0:00:26 > 0:00:29Welcome to Great Movie Mistakes III.
0:00:29 > 0:00:31That's right - we're a trilogy,
0:00:31 > 0:00:34which hopefully means we'll get our own overpriced box set soon.
0:00:34 > 0:00:36Now, I know what you're thinking -
0:00:36 > 0:00:39the third part of a trilogy has a certain reputation.
0:00:39 > 0:00:41Godfather Part III, Back To The Future III,
0:00:41 > 0:00:43Honey, We Shrunk Ourselves,
0:00:43 > 0:00:45they all have a reputation for being...
0:00:45 > 0:00:47my favourite part of the whole trilogy,
0:00:47 > 0:00:49so how have we made this instalment
0:00:49 > 0:00:52bigger, better and more impressive than the other two?
0:00:52 > 0:00:54Well, how does this sound?
0:00:54 > 0:00:57CGI technology, car chases, romantic interests,
0:00:57 > 0:01:01a bit where the building folds in on itself like in Inception.
0:01:01 > 0:01:04Well, according to our producers, it sounds too expensive.
0:01:04 > 0:01:07So, instead, we'll just stick to our perfectly OK formula
0:01:07 > 0:01:10of reviewing all the movie mistakes we've spotted
0:01:10 > 0:01:14from the top movies released since we last saw you.
0:01:16 > 0:01:19They say you should never meet your heroes,
0:01:19 > 0:01:22which I guess is why no-one ever comes up to me in the street
0:01:22 > 0:01:23and tells me how much they love my work.
0:01:23 > 0:01:25Thanks, guys. That means a lot(!)
0:01:25 > 0:01:28Every time someone crosses the street to avoid meeting me,
0:01:28 > 0:01:31I think to myself, "There goes a true fan."
0:01:37 > 0:01:40The hard-boiled and vicious Mechanic goes a bit Weekend At Bernie's
0:01:40 > 0:01:44as Jason Statham covers up his killing by making the corpse
0:01:44 > 0:01:46swim a few more lengths.
0:01:50 > 0:01:53But look at his grip on the dead man's wrists.
0:01:53 > 0:01:56It should clearly be visible from above,
0:01:56 > 0:01:57but it's not.
0:01:57 > 0:01:59What would Bernie say?
0:01:59 > 0:02:02Well, nothing. He's dead.
0:02:04 > 0:02:08Angelina Jolie in the disjointed film Salt,
0:02:08 > 0:02:11here climbs down a lift shaft.
0:02:12 > 0:02:15Just a wait few minutes for the lift, you impatient madam.
0:02:17 > 0:02:19Thankfully, she emerges from what must be
0:02:19 > 0:02:21a filthy and greasy lift shaft
0:02:21 > 0:02:25with a pristine white shirt and clean, spotless skin.
0:02:25 > 0:02:26How does she do it?
0:02:29 > 0:02:31It's the crackpot action movie Red
0:02:31 > 0:02:36and Bruce Willis has kidnapped a lady and taped up her mouth.
0:02:36 > 0:02:39But the more she gesticulates, the more we can see that
0:02:39 > 0:02:43she has enough movement in her arms to take the tape off.
0:02:43 > 0:02:47Maybe if she stopped complaining and thought a second she'd work it out.
0:02:47 > 0:02:49I'm a little hungry, too.
0:02:51 > 0:02:56Moody revenge film Faster now and The Rock hears an eagle call.
0:02:57 > 0:02:59# Who's that riding? #
0:02:59 > 0:03:02Trouble is, the bird he's seeing is actually a seagull.
0:03:04 > 0:03:09Maybe the seagull thinks it'll sound more impressive as an eagle.
0:03:09 > 0:03:12A bit like calling yourself "The Rock,"
0:03:12 > 0:03:14when your real name is Dwayne.
0:03:17 > 0:03:20It's the best actor of his generation, 50 Cent,
0:03:20 > 0:03:22in the very flat Blood Out
0:03:22 > 0:03:25doing some incredible sunglasses acting.
0:03:25 > 0:03:27Look good on you, man.
0:03:27 > 0:03:29They do look good on him, don't they?
0:03:29 > 0:03:31He should never take them off.
0:03:32 > 0:03:36Oh, wait a minute, they've disappeared.
0:03:36 > 0:03:40That's awful continuity if you want my 50 cents on the matter.
0:03:42 > 0:03:45Awards - what are they good for?
0:03:45 > 0:03:49Plumping up the already inflated egos of pampered performers.
0:03:49 > 0:03:52Rewarding someone for doing a job they've already been paid
0:03:52 > 0:03:54far too much money to do in the first place.
0:03:54 > 0:03:57As if all performers have a pathetic obsession with recognition.
0:03:57 > 0:04:00Awards are a complete sham, a massive waste of time
0:04:00 > 0:04:03and, as I stated very loudly at this year's Annual Clip Show Awards,
0:04:03 > 0:04:07I'm not interested in stupid awards and, yes, we have been passed over
0:04:07 > 0:04:10yet again and, yes, I may have been removed by security
0:04:10 > 0:04:13for causing a scene, but there is no way that
0:04:13 > 0:04:16Animal Foul Ups deserved to win again.
0:04:16 > 0:04:19Speaking of awards, here are some Oscar-nominated clips.
0:04:23 > 0:04:27Inception - where strange things happen almost without explanation.
0:04:27 > 0:04:29That's not the way I deal with things.
0:04:29 > 0:04:34Maybe that's how you justify the rain on the window behind Saito.
0:04:34 > 0:04:36But there's no rain on DiCaprio.
0:04:37 > 0:04:40And the continuity editor is thrown off the building
0:04:40 > 0:04:44- for one too many errors. - What will you do with him?- Nothing.
0:04:44 > 0:04:48You'd have thought working on Inception would be a dream job.
0:04:50 > 0:04:54Now a maths lesson from revealing biopic The Social Network.
0:04:54 > 0:04:58Facebook's run by some of the greatest business minds in the world.
0:04:58 > 0:05:01So these numbers will be meticulously crunched.
0:05:01 > 0:05:04Let's listen to how their business is divided up.
0:05:04 > 0:05:08That represents a 34.4% ownership share.
0:05:08 > 0:05:11So Eduardo owns 34.4%.
0:05:11 > 0:05:16- You should know that Mark has already taken his percentage from 60 down to 51.- Oh.
0:05:16 > 0:05:18Zuckerberg owns 51%.
0:05:18 > 0:05:20Who else is in?
0:05:20 > 0:05:23Dustin Moskovitz owns 6.81%,
0:05:23 > 0:05:28Sean Parker 6.47% and Peter Thiel 7%.
0:05:28 > 0:05:31Total 105%!
0:05:31 > 0:05:34Would you like to use my pen?
0:05:34 > 0:05:37Would you like to use my calculator?
0:05:40 > 0:05:43Ooh, the brutal and uncompromising Black Swan now
0:05:43 > 0:05:46and check out Natalie Portman's scarf.
0:05:46 > 0:05:49Did she kill a white swan to make it?
0:05:49 > 0:05:52Anyway, she's about to step through a magical door.
0:05:52 > 0:05:53Why is it a magical door?
0:05:53 > 0:05:59Because as she steps through it, her scarf's no longer round her neck.
0:05:59 > 0:06:02It's like a very low rent Mr Benn.
0:06:06 > 0:06:11The Fighter is so full of clangers, it makes me want to hurt someone.
0:06:11 > 0:06:15Not Marky Mark obviously, he's a bit tough.
0:06:15 > 0:06:17And not Bale, the lunatic!
0:06:19 > 0:06:22But Rock 'Em Sock 'Em Robots would help vent my frustrations.
0:06:22 > 0:06:26It's good, Dick. I'm just trying to figure out what's best for me.
0:06:28 > 0:06:32Where have they gone? I wasn't going to break them.
0:06:32 > 0:06:36I'm sorry, I don't know who you are or why you're taking.
0:06:36 > 0:06:39Oh, back now. Well, if you're going to be like that, I don't want them.
0:06:39 > 0:06:42We're together. Do we need to do this again? Hi, I'm Charlene.
0:06:44 > 0:06:47In the emotional King's Speech,
0:06:47 > 0:06:50the Monarch struggles with a speech impediment.
0:06:50 > 0:06:55However, his missus Queen Bonham Carter has her own struggles.
0:06:55 > 0:06:58Her veil keeps moving on its own accord.
0:06:58 > 0:07:00First it's down...
0:07:00 > 0:07:02Indentured servitude?
0:07:02 > 0:07:05..then it's up...
0:07:05 > 0:07:08Well, we need to have your hubby pop by.
0:07:08 > 0:07:11- Tuesday would be good. - ..then it's down.
0:07:11 > 0:07:15They should make a film of that - The Queen's Manic Depressive Veil.
0:07:17 > 0:07:20Greetings, bold traveller. Far have you journeyed in the search
0:07:20 > 0:07:23of mistakes from the realm of fantasy films and weary must ye be,
0:07:23 > 0:07:27but finally ye shall be rewarded with what ye seek.
0:07:27 > 0:07:31First I will need drop of monk's wood from the vial of crisal wood
0:07:31 > 0:07:33to unlock the spell... Oh, stop this. Just play the clips.
0:07:33 > 0:07:39Here are the fantasy film mistakes. Yeah. No, over there.
0:07:42 > 0:07:45Over to Narnia and the exciting and epic Voyage Of The Dawn Treader.
0:07:45 > 0:07:52Look behind our brave explorers That door is firmly closed. How can they get in?
0:07:53 > 0:07:57Oh, it's already open and now we HEAR it opening.
0:07:57 > 0:07:58DOOR CREAKS OPEN
0:07:58 > 0:08:03Narnia's a confusing place. What next, a talking lion?
0:08:06 > 0:08:11What's your least favourite season? Autumn? Winter?
0:08:11 > 0:08:13Mine is The Season Of The Witch.
0:08:13 > 0:08:17That felt longer than both autumn and winter put together.
0:08:17 > 0:08:20Now, look at the boy's sword.
0:08:20 > 0:08:23Did you spot it? Let's see that again.
0:08:23 > 0:08:26Perhaps you can be of service.
0:08:28 > 0:08:34The sword swaps hands. Witchcraft, or maybe glitch craft?
0:08:39 > 0:08:42The actors in this half-hearted and messy take on Red Riding Hood
0:08:42 > 0:08:43must be a bit chilly.
0:08:43 > 0:08:45It's clearly the middle of winter,
0:08:45 > 0:08:48but everyone's wearing short-sleeved garments.
0:08:50 > 0:08:54Rumours that this film was shot on a Saturday night out in Newcastle have yet to be confirmed.
0:08:58 > 0:09:02Clint Eastwood's flawed fantasy Hereafter now, and in this scene,
0:09:02 > 0:09:05an expert is telling us about the great Charles Dickens.
0:09:05 > 0:09:11Over here on this wall we have several illustrations for The Mystery of Edward Drood...
0:09:11 > 0:09:14Oh dear. I hate to be a know-it-all,
0:09:14 > 0:09:19but I think you'll find it was The Mystery of EdWIN Drood, not EdWARD Drood.
0:09:19 > 0:09:23To think I had such great expectations for this film.
0:09:27 > 0:09:29This is the film Your Highness,
0:09:29 > 0:09:34and this poor, helpless maiden is tied down so tightly she can barely move.
0:09:37 > 0:09:42But at the end of the scene, she's able to sit up quite easily whilst still being tied down.
0:09:42 > 0:09:47Your Highness, the film that hits an all-time lowness.
0:09:49 > 0:09:54I always say the key to a successful double act is having two people...
0:09:54 > 0:09:57From my experience, if you want to create a successful double act,
0:09:57 > 0:09:59and you're not very cool,
0:09:59 > 0:10:01find someone who is much less cool than you,
0:10:01 > 0:10:04and then you'll be known as the cool one.
0:10:04 > 0:10:09Some Hollywood double acts work so well together, it's hard to imagine one without the other.
0:10:09 > 0:10:11Tom Hank and Meg Ryan, Brad and Angelina,
0:10:11 > 0:10:13Lindsay Lohan and her parole officer.
0:10:13 > 0:10:18But my favourite double act has got to be Superman and Clark Kent.
0:10:18 > 0:10:19What?
0:10:20 > 0:10:24How can they be the same person? They don't look anything alike.
0:10:24 > 0:10:26He just wears glasses?!
0:10:26 > 0:10:29That is so... So clever.
0:10:29 > 0:10:33OK, then it's got to be Spiderman and Peter Parker.
0:10:35 > 0:10:38The surprisingly dark Love And Other Drugs now,
0:10:38 > 0:10:41and watch Anne Hathaway's arm.
0:10:41 > 0:10:44It's under the pillow behind Jake Gyllenhaal's arm,
0:10:44 > 0:10:47then it pops up before tucking itself back behind the pillow
0:10:47 > 0:10:49like his arm's made of nothing.
0:10:49 > 0:10:52Also, she's not pointing and laughing,
0:10:52 > 0:10:56which in my experience is what women normally do after sex. Right?
0:10:58 > 0:11:01Here's a scene from the goofy Dinner For Schmucks,
0:11:01 > 0:11:02and just keep an eye on her ears.
0:11:02 > 0:11:04He wants me to curate it.
0:11:04 > 0:11:06Oh, my God!
0:11:06 > 0:11:08She's lost her earrings!
0:11:08 > 0:11:11You call a guy a douche and you get your first museum show out of it.
0:11:11 > 0:11:12Now they're back.
0:11:12 > 0:11:17I love you so much. You're stunning, smart and awful with pronunciation.
0:11:17 > 0:11:18Now they've gone again!
0:11:18 > 0:11:22Apparently she's wearing a new type of jewellery.
0:11:22 > 0:11:24Disappear-rings!
0:11:24 > 0:11:26I love you.
0:11:30 > 0:11:31Oh, my God.
0:11:31 > 0:11:34Here, Steve Carrel wrestles Paul Rudd away from a lift.
0:11:34 > 0:11:35I think we need to cool off...
0:11:35 > 0:11:39Gosh, I hate when that happens.
0:11:39 > 0:11:42Look, he's grabbing him by the arm.
0:11:42 > 0:11:43He's got his arm.
0:11:43 > 0:11:47And then suddenly... it's his right leg!
0:11:47 > 0:11:49What a joke.
0:11:49 > 0:11:53Paul Rudd's not the only one having his leg pulled around here.
0:11:53 > 0:11:55THEY GRUNT AND MOAN
0:11:55 > 0:11:57You are welcome.
0:12:02 > 0:12:05In this bit, Steve Carrel changes his specs
0:12:05 > 0:12:08so he can dress a mouse for its impending marriage.
0:12:14 > 0:12:17Nice cameo by Stuart Little.
0:12:19 > 0:12:22But when he removes the magnifying glasses...
0:12:22 > 0:12:25Oops, his normal glasses are still on.
0:12:25 > 0:12:27What a mouse-stake to make.
0:12:30 > 0:12:33At the schmucks' dinner itself,
0:12:33 > 0:12:36watch out for the lady in the purple dress,
0:12:36 > 0:12:38who's in two places at once.
0:12:42 > 0:12:43Here she is.
0:12:43 > 0:12:46And now she's over here too.
0:12:46 > 0:12:49Incredible! At least she can pass herself the salt.
0:12:56 > 0:13:00Here, Steve plays such a schmuck that he walks straight into a pond
0:13:00 > 0:13:04and gets his trousers wet.
0:13:04 > 0:13:05But hang on.
0:13:05 > 0:13:09They're already wet before he goes in, from a previous take.
0:13:09 > 0:13:12When they said this comedy was pant-wetting,
0:13:12 > 0:13:14I thought they meant it was funny!
0:13:16 > 0:13:19Oh, the usual scene.
0:13:19 > 0:13:22A man asleep in the bath with his hand down the toilet.
0:13:22 > 0:13:25This is the predictable Just Go With It,
0:13:25 > 0:13:28which was the editor probably said when he saw that the toilet seat
0:13:28 > 0:13:31was down instead of up in the next shot.
0:13:35 > 0:13:37Just go with it. No-one will notice.
0:13:39 > 0:13:43I mean, that kid's not noticed, and he's sat on a man's hand.
0:13:45 > 0:13:49Jennifer Aniston and Adam Sandler play plastic surgeons,
0:13:49 > 0:13:52but maybe it's their movie that needs corrective surgery.
0:13:52 > 0:13:55I think that's enough. Do you feel that?
0:13:55 > 0:13:56No.
0:13:56 > 0:14:00One moment Sandler is wearing rubber gloves, and then suddenly...
0:14:00 > 0:14:02..they've gone!
0:14:02 > 0:14:05That bra is the perfect size, Sandler,
0:14:05 > 0:14:07Cos you've just made one massive boob.
0:14:10 > 0:14:14Film animals are intensively-trained creatures
0:14:14 > 0:14:17who behave exactly the way the director wants them to.
0:14:17 > 0:14:20- But sometimes corners are cut. - The pig is tasting my body!
0:14:20 > 0:14:21No, he's not.
0:14:21 > 0:14:24He should be saying, "The pig is eating the food
0:14:24 > 0:14:27"that I've smeared all over my back to attract it."
0:14:27 > 0:14:30The pig's the one who's least at fault.
0:14:30 > 0:14:32The pig is tasting my body!
0:14:34 > 0:14:39Action films now. None of your namby-pamby romance or any of that girly stuff.
0:14:39 > 0:14:42Films for blokes, full of explosions and fights and guns.
0:14:42 > 0:14:45Films for real men. Real men like me!
0:14:45 > 0:14:49Are you talking to me?! Are you talking to me?!
0:14:49 > 0:14:51Oh, you are talking to me.
0:14:51 > 0:14:54What... We can't have the gun. Health and safety. Oh, OK.
0:14:54 > 0:14:57GUN FIRES
0:14:57 > 0:14:58And talking of being sorry,
0:14:58 > 0:15:00I got kicked out of my local cinema the other week
0:15:00 > 0:15:05after I went up to the lady at the ticket kiosk and told her I was looking for a bit of action.
0:15:05 > 0:15:08I only wanted a ticket to see the new Jason Statham film.
0:15:08 > 0:15:11Well, that's what I told the police anyway.
0:15:13 > 0:15:15Nice vest.
0:15:15 > 0:15:17It's the ridiculous The Expendables,
0:15:17 > 0:15:20where the most expendable thing is that vest.
0:15:22 > 0:15:24Sly got on board wearing it...
0:15:24 > 0:15:27Now it's off.
0:15:28 > 0:15:30He hangs up his guns...
0:15:32 > 0:15:34And it's on again.
0:15:35 > 0:15:37And then it isn't.
0:15:37 > 0:15:42I haven't seen this much vest removal since Take That at Wembley in 1995.
0:15:44 > 0:15:50Cockney legend Statham starting some aggro with some sweaty crims.
0:15:50 > 0:15:55Here he is pokin' along on his bike in his levver jacket and 'elmet.
0:15:55 > 0:15:57That'll take a while to take off.
0:15:59 > 0:16:04But in an instant his trouble and strife is strolling away wiv his gear.
0:16:04 > 0:16:06Would you Adam and Eve it?
0:16:11 > 0:16:14A horrible scene of torture from The Expendables,
0:16:14 > 0:16:16but not as horrible as this goof.
0:16:18 > 0:16:19SHE SCREAMS
0:16:19 > 0:16:21MAN SPEAKS IN SPANISH
0:16:21 > 0:16:24She gives a defiant kick to her captors...
0:16:25 > 0:16:28THEY SPEAK IN SPANISH
0:16:28 > 0:16:32However, when she falls, you can see that her legs are tied together.
0:16:32 > 0:16:37Maybe the director was too tied up to notice this. Thanks again. Thanks.
0:16:39 > 0:16:44Here's Angelina Jolie as Salt in the far-fetched Salt.
0:16:44 > 0:16:49Now, too much salt is bad for you, so let's keep this short.
0:16:49 > 0:16:52Here she's brought along an ashtray and a packet of fags.
0:16:52 > 0:16:54What about your insides, Salt?
0:16:54 > 0:16:56- I need to get to the phone. - No, no, no.
0:16:56 > 0:16:59Someone should really hide them. Oh, they have!
0:16:59 > 0:17:03But you can't fool Salt. She finds them again.
0:17:03 > 0:17:06Her IQ is as high as her blood pressure.
0:17:08 > 0:17:11Looks like Salt's about to get on a bouncy castle.
0:17:11 > 0:17:14She knows the rules. No shoes.
0:17:14 > 0:17:16That's right. Put them neatly behind you.
0:17:16 > 0:17:22But in the CCTV shot, they're scattered all over the place.
0:17:22 > 0:17:24No party bag for you!
0:17:28 > 0:17:32In this climactic scene, Salt... Spoiler alert!
0:17:32 > 0:17:34..kills the Russian president.
0:17:34 > 0:17:38And speaking of spoiling things, take a look at the dead pres.
0:17:38 > 0:17:40We need a medical crew down in the crypt.
0:17:40 > 0:17:44No need to look for a pulse. His eyes can tell you he's totally fine.
0:17:47 > 0:17:51They say dead men don't talk, but apparently they do blink.
0:17:54 > 0:17:57Now, this is the melodramatic Sanctum,
0:17:57 > 0:18:00and you'll need to watch very carefully.
0:18:02 > 0:18:06Something the director failed to do when they picked a stuntman.
0:18:06 > 0:18:10Look, a watch in this shot and no watch during the stunt.
0:18:12 > 0:18:16I wouldn't give this movie the time of day.
0:18:18 > 0:18:21And that's it. Until next time, byeee!
0:18:34 > 0:18:37Subtitles by Red Bee Media
0:18:37 > 0:18:40Email subtitling@bbc.co.uk