0:00:26 > 0:00:30Technology plays an increasingly vital role in the movies.
0:00:30 > 0:00:32Without mobile phones there'd be no Matrix,
0:00:32 > 0:00:35without computers there'd be no Tron,
0:00:35 > 0:00:36and without the internet
0:00:36 > 0:00:39I wouldn't have illegally downloaded either of those.
0:00:39 > 0:00:41That's a joke, I don't approve of law-breaking!
0:00:41 > 0:00:44Phone, fax, Facebook, Google Plus, Twitter, iPhone, Blackberry,
0:00:44 > 0:00:46email, instant messenger -
0:00:46 > 0:00:48it's great to have so many different ways
0:00:48 > 0:00:50to find out that no-one wants to talk to you.
0:00:50 > 0:00:52Despite there being a whole film about Facebook,
0:00:52 > 0:00:55you don't see a lot of social networking sites in movies.
0:00:55 > 0:00:57Harry is now "friends" with Sally.
0:00:57 > 0:01:00Mr and Mrs Smith went from "married" to "it's complicated".
0:01:00 > 0:01:02I suppose it's lucky, really.
0:01:02 > 0:01:04You don't want all your friends finding out
0:01:04 > 0:01:07you've been poked by Charlie Sheen.
0:01:10 > 0:01:12A clip from Buried -
0:01:12 > 0:01:14the taut thriller about a man buried alive
0:01:14 > 0:01:16with nothing but a mobile phone.
0:01:16 > 0:01:22The scariest part is that he doesn't even know how to use his mobile...
0:01:22 > 0:01:24See? It's upside down!
0:01:24 > 0:01:26It's clearly been turning in his grave.
0:01:32 > 0:01:36In sombre movie Hereafter, Marcus watches some YouTube clips.
0:01:36 > 0:01:40But see the information under the person talking?
0:01:40 > 0:01:43When he clicks on the second clip,
0:01:43 > 0:01:46it has the exact same amount of views and information!
0:01:46 > 0:01:50Perhaps it took over 259,000 takes to do the scene?
0:01:50 > 0:01:55If you believe in Christ you have nothing to fear.
0:01:59 > 0:02:01Now the misfire that is Gulliver's Travels.
0:02:01 > 0:02:05No signal, but I got 12 messages - Mr Popularity!
0:02:05 > 0:02:10No signal? But you can't check messages without a signal.
0:02:10 > 0:02:14I wonder if Jonathan Swift knew he'd made a massive error
0:02:14 > 0:02:16when he wrote this in 1726?
0:02:20 > 0:02:22Now it's the highly implausible film Unknown.
0:02:22 > 0:02:24MOBILE BEEPS
0:02:24 > 0:02:28In this clip, Liam Neeson gets a text from 2010,
0:02:28 > 0:02:31even though the film is set in 2011.
0:02:31 > 0:02:35I'd change your service provider if I were you, Liam.
0:02:37 > 0:02:39Still on Unknown
0:02:39 > 0:02:43and now Liam's wife is trying to get into a password-protected file.
0:02:43 > 0:02:47She's figured out the password, clever lady,
0:02:47 > 0:02:49but if she'd looked a little harder
0:02:49 > 0:02:52she'd have seen that the password's accepted before she's typed it in!
0:02:53 > 0:02:56I'm personally not going to accept this error...
0:02:58 > 0:02:59Oh, go on, then.
0:03:01 > 0:03:03Creaky suspense from Scream 4
0:03:03 > 0:03:06where Neve Campbell is clearly told by Hayden Panettiere
0:03:06 > 0:03:09that the landline's down and someone's smashed the router.
0:03:09 > 0:03:11I tried to call 911 but the landline's dead
0:03:11 > 0:03:13and someone's smashed the router.
0:03:13 > 0:03:15- I think I got through on my cell. - OK, where's Jill?
0:03:17 > 0:03:19However, a bit later on,
0:03:19 > 0:03:23when she whips out her phone, we see that the WiFi signal is on.
0:03:23 > 0:03:27Perhaps someone was Wi-Fired for that blunder?!
0:03:27 > 0:03:29Tell Sydney heads are going to roll tonight!
0:03:31 > 0:03:34The laws of time are disregarded
0:03:34 > 0:03:37in the high-octane but routine Unstoppable.
0:03:37 > 0:03:42Here, Chris Pine has a picture of his beautiful wife on his phone.
0:03:42 > 0:03:44Debt of gratitude, blah, blah, blah.
0:03:44 > 0:03:47But at the press conference at the end of the film,
0:03:47 > 0:03:51we see a shot of his beautiful wife that's exactly the same picture.
0:03:51 > 0:03:55See? Unstoppable? That's unacceptable.
0:03:57 > 0:03:59And now, major movie storyline faults
0:03:59 > 0:04:01are reviewed and exposed
0:04:01 > 0:04:03in Great Plothole Mistakes.
0:04:03 > 0:04:07In the spooky and surprising Sixth Sense,
0:04:07 > 0:04:08Bruce Willis plays Dr Malcolm Crowe,
0:04:08 > 0:04:11a child psychologist who gets shot by a former patient
0:04:11 > 0:04:14and, ten months later, befriends a troubled young boy
0:04:14 > 0:04:16who can see dead people.
0:04:16 > 0:04:20One of whom, it turns out, is Dr Crowe, raising the question
0:04:20 > 0:04:22how good a doctor is he that it took him ten months
0:04:22 > 0:04:24to diagnose his own death?
0:04:24 > 0:04:25Surely there were clues.
0:04:28 > 0:04:30Like his wife crying into her dinner, for one.
0:04:30 > 0:04:33Or when she went to a funeral he wasn't invited to.
0:04:33 > 0:04:36Or when she took up starfishing in bed.
0:04:36 > 0:04:40And then there must have been his sudden lack of bar presence,
0:04:40 > 0:04:44and having his phone cut off and not needing the toilet.
0:04:46 > 0:04:49And being able to go to the flicks without paying.
0:04:50 > 0:04:54And even if his unrequited sexual advances towards his wife
0:04:54 > 0:04:59were nothing new, surely when she made the bed with him still in it
0:04:59 > 0:05:01he must have wondered what the blazes was afoot.
0:05:01 > 0:05:04"Sorry, I'm still here."
0:05:04 > 0:05:08You stole the distinctive autumnal tones of my seminal movie.
0:05:08 > 0:05:10Be gone!
0:05:12 > 0:05:14Sure, horror movies are scary,
0:05:14 > 0:05:17but are they scarier than things that happen in real life?
0:05:17 > 0:05:19I've yet to see anything in a horror film
0:05:19 > 0:05:21that makes me jump more than when you wake up
0:05:21 > 0:05:23and find you've slept through an alarm.
0:05:23 > 0:05:26Sure, bad things happen to people in the Saw films,
0:05:26 > 0:05:28but nothing as bad as accidentally calling your girlfriend
0:05:28 > 0:05:30by your ex-girlfriend's name.
0:05:30 > 0:05:33Now that is terrifying. I love watching horror films,
0:05:33 > 0:05:35but the atmosphere's got to be just right.
0:05:35 > 0:05:38What I do is I light some candles and place them around the room
0:05:38 > 0:05:42then put on some scary music before it starts, to get in the mood.
0:05:42 > 0:05:46I pull the duvet over my head and then I'm thrown out of the cinema.
0:05:48 > 0:05:52It's the flat and pointless remake of I Spit On Your Grave.
0:05:52 > 0:05:56Watch this video tape, because it keeps changing position.
0:05:58 > 0:05:59To my what?
0:05:59 > 0:06:03This scene reminds me of my dad trying to work the video.
0:06:03 > 0:06:08- Dad, you've put it the wrong way round.- What's on the tape?
0:06:08 > 0:06:11- Is this some kind of- BLEEP- up joke? I'll smash the damn thing myself.
0:06:11 > 0:06:13Dad, not that way either.
0:06:13 > 0:06:18Any second, I expect this film to be wiped over with the snooker.
0:06:18 > 0:06:20This is a shot he plays well.
0:06:24 > 0:06:28Case 39 creates a sense of menace and unease right from the start.
0:06:28 > 0:06:32Don't believe me? Look at Renee Zellweger's car window.
0:06:32 > 0:06:35First it's down.
0:06:35 > 0:06:37Then it's up.
0:06:37 > 0:06:40What malevolent force could be at work here?
0:06:40 > 0:06:44The force of not-paying-attention, I wager. Hmm?
0:06:47 > 0:06:52Another cock-up from case 39. Watch the knife as she takes it out.
0:06:54 > 0:06:57In a second shot, it's much bigger.
0:06:59 > 0:07:01Watch again.
0:07:01 > 0:07:03Little knife...
0:07:04 > 0:07:06Big knife!
0:07:06 > 0:07:10Maybe when she first took it out it was just a bit cold.
0:07:12 > 0:07:17Final clip from Case 39, and here we see a shape-shifting house.
0:07:17 > 0:07:19Take a look at the corridor to her left.
0:07:24 > 0:07:26Now it's a door.
0:07:28 > 0:07:31And now the door is open.
0:07:32 > 0:07:37I don't know whether to call an exorcist or Colin and Justin.
0:07:39 > 0:07:41Honey, where are you?
0:07:41 > 0:07:43Low-budget and low-rent Insidious now,
0:07:43 > 0:07:47starring a rather casual Patrick Wilson, with his shirt open.
0:07:48 > 0:07:51Something's wrong. Quick, Patrick! Quicker!
0:07:51 > 0:07:53BOY SCREAMS
0:07:53 > 0:07:57Oh, you're finally here. Where have you been?
0:07:57 > 0:07:59Oh, busy putting a tie on,
0:07:59 > 0:08:02to look all smart for your distressed hysterical son.
0:08:02 > 0:08:04- How thoughtful.- Are you OK?
0:08:06 > 0:08:11And now, Patrick's investigating the ghostly noise outside.
0:08:11 > 0:08:15But, the porch light bulb's just gone. Nightmare!
0:08:17 > 0:08:20Well, maybe the ghost will change it.
0:08:20 > 0:08:22Oh, he did!
0:08:22 > 0:08:26I don't trust ghosts, you can see right through them.
0:08:28 > 0:08:32Things are getting really scary in Insidious now.
0:08:32 > 0:08:35Patrick's approaching the red door.
0:08:35 > 0:08:38Look at all that smoke. Where's it all coming from?
0:08:41 > 0:08:44Oh, the smoke machine in the corner.
0:08:44 > 0:08:46Subtitles by Red Bee Media