0:00:32 > 0:00:35Hello, everyone. I'm just having the finishing touches put to my
0:00:35 > 0:00:39Girl With The Dragon Tattoo tattoo. I need to get it quickly, actually,
0:00:39 > 0:00:42because I've got to pop to the airport in a bit.
0:00:42 > 0:00:45I'm off to Yemen to do some Salmon Fishing, of all things.
0:00:45 > 0:00:48I hope I make it In Time and don't get there
0:00:48 > 0:00:51when it's Twilight and Breaking Dawn...part one.
0:00:51 > 0:00:54Essentially, what I did there was named lots of films
0:00:54 > 0:00:57and they have one thing in common, apart from all being films.
0:00:57 > 0:00:59They all contain mistakes
0:00:59 > 0:01:02and this show is all about great movie mistakes.
0:01:02 > 0:01:06You may have deduced that from the title, but you never know.
0:01:06 > 0:01:08So thought I'd just explain it anyway.
0:01:08 > 0:01:12I feel like I might have patronised you now...a bit. Sorry about that.
0:01:12 > 0:01:14Ooh, all done!
0:01:15 > 0:01:17Hmm...
0:01:18 > 0:01:20That's not quite what I was after.
0:01:23 > 0:01:24On tonight's show...
0:01:35 > 0:01:38And which of these films made the most mistakes in just one scene?
0:01:38 > 0:01:39Find out later!
0:01:40 > 0:01:43I don't know if you've noticed this but some films like
0:01:43 > 0:01:46The Bourne Identity and Annie just have normal heroes in them.
0:01:46 > 0:01:49Whereas all the best films have superheroes in them,
0:01:49 > 0:01:51who are like normal heroes but superer.
0:01:51 > 0:01:55One of my favourite superhero films this year was Avengers Assembly,
0:01:55 > 0:01:57where all the Avengers and their teachers
0:01:57 > 0:01:59got together in the main hall, and sang hymns.
0:01:59 > 0:02:02I'm really looking forward to the sequels - Avengers Harvest Festival,
0:02:02 > 0:02:05Avengers Nativity and Avengers Wet Break.
0:02:05 > 0:02:08Right, shut up, everyone, it's Avengers Assemble,
0:02:08 > 0:02:10which is MASSIVELY exciting.
0:02:10 > 0:02:12Here Captain America takes a shot,
0:02:12 > 0:02:15causing terrible damage to his costume and body...
0:02:17 > 0:02:20..and over here everyone's second favourite Sherlock Holmes
0:02:20 > 0:02:22but first favourite Iron Man, Robert Downey Jr,
0:02:22 > 0:02:24has a great big cut to his right eyebrow...
0:02:26 > 0:02:29..but here's proof of the power of positive thinking -
0:02:29 > 0:02:32all evidence of damage has gone from the Captain's cozzie
0:02:32 > 0:02:34and the Iron's cut has miraculously healed.
0:02:37 > 0:02:40Now Thor and Iron Man are having a scrap.
0:02:40 > 0:02:44Thor sends Iron Man flying off into the woods.
0:02:44 > 0:02:46You want me to put the hammer down?!
0:02:46 > 0:02:48Then when Thor turns on Captain America, he's all like,
0:02:48 > 0:02:51"My American shield will protect me,"
0:02:51 > 0:02:54and Thor then flies off into the woods...
0:03:05 > 0:03:08..but when they all get up, they're about a metre apart.
0:03:08 > 0:03:12Those Avengers Assembled a little too quickly, if you ask me!
0:03:12 > 0:03:13Are we done here?
0:03:15 > 0:03:19Part of the skill of being a special effects wizard is making sure
0:03:19 > 0:03:21that none of your tricks of the trade are exposed.
0:03:21 > 0:03:25Unfortunately, in this clip, we have the FX version of an upskirt.
0:03:30 > 0:03:34As the ratchet cable used to spin the car is clearly visible.
0:03:38 > 0:03:40There are some superheroes you really invest in
0:03:40 > 0:03:43and others nobody gives a toss about.
0:03:44 > 0:03:47Captain America, now, and you'll see here
0:03:47 > 0:03:49how Steve goes into the getting-buffmatron
0:03:49 > 0:03:51in perfect-fitting trousers...
0:03:55 > 0:03:56Mr Stark!
0:03:59 > 0:04:02..which still fit perfectly after he's gone all big.
0:04:02 > 0:04:05Still, it's by that logic that we all avoided seeing
0:04:05 > 0:04:08Lou Ferrigno's naughty bits, so, you know, every cloud.
0:04:20 > 0:04:23After some impressive underwater rough and tumble,
0:04:23 > 0:04:26Steve throws Heinz out of the water and onto the dock
0:04:26 > 0:04:29but, miraculously, both of them are dry.
0:04:31 > 0:04:34This is a shame, I'd have loved to see them both have a rub down
0:04:34 > 0:04:37with some fluffy towels before he takes that deadly pill.
0:04:39 > 0:04:41Tomorrow shall take its place.
0:04:46 > 0:04:48One of Captain America's unsung superpowers
0:04:48 > 0:04:51is the ability to deteriorate buildings.
0:04:51 > 0:04:54Here he is making an evil Nazi railing break
0:04:54 > 0:04:57by sheer power of charisma and pectorals.
0:04:57 > 0:04:58Intact here...
0:05:05 > 0:05:08- Got to be a rope or something! - Just go! Get out of here!
0:05:08 > 0:05:10No, not without you!
0:05:10 > 0:05:12..and broken here.
0:05:12 > 0:05:15In the sequel, he takes down Stalin with some well-placed dry rot.
0:05:19 > 0:05:22A shocking, sad and pivotal scene from the Amazing Spider-Man here,
0:05:22 > 0:05:25as Uncle Ben's shot down...
0:05:26 > 0:05:30..but here's proof Charlie Sheen's dad's just doing his actor day job.
0:05:30 > 0:05:33See how he falls to the ground with glasses on?
0:05:35 > 0:05:37Well, he must be taking a nap,
0:05:37 > 0:05:40as when Peter rushes to help him here, the glasses are off.
0:05:40 > 0:05:42Someone call an ambulance!
0:05:45 > 0:05:47Keep your eyes on this numberplate.
0:05:47 > 0:05:49Hmm, is this Eastern Europe?
0:05:49 > 0:05:51Thought so.
0:05:51 > 0:05:54This is the contrived, forgotten Ghost Rider sequel.
0:05:57 > 0:05:59Look at the numberplate now -
0:05:59 > 0:06:00it's reversed.
0:06:03 > 0:06:05That's the problem with ghost riders -
0:06:05 > 0:06:08the numberplasms on their motorspookles
0:06:08 > 0:06:10are very unreli-I-I-I-able!
0:06:14 > 0:06:17Finding out they've developed superpowers makes the kids
0:06:17 > 0:06:19in effective low-budgeter Chronicle really excited,
0:06:19 > 0:06:21and, like most teenage boys, they celebrate
0:06:21 > 0:06:23by trying to hurt each other.
0:06:24 > 0:06:27Steve gets Matt slap-bang under the right eye...
0:06:27 > 0:06:28THEY LAUGH
0:06:30 > 0:06:35What the, Steve! Dude, get off! Get off! What are you doing?
0:06:35 > 0:06:37- Underhand.- I tried, man. I tried.
0:06:37 > 0:06:40..but soon they're laughing on the other side of their faces.
0:06:40 > 0:06:42Sorry, bruising on the other side of their faces.
0:06:45 > 0:06:48What would be your nominations for Best Picture?
0:06:48 > 0:06:51Mine would be the Mona Lisa, that Klimt one everyone's got,
0:06:51 > 0:06:54and this picture of me on the beach where I'm sucking it in.
0:06:54 > 0:06:58Delightful whimsy aside, what we're really talking about is the Oscars.
0:06:58 > 0:07:01Luckily, the Academy Awards are there to let you know exactly
0:07:01 > 0:07:04what films are more or less perfectly brilliant,
0:07:04 > 0:07:05like Avatar or Titanic.
0:07:05 > 0:07:09Sorry, that sounds like I'm having a pop at James Cameron.
0:07:09 > 0:07:12I'm really not. I'm just having a pop at his films.
0:07:12 > 0:07:14Anyway, award winning films are
0:07:14 > 0:07:17just as capable of making careless mistakes as any other film.
0:07:17 > 0:07:19That's rather comforting to know, isn't it?
0:07:19 > 0:07:23Like reminding yourself that The Queen also goes to the lav.
0:07:23 > 0:07:26It's Spielberg's epic adaptation of the National Theatre's epic
0:07:26 > 0:07:29adaptation of Michael Morpurgo's epic adaptation
0:07:29 > 0:07:33of the First World War, Warhorse, which touched hearts worldwide.
0:07:35 > 0:07:38And if that's not enough - they got the continuity wrong with an apple.
0:07:38 > 0:07:40Look, whole apple...
0:07:44 > 0:07:46..apple with a big bite out of it,
0:07:46 > 0:07:49that wasn't there at the start of this clip.
0:07:49 > 0:07:52Who did that? A ghost horse, maybe?
0:07:57 > 0:08:02And now, nudity. In fact, horse nudity!
0:08:02 > 0:08:03Albert knows everything about horses
0:08:03 > 0:08:05and all their horse stuff.
0:08:07 > 0:08:10See, you've got it. You've got it.
0:08:10 > 0:08:14But clearly not how to put a horse's clothes on.
0:08:14 > 0:08:16The collar's upside down.
0:08:16 > 0:08:19Either that or the horse is upside down.
0:08:19 > 0:08:23And now this German soldier's doing it. In a film about horses.
0:08:24 > 0:08:27Spielberg should have stuck with sharks.
0:08:27 > 0:08:30Well, well, look at you.
0:08:31 > 0:08:36This is the touching and heartfelt Extremely Loud And Incredibly Close.
0:08:36 > 0:08:39Oskar here has found a note left by his late father, Tom Hanks,
0:08:39 > 0:08:42who reads it out in his head like normal.
0:08:42 > 0:08:47Congratulations, Oskar. With unbelievable bravery and wisdom far
0:08:47 > 0:08:51beyond your years you have solved reconnaissance expedition number six.
0:08:52 > 0:08:55But ghost dad Tom has done some posthumous editing
0:08:55 > 0:08:58as his words are very different to what the note says.
0:08:58 > 0:09:04Wherever they now are, the people of the sixth borough celebrate you.
0:09:04 > 0:09:05Extremely Loud And Incredibly Wrong.
0:09:05 > 0:09:07Now it's time to go home.
0:09:11 > 0:09:14Now the joyful, beguiling The Artist,
0:09:14 > 0:09:17which, like all Adam Sandler films, proves films
0:09:17 > 0:09:19can be better if no-one talks throughout them.
0:09:21 > 0:09:26Here Peppy Miller puts her bag on the floor, but cut to the wide -
0:09:26 > 0:09:28the floor has eaten it.
0:09:31 > 0:09:34Oh, thank God. It spat it out again.
0:09:34 > 0:09:38It's like when that swamp dragon ate R2D2 all over again, but arty.
0:09:43 > 0:09:45Notebooks - they cause so much fuss.
0:09:45 > 0:09:48Here Peppy drops hers in the clamouring throng
0:09:48 > 0:09:51to see movie star George, but as she picks it up,
0:09:51 > 0:09:53she's right next to him.
0:09:53 > 0:09:54Thanks, notebook!
0:09:54 > 0:09:58However, look! The notebook's disappeared!
0:09:58 > 0:10:02That's gratitude for you. But once the notebook has had a word
0:10:02 > 0:10:04with its agent, it's back in the movie.
0:10:04 > 0:10:07Showbiz - such a fickle mistress.
0:10:13 > 0:10:16Normally, this show has microphones creeping into shot,
0:10:16 > 0:10:17but here it's the opposite.
0:10:17 > 0:10:19There's the mike in shot.
0:10:23 > 0:10:25But then, boom, it's gone!
0:10:25 > 0:10:28I don't mean "boom" like the microphone, I mean...
0:10:28 > 0:10:31Oh, you know what I mean. Luckily it comes right back.
0:10:31 > 0:10:32Who'd have thought a microphone
0:10:32 > 0:10:35would be so troublesome in a silent movie?
0:10:40 > 0:10:42- More? - Yeah, just a little bit more.
0:10:42 > 0:10:44Don't tell your mother.
0:10:44 > 0:10:45Moneyball now,
0:10:45 > 0:10:49a quality crowd-pleaser about an American rounders team. Amazing!
0:10:49 > 0:10:52Here, Brad Pitt asks his daughter...
0:10:52 > 0:10:54Big spoon or little spoon?
0:10:54 > 0:10:55Little spoon.
0:10:57 > 0:11:01But then, we see the little tyke clearly eating with a big spoon.
0:11:01 > 0:11:03Unless that really is the little spoon,
0:11:03 > 0:11:06and Brad Pitt's big spoon is actually a wok.
0:11:08 > 0:11:11Here Brad Pitt's cross with his rounders players.
0:11:11 > 0:11:14As he enters the dressing room, or whatever it's called,
0:11:14 > 0:11:16Jeremy Giambi is dancing away.
0:11:22 > 0:11:26In the reverse shots, a white towel swings freely between his legs.
0:11:26 > 0:11:28From the front...
0:11:28 > 0:11:29not a sausage.
0:11:29 > 0:11:31Is losing fun?
0:11:34 > 0:11:36Another film about a small boy and a dead father,
0:11:36 > 0:11:39this time with robots,
0:11:39 > 0:11:42Martin Scorsese's escapist, exhilarating, magical Hugo.
0:11:42 > 0:11:45Where's the station inspector?
0:11:45 > 0:11:48Ben Kingsley enjoys a bit of notebook-based hocus-pocus
0:11:48 > 0:11:51with disappearing, reappearing rubber band.
0:11:51 > 0:11:53First it's on the notebook...
0:11:56 > 0:11:59..then it isn't, then it is...
0:12:00 > 0:12:02..then it isn't.
0:12:02 > 0:12:05To be honest, it's behaving pretty much like any rubber band.
0:12:05 > 0:12:07Not there when you need it.
0:12:13 > 0:12:17Oh, hi there. You probably thought this was footage of me
0:12:17 > 0:12:19attending a soiree with my showbiz pals
0:12:19 > 0:12:21at the Groucho's or the Nando's.
0:12:21 > 0:12:26In fact, these people here are supporting, or background artists.
0:12:26 > 0:12:28They are only pretending to be my friends,
0:12:28 > 0:12:29and have been paid to do so.
0:12:29 > 0:12:33Which is different from my actual friends because...
0:12:33 > 0:12:35Because...
0:12:37 > 0:12:39Roll the VT.
0:12:39 > 0:12:41General Patton has said...
0:12:41 > 0:12:44Now the soulless superhero flick Captain America,
0:12:44 > 0:12:46and it will shock you to discover
0:12:46 > 0:12:50that these aren't real soldiers, but actual background artists.
0:12:50 > 0:12:53You can tell because here they walk behind Captain Phillips
0:12:53 > 0:12:55but in the very next shot
0:12:55 > 0:12:58they are marching again back where they started.
0:12:58 > 0:12:59Our boys wouldn't do that.
0:13:03 > 0:13:06Now James Bond with curtains is haunted by skellingtons or something
0:13:06 > 0:13:10in the confused yet predictable Dream House.
0:13:10 > 0:13:12Here he is haunted by a terrifying doppelganger couple
0:13:12 > 0:13:16as these two, note the stylish but practical red boots on the lady,
0:13:16 > 0:13:17walk down the pavement
0:13:17 > 0:13:22and then when Daniel Craig David leaves he cafe a few moments later -
0:13:22 > 0:13:26Bingo! The identical couple are still walking towards them
0:13:26 > 0:13:27in the same direction.
0:13:27 > 0:13:33Of course, they could have stopped and had a row. We just don't know.
0:13:33 > 0:13:35In this daft but fun scene from The Muppets,
0:13:35 > 0:13:38keep watching the anger therapy patients fighting.
0:13:38 > 0:13:42One of them's not up to scratch with his brawling.
0:13:42 > 0:13:44Thursday's another one of my trigger words!
0:13:44 > 0:13:46You'll see the tall man with white hair
0:13:46 > 0:13:48is clearly not hitting anything...
0:13:49 > 0:13:52..as his punch misses by at least one foot.
0:13:54 > 0:13:59Yet, we hear the punch and the other man falls down.
0:13:59 > 0:14:02- Also that's not a real animal. - Animal!
0:14:03 > 0:14:04Not at night.
0:14:05 > 0:14:09We Bought A Zoo was over-sensitive and syrupy,
0:14:09 > 0:14:11but it's slightly better than the prequel
0:14:11 > 0:14:14I Rented A Newsagent-Cum-Off-Licence.
0:14:14 > 0:14:16Off-camera string-pulling is visible here
0:14:16 > 0:14:19when two extras are waiting for their cue to walk forward,
0:14:19 > 0:14:21which they start to do after a couple of seconds.
0:14:23 > 0:14:26And action. Nice.
0:14:30 > 0:14:33Guys, it's the other zoo film - it's Zookeeper!
0:14:33 > 0:14:34Guys?
0:14:36 > 0:14:38Here Griffin cycles past a man sat on a bench
0:14:38 > 0:14:41wearing a blue blazer and cream trousers.
0:14:45 > 0:14:48Then later, from Griffin's POV, we see he's about to cycle past
0:14:48 > 0:14:50a woman in a light shirt and blue jeans
0:14:50 > 0:14:53and a man in a straw-coloured hat.
0:14:54 > 0:14:56But from the opposite angle,
0:14:56 > 0:15:00he's just cycled past the man in a blue blazer and cream trousers.
0:15:00 > 0:15:02It doesn't make any sense, I tell you.
0:15:02 > 0:15:05Like the decision to green light this film in the first place.
0:15:07 > 0:15:10Now, Wes Anderson's escapist, eccentric quirk-fest
0:15:10 > 0:15:12Moonrise Kingdom.
0:15:12 > 0:15:14When Cousin Ben is talking to Sam and Suzy
0:15:14 > 0:15:17as they walk through the camp, a marching scout extra
0:15:17 > 0:15:21in the background can be seen looking and waving at the camera.
0:15:21 > 0:15:24He'll be earning his Ruin The World Of The Movie badge,
0:15:24 > 0:15:25I shouldn't wonder.
0:15:27 > 0:15:30Oh, this is ridiculous. I can't make it sync.
0:15:30 > 0:15:33Sync with laptop.
0:15:33 > 0:15:36PHONE: Do you want me to call your Uncle Martin?
0:15:36 > 0:15:37Sync with laptop.
0:15:37 > 0:15:41Searching the internet for scuba-diving courses.
0:15:41 > 0:15:43Sync with laptop.
0:15:43 > 0:15:47That's great. Sync with laptop is now in your diary for April.
0:15:47 > 0:15:49Do you want a reminder?
0:15:49 > 0:15:51Technology!
0:15:52 > 0:15:56This is the zesty but trivial What's Your Number?
0:15:56 > 0:15:59And this clip is a little embarrassing for the production
0:15:59 > 0:16:02as it obviously shows up the fact that they bought a knock off iPhone
0:16:02 > 0:16:05copy from the Australian company Ipple
0:16:05 > 0:16:07as when Ally answers it...
0:16:07 > 0:16:09it's upside down.
0:16:09 > 0:16:13Hi, Mom, can I call you right back? I'm in a meeting. OK.
0:16:17 > 0:16:19One thing I really hate is when you're not sure
0:16:19 > 0:16:22whether a text you sent has arrived.
0:16:22 > 0:16:26Fortunately, the bland and uneven Like Crazy has the answer.
0:16:26 > 0:16:31All you need to do is send your texts on either May 28th
0:16:31 > 0:16:35or December 1st because apparently they are interchangeable.
0:16:38 > 0:16:42The catchily-titled Twilight: Breaking Dawn Part 1 now,
0:16:42 > 0:16:44and here Bella is calling Rosalie
0:16:44 > 0:16:47but we can clearly see her phone is in lock mode.
0:16:48 > 0:16:52Or is it? Vampire phones are special though as they're always
0:16:52 > 0:16:55unlocked for emergency orders of delicious blood sandwiches.
0:16:58 > 0:17:01A good romantic comedy should make you feel like anything is possible.
0:17:01 > 0:17:04Apparently, so can middling ones,
0:17:04 > 0:17:07as this clip from Salmon Fishing In The Yemen proves.
0:17:07 > 0:17:10It tries to make us believe that you can successfully send
0:17:10 > 0:17:13heartfelt text messages when you clearly have no signal.
0:17:17 > 0:17:20In the slow-paced and depressing Young Adult,
0:17:20 > 0:17:22Mavis is getting a cassette out of her bag.
0:17:24 > 0:17:26It's fully rewound.
0:17:29 > 0:17:32But when she puts it in the car, it is halfway through a song
0:17:32 > 0:17:35and she has to rewind it.
0:17:35 > 0:17:38She wants to get at that cassette with a pencil.
0:17:38 > 0:17:41Or a biro. Which did you use?
0:17:41 > 0:17:43Oh, ask your mum and dad, then!
0:17:46 > 0:17:49Here's the man who is suddenly in all films answering a phone
0:17:49 > 0:17:51in the so-so indie Jeff Who Lives At Home.
0:17:51 > 0:17:52PHONE RINGS
0:17:52 > 0:17:55But he doesn't press the button to answer it.
0:17:55 > 0:17:57"A-ha!" think the boffins in the edit,
0:17:57 > 0:17:59"We can fix that with a beep!"
0:18:01 > 0:18:03PHONE RINGS
0:18:03 > 0:18:06No, you cannot, boffins, for I, Robert Webb, have spotted it
0:18:06 > 0:18:07and thusly foiled you.
0:18:09 > 0:18:13Some of the best comedy films of all time have one thing in common.
0:18:13 > 0:18:16Trading Places, Every Which Way But Loose, Dunston Checks In,
0:18:16 > 0:18:18Outbreak, King Kong, Gorillas In The Mist,
0:18:18 > 0:18:23Planet Of The Apes, Greystoke, Mighty Joe Young, Congo.
0:18:23 > 0:18:28Sorry, no, the thing these films have in common is, like, monkeys.
0:18:28 > 0:18:30It's monkeys.
0:18:30 > 0:18:33Most of these films aren't even comedies.
0:18:33 > 0:18:36I mean - I've seen Dunston Checks In.
0:18:36 > 0:18:38I'll do it myself. No, I'll just busk it.
0:18:38 > 0:18:39You're still rolling?
0:18:39 > 0:18:41Good.
0:18:41 > 0:18:44Some of the best comedy films of all time have one thing in common.
0:18:44 > 0:18:47Confetti, Magicians, The Wedding Video.
0:18:49 > 0:18:54What? That is totally justified.
0:18:54 > 0:18:57All right, not Confetti but, I mean, the other two are quite good.
0:18:57 > 0:18:59Anyone with an ounce of manners
0:18:59 > 0:19:01knows that spitting on someone's head,
0:19:01 > 0:19:04like littering or tax avoidance, is jolly rude.
0:19:04 > 0:19:08So it's good that in the very coarse, very dumb Goon,
0:19:08 > 0:19:11young Ryan here completely fails to hit his target, Doug.
0:19:16 > 0:19:17See?
0:19:18 > 0:19:22I don't know what this is. Hair gel? Over-excitement?
0:19:26 > 0:19:29Ice Hockey is hugely popular in the US.
0:19:29 > 0:19:31However, it's not so popular that people will turn up
0:19:31 > 0:19:33to watch a pretend match
0:19:33 > 0:19:37as these cardboard cut-out excuses for audience members prove.
0:19:40 > 0:19:42It just doesn't fit the HBO brand...
0:19:42 > 0:19:46Here's Jennifer Aniston in the inert comedy Wanderlust
0:19:46 > 0:19:49defiantly shutting her laptop, the IT equivalent of slamming a door.
0:19:49 > 0:19:53We could throw in some vampires in there to have sex with the penguins
0:19:53 > 0:19:55and then you could have brooding, sexy, little vampire penguins.
0:19:55 > 0:19:58I'm calling actor error on this one.
0:19:58 > 0:20:00You'd think that having done something so dramatic,
0:20:00 > 0:20:03she'd have noticed that it was open again a few shots later
0:20:03 > 0:20:04as she packed up to leave.
0:20:04 > 0:20:06I think you're joking?
0:20:07 > 0:20:11My favourite mistakes on this show are always the ones where it would
0:20:11 > 0:20:13have been easier to get it right.
0:20:13 > 0:20:15How did this end up happening, for example?
0:20:15 > 0:20:18This margarita's poured out on the rocks.
0:20:18 > 0:20:21..5 o'clock, when you could have 4.30.
0:20:21 > 0:20:23Can someone have frozen, slushy margarita
0:20:23 > 0:20:25ready for when we cut back?
0:20:25 > 0:20:26Thanks!
0:20:26 > 0:20:27Baffling.
0:20:27 > 0:20:29- Keep going, keep going.- OK.
0:20:31 > 0:20:34Depressing gross-out, body-swap nonsense now in The Change-Up,
0:20:34 > 0:20:38a film so far beneath its star Jason Bateman
0:20:38 > 0:20:40that he must've spent the whole shoot underground.
0:20:40 > 0:20:45In this scene, Bateman as Mitch as Dave gets pushed out of bed,
0:20:45 > 0:20:46or does he?
0:20:46 > 0:20:47Jesus. Hey!
0:20:49 > 0:20:52No, at the last minute, she snaps back her retracto-arms
0:20:52 > 0:20:54and kicks him, instead.
0:20:54 > 0:20:56Get through that door, Jason,
0:20:56 > 0:20:59and don't stop till you're not in the film any more.
0:21:02 > 0:21:04This gentleman is exposing his midriff in the way
0:21:04 > 0:21:06we all did in the '80s.
0:21:08 > 0:21:11He does it in the witty and frantic Two Days In New York.
0:21:11 > 0:21:14But you know how revivals go,
0:21:14 > 0:21:16there one minute, gone the next.
0:21:18 > 0:21:20And then it's back in fashion again.
0:21:23 > 0:21:27In the savagely satirical The Dictator, Sacha Baron Cohen
0:21:27 > 0:21:29plays the hardest game of Guess Who ever.
0:21:30 > 0:21:33Believe it or not, these are the pictures left after
0:21:33 > 0:21:35he's flicked down all the ones with glasses.
0:21:37 > 0:21:39And it's going to be a pretty tough game,
0:21:39 > 0:21:41because most are duplicates or flips of each other.
0:21:41 > 0:21:44I bet it's Bernard, though. It's always Bernard.
0:21:49 > 0:21:52Supreme leader is on the talking painting.
0:21:52 > 0:21:54These mug shots of Nadal and Aladeen show the pseudonyms
0:21:54 > 0:21:57Nadal and Allison Burger.
0:21:57 > 0:21:58..was cut short by what police
0:21:58 > 0:22:01are now calling a terrorism misunderstanding.
0:22:01 > 0:22:04But she says his name is Emir Gency Exit Only.
0:22:04 > 0:22:06Emir Gency Exit Only.
0:22:06 > 0:22:09If she'd only taken the time to study those mug shots, none of us
0:22:09 > 0:22:13would have wasted a precious 30 seconds of our lives on that joke.
0:22:13 > 0:22:14Sometimes, a film is just
0:22:14 > 0:22:19so damn good that the only thing to do is make it again, but different.
0:22:19 > 0:22:21You know that feeling where you're watching a cracking movie
0:22:21 > 0:22:24and you think to yourself, "I'd love to see this again with
0:22:24 > 0:22:27"different actors and with some of the dialogue slightly changed?"
0:22:27 > 0:22:32Well, no, neither do I, but presumably it's happened to someone.
0:22:32 > 0:22:34American studios have a particular fondness
0:22:34 > 0:22:36for making new versions of French films,
0:22:36 > 0:22:40figuring that nobody could possibly have seen the original.
0:22:40 > 0:22:43Next time you see something hoo-larious with Adam Sandler
0:22:43 > 0:22:46in a dress or Cameron Diaz being amusingly coarse,
0:22:46 > 0:22:50bear in mind it probably started life as a sensitive examination
0:22:50 > 0:22:53of personal identity called Pourquoi Moi?
0:22:53 > 0:22:57In Die Another Day, James Bond had an invisible car.
0:22:57 > 0:22:59Here's there's two
0:22:59 > 0:23:03in this is lamentable spoof TV remake Dark Shadows.
0:23:05 > 0:23:07You see? They're invisible.
0:23:07 > 0:23:09Ha! Yah, boo, sucks, 007!
0:23:14 > 0:23:17Now, that social taboo we're all uncomfortable talking about -
0:23:17 > 0:23:20spontaneous combustion.
0:23:20 > 0:23:24Luckily, the treatment's just a good dousing with water.
0:23:24 > 0:23:26Special dry water that doesn't
0:23:26 > 0:23:28leave a trace in the bucket once you've thrown it.
0:23:33 > 0:23:37Vampires do DIY just like us regular folk.
0:23:37 > 0:23:40Barnabus is inside a coffin with a separate lid,
0:23:40 > 0:23:41but between here and the graveyard
0:23:41 > 0:23:45they've clearly managed a pit stop at IKEA for some hinges.
0:23:45 > 0:23:48They probably also picked up 500 tea lights for 50p
0:23:48 > 0:23:50and gorged on Swedish meatballs.
0:23:53 > 0:23:58The aptly-named 21 Jump Street now, a violent and naughty film
0:23:58 > 0:24:00where characters jump from one location to another
0:24:00 > 0:24:03without paying any attention to boring stuff like continuity.
0:24:03 > 0:24:07For example, this door opens on three people
0:24:07 > 0:24:08but only two of them walk in.
0:24:08 > 0:24:11- Who invited you guys? - I did. The party's here.
0:24:11 > 0:24:13- What's up?- Hi, buddy.
0:24:13 > 0:24:17Delroy's probably popped round the corner to 21 Teleport Street.
0:24:21 > 0:24:23A bona fide miracle next.
0:24:23 > 0:24:26Never mind loaves and fishes, some higher power obviously
0:24:26 > 0:24:29decided that this tatty old newspaper on the church door
0:24:29 > 0:24:32was making the place look untidy
0:24:32 > 0:24:34because mere seconds later, it's gone.
0:24:34 > 0:24:35Hallelujah!
0:24:38 > 0:24:42It's hard to keep track of relations when you're from a larger family.
0:24:42 > 0:24:44Like Ren in the semi-enjoyable
0:24:44 > 0:24:46but pointless Footloose remake.
0:24:46 > 0:24:48His cousins can't stand still.
0:24:48 > 0:24:50Here he's greeted by two of them.
0:24:50 > 0:24:55How you doing? You guys are huge. Get off me. Attack of the cousins!
0:24:55 > 0:24:57But then he's with just one.
0:24:57 > 0:24:59The other's hanging out with Lulu.
0:24:59 > 0:25:03Not that Lulu, alas, she's not in either of the Foots Loose.
0:25:05 > 0:25:09This cross but charismatic young gentlemen played by not Kevin Bacon
0:25:09 > 0:25:12gets all crossly into his Beetle and drives away,
0:25:12 > 0:25:15showing the exposed engine.
0:25:15 > 0:25:16ENGINE STARTS
0:25:20 > 0:25:22But when he arrives at this warehouse,
0:25:22 > 0:25:25the boot is repaired and the engine covered.
0:25:25 > 0:25:29Oh, hello. I'm just flushing 250 million down the toilet,
0:25:29 > 0:25:31rather like the makers of John Carter.
0:25:33 > 0:25:36Here in Britain, we love an underdog.
0:25:36 > 0:25:39We like things that are plucky or unfashionable or sometimes
0:25:39 > 0:25:43just plain crap. We root for them, we cheer for them,
0:25:43 > 0:25:44we wish them the best.
0:25:44 > 0:25:47What we won't do apparently is buy tickets for them.
0:25:47 > 0:25:49Which is why the following films
0:25:49 > 0:25:52appear in our Worst Flops at the Box Office section.
0:25:52 > 0:25:55Here are some mistakes which, like the films they come from,
0:25:55 > 0:25:57you didn't notice the first time.
0:26:00 > 0:26:03Conan The Terrible, sorry, Conan The Barbarian now,
0:26:03 > 0:26:06and Tamara's strolling through the forest
0:26:06 > 0:26:09with clear lines of sight in every direction.
0:26:09 > 0:26:13Yet somehow she doesn't see or hear Massive Man On Horse.
0:26:15 > 0:26:18She failed to spot the foot-soldiers too,
0:26:18 > 0:26:21despite those skinny saplings being too small to hide behind.
0:26:21 > 0:26:22She didn't see them.
0:26:22 > 0:26:24Just like nobody saw this film.
0:26:32 > 0:26:34I Don't Know How She Does It,
0:26:34 > 0:26:36otherwise known as I Don't Know Why They Made It
0:26:36 > 0:26:39has Sarah Jessica Parker running kookily late
0:26:39 > 0:26:42with her beige heels and no tights.
0:26:42 > 0:26:45But here she's wearing black tights and boots.
0:26:45 > 0:26:48- Oh, hi, Clarke.- Good morning.
0:26:48 > 0:26:50And now it's the original combo again.
0:26:50 > 0:26:52I don't know how she did that.
0:26:55 > 0:26:56It may have been a flop,
0:26:56 > 0:27:00but John Carter was actually quite good fun.
0:27:00 > 0:27:01This is the wedding,
0:27:01 > 0:27:04and Sab Than is discovering that there's nothing more embarrassing
0:27:04 > 0:27:06than finishing your stag night with a drunken tattoo.
0:27:06 > 0:27:11In the time of oceans, the celestial lovers rose from the sea each night.
0:27:11 > 0:27:13And just like a drunken tattoo,
0:27:13 > 0:27:16this one is staggering all over his face from left to right.
0:27:16 > 0:27:18So may it be again.
0:27:22 > 0:27:25On to the hokey and scrappy Cowboys And Aliens now,
0:27:25 > 0:27:28and as Jake escapes from the alien stronghold
0:27:28 > 0:27:30he's covered in a blast of alien space dust
0:27:30 > 0:27:33or popping candy, as you youngsters call it.
0:27:36 > 0:27:38I hate it when that happens.
0:27:39 > 0:27:42And so does Jake. Look, he's now dust free.
0:27:45 > 0:27:49The Thing is a dull, sloppy, unsuccessful prequel
0:27:49 > 0:27:51to a successful film called The Thing.
0:27:51 > 0:27:56I'm hoping they make a sequel called And Another Thing.
0:27:56 > 0:27:59Here, Kate turns on both taps,
0:27:59 > 0:28:01has the most feeble face-wash of all time,
0:28:01 > 0:28:04then turns off the water one-handed.
0:28:04 > 0:28:06So the thing about The Thing is
0:28:06 > 0:28:09why isn't the other tap still running?
0:28:14 > 0:28:18The aptly-named Anonymous was a preposterous romp based on
0:28:18 > 0:28:22the idea that Shakespeare wasn't Shakespeare, but the Earl of Oxford.
0:28:22 > 0:28:23However we can reveal
0:28:23 > 0:28:27that the Earl of Oxford wasn't the Earl of Oxford, either.
0:28:27 > 0:28:29judging by that very modern tattoo that's peeping out
0:28:29 > 0:28:33from under his doublet, he's clearly Rhys Ifans.
0:28:33 > 0:28:35If you're the kind of person who, when reading a book,
0:28:35 > 0:28:38likes to skip over the difficult bits,
0:28:38 > 0:28:39and put Keira Knightley all over the rest,
0:28:39 > 0:28:41then you'll love film adaptations.
0:28:41 > 0:28:45Since film was invented, directors have been slightly ruining
0:28:45 > 0:28:48or basically missing the point of some of the greatest literary works
0:28:48 > 0:28:52in the world. But they still found room to make some shocking mistakes.
0:28:52 > 0:28:55Fortunately, the world of literature has been getting its own back
0:28:55 > 0:28:58for years by taking tremendous films and getting hacks to write
0:28:58 > 0:29:00unreadably awful novelizations.
0:29:00 > 0:29:03So, you know, swings and roundabouts.
0:29:03 > 0:29:07George Smiley's waiting for a call, with his shoes neatly under
0:29:07 > 0:29:11the table in the thrilling and classy Tinker Tailor Soldier Spy.
0:29:18 > 0:29:20But when it's an important call,
0:29:20 > 0:29:22surely it's wise to be fully clothed,
0:29:22 > 0:29:25so in the next shot they're back on again.
0:29:25 > 0:29:27Though now he's taken them off.
0:29:27 > 0:29:29Oh, make up your mind!
0:29:29 > 0:29:31The same thing happens with his underpants
0:29:31 > 0:29:33but we can't show that bit.
0:29:38 > 0:29:41I think there's just a simple script typo in this scene
0:29:41 > 0:29:43from meandering flick The Rum Diary.
0:29:43 > 0:29:46There's Johnny Depp with his hair all unkempt
0:29:46 > 0:29:49and this line is delivered.
0:29:49 > 0:29:52You blew it, Kemp.
0:29:52 > 0:29:55And suddenly Johnny's neatly coiffed again.
0:29:55 > 0:29:59I'm pretty sure the line should have been, "You blow-dried it, Kemp"
0:30:03 > 0:30:06Ah, look, nothing in the sky for miles around,
0:30:06 > 0:30:09except a few clouds in this expensive-looking but unnecessary
0:30:09 > 0:30:12umpteenth adaptation of The Three Musketeers.
0:30:15 > 0:30:18And yet just 39 seconds later...
0:30:19 > 0:30:23..where did this ruddy, great low-flying airship come from?
0:30:25 > 0:30:27SHOUTING
0:30:32 > 0:30:34Some mistakes can be put down to simple revenge.
0:30:34 > 0:30:38Clearly the cameraman was so annoyed at crashing into this wooden pole...
0:30:38 > 0:30:43Careful! ..that he sneakily removed it for the next shot.
0:30:43 > 0:30:45Luckily, someone noticed
0:30:45 > 0:30:49and Poley resumed his rightful place next to the step. For a bit.
0:30:58 > 0:31:01Rule one of escaping from baddies -
0:31:01 > 0:31:03be sure you make a clean getaway.
0:31:03 > 0:31:06However, once D'Artagnan runs through the door,
0:31:06 > 0:31:09he just stops and waits.
0:31:09 > 0:31:12Almost, and I know this is going to sound mad,
0:31:12 > 0:31:15almost like an actor waiting for his next cue.
0:31:20 > 0:31:24If I dared, I'd touch you, see if you were real.
0:31:24 > 0:31:28Mr Rochester's journal. 'Wednesday. An exciting day.
0:31:28 > 0:31:31'Jane Eyre returned from visiting her aunt,
0:31:31 > 0:31:35'I put this very journal down to say hello.
0:31:35 > 0:31:38'However, no sooner had she ascended the stairs
0:31:38 > 0:31:41'than my journal completely disappeared,
0:31:41 > 0:31:43'only to reappear moments later.
0:31:43 > 0:31:45'Should it disappear again,
0:31:45 > 0:31:48'I shall write my innermost thoughts on my massive hat.'
0:31:48 > 0:31:50Very sloppy.
0:31:50 > 0:31:53It's a little bit of a Hollywood secret, but you can't just
0:31:53 > 0:31:57use normal cars, trains, motorbikes and so on, when making a film.
0:31:57 > 0:32:00No, all the vehicles you see are stars in their own right.
0:32:00 > 0:32:03The cars always demand their own trailers, every motorcycle insists
0:32:03 > 0:32:07on riders, buses won't film without regular stops and all the aeroplanes
0:32:07 > 0:32:11are scientologists and won't let anyone look them in the cockpit.
0:32:11 > 0:32:17Also, something about helicopters, um, they work on a rotor system?
0:32:17 > 0:32:21Something like that? Somebody sort this out.
0:32:21 > 0:32:25Icily compelling sex pest docusoap Shame now,
0:32:25 > 0:32:29and here Michael "Middle Stump" Fassbender arrives at Fulton Street
0:32:29 > 0:32:32as he creepily eyes up a woman in a hat.
0:32:44 > 0:32:47But he's on the world's most inconvenient train,
0:32:47 > 0:32:49as you see when they leave Fulton Street.
0:32:53 > 0:32:56Then after a few minutes of serious-faced ogling, arrive at...
0:32:56 > 0:32:58Fulton Street!
0:33:00 > 0:33:02Get your coat, love, you've pulled.
0:33:07 > 0:33:09Misbehaving wingtips now,
0:33:09 > 0:33:12which is the bane of the Victorian Dandy's life.
0:33:12 > 0:33:15But also in the turbo-charged Avengers Assemble.
0:33:19 > 0:33:21As the plane lands, the wings fold in.
0:33:24 > 0:33:26But when Captain America disembarks,
0:33:26 > 0:33:28They are folded out again.
0:33:28 > 0:33:33Let's see it again - and watch out for the bonus boob here.
0:33:33 > 0:33:36What the hell happened to hi-vis orange runway man?
0:33:40 > 0:33:43Pointless remake of Footloose now -
0:33:43 > 0:33:45and a stark reminder that level crossings
0:33:45 > 0:33:48are dangerous places, kids. Here we see how,
0:33:48 > 0:33:50if you're not careful your lovely sister's saloon car
0:33:50 > 0:33:53will inexplicably turn into a black four by four
0:33:53 > 0:33:55the moment it touches the railway lines.
0:34:03 > 0:34:05He's not looking good, sir.
0:34:05 > 0:34:07The disappointing Johnny English Reborn now,
0:34:07 > 0:34:11and when Johnny says, "It's just like riding a bike,"
0:34:11 > 0:34:14that's clearly not what he said when they shot it.
0:34:14 > 0:34:17- It's just like riding a bike. - Maybe he was actually saying -
0:34:17 > 0:34:19"get rid of that man on the back seat,"
0:34:19 > 0:34:23because by the next shot, he has clearly disappeared.
0:34:23 > 0:34:25Yes, it's all coming back to me.
0:34:33 > 0:34:36If violent revenge flick How I Spent My Summer Vacation
0:34:36 > 0:34:38is anything to go by, Mel Gibson spends his holidays
0:34:38 > 0:34:42dressed as a clown in a deserted part of Mexico.
0:34:42 > 0:34:43Not that deserted, mind.
0:34:43 > 0:34:46Those tyre tracks show there's been another car there,
0:34:46 > 0:34:49or at the very least a previous take.
0:34:52 > 0:34:56Action movies are like making love. Last about 90 minutes check.
0:34:56 > 0:34:59Have loud noises going on throughout check.
0:34:59 > 0:35:01An Aerosmith song playing check.
0:35:01 > 0:35:05And big men in vests running around shooting assorted Europeans
0:35:05 > 0:35:08or Middle Easterns - check. And, of course, an awful lot of blood.
0:35:08 > 0:35:11Happy lovemaking, sex fans!
0:35:11 > 0:35:14What's wrong here in the hammy and laughably bad Abduction?
0:35:17 > 0:35:21Acting rule number one is never look into the camera, but gotcha!
0:35:21 > 0:35:23Taylor Lautner can't resist!
0:35:24 > 0:35:28Still if this is the take they used, the other ones must have just
0:35:28 > 0:35:31had him staring slack-jawed into the camera and wobbling.
0:35:34 > 0:35:37Look at the light filtering through the outdoor window -
0:35:37 > 0:35:39I love a good sunset, don't you?
0:35:40 > 0:35:43And so do the makers of Abduction.
0:35:43 > 0:35:46They've really captured that magic hour.
0:35:46 > 0:35:50- Yeah.- 'Hey, I heard you pull up...'
0:35:50 > 0:35:52Or rather, that abrupt few seconds
0:35:52 > 0:35:55between day and, in the next shot, night.
0:35:58 > 0:36:00It's the run-of-the-mill In Time,
0:36:00 > 0:36:04and Henry's timeline's running out, so he's decided to keel over
0:36:04 > 0:36:06and fall into some lovely running water.
0:36:11 > 0:36:13That's very fortunate.
0:36:13 > 0:36:16Had he jumped a few seconds earlier,
0:36:16 > 0:36:19he'd have fallen on to a barely wet slab of concrete.
0:36:24 > 0:36:27The generally "meh" This Means War now, and attention ladies...
0:36:27 > 0:36:31If you've ever had your jacket stolen from a nightclub,
0:36:31 > 0:36:35it was almost certainly stolen by Hollywood actor, Reese Witherspoon.
0:36:35 > 0:36:40The proof? Well, here she is going in without a jacket,
0:36:40 > 0:36:45and here she is exiting the same club, with a jacket.
0:36:45 > 0:36:48- Tell it to the DA, Witherspoon. - I'm not the girl for you.
0:36:51 > 0:36:52Tooth fairy news now,
0:36:52 > 0:36:55and it turns out the little blighter's working overtime.
0:36:55 > 0:36:58Here, young Joe is missing the traditional two front teeth,
0:36:58 > 0:37:04but the director clearly thought that was a bit of a cliche,
0:37:04 > 0:37:07because later on the same day the missing teeth are altogether
0:37:07 > 0:37:10hipper, edgier bottom-row ones.
0:37:10 > 0:37:11Hands up!
0:37:15 > 0:37:20Here's a clip from thin-on-laughs action comedy, 30 Minutes Or Less,
0:37:20 > 0:37:24which, if it isn't a sequel to One Hour Photo, should be. Here,
0:37:24 > 0:37:28Chet's accidentally spray-painted the inside of the door.
0:37:28 > 0:37:30It's like you bought a Mustang...
0:37:30 > 0:37:34Luckily, by the time they stop, the paint's disappeared.
0:37:34 > 0:37:37My wife gets angry when I eat sushi in the car.
0:37:37 > 0:37:40She doesn't understand it makes me a better driver.
0:37:43 > 0:37:46Hugely-disappointing, dreary war-fest Red Tails now,
0:37:46 > 0:37:48and important advice on hat etiquette.
0:37:48 > 0:37:50I need everyone on this next mission.
0:37:50 > 0:37:53Young Joe here is committing a faux-pas of epic proportions
0:37:53 > 0:37:56as Army regulations state that hats should be
0:37:56 > 0:37:58removed when indoors...
0:37:58 > 0:38:00and worn when outside.
0:38:00 > 0:38:01He's doing neither.
0:38:01 > 0:38:04He'd be a laughing stock at Ascot, the berk.
0:38:08 > 0:38:11Cuba Gooding Jnr here is doing his best
0:38:11 > 0:38:13to win the coveted Pipe Smoker of the Year award.
0:38:13 > 0:38:15Look at his masterful skills.
0:38:15 > 0:38:20He's so good, he can simultaneously point out directions with it.
0:38:20 > 0:38:22And smoke it at the same time.
0:38:26 > 0:38:28Airports are stressful, all that queuing, waiting
0:38:28 > 0:38:31and having your private bits probed by security.
0:38:31 > 0:38:34These poor blokes are having a terrible time.
0:38:34 > 0:38:39Their duty free fags have finished and their plane has inexplicably changed from an A3...
0:38:42 > 0:38:44..to A2.
0:38:44 > 0:38:47Goodness knows where their luggage is going to end up!
0:38:47 > 0:38:50There's so much back patting that goes on in the film industry
0:38:50 > 0:38:54that many execs are now forced to wear reinforced blazers.
0:38:54 > 0:38:56Much of this incestuous congratulating goes on
0:38:56 > 0:38:59in the award ceremonies, which are countless.
0:38:59 > 0:39:02Unless you count them. In which case, there are about 200 year.
0:39:02 > 0:39:04Well, this year there are 201,
0:39:04 > 0:39:08as we are about to enter our final section of the night,
0:39:08 > 0:39:11and present the Most Mistakes In One Scene Award For 2012.
0:39:11 > 0:39:16Or, MMIOS Twe-Twe, as I like to call them. Here are the nominations.
0:39:16 > 0:39:20I should have an envelope. Could someone get me an envelope?
0:39:20 > 0:39:23NB: A glittery one. Thanks.
0:39:26 > 0:39:28Here's the punningly titled
0:39:28 > 0:39:31but sadly made Alvin And The Chipmunks: Chipwrecked.
0:39:31 > 0:39:34Here are two kids in blue watching the monk-dancing.
0:39:35 > 0:39:38And then, piff-paff-poof, they're gone.
0:39:38 > 0:39:39And if that's not enough,
0:39:39 > 0:39:43celebrity Scientologist Jason Lee pushes past yellow polo shirt guy...
0:39:46 > 0:39:50..and then pushes past him again. And now the girls are back.
0:39:50 > 0:39:53Only for one of them to be replaced.
0:39:53 > 0:39:56What a load of chip. Four mistakes.
0:40:01 > 0:40:03Next up, The Inbetweeners Movie,
0:40:03 > 0:40:06and it's a busy time for wrong background artists.
0:40:06 > 0:40:08When Jay and Si are fighting,
0:40:08 > 0:40:12an extra in a red cap appears behind Will's right shoulder.
0:40:12 > 0:40:14I shall call him Leopold.
0:40:14 > 0:40:18Leopold then mysteriously keeps shifting positions between shots.
0:40:21 > 0:40:22All right, come on, you two.
0:40:25 > 0:40:28I'm sick of his BLEEP. I'm going to BLEEP do him!
0:40:28 > 0:40:30Oh, you're hard, Si(!) I didn't see you do me just now.
0:40:30 > 0:40:32- Let's go for walk!- Don't cry, Si.
0:40:32 > 0:40:36Then a couple with a male carrying a beach towel over his shoulder
0:40:36 > 0:40:39walk past and over to the right side of the road.
0:40:39 > 0:40:40Then there's a cut,
0:40:40 > 0:40:43and the couple are walking to the right side of the road again.
0:40:44 > 0:40:47Meanwhile, after the fight, Jay walks away
0:40:47 > 0:40:49and kicks a nearby metal bench.
0:40:49 > 0:40:51The benche is empty when he kicks it.
0:40:51 > 0:40:54But in the wide shot, it's only Leopold sitting there again.
0:40:54 > 0:40:58Five mistakes. Thanks, The Leopold Movie!
0:40:58 > 0:41:01And the award goes to...
0:41:02 > 0:41:04That is not what I asked for.
0:41:08 > 0:41:10And the award goes to...
0:41:10 > 0:41:13This astounding mistake-filled scene from Men In Black III.
0:41:13 > 0:41:17Here, Griffin talks about the Mets baseball team.
0:41:17 > 0:41:20..the World Series, they were in last place every single season
0:41:20 > 0:41:21- until they...- Wrong.
0:41:21 > 0:41:24In 1968, the Mets were second to last in the World Series.
0:41:27 > 0:41:29Now look at his hands.
0:41:29 > 0:41:30They've gone.
0:41:30 > 0:41:35This packet is especially odd. A big box one second...
0:41:37 > 0:41:40And the next it shrinks to tiny sized.
0:41:40 > 0:41:43You're not going to fit many crackers in that.
0:41:43 > 0:41:47But it doesn't end there, oh, no. This could be a record, viewers.
0:41:47 > 0:41:50Now, more hand trouble.
0:41:50 > 0:41:53Here they're back. Now they've gone.
0:41:53 > 0:41:56And as the final coup de grace,
0:41:56 > 0:41:59Griffin's arms are now interlocked with J and K's.
0:41:59 > 0:42:02Men In Black 3, movie mistakes, six.
0:42:02 > 0:42:04Congratulations.
0:42:04 > 0:42:05I lost my planet.
0:42:05 > 0:42:08Well, the time has come for film-makers
0:42:08 > 0:42:11to breathe a sigh of relief, because we're done...for now.
0:42:11 > 0:42:13But beware, Hollywood, if you try and get away
0:42:13 > 0:42:16with even the tiniest little error, a misplaced hair,
0:42:16 > 0:42:21a shifting coffee cup or a making John Carter, we will be watching.
0:42:21 > 0:42:22Good night.
0:42:30 > 0:42:33Subtitles by Red Bee Media Ltd