0:00:43 > 0:00:46Welcome to Great Movie Mistakes III.
0:00:46 > 0:00:48That's right - we're a trilogy,
0:00:48 > 0:00:52which hopefully means we'll get our own overpriced box sets, too.
0:00:52 > 0:00:53I know what you're thinking -
0:00:53 > 0:00:56the third part of a trilogy has a certain reputation.
0:00:56 > 0:01:00Godfather III, Back To The Future III, Honey We Shrunk Ourselves.
0:01:00 > 0:01:05They all have a reputation for being MY favourite part of the whole trilogy.
0:01:05 > 0:01:07So, how have we made this instalment bigger,
0:01:07 > 0:01:09better and more impressive than the other two?
0:01:09 > 0:01:11Well, how does this sound?
0:01:11 > 0:01:14CGI technology, car chases, romantic interests,
0:01:14 > 0:01:18the bit where the building falls in on itself like in Inception.
0:01:18 > 0:01:21Well, according to our producers, it sounds too expensive.
0:01:21 > 0:01:24So, instead, we'll just stick to our perfectly OK formula
0:01:24 > 0:01:28of reviewing all the movie mistakes we've spotted
0:01:28 > 0:01:31from the top movies released since we last saw you.
0:01:47 > 0:01:49For a shoot to be successful, the whole team,
0:01:49 > 0:01:52including those behind the camera, have to be at the top of their game.
0:01:52 > 0:01:57Every member of the crew has a vital part to play, and must never lose concentration.
0:01:57 > 0:01:59For example, if the focus puller loses focus,
0:01:59 > 0:02:03then there will be a loss of focus because the focus puller lost focus.
0:02:03 > 0:02:06That's not a great example, but you know what I mean.
0:02:06 > 0:02:10Everyone has an important job to do, from the soundman to the editor,
0:02:10 > 0:02:14right down to the runner who brings the star his coffee.
0:02:14 > 0:02:18Argh! What the hell?! I asked for a soy latte with an extra shot!
0:02:18 > 0:02:21That didn't have an extra shot! What the hell were you thinking?
0:02:21 > 0:02:23Sorry.
0:02:23 > 0:02:26Here are some absolute clangers that happened purely because
0:02:26 > 0:02:28the crew weren't paying enough attention.
0:02:28 > 0:02:32Standing there crying isn't going to bring me the right coffee, is it?
0:02:32 > 0:02:34Boo hoo hoo! Get him out of here.
0:02:37 > 0:02:39Relentless action in The Tourist,
0:02:39 > 0:02:42where Angelina, in France, imaginatively orders a croissant.
0:02:50 > 0:02:54But, zut alors! She's actually been brought a pain au chocolat.
0:02:55 > 0:02:59Look how angry she is! She's set fire to her menu!
0:03:01 > 0:03:03Over in Venice now
0:03:03 > 0:03:06and a handcuffed Johnny Depp is determined to earn his title
0:03:06 > 0:03:07as The Tourist.
0:03:09 > 0:03:12Look, he's going water skiing.
0:03:12 > 0:03:13Rubbish, isn't he?
0:03:13 > 0:03:17Oh, well, he's still handcuffed, so that'll restrict him.
0:03:19 > 0:03:22Ah, apparently not.
0:03:22 > 0:03:27He's pulling himself along quite easily there as if he's not handcuffed at all.
0:03:27 > 0:03:30And if that's not enough, look!
0:03:32 > 0:03:36There's a camera operator in the boat, too.
0:03:36 > 0:03:38Phew, what a holiday this is turning out to be!
0:03:40 > 0:03:45In Venice, they have taxi boats! Look, here's the taxi sign.
0:03:46 > 0:03:50And as if having to get used to a boat that's also a taxi's not enough,
0:03:50 > 0:03:53this taxi boat confuses us even more
0:03:53 > 0:03:57by continuing to lose and then gain its taxi sign.
0:03:58 > 0:04:00Here it's just a boat.
0:04:02 > 0:04:04Now it's a taxi again.
0:04:04 > 0:04:05Taxi for the editor?
0:04:05 > 0:04:07I think so.
0:04:07 > 0:04:09Agent Denise, Clifton Ward.
0:04:11 > 0:04:15- You guys want anything? - Pretzels, all right?- Yeah.
0:04:15 > 0:04:17It's the ice hockey!
0:04:17 > 0:04:20But sadly, as this is The Dilemma,
0:04:20 > 0:04:24we have to watch Vince Vaughan confront Winona Ryder about an alleged affair.
0:04:24 > 0:04:25Boring!
0:04:25 > 0:04:27Hey.
0:04:28 > 0:04:31Well, at least the game's on the tellies, there.
0:04:31 > 0:04:34But look closely and you see that the Chicago Blackhawks
0:04:34 > 0:04:38are in different kit to the live game they were just playing.
0:04:38 > 0:04:39What the puck?!
0:04:43 > 0:04:48Vince Vaughan is back home empty handed. See? Nothing in his hands.
0:04:48 > 0:04:51But his friends and family have arranged an intervention.
0:04:51 > 0:04:54I guess we can start.
0:04:54 > 0:04:56Ronnie, why don't you come join us?
0:04:56 > 0:04:58They think he has a drink problem. Maybe they have a point.
0:04:58 > 0:05:02Your family and friends are here because they love you, Ronald,
0:05:02 > 0:05:05and they can't stand to see you destroy yourself any more.
0:05:05 > 0:05:09Look! Next time we see his hands, a brown paper bag has appeared.
0:05:09 > 0:05:12I bet it's full of booze.
0:05:15 > 0:05:17It's violent crime flick Blitz,
0:05:17 > 0:05:19and Jason Statham finds it hilarious
0:05:19 > 0:05:22that the beer in his glass keeps changing levels.
0:05:27 > 0:05:31Stop laughing, Jason, it's not big and it's not clever.
0:05:31 > 0:05:34Though, I'd never say that to his face.
0:05:36 > 0:05:38I just wanted to say, really quick, that...
0:05:38 > 0:05:40Sure-fire comedy hit Bridesmaids,
0:05:40 > 0:05:42and Annie's tipsy and making a toast. That's never good.
0:05:42 > 0:05:45I'd get confused and speak into the champagne flute
0:05:45 > 0:05:48while taking sips from the microphone.
0:05:48 > 0:05:50..helped shape who I am. I just want to thank you.
0:05:50 > 0:05:54Oh, it seems Annie was having the same thought. They've swapped over.
0:05:56 > 0:06:00- All right, let's see what's next. Another one.- Yeah.
0:06:00 > 0:06:02I know who this is from.
0:06:02 > 0:06:04Take a look at Megan's right hand.
0:06:04 > 0:06:09The poor little treasure's been injured all film.
0:06:09 > 0:06:10She should never have to work again.
0:06:10 > 0:06:12Very good time in high school.
0:06:12 > 0:06:17Hold on, the support's on her left hand now. She's not injured at all.
0:06:17 > 0:06:18Benefit cheat!
0:06:18 > 0:06:20Burn her!
0:06:22 > 0:06:25Science fiction. So much more popular
0:06:25 > 0:06:28than its boring older brother, science fact.
0:06:28 > 0:06:31My favourite type of sci-fi used to be films set in dystopian futures,
0:06:31 > 0:06:35which portrayed a world dominated by technology, totalitarian governments
0:06:35 > 0:06:39and the collapse of society as we know it. But nowadays,
0:06:39 > 0:06:42I can get exactly the same thing just by watching the news.
0:06:44 > 0:06:46The baffling Inception now.
0:06:46 > 0:06:49I think this film's about the new sport extreme sleeping,
0:06:49 > 0:06:53where people have to sleep through anything.
0:06:53 > 0:06:57Here, they listen to boring music to drift away.
0:06:58 > 0:07:02Ah, yes, the falling off the bridge event - very tricky -
0:07:02 > 0:07:05especially if your headphones have come off.
0:07:05 > 0:07:07What's he going to do now?
0:07:07 > 0:07:10Without Coldplay's greatest hits playing, he'll surely wake up.
0:07:10 > 0:07:16Oh, phew, they're back on. And he's ready to be plunged into the river.
0:07:18 > 0:07:22In this clip, we see Cillian Murphy get shot once in the chest.
0:07:25 > 0:07:30But when they come to help him, there are two bullet wounds.
0:07:30 > 0:07:34Well, as the saying goes, shoot me once, shame on you.
0:07:34 > 0:07:37Shoot me twice, shame on the continuity guy.
0:07:39 > 0:07:44Next up, Battle: Los Angeles. A film that focuses too much on the action
0:07:44 > 0:07:46and not enough on the dialogue.
0:07:46 > 0:07:50Here, the soldiers prefer to bark rather than talk.
0:07:50 > 0:07:52- HE SLURS: Right, we're up. - What's that, Lassie(?)
0:07:54 > 0:07:59In this scene, the aliens are on the run and Aaron Eckhart is
0:07:59 > 0:08:01trying to choose which gun goes best with his outfit.
0:08:04 > 0:08:06Pistol? Yeah, pistol.
0:08:08 > 0:08:12Or machine gun? No, pistol, gotta be pistol.
0:08:16 > 0:08:19Taut, exciting thrills from Source Code now.
0:08:19 > 0:08:22And this is Jake Can't-Pronounce-His-Last-Name
0:08:22 > 0:08:26swiping a wallet to check out a driver's licence.
0:08:28 > 0:08:31- You have the bomber's name? - Derek Frost.
0:08:31 > 0:08:33Yes, that's the only thing he has,
0:08:33 > 0:08:36because all the other details are completely different.
0:08:36 > 0:08:42Look - address, date of birth, height. All of it!
0:08:45 > 0:08:50Next up, the vile chiller Splice, and we see Adrian Brody doing...
0:08:50 > 0:08:53- BELT RATTLES - Well, yeah, never mind that.
0:08:53 > 0:08:57Watch Sarah Polley. Look, she's left the door open.
0:08:58 > 0:09:01But then she opens the already-open door.
0:09:01 > 0:09:04Nearly as strange as what Brody was up to.
0:09:08 > 0:09:11Take a look at the Splice girl's dress.
0:09:13 > 0:09:16Because, hanging upside down, you would imagine
0:09:16 > 0:09:19it would fall down around her shoulders.
0:09:22 > 0:09:25Sporty AND Scary Splice!
0:09:30 > 0:09:32Films about true life next.
0:09:32 > 0:09:38Films like 127 Hours, a true story of a man stuck in a canyon for days.
0:09:38 > 0:09:41I got stuck on the M25 for what felt like 127 hours once.
0:09:41 > 0:09:44I didn't chop off my own arm, did I? No, I did not!
0:09:44 > 0:09:47I did, however, wee in a Coke bottle,
0:09:47 > 0:09:50eat a family bag of Wotsits and openly cry,
0:09:50 > 0:09:54but apparently, that story's not Hollywood material!
0:09:54 > 0:09:55Tch!
0:09:57 > 0:10:02It's super nerd Mark Zuckerberg, although he can't be that nerdy.
0:10:02 > 0:10:04He's mates with Justin Timberlake.
0:10:04 > 0:10:06Oh, good catch, Justin.
0:10:07 > 0:10:08Sharon?
0:10:08 > 0:10:10SMASH!
0:10:10 > 0:10:12- Oh, no!- I'm so sorry!- Mark!
0:10:12 > 0:10:15- Girls can't catch! - Here you go.- No, wait!
0:10:16 > 0:10:19Luckily, it was one of those completely empty beer bottles
0:10:19 > 0:10:22kept for situations like this.
0:10:23 > 0:10:26- I'm so sorry. - Look, no stain on the wall.
0:10:26 > 0:10:29Or maybe Zuckerberg's so rich,
0:10:29 > 0:10:31he can afford beer that tidies up after itself.
0:10:35 > 0:10:39Here's sweaty Christian Bale in the honest and hard-edged The Fighter.
0:10:40 > 0:10:43Look at his T-shirt. Drenched!
0:10:46 > 0:10:50But after a long walk in the sun, the sweat seems to have disappeared.
0:10:51 > 0:10:54What's his antiperspirant?
0:10:56 > 0:10:59Not one with 24-hour protection, as he's drenched again.
0:11:02 > 0:11:07Look at Mark Wahlberg's fit bod as Micky Ward in The Fighter.
0:11:07 > 0:11:08Not a tattoo in sight.
0:11:08 > 0:11:12But cut to him in bed and what's this?
0:11:12 > 0:11:17It's Mark's tat of Bob Marley, which Micky never had in real life.
0:11:17 > 0:11:21Eddy Grant on the inner thigh, though? That's a possibility.
0:11:23 > 0:11:26A young John Lennon with his nasal singing voice
0:11:26 > 0:11:29in the unsentimental Nose-where Boy.
0:11:29 > 0:11:33- Sorry, Nowhere Boy. - # You're my little girl! #
0:11:33 > 0:11:37But when he stops singing, we see the tape is at the start of the reel
0:11:37 > 0:11:39and the song couldn't have been recorded.
0:11:40 > 0:11:43Which is lucky, as it sounded horrific.
0:11:45 > 0:11:47We had great success...
0:11:47 > 0:11:51A scene from the so-called documentary I'm Still Here
0:11:51 > 0:11:55and look at the glasses hanging off the shirt of Joaquin Phoenix
0:11:55 > 0:11:57or whatever he's called.
0:11:57 > 0:12:01- Look, they've vanished. - I have a little studio, d'you know?
0:12:01 > 0:12:04Puffy Combs, or whatever he's called, doesn't notice.
0:12:04 > 0:12:07I'm excited to hear this stuff. I want to hear if you...
0:12:07 > 0:12:13And now they're back. Mo sunglasses, mo problems.
0:12:15 > 0:12:16More than seven square miles...
0:12:16 > 0:12:20Harsh realities from Made In Dagenham now,
0:12:20 > 0:12:23a British film harping back to the glorious era
0:12:23 > 0:12:27where 55,000 men worked in a car factory with only 187 women.
0:12:27 > 0:12:31That's because the men knew they were talking about back then.
0:12:31 > 0:12:33- Are you threatening me? - Let's listen.
0:12:33 > 0:12:36I'm trying to stop 40,000 people from losing their jobs, Mrs Castle.
0:12:36 > 0:12:40That's how many people work as Ford employees in this country, not to mention...
0:12:40 > 0:12:45I thought it was 55,000, you berk? Let the women take over, I say.
0:12:48 > 0:12:51It's raining in Dagenham.
0:12:51 > 0:12:53Look at that poor old guy outside with his brolly.
0:12:53 > 0:12:55He can't wait to get inside in the dry.
0:12:55 > 0:12:59I'm lucky you weren't getting the lads to hold out for a full house.
0:12:59 > 0:13:01Get yourself home, man!
0:13:01 > 0:13:02All over the country...
0:13:02 > 0:13:06Later on and now he must be somewhere nice and warm.
0:13:06 > 0:13:09Oh, no, no. There he is again. Maybe he likes the rain.
0:13:09 > 0:13:12You'll always be fighting over the scraps on the top table...
0:13:12 > 0:13:14And again.
0:13:14 > 0:13:16Get equal pay, yeah.
0:13:18 > 0:13:19And again.
0:13:19 > 0:13:22He just can't get enough of it. Get inside, man, you'll catch your death!
0:13:22 > 0:13:26What I don't get is why it's so important to you.
0:13:29 > 0:13:33Compelling drama from Conviction and Kenny's been freed from jail,
0:13:33 > 0:13:37but maybe he should be banged straight up again for crimes against continuity.
0:13:37 > 0:13:41- His offences are many. No hat, your honour.- Will you thank your sister?
0:13:41 > 0:13:44And now, a hat.
0:13:46 > 0:13:50- Holding his scarf, your honour. - Is this for us?- Yes, it's for you.
0:13:50 > 0:13:55And now suddenly wearing it again. The prosecution rests.
0:13:57 > 0:13:59Next up, we're looking at teen movies,
0:13:59 > 0:14:03which, for a man only recently out of his teens - that's right - is exactly my thing.
0:14:03 > 0:14:08- MOBILE PHONE RINGS - They're cool, wicked and totally radical. Oh, excuse me.
0:14:08 > 0:14:11Oh, hey, Dazza! Yeah? What's up, dude?
0:14:11 > 0:14:15Yeah, I would love to come down the Rec and skateboard with you.
0:14:15 > 0:14:18Hang on. Mum, I'm going down the Rec with Dazza.
0:14:18 > 0:14:22- HIGH-PITCHED VOICE:- Not until you've finished hosting the show.
0:14:22 > 0:14:23But, Mum!
0:14:23 > 0:14:27- No buts.- I can't come out. See you tomoz.
0:14:30 > 0:14:33Here are some classic goofs from teen films.
0:14:33 > 0:14:37- Say it nicely!- Here are some classic goofs from teen films.
0:14:39 > 0:14:40I saw that!
0:14:43 > 0:14:47Next, in the light-hearted Easy A, Olive shows this boy what's what
0:14:47 > 0:14:51by crushing an ice-cream cone in front of his face.
0:14:51 > 0:14:56But the cone instantly reappears. Here today, cone tomorrow.
0:15:00 > 0:15:02Now, watch Olive trying to take off her left boot
0:15:02 > 0:15:05Is that lavender? It's pretty.
0:15:05 > 0:15:09Which becomes her right boot, then she takes off her right boot again,
0:15:09 > 0:15:12but somehow she's removed both her boots!
0:15:12 > 0:15:16A clear example of two rights making a wrong.
0:15:19 > 0:15:22In energetic Step Up 3D, it's the dance battle.
0:15:22 > 0:15:27And as any B-boy knows, things get hot on the dance floor,
0:15:27 > 0:15:30which is why the guy who's with those men pretending to be dogs
0:15:30 > 0:15:32keeps taking his coat off.
0:15:34 > 0:15:36Now you see it...
0:15:36 > 0:15:38Now you don't.
0:15:38 > 0:15:41Reminds me of my Nan's 80th. That was a lively affair.
0:15:44 > 0:15:48Another one from Step Up, and take a look at Moose's bag,
0:15:48 > 0:15:51because it's only on in the shots from behind.
0:15:51 > 0:15:53Yeah, I mean I...
0:15:53 > 0:15:55I'm a double major
0:15:55 > 0:15:56Now, I know it's a backpack,
0:15:56 > 0:15:59but you'd still see the strap on the front, right?
0:15:59 > 0:16:00Yes?
0:16:00 > 0:16:02What do you mean, you can't believe it?
0:16:04 > 0:16:07It's Submarine, a reflective film about a son
0:16:07 > 0:16:11trying to smooth out the creases in his parents' relationship.
0:16:13 > 0:16:15And by the looks of things,
0:16:15 > 0:16:19he's also smoothing out the creases in this drawing.
0:16:19 > 0:16:20See? The fold's gone.
0:16:20 > 0:16:24No need to set it on fire, though!
0:16:24 > 0:16:25Oh! Kids!
0:16:28 > 0:16:32Finally, a flashback scene in the worthless Twilight sequel, Eclipse.
0:16:32 > 0:16:37Now, clothes in those days were made to last.
0:16:37 > 0:16:39Look at that!
0:16:39 > 0:16:42She stabs right through her dress and it doesn't even rip.
0:16:42 > 0:16:45You don't get that kind of quality at Primark, do you?
0:16:47 > 0:16:51And now another film's storyline flaws are reviewed and exposed
0:16:51 > 0:16:53in Great Plot Hole Mistakes.
0:16:53 > 0:16:56M Night Shyamalamadingdong's outlandish and far-fetched
0:16:56 > 0:16:592002 film Signs stars Mel Gibson
0:16:59 > 0:17:03as a man who finds crop circles in his field which, it turns out,
0:17:03 > 0:17:05is the work of ali-ons.
0:17:05 > 0:17:09They've chosen to invade Earth for reasons that are mainly explained in crop circles,
0:17:09 > 0:17:11which we can't understand.
0:17:11 > 0:17:15Fortunately, the one substance able to destroy the ali-ons is water,
0:17:15 > 0:17:18so they're fairly easily defeated. The End.
0:17:18 > 0:17:22So what made the water-fearing ali-ons choose planet Earth, you might wonder?
0:17:22 > 0:17:26- Just a minute, Lionel, did you say Planet Earth?- That's right.
0:17:26 > 0:17:31But 71% of the earth's surface is water, which is lethal to us ali-ons.
0:17:31 > 0:17:32Yes.
0:17:32 > 0:17:35What about Mars? That's nice and dry.
0:17:35 > 0:17:38There hasn't been water on Mars for ages.
0:17:38 > 0:17:41Yes, but where's the challenge in that? Come on.
0:17:41 > 0:17:43Are you an ali-on or a mouse?
0:17:43 > 0:17:45OK, OK.
0:17:45 > 0:17:48So, we go to one of the dry bits of Earth, like the Atacama Desert?
0:17:48 > 0:17:51No, we go to nice verdant farming country
0:17:51 > 0:17:54and choose specifically the house of a family of water-filled humans
0:17:54 > 0:17:58whose daughter has a strange obsession with water.
0:17:58 > 0:18:01But we'll be wearing protective waterproof clothing, yes?
0:18:01 > 0:18:03No, I thought we'd go naked.
0:18:03 > 0:18:05Naked?! What if they spit at us?
0:18:05 > 0:18:09I don't know about you, but when I'm crowing over puny humans,
0:18:09 > 0:18:13I like to have my guys out, swinging in the breeze.
0:18:13 > 0:18:16I'm worried this might be the worst idea you've ever had, Lionel.
0:18:16 > 0:18:18No, that was instant mashed potato.
0:18:18 > 0:18:22THEY LAUGH
0:18:24 > 0:18:27Why does Hollywood love remakes so much?
0:18:27 > 0:18:29Well, sometimes a film is so close to being brilliant
0:18:29 > 0:18:33but there's just one tiny thing that stops it being perfect,
0:18:33 > 0:18:35like it's foreign, or it was made over ten years ago.
0:18:35 > 0:18:38Things that stop anyone in their right mind wanting to watch it.
0:18:38 > 0:18:43The other reason to remake a movie is if the original didn't quite get it right.
0:18:43 > 0:18:47Who didn't think that Get Carter was improved by the addition of Sylvester Stallone?
0:18:47 > 0:18:50Or that The Italian Job was crying out for a cameo by Marky Mark?
0:18:50 > 0:18:54I, for one, can't wait for next year's summer blockbuster,
0:18:54 > 0:18:55Citizen Kane...
0:18:55 > 0:18:56with Miley Cyrus.
0:18:56 > 0:18:57Mm.
0:18:59 > 0:19:03The needless, over-the-top A-Team movie,
0:19:03 > 0:19:07and maybe they should give up this soldiers-of-fortune malarkey
0:19:07 > 0:19:11and become baggage handlers. Watch the case by the side of BA.
0:19:11 > 0:19:12I want to kill you, man.
0:19:12 > 0:19:15You're not going to kill me! I'm going to kill YOU!
0:19:15 > 0:19:17It's now behind his head...
0:19:17 > 0:19:18I got two guns here.
0:19:19 > 0:19:22..then on the other side.
0:19:22 > 0:19:26It moves around more than Hannibal's wig did in the old series.
0:19:26 > 0:19:27Whoopsie!
0:19:29 > 0:19:33Loyal fans of The A-Team had problems with the remake,
0:19:33 > 0:19:35and this must have got their blood boiling.
0:19:35 > 0:19:38Look, they've mis-spelled Murdock's name!
0:19:38 > 0:19:41It's D-O-C-K, not D-O-C-H.
0:19:41 > 0:19:44I pity the fool who made that mistake.
0:19:44 > 0:19:46Saying that, I also pity the person
0:19:46 > 0:19:49who still cares so much about The A-Team.
0:19:54 > 0:19:57At the end of the instantly forgettable Mechanic remake,
0:19:57 > 0:20:01Ben Foster selects a jazz record to play on the posh turntable.
0:20:01 > 0:20:05Ah! I love a bit of free form experimental jazz.
0:20:05 > 0:20:09CLASSICAL MUSIC PLAYS
0:20:09 > 0:20:12Hang on! It's ruddy Shubert's Trio Number Two!
0:20:14 > 0:20:18But it definitely says "Jazz" on the cover.
0:20:18 > 0:20:20Right, back to HMV.
0:20:22 > 0:20:25Gulliver's Travels with Jack Black,
0:20:25 > 0:20:28perfect casting, as the book was all about a loveable,
0:20:28 > 0:20:30immature, rock-loving idiot.
0:20:30 > 0:20:31Cos he called it a "mandate", so...
0:20:31 > 0:20:35The kind of character that doesn't know his right hand from his left.
0:20:35 > 0:20:37- ..bushy-tailed for the boys. - The right...
0:20:37 > 0:20:39Now the left.
0:20:39 > 0:20:42Jonathan Swift can rest easy that his work is in safe,
0:20:42 > 0:20:44but confused hands.
0:20:44 > 0:20:46We just got here.
0:20:48 > 0:20:50In the final scene, Gulliver returns from his travels
0:20:50 > 0:20:53and gains this girlfriend.
0:20:53 > 0:20:57When I returned from my travels, all I gained was a case of the trots.
0:20:57 > 0:21:00But what has she got to hide?
0:21:00 > 0:21:03Her ID is the wrong way round,
0:21:03 > 0:21:04Danke schon.
0:21:04 > 0:21:05then it flips...
0:21:05 > 0:21:09Mark. I'm just the new guy in the mailroom...
0:21:09 > 0:21:12Now it's hidden again. Hm...mysterious.
0:21:14 > 0:21:18Some films just don't know when to quit making mistakes.
0:21:18 > 0:21:20In the end credits for Gulliver's Travels,
0:21:20 > 0:21:23check out the date on this newspaper.
0:21:23 > 0:21:25June 20th to June 3rd?
0:21:25 > 0:21:29Someone obviously feels like time was moving backwards
0:21:29 > 0:21:32when they were watching this film. I didn't.
0:21:34 > 0:21:38Off to Jellystone Park for the charmless Yogi Bear movie.
0:21:38 > 0:21:41Booboo has handcuffed Yogi to a tree.
0:21:41 > 0:21:44But keep an eye on which paw the handcuff is on.
0:21:45 > 0:21:48First it's his right paw,
0:21:48 > 0:21:51then it's his left paw,
0:21:51 > 0:21:53then his right paw again.
0:21:53 > 0:21:55Either way, it's very PAW indeed.
0:22:02 > 0:22:04Hello and welcome to Pointless View,
0:22:04 > 0:22:09the programme where you have the chance to blow off about the things that really ruin films for you.
0:22:09 > 0:22:10You know how it is.
0:22:10 > 0:22:14It's impossible to follow a story if a flag's upside down, isn't it?
0:22:14 > 0:22:17I personally had Braveheart ruined for me by an errant tartan
0:22:17 > 0:22:20and Mel Gibson not being a blue 13th-century Scotsman,
0:22:20 > 0:22:23but a brownish 20th-century Australian.
0:22:23 > 0:22:27Here's a letter from Zorro Madeley of Funningham.
0:22:27 > 0:22:32How was I expected to enjoy the wizardry-pokery of Harry Potter and The Deathly Hallows
0:22:32 > 0:22:35when it featured a bus bound for Dartford, to the south,
0:22:35 > 0:22:36seen taking the tunnel north,
0:22:36 > 0:22:39even though southbound traffic takes the bridge?
0:22:39 > 0:22:42There hasn't been a southbound tunnel at Dartford since 1991.
0:22:42 > 0:22:44From that point on, I felt it impossible
0:22:44 > 0:22:47to believe in the enchanted chosen one of Hogwarts.
0:22:47 > 0:22:49I'm not an idiot.
0:22:49 > 0:22:52Precious Haystacks of Bumley says this.
0:22:52 > 0:22:54In the so-called King's Speech,
0:22:54 > 0:22:59the eponymous King's eponymous speech is enjoyed live
0:22:59 > 0:23:04by a group of factory workers. It was broadcast at 6pm on a Sunday,
0:23:04 > 0:23:09so the only factory operating at such a time in a Christian country like Great Britain
0:23:09 > 0:23:12would have been one run by Satan.
0:23:12 > 0:23:16Am I to believe that our King would broadcast to the minions of hell?
0:23:16 > 0:23:17I'm not an idiot.
0:23:17 > 0:23:21Wing Commander Flava Tebbit is exercised by the shape of melted sand.
0:23:21 > 0:23:26As someone who only watches films for the glassware in them,
0:23:26 > 0:23:29I was enraged by the John Lennon biopic Nowhere Boy,
0:23:29 > 0:23:34in which the Beatle-to-be is seen drinking from a nonic pint glass,
0:23:34 > 0:23:39a type not invented until nearly three years after the scene was set.
0:23:39 > 0:23:43I'm not a man given to tears, but I cried for nearly a fortnight,
0:23:43 > 0:23:45and am now taking medicine.
0:23:45 > 0:23:47I'm not an idiot.
0:23:47 > 0:23:49I'm glad to hear it, Wing Commander.
0:23:49 > 0:23:52A Mr Puff Diddy Hamilton of Underdunderden says...
0:23:52 > 0:23:55I'm known for my sense of humour, and have laughed twice,
0:23:55 > 0:23:57but I failed to see the joke in Drive Angry,
0:23:57 > 0:23:59when a hydrogen truck is shown
0:23:59 > 0:24:03labelled with a hazardous material placard bearing the number 1075.
0:24:03 > 0:24:071075, as any film buff knows, is the UN number for propane.
0:24:07 > 0:24:10Hydrogen is in the range 1048-1053,
0:24:10 > 0:24:13and I shall be returning the director's pretty young wife
0:24:13 > 0:24:16to him piece by piece until this is corrected.
0:24:16 > 0:24:17I'm not an idiot.
0:24:17 > 0:24:21Blind Lemon Palmer-Tomkinson of Walton-on-Toast is even more forthright.
0:24:21 > 0:24:25In the Kate Hudson film A Little Bit Of Heaven,
0:24:25 > 0:24:28one of the characters calls a radio station to enter a competition.
0:24:28 > 0:24:33My enjoyment was quite ruined by the absence of a squeal of feedback,
0:24:33 > 0:24:35such as would have been heard.
0:24:35 > 0:24:39- Hello?- 'Who is this?' - Marley Corbett. Did I win?
0:24:39 > 0:24:43I'm sure plenty of people would have liked to hear a howl of interference
0:24:43 > 0:24:49and painful high-pitched whistling in this otherwise rather quiet film.
0:24:49 > 0:24:50I'm not an idiot.
0:24:50 > 0:24:53Pontius Bon Jovi of Gloveswold has a bee in his ointment
0:24:53 > 0:24:56about the Anne Hathaway film Love And Other Drugs.
0:24:56 > 0:25:00Jake Gyllenhaaaal's character is seen to be using an iMac
0:25:00 > 0:25:04attached to an Apple Pro Mouse in what's supposed to be 1996.
0:25:04 > 0:25:07But the Pro wasn't available until 2000.
0:25:07 > 0:25:12To my disappointment, this time-travelling subplot wasn't picked up on anywhere in the film.
0:25:12 > 0:25:14Perhaps the makers were worried that
0:25:14 > 0:25:18if Jake Gyllenhaaaal were able to travel four years into the future,
0:25:18 > 0:25:21it would ruin the will-they, won't-they romance.
0:25:21 > 0:25:23I was sick in my mouth and someone else's and went home.
0:25:23 > 0:25:25I'm not an idiot.
0:25:25 > 0:25:27But it's not all bad news.
0:25:27 > 0:25:31This letter is from Seven Zark Mountbatten of The Isle Of Teeth.
0:25:31 > 0:25:33I usually enjoy the films of Angelina Jolie,
0:25:33 > 0:25:36who is a beautiful and striking woman.
0:25:36 > 0:25:39But in Salt, her character's name was Chenkov, a Russian male surname.
0:25:39 > 0:25:42The female version would, of course, be Chenkova.
0:25:42 > 0:25:44As a result of this error, I have become homosexual,
0:25:44 > 0:25:47a consequence both unexpected and fabulous.
0:25:47 > 0:25:49I'm not an idiot.
0:25:49 > 0:25:52A satisfied customer? Good night.
0:25:57 > 0:25:59So often with films, the stars get the awards,
0:25:59 > 0:26:03but what about those people behind the scenes? How do they get noticed?
0:26:03 > 0:26:08They could become the best in their field or work their way up to become a famous director.
0:26:08 > 0:26:10Or they could just stand in the back of shot.
0:26:10 > 0:26:12Well, that's exactly what we're awarding now -
0:26:12 > 0:26:15those people who went that extra distance
0:26:15 > 0:26:17from out-of-shot to into shot.
0:26:19 > 0:26:20What?
0:26:22 > 0:26:25It's the Great Movie Mistakes Award for Best Supporting Actor,
0:26:25 > 0:26:28and here are the nominations.
0:26:28 > 0:26:33Lightweight action from Knight And Day and some great scene stealing.
0:26:33 > 0:26:36Look at the security guards behind Cameron Diaz.
0:26:38 > 0:26:42They suddenly change into normal civilians
0:26:42 > 0:26:46and then back into security guards at the top of the escalator.
0:26:47 > 0:26:50Maybe they were just working undercover for a bit.
0:26:56 > 0:26:59If you've got a problem, maybe you can hire The A-Team,
0:26:59 > 0:27:01to clean your windows, because...
0:27:01 > 0:27:04Let's go back.
0:27:04 > 0:27:06Mr T has got that window so clean,
0:27:06 > 0:27:09you can see the cameraman's own reflection in it.
0:27:11 > 0:27:15A blatant and unwelcome cameo. A bit like the movie.
0:27:19 > 0:27:22In seen-it-all-before thriller The Resident,
0:27:22 > 0:27:27Jack returns to his flat and senses all is not right.
0:27:27 > 0:27:29If it the presence of a ghostly character?
0:27:29 > 0:27:34Or just the reflection of the clumsy cameraman in his kitchen window?
0:27:34 > 0:27:38Time to move out, if you ask me, Jack.
0:27:40 > 0:27:42Who are you texting?
0:27:42 > 0:27:44It's crazy horror comedy Vampires Suck
0:27:44 > 0:27:48and Alice gets a mobile phone right in the face.
0:27:48 > 0:27:53Now, either Edward is a very good shot or someone just off camera
0:27:53 > 0:27:56is throwing a mobile phone right in her face.
0:27:57 > 0:28:00There, thrown from point-blank range.
0:28:00 > 0:28:02That's a bit "phoney"!
0:28:07 > 0:28:10But the winner is Man In Shorts.
0:28:10 > 0:28:14It's the climax of the testosterone-dripping Expendables
0:28:14 > 0:28:16and all hell is breaking loose.
0:28:16 > 0:28:18Everyone's running for their lives,
0:28:18 > 0:28:23but hold on, who's this fellow in Bermuda shorts with the camcorder?
0:28:23 > 0:28:26A very unfortunate tourist?
0:28:26 > 0:28:30Next year, I'd stick to Rhyl. There's fewer explosions.
0:28:32 > 0:28:34Sure, horror movies are scary,
0:28:34 > 0:28:37but are they scarier than things that happen in real life?
0:28:37 > 0:28:40I've yet to see anything in a film that makes me jump more than
0:28:40 > 0:28:43when you wake up and find you've slept through an alarm.
0:28:43 > 0:28:45Sure, bad things happen to people in the Saw films,
0:28:45 > 0:28:50but nothing as bad as accidentally calling your girlfriend by your ex-girlfriend's name.
0:28:50 > 0:28:52Now that is terrifying. I love watching horror films,
0:28:52 > 0:28:55but the atmosphere's got to be just right.
0:28:55 > 0:28:58What I do is I light some candles and place them around the room
0:28:58 > 0:29:02then put on some scary music before it starts, to get in the mood.
0:29:02 > 0:29:05I pull the duvet over my head and then I'm thrown out the cinema.
0:29:07 > 0:29:12It's the flat and pointless remake of I Spit On Your Grave.
0:29:12 > 0:29:15Watch this video tape because it keeps changing position.
0:29:17 > 0:29:19To my what?
0:29:19 > 0:29:23This scene reminds me of my dad trying to work the video.
0:29:23 > 0:29:27- Dad, you've put it the wrong way round.- What's on the tape?
0:29:27 > 0:29:31- Is this some kind of- BLEEP- up joke? I'll smash the damn thing myself.
0:29:31 > 0:29:33Dad, not that way either.
0:29:33 > 0:29:37Any second, I expect this film to be wiped over with the snooker.
0:29:37 > 0:29:39This is a shot he plays well.
0:29:43 > 0:29:48Case 39 creates a self of menace and unease right from the start.
0:29:48 > 0:29:52Don't believe me? Look at Renee Zellweger's car window.
0:29:52 > 0:29:55First it's down.
0:29:55 > 0:29:57Then it's up.
0:29:57 > 0:30:00What malevolent force could be at work here?
0:30:00 > 0:30:04The force of not paying attention, I wager. Hmm?
0:30:07 > 0:30:11Another cock-up from case 39. Watch the knife as she takes it out.
0:30:14 > 0:30:16In a second shot, it's much bigger.
0:30:19 > 0:30:20Watch again.
0:30:20 > 0:30:22Little knife...
0:30:24 > 0:30:26Big knife!
0:30:26 > 0:30:29Maybe when she first took it out it was just a bit cold.
0:30:31 > 0:30:36Final clip from Case 39, and here we see a shape-shifting house.
0:30:36 > 0:30:39Take a look at the corridor to her left.
0:30:44 > 0:30:45Now it's a door.
0:30:48 > 0:30:51And now the door is open.
0:30:52 > 0:30:56I don't know whether to call an exorcist or Colin and Justin.
0:30:58 > 0:31:00Honey, where are you?
0:31:00 > 0:31:03Low-budget and low-rent Insidious now,
0:31:03 > 0:31:06starring a rather casual Patrick Wilson with his shirt open.
0:31:08 > 0:31:11Something's wrong. Quick, Patrick! Quicker!
0:31:11 > 0:31:13BOY SCREAMS
0:31:13 > 0:31:17Oh, you're finally here. Where have you been?
0:31:17 > 0:31:19Oh, busy putting a tie on,
0:31:19 > 0:31:21to look all smart for your distressed hysterical son.
0:31:21 > 0:31:24- How thoughtful.- Are you OK?
0:31:26 > 0:31:30And now, Patrick's investigating the ghostly noise outside.
0:31:30 > 0:31:35But, the porch lightbulb's just gone. Nightmare!
0:31:37 > 0:31:40Well, maybe the ghost will change it.
0:31:40 > 0:31:42Oh, he did!
0:31:42 > 0:31:45I don't trust ghosts, you can see right through them.
0:31:47 > 0:31:51Things are getting really scary in Insidious now.
0:31:51 > 0:31:54Patrick's approaching the red door.
0:31:54 > 0:31:58Look at all that smoke. Where's it all coming from?
0:32:01 > 0:32:03Oh, the smoke machine in the corner.
0:32:05 > 0:32:07This next section is about anachronisms,
0:32:07 > 0:32:10which is when a thing is historically out of place.
0:32:10 > 0:32:12Like a computer in Robin Hood
0:32:12 > 0:32:15or a mobile phone in The Importance Of Being Earnest,
0:32:15 > 0:32:19or those trainers on a cameraman who lives in the year 2011!
0:32:19 > 0:32:22Don't look like that, Paul, I'm just joking.
0:32:22 > 0:32:25I'm only joking, mate, come on! Don't be like that.
0:32:25 > 0:32:27Look at the good times we've had.
0:32:29 > 0:32:32Look at this block of flats in the powerful true-life flick
0:32:32 > 0:32:34Made In Dagenham.
0:32:34 > 0:32:39It's 1968, but someone's so far ahead of their time,
0:32:39 > 0:32:40they've already got a satellite dish
0:32:40 > 0:32:45and can watch reruns of programmes that haven't yet been made.
0:32:47 > 0:32:50Here's a Ronnie Barker look-alike, denying that his factory workers
0:32:50 > 0:32:53are members of a troublesome political group.
0:32:53 > 0:32:55Do you know what we're dealing with?
0:32:55 > 0:32:59Socialist Workers' Party, Workers' Revolutionary Party,
0:32:59 > 0:33:01- Revolutionary Communist- BLEEP- Party.
0:33:01 > 0:33:05- Who's she with?- We don't actually think she's with anyone, sir.
0:33:05 > 0:33:07We actually don't think she's a Communist.
0:33:07 > 0:33:12But of course she isn't. None of these groups existed in the '60s.
0:33:15 > 0:33:16I need a good trainer...
0:33:16 > 0:33:19Secretariat is a plodding film,
0:33:19 > 0:33:22but this old chap's getting down with the kids by showing off
0:33:22 > 0:33:25his knowledge of 1972 hit movie Super Fly.
0:33:25 > 0:33:30He's a French Canadian, dresses like Super Fly.
0:33:30 > 0:33:35A shame that this film's set in 1969. Not so hip, Daddy-o.
0:33:39 > 0:33:41It's inspirational '80s movie The Fighter,
0:33:41 > 0:33:45where Marky Mark's funky bunch is swapped for some squabbling ladies.
0:33:45 > 0:33:49But ignore them and look at the 2011 vehicle inspection sticker
0:33:49 > 0:33:52in his buddy's car windscreen.
0:33:52 > 0:33:55Trying to reverse away isn't going to help.
0:33:58 > 0:34:01In '60s heart-warmer That's What I Am,
0:34:01 > 0:34:05young Andy plays a drum kit with Sabian cymbals.
0:34:05 > 0:34:09But Sabian didn't begin manufacturing cymbals until 1981.
0:34:09 > 0:34:12That was certainly interesting.
0:34:12 > 0:34:14Well, no, it certainly wasn't.
0:34:19 > 0:34:22The bleak and frightening The Killer Inside Me,
0:34:22 > 0:34:25and Casey Affleck's rummaging about in a lady's drawers.
0:34:25 > 0:34:29Sheriff's office, ma'am, what are you doing with it?
0:34:29 > 0:34:30I have a permit.
0:34:30 > 0:34:33Apparently looking for a gun permit.
0:34:33 > 0:34:36Something that's not needed to own a gun in Texas.
0:34:36 > 0:34:39Satisfied, copper?
0:34:39 > 0:34:43Hmm, a likely story. I think he just wants to fondle her pants.
0:34:43 > 0:34:45I reckon it's all right.
0:34:50 > 0:34:55- Now Casey's giving us his life story.- I was born here 29 years ago.
0:34:55 > 0:34:57Central City was small enough...
0:34:57 > 0:35:02But look, here's a modern USPS truck reflected in the window.
0:35:02 > 0:35:04Born ruddy yesterday, more like.
0:35:06 > 0:35:09These days, the world of animation can produce miraculous characters
0:35:09 > 0:35:12that are out of this world. But don't just believe me.
0:35:12 > 0:35:16Why don't we ask my animated sidekick? It's Squigaloo Squirrel.
0:35:18 > 0:35:20Hello there, Squigaloo!
0:35:21 > 0:35:24Oh, Squigaloo, you do say the silliest things.
0:35:24 > 0:35:27HE LAUGHS
0:35:27 > 0:35:29No, you are, Squigaloo.
0:35:29 > 0:35:32Now, introduce the next set of clips for the ladies and gentlemen,
0:35:32 > 0:35:35featuring bloopers in animated movies.
0:35:38 > 0:35:41Great. So we're going to put the squirrel on after, yeah?
0:35:41 > 0:35:44Otherwise, that's just me talking to a brick.
0:35:44 > 0:35:46I might look a ninny.
0:35:47 > 0:35:49OK.
0:35:49 > 0:35:51Well, I'll trust you this time.
0:35:56 > 0:35:58Wild West fun now.
0:35:59 > 0:36:03When Rango drops his bullets, we see him reloading them
0:36:03 > 0:36:06on the right side of his gun.
0:36:06 > 0:36:12- However, the chamber is hanging on the left side.- Just a second.
0:36:14 > 0:36:18Later on in the same scene, chameleons may be good at changing,
0:36:18 > 0:36:20but some things shouldn't change.
0:36:20 > 0:36:22Like here...
0:36:22 > 0:36:26where the hawk is completely flattened to the ground...
0:36:30 > 0:36:33..and now his feet poke up when they shouldn't be there.
0:36:35 > 0:36:38More Rango, and this car crash has a traumatic effect
0:36:38 > 0:36:41on the doll he shares a tank with.
0:36:41 > 0:36:43Here she has a right arm.
0:36:49 > 0:36:51But after this crash, it's now a left arm.
0:36:53 > 0:36:58At the end of the day, I suppose it's just an "armless" bit of fun.
0:37:01 > 0:37:05Some pig ignorance from the animators of Shrek.
0:37:05 > 0:37:09Yes, he's back and he seems to be over the moon to be scaring everyone again.
0:37:11 > 0:37:13Look how he scares those pigs.
0:37:13 > 0:37:16He must have really scared them because as we zoom out,
0:37:16 > 0:37:18they're nowhere to be seen.
0:37:24 > 0:37:25Another Shrek mistake.
0:37:25 > 0:37:29Yes, indeed, keep your eye on the letter F on the hanky
0:37:29 > 0:37:31that Shrek picks up.
0:37:35 > 0:37:38One minute it's there...
0:37:39 > 0:37:43..then it's over there on completely the other side.
0:37:43 > 0:37:46Get it right, for F's sake.
0:37:48 > 0:37:50Disney's back on form now, even if the film-makers
0:37:50 > 0:37:54get just as tangled as their characters in Tangled.
0:37:54 > 0:37:58Flynn Ryder struggles onto his side as he's tied to the chair.
0:37:58 > 0:37:59No can do.
0:38:01 > 0:38:05However, next time he's pulled into shot, he's on his back again.
0:38:05 > 0:38:08- Hairy stuff, I think you'll agree.- A horse?
0:38:10 > 0:38:15Classy sequel Toy Story 3, where Barbie removes two screws
0:38:15 > 0:38:17that hold Buzz Lightyear's back compartment.
0:38:17 > 0:38:18..show you no mercy.
0:38:20 > 0:38:21Why's it not working?
0:38:21 > 0:38:25However, at no point do they re-screw the compartment closed.
0:38:25 > 0:38:27It just stays shut for the rest of the movie.
0:38:27 > 0:38:28IN SPANISH:
0:38:28 > 0:38:31No wonder he's acting like he's got a screw loose.
0:38:39 > 0:38:42Toy Story 3 begins with Mr Potato Head having only one eye
0:38:42 > 0:38:46so that Andy can pretend he's wearing an eye patch.
0:38:48 > 0:38:51But keep your eyes peeled on Mr Potato's eyes,
0:38:51 > 0:38:56because when Andy's "mom" films him, he's suddenly regained it.
0:38:56 > 0:38:58Peeled, you get it? Like peeling a potato?
0:38:58 > 0:39:00Right, please yourselves.
0:39:02 > 0:39:08I always say the key to a successful double act is having two people...
0:39:08 > 0:39:11From my experience, if you want to create a successful double act,
0:39:11 > 0:39:12and you're not very cool,
0:39:12 > 0:39:15find someone who is much less cool than you,
0:39:15 > 0:39:17and then you'll be known as the cool one.
0:39:17 > 0:39:22Some Hollywood double acts work so well together, it's hard to imagine one without the other.
0:39:22 > 0:39:24Tom Hanks and Meg Ryan, Brad and Angelina,
0:39:24 > 0:39:27Lindsay Lohan and her parole officer.
0:39:27 > 0:39:32But my favourite double act has got to be Superman and Clark Kent.
0:39:32 > 0:39:33What?
0:39:34 > 0:39:37How can they be the same person? They don't look anything alike.
0:39:37 > 0:39:39He just wears glasses?!
0:39:39 > 0:39:42That is so... So clever.
0:39:42 > 0:39:46OK, then it's got to be Spiderman and Peter Parker.
0:39:48 > 0:39:52The surprisingly dark Love And Other Drugs now,
0:39:52 > 0:39:54and watch Anne Hathaway's arm.
0:39:54 > 0:39:56It's under the pillow behind Jake Gyllenhaal's arm,
0:39:56 > 0:40:01then it pops up before tucking itself back behind the pillow
0:40:01 > 0:40:03like his arm's made of nothing.
0:40:03 > 0:40:05Also, she's not pointing and laughing,
0:40:05 > 0:40:09which in my experience is what women normally do after sex. Right?
0:40:11 > 0:40:14Here's a scene from the goofy Dinner for Schmucks,
0:40:14 > 0:40:16and just keep an eye on her ears.
0:40:16 > 0:40:17He wants me to curate it.
0:40:17 > 0:40:19Oh, my God!
0:40:19 > 0:40:21She's lost her earrings!
0:40:21 > 0:40:24You call a guy a douche and you get your first museum show out of it.
0:40:24 > 0:40:25Now they're back.
0:40:25 > 0:40:30I love you so much. You're stunning, smart and awful with pronunciation.
0:40:30 > 0:40:31Now they've gone again!
0:40:31 > 0:40:35Apparently she's wearing a new type of jewellery.
0:40:35 > 0:40:38Disappear-rings!
0:40:38 > 0:40:39I love you.
0:40:43 > 0:40:45Oh, my God.
0:40:45 > 0:40:49Here, Steve Carrel wrestles Paul Rudd away from a lift.
0:40:49 > 0:40:50I think we need to cool off...
0:40:50 > 0:40:52Gosh, I hate when that happens.
0:40:52 > 0:40:55Look, he's grabbing him by the arm.
0:40:55 > 0:40:56He's got his arm.
0:40:56 > 0:41:00And then suddenly... it's his right leg!
0:41:00 > 0:41:03What a joke.
0:41:03 > 0:41:06Paul Rudd's not the only one having his leg pulled around here.
0:41:06 > 0:41:08THEY GRUNT AND MOAN
0:41:08 > 0:41:10You are welcome.
0:41:15 > 0:41:18In this bit, Steve Carrel changes his specs
0:41:18 > 0:41:22so he can dress a mouse for its impending marriage.
0:41:27 > 0:41:30Nice cameo by Stuart Little.
0:41:32 > 0:41:35But when he removes the magnifying glasses...
0:41:35 > 0:41:39Oops, his normal glasses are still on.
0:41:39 > 0:41:40What a mouse-stake to make.
0:41:44 > 0:41:47At the schmucks' dinner itself,
0:41:47 > 0:41:52watch out for the lady in the purple dress, who's in two places at once.
0:41:55 > 0:41:57Here she is.
0:41:57 > 0:42:00And now she's over here too.
0:42:00 > 0:42:03Incredible! At least she can pass herself the salt.
0:42:11 > 0:42:17Here, Steve plays such a schmuck that he walks straight into a pond and gets his trousers wet.
0:42:17 > 0:42:18But hang on.
0:42:18 > 0:42:23They're already wet before he goes in, from a previous take.
0:42:23 > 0:42:25When they said this comedy was pant-wetting,
0:42:25 > 0:42:28I thought they meant it was funny!
0:42:30 > 0:42:32Oh, the usual scene.
0:42:32 > 0:42:36A man asleep in the bath with his hand down the toilet.
0:42:36 > 0:42:40This is the predictable Just Go With It,
0:42:40 > 0:42:46which was the editor probably said when he saw that the toilet seat was down instead of up on the next shot.
0:42:48 > 0:42:50Just go with it. No-one will notice.
0:42:52 > 0:42:56I mean, that kid's not noticed, and he's sat on a man's hand.
0:42:58 > 0:43:03Jennifer Aniston and Adam Sandler play plastic surgeons,
0:43:03 > 0:43:06but maybe it's their movie that needs corrective surgery.
0:43:06 > 0:43:09I think that's enough. Do you feel that?
0:43:09 > 0:43:10No.
0:43:10 > 0:43:13One moment Sandler is wearing rubber gloves, and then suddenly...
0:43:13 > 0:43:15..they've gone!
0:43:15 > 0:43:18That bra is the perfect size, Sandler,
0:43:18 > 0:43:20Cos you've just made one massive boob.
0:43:24 > 0:43:27Film animals are intensively-trained creatures
0:43:27 > 0:43:30who behave exactly the way the director wants them to.
0:43:30 > 0:43:33- But sometimes corners are cut. - The pig is tasting my body!
0:43:33 > 0:43:35No, he's not.
0:43:35 > 0:43:41He should be saying, "The pig is eating the food that I've smeared all over my back to attract it."
0:43:41 > 0:43:43The pig's the one who's least at fault.
0:43:43 > 0:43:45The pig is tasting my body!
0:43:47 > 0:43:51More films are made about cars than any other mode of transport.
0:43:51 > 0:43:53I used to love cars so much that I'd ever only watch
0:43:53 > 0:43:56the final third of Planes, Trains And Automobiles.
0:43:56 > 0:43:59But these days, I'm much more environmentally minded
0:43:59 > 0:44:01and I think Hollywood should follow suit.
0:44:01 > 0:44:04In The Italian Job, instead of Mini Coopers,
0:44:04 > 0:44:05they should have foldaway bikes.
0:44:05 > 0:44:08And I want to see The Fast And The Furious on Segways.
0:44:08 > 0:44:11That said, would Ryan Gosling have looked as cool if,
0:44:11 > 0:44:15instead of Drive, the film had been called Walk?
0:44:19 > 0:44:23Insightful teen fun in Easy A, and Todd is driving Olive home.
0:44:23 > 0:44:26But when we catch a glimpse of the speedometer,
0:44:26 > 0:44:30we see that they're travelling at 0mph.
0:44:30 > 0:44:33Something must be wrong with your car, mate.
0:44:33 > 0:44:36Easy A? Better call the Easy AA, hmm?! Huh?!
0:44:38 > 0:44:42In the straightforward Just Go With It, Jennifer Aniston
0:44:42 > 0:44:45perfectly parks, silencing any chauvinists.
0:44:45 > 0:44:47D'oh. Wait a minute.
0:44:47 > 0:44:48What is that?
0:44:48 > 0:44:52Turns out she's gone all over the lines. Birds, eh?
0:44:52 > 0:44:53What?
0:44:55 > 0:44:58The slow but thoughtful Rabbit Hole now,
0:44:58 > 0:45:00and Nicole's not wearing a seatbelt.
0:45:00 > 0:45:03- I don't want to move. - I don't want another baby.
0:45:03 > 0:45:05CAR HORN BLARES
0:45:05 > 0:45:09Luckily, a seatbelt appeared just in the nick of time.
0:45:09 > 0:45:11A clunk-click clunker.
0:45:11 > 0:45:14- What're you doing? - I just had to check the cake.
0:45:17 > 0:45:20Matthew McConaughey's such a successful lawyer
0:45:20 > 0:45:22in the thrilling drama The Lincoln lawyer,
0:45:22 > 0:45:28that he's got a number plate that says NT GUILTY on it. Classy!
0:45:28 > 0:45:32But in California, a licence plate can only have seven letters on it.
0:45:32 > 0:45:34And NT GUILTY has eight.
0:45:34 > 0:45:39Which makes it an illegal number plate, and very guilty indeed.
0:45:39 > 0:45:41Oh, the irony!
0:45:43 > 0:45:46He also has a chauffeur, which seems a bit poncey.
0:45:46 > 0:45:49Surely he could drive himself?
0:45:49 > 0:45:51Actually, the car can drive itself.
0:45:54 > 0:45:57Yep, it was moving before he'd even started it.
0:46:01 > 0:46:04Maybe his car is a distant cousin of Herbie.
0:46:06 > 0:46:12When I heard that the downbeat drama Winter's Bone was a bit backward,
0:46:12 > 0:46:15I thought that meant it was full of uneducated hillbilly types.
0:46:15 > 0:46:18But no, it actually means it's backward,
0:46:18 > 0:46:21as the reverse shot of this pick-up proves.
0:46:21 > 0:46:24Warning - this vehicle is literally reversing.
0:46:24 > 0:46:27Make sure your daddy knows the gravity of this deal.
0:46:30 > 0:46:33In the unflinching crime movie, The Town,
0:46:33 > 0:46:36the bank robbers are forced to drive around the block
0:46:36 > 0:46:39as they wait for their plan to fall into place.
0:46:42 > 0:46:45But the second time they drive up the same road,
0:46:45 > 0:46:48all of the parked cars are different.
0:46:48 > 0:46:50How long did it take them to drive around the block?
0:46:50 > 0:46:54Mind you, you know how bad traffic can get in Town.
0:46:56 > 0:46:59And now, more movie storyline flaws are reviewed and laid bare in...
0:47:01 > 0:47:04In the hard-edged, pacy sci-fi thriller, District 9,
0:47:04 > 0:47:07crashed ali-ons are stranded in Johannesburg and are forced
0:47:07 > 0:47:10to live as second-class citizens in a ghetto
0:47:10 > 0:47:14policed by a big corporation and Nigerian gangsters who sell them cat food
0:47:14 > 0:47:17What everyone wants is the ali-ons' incredible superguns
0:47:17 > 0:47:19that can fire pigs and that.
0:47:19 > 0:47:22Hang on, incredible superguns?
0:47:22 > 0:47:26Red alert, those with massively superior weaponry
0:47:26 > 0:47:28don't tend to stay second-class citizens
0:47:28 > 0:47:33for much longer than it takes them to get their massively superior weaponry out.
0:47:33 > 0:47:36Tell you what, I'm getting a bit fed up with being oppressed.
0:47:36 > 0:47:41Too right, I mean there's only so much of this us ali-ons can take.
0:47:41 > 0:47:44You know, after 28 years of relentless abuse
0:47:44 > 0:47:45and slum-dwelling,
0:47:45 > 0:47:48I'm almost tempted to get the incredible superguns
0:47:48 > 0:47:53that only us ali-ons can use, and show these humans who's boss.
0:47:57 > 0:47:59On the other hand, cat food...
0:47:59 > 0:48:04Yup, yup, the cat food is nice and even with our ali-on ability
0:48:04 > 0:48:07to build superior weaponry and gigantic spacecraft
0:48:07 > 0:48:09that can hover powerlessly in the sky for decades,
0:48:09 > 0:48:13there's no guarantee that we'd be any good at making cat food.
0:48:13 > 0:48:16Yes, might as well sit tight and wait for the white man
0:48:16 > 0:48:19with the pretty arm to help us.
0:48:19 > 0:48:20Yeah.
0:48:21 > 0:48:23More Whiskas?
0:48:26 > 0:48:29Technology plays an increasingly vital role in the movies.
0:48:29 > 0:48:32Without mobile phones there'd be no Matrix,
0:48:32 > 0:48:34without computers there'd be no Tron
0:48:34 > 0:48:38and without the internet I wouldn't have illegally downloaded either of those.
0:48:38 > 0:48:41That's a joke, I don't approve of law-breaking!
0:48:41 > 0:48:44Phone, fax, Facebook, Google Plus, Twitter, iPhone, Blackberry,
0:48:44 > 0:48:45e-mail, instant messenger -
0:48:45 > 0:48:49it's great to have so many different ways to find out that no-one wants to talk to you.
0:48:49 > 0:48:52Despite there being a whole film about Facebook,
0:48:52 > 0:48:55you don't see a lot of social networking sites in movies.
0:48:55 > 0:48:57Harry is now friends with Sally.
0:48:57 > 0:49:00Mr and Mrs Smith went from "married" to "it's complicated".
0:49:00 > 0:49:02I suppose it's lucky really.
0:49:02 > 0:49:07You don't want all your friends finding out you've been poked by Charlie Sheen.
0:49:09 > 0:49:13A clip from Buried - the taut thriller about a man
0:49:13 > 0:49:16buried alive with nothing but a mobile phone.
0:49:16 > 0:49:21The scariest part is that he doesn't even know how to use his mobile...
0:49:21 > 0:49:24See? It's upside down!
0:49:24 > 0:49:26It's clearly been turning in his grave.
0:49:33 > 0:49:37In sombre movie Hereafter, Marcus watches some YouTube clips.
0:49:37 > 0:49:41But see the information under the person talking?
0:49:41 > 0:49:43When he clicks on the second clip,
0:49:43 > 0:49:46it has the exact same amount of views and information!
0:49:47 > 0:49:51Perhaps it took 259,042 takes to do the scene.
0:49:51 > 0:49:55If you believe in Christ you have nothing to fear.
0:49:58 > 0:50:02Now the misfire that is Gulliver's Travels.
0:50:02 > 0:50:06No signal, but I got 12 messages - Mr Popularity!
0:50:06 > 0:50:10No signal? But you can't check messages without a signal.
0:50:10 > 0:50:14I wonder if Jonathan Swift knew he'd made a massive error
0:50:14 > 0:50:16when he wrote this in 1726?
0:50:20 > 0:50:22Now it's the highly implausible film Unknown.
0:50:22 > 0:50:24MOBILE BEEPS
0:50:24 > 0:50:28In this clip, Liam Neeson gets a text from 2010,
0:50:28 > 0:50:31even though the film is set in 2011.
0:50:31 > 0:50:35I'd change your service provider if I were you, Liam.
0:50:37 > 0:50:38Still on Unknown
0:50:38 > 0:50:43and now Liam's wife is trying to get into a password-protected file.
0:50:43 > 0:50:47She's figured out the password, clever lady,
0:50:47 > 0:50:49but if she'd looked a little harder she'd have seen
0:50:49 > 0:50:53that the password's accepted before she's typed it in!
0:50:53 > 0:50:56I'm personally not going to accept this error...
0:50:58 > 0:50:59Oh, go on then.
0:51:01 > 0:51:02Creaky suspense from Scream 4
0:51:02 > 0:51:06where Neve Campbell is clearly told by Hayden Panettiere
0:51:06 > 0:51:09that the landline's down and someone's smashed the router.
0:51:09 > 0:51:13I tried to call 911 but the landline's dead and someone's smashed the router.
0:51:13 > 0:51:15- I think I got through on my cell. - OK, where's Jill?
0:51:17 > 0:51:19However, a bit later on,
0:51:19 > 0:51:23when she whips out her phone, we see that the WiFi signal is on.
0:51:23 > 0:51:27Perhaps someone was WiFired for that blunder?
0:51:27 > 0:51:29Tell Sydney heads are going to roll tonight!
0:51:31 > 0:51:34The laws of time are disregarded
0:51:34 > 0:51:37in the high-octane but routine Unstoppable.
0:51:37 > 0:51:42Here, Chris Pine has a picture of his beautiful wife on his phone.
0:51:42 > 0:51:44Debt of gratitude, blah, blah, blah
0:51:44 > 0:51:47But at the press conference at the end of the film,
0:51:47 > 0:51:51we see a shot of his beautiful wife that's exactly the same picture.
0:51:51 > 0:51:54See? Unstoppable? That's unacceptable.
0:51:56 > 0:51:58Out of all last year's films,
0:51:58 > 0:52:00we think this next film had the moist mistakes.
0:52:00 > 0:52:02Did I say moist?
0:52:02 > 0:52:04Out of all of last year's films,
0:52:04 > 0:52:08we think this next mistake had the most mistakes...
0:52:08 > 0:52:11Out of all of last year's films, we think this nest film...
0:52:11 > 0:52:12Nest?
0:52:12 > 0:52:14Out of all the films,
0:52:14 > 0:52:19we think this next one had the most mistakes, of last year.
0:52:19 > 0:52:23Out of all of last year's mistakes, this was the most.
0:52:23 > 0:52:25Out of all of last year's films,
0:52:25 > 0:52:28we think this next film had the most mistakes. YES!
0:52:28 > 0:52:30Sorry, without the yes.
0:52:32 > 0:52:35And the film we found the most mistakes in this year
0:52:35 > 0:52:37was the very underwhelming and disappointing
0:52:37 > 0:52:39The Green Hornet remake.
0:52:39 > 0:52:40Let's count them up!
0:52:40 > 0:52:41Good morning.
0:52:41 > 0:52:45Keep staring at the attractive lady lying in the bed,
0:52:45 > 0:52:48as one minute she's all covered up,
0:52:48 > 0:52:50then the duvet comes down and we see her bra!
0:52:50 > 0:52:52Then it goes up...
0:52:52 > 0:52:54and down
0:52:54 > 0:52:58and up and down for the rest of the scene.
0:52:58 > 0:53:00Of course, I watched this clip several times
0:53:00 > 0:53:02just to be sure of the mistake.
0:53:05 > 0:53:10Two mistakes for the price of one in this car chase.
0:53:10 > 0:53:13The offside headlight gets knocked out by The Hornet's car...
0:53:15 > 0:53:17Oh, no.
0:53:17 > 0:53:20..but as the car flips over, it's all fixed again!
0:53:23 > 0:53:26Then the car careers forwards,
0:53:26 > 0:53:28but slams through the window backwards.
0:53:28 > 0:53:32Proof indeed that two wrongs don't make a right...
0:53:32 > 0:53:33They make a right clanger.
0:53:33 > 0:53:35This is the greatest moment of my life.
0:53:37 > 0:53:38She's completely un-nailable.
0:53:38 > 0:53:41It's a terrible fact, I don't know what to do.
0:53:41 > 0:53:43In this clip, Kato drives very straight
0:53:43 > 0:53:48down a very straight road, but look how erratically he steers!
0:53:48 > 0:53:51This film's proving to have more gaffs than a dodgy council estate...
0:53:54 > 0:53:58And here's three more whoppers.
0:53:58 > 0:54:00Watch this weapon as it disappears quicker than director
0:54:00 > 0:54:03Michel Gondry's credibility.
0:54:04 > 0:54:06Ta-da!
0:54:11 > 0:54:16But now just watch Mr Beach Ball sat proudly on his chair.
0:54:16 > 0:54:19Ooh, now he's off...
0:54:19 > 0:54:22Maybe he's trying to escape from this movie, I wouldn't blame him.
0:54:22 > 0:54:24I mean, he may have a better offer.
0:54:24 > 0:54:28There's probably a volleyball tournament he could be starring in.
0:54:28 > 0:54:30That would be nice.
0:54:30 > 0:54:32Oh, no, he's back.
0:54:32 > 0:54:35Mr Beach Ball, I'd have a word with your agent.
0:54:35 > 0:54:37You're better than this.
0:54:37 > 0:54:39Get off my property!
0:54:42 > 0:54:46In this scene, look at the tree in the background.
0:54:46 > 0:54:48What are you doing up here? All the guys are waiting.
0:54:48 > 0:54:53Popeye walks far past it... and now he's right next to it.
0:54:53 > 0:54:55Maybe Mr Tree's after more screen time.
0:54:55 > 0:54:57We'll never know.
0:54:59 > 0:55:01Last one.
0:55:01 > 0:55:04The gas mask is clearly on Chudnofsky's forehead
0:55:04 > 0:55:06as he fights Kato.
0:55:06 > 0:55:08..or be it your blood, red will be the last colour...
0:55:13 > 0:55:17Then, suddenly, it's entirely on his face...
0:55:19 > 0:55:22I'd keep it on if I were you.
0:55:22 > 0:55:25With nine solid goofs, this film's a bit of a stinker.
0:55:27 > 0:55:31Well, that's all the time we have left for Great Movie Mistakes III.
0:55:31 > 0:55:33All that remains is for us to show you
0:55:33 > 0:55:36some of the mistakes that we've spotted in our own show.
0:55:36 > 0:55:37For example:
0:55:37 > 0:55:41Technology plays an increasingly vital role in the movies...
0:55:41 > 0:55:43'Did you notice that in this clip
0:55:43 > 0:55:45'there was a silver warrior robot in shot?'
0:55:49 > 0:55:52I always say the key to a successful double act...
0:55:52 > 0:55:54'This link looks fairly uneventful
0:55:54 > 0:55:56'but let's see that again.'
0:55:57 > 0:56:00I always say, the key to having a successful double act...
0:56:00 > 0:56:04'You can clearly see they've used a stunt Robert for this scene.'
0:56:04 > 0:56:07But the worst mistake of the show has to be
0:56:07 > 0:56:09forgetting to write a proper ending.
0:56:09 > 0:56:14So, um, bye, I guess.
0:56:14 > 0:56:15That's it.
0:56:15 > 0:56:19But stick around, there's probably some show about pregnant teens next.
0:56:37 > 0:56:40Subtitles by Red Bee Media
0:56:40 > 0:56:43Email subtitling@bbc.co.uk