0:00:46 > 0:00:48Bad luck, movie makers, it's us again.
0:00:48 > 0:00:51This is the show that takes out its geeky monocle
0:00:51 > 0:00:53and scrutinises your puny human efforts.
0:00:53 > 0:00:58We'll pore over every frame to find your boobs...
0:00:58 > 0:01:00Yeah. Can we have another go?
0:01:00 > 0:01:04I'm not sure, "find your boobs," is quite right. Thanks.
0:01:04 > 0:01:06- 'Action!'- Where was I?
0:01:06 > 0:01:07Ah, yes.
0:01:07 > 0:01:10This may look to you like a renovated church,
0:01:10 > 0:01:11but, in fact, it's a nerve hub.
0:01:11 > 0:01:14It's a nucleus - an offshoot of the Matrix.
0:01:14 > 0:01:16Well, all right, it is a renovated church
0:01:16 > 0:01:20but just off camera, in the crypt, is a team of pale-faced, muttering,
0:01:20 > 0:01:25gibbering, almost subhuman creatures that we call our researchers.
0:01:25 > 0:01:27They've taken dedication to the point of actual mania.
0:01:27 > 0:01:30They're now unable even to go for a cup of coffee
0:01:30 > 0:01:33without going up to complete strangers and shouting,
0:01:33 > 0:01:36"You were holding that cup in the other hand five minutes ago,
0:01:36 > 0:01:37"you LOSER!"
0:01:37 > 0:01:39Either that or they're just looking at Facebook
0:01:39 > 0:01:44and cutting and pasting from IMDB, but it's probably the first one.
0:01:44 > 0:01:45On tonight's show...
0:01:57 > 0:01:59So, on with the show.
0:01:59 > 0:02:01Now, if you're anything like me,
0:02:01 > 0:02:04you've been transported inside the software world
0:02:04 > 0:02:06of a mainframe computer where you have to offer up
0:02:06 > 0:02:09astonishing movie blunders in an attempt to get back out.
0:02:09 > 0:02:11But you're not like me at all - quite the opposite.
0:02:11 > 0:02:13I'm on the television and you're poised over Twitter
0:02:13 > 0:02:16ready to be all cross at me for doing another clip show -
0:02:16 > 0:02:20to which I can only reply, "Welcome to Great Movie Mistakes four!"
0:02:20 > 0:02:24And by the way - only one of us gets to ride that incredible Laser Bike.
0:02:24 > 0:02:26Hashtag it's me.
0:02:27 > 0:02:30Let's look at our first batch of Hollywood howlers.
0:02:32 > 0:02:33I want what you owe me...
0:02:33 > 0:02:35Here's The Dark Knight Rises -
0:02:35 > 0:02:38big-scale thrills but a huge, preposterous letdown.
0:02:38 > 0:02:43- Nice outfit. Those heels make it tough to walk?- I don't know.
0:02:43 > 0:02:48Good question, though, as only moments later we get the answer.
0:02:50 > 0:02:52They're clearly retractable heels that disappear
0:02:52 > 0:02:55when running and brawling's on the cards.
0:02:59 > 0:03:03Could Bruce Wayne of stately Wayne Manor be a benefits cheat?
0:03:03 > 0:03:04Consider this evidence.
0:03:04 > 0:03:07Here he's having a chat with Mr Fox...
0:03:07 > 0:03:10If you filed your entire RNB budget into a fusion project...
0:03:10 > 0:03:13..but as soon as he realises the cameras are on him
0:03:13 > 0:03:16a walking stick suddenly appears.
0:03:16 > 0:03:18Next year expect to see him break dancing
0:03:18 > 0:03:19on Britain's Got Talent.
0:03:19 > 0:03:21I can't. I can't, Lucius.
0:03:24 > 0:03:26Fighting and chaos reigns in Gotham City
0:03:26 > 0:03:29and the smell of testosterone is high
0:03:29 > 0:03:32but one man seems more lavender-scented...
0:03:32 > 0:03:34did you see him? Rewind!
0:03:36 > 0:03:39This chap's fighting nobody at all!
0:03:39 > 0:03:41Listen, matey, you're only supposed to punch the air
0:03:41 > 0:03:43when you win a fight.
0:03:46 > 0:03:49Glossy and entertaining as The Hunger Games was,
0:03:49 > 0:03:52it left many fans disappointed - and is this why?
0:03:52 > 0:03:55Look at the flowers being thrown at the parading chariots.
0:03:55 > 0:03:58We will not be overlooked. Now, I LOVE that!
0:04:01 > 0:04:03Now look at the roadway - completely clear.
0:04:03 > 0:04:07No wonder everyone's so hungry if all their vegetation self-destructs.
0:04:11 > 0:04:14Politically thrilling political thriller The Ides Of March
0:04:14 > 0:04:16has Philip Seymour Hoffman visiting a pretend barber
0:04:16 > 0:04:19who pretends to cut his hair.
0:04:19 > 0:04:23I mean, it looks like a nice close cut but where are all the clippings?
0:04:23 > 0:04:25Nothing's actually been cut off.
0:04:26 > 0:04:30Ah, ready to face the world with a fresh new non-haircut.
0:04:34 > 0:04:37Lacklustre and rushed - it's the not-so-Amazing Spider-Man
0:04:37 > 0:04:41where Peter and The Lizard are having a dust-up.
0:04:41 > 0:04:43And boy, does Peter get dusted up!
0:04:44 > 0:04:47Though realising that he'll upset Aunt May,
0:04:47 > 0:04:49he quickly cleans himself up again - a bit.
0:04:55 > 0:04:58Gwen, I worry if Peter's the right guy for you.
0:04:58 > 0:05:01When you chat, although you may think you've got his attention
0:05:01 > 0:05:02with his earphones out...
0:05:02 > 0:05:06- Oh, it's Thursday.- It's Thursday? - What happens to your eye?
0:05:06 > 0:05:10..he's only half-listening as his right earphone springs back in.
0:05:10 > 0:05:12No, love, the right ear!
0:05:15 > 0:05:17- Hey.- What do we have here? A concealed weapon?
0:05:17 > 0:05:19Hey, it's his grandmother's suit!
0:05:19 > 0:05:21Now this a blatant mistake from the fairly good,
0:05:21 > 0:05:24reasonably fun Men In Black III.
0:05:24 > 0:05:25..before you press that...
0:05:25 > 0:05:27I'll leave it to you to work out what the error is.
0:05:27 > 0:05:28If you can't get it,
0:05:28 > 0:05:31you probably need some suddenly-appearing glasses.
0:05:31 > 0:05:33Ah, that's a giveaway.
0:05:33 > 0:05:35..is a standard issue Neuralyzer.
0:05:38 > 0:05:41In this scene from the surprisingly tense, watch-through-your-fingers,
0:05:41 > 0:05:44Woman in Black, Harry Potter's brought a magic dog with him,
0:05:44 > 0:05:46from Hogwarts.
0:05:46 > 0:05:48There he is overtaking the dog...
0:05:48 > 0:05:51and now suddenly the dog's in front of him again.
0:05:52 > 0:05:55It's probably some sort of spell.
0:05:55 > 0:05:57"Teleportio!", or something.
0:05:58 > 0:06:02Now we come to the mistakes, which are so asinine, so dumb,
0:06:02 > 0:06:06so daft, so idiotic, so brainless, so thick, so inept
0:06:06 > 0:06:10and just so plain stupid they get a whole category to themselves.
0:06:11 > 0:06:13'Cut!'
0:06:13 > 0:06:17What? That was perfect. I'm not doing it again. That was fine.
0:06:17 > 0:06:19How to completely sell-out a joke -
0:06:19 > 0:06:21basically, what you do, is have a funny idea,
0:06:21 > 0:06:24like these commune people in the utterly standard Wanderlust,
0:06:24 > 0:06:27making a feature of never clapping but finger-rubbing.
0:06:27 > 0:06:30This is much less aggressive than clapping.
0:06:30 > 0:06:33Try it. Try it. Seriously, it's better.
0:06:33 > 0:06:34Two, three...
0:06:34 > 0:06:38Then, later on, have the exact same people clap like us normal folk.
0:06:38 > 0:06:41That's one joke that won't be bothering anyone again!
0:06:45 > 0:06:48Marginally diverting Man On A Ledge next,
0:06:48 > 0:06:50and in this clip, Man not-yet-on-a-ledge
0:06:50 > 0:06:53is being very careful to remove his fingerprints
0:06:53 > 0:06:54from everything he touches.
0:06:54 > 0:06:57Oh, except the window he's going to open with his bare fingerprinty,
0:06:57 > 0:06:59made-of-clue hands.
0:06:59 > 0:07:00Rookie mistake.
0:07:00 > 0:07:04Like using a Dyson Airblade then touching the toilet door
0:07:07 > 0:07:10So where's the first place the forensics dust for prints?
0:07:10 > 0:07:12Easy! But let's spell it out for you.
0:07:16 > 0:07:17Oh.
0:07:20 > 0:07:22I'm a bit nervous of using the word "headcount"
0:07:22 > 0:07:25when one of the icky Final Destination films is concerned,
0:07:25 > 0:07:27but listen to this...
0:07:27 > 0:07:31Among the survivors were eight employees of Presage Paper,
0:07:31 > 0:07:33on their way to a business retreat,
0:07:33 > 0:07:36the other 17 employees were killed in the collapse...
0:07:36 > 0:07:38Eight survivors and 17 dead.
0:07:38 > 0:07:39That's 25 people.
0:07:41 > 0:07:45So why have they only bothered here with 18 passengers plus the driver?
0:07:46 > 0:07:49Not the sort of cuts I was expecting in this film.
0:07:51 > 0:07:52You know in the Sound Of Music
0:07:52 > 0:07:54where Julie Andrews is bellowing her head off on a bus
0:07:54 > 0:07:57and none of the other passengers bats an eyelid?
0:07:57 > 0:08:00Well, this is exactly like that, only with werewolves.
0:08:02 > 0:08:06Anyway, there are evil hell creatures tearing cars apart...
0:08:06 > 0:08:09but the people on the pavement stroll on taking as little notice
0:08:09 > 0:08:12as the cinema-going public does of the Underworld films.
0:08:15 > 0:08:18It's the better-than-expected Fright Night remake.
0:08:18 > 0:08:20Now look at how Charlie's mum
0:08:20 > 0:08:22protests at mowing down poor Jerry here.
0:08:22 > 0:08:24Mom, just hit it!
0:08:24 > 0:08:26Charlie, no!
0:08:26 > 0:08:27Just BLEEP hit it!
0:08:29 > 0:08:31But even though Charlie grabs the wheel,
0:08:31 > 0:08:34it's quite obvious it's his mum with the foot on the accelerator,
0:08:34 > 0:08:38carrying out the very thing she doesn't want to do.
0:08:38 > 0:08:41I'm not doing a joke about women drivers. I'm just not.
0:08:43 > 0:08:44Hey, mom.
0:08:45 > 0:08:49Watch this for an absolute ruddy mess-up and a half,
0:08:49 > 0:08:53in the seen-it-all-before time-travel movie, In Time.
0:08:53 > 0:08:54Happy 50th!
0:08:54 > 0:08:5750? That's right.
0:08:58 > 0:09:0025 for the 25th time.
0:09:01 > 0:09:02Did you spot it?
0:09:02 > 0:09:07Course, 25 for the 25th time would actually be her 49th birthday.
0:09:07 > 0:09:08..for a girlfriend...
0:09:08 > 0:09:10Tsk. I bet the guys responsible
0:09:10 > 0:09:14celebrated the millennium in 2000 as well, like idiots.
0:09:14 > 0:09:15Now where's my real ale?
0:09:19 > 0:09:21Men, eh? Won't ever listen to directions.
0:09:21 > 0:09:24In this clip from a big waste of time called Abduction,
0:09:24 > 0:09:27Nathan is clearly told to go to...
0:09:32 > 0:09:34Got that, Nathan?
0:09:34 > 0:09:37Clarendon Avenue. This is the street.
0:09:37 > 0:09:40Avenue? It's Boulevard, for goodness' sake!
0:09:40 > 0:09:45You get asked to do one simple thing... AND that's Apartment 202.
0:09:45 > 0:09:47Well, this is a disas... Oh...
0:09:48 > 0:09:51..it's the right house despite all that.
0:09:51 > 0:09:52Lucky!
0:09:55 > 0:09:58Whether the Earl of Oxford was actually Shakespeare
0:09:58 > 0:09:59is still open to debate.
0:09:59 > 0:10:00No, it isn't. He wasn't!
0:10:02 > 0:10:05But we can all agree he was one hell of a horticulturist.
0:10:05 > 0:10:07Here in the abominable Anonymous,
0:10:07 > 0:10:11he presents Ben Jonson with a red and white Tudor Rose.
0:10:11 > 0:10:12My Lord.
0:10:12 > 0:10:13The Tudor Rose.
0:10:15 > 0:10:19The most beautiful of flowers, do you not think?
0:10:19 > 0:10:22Problem is, the Tudor Rose is not so much your actual flower,
0:10:22 > 0:10:25more your totally invented heraldic symbol.
0:10:25 > 0:10:26Hard to come by.
0:10:26 > 0:10:28For any science fiction fans who may be watching,
0:10:28 > 0:10:30I have prepared the following statement.
0:10:30 > 0:10:32"Doctor Spock said, 'Beam Me Up, Scotty'
0:10:32 > 0:10:34"and walked onto the Bridge Of The Firefly
0:10:34 > 0:10:37"where he bumped into the character Doctor Who,
0:10:37 > 0:10:38"who was chatting to Hans Solos
0:10:38 > 0:10:40"about the time he was frozen in Kryptonite."
0:10:42 > 0:10:44The sci-fi fans have probably gone away now,
0:10:44 > 0:10:47moaning about our inaccuracies on their special internet forums,
0:10:47 > 0:10:50so we can enjoy some mistakes in sci-fi films
0:10:50 > 0:10:53without destroying their world.
0:10:53 > 0:10:56The biggest problem in the old west, after cholera,
0:10:56 > 0:10:57was how to accessorise.
0:10:57 > 0:11:00Here's Daniel Craig in the humourless Cowboys And Aliens
0:11:00 > 0:11:04deciding that his special alien bracelet is too heavy to ride in.
0:11:09 > 0:11:12Now he's changed his mind and it's on again.
0:11:12 > 0:11:15Honestly, no wonder cowboys take so long to get ready.
0:11:15 > 0:11:18Or is that women? I always get them mixed up.
0:11:18 > 0:11:22That's why I found Brokeback Mountain so confusing.
0:11:24 > 0:11:27In this bar scene, James Bond's drinks are not so much
0:11:27 > 0:11:30"shaken not stirred" as "poured not drunk".
0:11:32 > 0:11:34Where did you get your bracelet?
0:11:37 > 0:11:40There's something you don't know about me, lady.
0:11:41 > 0:11:44You don't remember anything, do you?
0:11:47 > 0:11:48What do you want?
0:11:49 > 0:11:51He's so busy sloshing out the whisky
0:11:51 > 0:11:53that he forgets to do the drinking it part.
0:11:53 > 0:11:55And all without a coaster, too.
0:11:55 > 0:11:57You do not want to see the rings on that bar.
0:12:02 > 0:12:06Some she-actors find getting off horses unladylike,
0:12:06 > 0:12:08so in this clip Olivia Wilde bypasses the problem
0:12:08 > 0:12:10by simply refusing to do the middle bit.
0:12:12 > 0:12:14"Look, I'll just stand next to it, OK?"
0:12:16 > 0:12:20"Yes, I know I was sitting on it in the last shot. Nobody'll notice".
0:12:23 > 0:12:25Putting the "bored" into "board game",
0:12:25 > 0:12:27here's the horribly unsubtle Battleship.
0:12:27 > 0:12:30Here, not only does Alex show off his pathetic robbery skills,
0:12:30 > 0:12:33if you look at the clock on the CCTV feed,
0:12:33 > 0:12:36he also manages to leap backwards and forward in time
0:12:36 > 0:12:37like a rubbish Doctor Who.
0:12:42 > 0:12:44It would seem that Commander Stone Hopper's mum
0:12:44 > 0:12:46must've popped his gloves on idiot strings
0:12:46 > 0:12:49as he manages to slip them on and off throughout this scene
0:12:49 > 0:12:50with ease.
0:12:50 > 0:12:53FOGHORN BLOWS
0:12:56 > 0:12:57They're off now.
0:13:03 > 0:13:04But they're back here.
0:13:06 > 0:13:09But see how the ultrasonic attack shatters all the glass?
0:13:09 > 0:13:11Well, maybe Mum knitted a binoculars case,
0:13:13 > 0:13:15as these lenses are fine.
0:13:15 > 0:13:16Thanks, Mum!
0:13:16 > 0:13:18What the hell is this?
0:13:21 > 0:13:23When you're under attack from a ruddy great big robot ship
0:13:23 > 0:13:26from outer space, it's important that you have a change of pants
0:13:26 > 0:13:28and plenty of ammunition.
0:13:28 > 0:13:30Especially when your cannons get destroyed.
0:13:37 > 0:13:38You all right?
0:13:38 > 0:13:40They ain't going to sink this battleship, no way.
0:13:40 > 0:13:43But, hey, why not just grow them back instantaneously,
0:13:43 > 0:13:45like these guys do in the following shot?
0:13:47 > 0:13:49Fresh water.
0:13:49 > 0:13:52Contagion now, which is different from Outbreak because...
0:13:52 > 0:13:54Well, because it's... Look, it just is, all right?
0:13:55 > 0:13:57To illustrate the power of the disease,
0:13:57 > 0:14:01here's a miserable montage of deserted cities.
0:14:01 > 0:14:04As we know, only three things could survive a global virus.
0:14:04 > 0:14:09Sea creatures, cockroaches, and the ruddy rush-hour traffic.
0:14:14 > 0:14:18Charming '80s-based alien fun with Super 8 now,
0:14:18 > 0:14:20and evidence that Hollywood really is another world.
0:14:20 > 0:14:24When they need to move a bus, they do it with a massive chain...
0:14:28 > 0:14:29..as you can see here,
0:14:29 > 0:14:31whereas the rest of the earthlings look on and say,
0:14:31 > 0:14:33"Why not just drive the bus?"
0:14:36 > 0:14:40The real reason why kids shouldn't play with fireworks now?
0:14:40 > 0:14:42It's a little-known fact that when anyone under the age of 18
0:14:42 > 0:14:46so much as holds a sparkler, like young Joe here...
0:14:49 > 0:14:51..it will spontaneously light itself.
0:14:52 > 0:14:54'I'll never forget that year.'
0:14:54 > 0:14:57'I was young, I was full of hope,
0:14:57 > 0:14:59'I was shooting Great Movie Mistakes IV.'
0:14:59 > 0:15:01'Of course, I didn't know then what a fool I was,
0:15:01 > 0:15:04'none of us saw what was just round the corner.'
0:15:04 > 0:15:07'Then, one day, while I was introducing a section
0:15:07 > 0:15:10'on biographical films, it all became clear to me.'
0:15:10 > 0:15:13But you're not going to find out what became clear to me,
0:15:13 > 0:15:14because like all biographical films,
0:15:14 > 0:15:17we're going to jump straight into flashback
0:15:17 > 0:15:19the moment it looks like getting interesting.
0:15:19 > 0:15:23Robert! Time for your tea! It's Spangles and Angel Delight!
0:15:23 > 0:15:27Sigmund Freud is the subject of the revealing but somewhat mediocre
0:15:27 > 0:15:29A Dangerous Method.
0:15:29 > 0:15:32Here, Freud is packing up his books, and is probably so busy
0:15:32 > 0:15:34thinking about rude thoughts and mucky stuff
0:15:34 > 0:15:37that he doesn't even notice that when he picks his book up,
0:15:37 > 0:15:39it stays where it is.
0:15:39 > 0:15:41..excise his father's name from the cartouches.
0:15:41 > 0:15:43Then, suddenly, it's on his papers.
0:15:43 > 0:15:46This was something traditionally done by all new kings
0:15:46 > 0:15:49who didn't wish their father's name to continue to be public currency.
0:15:51 > 0:15:54And then he puts it back on his papers to leave.
0:15:58 > 0:16:01Now for a bit of J Edgar, the flat and dreary biopic
0:16:01 > 0:16:03of the ex-Director of the FBI and inventor of the Dyson.
0:16:05 > 0:16:07Look at this cereal box that Tolson puts down.
0:16:10 > 0:16:12There's a short conversation...
0:16:13 > 0:16:16..and as Tolson leaves, he picks up the box,
0:16:16 > 0:16:17which now faces the other way.
0:16:18 > 0:16:22As continuity goes, that's not g-rrrrrrrrreat.
0:16:26 > 0:16:29Guns and God now, in the very earnest and worthy,
0:16:29 > 0:16:32and all those sorts of words, Machine Gun Preacher.
0:16:32 > 0:16:38Jan Leeming looks on proudly as Gerald or Gerard Butler is baptised
0:16:38 > 0:16:39and does all kinds of face-acting.
0:16:46 > 0:16:48Hallelujah!
0:16:48 > 0:16:50In the name of our Lord, Jesus Christ...
0:16:50 > 0:16:52Problem is, all his clothes are already wet.
0:16:52 > 0:16:54He's getting born-again again.
0:16:59 > 0:17:03The Iron Lady is in danger of rusting in this unrealistic clip.
0:17:03 > 0:17:05Here's Margaret driving alongside the Houses of Parliament
0:17:05 > 0:17:07on the other side of the river.
0:17:08 > 0:17:11Except there isn't actually a road on the opposite bank,
0:17:11 > 0:17:15so we can only conclude that her car is driving through the Thames.
0:17:15 > 0:17:17Yes, look, definitely floating.
0:17:19 > 0:17:25The biggest movie mistake of all, of course, is Madonna's film career.
0:17:25 > 0:17:27In her self-directed monstrosity W.E.
0:17:27 > 0:17:30her research into the royal family is impeccable.
0:17:32 > 0:17:36'King George III has died, and the nation mourns.'
0:17:36 > 0:17:39Well, George III died in 1820. She meant George V.
0:17:40 > 0:17:43Either that or she turned over two pages
0:17:43 > 0:17:45in the Ladybird Book Of Kings And Queens.
0:17:48 > 0:17:50"Nothing really matters",
0:17:50 > 0:17:53sang pop pensioner Madonna as a line in a song once.
0:17:53 > 0:17:56And historical accuracy is one of them.
0:17:56 > 0:17:59Wallis and Edward are papped to within an inch of their lives,
0:17:59 > 0:18:02provoking absolute outrage in the British press.
0:18:02 > 0:18:03In actual fact,
0:18:03 > 0:18:06UK newspapers carefully covered up the scandal,
0:18:06 > 0:18:08and the story wasn't reported until after Edward's abdication
0:18:08 > 0:18:10the following December.
0:18:11 > 0:18:15Madge would be hung up for that howler!
0:18:17 > 0:18:19Would you look at that.
0:18:19 > 0:18:21Me, presenting Great Movie Mistakes -1.
0:18:21 > 0:18:25It was a prequel we made to set up some back story for the shows.
0:18:25 > 0:18:27What makes me so keen to point out
0:18:27 > 0:18:30sometimes quite trivial mistakes in movies,
0:18:30 > 0:18:33why do I hate continuity errors so very much,
0:18:33 > 0:18:35what is the big problem
0:18:35 > 0:18:38with seeing camera equipment reflected in things.
0:18:38 > 0:18:40Yeah, it's all here in Great Movie Mistakes -1: The Prequel.
0:18:43 > 0:18:46Because prequels are great.
0:18:46 > 0:18:51Effective apocalyptic thrills in Rise Of The Planet Of The Apes,
0:18:51 > 0:18:54or should that be Disappearance Of The Bodies Of The Apes,
0:18:54 > 0:18:56as clearly, while many of these apes are being shot at
0:18:56 > 0:18:58and are likely to, you know, peg out...
0:19:03 > 0:19:05..when Will later drives away
0:19:05 > 0:19:08there's not a single dead simian to be seen.
0:19:10 > 0:19:12Maybe this was the pre-watershed edit for Ape TV.
0:19:17 > 0:19:19Get these people off the bridge!
0:19:19 > 0:19:21OK, car fans, hands up who knows the difference
0:19:21 > 0:19:24between a Nissan and a Volkswagen?
0:19:24 > 0:19:26Don't know why you've got your hand up, Serkis.
0:19:28 > 0:19:30One minute you're standing on a Nissan Maxima,
0:19:34 > 0:19:36the next it's a VW Jetta.
0:19:36 > 0:19:38Oh, well, you know what they say.
0:19:38 > 0:19:40You pay peanuts, you get your cars mixed up.
0:19:44 > 0:19:46Oh, take a look at these lovely gloves,
0:19:46 > 0:19:48because for as long as costume designers
0:19:48 > 0:19:51provide actors with gloves, actors will find ways
0:19:51 > 0:19:54to forget whether they should be wearing them or not.
0:19:55 > 0:19:57Isn't that right, Noomi Rapace,
0:19:57 > 0:19:59in plot-hole-riddled shambles that is Prometheus?
0:20:05 > 0:20:09Out now, from Prometheus Products, the all-new three-in-one flashlight!
0:20:10 > 0:20:14Boarding an alien spaceship? Need a flashlight with three lights?
0:20:14 > 0:20:16Not a problem, eh, Holloway?
0:20:19 > 0:20:21More of a one-light-flashlight kind of guy?
0:20:22 > 0:20:25With the Prometheus Three-In-One, it's easy.
0:20:25 > 0:20:28Joan from Tenby has got hers. Buy now!
0:20:31 > 0:20:33Prometheus was one big movie mistake,
0:20:33 > 0:20:37compared to the original and best, Alien, but that had errors too.
0:20:38 > 0:20:39Ignore the fact that it's 2122
0:20:39 > 0:20:42and they're still using Commodore VIC-20s,
0:20:42 > 0:20:44It seems in space no-one can see you spell,
0:20:44 > 0:20:47as Alignment has an extra "L".
0:20:47 > 0:20:50Can I do the "it's one 'L' of a movie" joke?
0:20:50 > 0:20:52No? Gits.
0:20:55 > 0:20:59Parker here can never get a word in edgeways at dinner parties,
0:20:59 > 0:21:02but this time he goes to extraordinary lengths.
0:21:04 > 0:21:06You think he's stopped speaking?
0:21:06 > 0:21:09No, he's still talking while smiling. Look again.
0:21:18 > 0:21:20He could give Keith Harris a run for his money with that skill.
0:21:25 > 0:21:27In the grim, brutal fearfest Aliens,
0:21:27 > 0:21:30Ripley doesn't like hospital food and tries to escape.
0:21:30 > 0:21:32But this isn't the first time she's tried it.
0:21:32 > 0:21:34Look at those two scuff marks.
0:21:40 > 0:21:41Oh, now just one mark.
0:21:41 > 0:21:44Go on, Ripley, save the film for continuity's sake!
0:21:46 > 0:21:48Both marks are back. Breathe easy, everyone!
0:21:55 > 0:21:58Never mind those awful Aliens V Predator movies.
0:21:58 > 0:22:00This film is a mash-up with the Bionic Man,
0:22:00 > 0:22:04as metal mechanical parts can clearly be seen on the alien queen.
0:22:04 > 0:22:07Can we rebuild him? Sorry, her.
0:22:17 > 0:22:18Once I'm done here,
0:22:18 > 0:22:22I must get a sleeping bag for the Star Wars 7 premiere queue.
0:22:23 > 0:22:25But I shan't be buying the membranous one
0:22:25 > 0:22:27that Ripley got from FutureMillets,
0:22:27 > 0:22:30as while she looks snug as a bug tearing out of it,
0:22:30 > 0:22:31if you rewind...
0:22:32 > 0:22:34her head and legs are already out.
0:22:36 > 0:22:39Alien: Resurrection was a letdown, an absolute joke of a film.
0:22:42 > 0:22:45And in this joke film, the props were jokes, too.
0:22:45 > 0:22:48See how this barbell solidly catches Ripley in the face?
0:22:54 > 0:22:56Well, when Christie swings it about,
0:22:56 > 0:22:58we can see it's a novelty rubber barbell
0:22:58 > 0:23:00that bends all over the place.
0:23:02 > 0:23:05We all love a good old classic family film like
0:23:05 > 0:23:09Nil By Mouth, Whatever Happened To Baby Jane? or Sophie's Choice.
0:23:09 > 0:23:12Turns out that family films in this context means
0:23:12 > 0:23:14"films for the whole family to watch".
0:23:14 > 0:23:15But that is not what they are.
0:23:15 > 0:23:20Aside from a few rare exceptions, family films are for children.
0:23:20 > 0:23:22They're not for me, and I'm part of a family, too.
0:23:22 > 0:23:24If I wanted to watch a film with my whole family,
0:23:24 > 0:23:25it would be Blade Runner,
0:23:25 > 0:23:28and I can tell you right now that my two year old would hate it.
0:23:28 > 0:23:31Particularly if it was the studio cut with the stupid voiceover.
0:23:32 > 0:23:34Alvin And The Chipmunks: Chipwrecked, now.
0:23:34 > 0:23:37Astoundingly, even worse than the first two.
0:23:37 > 0:23:39Now, this is nearly all animation, right?
0:23:39 > 0:23:44So they were pointing their cameras only at a man with a magazine.
0:23:44 > 0:23:47So you'd have thought someone, surely would notice something.
0:23:50 > 0:23:53And they did eventually, but way, way too late.
0:23:59 > 0:24:02A film crew practical joke, now.
0:24:02 > 0:24:04this time, one of the characters made of drawing and computer
0:24:04 > 0:24:06getting punk'd.
0:24:06 > 0:24:08"Ere, Gustav", said the editor.
0:24:08 > 0:24:10"Let's make it look like the chipmunk
0:24:10 > 0:24:11"on the dry raft's peed herself."
0:24:13 > 0:24:15"Good idea, Ernst," said the sidekick,
0:24:15 > 0:24:18and so it comes to pass. Wet all over.
0:24:21 > 0:24:24Ah, that hollow sound of the franchise barrel being scraped
0:24:24 > 0:24:26means that we join The Smurfs in their awful movie.
0:24:28 > 0:24:30Now, New York is excellent for filming,
0:24:30 > 0:24:32as they just let you do it.
0:24:32 > 0:24:35But you do tend to attract crowds of excited members of the public
0:24:35 > 0:24:37watching you film, like here.
0:24:38 > 0:24:41Still, if I saw the Smurfs filming, I'd stop to look.
0:24:41 > 0:24:43Not the Moomins, though. I'd just keep walking.
0:24:43 > 0:24:45Get your hand out of my kilt!
0:24:49 > 0:24:52Now this song is played on everything uplifting
0:24:52 > 0:24:53that's on TV ever.
0:24:53 > 0:24:57Hoppipolla by Sigur Ros, and in this scene from the cloying,
0:24:57 > 0:25:00so-called inspiring We Built A Zoo, it's certainly doing the trick.
0:25:05 > 0:25:06Because judging by the trees and grass,
0:25:06 > 0:25:09it's certainly not wind that's keeping those kites in the air.
0:25:14 > 0:25:16Am I doing anything right?
0:25:16 > 0:25:18Proof that people who do organized things
0:25:18 > 0:25:21like taking packed lunches to work aren't as efficient as they think.
0:25:23 > 0:25:26Eight-year-old smugster Rosie's putting her sandwiches into bags
0:25:26 > 0:25:28because heaven forefend she just go to Pret or somewhere,
0:25:28 > 0:25:30like everyone else.
0:25:31 > 0:25:33Good.
0:25:36 > 0:25:38But when she pointlessly labels the bags,
0:25:38 > 0:25:40the sarnies have leapt back on the worktop. Ha!
0:25:47 > 0:25:49Now Scarlett has to lock some lions in a thing
0:25:49 > 0:25:52cos they can get a bit bitey at humans.
0:25:52 > 0:25:55But the director probably decided that giving her a chain
0:25:55 > 0:25:57and an open padlock, as seen here,
0:25:57 > 0:25:58was a bit too easy...
0:25:58 > 0:26:01The only way to fix it is to jimmy it from the inside.
0:26:03 > 0:26:06..because by the next shot, they're gone.
0:26:10 > 0:26:14Fans of Panic Room will love to see that unimaginative clunker
0:26:14 > 0:26:17Spy Kids: All The Time In The World 4D, features a panic room.
0:26:18 > 0:26:20However, logic fans will be less keen.
0:26:20 > 0:26:25Look at this fireplace full of, erm, gold, baubly things and fronds.
0:26:29 > 0:26:33Almost immediately they've gone! From the world. In 4D.
0:26:38 > 0:26:40With so many bits and pieces on a film set,
0:26:40 > 0:26:42it's important to keep everything labelled.
0:26:42 > 0:26:44Circuit boards, for example.
0:26:45 > 0:26:47If you're using one as a prop,
0:26:47 > 0:26:50you'll want to make sure everyone knows what it's for.
0:26:50 > 0:26:52Besides, someone will cover that up before shooting, right?
0:26:54 > 0:26:56Wrong! In 4D.
0:26:57 > 0:26:59Our next section is Fantasy Films,
0:26:59 > 0:27:03which is a genre of film involving parallel worlds, magic wizards,
0:27:03 > 0:27:06Greek mythology, and all that shiznit.
0:27:06 > 0:27:09I know that now, but I only had this explained to me
0:27:09 > 0:27:11after I'd been trying to make my own fantasy film.
0:27:11 > 0:27:14I had to send back the girls, the boys, the tarpaulin,
0:27:14 > 0:27:15the brie and the Dyson Airblade,
0:27:15 > 0:27:18and it was all a little embarrassing to say the least.
0:27:18 > 0:27:22But then where the hell would I be without embarrassing mistakes?
0:27:22 > 0:27:23Talking of which...
0:27:29 > 0:27:32Here, a wooden dagger steals the scene from wooden acting
0:27:32 > 0:27:35in fantasy action movie Wrath Of The Titans.
0:27:35 > 0:27:38Mind you, it does have some magical properties.
0:27:38 > 0:27:40Look, it's gone!
0:27:40 > 0:27:42I "wooden" have thought they could do that...
0:27:47 > 0:27:49I don't know what I'd do when confronted with a one-eyed giant,
0:27:49 > 0:27:51but poor Perseus here is so terrified
0:27:51 > 0:27:54he doesn't know whether he's coming or going.
0:27:56 > 0:27:59As he breaks free from the Cyclops's grasp...
0:28:02 > 0:28:04..he ends up facing the wrong direction.
0:28:07 > 0:28:10Did you know that they had proper dentists in the olden times?
0:28:10 > 0:28:14I certainly didn't, until I saw this scene from Wrath Of The Titans.
0:28:14 > 0:28:16Watch Agenor as he gives us all a perfect view
0:28:16 > 0:28:19of ye olde mythical silver filling of the Gods.
0:28:26 > 0:28:28OK, everyone, now, I know there's loads of us,
0:28:28 > 0:28:32so it's important we do the same thing in this scene from Immortals.
0:28:32 > 0:28:35Just remember, swords in the left hand, shields in the right.
0:28:35 > 0:28:39So when we shoot the scene from the front, don't forget that.
0:28:41 > 0:28:43Oh.
0:28:43 > 0:28:44Well, it's a dull epic, no-one will care.
0:28:57 > 0:29:00Time now for another quick round of Metil or Normil.
0:29:00 > 0:29:03This breastplate certainly looks like metil. Well, a bit like metil.
0:29:05 > 0:29:08Actually, I think it's normil, looks like rubber to me.
0:29:08 > 0:29:10We'll have to wait till he takes it off.
0:29:13 > 0:29:15Yes, look, I was right.
0:29:15 > 0:29:16Definitely normil.
0:29:22 > 0:29:25In this show, I have to record over 200 links.
0:29:25 > 0:29:28That's a set number of links, unlike those in this chain
0:29:28 > 0:29:30from cheesily fun John Carter.
0:29:32 > 0:29:34It's too short for him to escape the ape...
0:29:37 > 0:29:40..but then it's long enough to wrap round the ape like a billion times.
0:29:48 > 0:29:50Mum, mum, guess what?
0:29:50 > 0:29:51I've got a job as a sound effects man
0:29:51 > 0:29:54on this big, colourful film about Snow White!
0:29:54 > 0:29:56We've got loads of well-hench sound effects.
0:29:58 > 0:30:01There's one of two axes touching that I really love,
0:30:01 > 0:30:03I'm about to use it now.
0:30:03 > 0:30:04AXES TOUCH
0:30:04 > 0:30:07Oh, they didn't touch. Never mind, I'll use it anyway!
0:30:12 > 0:30:17Mirror, mirror on the wall, Who's the sneakiest prince of all?
0:30:17 > 0:30:19This one, saying farewell to Snow White,
0:30:19 > 0:30:23cos he was on Charles's left and he's now on Charles's right.
0:30:27 > 0:30:29Snow White films are like London buses. You wait years,
0:30:29 > 0:30:32and then two underwhelming ones turn up at the same time.
0:30:32 > 0:30:35This is the one that isn't the other one, and we're talking horse.
0:30:35 > 0:30:38I love horses, best of all the animals,
0:30:38 > 0:30:41but I can't stand a horse with mucky legs, which is why this scene
0:30:41 > 0:30:44at first appals and then soothes me.
0:30:47 > 0:30:49Dirty horse.
0:30:51 > 0:30:52Clean horse.
0:30:56 > 0:30:58Now, spoiler alert, everyone!
0:30:58 > 0:31:02so, the closing scene comes to a close and everyone has got closure.
0:31:02 > 0:31:04And as we pull out of the throne room,
0:31:04 > 0:31:08the doors swing closed to emphasise the closing of the story.
0:31:09 > 0:31:11But if we rewind just a couple of moments,
0:31:11 > 0:31:14you'll see that throughout the coronation,
0:31:14 > 0:31:17those closing doors were already very much closed.
0:31:19 > 0:31:23The British film industry is much like the American film industry,
0:31:23 > 0:31:25except they make some.
0:31:25 > 0:31:28I'm joking, of course. The UK Film Council generated
0:31:28 > 0:31:31so much successful film-making that the government destroyed it.
0:31:31 > 0:31:35Making a British film is much like the plot of a British film.
0:31:35 > 0:31:37A plucky underdog, charming and stammering,
0:31:37 > 0:31:39like Hugh Grant or Colin Firth - delete as applicable -
0:31:39 > 0:31:41achieves some success
0:31:41 > 0:31:45after overcoming some moderate obstacles, usually in the rain.
0:31:45 > 0:31:48Contains mild peril, possibly that Toploader song,
0:31:48 > 0:31:49and a fair few mistakes.
0:31:50 > 0:31:54Madcap, not-very-funny spy caper Johnny English Reborn now,
0:31:54 > 0:31:58and if the whole point of this scene is whether the switch is on or off,
0:31:58 > 0:32:00you'd think they'd pay close attention to it.
0:32:00 > 0:32:03But, no. Here it's switched off,
0:32:03 > 0:32:05then this lady takes her dress off...
0:32:05 > 0:32:06Do you know how to turn it on?
0:32:06 > 0:32:08..and then next thing you know it's back on.
0:32:09 > 0:32:11Maybe the continuity guy got distracted?
0:32:14 > 0:32:19Glenn Close as footballer Lee Dixon here, counting his tips.
0:32:19 > 0:32:20it's three coins on the bed.
0:32:20 > 0:32:21This is Albert Nobbs,
0:32:21 > 0:32:24a haunting and bittersweet film with an amusing name.
0:32:26 > 0:32:29Now look at the coins. There's loads more.
0:32:29 > 0:32:30It's a Christmas miracle!
0:32:34 > 0:32:37The Best Exotic Marigold Hotel was refreshingly upbeat
0:32:37 > 0:32:39for a Brit flick, with some good performances,
0:32:39 > 0:32:41but while Tom Wilkinson's being all emotional,
0:32:41 > 0:32:44Dame Judi's not listening.
0:32:44 > 0:32:47She's going through her photos.
0:32:47 > 0:32:50You see those pics? Rewind earlier and they weren't there.
0:32:53 > 0:32:56I reckon the next cutaway will have her doing a Sudoku.
0:33:01 > 0:33:04A tremendous display now from the conjuror Celia Imrie.
0:33:04 > 0:33:07It's the old "put the note in the pocket, fail to push it in,
0:33:07 > 0:33:08"have it photoshopped out" routine.
0:33:11 > 0:33:12Let's see that again in slow motion
0:33:12 > 0:33:14so we can wonder at Celia's deft handiwork.
0:33:17 > 0:33:19And, thrifty old pro that she is,
0:33:19 > 0:33:22she makes sure to reappear it later on, so she can snatch it back.
0:33:27 > 0:33:30Daniel Radcliffe gets confused when decorating
0:33:30 > 0:33:32in the pant-wettingly scary The Woman In Black.
0:33:33 > 0:33:35He's using an axe to strip the wallpaper,
0:33:35 > 0:33:38surely something like a scraper would be better?
0:33:40 > 0:33:43Later, common sense of sorts prevails as he uses his bare hands.
0:33:47 > 0:33:49But then he's back with the axe again
0:33:49 > 0:33:51without so much as a bending down.
0:33:51 > 0:33:53Someone get that boy a rawl plug.
0:33:56 > 0:33:59What can only be censorship here. Listen and watch.
0:33:59 > 0:34:02I don't expect to be finished until...Friday at least.
0:34:03 > 0:34:06Now, Daniel Radcliffe's mouth keeps moving at the end.
0:34:06 > 0:34:08What offensive line did he say?
0:34:11 > 0:34:14Well, I can exclusively reveal, what he said was,
0:34:14 > 0:34:19"I don't expect to be finished until Friday at least, wubbawubbawubba".
0:34:20 > 0:34:24If there's one thing we, the guys at Great Movie Mistakes IV hate,
0:34:24 > 0:34:26it's an unnecessary sequel.
0:34:26 > 0:34:27As you may recall me saying
0:34:27 > 0:34:30way back in Great Movie Mistakes II and III.
0:34:30 > 0:34:33But the good thing about sequels is that they give gainful employment
0:34:33 > 0:34:34to a lot of Roman numerals
0:34:34 > 0:34:37that would otherwise be claiming Jobseeker's Allowance.
0:34:37 > 0:34:40It's really just sequels and clockfaces keeping them going.
0:34:40 > 0:34:43Journey 2, you are letting the side down.
0:34:43 > 0:34:46By the way, it's time that someone said this on television,
0:34:46 > 0:34:48there is no such word as quadrilogy.
0:34:48 > 0:34:49The word is tetralogy,
0:34:49 > 0:34:52and last time I checked it was functioning perfectly well.
0:34:55 > 0:34:57You know that game kids play where there's a tray,
0:34:57 > 0:35:00and one thing gets removed, and you have to spot what it is?
0:35:00 > 0:35:03Well, brainless action flick Mission Impossible Ghost Protocol
0:35:03 > 0:35:05incorporated that game in the film.
0:35:05 > 0:35:06So, watch carefully.
0:35:06 > 0:35:08This wasn't a rescue mission?
0:35:08 > 0:35:10Let me put it this way.
0:35:10 > 0:35:13If the secretary wanted me out of there,
0:35:13 > 0:35:14it must be pretty bad out here.
0:35:15 > 0:35:18Now, what's gone? No?
0:35:20 > 0:35:22That's right. It was that silver thing.
0:35:22 > 0:35:24Our next Mission Impossible game is called
0:35:24 > 0:35:26"What is that silver thing?"
0:35:29 > 0:35:31Now it's the big-hearted Muppets movie,
0:35:31 > 0:35:33and isn't Amy Adams just lovely?
0:35:35 > 0:35:38She's so perky she's even brought partial life to these dead flowers.
0:35:38 > 0:35:41It's OK, they're really sweet.
0:35:41 > 0:35:43You don't mind that he's coming, right?
0:35:43 > 0:35:44But not for long.
0:35:46 > 0:35:49Some Muppets are tricky to work with.
0:35:49 > 0:35:53Sam the Bald American Eagle, for example, is hugely xenophobic.
0:35:53 > 0:35:54It's way too far.
0:35:54 > 0:35:56That's why in this scene, when a bunch of them
0:35:56 > 0:35:58travel to France by map...
0:36:01 > 0:36:04..he's bailed out by the time they reach Gallic shores.
0:36:07 > 0:36:08ALL: To Paris!
0:36:11 > 0:36:14It's a well-known fact that nobody speaks German,
0:36:14 > 0:36:17which is why the team behind this middling reboot of Sherlock Holmes
0:36:17 > 0:36:19could get away with this little prank.
0:36:22 > 0:36:25The subtitle says, "Time to introduce Little Hansel."
0:36:28 > 0:36:30What he actually said translates as...
0:36:36 > 0:36:38This next mistake is mainly here
0:36:38 > 0:36:41to have a pop at the dreadful Twilight series.
0:36:41 > 0:36:45Look at Bella's hands as she hides her morning sickness from Edward.
0:36:45 > 0:36:48She closes the seat with her right hand,
0:36:48 > 0:36:52then she's immediately putting all her weight on it with her left.
0:36:52 > 0:36:53Possible, but athletic.
0:36:56 > 0:36:58Ah, what a lovely couple.
0:36:58 > 0:37:01There they are wearing wedding bands,
0:37:01 > 0:37:03because Stephenie Meyer wants girls to know
0:37:03 > 0:37:05that even if it's a vampire you're sleeping with,
0:37:05 > 0:37:06you should Get Married First.
0:37:08 > 0:37:11But the moment they're out of the cab, no more rings.
0:37:11 > 0:37:13Art predicting life there.
0:37:17 > 0:37:21Tongue-in-cheek and amusing, MIB III is a mind-bending time travel movie,
0:37:21 > 0:37:25most obviously in this scene from New York, 1969.
0:37:25 > 0:37:26See those pinball machines?
0:37:28 > 0:37:32Pinball was banned in the Big Apple until 1976, as we all know.
0:37:32 > 0:37:35And once again, the credibility of an alien-filled,
0:37:35 > 0:37:37conspiracy-inspired, dimension-hopping movie is ruined.
0:37:37 > 0:37:40Think your hoop's a little off. Want me to clean her?
0:37:44 > 0:37:45More time-travel now,
0:37:45 > 0:37:48as the guys seem to be stuck in a chronic hysterisis.
0:37:48 > 0:37:49That's a time loop, to you and me.
0:37:50 > 0:37:52See this van?
0:37:52 > 0:37:54It's the same van we saw seconds ago.
0:37:54 > 0:37:55Happily, they escape,
0:37:55 > 0:37:59so the fourth film won't be two hours of more of the same.
0:38:03 > 0:38:06Oooh! Another one!
0:38:06 > 0:38:10There's also some extraordinary errors in the older MIB films.
0:38:10 > 0:38:12In the funny and entertaining original,
0:38:12 > 0:38:14we see that to be a Man In Black,
0:38:14 > 0:38:17you need intelligence, bravery and secretarial skills.
0:38:18 > 0:38:21Being a defender of the galaxy means Agent K types so quickly
0:38:21 > 0:38:24his fingers don't even touch the keyboard.
0:38:24 > 0:38:26Either that or he's tickling an invisible kitten.
0:38:30 > 0:38:33Men In Black II is a disappointing letdown,
0:38:33 > 0:38:35featuring as it does Agent K emptying his guns
0:38:35 > 0:38:36at a giant rubbish bin.
0:38:49 > 0:38:51Mind you, it's a bit fortunate.
0:38:51 > 0:38:53Watch as he drops the guns on the floor,
0:38:53 > 0:38:56only for them to be removed in the next shot.
0:38:56 > 0:38:58Why can't my bin men be that efficient?
0:39:03 > 0:39:05You know our arrangements, Jeff.
0:39:05 > 0:39:08You don't travel outside of the E, F and R subway lines...
0:39:08 > 0:39:10Actors, eh? Always desperate to show off their improv.
0:39:11 > 0:39:16Here, the actor playing Agent T demonstrates his miming skills
0:39:16 > 0:39:18as he wrestles with an invisible weed.
0:39:18 > 0:39:20Oops, someone forgot the CGI.
0:39:20 > 0:39:21Next thing you know,
0:39:21 > 0:39:23he'll be battling his way out of a pretend box
0:39:23 > 0:39:25and descending an imaginary staircase.
0:39:27 > 0:39:29What would we do without crime?
0:39:29 > 0:39:31Eh? If we didn't have crime,
0:39:31 > 0:39:34the Godfather films would be about a series of christenings,
0:39:34 > 0:39:37Sexy Beast would be just two hours of shiny cockneys
0:39:37 > 0:39:38having a lovely holly bobs,
0:39:38 > 0:39:40and Oceans 11 to 13
0:39:40 > 0:39:43would be a dreary account of too many men making a deposit.
0:39:43 > 0:39:45But luckily, there is crime.
0:39:45 > 0:39:49Hooray for crime and all the films that are made about her.
0:39:49 > 0:39:51Though, as you'll see,
0:39:51 > 0:39:55crime movies are just as guilty of some inexcusable errors.
0:39:55 > 0:39:59This is Drive, a soulless film about a character called The Driver,
0:39:59 > 0:40:00who does driving...
0:40:00 > 0:40:02And crimes.
0:40:03 > 0:40:06Here, the driver nudges a car off the cliff, the rotter.
0:40:08 > 0:40:10But although he hits the door...
0:40:12 > 0:40:14It's the bumper that gets crumpled.
0:40:14 > 0:40:17Which is going to play havoc with the no-claims bonus.
0:40:20 > 0:40:22Now for the dullest transformer ever.
0:40:22 > 0:40:23A kind of optimus sub-prime.
0:40:28 > 0:40:32The car that beeps at Ryan and Carey is clearly a silver Ford Focus.
0:40:32 > 0:40:35But as it passes, it's equally clearly a blue Toyota.
0:40:37 > 0:40:39Transformers - Toyota Corollas in disguise.
0:40:44 > 0:40:47Sometimes in films it's necessary to flip the shot,
0:40:47 > 0:40:50for example, if an actor has put his face on the wrong way round,
0:40:50 > 0:40:53or is frowning instead of smiling.
0:40:53 > 0:40:56But hey, Drive film-makers, if you are going to flip the shot
0:40:56 > 0:41:00try to do it when there's not lots of big writing on screen, yeah?
0:41:03 > 0:41:05We have a bit of an underwear problem
0:41:05 > 0:41:08in the moderately entertaining Man On A Ledge.
0:41:08 > 0:41:10Joey is wearing his green undies above his jeans
0:41:10 > 0:41:12because he is one of "da yoot".
0:41:13 > 0:41:16But in the very same sequence they go all black.
0:41:16 > 0:41:20This is why they normally don't let actors wear their own pants.
0:41:23 > 0:41:26Robert De Niro is, of course, a follower of the Method School
0:41:26 > 0:41:29developed by Lee Strasberg from the teachings of Stanislavsky.
0:41:31 > 0:41:34Whereas Jason Statham supports Chelsea.
0:41:34 > 0:41:37- What you doing? - I'm going to get my watch back.
0:41:37 > 0:41:40This is the pacey but basic action movie Killer Elite.
0:41:42 > 0:41:44De Niro's training is in evidence here
0:41:44 > 0:41:46as simply can't decide
0:41:46 > 0:41:49whether his character would wear his watch in his back pocket
0:41:49 > 0:41:50or on his wrist.
0:41:56 > 0:42:00Jason now peevishly kicks a slat from the chair he's tied to,
0:42:00 > 0:42:02but such is his kinship with all things wooden,
0:42:02 > 0:42:05he's repaired it by next time we see it.
0:42:06 > 0:42:07So, there you have it.
0:42:07 > 0:42:11Once again, moviemakers have spent the year cramming their films
0:42:11 > 0:42:15with moments as wrong and yet as entertaining as a chocolate bus.
0:42:15 > 0:42:18I hope you enjoyed watching them as much as we've enjoyed finding them.
0:42:18 > 0:42:21Actually, wait, I hope you've enjoyed it a lot more than that,
0:42:21 > 0:42:23because it's actually quite time-consuming.
0:42:23 > 0:42:26Anyway, thanks for watching,
0:42:26 > 0:42:30this has been Grand Movie Mishaps 5, and I've been Keith Lemon.
0:42:30 > 0:42:32Hello.
0:42:47 > 0:42:51Subtitles by Red Bee Media Ltd