0:00:44 > 0:00:48The name's Webb, Robert Webb, and I've got a licence to kill...
0:00:48 > 0:00:51the next two hours of your life,
0:00:51 > 0:00:53with all the mistakes from the latest movie releases.
0:00:53 > 0:00:56It's the return of the show that leaves the movie industry
0:00:56 > 0:00:58shaken and stirred by pointing out
0:00:58 > 0:01:01when it's made a right Thunder...up.
0:01:01 > 0:01:04Our team of movie nerds have been on Her Majesty's secret service
0:01:04 > 0:01:08to spot this year's brand-new batch of movie clunkers.
0:01:08 > 0:01:12They're for your eyes only and, believe me, Dr No...one will...
0:01:12 > 0:01:14Sorry, I'm not going to do this for the whole show.
0:01:14 > 0:01:17When I said I want a James Bond-style opening, I thought you'd
0:01:17 > 0:01:20give me fast cars, exotic locations and beautiful women,
0:01:20 > 0:01:22not a dodgy tux and bad puns.
0:01:22 > 0:01:25What, The Man With The Golden Pun? Yeah, very strong.
0:01:25 > 0:01:29Yeah, great. That's it, forget it. That's the last straw.
0:01:29 > 0:01:30Get Keith Lemon!
0:01:32 > 0:01:35That's better. There'll be no more of that nonsense.
0:01:35 > 0:01:38Instead, we're going to review clip after clip
0:01:38 > 0:01:41of the greatest movie mistakes from this year's films
0:01:41 > 0:01:43and my word is my bond.
0:01:43 > 0:01:45Hang on!
0:01:48 > 0:01:50Don't sequels just do your head in?
0:01:50 > 0:01:53It seems that, nowadays, people can't just let a good thing happen
0:01:53 > 0:01:55without exploiting it over and over again,
0:01:55 > 0:01:59repeating the same tired formula until there's nothing original left.
0:01:59 > 0:02:03At least that's what we think here at Movie Mistakes...Three.
0:02:03 > 0:02:06Statistically, sequels gross more at the box office
0:02:06 > 0:02:09than the first film in a series, so do prequels.
0:02:09 > 0:02:12So I've come up with a plan, make the second film first,
0:02:12 > 0:02:16then do the first film second, but because you've made the second film
0:02:16 > 0:02:19first, the second film, which is in fact the first film,
0:02:19 > 0:02:22will technically be a prequel. Ker-ching!
0:02:22 > 0:02:26The best thing about sequels is that they get to have subtitles.
0:02:26 > 0:02:29Terminator 2, Judgement Day, Babe 2 - Pig In The City,
0:02:29 > 0:02:32Garfield 2 - Who Allowed This To Get Made.
0:02:35 > 0:02:38The foreboding and climactic Harry Potter And The Deathly Hallows.
0:02:38 > 0:02:43Here, the charmingly named Mundungus knocks over a stack of newspapers.
0:02:43 > 0:02:45Listen, I panicked...
0:02:45 > 0:02:46Daily Prophets everywhere.
0:02:48 > 0:02:51But, perhaps a special cleaning spell is used as, later on,
0:02:51 > 0:02:54we see the papers are neatly stacked again.
0:02:54 > 0:02:58Abracadabra? Abraca-bad-ra.
0:03:01 > 0:03:06Harry Potter critics say it became a little repetitive towards the end.
0:03:06 > 0:03:08- I think that's a bit unfair. - They're after you, mate.
0:03:08 > 0:03:12Oh, hang on, that waitress covers the same piece of ground twice.
0:03:12 > 0:03:14What about all the people at the wedding?
0:03:14 > 0:03:15There she goes...
0:03:15 > 0:03:17and there she goes again.
0:03:17 > 0:03:20Maybe they had a point after all.
0:03:22 > 0:03:27Helena Bonham Carter straddling Emma Watson is a sight to get any
0:03:27 > 0:03:31Harry Potter fan-boy hot and bothered, but not like that.
0:03:31 > 0:03:33I'm talking about this massive movie clunker.
0:03:33 > 0:03:36SHE SCREAMS
0:03:39 > 0:03:41She goes to carve into her right arm,
0:03:41 > 0:03:44then, suddenly, she's attacking her left.
0:03:45 > 0:03:49It's awful. There's not even any mud for them to fight in.
0:03:51 > 0:03:54Ah, pirates - making alcoholism fun!
0:03:54 > 0:03:57It's the boisterous Pirates Of The Caribbean 4.
0:03:59 > 0:04:02And, as Geoffrey Rush tilts his hollow leg high to get a drink,
0:04:02 > 0:04:04Jack Sparrow wants a taste.
0:04:04 > 0:04:06I want one of those.
0:04:06 > 0:04:11Sadly, his hands are tied and could never tilt the leg high enough.
0:04:11 > 0:04:14Here's to revenge - sweet and clear.
0:04:15 > 0:04:16Revenge.
0:04:16 > 0:04:17How'd he do that?
0:04:17 > 0:04:19Come, Hector.
0:04:21 > 0:04:23It's the flaccid Little Fockers
0:04:23 > 0:04:27and here's Jessica Alba dropping off Ben Stiller in a lovely
0:04:27 > 0:04:28car with black seats.
0:04:29 > 0:04:32- Are you sure you're going to be OK? - Yeah.
0:04:32 > 0:04:35Well, it's not him you should worry about, it's your car
0:04:35 > 0:04:38because overnight...the seats have turned white.
0:04:38 > 0:04:39You OK?
0:04:39 > 0:04:42Following the example of Dustin Hoffman's hair.
0:04:45 > 0:04:49Oh, it's the atmospheric Paranormal Activity 2.
0:04:49 > 0:04:50BANG
0:04:50 > 0:04:53And there's some spooky goings-on in this household.
0:04:54 > 0:04:57Oh, keep an eye on the pots and pans hanging from the rack.
0:04:57 > 0:04:58That's enough.
0:04:59 > 0:05:02Oooh, they keep changing colour and shape.
0:05:04 > 0:05:06A poltergeist or cock-up?
0:05:06 > 0:05:08You decide.
0:05:10 > 0:05:13Adrenaline-pumping Fast Five now, and when robbing a bank,
0:05:13 > 0:05:16attention to detail really counts.
0:05:16 > 0:05:19Here the safe's unlocked with a right-hand print.
0:05:25 > 0:05:28Young Mia then goes to extreme measures,
0:05:28 > 0:05:29grabbing his print on her bikini.
0:05:32 > 0:05:34But it's the left hand.
0:05:34 > 0:05:38That shouldn't work, then. Caught you red-handed AND red-faced!
0:05:38 > 0:05:43So did he just slap that BLEEP or did he grab and hold on to it?
0:05:45 > 0:05:48You know, it takes so much time and money
0:05:48 > 0:05:50to CGI those robots in Transformers,
0:05:50 > 0:05:54I'd just not bother putting them in every shot.
0:05:54 > 0:05:56I mean, who's going to notice?
0:05:56 > 0:05:58Unfortunately, we are!
0:05:58 > 0:06:02Keep an eye on this character, Brains, who transforms into
0:06:02 > 0:06:03thin air!
0:06:03 > 0:06:06Shame this film can't transform into a good one.
0:06:06 > 0:06:08That's what you love about me.
0:06:10 > 0:06:12You've got some BLEEP.
0:06:12 > 0:06:15It's annoying when there's loads of action going on.
0:06:15 > 0:06:17There's never time to shave, is there, Shia LaBeouf?
0:06:21 > 0:06:25Especially when you're getting attacked by a flying robot.
0:06:27 > 0:06:29No!
0:06:29 > 0:06:33But, wait a second, he hasn't, has he?
0:06:33 > 0:06:37From Shia LaBeouf to sheered LaBeouf.
0:06:39 > 0:06:41You think you're a hero...
0:06:41 > 0:06:44It's near the end of Transformers and time is tight.
0:06:44 > 0:06:45Who's the messenger?
0:06:45 > 0:06:48But look at this clock, it's got a mind of its own.
0:06:48 > 0:06:50Starting at 2:20.
0:06:54 > 0:06:57It jumps back to 12:15...
0:06:59 > 0:07:02..and then back further to 11 o'clock.
0:07:02 > 0:07:05It's like Back To The Future, but with robots
0:07:05 > 0:07:07and without Michael J Fox.
0:07:07 > 0:07:10Actually, forget it, it's nothing like Back To The Future.
0:07:12 > 0:07:16Last clip from Transformers and lucky old sheered LaBeouf is getting
0:07:16 > 0:07:20a snog from his latest supermodel girlfriend.
0:07:20 > 0:07:22But take a look at her mucky paws.
0:07:22 > 0:07:24I'm going to hold you to that.
0:07:24 > 0:07:27They keep changing from clean and over his shoulders,
0:07:27 > 0:07:29to dirty and on his face.
0:07:34 > 0:07:38The most popular genre of the moment seems to be the superheroes.
0:07:38 > 0:07:42Spider-Man, Superman, Natalie Port-man, X-Men, that's another one.
0:07:42 > 0:07:45I've always found their name confusing.
0:07:45 > 0:07:48X-Men, they're ex-men. So they're women.
0:07:48 > 0:07:51If that's the case, I suppose that explains
0:07:51 > 0:07:53why I fancy Wolverine so very much.
0:07:53 > 0:07:56Everyone is quick to talk about superheroes, but no-one
0:07:56 > 0:07:58is interested in the real-life heroes.
0:07:58 > 0:08:01For me, my hero in life has always been my old English teacher.
0:08:01 > 0:08:05He was caring and passionate, a real inspiration to all he taught
0:08:05 > 0:08:07and by night, he donned a mask and cape
0:08:07 > 0:08:09and went out and fought criminals.
0:08:09 > 0:08:12I'll never forget you, Mr Batman.
0:08:14 > 0:08:18Now it's time for breakneck action hit X-Men First Class.
0:08:18 > 0:08:21But that isn't a history class,
0:08:21 > 0:08:25as while they may be flashing back to 1944...
0:08:25 > 0:08:29that photo of Einstein was taken in 1947.
0:08:30 > 0:08:32Class dismissed.
0:08:36 > 0:08:39Here's James McAvoy as superhero Professor Xavier.
0:08:39 > 0:08:43But every superhero has his weakness and for Xavier, it's windows.
0:08:45 > 0:08:46See that?
0:08:47 > 0:08:48I read the teleporter's mind.
0:08:48 > 0:08:52Ouch! He bangs his head against the glass.
0:08:52 > 0:08:53Curse you, window, I'll get you next time!
0:08:53 > 0:08:55I read the teleporter's mind.
0:08:57 > 0:09:00Now, James is rightly thinking twice
0:09:00 > 0:09:02about shooting his mate in the head.
0:09:02 > 0:09:05But look at the distance the gun is from his head,
0:09:05 > 0:09:07it changes with every shot.
0:09:07 > 0:09:11That's every shot of the camera, not of the gun, thankfully.
0:09:11 > 0:09:12No, I can't.
0:09:14 > 0:09:17Now have the animators made an error here? Look at Emma Frost -
0:09:17 > 0:09:20she's the one that's a woman.
0:09:20 > 0:09:23When she changes from diamonds back to human
0:09:23 > 0:09:25her hair style changes.
0:09:27 > 0:09:28Here it's loose.
0:09:28 > 0:09:29Now tied back.
0:09:29 > 0:09:31We don't harm our own kind.
0:09:31 > 0:09:35With her hair in that state, she must have been made from uncut diamonds.
0:09:37 > 0:09:40On to the let down that was Green Lantern
0:09:40 > 0:09:43and this guy is ecstatic because all day, he's been trying to keep
0:09:43 > 0:09:47his slippery headphones on his head and now he's finally made them...
0:09:47 > 0:09:50Oh. Oh, well. Back to the drawing board.
0:09:54 > 0:09:57Take a look at Ryan Reynolds' brown eyes.
0:09:57 > 0:09:59You know, you can't be a pilot if you're colour blind.
0:10:01 > 0:10:04Maybe they should have the same rule for casting directors because,
0:10:04 > 0:10:09according to this film, when he was younger, he had blue eyes.
0:10:12 > 0:10:14It's Ken Branagh's smart take on Thor.
0:10:14 > 0:10:16But where's the cock-up?
0:10:17 > 0:10:21As Dylan says, the answer, my friend, is blowing in the wind.
0:10:23 > 0:10:27Look at that stiff breeze blowing their hair across their faces...
0:10:27 > 0:10:31that suddenly disappears... and it returns.
0:10:31 > 0:10:37Misquoting Dylan again, let's hope, at that height, they're not sitting on the eaves of destruction.
0:10:37 > 0:10:39I try, I fail.
0:10:39 > 0:10:41I'm going to get everything back.
0:10:44 > 0:10:47In this scene, it's tipping it down with rain
0:10:47 > 0:10:50and everyone's getting soaking wet.
0:10:51 > 0:10:53Apart from the guy from The Hurt Locker,
0:10:53 > 0:10:56who keeps a dry face at all times.
0:10:57 > 0:11:01With that condition, he must get through a hell of a lot of Nivea.
0:11:03 > 0:11:08Thor, again, and an exciting moment where a coffee spills over.
0:11:12 > 0:11:14But there's no use crying over it because,
0:11:14 > 0:11:18in just a matter of seconds, it goes from being knocked over
0:11:18 > 0:11:20to upright again.
0:11:21 > 0:11:23Better latte than never.
0:11:25 > 0:11:29In my opinion, a good movie always leaves you asking questions.
0:11:29 > 0:11:31Who was Keyser Soze?
0:11:31 > 0:11:34How did Nice Guy Eddie get shot? And, dude, where is my car?
0:11:34 > 0:11:39But this selection of clunkers is so terrible, it will leave you
0:11:39 > 0:11:42asking only one question. What were they thinking?
0:11:44 > 0:11:47Very geeky comedy with the film Paul, now,
0:11:47 > 0:11:50and the invisible alien looks at Nick Frost's passport.
0:11:53 > 0:11:56But it should say British citizen and not British subject.
0:11:56 > 0:11:59Could be worse, it could be French subject.
0:11:59 > 0:12:01That was always my least favourite subject.
0:12:04 > 0:12:06He's from another world.
0:12:06 > 0:12:08Take a look at the green oven mitt on the wall.
0:12:08 > 0:12:10It's about to disappear.
0:12:10 > 0:12:12If it makes you feel any better, my existence...
0:12:12 > 0:12:14There it goes.
0:12:14 > 0:12:17That's the thing about sci-fi films, I mean, the rule book is thrown
0:12:17 > 0:12:18out of the window.
0:12:18 > 0:12:20# Amazing grace... #
0:12:20 > 0:12:22In fact, I bet they did it on purpose.
0:12:22 > 0:12:26I bet it represents something like, you know, us,
0:12:26 > 0:12:28like, are we really here or are we just...
0:12:28 > 0:12:30Oh, yeah.
0:12:30 > 0:12:31Oh, never mind, it's back.
0:12:31 > 0:12:34Turns out it just represents a mistake they made.
0:12:36 > 0:12:39And now fireworks. Remember the code...
0:12:39 > 0:12:41That'll put us behind the tree line...
0:12:41 > 0:12:43..light them at an arm's length...
0:12:43 > 0:12:44Hey! Watch the fuse!
0:12:44 > 0:12:45..stand well back...
0:12:45 > 0:12:46That's not funny.
0:12:46 > 0:12:48..and take your head torch off twice.
0:12:48 > 0:12:51Arrh. Boom!
0:12:57 > 0:13:00But watch Pegg's head torch. He just lets it vanish.
0:13:02 > 0:13:04He's no responsible adult.
0:13:08 > 0:13:11Pretentious arty action in Hanna.
0:13:11 > 0:13:15Here, Cate Blanchett runs up a flight of stairs in comfy shoes,
0:13:15 > 0:13:17dropping her monkey head along the way.
0:13:18 > 0:13:21No time to worry about simian head gear, there's a child to chase.
0:13:27 > 0:13:30But, apparently, plenty of time to change shoes.
0:13:30 > 0:13:32Let's see that again.
0:13:35 > 0:13:38Before you can say, "Here come the girls," she's in boots!
0:13:42 > 0:13:46Here's Hanna herself and I know what you're thinking,
0:13:46 > 0:13:49Hanna was brought up as a trained assassin in isolation
0:13:49 > 0:13:52near the Arctic Circle, so how come she's got pierced ears?
0:13:53 > 0:13:56This movie has more holes than Hanna's lobes.
0:13:59 > 0:14:03Hanna's having a face-to-face chat with her friend Sophie,
0:14:03 > 0:14:05lying on her left-hand side.
0:14:05 > 0:14:07And here's Sophie who, for some reason,
0:14:07 > 0:14:09appears to be also lying on her left side.
0:14:11 > 0:14:13So, how are they face to face?
0:14:13 > 0:14:14I like you.
0:14:14 > 0:14:16Look me in the eye and answer me!
0:14:17 > 0:14:19I'd like to have a friend.
0:14:23 > 0:14:25In the soppy Just Wright,
0:14:25 > 0:14:30Scott walks Leslie over to a covered object shaped very much like a car.
0:14:30 > 0:14:33She asks what it is and he reveals, to her great surprise...
0:14:33 > 0:14:34that it's a car.
0:14:34 > 0:14:37No, you didn't!
0:14:37 > 0:14:39But keep your eye on the antenna.
0:14:39 > 0:14:41It's visible even though the car's covered
0:14:41 > 0:14:44and doesn't move with the fabric.
0:14:47 > 0:14:50Just WRIGHT?! Just WRONG, more like!
0:14:50 > 0:14:52ROBERT WEBB CHUCKLES
0:14:54 > 0:14:56Here's the moribund Something Borrowed.
0:14:56 > 0:15:00Keep an eye on the girl on the far left fast asleep.
0:15:02 > 0:15:07Now she's wide awake and catching up on the latest gossip in Grazia.
0:15:07 > 0:15:08Can't have been a very interesting article because, look,
0:15:08 > 0:15:14sleeping on the job again. A bit like the continuity editor.
0:15:16 > 0:15:19Onto the tongue-in-cheek Red now and here's lovely Helen Mirren
0:15:19 > 0:15:20looking glamorous,
0:15:20 > 0:15:24but then she could make a cheap plastic watch look glamorous.
0:15:24 > 0:15:27Which must be exactly what she's done
0:15:27 > 0:15:32as while the necklace sets off the metal detector,
0:15:32 > 0:15:33the watch doesn't.
0:15:37 > 0:15:38Still with Red and here,
0:15:38 > 0:15:41Bruce Willis gets a little help with his handcuffs.
0:15:41 > 0:15:45He's handed a key, but wait a second,
0:15:45 > 0:15:47the handcuffs aren't even locked.
0:15:49 > 0:15:51How much help do you need, Bruce?
0:15:51 > 0:15:54Do you want him to tie your shoelaces while he's at it?
0:15:56 > 0:15:58Next up, we're looking at teen movies,
0:15:58 > 0:16:02which, for a man only recently out of his teens - that's right - is exactly my thing.
0:16:02 > 0:16:08- MOBILE PHONE RINGS - They're cool, wicked and totally radical. Oh, excuse me.
0:16:08 > 0:16:11Oh, hey, Dazza! Yeah? What's up, dude?
0:16:11 > 0:16:14Yeah, I would love to come down the Rec and skateboard with you.
0:16:14 > 0:16:18Hang on. Mum, I'm going down the Rec with Dazza.
0:16:18 > 0:16:21- HIGH-PITCHED VOICE:- Not until you've finished hosting the show.
0:16:21 > 0:16:22But, Mum!
0:16:22 > 0:16:26- No buts.- I can't come out. See you tomoz.
0:16:28 > 0:16:32Here are some classic goofs from teen films.
0:16:32 > 0:16:36- Say it nicely!- Here are some classic goofs from teen films.
0:16:38 > 0:16:39I saw that!
0:16:42 > 0:16:46Next, in the light-hearted Easy A, Olive shows this boy what's what
0:16:46 > 0:16:50by crushing an ice-cream cone in front of his face.
0:16:50 > 0:16:55But the cone instantly reappears. Here today, cone tomorrow.
0:16:59 > 0:17:01Now, watch Olive trying to take off her left boot
0:17:01 > 0:17:04Is that lavender? It's pretty.
0:17:04 > 0:17:08Which becomes her right boot, then she takes off her right boot again,
0:17:08 > 0:17:12but somehow she's removed both her boots!
0:17:12 > 0:17:15A clear example of two rights making a wrong.
0:17:18 > 0:17:22In energetic Step Up 3D, it's the dance battle.
0:17:22 > 0:17:26And as any B-boy knows, things get hot on the dance floor,
0:17:26 > 0:17:29which is why the guy who's with those men pretending to be dogs
0:17:29 > 0:17:32keeps taking his coat off.
0:17:33 > 0:17:35Now you see it...
0:17:35 > 0:17:37Now you don't.
0:17:37 > 0:17:40Reminds me of my nan's 80th. That was a lively affair.
0:17:43 > 0:17:47Another one from Step Up, and take a look at Moose's bag,
0:17:47 > 0:17:51because it's only on in the shots from behind.
0:17:51 > 0:17:53Yeah, I mean I...
0:17:53 > 0:17:54I'm a double major.
0:17:54 > 0:17:55Now, I know it's a backpack,
0:17:55 > 0:17:58but you'd still see the strap on the front, right?
0:17:58 > 0:17:59Yes?
0:17:59 > 0:18:01What do you mean, you can't believe it?
0:18:03 > 0:18:06It's Submarine, a reflective film about a son
0:18:06 > 0:18:11trying to smooth out the creases in his parents' relationship.
0:18:12 > 0:18:14And by the looks of things,
0:18:14 > 0:18:18he's also smoothing out the creases in this drawing.
0:18:18 > 0:18:20See? The fold's gone.
0:18:20 > 0:18:23No need to set it on fire, though!
0:18:23 > 0:18:24Oh! Kids!
0:18:27 > 0:18:31Finally, a flashback scene in the worthless Twilight sequel, Eclipse.
0:18:31 > 0:18:36Now, clothes in those days were made to last.
0:18:36 > 0:18:38Look at that!
0:18:38 > 0:18:41She stabs right through her dress and it doesn't even rip.
0:18:41 > 0:18:44You don't get that kind of quality at Primark, do you?
0:18:46 > 0:18:50Films get better with age, like so many things.
0:18:50 > 0:18:52Wine, cheese, a good lover -
0:18:52 > 0:18:54or at least that's what I tell my girlfriend.
0:18:54 > 0:18:57She's 78 and needs a lot of confidence boosting,
0:18:57 > 0:19:00so here are some slightly older clips
0:19:00 > 0:19:02that we may have missed in the first two shows.
0:19:02 > 0:19:03STATIC AND CLATTERING
0:19:03 > 0:19:07Oh! She's had another fall. Excuse me!
0:19:09 > 0:19:12Lovable musical Grease now,
0:19:12 > 0:19:14and Vi demonstrates early voice control technology
0:19:14 > 0:19:18as all it takes is for her to do a low grunt...
0:19:18 > 0:19:21and the light goes out.
0:19:21 > 0:19:24She certainly didn't flick the switch - look...
0:19:26 > 0:19:29..her elbow is a good few inches away.
0:19:29 > 0:19:30How's it done, Vi?
0:19:30 > 0:19:32Enlighten us!
0:19:34 > 0:19:38THEY ALL SING "SUMMER NIGHTS"
0:19:38 > 0:19:41Ah, those crazy school days, when everyone could perform
0:19:41 > 0:19:43a flawless, impromptu song-and-dance number!
0:19:43 > 0:19:46Best years of my life!
0:19:46 > 0:19:51Though Rizzo goes and ruins it by putting on some cool shades...
0:19:51 > 0:19:53that instantly come off.
0:19:55 > 0:19:58But it takes our eye off Travolta readjusting his tight trousers...
0:20:00 > 0:20:02Oh, back on again.
0:20:02 > 0:20:04Good diversion, Rizzo!
0:20:07 > 0:20:10The colourful, camp classic The Wizard of Oz
0:20:10 > 0:20:15and Dorothy's down the Yellow Brick Road in her iconic red shoes.
0:20:15 > 0:20:16But she's a bit peckish...
0:20:16 > 0:20:18The tree doesn't like this.
0:20:18 > 0:20:23- Well, how would you like someone come and pinch something off of you?- Oh, dear!
0:20:23 > 0:20:26Well- we find out, as someone's had it away with Dorothy's lovely shoes
0:20:26 > 0:20:30and replaced them with dreary old dance shoes.
0:20:30 > 0:20:31Look!
0:20:35 > 0:20:38Hooray! I guess that did it. Help yourself.
0:20:40 > 0:20:44Now as Dorothy chases the Tin Man,
0:20:44 > 0:20:48see how the very important can of oil falls out of her basket.
0:20:52 > 0:20:54Here it is.
0:20:56 > 0:20:58Luckily with oil prices as they are,
0:20:58 > 0:21:02it reappears intact so Tin Man can sort out his arthritic joints.
0:21:02 > 0:21:04That was wonderful.
0:21:04 > 0:21:05Well, OIL be damned!
0:21:09 > 0:21:12The original and best Superman movie now,
0:21:12 > 0:21:18and while you may believe a man can fly, he can also walk through glass.
0:21:18 > 0:21:21Here, he's in a different door partition to Lois,
0:21:21 > 0:21:25but when they come out, they leave from the same partition.
0:21:25 > 0:21:27Also - rewind that...
0:21:31 > 0:21:34Yep, a clear reflection of the cameraman.
0:21:36 > 0:21:38Now I'll believe a man can spy.
0:21:42 > 0:21:48Clark Kent is ever the polite gentleman, even when knocked out.
0:21:48 > 0:21:50Did you see that?
0:21:51 > 0:21:56See? He doffs his hat to his mugger as he runs away.
0:22:00 > 0:22:04The final word in romantic comedies is Pretty Woman,
0:22:04 > 0:22:08but I wish Julia Roberts would sort her manners out -
0:22:08 > 0:22:11look, she's talking through a mouthful of croissant...
0:22:11 > 0:22:13How far did you go in school?
0:22:13 > 0:22:17Even more impolitely, she then changes it to a pancake!
0:22:19 > 0:22:20Your folks must be proud.
0:22:20 > 0:22:22And then takes a second bite out...
0:22:24 > 0:22:27..which goes back on the pancake afterwards.
0:22:27 > 0:22:28Disgraceful.
0:22:32 > 0:22:35Ah, the epic and magical Sound of Music,
0:22:35 > 0:22:37and look at the lovely scenery.
0:22:37 > 0:22:40On such a beautiful, clear and sunny day
0:22:40 > 0:22:43wouldn't you want to climb up an Alpine hillside,
0:22:43 > 0:22:47take a deep breath of fresh air and just sing your guts out?
0:22:48 > 0:22:51Come on, Julie, give us a burst!
0:22:51 > 0:22:54Oh, it's suddenly gone all dull and cloudy.
0:22:54 > 0:22:58I'd go back in, love. Film's over, everyone.
0:23:00 > 0:23:02Thanks for watching Great Movie Mistakes.
0:23:02 > 0:23:06I hope we haven't taken the shine off your favourite films this year.
0:23:06 > 0:23:08If we have, then console yourself by remembering
0:23:08 > 0:23:11that for all the little mistakes we've just pointed out,
0:23:11 > 0:23:13there's hours and hours of movie footage
0:23:13 > 0:23:15where they don't make any mistakes at all.
0:23:15 > 0:23:19But if you want to watch them, you'd probably better download them illegally online.
0:23:19 > 0:23:20- ALARM SOUNDS - Bye!
0:23:29 > 0:23:32Subtitles by Red Bee Media Ltd