0:00:26 > 0:00:29Welcome to Great Movie Mistakes III.
0:00:29 > 0:00:31That's right, we're a trilogy,
0:00:31 > 0:00:34which hopefully means we'll get our own over-priced box sets soon.
0:00:34 > 0:00:36Now, I know what you're thinking -
0:00:36 > 0:00:39the third part of a trilogy has a certain reputation.
0:00:39 > 0:00:41Godfather Part III, Back To The Future III,
0:00:41 > 0:00:43Honey, We Shrunk Ourselves...
0:00:43 > 0:00:46They all have a reputation for being my favourite part
0:00:46 > 0:00:47of the whole trilogy.
0:00:47 > 0:00:50So, how have we made this instalment bigger,
0:00:50 > 0:00:52better and more impressive than the other two?
0:00:52 > 0:00:54Well, how does this sound?
0:00:54 > 0:00:57CGI technology, car chases, romantic interests,
0:00:57 > 0:01:01a bit where the building folds in on itself, like in Inception?
0:01:01 > 0:01:04Well, according to our producers, it sounds too expensive.
0:01:04 > 0:01:07So instead, we'll just stick to our perfectly OK formula
0:01:07 > 0:01:10of reviewing all the movie mistakes we've spotted
0:01:10 > 0:01:14from the top movies released since we last saw you.
0:01:16 > 0:01:19Why does Hollywood love remakes so much?
0:01:19 > 0:01:21Well, sometimes a film is so close to being brilliant
0:01:21 > 0:01:25but there's just one tiny thing that stops it being perfect,
0:01:25 > 0:01:27like it's foreign, or it was made over ten years ago.
0:01:27 > 0:01:30Things that stop anyone in their right mind wanting to watch it.
0:01:30 > 0:01:35The other reason to remake a movie is if the original didn't quite get it right.
0:01:35 > 0:01:39Who didn't think that Get Carter was improved by the addition of Sylvester Stallone?
0:01:39 > 0:01:42Or that The Italian Job was crying out for a cameo by Marky Mark?
0:01:42 > 0:01:46I, for one, can't wait for next year's summer blockbuster,
0:01:46 > 0:01:47Citizen Kane...
0:01:47 > 0:01:48with Miley Cyrus.
0:01:48 > 0:01:50Mm.
0:01:52 > 0:01:55The needless, over-the-top A-Team movie,
0:01:55 > 0:01:59and maybe they should give up this soldiers-of-fortune malarkey
0:01:59 > 0:02:03and become baggage handlers. Watch the case by the side of BA.
0:02:03 > 0:02:04I want to kill you, man.
0:02:04 > 0:02:07You're not going to kill me! I'm going to kill YOU!
0:02:07 > 0:02:09It's now behind his head...
0:02:09 > 0:02:10I got two guns here.
0:02:11 > 0:02:14..then on the other side.
0:02:14 > 0:02:18It moves around more than Hannibal's wig did in the old series.
0:02:18 > 0:02:19Whoopsie!
0:02:21 > 0:02:25Loyal fans of The A-Team had problems with the remake,
0:02:25 > 0:02:27and this must have got their blood boiling.
0:02:27 > 0:02:30Look, they've misspelled Murdock's name!
0:02:30 > 0:02:33It's D-O-C-K, not D-O-C-H.
0:02:33 > 0:02:36I pity the fool who made that mistake.
0:02:36 > 0:02:38Saying that, I also pity the person
0:02:38 > 0:02:41who still cares so much about The A-Team.
0:02:46 > 0:02:49At the end of the instantly forgettable Mechanic remake,
0:02:49 > 0:02:53Ben Foster selects a jazz record to play on the posh turntable.
0:02:53 > 0:02:57Ah! I love a bit of free form experimental jazz.
0:02:57 > 0:03:01CLASSICAL MUSIC PLAYS
0:03:01 > 0:03:04Hang on! It's ruddy Shubert's Trio Number Two!
0:03:06 > 0:03:10But it definitely says "Jazz" on the cover.
0:03:10 > 0:03:12Right, back to HMV.
0:03:14 > 0:03:18Gulliver's Travels with Jack Black,
0:03:18 > 0:03:20perfect casting, as the book was all about a loveable,
0:03:20 > 0:03:22immature, rock-loving idiot.
0:03:22 > 0:03:23Cos he called it a "mandate", so...
0:03:23 > 0:03:27The kind of character that doesn't know his right hand from his left.
0:03:27 > 0:03:29- ..bushy-tailed for the boys. - The right...
0:03:29 > 0:03:31Now the left.
0:03:31 > 0:03:34Jonathan Swift can rest easy that his work is in safe,
0:03:34 > 0:03:36but confused hands.
0:03:36 > 0:03:38We just got here.
0:03:40 > 0:03:42In the final scene, Gulliver returns from his travels
0:03:42 > 0:03:45and gains this girlfriend.
0:03:45 > 0:03:49When I returned from my travels, all I gained was a case of the trots.
0:03:49 > 0:03:52But what has she got to hide?
0:03:52 > 0:03:55Her ID is the wrong way round...
0:03:55 > 0:03:56Danke schon.
0:03:56 > 0:03:57..then it flips...
0:03:57 > 0:04:01Mark. I'm just the new guy in the mailroom...
0:04:01 > 0:04:04..now it's hidden again. Hm...mysterious.
0:04:06 > 0:04:10Some films just don't know when to quit making mistakes.
0:04:10 > 0:04:12In the end credits for Gulliver's Travels,
0:04:12 > 0:04:15check out the date on this newspaper.
0:04:15 > 0:04:18June 20th to June 3rd?
0:04:18 > 0:04:21Someone obviously feels like time was moving backwards
0:04:21 > 0:04:24when they were watching this film. I didn't.
0:04:26 > 0:04:30Off to Jellystone Park for the charmless Yogi Bear movie.
0:04:30 > 0:04:33Booboo has handcuffed Yogi to a tree.
0:04:33 > 0:04:36But keep an eye on which paw the handcuff is on.
0:04:37 > 0:04:40First it's his right paw,
0:04:40 > 0:04:43then it's his left paw,
0:04:43 > 0:04:45then his right paw again.
0:04:45 > 0:04:47Either way, it's very PAW indeed.
0:04:49 > 0:04:52Next up, we're looking at teen movies, which, for a man only
0:04:52 > 0:04:55recently out of his teens - that's right - is exactly my thing.
0:04:55 > 0:04:57PHONE RINGS
0:04:57 > 0:05:00They're cool, wicked and totally radical. Oh, excuse me.
0:05:01 > 0:05:05Oh, hey, Dazza. Yeah. What's up, dude?
0:05:05 > 0:05:08Yeah, I would love to come down the rec and skateboard with you.
0:05:08 > 0:05:13- Hang on. Mum, I'm going down the rec with Dazza.- No, you're not.
0:05:13 > 0:05:17- Not until you've finished hosting the show.- But Mum!- No buts.
0:05:17 > 0:05:19Can't come out. See you tomoz.
0:05:22 > 0:05:27- MUMBLING: Here are some classic goofs from teen films. - Say it nicely.
0:05:27 > 0:05:30UP-BEAT: Here are some classic goofs from teen films.
0:05:31 > 0:05:32I saw that.
0:05:36 > 0:05:40Next, in the light-hearted Easy A, Olive shows this boy what's what
0:05:40 > 0:05:44by crushing an ice-cream cone in front of his face.
0:05:44 > 0:05:49But the cone instantly reappears. Here today, cone tomorrow.
0:05:53 > 0:05:55Now, watch Olive trying to take off her left boot
0:05:55 > 0:05:58Is that lavender? It's pretty.
0:05:58 > 0:06:02Which becomes her right boot, then she takes off her right boot again,
0:06:02 > 0:06:05but somehow she's removed both her boots!
0:06:05 > 0:06:09A clear example of two rights making a wrong.
0:06:12 > 0:06:15In energetic Step Up 3D, it's the dance battle.
0:06:15 > 0:06:20And as any B-boy knows, things get hot on the dance floor,
0:06:20 > 0:06:23which is why the guy who's with those men pretending to be dogs
0:06:23 > 0:06:25keeps taking his coat off.
0:06:27 > 0:06:28Now you see it...
0:06:28 > 0:06:30Now you don't.
0:06:30 > 0:06:34Reminds me of my Nan's 80th. That was a lively affair.
0:06:37 > 0:06:41Another one from Step Up, and take a look at Moose's bag,
0:06:41 > 0:06:44because it's only on in the shots from behind.
0:06:44 > 0:06:46Yeah, I mean I...
0:06:46 > 0:06:47I'm a double major...
0:06:47 > 0:06:49Now, I know it's a backpack,
0:06:49 > 0:06:51but you'd still see the strap on the front, right?
0:06:51 > 0:06:52Yes?
0:06:52 > 0:06:55What do you mean, you can't believe it?
0:06:57 > 0:07:00It's Submarine, a reflective film about a son
0:07:00 > 0:07:04trying to smooth out the creases in his parents' relationship.
0:07:06 > 0:07:07And by the looks of things,
0:07:07 > 0:07:11he's also smoothing out the creases in this drawing.
0:07:11 > 0:07:13See? The fold's gone.
0:07:13 > 0:07:16No need to set it on fire, though!
0:07:16 > 0:07:18Oh! Kids!
0:07:20 > 0:07:25Finally, a flashback scene in the worthless Twilight sequel, Eclipse.
0:07:25 > 0:07:30Now, clothes in those days were made to last.
0:07:30 > 0:07:31Look at that!
0:07:31 > 0:07:35She stabs right through her dress and it doesn't even rip.
0:07:35 > 0:07:38You don't get that kind of quality at Primark, do you?
0:07:40 > 0:07:42When a film is described as "cultural,"
0:07:42 > 0:07:46that probably means it hasn't got a good enough story to be popular,
0:07:46 > 0:07:48so it's being passed off as art.
0:07:48 > 0:07:51"Mm, yes, it's supposed to be boring! That's the point!"
0:07:51 > 0:07:55You can explain away all kinds of things using the art house excuse.
0:07:55 > 0:07:56Shaky cameras - it's art.
0:07:56 > 0:07:58Gaping plot holes - it's art.
0:07:58 > 0:08:00Pretentious acting - that's just Natalie Portman,
0:08:00 > 0:08:02there's nothing we can do about that now.
0:08:02 > 0:08:05Some films are pure entertainment.
0:08:05 > 0:08:08Others go a little deeper and ask questions like, "Why are we here,
0:08:08 > 0:08:12"in the cinema watching another M Night Shyamalan film?"
0:08:14 > 0:08:17Natalie Portman's in need of a champagne top-up, I think,
0:08:17 > 0:08:20in creepy ballet melodrama Black Swan.
0:08:20 > 0:08:22..appreciated presence on our stage.
0:08:22 > 0:08:27But being so freaked out by Winona Ryder giving her evils, none of us notice that,
0:08:27 > 0:08:30by the end of the scene, the flute is full to the brim again.
0:08:30 > 0:08:32To beauty.
0:08:34 > 0:08:39Next up, here's It's Kind Of A Funny Story,
0:08:39 > 0:08:42a One Flew Over The Cuckoo's Nest for Justin Bieber fans.
0:08:42 > 0:08:47And suicidal Craig has to give up all potentially harmful items.
0:08:47 > 0:08:48Your belt and shoelaces.
0:08:48 > 0:08:53- So his belt and shoelaces are gone. - We can't take chances.
0:08:54 > 0:08:58But later on, Craig and another patient Bobby are shooting hoops
0:08:58 > 0:09:00with draw-stringed trackie bottoms
0:09:00 > 0:09:04and very laced-up shoes. That basketball's probably
0:09:04 > 0:09:08- a cyanide gobstopper. - Don't play dumb with me.
0:09:10 > 0:09:14Now, slow-moving alien thriller Monsters and our couple's being
0:09:14 > 0:09:18fleeced by a man who'd get Anne Robinson frothing at the mouth.
0:09:18 > 0:09:19Um, how much?
0:09:19 > 0:09:22That will be 5,000 colones.
0:09:22 > 0:09:26- 5,000?- Yeah, 5,000. - So that's 5,000 Costa Rican colones.
0:09:26 > 0:09:28That will be 5,000 colones.
0:09:28 > 0:09:30- 5,000?- Yeah, yeah, 5,000.
0:09:30 > 0:09:33- 5,000 is a lot of money. - Yes, I know, but...
0:09:33 > 0:09:37Oh, it's now 5,000? Big mistake.
0:09:37 > 0:09:40At the current exchange rate, 5,000 is...
0:09:44 > 0:09:48No wonder this film had no cash for the special effects.
0:09:51 > 0:09:55Monsters again and this completely deserted town
0:09:55 > 0:09:58isn't quite as deserted as it seems.
0:09:58 > 0:10:01Now, before you cower behind the sofa, take another look.
0:10:04 > 0:10:06It seems the ali-ons prefer pick-up trucks to spaceships
0:10:06 > 0:10:12when they pop to the shop for a pint of milk and a family-sized Galaxy.
0:10:14 > 0:10:18Here's feisty teen Ree in gritty drama Winter's Bone.
0:10:18 > 0:10:21This confrontation looks like
0:10:21 > 0:10:24it'll get pretty tense as the gloves are well and truly off.
0:10:25 > 0:10:28No, hang on, they're back on again.
0:10:31 > 0:10:34Phew, looks like all will be fine after all.
0:10:36 > 0:10:39No, wait, they're off again! Oh, make your mind up, love.
0:10:41 > 0:10:44So often with films, the stars get the awards,
0:10:44 > 0:10:48but what about those people behind the scenes? How do they get noticed?
0:10:48 > 0:10:52They could become the best in their field or work their way up to become a famous director.
0:10:52 > 0:10:54Or they could just stand in the back of shot.
0:10:54 > 0:10:57Well, that's exactly what we're awarding now -
0:10:57 > 0:10:59those people who went that extra distance
0:10:59 > 0:11:01from out-of-shot to into shot.
0:11:03 > 0:11:04What?
0:11:07 > 0:11:10It's the Great Movie Mistakes Award for Best Supporting Actor,
0:11:10 > 0:11:13and here are the nominations.
0:11:13 > 0:11:17Lightweight action from Knight And Day and some great scene stealing.
0:11:17 > 0:11:20Look at the security guards behind Cameron Diaz.
0:11:22 > 0:11:26They suddenly change into normal civilians
0:11:26 > 0:11:30and then back into security guards at the top of the escalator.
0:11:31 > 0:11:34Maybe they were just working undercover for a bit.
0:11:40 > 0:11:44If you've got a problem, maybe you can hire The A-Team,
0:11:44 > 0:11:46to clean your windows, because...
0:11:46 > 0:11:48Let's go back.
0:11:48 > 0:11:51Mr T has got that window so clean,
0:11:51 > 0:11:54you can see the cameraman's own reflection in it.
0:11:56 > 0:11:59A blatant and unwelcome cameo. A bit like the movie.
0:12:03 > 0:12:07In seen-it-all-before thriller The Resident,
0:12:07 > 0:12:11Jack returns to his flat and senses all is not right.
0:12:11 > 0:12:14If it the presence of a ghostly character?
0:12:14 > 0:12:19Or just the reflection of the clumsy cameraman in his kitchen window?
0:12:19 > 0:12:22Time to move out, if you ask me, Jack.
0:12:24 > 0:12:26Who are you texting?
0:12:26 > 0:12:28It's crazy horror comedy Vampires Suck
0:12:28 > 0:12:32and Alice gets a mobile phone right in the face.
0:12:32 > 0:12:38Now, either Edward is a very good shot or someone just off camera
0:12:38 > 0:12:40is throwing a mobile phone right in her face.
0:12:41 > 0:12:45There, thrown from point-blank range.
0:12:45 > 0:12:47That's a bit "phoney"!
0:12:51 > 0:12:54But the winner is Man In Shorts.
0:12:54 > 0:12:58It's the climax of the testosterone-dripping Expendables
0:12:58 > 0:13:01and all hell is breaking loose.
0:13:01 > 0:13:03Everyone's running for their lives,
0:13:03 > 0:13:07but hold on, who's this fellow in Bermuda shorts with the camcorder?
0:13:07 > 0:13:11A very unfortunate tourist?
0:13:11 > 0:13:14Next year, I'd stick to Rhyl. There's fewer explosions.
0:13:18 > 0:13:20OK, time for bed. Goodnight!
0:13:28 > 0:13:32Subtitles by Red Bee Media Ltd