0:00:33 > 0:00:36Hello everyone. I'm just having the finishing touches put
0:00:36 > 0:00:38to my Girl With The Dragon Tattoo tattoo.
0:00:38 > 0:00:42I need to get it on quickly cos I've got to pop to the airport in a bit.
0:00:42 > 0:00:44I'm off to Yemen to do some salmon fishing,
0:00:44 > 0:00:47of all things, I hope I make it there in time,
0:00:47 > 0:00:50and don't get there when it's twilight, and breaking dawn.
0:00:50 > 0:00:51Part one.
0:00:51 > 0:00:54Essentially what I did there was named lots of films.
0:00:54 > 0:00:56And they have one thing in common.
0:00:56 > 0:00:58Apart from all being films.
0:00:58 > 0:01:00They all contain mistakes.
0:01:00 > 0:01:03And this show is all about great movie mistakes.
0:01:03 > 0:01:05You may have deduced that from the title, but you never know.
0:01:05 > 0:01:09So, thought I'd just explain it anyway.
0:01:09 > 0:01:11Feel like I might have patronised you now, a bit.
0:01:11 > 0:01:14Sorry about that. Ooh! All done?
0:01:17 > 0:01:20Hmm. That's not quite what I was after.
0:01:23 > 0:01:26Would you look at that?!
0:01:26 > 0:01:29Me, presenting Great Movie Mistakes -1.
0:01:29 > 0:01:32It was a prequel we made to set up some back story for the shows.
0:01:32 > 0:01:37What makes me so keen to point out sometimes quite trivial mistakes
0:01:37 > 0:01:41in movies, why do I hate continuity errors so very much,
0:01:41 > 0:01:42what is the big problem
0:01:42 > 0:01:46with seeing camera equipment reflected in things.
0:01:46 > 0:01:50Yeah, it's all here in Great Movie Mistakes -1: The Prequel.
0:01:50 > 0:01:53Because prequels are great.
0:01:53 > 0:01:59Effective apocalyptic thrills in Rise Of The Planet Of The Apes,
0:01:59 > 0:02:01or should that be Disappearance Of The Bodies Of The Apes?
0:02:01 > 0:02:04As clearly, while many of these apes are being shot at
0:02:04 > 0:02:06and unlikely to, you know, peg out...
0:02:11 > 0:02:13..when Will later drives away there's not a single
0:02:13 > 0:02:15dead simian to be seen.
0:02:18 > 0:02:20Maybe this was the pre-watershed edit for Ape TV.
0:02:24 > 0:02:26Get these people off the bridge!
0:02:26 > 0:02:29OK, car fans, hands up who knows the difference between a Nissan
0:02:29 > 0:02:31and a Volkswagen?
0:02:31 > 0:02:33Don't know why you've got your hand up, Serkis.
0:02:35 > 0:02:38One minute you're standing on a Nissan Maxima,
0:02:42 > 0:02:44the next it's a VW Jetta.
0:02:44 > 0:02:45Oh well, you know what they say.
0:02:45 > 0:02:48You pay peanuts, you get your cars mixed up.
0:02:51 > 0:02:54Oh, take a look at these lovely gloves,
0:02:54 > 0:02:57because for as long as costume designers provide actors
0:02:57 > 0:02:58with gloves, actors will find ways
0:02:58 > 0:03:01to forget whether they should be wearing them or not.
0:03:03 > 0:03:04Isn't that right, Noomi Rapace?
0:03:04 > 0:03:08In plot-hole-riddled-shambles that is Prometheus.
0:03:13 > 0:03:19Out now, from Prometheus Products, the all-new three-in-one flashlight!
0:03:19 > 0:03:22Boarding an alien spaceship? Need a flashlight with three lights?
0:03:22 > 0:03:25Not a problem, eh, Holloway?
0:03:26 > 0:03:29More of a one-light-flashlight kind of guy?
0:03:29 > 0:03:32With the Prometheus Three-In-One, it's easy.
0:03:32 > 0:03:36Joan from Tenby has got hers. Buy now!
0:03:38 > 0:03:41Prometheus was one big movie mistake,
0:03:41 > 0:03:45compared to the original and best, Alien, but that had errors too.
0:03:45 > 0:03:47Ignore the fact that it's 2122
0:03:47 > 0:03:49and they're still using Commodore VIC-20s,
0:03:49 > 0:03:52It seems in space no-one can see you spell,
0:03:52 > 0:03:53as Alignment has an extra "L".
0:03:55 > 0:03:58Can I do the "It's one 'L' of a movie" joke?
0:03:58 > 0:03:59No? Gits.
0:04:03 > 0:04:07Parker here can never get a word in edgeways at dinner parties,
0:04:07 > 0:04:09but this time he goes to extraordinary lengths.
0:04:11 > 0:04:14You think he's stopped speaking?
0:04:14 > 0:04:17No, he's still talking while smiling. Look again.
0:04:18 > 0:04:22What happened to this guy, was,
0:04:22 > 0:04:25his stomach, his appetite, uh...
0:04:25 > 0:04:28He could give Keith Harris a run for his money with that skill.
0:04:32 > 0:04:35In the grim, brutal fearfest Aliens,
0:04:35 > 0:04:38Ripley doesn't like hospital food and tries to escape.
0:04:38 > 0:04:40But this isn't the first time she's tried it.
0:04:40 > 0:04:41Look at those two scuff marks.
0:04:48 > 0:04:49Oh, now just one mark.
0:04:49 > 0:04:52Go on, Ripley, save the film for continuity's sake!
0:04:53 > 0:04:55Both marks are back. Breathe easy, everyone!
0:05:06 > 0:05:07Once I'm done here,
0:05:07 > 0:05:10I must get a sleeping bag for the Star Wars 7 premiere queue.
0:05:12 > 0:05:14But I shan't be buying the membranous one
0:05:14 > 0:05:16that Ripley got from FutureMillets,
0:05:16 > 0:05:18as while she looks snug as a bug tearing out of it,
0:05:18 > 0:05:20if you rewind,
0:05:20 > 0:05:23her head and legs are already out.
0:05:24 > 0:05:28Alien: Resurrection was a letdown, an absolute joke of a film.
0:05:30 > 0:05:33And in this joke film, the props were jokes, too.
0:05:33 > 0:05:36See how this barbell solidly catches Ripley in the face?
0:05:43 > 0:05:46Well, when Christie swings it about, we can see it's a novelty
0:05:46 > 0:05:48rubber barbell that bends all over the place.
0:05:50 > 0:05:53We all love a good old classic family film like
0:05:53 > 0:05:57Nil By Mouth, Whatever Happened To Baby Jane? or Sophie's Choice.
0:05:57 > 0:06:00Turns out that family films in this context means
0:06:00 > 0:06:02"films for the whole family to watch".
0:06:02 > 0:06:04But that is not what they are.
0:06:04 > 0:06:08Aside from a few rare exceptions, family films are for children.
0:06:08 > 0:06:10They're not for me, and I'm part of a family, too.
0:06:10 > 0:06:12If I wanted to watch a film with my whole family,
0:06:12 > 0:06:14it would be Blade Runner,
0:06:14 > 0:06:16and I can tell you right now that my two year old would hate it.
0:06:16 > 0:06:19Particularly if it was the studio cut with the stupid voiceover.
0:06:20 > 0:06:23Alvin And The Chipmunks: Chipwrecked, now.
0:06:23 > 0:06:26Astoundingly, even worse than the first two.
0:06:26 > 0:06:28Now, this is nearly all animation, right?
0:06:28 > 0:06:33So they were pointing their cameras only at a man with a magazine.
0:06:33 > 0:06:36So you'd have thought someone, surely would notice something.
0:06:39 > 0:06:42And they did eventually, but way, way too late.
0:06:48 > 0:06:50A film crew practical joke, now.
0:06:50 > 0:06:53this time, one of the characters made of drawing and computer
0:06:53 > 0:06:55getting punk'd.
0:06:55 > 0:06:57"Ere, Gustav", said the editor.
0:06:57 > 0:06:59"Let's make it look like the chipmunk
0:06:59 > 0:07:01"on the dry raft's peed herself."
0:07:01 > 0:07:04"Good idea, Ernst," said the sidekick,
0:07:04 > 0:07:06and so it comes to pass. Wet all over.
0:07:10 > 0:07:13Ah, that hollow sound of the franchise barrel being scraped
0:07:13 > 0:07:16means that we join The Smurfs in their awful movie.
0:07:16 > 0:07:19Now, New York is excellent for filming,
0:07:19 > 0:07:21as they just let you do it.
0:07:21 > 0:07:23But you do tend to attract crowds of excited members of the public
0:07:23 > 0:07:25watching you film, like here.
0:07:26 > 0:07:30Still, if I saw the Smurfs filming, I'd stop to look.
0:07:30 > 0:07:32Not the Moomins, though. I'd just keep walking.
0:07:32 > 0:07:34Get your hand out of my kilt!
0:07:37 > 0:07:40Now this song is played on everything uplifting
0:07:40 > 0:07:42that's on TV ever.
0:07:42 > 0:07:45Hoppipolla by Sigur Ros, and in this scene from the cloying,
0:07:45 > 0:07:50so-called inspiring We Built A Zoo, it's certainly doing the trick.
0:07:53 > 0:07:55Because judging by the trees and grass,
0:07:55 > 0:07:59it's certainly not wind that's keeping those kites in the air.
0:08:02 > 0:08:04Am I doing anything right?
0:08:04 > 0:08:08Proof that people who do organized things like taking packed lunches
0:08:08 > 0:08:10to work aren't as efficient as they think.
0:08:11 > 0:08:14Eight-year-old smugster Rosie's putting her sandwiches into bags
0:08:14 > 0:08:17because heaven forfend she just go to Pret or somewhere,
0:08:17 > 0:08:19like everyone else.
0:08:20 > 0:08:21Good.
0:08:25 > 0:08:27But when she pointlessly labels the bags,
0:08:27 > 0:08:30the sarnies have leapt back on the worktop. Ha!
0:08:35 > 0:08:38Now Scarlett has to lock some lions in a thing
0:08:38 > 0:08:41cos they can get a bit bitey at humans.
0:08:41 > 0:08:43But the director probably decided that giving her a chain
0:08:43 > 0:08:46and an open padlock, as seen here,
0:08:46 > 0:08:47was a bit too easy...
0:08:47 > 0:08:50The only way to fix it is to jimmy it from the inside.
0:08:52 > 0:08:54..because by the next shot, they're gone.
0:08:59 > 0:09:02Fans of Panic Room will love to see that unimaginative clunker
0:09:02 > 0:09:06Spy Kids: All The Time In The World 4D, features a panic room.
0:09:07 > 0:09:09However, logic fans will be less keen.
0:09:09 > 0:09:13Look at this fireplace full of, erm, gold, baubly things and fronds.
0:09:17 > 0:09:21Almost immediately they've gone! From the world. In 4D.
0:09:26 > 0:09:28With so many bits and pieces on a film set,
0:09:28 > 0:09:31it's important to keep everything labelled.
0:09:31 > 0:09:33Circuit boards, for example.
0:09:34 > 0:09:35If you're using one as a prop,
0:09:35 > 0:09:38you'll want to make sure everyone knows what it's for.
0:09:38 > 0:09:41Besides someone will cover that up before shooting, right?
0:09:42 > 0:09:44Wrong! In 4D.
0:09:46 > 0:09:50Our next section is Fantasy Films, which is a genre of film involving
0:09:50 > 0:09:53parallel worlds, magic wizards, Greek mythology
0:09:53 > 0:09:54and all that shiznit.
0:09:54 > 0:09:57I know that now, but I only had this explained to me
0:09:57 > 0:09:59after I'd been trying to make my own fantasy film.
0:09:59 > 0:10:02I had to send back the girls, the boys, the tarpaulin,
0:10:02 > 0:10:04the brie and the Dyson airblade,
0:10:04 > 0:10:07and it was all a little embarrassing to say the least.
0:10:07 > 0:10:11But then where the hell would I be without embarrassing mistakes?
0:10:11 > 0:10:12Talking of which...
0:10:17 > 0:10:19Here, a wooden dagger steals the scene
0:10:19 > 0:10:23from wooden acting in fantasy action movie Wrath Of The Titans.
0:10:23 > 0:10:26Mind you, it does have some magical properties.
0:10:26 > 0:10:28Look, it's gone!
0:10:28 > 0:10:30I wooden have thought they could do that...
0:10:35 > 0:10:38I don't know what I'd do when confronted with a one eyed giant,
0:10:38 > 0:10:41but poor Perseus here is so terrified he doesn't know
0:10:41 > 0:10:42whether he's coming or going.
0:10:44 > 0:10:47As he breaks free from the Cyclops's grasp...
0:10:50 > 0:10:52he ends up facing the wrong direction.
0:10:56 > 0:10:59Did you know that they had proper dentists in the olden times?
0:10:59 > 0:11:02I certainly didn't until I saw this scene from Wrath Of The Titans.
0:11:02 > 0:11:05Watch Agenor as he gives us all a perfect view
0:11:05 > 0:11:08of ye olde mythical silver filling of the Gods.
0:11:14 > 0:11:16OK, everyone, now, I know there's loads of us,
0:11:16 > 0:11:20so it's important we do the same thing in this scene from Immortals.
0:11:20 > 0:11:24Just remember, swords in the left hand, shields in the right.
0:11:24 > 0:11:27So when we shoot the scene from the front, don't forget that.
0:11:29 > 0:11:31Oh.
0:11:31 > 0:11:34Well, it's a dull epic, no-one will care.
0:11:45 > 0:11:48Time now for another quick round of Metil or Normil.
0:11:48 > 0:11:52This breastplate certainly looks like metil. Well, a bit like metil.
0:11:53 > 0:11:57Actually, I think it's normil, looks like rubber to me.
0:11:57 > 0:11:59We'll have to wait till he takes it off.
0:12:01 > 0:12:03Yes, look, I was right.
0:12:03 > 0:12:04Definitely normil.
0:12:10 > 0:12:14In this show, I have to record over 200 links.
0:12:14 > 0:12:17That's a set number of links, unlike those in this chain
0:12:17 > 0:12:19from cheesily fun John Carter.
0:12:21 > 0:12:23It's too short for him to escape the ape...
0:12:25 > 0:12:29..but then it's long enough to wrap round the ape like a billion times.
0:12:37 > 0:12:38Mum, mum, guess what?
0:12:38 > 0:12:40I've got a job as a sound effects man
0:12:40 > 0:12:43on this big, colourful film about Snow White!
0:12:43 > 0:12:45We've got loads of well hench sound effects.
0:12:47 > 0:12:49There's one of two axes touching that I really love,
0:12:49 > 0:12:51I'm about to use it now.
0:12:51 > 0:12:52AXES TOUCH
0:12:52 > 0:12:55Oh, they didn't touch. Never mind, I'll use it anyway!
0:13:01 > 0:13:05Mirror, mirror on the wall, Who's the sneakiest prince of all?
0:13:05 > 0:13:07This one, saying farewell to Snow White,
0:13:07 > 0:13:11cos he was on Charles's left and he's now on Charles's right.
0:13:15 > 0:13:18Snow White films are like London buses. You wait years,
0:13:18 > 0:13:21and then two underwhelming ones turn up at the same time.
0:13:21 > 0:13:24This is the one that isn't the other one, and we're talking horse.
0:13:24 > 0:13:26I love horses, best of all the animals,
0:13:26 > 0:13:30but I can't stand a horse with mucky legs, which is why this scene
0:13:30 > 0:13:32at first appals and then soothes me.
0:13:36 > 0:13:37Dirty horse.
0:13:39 > 0:13:40Clean horse.
0:13:45 > 0:13:46Now, spoiler alert, everyone!
0:13:46 > 0:13:51so, the closing scene comes to a close and everyone has got closure.
0:13:51 > 0:13:53And as we pull out of the throne room,
0:13:53 > 0:13:56the doors swing closed to emphasise the closing of the story.
0:13:58 > 0:14:01But if we rewind just a couple of moments, you'll see that throughout
0:14:01 > 0:14:05the coronation, those closing doors were already very much closed.
0:14:08 > 0:14:12The British film industry is much like the American film industry,
0:14:12 > 0:14:14except they make some.
0:14:14 > 0:14:16I'm joking, of course. The UK Film Council generated
0:14:16 > 0:14:20so much successful film-making that the government destroyed it.
0:14:20 > 0:14:23Making a British film is much like the plot of a British film.
0:14:23 > 0:14:25A plucky underdog, charming and stammering,
0:14:25 > 0:14:30like Hugh Grant or Colin Firth, achieves some success
0:14:30 > 0:14:33after overcoming some moderate obstacles, usually in the rain.
0:14:33 > 0:14:36Contains mild peril, possibly that Toploader song,
0:14:36 > 0:14:38and a fair few mistakes.
0:14:39 > 0:14:41Madcap, not-very-funny spy caper Johnny English Reborn now,
0:14:42 > 0:14:46and if the whole point of this scene is whether the switch is on or off,
0:14:46 > 0:14:49you'd think they'd pay close attention to it.
0:14:49 > 0:14:51But, no. Here it's switched off,
0:14:51 > 0:14:53then this lady takes her dress off...
0:14:53 > 0:14:55Do you know how to turn it on?
0:14:55 > 0:14:57..and then next thing you know it's back on.
0:14:57 > 0:15:00Maybe the continuity guy got distracted?
0:15:03 > 0:15:07Glenn Close as footballer Lee Dixon here, counting his tips.
0:15:07 > 0:15:09it's three coins on the bed.
0:15:09 > 0:15:10This is Albert Nobbs,
0:15:10 > 0:15:12a haunting and bittersweet film with an amusing name.
0:15:15 > 0:15:17Now look at the coins. There's loads more.
0:15:17 > 0:15:19It's a Christmas miracle!
0:15:22 > 0:15:25The Best Exotic Marigold Hotel was refreshingly upbeat
0:15:25 > 0:15:28for a Brit flick, with some good performances,
0:15:28 > 0:15:30but while Tom Wilkinson's being all emotional,
0:15:30 > 0:15:33Dame Judi's not listening.
0:15:33 > 0:15:35She's going through her photos.
0:15:35 > 0:15:39You see those pics? Rewind earlier and they weren't there.
0:15:41 > 0:15:44I reckon the next cutaway will have her doing a Sudoku.
0:15:49 > 0:15:53A tremendous display now from the conjuror Celia Imrie.
0:15:53 > 0:15:55It's the old "put the note in the pocket, fail to push it in,
0:15:55 > 0:15:57"have it photoshopped out" routine.
0:15:59 > 0:16:01Let's see that again in slow motion
0:16:01 > 0:16:03so we can wonder at Celia's deft handiwork.
0:16:05 > 0:16:09And, thrifty old pro that she is, she makes sure to reappear it
0:16:09 > 0:16:10later on, so she can snatch it back.
0:16:16 > 0:16:18Daniel Radcliffe gets confused when decorating
0:16:18 > 0:16:21in the pant-wettingly scary The Woman In Black.
0:16:21 > 0:16:24He's using an axe to strip the wallpaper,
0:16:24 > 0:16:26surely something like a scraper would be better?
0:16:28 > 0:16:31Later, common sense of sorts prevails as he uses his bare hands.
0:16:35 > 0:16:37But then he's back with the axe again
0:16:37 > 0:16:40without so much as a bending down.
0:16:40 > 0:16:41Someone get that boy a rawl plug.
0:16:45 > 0:16:48What can only be censorship here. Listen and watch.
0:16:48 > 0:16:50I don't expect to be finished until Friday at least.
0:16:52 > 0:16:55Now, Daniel Radcliffe's mouth keeps moving at the end.
0:16:55 > 0:16:57What offensive line did he say?
0:17:00 > 0:17:02Well, I can exclusively reveal what he said was,
0:17:02 > 0:17:07"I don't expect to be finished until Friday at least, wubbawubbawubba".
0:17:09 > 0:17:12If there's one thing we, the guys at Great Movie Mistakes IV hate,
0:17:12 > 0:17:14it's an unnecessary sequel.
0:17:14 > 0:17:16As you may recall me saying
0:17:16 > 0:17:18way back in Great Movie Mistakes II and III.
0:17:18 > 0:17:22But the good thing about sequels is that they give gainful employment
0:17:22 > 0:17:24to a lot of Roman numerals that would otherwise
0:17:24 > 0:17:25be claiming Jobseeker's Allowance.
0:17:25 > 0:17:29It's really just sequels and clockfaces keeping them going.
0:17:29 > 0:17:31Journey 2, you are letting the side down.
0:17:31 > 0:17:34By the way, it's time that someone said this on television,
0:17:34 > 0:17:36there is no such word as quadrilogy.
0:17:36 > 0:17:38The word is Tetralogy,
0:17:38 > 0:17:42and last time I checked it was functioning perfectly well.
0:17:44 > 0:17:47Now it's the big-hearted Muppets movie,
0:17:47 > 0:17:50and isn't Amy Adams just lovely?
0:17:50 > 0:17:53She's so perky she's even brought partial life to these dead flowers.
0:17:53 > 0:17:55It's OK, they're really sweet.
0:17:55 > 0:17:58You don't mind that he's coming, right?
0:17:58 > 0:17:59But not for long.
0:18:01 > 0:18:04Some Muppets are tricky to work with.
0:18:04 > 0:18:08Sam the Bald American Eagle, for example, is hugely xenophobic.
0:18:08 > 0:18:09It's way too far.
0:18:09 > 0:18:12That's why in this scene, when a bunch of them
0:18:12 > 0:18:14travel to France by map...
0:18:16 > 0:18:19..he's bailed out by the time they reach Gallic shores.
0:18:22 > 0:18:24ALL: To Paris!
0:18:26 > 0:18:29This next mistake is mainly here to have a pop at the dreadful
0:18:29 > 0:18:31Twilight series.
0:18:31 > 0:18:35Look at Bella's hands as she hides her morning sickness from Edward.
0:18:35 > 0:18:37She closes the seat with her right hand,
0:18:37 > 0:18:41then she's immediately putting all her weight on it with her left.
0:18:41 > 0:18:43Possible, but athletic.
0:18:47 > 0:18:49Ah, what a lovely couple.
0:18:49 > 0:18:51There they are wearing wedding bands,
0:18:51 > 0:18:53because Stephenie Meyer wants girls to know that even
0:18:53 > 0:18:56if it's a vampire you're sleeping with, you should Get Married First.
0:18:57 > 0:19:01But the moment they're out of the cab, no more rings.
0:19:01 > 0:19:03Art predicting life there.
0:19:06 > 0:19:10Tongue-in-cheek and amusing, MIB III is a mind-bending time travel movie,
0:19:10 > 0:19:14most obviously in this scene from New York, 1969.
0:19:14 > 0:19:16See those pinball machines?
0:19:18 > 0:19:22Pinball was banned in the Big Apple until 1976, as we all know.
0:19:22 > 0:19:24And once again, the credibility of an alien-filled,
0:19:24 > 0:19:27conspiracy-inspired, dimension-hopping movie is ruined.
0:19:27 > 0:19:29Think your hoop's a little off. Want me to clean her?
0:19:33 > 0:19:35More time-travel now,
0:19:35 > 0:19:37as the guys seem to be stuck in a chronic hysterisis.
0:19:37 > 0:19:39That's a time loop, to you and me.
0:19:40 > 0:19:41See this van?
0:19:41 > 0:19:44It's the same van we saw seconds ago.
0:19:44 > 0:19:46Happily, they escape,
0:19:46 > 0:19:49so the fourth film won't be two hours of more of the same.
0:19:52 > 0:19:54Oooh! Another one!
0:19:56 > 0:20:00There's also some extraordinary errors in the older MIB films.
0:20:00 > 0:20:03In the funny and entertaining original, we see that to be
0:20:03 > 0:20:05a Man In Black, you need intelligence, bravery
0:20:05 > 0:20:07and secretarial skills.
0:20:08 > 0:20:11Being a defender of the galaxy means Agent K types so quickly
0:20:11 > 0:20:14his fingers don't even touch the keyboard.
0:20:14 > 0:20:17Either that or he's tickling an invisible kitten.
0:20:20 > 0:20:22Men In Black II is a disappointing letdown,
0:20:22 > 0:20:25featuring as it does Agent K emptying his guns
0:20:25 > 0:20:28at a giant rubbish bin.
0:20:39 > 0:20:41Mind you, it's a bit fortunate.
0:20:41 > 0:20:43Watch as he drops the guns on the floor,
0:20:43 > 0:20:46only for them to be removed in the next shot.
0:20:46 > 0:20:48Why can't my bin men be that efficient?
0:20:53 > 0:20:54You know our arrangements, Jeff.
0:20:54 > 0:20:57You don't travel outside of the E, F and R subway lines...
0:20:57 > 0:21:00Actors, eh? Always desperate to show off their improv.
0:21:01 > 0:21:05Here, the actor playing Agent T demonstrates his miming skills
0:21:05 > 0:21:08as he wrestles with an invisible weed.
0:21:08 > 0:21:10Oops, someone forgot the CGI.
0:21:10 > 0:21:12Next thing you know, he'll be battling his way
0:21:12 > 0:21:16out of a pretend box and descending an imaginary staircase.
0:21:16 > 0:21:20What would be your nominations for Best Picture?
0:21:20 > 0:21:23Mine would be the Mona Lisa, that Klimt one everyone's got,
0:21:23 > 0:21:27and this picture of me on the beach where I'm sucking it in.
0:21:27 > 0:21:30Delightful whimsy aside, what we're really talking about is the Oscars.
0:21:30 > 0:21:34Luckily the Academy Awards are there to let you know exactly what
0:21:34 > 0:21:36films are more or less perfectly brilliant,
0:21:36 > 0:21:38like Avatar or Titanic.
0:21:38 > 0:21:41Sorry, that sounds like I'm having a pop at James Cameron.
0:21:41 > 0:21:45I'm really not. I'm just having a pop at his films.
0:21:45 > 0:21:46Anyway, award winning films are
0:21:46 > 0:21:49just as capable of making careless mistakes as any other film.
0:21:49 > 0:21:51That's rather comforting to know, isn't it?
0:21:51 > 0:21:55Like reminding yourself that The Queen also goes to the lav.
0:21:55 > 0:21:59It's Spielberg's epic adaptation of the National Theatre's epic
0:21:59 > 0:22:02adaptation of Michael Morpurgo's epic adaptation
0:22:02 > 0:22:05of the First World War, Warhorse, which touched hearts worldwide.
0:22:07 > 0:22:10And if that's not enough - they got the continuity wrong with an apple.
0:22:10 > 0:22:12Look, whole apple...
0:22:16 > 0:22:18..apple with a big bite out of it,
0:22:18 > 0:22:21that wasn't there at the start of this clip.
0:22:21 > 0:22:25Who did that? A ghost horse, maybe?
0:22:30 > 0:22:34And now, nudity. In fact, horse nudity!
0:22:34 > 0:22:36Albert knows everything about horses
0:22:36 > 0:22:37and all their horse stuff.
0:22:39 > 0:22:43See, you've got it. You've got it.
0:22:43 > 0:22:46But clearly not how to put a horse's clothes on.
0:22:46 > 0:22:48The collar's upside down.
0:22:48 > 0:22:51Either that or the horse is upside down.
0:22:51 > 0:22:55And now this German soldier's doing it. In a film about horses.
0:22:57 > 0:23:00Spielberg should have stuck with sharks.
0:23:00 > 0:23:02Well, well, look at you.
0:23:04 > 0:23:08This is the touching and heartfelt Extremely Loud And Incredibly Close.
0:23:08 > 0:23:12Oskar here has found a note left by his late father, Tom Hanks,
0:23:12 > 0:23:14who reads it out in his head like normal.
0:23:14 > 0:23:19'Congratulations, Oskar. With unbelievable bravery and wisdom far
0:23:19 > 0:23:21'beyond your years you have solved
0:23:21 > 0:23:23'reconnaissance expedition number six.'
0:23:25 > 0:23:27But ghost dad Tom has done some posthumous editing
0:23:27 > 0:23:30as his words are very different to what the note says.
0:23:30 > 0:23:36'Wherever they now are, the people of the sixth borough celebrate you.'
0:23:36 > 0:23:38Extremely Loud And Incredibly Wrong.
0:23:38 > 0:23:39'Now it's time to go home.'
0:23:44 > 0:23:47Now the joyful, beguiling The Artist, which, like all
0:23:47 > 0:23:49Adam Sandler films, proves films
0:23:49 > 0:23:51can be better if no-one talks throughout them.
0:23:53 > 0:23:58Here, Peppy Miller puts her bag on the floor, but cut to the wide -
0:23:58 > 0:24:01the floor has eaten it.
0:24:03 > 0:24:06Oh, thank God. It spat it out again.
0:24:06 > 0:24:10It's like when that swamp dragon ate R2D2 all over again, but arty.
0:24:15 > 0:24:18Notebooks - they cause so much fuss.
0:24:18 > 0:24:19Here Peppy drops hers
0:24:19 > 0:24:22in the clamouring throng to see movie star George,
0:24:22 > 0:24:25but as she picks it up, she's right next to him.
0:24:25 > 0:24:26Thanks notebook!
0:24:26 > 0:24:30However, look! The notebook's disappeared!
0:24:30 > 0:24:34That's gratitude for you. But once the notebook has had a word with
0:24:34 > 0:24:36its agent, it's back in the movie.
0:24:36 > 0:24:40Showbiz - such a fickle mistress.
0:24:45 > 0:24:48Normally this show has microphones creeping into shot,
0:24:48 > 0:24:50but here it's the opposite.
0:24:50 > 0:24:53There's the mic in shot.
0:24:55 > 0:24:57But then, boom, it's gone!
0:24:57 > 0:25:00I don't mean "boom" like the microphone, I mean...
0:25:00 > 0:25:03Oh, you know what I mean. Luckily it comes right back.
0:25:03 > 0:25:05Who'd have thought a microphone
0:25:05 > 0:25:08would be so troublesome in a silent movie?
0:25:12 > 0:25:14- More? - Yeah, just a little bit more.
0:25:14 > 0:25:16Don't tell your mother.
0:25:16 > 0:25:18Moneyball now,
0:25:18 > 0:25:21a quality crowd-pleaser about an American rounders team. Amazing!
0:25:21 > 0:25:23Here, Brad Pitt asks his daughter...
0:25:23 > 0:25:26Big spoon or little spoon?
0:25:26 > 0:25:28Little spoon.
0:25:29 > 0:25:33But then we see the little tyke clearly eating with a big spoon.
0:25:33 > 0:25:35Unless that really is the little spoon,
0:25:35 > 0:25:38and Brad Pitt's big spoon is actually a wok.
0:25:40 > 0:25:44Here Brad Pitt's cross with his rounders players.
0:25:44 > 0:25:46As he enters the dressing room or whatever it's called,
0:25:46 > 0:25:48Jeremy Giambi is dancing away.
0:25:54 > 0:25:58In the reverse shots, a white towel swings freely between his legs.
0:25:58 > 0:26:00From the front...
0:26:00 > 0:26:01not a sausage.
0:26:01 > 0:26:03Is losing fun?
0:26:06 > 0:26:09Another film about a small boy and a dead father,
0:26:09 > 0:26:10this time with robots,
0:26:10 > 0:26:15Martin Scorsese's escapist, exhilarating, magical Hugo.
0:26:15 > 0:26:17Where's the station inspector?
0:26:17 > 0:26:20Ben Kingsley enjoys a bit of notebook-based hocus-pocus
0:26:20 > 0:26:23with a disappearing, reappearing rubber band.
0:26:23 > 0:26:25First it's on the notebook...
0:26:28 > 0:26:31..then it isn't, then it is...
0:26:33 > 0:26:34..then it isn't.
0:26:34 > 0:26:37To be honest, it's behaving pretty much like any rubber band.
0:26:37 > 0:26:40Not there when you need it.
0:26:46 > 0:26:49Here, Hugo is performing a bog-standard card trick.
0:26:49 > 0:26:51Not so impressive, right?
0:26:51 > 0:26:52Wrong, magic fans.
0:26:52 > 0:26:56Not only does Hugo guess the right card, but he also manages
0:26:56 > 0:26:58to turn his right hand
0:26:58 > 0:27:01into his left hand. He's a true pro.
0:27:01 > 0:27:05No, that's fine. Just tell him to reschedule for Monday.
0:27:05 > 0:27:08Yeah, look, he's the roofer, the tiles are loose.
0:27:08 > 0:27:10Tell him to get up on the roof.
0:27:10 > 0:27:14There's rain coming in! Look, I'm at work, so...
0:27:14 > 0:27:16Great Movie Mistakes.
0:27:16 > 0:27:18Four.
0:27:18 > 0:27:20No, that was three.
0:27:20 > 0:27:23Listen, I present the ruddy thing, so I should know.
0:27:23 > 0:27:25OK, fine! Same to you!
0:27:27 > 0:27:30Blimey, are we done already?
0:27:30 > 0:27:32Time really does fly when you're having fun.
0:27:32 > 0:27:35Join us again next time for another serving of Great Movie Mistakes.
0:27:39 > 0:27:42Hi, it's me. Sorry if I was a bit ratty.
0:27:42 > 0:27:45Yeah. No, I love you too.
0:27:50 > 0:27:53Subtitles by Red Bee Media Ltd