year,
0:56:09 > 0:56:12but for all the little mistakes we've just pointed out,
0:56:12 > 0:56:15there's hours and hours of movie footage
0:56:15 > 0:56:17where they don't make any mistakes at all.
0:56:17 > 0:56:21But if you want to watch them, you'd probably better
0:56:21 > 0:56:23download them ilegally online. Bye!
0:56:40 > 0:56:43Subtitles by Red Bee Media Ltd
0:56:43 > 0:56:45Email subtitling@bbc.co.uk