0:00:46 > 0:00:48Bad luck, movie makers, it's us again.
0:00:48 > 0:00:51This is the show that takes out its geeky monocle
0:00:51 > 0:00:53and scrutinises your puny human efforts.
0:00:53 > 0:00:58We'll pore over every frame to find your boobs...
0:00:58 > 0:01:00Yeah. Can we have another go?
0:01:00 > 0:01:04I'm not sure, "find your boobs," is quite right. Thanks.
0:01:04 > 0:01:06- 'Action!'- Where was I?
0:01:06 > 0:01:07Ah, yes.
0:01:07 > 0:01:10This may look, to you, like a renovated church,
0:01:10 > 0:01:11but, in fact, it's a nerve hub.
0:01:11 > 0:01:14It's a nucleus - an offshoot of the Matrix.
0:01:14 > 0:01:16Well, all right, it is a renovated church
0:01:16 > 0:01:20but just off camera, in the crypt, is a team of pale-faced, muttering,
0:01:20 > 0:01:25gibbering, almost subhuman creatures that we call our researchers.
0:01:25 > 0:01:27They've taken dedication to the point of actual mania.
0:01:27 > 0:01:30They're now unable even to go for a cup of coffee
0:01:30 > 0:01:33without going up to complete strangers and shouting,
0:01:33 > 0:01:37"You were holding that cup in the other hand five minutes ago, you LOSER!"
0:01:37 > 0:01:39Either that or they're just looking at Facebook
0:01:39 > 0:01:44and cutting and pasting from IMDB but it's probably the first one.
0:01:44 > 0:01:45On tonight's show...
0:01:57 > 0:01:59So, on with the show.
0:01:59 > 0:02:01Now, if you're anything like me,
0:02:01 > 0:02:04you've been transported inside the software world
0:02:04 > 0:02:06of a mainframe computer where you have to offer up
0:02:06 > 0:02:09astonishing movie blunders in an attempt to get back out.
0:02:09 > 0:02:11But you're not like me at all - quite the opposite.
0:02:11 > 0:02:13I'm on the television and you're poised over Twitter
0:02:13 > 0:02:16ready to be all cross at me for doing another clip show -
0:02:16 > 0:02:20to which I can only reply, "Welcome to Great Movie Mistakes Four!"
0:02:20 > 0:02:24And by the way - only one of us gets to ride that incredible Laser Bike.
0:02:24 > 0:02:26Hashtag it's me.
0:02:27 > 0:02:30Let's look at our first batch of Hollywood howlers.
0:02:32 > 0:02:33I want what you owe me...
0:02:33 > 0:02:35Here's The Dark Knight Rises -
0:02:35 > 0:02:38big scale thrills but a huge, preposterous letdown.
0:02:38 > 0:02:42- Nice outfit. Those heels make it tough to walk?- I don't know.
0:02:43 > 0:02:47Good question, though, as only moments later we get the answer.
0:02:50 > 0:02:53They're clearly retractable heels that disappear when running
0:02:53 > 0:02:54and brawling's on the cards.
0:02:58 > 0:03:02Could Bruce Wayne of Stately Wayne Manor be a benefits cheat?
0:03:02 > 0:03:04Consider this evidence.
0:03:04 > 0:03:07Here he's having a chat with Mr Fox...
0:03:07 > 0:03:10If you filed your entire RNB budget into a fusion project...
0:03:10 > 0:03:12..but as soon as he realises the cameras are on him
0:03:12 > 0:03:15a walking stick suddenly appears.
0:03:15 > 0:03:18Next year expect to see him break dancing
0:03:18 > 0:03:19on Britain's Got Talent.
0:03:19 > 0:03:20I can't. I can't, Lucius.
0:03:24 > 0:03:26Fighting and chaos reigns in Gotham City
0:03:26 > 0:03:29and the smell of testosterone is high
0:03:29 > 0:03:32but one man seems more lavender-scented...
0:03:32 > 0:03:34did you see him? Rewind!
0:03:36 > 0:03:39This chap's fighting nobody at all!
0:03:39 > 0:03:41Listen, matey, you're only supposed to punch the air
0:03:41 > 0:03:42when you win a fight.
0:03:46 > 0:03:48Glossy and entertaining as The Hunger Games was,
0:03:48 > 0:03:52it left many fans disappointed - and is this why?
0:03:52 > 0:03:55Look at the flowers being thrown at the parading chariots.
0:03:55 > 0:03:58We will not be overlooked. Now, I LOVE that!
0:04:00 > 0:04:03Now look at the roadway - completely clear.
0:04:03 > 0:04:07No wonder everyone's so hungry if all their vegetation self-destructs.
0:04:10 > 0:04:13Politically thrilling political thriller The Ides Of March
0:04:13 > 0:04:16has Philip Seymour Hoffman visiting a pretend barber
0:04:16 > 0:04:19who pretends to cut his hair.
0:04:19 > 0:04:22I mean, it looks like a nice close cut but where are all the clippings?
0:04:22 > 0:04:24Nothing's actually been cut off.
0:04:26 > 0:04:29Ah, ready to face the world with a fresh new non-haircut.
0:04:34 > 0:04:37Lacklustre and rushed - it's the not-so-Amazing Spider-Man
0:04:37 > 0:04:40where Peter and The Lizard are having a dust-up.
0:04:40 > 0:04:42And boy, does Peter get dusted up!
0:04:44 > 0:04:47Though realising that he'll upset Aunt May,
0:04:47 > 0:04:49he quickly cleans himself up again - a bit.
0:04:55 > 0:04:58Gwen, I worry if Peter's the right guy for you.
0:04:58 > 0:05:00When you chat, although you may think you've got his attention
0:05:00 > 0:05:02with his earphones out...
0:05:02 > 0:05:05- Oh, it's Thursday.- It's Thursday? - What happens to your eye?
0:05:05 > 0:05:10..he's only half-listening as his right earphone springs back in.
0:05:10 > 0:05:12No, love, the right ear!
0:05:15 > 0:05:17- Hey.- What do we have here? A concealed weapon?
0:05:17 > 0:05:19Hey, it's his grandmother's suit!
0:05:19 > 0:05:21Now this a blatant mistake from the fairly good,
0:05:21 > 0:05:23reasonably fun Men In Black III.
0:05:23 > 0:05:25..before you press that...
0:05:25 > 0:05:27I'll leave it to you to work out what the error is.
0:05:27 > 0:05:28If you can't get it,
0:05:28 > 0:05:31you probably need some suddenly appearing glasses.
0:05:31 > 0:05:33Ah, that's a giveaway.
0:05:33 > 0:05:35..is a standard issue Neuralyzer.
0:05:38 > 0:05:41In this scene from the surprisingly tense, watch-through-your-fingers,
0:05:41 > 0:05:44Woman in Black, Harry Potter's brought a magic dog with him,
0:05:44 > 0:05:45from Hogwarts.
0:05:45 > 0:05:48There he is overtaking the dog...
0:05:48 > 0:05:51and now suddenly the dog's in front of him again.
0:05:52 > 0:05:54It's probably some sort of spell.
0:05:54 > 0:05:56"Teleportio!", or something.
0:05:58 > 0:06:01Now we come to the mistakes, which are so asinine, so dumb,
0:06:01 > 0:06:05so daft, so idiotic, so brainless, so thick, so inept
0:06:05 > 0:06:10and just so plain stupid they get a whole category to themselves.
0:06:11 > 0:06:12'Cut!'
0:06:12 > 0:06:16What? That was perfect. I'm not doing it again. That was fine.
0:06:16 > 0:06:19How to completely sell-out a joke -
0:06:19 > 0:06:21basically, what you do, is have a funny idea,
0:06:21 > 0:06:24like these commune people in the utterly standard Wanderlust,
0:06:24 > 0:06:27making a feature of never clapping but finger-rubbing.
0:06:27 > 0:06:30This is much less aggressive than clapping.
0:06:30 > 0:06:33Try it. Try it. Seriously, it's better.
0:06:33 > 0:06:34Two, three...
0:06:34 > 0:06:37Then, later on, have the exact same people clap like us normal folk.
0:06:37 > 0:06:40That's one joke that won't be bothering anyone again!
0:06:45 > 0:06:48Marginally diverting Man On A Ledge next,
0:06:48 > 0:06:50and in this clip Man not-yet-on-a-ledge
0:06:50 > 0:06:53is being very careful to remove his fingerprints
0:06:53 > 0:06:54from everything he touches.
0:06:54 > 0:06:57Oh, except the window he's going to open with his bare fingerprinty,
0:06:57 > 0:06:59made-of-clue hands.
0:06:59 > 0:07:01Rookie mistake.
0:07:01 > 0:07:04Like using a Dyson Airblade then touching the toilet door.
0:07:07 > 0:07:10So where's the first place the forensics dust for prints?
0:07:10 > 0:07:12Easy! But let's spell it out to you.
0:07:16 > 0:07:17Oh.
0:07:20 > 0:07:22I'm a bit nervous of using the word "headcount"
0:07:22 > 0:07:25when one of the icky Final Destination films is concerned,
0:07:25 > 0:07:27but listen to this...
0:07:27 > 0:07:31Among the survivors were eight employees of Presage Paper,
0:07:31 > 0:07:33on their way to a business retreat,
0:07:33 > 0:07:36the other 17 employees were killed in the collapse...
0:07:36 > 0:07:38Eight survivors and 17 dead.
0:07:38 > 0:07:40That's 25 people.
0:07:41 > 0:07:45So why have they only bothered here with 18 passengers plus the driver?
0:07:46 > 0:07:49Not the sort of cuts I was expecting in this film.
0:07:51 > 0:07:52You know in the Sound Of Music
0:07:52 > 0:07:55where Julie Andrews is bellowing her head off on a bus
0:07:55 > 0:07:57and none of the other passengers bats an eyelid?
0:07:57 > 0:08:00Well, this is exactly like that, only with werewolves.
0:08:02 > 0:08:06Anyway, there are evil hell creatures tearing cars apart...
0:08:06 > 0:08:09but the people on the pavement stroll on taking as little notice
0:08:09 > 0:08:12as the cinema going public does of the Underworld films.
0:08:15 > 0:08:18It's the better-than-expected Fright Night remake.
0:08:18 > 0:08:20Now look at how Charlie's mum
0:08:20 > 0:08:22protests at mowing down poor Jerry here.
0:08:22 > 0:08:23Mom, just hit it!
0:08:23 > 0:08:26Charlie, no!
0:08:26 > 0:08:27Just BLEEP hit it!
0:08:29 > 0:08:31But even though Charlie grabs the wheel,
0:08:31 > 0:08:34it's quite obvious it's his mum with the foot on the accelerator,
0:08:34 > 0:08:38carrying out the very thing she doesn't want to do.
0:08:38 > 0:08:40I'm not doing a joke about women drivers. I'm just not.
0:08:43 > 0:08:44Hey, mom.
0:08:45 > 0:08:49Watch this for an absolute ruddy mess-up and a half,
0:08:49 > 0:08:52in the seen-it-all-before time-travel movie, In Time.
0:08:52 > 0:08:54Happy 50th!
0:08:54 > 0:08:5650? That's right.
0:08:58 > 0:08:5925 for the 25th time.
0:09:01 > 0:09:02Did you spot it?
0:09:02 > 0:09:07Course, 25 for the 25th time would actually be her 49th birthday.
0:09:07 > 0:09:08..for a girlfriend...
0:09:08 > 0:09:10Tsk. I bet the guys responsible
0:09:10 > 0:09:14celebrated the millennium in 2000 as well, like idiots.
0:09:14 > 0:09:15Now where's my real ale?
0:09:19 > 0:09:21Men, eh? Won't ever listen to directions.
0:09:21 > 0:09:24In this clip from a big waste of time called Abduction,
0:09:24 > 0:09:27Nathan is clearly told to...
0:09:32 > 0:09:34Got that, Nathan?
0:09:34 > 0:09:37Clarendon Avenue. This is the street.
0:09:37 > 0:09:40Avenue? It's Boulevard, for goodness' sake!
0:09:40 > 0:09:45You get asked to do one simple thing... AND that's Apartment 202.
0:09:45 > 0:09:47Well, this is a disas... Oh...
0:09:48 > 0:09:50..it's the right house despite all that.
0:09:50 > 0:09:51Lucky!
0:09:55 > 0:09:58Whether the Earl of Oxford was actually Shakespeare is still
0:09:58 > 0:09:59open to debate.
0:09:59 > 0:10:00No, it isn't. He wasn't!
0:10:02 > 0:10:05But we can all agree he was one hell of a horticulturist.
0:10:05 > 0:10:07Here in the abominable Anonymous,
0:10:07 > 0:10:11he presents Ben Jonson with a red and white Tudor Rose.
0:10:11 > 0:10:12My Lord.
0:10:12 > 0:10:13The Tudor Rose.
0:10:15 > 0:10:19The most beautiful of flowers, do you not think?
0:10:19 > 0:10:22Problem is, the Tudor Rose is not so much your actual flower,
0:10:22 > 0:10:25more your totally invented heraldic symbol.
0:10:25 > 0:10:26Hard to come by.
0:10:26 > 0:10:28For any science fiction fans who may be watching,
0:10:28 > 0:10:30I have prepared the following statement.
0:10:30 > 0:10:34"Doctor Spock said 'Beam Me Up, Scotty' and walked onto the Bridge
0:10:34 > 0:10:37"of The Firefly where he bumped into the character Doctor Who who
0:10:37 > 0:10:40"was chatting to Hans Solos about the time he was frozen in Kryptonite."
0:10:42 > 0:10:44The sci-fi fans have probably gone away now,
0:10:44 > 0:10:47moaning about our inaccuracies on their special internet forums,
0:10:47 > 0:10:49so we can enjoy some mistakes in sci-fi films
0:10:50 > 0:10:53without destroying their world.
0:10:53 > 0:10:55The biggest problem in the old west, after cholera,
0:10:55 > 0:10:57was how to accessorise.
0:10:57 > 0:11:00Here's Daniel Craig in the humourless Cowboys And Aliens
0:11:00 > 0:11:04deciding that his special alien bracelet is too heavy to ride in.
0:11:09 > 0:11:12Now he's changed his mind and it's on again.
0:11:12 > 0:11:15Honestly, no wonder cowboys take so long to get ready.
0:11:15 > 0:11:18Or is that women? I always get them mixed up.
0:11:18 > 0:11:20That's why I found Brokeback Mountain so confusing.
0:11:24 > 0:11:27In this bar scene, James Bond's drinks are not so much
0:11:27 > 0:11:30"shaken not stirred" as "poured not drunk".
0:11:32 > 0:11:33Where did you get your bracelet?
0:11:37 > 0:11:40There's something you don't know about me, lady.
0:11:41 > 0:11:43You don't remember anything, do you?
0:11:47 > 0:11:48What do you want?
0:11:49 > 0:11:51He's so busy sloshing out the whisky
0:11:51 > 0:11:53that he forgets to do the drinking it part.
0:11:53 > 0:11:55And all without a coaster, too.
0:11:55 > 0:11:57You do not want to see the rings on that bar.
0:12:02 > 0:12:04Some she-actors find getting off horses unladylike,
0:12:06 > 0:12:08so in this clip Olivia Wilde bypasses the problem
0:12:08 > 0:12:10by simply refusing to do the middle bit.
0:12:12 > 0:12:14"Look, I'll just stand next to it, OK?"
0:12:16 > 0:12:19"Yes, I know I was sitting on it in the last shot. Nobody'll notice".
0:12:22 > 0:12:25Putting the "bored" into "board game",
0:12:25 > 0:12:27here's the horribly unsubtle Battleship.
0:12:27 > 0:12:30Here, not only does Alex show off his pathetic robbery skills,
0:12:30 > 0:12:33if you look at the clock on the CCTV feed,
0:12:33 > 0:12:36he also manages to leap backwards and forward in time
0:12:36 > 0:12:37like a rubbish Doctor Who.
0:12:42 > 0:12:44It would seem that Commander Stone Hopper's mum
0:12:44 > 0:12:46must've popped his gloves on idiot strings
0:12:46 > 0:12:48as he manages to slip them on and off throughout this scene
0:12:48 > 0:12:50with ease.
0:12:50 > 0:12:52FOGHORN BLOWS
0:12:56 > 0:12:57They're off now.
0:13:03 > 0:13:04But they're back here.
0:13:06 > 0:13:09But see how the ultrasonic attack shatters all the glass?
0:13:09 > 0:13:11Well, maybe Mum knitted a binoculars case,
0:13:13 > 0:13:15as these lenses are fine.
0:13:15 > 0:13:16Thanks, Mum!
0:13:16 > 0:13:18What the hell is this?
0:13:21 > 0:13:23When you're under attack from a ruddy great big robot ship
0:13:23 > 0:13:26from outer space, it's important that you have a change of pants
0:13:26 > 0:13:28and plenty of ammunition.
0:13:28 > 0:13:30Especially when your cannons get destroyed.
0:13:37 > 0:13:38You all right?
0:13:38 > 0:13:40They ain't going to save this battleship, no way.
0:13:40 > 0:13:42But, hey, why not just grow them back instantaneously
0:13:42 > 0:13:44like these guys do in the following shot?
0:13:48 > 0:13:49Fresh water.
0:13:49 > 0:13:52Contagion now, which is different from Outbreak because...
0:13:52 > 0:13:54well, because it's... Look, it just is, all right?
0:13:56 > 0:13:58To illustrate the power of the disease,
0:13:58 > 0:14:01here's a miserable montage of deserted cities.
0:14:01 > 0:14:05As we know, only three things could survive a global virus.
0:14:05 > 0:14:07Sea creatures, cockroaches, and the ruddy rush-hour traffic.
0:14:14 > 0:14:16Charming '80s-based alien fun with Super 8 now,
0:14:17 > 0:14:20and evidence that Hollywood really is another world.
0:14:21 > 0:14:24When they need to move a bus, they do it with a massive chain...
0:14:28 > 0:14:29..as you can see here,
0:14:29 > 0:14:31whereas the rest of us earthlings look on and say,
0:14:31 > 0:14:33"Why not just drive the bus?"
0:14:36 > 0:14:40The real reason why kids shouldn't play with fireworks now.
0:14:40 > 0:14:42It's a little-known fact that when anyone under the age of 18
0:14:42 > 0:14:46so much as holds a sparkler, like young Joe here,
0:14:48 > 0:14:50it will spontaneously light itself.
0:14:52 > 0:14:54'I'll never forget that year.'
0:14:54 > 0:14:56'I was young, I was full of hope,
0:14:56 > 0:14:59'I was shooting Great Movie Mistakes IV.'
0:14:59 > 0:15:01'Of course I didn't know then what a fool I was,
0:15:01 > 0:15:04'none of us saw what was just round the corner.'
0:15:04 > 0:15:06'Then, one day, while I was introducing a section
0:15:06 > 0:15:10'on biographical films, it all became clear to me.'
0:15:10 > 0:15:12But you're not going to find out what became clear to me,
0:15:12 > 0:15:15because like all biographical films, we're going to jump
0:15:15 > 0:15:19straight into flashback the moment it looks like getting interesting.
0:15:19 > 0:15:23Robert! Time for your tea! It's Spangles and Angel Delight!
0:15:23 > 0:15:26Sigmund Freud is the subject of the revealing but somewhat mediocre
0:15:26 > 0:15:28A Dangerous Method.
0:15:28 > 0:15:31Here, Freud is packing up his books, and is probably so busy
0:15:31 > 0:15:34thinking about rude thoughts and mucky stuff
0:15:34 > 0:15:37that he doesn't even notice that when he picks his book up,
0:15:37 > 0:15:39it stays where it is.
0:15:39 > 0:15:41..excise his father's name from the cartouches.
0:15:41 > 0:15:43Then, suddenly, it's on his papers.
0:15:43 > 0:15:46This was something traditionally done by all new kings who didn't
0:15:46 > 0:15:49wish their father's name to continue to be public currency.
0:15:51 > 0:15:54And then he puts it back on his papers to leave.
0:15:57 > 0:16:00Now for a bit of J Edgar, the flat and dreary biopic
0:16:00 > 0:16:03of the ex-Director of the FBI and inventor of the Dyson.
0:16:05 > 0:16:07Look at this cereal box that Tolson puts down.
0:16:09 > 0:16:11There's a short conversation...
0:16:13 > 0:16:15..and as Tolson leaves, he picks up the box,
0:16:15 > 0:16:17which now faces the other way.
0:16:18 > 0:16:20As continuity goes, that's not g-rrrrrrrrreat.
0:16:26 > 0:16:29Guns and God now, in the very earnest and worthy
0:16:29 > 0:16:32and all those sorts of words Machine Gun Preacher.
0:16:32 > 0:16:37Jan Leeming looks on proudly as Gerald or Gerard Butler is baptised
0:16:37 > 0:16:39and does all kinds of face-acting.
0:16:45 > 0:16:47Hallelujah!
0:16:47 > 0:16:49In the name of our Lord, Jesus Christ...
0:16:49 > 0:16:52Problem is, all his clothes are already wet.
0:16:52 > 0:16:54He's getting born again again.
0:16:59 > 0:17:02The Iron Lady is in danger of rusting in this unrealistic clip.
0:17:02 > 0:17:05Here's Margaret driving alongside the Houses of Parliament
0:17:05 > 0:17:07on the other side of the river.
0:17:08 > 0:17:11Except there isn't actually a road on the opposite bank,
0:17:11 > 0:17:14so we can only conclude that her car is driving through the Thames.
0:17:14 > 0:17:16Yes, look, definitely floating.
0:17:20 > 0:17:23The biggest movie mistake of all, of course, is Madonna's film career.
0:17:25 > 0:17:27In her self-directed monstrosity W.E.
0:17:28 > 0:17:30her research into the royal family is impeccable.
0:17:32 > 0:17:35'King George III has died, and the nation mourns.'
0:17:35 > 0:17:39Well, George III died in 1820. She meant George V.
0:17:40 > 0:17:42Either that or she turned over two pages
0:17:42 > 0:17:45in the Ladybird book of Kings and Queens.
0:17:48 > 0:17:50Nothing really matters,
0:17:50 > 0:17:53sang pop pensioner Madonna as a line in a song once.
0:17:53 > 0:17:56And historical accuracy is one of them.
0:17:56 > 0:17:59Wallis and Edward are papped to within an inch of their lives,
0:17:59 > 0:18:03provoking absolute outrage in the British press.
0:18:03 > 0:18:04In actual fact,
0:18:04 > 0:18:06UK newspapers carefully covered up the scandal, and the story
0:18:06 > 0:18:10wasn't reported until after Edward's abdication the following December.
0:18:11 > 0:18:13Madge would be hung up for that howler!
0:18:17 > 0:18:18Would you look at that.
0:18:18 > 0:18:20Me, presenting Great Movie Mistakes -1.
0:18:21 > 0:18:25It was a prequel we made to set up some back story for the shows.
0:18:25 > 0:18:29What makes me so keen to point out sometimes quite trivial mistakes
0:18:29 > 0:18:33in movies, why do I hate continuity errors so very much,
0:18:33 > 0:18:34what is the big problem
0:18:34 > 0:18:37with seeing camera equipment reflected in things.
0:18:37 > 0:18:40Yeah, it's all here in Great Movie Mistakes -1: The Prequel.
0:18:42 > 0:18:46Because prequels are great.
0:18:46 > 0:18:51Effective apocalyptic thrills in Rise Of The Planet Of The Apes,
0:18:51 > 0:18:53or should that be Disappearance Of The Bodies Of The Apes,
0:18:53 > 0:18:56as clearly, while many of these apes are being shot at
0:18:56 > 0:18:58and are likely to, you know, peg out...
0:19:03 > 0:19:05..when Will later drives away there's not a single
0:19:05 > 0:19:07dead simian to be seen.
0:19:10 > 0:19:12Maybe this was the pre-watershed edit for Ape TV.
0:19:16 > 0:19:18Get these people off the bridge!
0:19:18 > 0:19:21OK, car fans, hands up who knows the difference between a Nissan
0:19:21 > 0:19:23and a Volkswagen?
0:19:23 > 0:19:25Don't know why you've got your hand up, Serkis.
0:19:27 > 0:19:30One minute you're standing on a Nissan Maxima,
0:19:34 > 0:19:36the next it's a VW Jetta.
0:19:36 > 0:19:38Oh well, you know what they say.
0:19:38 > 0:19:39You pay peanuts, you get your cars mixed up.
0:19:45 > 0:19:46Oh, take a look at these lovely gloves,
0:19:46 > 0:19:49because for as long as costume designers provide actors
0:19:49 > 0:19:51with gloves, actors will find ways
0:19:51 > 0:19:54to forget whether they should be wearing them or not.
0:19:55 > 0:19:56Isn't that right, Noomi Rapace
0:19:56 > 0:19:59in plot-hole-riddled-shambles that is Prometheus?
0:20:05 > 0:20:08Out now, from Prometheus Products, the all-new three-in-one flashlight!
0:20:10 > 0:20:13Boarding an alien spaceship? Need a flashlight with three lights?
0:20:13 > 0:20:15Not a problem, eh, Holloway?
0:20:19 > 0:20:20More of a one-light-flashlight kind of guy?
0:20:21 > 0:20:23With the Prometheus Three-In-One, it's easy.
0:20:24 > 0:20:27Joan from Tenby has got hers. Buy now!
0:20:30 > 0:20:32Prometheus was one big movie mistake,
0:20:32 > 0:20:36compared to the original and best, Alien, but that had errors too.
0:20:37 > 0:20:39Ignore the fact that it's 2122
0:20:39 > 0:20:41and they're still using Commodore VIC-20s,
0:20:41 > 0:20:43It seems in space no-one can see you spell,
0:20:44 > 0:20:45as Alignment has an extra "L".
0:20:47 > 0:20:50Can I do the "it's one "L" of a movie" joke?
0:20:50 > 0:20:51No? Gits.
0:20:55 > 0:20:59Parker here can never get a word in edgeways at dinner parties,
0:20:59 > 0:21:02but this time he goes to extraordinary lengths.
0:21:04 > 0:21:05You think he's stopped speaking?
0:21:06 > 0:21:09No, he's still talking while smiling. Look again.
0:21:17 > 0:21:20He could give Keith Harris a run for his money with that skill.
0:21:24 > 0:21:27In the grim, brutal fearfest Aliens,
0:21:27 > 0:21:30Ripley doesn't like hospital food and tries to escape.
0:21:30 > 0:21:32But this isn't the first time she's tried it.
0:21:32 > 0:21:34Look at those two scuff marks.
0:21:40 > 0:21:41Oh, now just one mark.
0:21:41 > 0:21:44Go on, Ripley, save the film for continuity's sake!
0:21:45 > 0:21:47Both marks are back. Breathe easy, everyone!
0:21:55 > 0:21:58Never mind those awful Aliens V Predator movies.
0:21:58 > 0:22:00This film is a mash-up with the Bionic Man,
0:22:00 > 0:22:04as metal mechanical parts can clearly be seen on the alien queen.
0:22:04 > 0:22:07Can we rebuild him? Sorry, her.
0:22:17 > 0:22:18Once I'm done here,
0:22:18 > 0:22:21I must get a sleeping bag for the Star Wars 7 premiere queue.
0:22:23 > 0:22:25But I shan't be buying the membranous one
0:22:25 > 0:22:26that Ripley got from FutureMillets,
0:22:26 > 0:22:29as while she looks snug as a bug tearing out of it,
0:22:29 > 0:22:30if you rewind,
0:22:32 > 0:22:34her head and legs are already out.
0:22:35 > 0:22:39Alien: Resurrection was a letdown, an absolute joke of a film.
0:22:42 > 0:22:45And in this joke film, the props were jokes, too.
0:22:45 > 0:22:47See how this barbell solidly catches Ripley in the face?
0:22:54 > 0:22:58Well, when Christie swings it about, we can see it's a novelty
0:22:58 > 0:23:00rubber barbell that bends all over the place.
0:23:02 > 0:23:04We all love a good old classic family film like
0:23:04 > 0:23:07Nil By Mouth, Whatever Happened To Baby Jane? or Sophie's Choice.
0:23:09 > 0:23:12Turns out that family films in this context means
0:23:12 > 0:23:14"films for the whole family to watch".
0:23:14 > 0:23:15But that is not what they are.
0:23:15 > 0:23:19Aside from a few rare exceptions, family films are for children.
0:23:19 > 0:23:22They're not for me, and I'm part of a family, too.
0:23:22 > 0:23:24If I wanted to watch a film with my whole family,
0:23:24 > 0:23:25it would be Blade Runner,
0:23:25 > 0:23:28and I can tell you right now that my two year old would hate it.
0:23:28 > 0:23:30Particularly if it was the studio cut with the stupid voiceover.
0:23:32 > 0:23:34Alvin And The Chipmunks: Chipwrecked, now.
0:23:34 > 0:23:37Astoundingly, even worse than the first two.
0:23:37 > 0:23:39Now, this is nearly all animation, right?
0:23:39 > 0:23:44So they were pointing their cameras only at a man with a magazine.
0:23:44 > 0:23:47So you'd have thought someone, surely would notice something.
0:23:50 > 0:23:53And they did eventually, but way, way too late.
0:23:59 > 0:24:01A film crew practical joke, now.
0:24:01 > 0:24:04this time, one of the characters made of drawing and computer
0:24:04 > 0:24:06getting punk'd.
0:24:06 > 0:24:08"Ere, Gustav", said the editor.
0:24:08 > 0:24:10"Let's make it look like the chipmunk
0:24:10 > 0:24:11on the dry raft's peed herself."
0:24:13 > 0:24:15"Good idea, Ernst," said the sidekick,
0:24:15 > 0:24:18and so it comes to pass. Wet all over.
0:24:21 > 0:24:24Ah, that hollow sound of the franchise barrel being scraped
0:24:24 > 0:24:26means that we join The Smurfs in their awful movie.
0:24:28 > 0:24:30Now, New York is excellent for filming,
0:24:30 > 0:24:32as they just let you do it.
0:24:32 > 0:24:35But you do tend to attract crowds of excited members of the public
0:24:35 > 0:24:36watching you film, like here.
0:24:38 > 0:24:41Still, if I saw the Smurfs filming, I'd stop to look.
0:24:41 > 0:24:43Not the Moomins, though. I'd just keep walking.
0:24:43 > 0:24:45Get your hand out of my kilt!
0:24:49 > 0:24:51Now this song is played on everything uplifting
0:24:51 > 0:24:53that's on TV ever.
0:24:53 > 0:24:56Hoppipolla by Sigur Ros, and in this scene from the cloying,
0:24:56 > 0:24:59so-called inspiring We Built A Zoo, it's certainly doing the trick.
0:25:04 > 0:25:06Because judging by the trees and grass,
0:25:06 > 0:25:09it's certainly not wind that's keeping those kites in the air.
0:25:14 > 0:25:16Am I doing anything right?
0:25:16 > 0:25:19Proof that people who do organized things like taking packed lunches
0:25:19 > 0:25:21to work aren't as efficient as they think.
0:25:22 > 0:25:25Eight-year-old smugster Rosie's putting her sandwiches into bags
0:25:26 > 0:25:28because heaven forfend she just go to Pret or somewhere,
0:25:28 > 0:25:29like everyone else.
0:25:31 > 0:25:32Good.
0:25:36 > 0:25:38But when she pointlessly labels the bags,
0:25:38 > 0:25:40the sarnies have leapt back on the worktop. Ha!
0:25:47 > 0:25:49Now Scarlett has to lock some lions in a thing
0:25:49 > 0:25:52cos they can get a bit bitey at humans.
0:25:52 > 0:25:54But the director probably decided that giving her a chain
0:25:54 > 0:25:57and an open padlock, as seen here,
0:25:57 > 0:25:58was a bit too easy...
0:25:58 > 0:26:01The only way to fix it is to jimmy it from the inside.
0:26:03 > 0:26:05..because by the next shot, they're gone.
0:26:10 > 0:26:13Fans of Panic Room will love to see that unimaginative clunker
0:26:13 > 0:26:17Spy Kids: All The Time In The World 4D, features a panic room.
0:26:18 > 0:26:20However, logic fans will be less keen.
0:26:20 > 0:26:24Look at this fireplace full of, erm, gold, baubly things and fronds.
0:26:29 > 0:26:33Almost immediately they've gone! From the world. In 4D.
0:26:37 > 0:26:39With so many bits and pieces on a film set,
0:26:39 > 0:26:42it's important to keep everything labelled.
0:26:42 > 0:26:44Circuit boards, for example.
0:26:45 > 0:26:46If you're using one as a prop,
0:26:46 > 0:26:50you'll want to make sure everyone knows what it's for.
0:26:50 > 0:26:52Besides someone will cover that up before shooting, right?
0:26:54 > 0:26:55Wrong! In 4D.
0:26:57 > 0:27:01Our next section is Fantasy Films, which is a genre of film involving
0:27:01 > 0:27:04parallel worlds, magic wizards, Greek mythology
0:27:04 > 0:27:05and all that shiznit.
0:27:05 > 0:27:08I know that now, but I only had this explained to me
0:27:08 > 0:27:11after I'd been trying to make my own fantasy film.
0:27:11 > 0:27:13I had to send back the girls, the boys, the tarpaulin,
0:27:13 > 0:27:15the brie and the Dyson airblade,
0:27:15 > 0:27:18and it was all a little embarrassing to say the least.
0:27:18 > 0:27:22But then where the hell would I be without embarrassing mistakes?
0:27:22 > 0:27:23Talking of which...
0:27:29 > 0:27:31Here, a wooden dagger steals the scene
0:27:31 > 0:27:35from wooden acting in fantasy action movie Wrath Of The Titans.
0:27:35 > 0:27:38Mind you, it does have some magical properties.
0:27:38 > 0:27:39Look, it's gone!
0:27:39 > 0:27:41I wooden have thought they could do that...
0:27:47 > 0:27:49I don't know what I'd do when confronted with a one eyed giant,
0:27:49 > 0:27:52but poor Perseus here is so terrified he doesn't know
0:27:52 > 0:27:53whether he's coming or going.
0:27:56 > 0:27:58As he breaks free from the Cyclops's grasp...
0:28:01 > 0:28:04he ends up facing the wrong direction.
0:28:07 > 0:28:10Did you know that they had proper dentists in the olden times?
0:28:10 > 0:28:14I certainly didn't until I saw this scene from Wrath Of The Titans.
0:28:14 > 0:28:16Watch Agenor as he gives us all a perfect view
0:28:16 > 0:28:19of ye olde mythical silver filling of the Gods.
0:28:25 > 0:28:28OK, everyone, now, I know there's loads of us,
0:28:28 > 0:28:32so it's important we do the same thing in this scene from Immortals.
0:28:32 > 0:28:35Just remember, swords in the left hand, shields in the right.
0:28:35 > 0:28:38So when we shoot the scene from the front, don't forget that.
0:28:40 > 0:28:42Oh.
0:28:42 > 0:28:44Well, it's a dull epic, no-one will care.
0:28:57 > 0:29:00Time now for another quick round of Metil or Normil.
0:29:00 > 0:29:03This breastplate certainly looks like metil. Well, a bit like metil.
0:29:04 > 0:29:08Actually, I think it's normil, looks like rubber to me.
0:29:08 > 0:29:10We'll have to wait till he takes it off.
0:29:13 > 0:29:14Yes, look, I was right.
0:29:14 > 0:29:15Definitely normil.
0:29:21 > 0:29:25In this show, I have to record over 200 links.
0:29:25 > 0:29:28That's a set number of links, unlike those in this chain
0:29:28 > 0:29:30from cheesily fun John Carter.
0:29:32 > 0:29:34It's too short for him to escape the ape...
0:29:36 > 0:29:40..but then it's long enough to wrap round the ape like a billion times.
0:29:48 > 0:29:49Mum, mum, guess what?
0:29:49 > 0:29:51I've got a job as a sound effects man
0:29:51 > 0:29:54on this big, colourful film about Snow White!
0:29:54 > 0:29:56We've got loads of well hench sound effects.
0:29:58 > 0:30:01There's one of two axes touching that I really love,
0:30:01 > 0:30:02I'm about to use it now.
0:30:02 > 0:30:04AXES TOUCH
0:30:04 > 0:30:06Oh, they didn't touch. Never mind, I'll use it anyway!
0:30:12 > 0:30:17Mirror, mirror on the wall, Who's the sneakiest prince of all?
0:30:17 > 0:30:19This one, saying farewell to Snow White,
0:30:19 > 0:30:22cos he was on Charles's left and he's now on Charles's right.
0:30:26 > 0:30:29Snow White films are like London buses. You wait years,
0:30:29 > 0:30:32and then two underwhelming ones turn up at the same time.
0:30:32 > 0:30:35This is the one that isn't the other one, and we're talking horse.
0:30:35 > 0:30:37I love horses, best of all the animals,
0:30:37 > 0:30:41but I can't stand a horse with mucky legs, which is why this scene
0:30:41 > 0:30:43at first appals and then soothes me.
0:30:47 > 0:30:48Dirty horse.
0:30:50 > 0:30:52Clean horse.
0:30:56 > 0:30:58Now, spoiler alert, everyone!
0:30:58 > 0:31:02so, the closing scene comes to a close and everyone has got closure.
0:31:02 > 0:31:04And as we pull out of the throne room,
0:31:04 > 0:31:08the doors swing closed to emphasise the closing of the story.
0:31:09 > 0:31:12But if we rewind just a couple of moments, you'll see that throughout
0:31:12 > 0:31:17the coronation, those closing doors were already very much closed.
0:31:19 > 0:31:23The British film industry is much like the American film industry,
0:31:23 > 0:31:25except they make some.
0:31:25 > 0:31:27I'm joking, of course. The UK Film Council generated
0:31:27 > 0:31:30so much successful film-making that the government destroyed it.
0:31:31 > 0:31:34Making a British film is much like the plot of a British film.
0:31:34 > 0:31:37A plucky underdog, charming and stammering,
0:31:37 > 0:31:41like Hugh Grant or Colin Firth, achieves some success
0:31:41 > 0:31:45after overcoming some moderate obstacles, usually in the rain.
0:31:45 > 0:31:48Contains mild peril, possibly that Toploader song,
0:31:48 > 0:31:49and a fair few mistakes.
0:31:50 > 0:31:53Madcap, not-very-funny spy caper Johnny English Reborn now,
0:31:54 > 0:31:57and if the whole point of this scene is whether the switch is on or off,
0:31:57 > 0:32:00you'd think they'd pay close attention to it.
0:32:00 > 0:32:03But, no. Here it's switched off,
0:32:03 > 0:32:04then this lady takes her dress off...
0:32:04 > 0:32:06Do you know how to turn it on?
0:32:06 > 0:32:08..and then next thing you know it's back on.
0:32:09 > 0:32:11Maybe the continuity guy got distracted?
0:32:14 > 0:32:18Glenn Close as footballer Lee Dixon here, counting his tips.
0:32:18 > 0:32:20it's three coins on the bed.
0:32:20 > 0:32:21This is Albert Nobbs,
0:32:21 > 0:32:24a haunting and bittersweet film with an amusing name.
0:32:26 > 0:32:28Now look at the coins. There's loads more.
0:32:28 > 0:32:30It's a Christmas miracle!
0:32:33 > 0:32:37The Best Exotic Marigold Hotel was refreshingly upbeat
0:32:37 > 0:32:39for a Brit flick, with some good performances,
0:32:39 > 0:32:41but while Tom Wilkinson's being all emotional,
0:32:41 > 0:32:44Dame Judi's not listening.
0:32:44 > 0:32:47She's going through her photos.
0:32:47 > 0:32:50You see those pics? Rewind earlier and they weren't there.
0:32:52 > 0:32:56I reckon the next cutaway will have her doing a Sudoku.
0:33:00 > 0:33:04A tremendous display now from the conjuror Celia Imrie.
0:33:04 > 0:33:07It's the old "put the note in the pocket, fail to push it in,
0:33:07 > 0:33:08"have it photoshopped out" routine.
0:33:10 > 0:33:12Let's see that again in slow motion
0:33:12 > 0:33:14so we can wonder at Celia's deft handiwork.
0:33:17 > 0:33:20And, thrifty old pro that she is, she makes sure to reappear
0:33:20 > 0:33:22it later on, so she can snatch it back.
0:33:27 > 0:33:29Daniel Radcliffe gets confused when decorating
0:33:29 > 0:33:31in the pant-wettingly scary The Woman In Black.
0:33:33 > 0:33:35He's using an axe to strip the wallpaper,
0:33:35 > 0:33:37surely something like a scraper would be better?
0:33:39 > 0:33:43Later, common sense of sorts prevails as he uses his bare hands.
0:33:47 > 0:33:48But then he's back with the axe again
0:33:48 > 0:33:51without so much as a bending down.
0:33:51 > 0:33:53Someone get that boy a rawl plug.
0:33:56 > 0:33:59What can only be censorship here. Listen and watch.
0:33:59 > 0:34:02I don't expect to be finished until Friday at least.
0:34:03 > 0:34:06Now, Daniel Radcliffe's mouth keeps moving at the end.
0:34:06 > 0:34:08What offensive line did he say?
0:34:11 > 0:34:14Well, I can exclusively reveal that he really said
0:34:14 > 0:34:18"I don't expect to be finished until Friday at least, wubbawubbawubba".
0:34:20 > 0:34:24If there's one thing we, the guys at Great Movie Mistakes IV hate,
0:34:24 > 0:34:26it's an unnecessary sequel.
0:34:26 > 0:34:27As you may recall me saying
0:34:27 > 0:34:30way back in Great Movie Mistakes II and III.
0:34:30 > 0:34:33But the good thing about sequels is that they give gainful employment
0:34:33 > 0:34:35to a lot of Roman numerals that would otherwise
0:34:35 > 0:34:36be claiming Jobseeker's Allowance.
0:34:36 > 0:34:40It's really just sequels and clockfaces keeping them going.
0:34:40 > 0:34:43Journey 2, you are letting the side down.
0:34:43 > 0:34:45By the way, it's time that someone said this on television,
0:34:45 > 0:34:48there is no such word as quadrilogy.
0:34:48 > 0:34:49The word is Tetralogy,
0:34:49 > 0:34:52and last time I checked it was functioning perfectly well.
0:34:54 > 0:34:56You know that game kids play where there's a tray,
0:34:56 > 0:35:00and one thing gets removed, and you have to spot what it is?
0:35:00 > 0:35:03Well, brainless action flick Mission Impossible Ghost Protocol
0:35:03 > 0:35:04incorporated that game in the film.
0:35:04 > 0:35:06So, watch carefully.
0:35:06 > 0:35:08This wasn't a rescue mission?
0:35:08 > 0:35:10Let me put it this way.
0:35:10 > 0:35:12If the secretary wanted me out of there,
0:35:12 > 0:35:14it must be pretty bad out here.
0:35:15 > 0:35:17Now, what's gone? No?
0:35:19 > 0:35:21That's right. It was that silver thing.
0:35:21 > 0:35:24Our next Mission Impossible Game is called
0:35:24 > 0:35:26"What is that silver thing?"
0:35:29 > 0:35:31Now it's the big-hearted Muppets movie,
0:35:31 > 0:35:33and isn't Amy Adams just lovely?
0:35:35 > 0:35:38She's so perky she's even brought partial life to these dead flowers.
0:35:38 > 0:35:40It's OK, they're really sweet.
0:35:40 > 0:35:43You don't mind that he's coming, right?
0:35:43 > 0:35:44But not for long.
0:35:46 > 0:35:49Some Muppets are tricky to work with.
0:35:49 > 0:35:53Sam the Bald American Eagle, for example, is hugely xenophobic.
0:35:53 > 0:35:54It's way too far.
0:35:54 > 0:35:56That's why in this scene, when a bunch of them
0:35:56 > 0:35:58travel to France by map...
0:36:01 > 0:36:04he's bailed out by the time they reach Gallic shores.
0:36:07 > 0:36:08ALL: To Paris!
0:36:10 > 0:36:12It's a well-known fact that nobody speaks German,
0:36:14 > 0:36:17which is why the team behind this middling reboot of Sherlock Holmes
0:36:17 > 0:36:19could get away with this little prank.
0:36:22 > 0:36:25The subtitle says "Time to introduce Little Hansel."
0:36:27 > 0:36:30What he actually said translates as...
0:36:37 > 0:36:39This next mistake is mainly here to have a pop at the dreadful
0:36:39 > 0:36:41Twilight series.
0:36:41 > 0:36:45Look at Bella's hands as she hides her morning sickness from Edward.
0:36:45 > 0:36:47She closes the seat with her right hand,
0:36:47 > 0:36:51then she's immediately putting all her weight on it with her left.
0:36:51 > 0:36:53Possible, but athletic.
0:36:57 > 0:36:59Ah, what a lovely couple.
0:36:59 > 0:37:01There they are wearing wedding bands,
0:37:01 > 0:37:03because Stephenie Meyer wants girls to know that even
0:37:03 > 0:37:06if it's a vampire you're sleeping with, you should Get Married First.
0:37:07 > 0:37:11But the moment they're out of the cab, no more rings.
0:37:11 > 0:37:12Art predicting life there.
0:37:16 > 0:37:19Tongue-in-cheek and amusing, MIB III is a mind-bending time travel movie,
0:37:20 > 0:37:24most obviously in this scene from New York, 1969.
0:37:24 > 0:37:26See those pinball machines?
0:37:28 > 0:37:32Pinball was banned in the Big Apple until 1976, as we all know.
0:37:32 > 0:37:34And once again, the credibility of an alien-filled,
0:37:34 > 0:37:37conspiracy-inspired, dimension-hopping movie is ruined.
0:37:37 > 0:37:39Think your hoop's a little off. Want me to clean her?
0:37:43 > 0:37:44More time-travel now,
0:37:44 > 0:37:47as the guys seem to be stuck in a chronic hysterisis.
0:37:47 > 0:37:49That's a time loop, to you and me.
0:37:50 > 0:37:51See this van?
0:37:51 > 0:37:54It's the same van we saw seconds ago.
0:37:54 > 0:37:55Happily, they escape,
0:37:55 > 0:37:58so the fourth film won't be two hours of more of the same.
0:38:03 > 0:38:04Oooh! Another one!
0:38:06 > 0:38:10There's also some extraordinary errors in the older MIB films.
0:38:10 > 0:38:13In the funny and entertaining original, we see that to be
0:38:13 > 0:38:15a Man In Black, you need intelligence, bravery
0:38:15 > 0:38:17and secretarial skills.
0:38:18 > 0:38:21Being a defender of the galaxy means Agent K types so quickly
0:38:21 > 0:38:24his fingers don't even touch the keyboard.
0:38:24 > 0:38:26Either that or he's tickling an invisible kitten.
0:38:30 > 0:38:32Men In Black II is a disappointing letdown,
0:38:32 > 0:38:35featuring as it does Agent K emptying his guns
0:38:35 > 0:38:36at a giant rubbish bin.
0:38:49 > 0:38:51Mind you, it's a bit fortunate.
0:38:51 > 0:38:53Watch as he drops the guns on the floor,
0:38:53 > 0:38:56only for them to be removed in the next shot.
0:38:56 > 0:38:58Why can't my bin men be that efficient?
0:39:03 > 0:39:05You know our arrangements, Jeff.
0:39:05 > 0:39:07You don't travel outside of the E, F and R subway lines...
0:39:07 > 0:39:10Actors, eh? Always desperate to show off their improv.
0:39:11 > 0:39:15Here, the actor playing Agent T demonstrates his miming skills
0:39:15 > 0:39:18as he wrestles with an invisible weed.
0:39:18 > 0:39:20Oops, someone forgot the CGI.
0:39:20 > 0:39:22Next thing you know, he'll be battling his way
0:39:22 > 0:39:25out of a pretend box and descending an imaginary staircase.
0:39:27 > 0:39:30Films often play fast and loose with the laws of the universe.
0:39:30 > 0:39:33They try and make us believe all kinds of things are possible.
0:39:33 > 0:39:35Like noise in the vacuum of space,
0:39:35 > 0:39:37surviving a nuclear blast by hiding in a fridge,
0:39:37 > 0:39:40or that people will laugh at a film with Rob Schneider in it.
0:39:40 > 0:39:42So, yes, impossible things.
0:39:42 > 0:39:45To be fair, some impossible film things are really cool.
0:39:45 > 0:39:48I mean, I believed for ages I could move things
0:39:48 > 0:39:51with the power of my mind. Still do, a bit.
0:39:54 > 0:39:55Deew!
0:40:05 > 0:40:08Cool.
0:40:08 > 0:40:10In the waste of time that's In Time,
0:40:10 > 0:40:13we see a far too successful booby trap.
0:40:13 > 0:40:15Stingers - strips of nails left on the road to puncture tyres - are
0:40:16 > 0:40:20used by the police to bring naughty vehicles to a controlled halt.
0:40:20 > 0:40:23However, when this former Mouseketeer drives over one,
0:40:23 > 0:40:27his car has a massive hissy fit and tumbles over a cliff,
0:40:27 > 0:40:31temporarily vaporising its passengers
0:40:31 > 0:40:33before they reappear at the bottom.
0:40:36 > 0:40:39Iron Sky now. A film which comprehensively
0:40:39 > 0:40:42fails its Baccalaureate in Science, which of course means it gets
0:40:42 > 0:40:44an A star in the totally made-up world of movie science.
0:40:46 > 0:40:48Why don't you narrate along with me as we play
0:40:48 > 0:40:51Things That Things Don't Do In The Vacuum Of Space.
0:40:54 > 0:40:56Firstly, we hear the sound of the ship separating,
0:40:56 > 0:40:58a massive blunder because - all together now -
0:40:58 > 0:41:01there's no sound in a vacuum.
0:41:03 > 0:41:06Then we see fires burning on the destroyed ship.
0:41:06 > 0:41:08One, two, three - fires don't burn in a vacuum.
0:41:12 > 0:41:15And as these banners unfurl, we can be pretty sure
0:41:15 > 0:41:19they wouldn't do this, as there's no air an a vacuum either.
0:41:19 > 0:41:22Rookie mistake - even I didn't fall into that trap when I made
0:41:22 > 0:41:26that fake moon landing footage I'm not allowed to talk about.
0:41:28 > 0:41:31In the insultingly bad Journey 2, these people are riding
0:41:31 > 0:41:35on giant bees, and I for one don't believe a frame of it.
0:41:35 > 0:41:39There's no way on earth anyone would cast that wrestler in a film.
0:41:39 > 0:41:42Anyway, the birds chasing them are apparently...
0:41:42 > 0:41:44That's a white-throated needletail.
0:41:44 > 0:41:46..when in fact it's quite clear
0:41:46 > 0:41:48that they're white-fronted bee-eaters.
0:41:49 > 0:41:51I know that because I'm a dedicated twitcher.
0:41:51 > 0:41:53Although the tablets are helping.
0:41:58 > 0:42:00When giving a presentation,
0:42:00 > 0:42:03the cardinal sin is not to walk through the beam,
0:42:03 > 0:42:06otherwise all your PowerPoint stuff will get shadows on it.
0:42:08 > 0:42:11You might want to splash out on the projector from the nostalgia-steeped
0:42:11 > 0:42:14Super 8, however, as the kids sit right in the beam
0:42:14 > 0:42:16without casting any shadow.
0:42:16 > 0:42:19Luckily, in this shot, the kids have vanished anyway.
0:42:22 > 0:42:23- What's up?- Noah!
0:42:23 > 0:42:26There aren't enough whistling kettles in films.
0:42:26 > 0:42:28The sad reason for this is that
0:42:28 > 0:42:30they are fiendishly scientifically complicated items.
0:42:31 > 0:42:34For example, if the spout is open, they won't whistle,
0:42:34 > 0:42:36a fact which is apparently news
0:42:36 > 0:42:38to the makers of fat-boy laugh-drought The Sitter.
0:42:39 > 0:42:40Sack the spout-wrangler.
0:42:42 > 0:42:45Solid Gold. Do you have any idea what that's worth?
0:42:45 > 0:42:48Matthew Broderick may be generally ace,
0:42:48 > 0:42:51but he doesn't know Jack Bueller about the weight of cars.
0:42:51 > 0:42:53He reckons a solid gold car would weigh about...
0:42:53 > 0:42:55Must weigh 2,000lbs.
0:42:55 > 0:42:58..but in reality they weigh something like a couple of tons
0:42:58 > 0:43:01and you certainly wouldn't be able to fling them about the way they do
0:43:01 > 0:43:04in brainless caper Tower Heist.
0:43:04 > 0:43:06I should know, I've got four of them.
0:43:06 > 0:43:08They give me one every time I do this show.
0:43:08 > 0:43:12Any more and I'll have to move a couple onto the helipad.
0:43:12 > 0:43:13Hallo?
0:43:15 > 0:43:17Is anybody here?
0:43:17 > 0:43:19Hallo?
0:43:19 > 0:43:22I'm here to make Great Movie Mistakes.
0:43:22 > 0:43:23Hallo?
0:43:25 > 0:43:27Great Movie Mistakes.
0:43:27 > 0:43:30I haven't heard those words in ten year or more.
0:43:32 > 0:43:35What? Who's there? Who said that?
0:43:35 > 0:43:37I said that.
0:43:37 > 0:43:42They haven't made Great Movie Mistakes in nigh on ten years.
0:43:42 > 0:43:46Not since that Robert Webb died so horribly and painfully.
0:43:46 > 0:43:49But that's ridiculous. I'm Robert Webb, and I...
0:43:54 > 0:43:59Horror Films. CREEPY LAUGH
0:44:01 > 0:44:03Gruesome, mind-bending horror in The Cabin In The Woods now.
0:44:05 > 0:44:07Doors in spooky houses have a mind of their own,
0:44:07 > 0:44:10but this one's indecisive.
0:44:10 > 0:44:13Here Dana leaves it open
0:44:13 > 0:44:16but now it's closed.
0:44:19 > 0:44:23However, in just a few seconds it's open again to let the gang in.
0:44:23 > 0:44:27Honestly, if they just fitted creepy houses with automatic doors
0:44:27 > 0:44:28it'd save all sorts of bother.
0:44:31 > 0:44:34A flipped shot moment in the intelligence-insulting Piranha 3DD.
0:44:36 > 0:44:37Not just any old flipped shot -
0:44:38 > 0:44:40it's one with the Hoff.
0:44:40 > 0:44:44Unless this badge is supposed to be in mirror writing. Poor show!
0:44:44 > 0:44:47You don't hire the Hoff and then make him look stupid.
0:44:47 > 0:44:49Insert punch line here.
0:44:49 > 0:44:53David? That's pretty cool. That's my name too. Here you go.
0:44:56 > 0:45:01Lacklustre and seriously flawed chiller Silent House now.
0:45:01 > 0:45:05Like the 1920s version of the Hugh Laurie TV hit.
0:45:05 > 0:45:08In this scene, we're asked to believe that what we're watching is
0:45:08 > 0:45:11one continuous shot.
0:45:13 > 0:45:15But that doesn't explain why the patterns of blood
0:45:15 > 0:45:18on Elizabeth Olsen's clothes and face keep changing.
0:45:23 > 0:45:25Maybe it's lupus. It's never lupus.
0:45:29 > 0:45:31Underworld: Awakening?
0:45:31 > 0:45:32Underworld: Snooze Button, more like!
0:45:33 > 0:45:36Awful film, but it features an amazing catsuit.
0:45:37 > 0:45:40Not only can you wear it in heels...
0:45:42 > 0:45:47..and then seconds later wear it in flats...
0:45:47 > 0:45:49..you can also hide a blooming great hand grenade
0:45:49 > 0:45:52in it without breaking the skin-tight lines in the slightest.
0:45:58 > 0:46:01Now look at the problem with the CCTV here.
0:46:01 > 0:46:03Security cameras are in fixed positions,
0:46:03 > 0:46:07they can't follow trolleys down corridors, can they?
0:46:11 > 0:46:15Well, this impossible camera seems to be playing Race You To The End.
0:46:18 > 0:46:21Unimaginative, uninspired gore shocks
0:46:21 > 0:46:23from Final Destination 5 now.
0:46:24 > 0:46:26The extras here are playing fast and loose with
0:46:26 > 0:46:30the laws of public transport as this woman exits the bus more than once.
0:46:36 > 0:46:39And the driver can't decide whether he's standing up...
0:46:41 > 0:46:42..or sitting down.
0:46:42 > 0:46:46He may just be all out of sorts because, you know, all the terror.
0:46:46 > 0:46:47To Death-town!
0:46:51 > 0:46:54Oh, hi there. You probably thought this was footage of me
0:46:54 > 0:46:57attending a soiree with my showbiz pals
0:46:57 > 0:46:59at the Groucho's or the Nando's.
0:46:59 > 0:47:03In fact, these people here are supporting, or background artists.
0:47:03 > 0:47:05They are only pretending to be my friends,
0:47:05 > 0:47:07and have been paid to do so.
0:47:07 > 0:47:11Which is different from my actual friends because...
0:47:11 > 0:47:12Because...
0:47:14 > 0:47:16Roll the VT.
0:47:16 > 0:47:18General Patton has said...
0:47:18 > 0:47:21Now the soulless superhero flick Captain America,
0:47:21 > 0:47:25and it will shock you to discover that these aren't real soldiers
0:47:25 > 0:47:27but actual background artists.
0:47:27 > 0:47:31You can tell because here they walk behind Captain Phillips
0:47:31 > 0:47:32but in the very next shot
0:47:32 > 0:47:35they are marching again back where they started.
0:47:35 > 0:47:37Our boys wouldn't do that.
0:47:40 > 0:47:44Now James Bond with curtains is haunted by skellingtons or something
0:47:44 > 0:47:47in the confused yet predictable Dream House.
0:47:47 > 0:47:50Here he is haunted by a terrifying doppelganger couple
0:47:50 > 0:47:53as these two, note the stylish but practical red boots on the lady,
0:47:53 > 0:47:55walk down the pavement
0:47:55 > 0:47:58and then when Daniel Craig David leaves he cafe a few moments later -
0:48:00 > 0:48:03Bingo! The identical couple are still walking towards them
0:48:03 > 0:48:04in the same direction.
0:48:04 > 0:48:10Of course, they could have stopped and had a row. We just don't know.
0:48:10 > 0:48:13In this daft but fun scene from The Muppets,
0:48:13 > 0:48:16keep watching the anger therapy patients fighting.
0:48:16 > 0:48:19One of them's not up to scratch with his brawling.
0:48:19 > 0:48:22Thursday's another one of my trigger words!
0:48:22 > 0:48:24You'll see the tall man with white hair
0:48:24 > 0:48:26is clearly not hitting anything...
0:48:27 > 0:48:29..as his punch misses by at least one foot.
0:48:31 > 0:48:35Yet, we hear the punch and the other man falls down.
0:48:36 > 0:48:38Also that's not a real animal.
0:48:38 > 0:48:39Animal!
0:48:41 > 0:48:42Not at night.
0:48:43 > 0:48:45We Bought A Zoo was over-sensitive and syrupy,
0:48:46 > 0:48:48but it's slightly better than the prequel
0:48:48 > 0:48:50I Rented A Newsagent-Cum-Off-Licence.
0:48:51 > 0:48:53Off-camera string-pulling is visible here
0:48:53 > 0:48:56when two extras are waiting for their cue to walk forward,
0:48:56 > 0:48:59which they start to do after a couple of seconds.
0:49:01 > 0:49:03And action. Nice.
0:49:07 > 0:49:09Guys, it's the other zoo film - it's Zookeeper!
0:49:10 > 0:49:12Guys?
0:49:13 > 0:49:16Here Griffin cycles past a man sat on a bench
0:49:16 > 0:49:18wearing a blue blazer and cream trousers.
0:49:22 > 0:49:26Then later, from Griffin's POV, we see he's about to cycle past
0:49:26 > 0:49:28a woman in a light shirt and blue jeans
0:49:28 > 0:49:29and a man in a straw-coloured hat.
0:49:32 > 0:49:33But from the opposite angle,
0:49:33 > 0:49:37he's just cycled past the man in a blue blazer and cream trousers.
0:49:37 > 0:49:39It doesn't make any sense, I tell you.
0:49:39 > 0:49:43Like the decision to green light this film in the first place.
0:49:44 > 0:49:47Now, Wes Anderson's escapist, eccentric quirk-fest
0:49:47 > 0:49:49Moonrise Kingdom.
0:49:49 > 0:49:51When Cousin Ben is talking to Sam and Suzy
0:49:51 > 0:49:54as they walk through the camp, a marching scout extra
0:49:54 > 0:49:59in the background can be seen looking and waving at the camera.
0:49:59 > 0:50:01He'll be earning his Ruin The World Of The Movie badge,
0:50:01 > 0:50:03I shouldn't wonder.
0:50:04 > 0:50:06Great Plot Hole Mistakes -
0:50:06 > 0:50:09Gaffes so massively bad an entire film falls apart.
0:50:11 > 0:50:14This time, the outstanding, action-packed must-see
0:50:14 > 0:50:16sci-fi classic Terminator 2: Judgement Day.
0:50:17 > 0:50:19The story so far - in the first gripping and suspenseful
0:50:20 > 0:50:24Terminator film, a robot comes from the future to kill Sarah Connor
0:50:24 > 0:50:27and stop her from having a son who becomes a future revolutionary.
0:50:27 > 0:50:30Kyle Reese, also from the future, trains Sarah
0:50:30 > 0:50:33and gives her the knowledge she needs to defeat the robot.
0:50:33 > 0:50:37She and Kyle get it on and conceive the prodigal son, John Connor.
0:50:37 > 0:50:38Now - fast forward 11 years to 1995.
0:50:40 > 0:50:42The robots are going to have another go.
0:50:42 > 0:50:45They send a more advanced Terminator back this time
0:50:45 > 0:50:48with the mission of killing the now 11-year-old John Connor.
0:50:48 > 0:50:50Good plan robots.
0:50:50 > 0:50:54But wait! Why have you sent it back to 1995, the very place where
0:50:54 > 0:50:58Sarah Connor has had over a decade to prepare for such an event?
0:50:58 > 0:51:00Look, you've given her some time to
0:51:00 > 0:51:03raise her son to be a leader of the human resistance.
0:51:03 > 0:51:04Smart work.
0:51:05 > 0:51:07I mean, guys, she's already
0:51:07 > 0:51:09attempted to bomb a computer factory,
0:51:09 > 0:51:11and she's got a huge arsenal of weaponry
0:51:11 > 0:51:13stored in an underground bunker.
0:51:13 > 0:51:16What they should do is send the Terminator back further in time
0:51:16 > 0:51:18to when they don't know about any of this.
0:51:18 > 0:51:21Why not go back to the '70s when Sarah Connor was in school?
0:51:24 > 0:51:28Or they could go even further back and just take her out when she was a baby?
0:51:30 > 0:51:33Or with a bit of imagination, they could go back even further
0:51:33 > 0:51:35and kill off her grandparents,
0:51:35 > 0:51:38and stop Sarah even getting born in the first place.
0:51:38 > 0:51:40Or further still.
0:51:41 > 0:51:42You get the general idea.
0:51:42 > 0:51:45So, robots, not as clever as you think you are.
0:51:45 > 0:51:48Because if you were, you wouldn't have had to make
0:51:48 > 0:51:49Terminator 2: Judgement Day.
0:51:49 > 0:51:52Which is why I hardly ever chat with my Roomba.
0:51:52 > 0:51:53The end.
0:51:55 > 0:51:59Some of the best films of all time have one thing in common.
0:51:59 > 0:52:02Trading Places, Every Which Way But Loose, Dunston Checks In,
0:52:02 > 0:52:05Outbreak, King Kong, Gorillas In The Mist,
0:52:05 > 0:52:09Planet Of The Apes, Greystoke, Mighty Joe Young, Congo.
0:52:09 > 0:52:13Sorry, no, the thing these films have in common is, like, monkeys.
0:52:13 > 0:52:16It's monkeys.
0:52:16 > 0:52:19Most of these films aren't even comedies.
0:52:19 > 0:52:21I mean - I've seen Dunston Checks In.
0:52:22 > 0:52:24I'll do it myself. No, I'll just busk it.
0:52:24 > 0:52:25You're still rolling?
0:52:25 > 0:52:27Good.
0:52:27 > 0:52:30Some of the best comedy films of all time have one thing in common.
0:52:30 > 0:52:33Confetti, Magicians, The Wedding Video.
0:52:35 > 0:52:38What? That is totally justified.
0:52:40 > 0:52:44All right, not Confetti but, I mean, the other two are quite good.
0:52:44 > 0:52:45Anyone with an ounce of manners
0:52:45 > 0:52:47knows that spitting on someone's head,
0:52:47 > 0:52:50like littering or tax avoidance, is jolly rude.
0:52:50 > 0:52:54So it's good that in the very coarse, very dumb Goon,
0:52:54 > 0:52:57young Ryan here completely fails to hit his target, Doug.
0:53:02 > 0:53:03See?
0:53:04 > 0:53:07I don't know what this is.
0:53:07 > 0:53:08Hair gel? Over-excitement?
0:53:12 > 0:53:15Ice hockey is hugely popular in the US.
0:53:15 > 0:53:17However, it's not so popular that
0:53:17 > 0:53:19people will turn up to watch a pretend match
0:53:19 > 0:53:22as these cardboard cut-out excuses for audience members prove.
0:53:26 > 0:53:29It just doesn't fit the HBO brand...
0:53:29 > 0:53:32Here's Jennifer Aniston in the inert comedy Wanderlust
0:53:32 > 0:53:35defiantly shutting her laptop, the IT equivalent of slamming a door.
0:53:35 > 0:53:39We could throw in some vampires in there to have sex with the penguins
0:53:39 > 0:53:42and then you could have brooding, sexy, little vampire penguins.
0:53:42 > 0:53:44I'm calling actor error on this one.
0:53:44 > 0:53:46You'd think that having done something so dramatic,
0:53:46 > 0:53:49she'd have noticed that it was open again a few shots later
0:53:49 > 0:53:50as she packed up to leave.
0:53:50 > 0:53:52I think you're joking?
0:53:53 > 0:53:57My favourite mistakes on this show are always the ones where it would
0:53:57 > 0:53:59have been easier to get it right.
0:53:59 > 0:54:01How did this end up happening, for example?
0:54:01 > 0:54:04This margarita's poured out on the rocks.
0:54:04 > 0:54:05..5 o'clock, when you could have 4.30.
0:54:07 > 0:54:09Can someone have frozen, slushy margarita
0:54:09 > 0:54:11ready for when we cut back?
0:54:11 > 0:54:12Thanks!
0:54:12 > 0:54:13Baffling.
0:54:13 > 0:54:15- Keep going, keep going.- OK.
0:54:17 > 0:54:20Depressing gross-out, body-swap nonsense now in The Change-Up,
0:54:20 > 0:54:24a film so far beneath its star Jason Bateman
0:54:24 > 0:54:27that he must've spent the whole shoot underground.
0:54:27 > 0:54:31In this scene, Bateman as Mitch as Dave gets pushed out of bed,
0:54:31 > 0:54:32or does he?
0:54:32 > 0:54:33Jesus. Hey!
0:54:35 > 0:54:38No, at the last minute, she snaps back her retracto-arms
0:54:38 > 0:54:40and kicks him, instead.
0:54:40 > 0:54:42Get through that door, Jason,
0:54:42 > 0:54:45and don't stop till you're not in the film any more.
0:54:48 > 0:54:51This gentleman is exposing his midriff in the way
0:54:51 > 0:54:52we all did in the '80s.
0:54:54 > 0:54:57He does it in the witty and frantic Two Days In New York.
0:54:57 > 0:55:00But you know how revivals go,
0:55:00 > 0:55:02there one minute, gone the next.
0:55:04 > 0:55:06And then it's back in fashion again.
0:55:09 > 0:55:13In the savagely satirical The Dictator, Sacha Baron Cohen
0:55:13 > 0:55:15plays the hardest game of Guess Who ever.
0:55:16 > 0:55:19Believe it or not, these are the pictures left after
0:55:19 > 0:55:21he's flicked down all the ones with glasses.
0:55:23 > 0:55:25And it's going to be a pretty tough game,
0:55:25 > 0:55:27because most are duplicates or flips of each other.
0:55:27 > 0:55:30I bet it's Bernard, though. It's always Bernard.
0:55:35 > 0:55:38Supreme leader is on the talking painting.
0:55:38 > 0:55:40These mug shots of Nadal and Aladeen show the pseudonyms
0:55:40 > 0:55:43Nadal and Allison Burger.
0:55:43 > 0:55:44..was cut short by what police
0:55:44 > 0:55:47are now calling a terrorism misunderstanding.
0:55:47 > 0:55:50But she says his name is Emir Gency Exit Only.
0:55:50 > 0:55:52Emir Gency Exit Only.
0:55:52 > 0:55:55If she'd only taken the time to study those mug shots, none of us
0:55:55 > 0:55:59would have wasted a precious thirty seconds of our lives on that joke.
0:56:00 > 0:56:01So, there you have it.
0:56:01 > 0:56:04Once again, moviemakers have spent the year cramming their films
0:56:04 > 0:56:09with moments as wrong and yet as entertaining as a chocolate bus.
0:56:09 > 0:56:12I hope you enjoyed watching them as much as we've enjoyed finding them.
0:56:12 > 0:56:14Actually, wait, I hope you've enjoyed it
0:56:14 > 0:56:17a lot more than that, because it's actually quite time-consuming.
0:56:18 > 0:56:19Anyway, thanks for watching,
0:56:19 > 0:56:24this has been Grand Movie Mishaps 5, and I've been Keith Lemon.
0:56:24 > 0:56:25Hello.
0:56:41 > 0:56:44Subtitles by Red Bee Media Ltd