0:00:32 > 0:00:35Hello, and welcome to Great Movie Mistakes,
0:00:35 > 0:00:37the show that does for films
0:00:37 > 0:00:40what people who mark exams do for exams -
0:00:40 > 0:00:42i.e. basically looks for mistakes and then says
0:00:42 > 0:00:45"Ahh! you made a mistake! Shame up!"
0:00:46 > 0:00:49Films often play fast and loose with the laws of the universe.
0:00:49 > 0:00:52They try and make us believe all kinds of things are possible.
0:00:52 > 0:00:54Like noise in the vacuum of space,
0:00:54 > 0:00:57surviving a nuclear blast by hiding in a fridge,
0:00:57 > 0:01:00or that people will laugh at a film with Rob Schneider in it.
0:01:00 > 0:01:02So, yes, impossible things.
0:01:02 > 0:01:05To be fair, some impossible film things are really cool.
0:01:05 > 0:01:08I mean, I believed for ages I could move things
0:01:08 > 0:01:10with the power of my mind. Still do, a bit.
0:01:14 > 0:01:15Deew!
0:01:25 > 0:01:27Cool.
0:01:27 > 0:01:29In the waste of time that's In Time,
0:01:29 > 0:01:32we see a far too successful booby trap.
0:01:32 > 0:01:35Stingers - strips of nails left on the road to puncture tyres - are
0:01:35 > 0:01:39used by the police to bring naughty vehicles to a controlled halt.
0:01:39 > 0:01:43However, when this former Mouseketeer drives over one,
0:01:43 > 0:01:46his car has a massive hissy fit and tumbles over a cliff,
0:01:46 > 0:01:50temporarily vaporising its passengers
0:01:50 > 0:01:52before they reappear at the bottom.
0:01:55 > 0:01:58Iron Sky now. A film which comprehensively
0:01:58 > 0:02:01fails its Baccalaureate in Science, which of course means it gets
0:02:01 > 0:02:04an A star in the totally made-up world of movie science.
0:02:05 > 0:02:07Why don't you narrate along with me as we play
0:02:07 > 0:02:10Things That Things Don't Do In The Vacuum Of Space.
0:02:13 > 0:02:16Firstly, we hear the sound of the ship separating,
0:02:16 > 0:02:18a massive blunder because - all together now -
0:02:18 > 0:02:20there's no sound in a vacuum.
0:02:22 > 0:02:25Then we see fires burning on the destroyed ship.
0:02:25 > 0:02:27One, two, three - fires don't burn in a vacuum.
0:02:31 > 0:02:34And as these banners unfurl, we can be pretty sure
0:02:34 > 0:02:38they wouldn't do this, as there's no air an a vacuum either.
0:02:38 > 0:02:42Rookie mistake - even I didn't fall into that trap when I made
0:02:42 > 0:02:45that fake moon landing footage I'm not allowed to talk about.
0:02:47 > 0:02:50In the insultingly bad Journey 2, these people are riding
0:02:50 > 0:02:54on giant bees, and I for one don't believe a frame of it.
0:02:54 > 0:02:58There's no way on earth anyone would cast that wrestler in a film.
0:02:58 > 0:03:01Anyway, the birds chasing them are apparently...
0:03:01 > 0:03:03That's a white-throated needletail.
0:03:03 > 0:03:05..when in fact it's quite clear
0:03:05 > 0:03:07that they're white-fronted bee-eaters.
0:03:08 > 0:03:10I know that because I'm a dedicated twitcher.
0:03:10 > 0:03:12Although the tablets are helping.
0:03:17 > 0:03:19When giving a presentation,
0:03:19 > 0:03:22the cardinal sin is not to walk through the beam,
0:03:22 > 0:03:25otherwise all your PowerPoint stuff will get shadows on it.
0:03:27 > 0:03:30You might want to splash out on the projector from the nostalgia-steeped
0:03:30 > 0:03:33Super 8, however, as the kids sit right in the beam
0:03:33 > 0:03:35without casting any shadow.
0:03:35 > 0:03:38Luckily, in this shot, the kids have vanished anyway.
0:03:41 > 0:03:43- What's up?- Noah!
0:03:43 > 0:03:45There aren't enough whistling kettles in films.
0:03:45 > 0:03:47The sad reason for this is that
0:03:47 > 0:03:50they are fiendishly scientifically complicated items.
0:03:51 > 0:03:54For example, if the spout is open, they won't whistle,
0:03:54 > 0:03:55a fact which is apparently news
0:03:55 > 0:03:58to the makers of fat-boy laugh-drought The Sitter.
0:03:58 > 0:03:59Sack the spout-wrangler.
0:04:01 > 0:04:04Solid Gold. Do you have any idea what that's worth?
0:04:04 > 0:04:07Matthew Broderick may be generally ace,
0:04:07 > 0:04:10but he doesn't know Jack Bueller about the weight of cars.
0:04:10 > 0:04:13He reckons a solid gold car would weigh about...
0:04:13 > 0:04:14Must weigh 2,000lbs.
0:04:14 > 0:04:17..but in reality they weigh something like a couple of tons
0:04:17 > 0:04:20and you certainly wouldn't be able to fling them about the way they do
0:04:20 > 0:04:23in brainless caper Tower Heist.
0:04:23 > 0:04:25I should know, I've got four of them.
0:04:25 > 0:04:27They give me one every time I do this show.
0:04:27 > 0:04:31Any more and I'll have to move a couple onto the helipad.
0:04:31 > 0:04:32Hallo?
0:04:34 > 0:04:36Is anybody here?
0:04:36 > 0:04:38Hallo?
0:04:38 > 0:04:41I'm here to make Great Movie Mistakes.
0:04:41 > 0:04:42Hallo?
0:04:44 > 0:04:46Great Movie Mistakes.
0:04:46 > 0:04:49I haven't heard those words in ten year or more.
0:04:51 > 0:04:54What? Who's there? Who said that?
0:04:54 > 0:04:56I said that.
0:04:56 > 0:05:01They haven't made Great Movie Mistakes in nigh on ten years.
0:05:01 > 0:05:05Not since that Robert Webb died so horribly and painfully.
0:05:05 > 0:05:08But that's ridiculous. I'm Robert Webb, and I...
0:05:13 > 0:05:18Horror Films. CREEPY LAUGH
0:05:20 > 0:05:23Gruesome, mind-bending horror in The Cabin In The Woods now.
0:05:24 > 0:05:27Doors in spooky houses have a mind of their own,
0:05:27 > 0:05:29but this one's indecisive.
0:05:29 > 0:05:32Here Dana leaves it open
0:05:32 > 0:05:35but now it's closed.
0:05:38 > 0:05:42However, in just a few seconds it's open again to let the gang in.
0:05:42 > 0:05:46Honestly, if they just fitted creepy houses with automatic doors
0:05:46 > 0:05:48it'd save all sorts of bother.
0:05:51 > 0:05:53A flipped shot moment in the intelligence-insulting Piranha 3DD.
0:05:55 > 0:05:57Not just any old flipped shot -
0:05:57 > 0:05:59it's one with the Hoff.
0:05:59 > 0:06:03Unless this badge is supposed to be in mirror writing. Poor show!
0:06:03 > 0:06:06You don't hire the Hoff and then make him look stupid.
0:06:06 > 0:06:08Insert punch line here.
0:06:08 > 0:06:13David? That's pretty cool. That's my name too. Here you go.
0:06:15 > 0:06:20Lacklustre and seriously flawed chiller Silent House now.
0:06:20 > 0:06:24Like the 1920s version of the Hugh Laurie TV hit.
0:06:24 > 0:06:27In this scene, we're asked to believe that what we're watching is
0:06:27 > 0:06:30one continuous shot.
0:06:32 > 0:06:35But that doesn't explain why the patterns of blood
0:06:35 > 0:06:38on Elizabeth Olsen's clothes and face keep changing.
0:06:42 > 0:06:44Maybe it's lupus. It's never lupus.
0:06:48 > 0:06:50Underworld: Awakening?
0:06:50 > 0:06:52Underworld: Snooze Button, more like!
0:06:52 > 0:06:55Awful film, but it features an amazing catsuit.
0:06:57 > 0:06:59Not only can you wear it in heels...
0:07:01 > 0:07:06..and then seconds later wear it in flats...
0:07:06 > 0:07:08..you can also hide a blooming great hand grenade
0:07:08 > 0:07:11in it without breaking the skin-tight lines in the slightest.
0:07:17 > 0:07:20Now look at the problem with the CCTV here.
0:07:20 > 0:07:23Security cameras are in fixed positions,
0:07:23 > 0:07:26they can't follow trolleys down corridors, can they?
0:07:30 > 0:07:34Well, this impossible camera seems to be playing Race You To The End.
0:07:38 > 0:07:40Unimaginative, uninspired gore shocks
0:07:40 > 0:07:42from Final Destination 5 now.
0:07:43 > 0:07:45The extras here are playing fast and loose with
0:07:45 > 0:07:49the laws of public transport as this woman exits the bus more than once.
0:07:55 > 0:07:58And the driver can't decide whether he's standing up...
0:08:00 > 0:08:02..or sitting down.
0:08:02 > 0:08:05He may just be all out of sorts because, you know, all the terror.
0:08:05 > 0:08:06To Death-town!
0:08:08 > 0:08:11Wolkim. Of you've just jooned us, mo noom is Rabert Wobb,
0:08:11 > 0:08:14and this is Grot Meevie Mistakes Number Far.
0:08:14 > 0:08:18Noxt on the faring loon os Spelling Mistakes.
0:08:18 > 0:08:21It's hoord to belove thet multi-mollion poond Hillywold flims
0:08:21 > 0:08:25would ever dee such a thong, but here they are, bild as briss.
0:08:25 > 0:08:31Leckily, I have trooned my scropt wrooters to utolose the spoll-chock focolity on their liptips,
0:08:31 > 0:08:37so they are vary unlookly to fick up the spolling on my lanks. Unjoy!
0:08:37 > 0:08:41Right, settle down, class. I have the results of your spelling tests.
0:08:41 > 0:08:44Cruise, leave Timberlake alone.
0:08:44 > 0:08:45First of all, Abduction.
0:08:45 > 0:08:49No, the character Nathan, that's not how you spell "disappeared".
0:08:49 > 0:08:51You'd have thought you'd have known that,
0:08:51 > 0:08:53in a film all about a person who has disappeared.
0:08:57 > 0:08:59Captain America, put your shield down, please.
0:08:59 > 0:09:01It was good of you to type out the credits of your film,
0:09:01 > 0:09:04but that is not how you spell Adolf Hitler.
0:09:06 > 0:09:08I see super spelling is not one of your powers.
0:09:11 > 0:09:14J Edgar Hoover, you may well have invented the Dyson
0:09:14 > 0:09:16but your spelling sucks.
0:09:16 > 0:09:19That is not how you spell Garfinckel.
0:09:19 > 0:09:21But to your credit, at least you noticed
0:09:21 > 0:09:23and corrected it straight away.
0:09:26 > 0:09:31No, the character Leo in The Vow. Don't sign that divorce document.
0:09:31 > 0:09:35"My" has been misspelled as "may" so the whole thing may not be valid.
0:09:39 > 0:09:41No, Goon, what do you call this in your credits?
0:09:41 > 0:09:46That is not how you spell "tomahawk". What the hell is a tomahawak? See me.
0:09:49 > 0:09:52And Swinton, we need to talk about spelling. That's the most
0:09:52 > 0:09:56misplaced accent since Hathaway had a crack at Yorkshire.
0:09:56 > 0:09:57Four out of ten.
0:10:00 > 0:10:04Oh, hi there. You probably thought this was footage of me
0:10:04 > 0:10:06attending a soiree with my showbiz pals
0:10:06 > 0:10:08at the Groucho's or the Nando's.
0:10:08 > 0:10:12In fact, these people here are supporting, or background artists.
0:10:12 > 0:10:14They are only pretending to be my friends,
0:10:14 > 0:10:16and have been paid to do so.
0:10:16 > 0:10:20Which is different from my actual friends because...
0:10:20 > 0:10:22Because...
0:10:24 > 0:10:26Roll the VT.
0:10:26 > 0:10:28General Patton has said...
0:10:28 > 0:10:31Now the soulless superhero flick Captain America,
0:10:31 > 0:10:34and it will shock you to discover that these aren't real soldiers
0:10:34 > 0:10:37but actual background artists.
0:10:37 > 0:10:40You can tell because here they walk behind Captain Phillips
0:10:40 > 0:10:41but in the very next shot
0:10:41 > 0:10:44they are marching again back where they started.
0:10:44 > 0:10:46Our boys wouldn't do that.
0:10:48 > 0:10:51In this daft but fun scene from The Muppets,
0:10:51 > 0:10:54keep watching the anger therapy patients fighting.
0:10:54 > 0:10:57One of them's not up to scratch with his brawling.
0:10:57 > 0:11:00Thursday's another one of my trigger words!
0:11:00 > 0:11:02You'll see the tall man with white hair
0:11:02 > 0:11:04is clearly not hitting anything...
0:11:05 > 0:11:07..as his punch misses by at least one foot.
0:11:09 > 0:11:13Yet, we hear the punch and the other man falls down.
0:11:14 > 0:11:16Also that's not a real animal.
0:11:16 > 0:11:17Animal!
0:11:19 > 0:11:20Not at night.
0:11:21 > 0:11:24We Bought A Zoo was over-sensitive and syrupy,
0:11:24 > 0:11:26but it's slightly better than the prequel
0:11:26 > 0:11:28I Rented A Newsagent-Cum-Off-Licence.
0:11:29 > 0:11:31Off-camera string-pulling is visible here
0:11:31 > 0:11:34when two extras are waiting for their cue to walk forward,
0:11:34 > 0:11:37which they start to do after a couple of seconds.
0:11:39 > 0:11:41And action. Nice.
0:11:45 > 0:11:47Guys, it's the other zoo film - it's Zookeeper!
0:11:48 > 0:11:50Guys?
0:11:51 > 0:11:54Here Griffin cycles past a man sat on a bench
0:11:54 > 0:11:56wearing a blue blazer and cream trousers.
0:12:00 > 0:12:04Then later, from Griffin's POV, we see he's about to cycle past
0:12:04 > 0:12:06a woman in a light shirt and blue jeans
0:12:06 > 0:12:07and a man in a straw-coloured hat.
0:12:10 > 0:12:11But from the opposite angle,
0:12:11 > 0:12:15he's just cycled past the man in a blue blazer and cream trousers.
0:12:15 > 0:12:17It doesn't make any sense, I tell you.
0:12:17 > 0:12:21Like the decision to green light this film in the first place.
0:12:22 > 0:12:25Now, Wes Anderson's escapist, eccentric quirk-fest
0:12:25 > 0:12:27Moonrise Kingdom.
0:12:27 > 0:12:29When Cousin Ben is talking to Sam and Suzy
0:12:29 > 0:12:32as they walk through the camp, a marching scout extra
0:12:32 > 0:12:37in the background can be seen looking and waving at the camera.
0:12:37 > 0:12:39He'll be earning his Ruin The World Of The Movie badge,
0:12:39 > 0:12:41I shouldn't wonder.
0:12:43 > 0:12:44Great Plot Hole Mistakes -
0:12:44 > 0:12:48gaffes so massively bad an entire film falls apart.
0:12:49 > 0:12:51This time, the outstanding, action-packed must-see
0:12:51 > 0:12:53sci-fi classic Terminator 2: Judgement Day.
0:12:55 > 0:12:57The story so far - in the first gripping and suspenseful
0:12:57 > 0:13:01Terminator film, a robot comes from the future to kill Sarah Connor
0:13:01 > 0:13:05and stop her from having a son who becomes a future revolutionary.
0:13:05 > 0:13:07Kyle Reese, also from the future, trains Sarah
0:13:07 > 0:13:11and gives her the knowledge she needs to defeat the robot.
0:13:11 > 0:13:14She and Kyle get it on and conceive the prodigal son, John Connor.
0:13:14 > 0:13:15Now - fast forward 11 years to 1995.
0:13:17 > 0:13:20The robots are going to have another go.
0:13:20 > 0:13:22They send a more advanced Terminator back this time
0:13:22 > 0:13:25with the mission of killing the now 11-year-old John Connor.
0:13:25 > 0:13:28Good plan, robots.
0:13:28 > 0:13:32But wait! Why have you sent it back to 1995, the very place where
0:13:32 > 0:13:36Sarah Connor has had over a decade to prepare for such an event?
0:13:36 > 0:13:38Look, you've given her some time to
0:13:38 > 0:13:40raise her son to be a leader of the human resistance.
0:13:40 > 0:13:41Smart work.
0:13:43 > 0:13:44I mean, guys, she's already
0:13:44 > 0:13:46attempted to bomb a computer factory,
0:13:46 > 0:13:48and she's got a huge arsenal of weaponry
0:13:48 > 0:13:51stored in an underground bunker.
0:13:51 > 0:13:54What they should do is send the Terminator back further in time
0:13:54 > 0:13:55to when they don't know about any of this.
0:13:55 > 0:13:59Why not go back to the '70s when Sarah Connor was in school?
0:14:02 > 0:14:05Or they could go even further back and just take her out when she was a baby.
0:14:08 > 0:14:11Or with a bit of imagination, they could go back even further
0:14:11 > 0:14:13and kill off her grandparents,
0:14:13 > 0:14:16and stop Sarah even getting born in the first place.
0:14:16 > 0:14:18Or further still.
0:14:19 > 0:14:20You get the general idea.
0:14:20 > 0:14:23So, robots, not as clever as you think you are.
0:14:23 > 0:14:26Because if you were, you wouldn't have had to make
0:14:26 > 0:14:27Terminator 2: Judgement Day.
0:14:27 > 0:14:30Which is why I hardly ever chat with my Roomba.
0:14:30 > 0:14:31The end.
0:14:35 > 0:14:38Oh, this is ridiculous. I can't make it sync.
0:14:38 > 0:14:40Sync with laptop.
0:14:40 > 0:14:42PHONE: Do you want me to call your Uncle Martin?
0:14:43 > 0:14:45Sync with laptop.
0:14:45 > 0:14:47Searching the internet for scuba-diving courses.
0:14:49 > 0:14:51Sync with laptop.
0:14:51 > 0:14:55That's great. Sync with laptop is now in your diary for April.
0:14:55 > 0:14:57Do you want a reminder?
0:14:57 > 0:14:59Technology!
0:15:00 > 0:15:04This is the zesty but trivial What's Your Number?
0:15:04 > 0:15:07And this clip is a little embarrassing for the production
0:15:07 > 0:15:10as it obviously shows up the fact that they bought a knock off iPhone
0:15:10 > 0:15:13copy from the Australian company Ipple
0:15:13 > 0:15:15as when Ally answers it...
0:15:15 > 0:15:17it's upside down.
0:15:17 > 0:15:21Hi, Mom, can I call you right back? I'm in a meeting. OK.
0:15:25 > 0:15:27One thing I really hate is when you're not sure
0:15:27 > 0:15:30whether a text you sent has arrived.
0:15:30 > 0:15:34Fortunately the bland and uneven Like Crazy has the answer.
0:15:34 > 0:15:39All you need to do is send your texts on either May 28th or
0:15:39 > 0:15:43December 1st because apparently they are interchangeable.
0:15:46 > 0:15:48The catchily-titled Twilight: Breaking Dawn Part 1 now,
0:15:50 > 0:15:52and here Bella is calling Rosalie
0:15:52 > 0:15:55but we can clearly see her phone is in lock mode.
0:15:56 > 0:16:00Or is it? Vampire phones are special though as they're always
0:16:00 > 0:16:03unlocked for emergency orders of delicious blood sandwiches.
0:16:06 > 0:16:09A good romantic comedy should make you feel like anything is possible.
0:16:09 > 0:16:12Apparently so can middling ones,
0:16:12 > 0:16:14as this clip from Salmon Fishing In The Yemen proves.
0:16:14 > 0:16:18It tries to make us believe that you can successfully send
0:16:18 > 0:16:21heartfelt text messages when you clearly have no signal.
0:16:25 > 0:16:27In the slow-paced and depressing Young Adult,
0:16:27 > 0:16:30Mavis is getting a cassette out of her bag.
0:16:32 > 0:16:34It's fully rewound.
0:16:36 > 0:16:40But when she puts it in the car it is halfway through a song
0:16:40 > 0:16:42and she has to rewind it.
0:16:42 > 0:16:46She wants to get at that cassette with a pencil.
0:16:46 > 0:16:48Or a biro. Which did you use?
0:16:49 > 0:16:51Oh, ask your mum and dad then!
0:16:54 > 0:16:57Here's the man who is suddenly in all films answering a phone
0:16:57 > 0:16:58in the so-so indie Jeff Who Lives At Home.
0:16:58 > 0:17:00PHONE RINGS
0:17:00 > 0:17:03But he doesn't press the button to answer it.
0:17:03 > 0:17:05"A-ha!" think the boffins in the edit,
0:17:05 > 0:17:07"We can fix that with a beep!"
0:17:09 > 0:17:10PHONE RINGS
0:17:10 > 0:17:13No, you cannot, boffins, for I, Robert Webb, have spotted it
0:17:13 > 0:17:15and thusly foiled you.
0:17:18 > 0:17:19Sometimes, a film is just
0:17:19 > 0:17:23so damn good that the only thing to do is make it again, but different.
0:17:23 > 0:17:26You know that feeling where you're watching a cracking movie
0:17:26 > 0:17:29and you think to yourself, "I'd love to see this again with
0:17:29 > 0:17:32"different actors and with some of the dialogue slightly changed?"
0:17:32 > 0:17:37Well, no, neither do I, but presumably it's happened to someone.
0:17:37 > 0:17:39American studios have a particular fondness
0:17:39 > 0:17:41for making new versions of French films,
0:17:41 > 0:17:44figuring that nobody could possibly have seen the original.
0:17:44 > 0:17:47Next time you see something hoo-larious with Adam Sandler
0:17:47 > 0:17:51in a dress or Cameron Diaz being amusingly coarse, bear in mind it
0:17:51 > 0:17:55probably started life as a sensitive examination of personal identity
0:17:55 > 0:17:56called Pourquoi Moi?
0:17:58 > 0:18:01In Die Another Day, James Bond had an invisible car.
0:18:01 > 0:18:02Here's there's two -
0:18:04 > 0:18:08in this is lamentable spoof TV remake Dark Shadows.
0:18:10 > 0:18:12You see? They're invisible.
0:18:12 > 0:18:14Ha! Yah, boo, sucks, 007!
0:18:19 > 0:18:22Now, that social taboo we're all uncomfortable talking about -
0:18:22 > 0:18:25spontaneous combustion.
0:18:25 > 0:18:29Luckily, the treatment's just a good dousing with water.
0:18:29 > 0:18:31Special dry water that doesn't leave
0:18:31 > 0:18:33a trace in the bucket once you've thrown it.
0:18:38 > 0:18:42Vampires do DIY just like us regular folk.
0:18:42 > 0:18:44Barnabas is inside a coffin with a separate lid,
0:18:44 > 0:18:46but between here and the graveyard
0:18:46 > 0:18:50they've clearly managed a pit stop at IKEA for some hinges.
0:18:50 > 0:18:53They probably also picked up 500 tea lights for 50p
0:18:53 > 0:18:55and gorged on Swedish meatballs.
0:18:58 > 0:19:01The aptly-named 21 Jump Street now, a violent and naughty film
0:19:03 > 0:19:05where characters jump from one location to another
0:19:05 > 0:19:08without paying any attention to boring stuff like continuity.
0:19:08 > 0:19:11For example, this door opens on three people
0:19:11 > 0:19:13but only two of them walk in.
0:19:13 > 0:19:16- Who invited you guys? - I did. The party's here.
0:19:16 > 0:19:18- What's up?- Hi, buddy.
0:19:18 > 0:19:22Delroy's probably popped round the corner to 21 Teleport Street.
0:19:26 > 0:19:28A bona fide miracle, next.
0:19:28 > 0:19:31Never mind loaves and fishes, some higher power obviously
0:19:31 > 0:19:34decided that this tatty old newspaper on the church door
0:19:34 > 0:19:36was making the place look untidy
0:19:36 > 0:19:39because mere seconds later, it's gone.
0:19:39 > 0:19:40Hallelujah!
0:19:43 > 0:19:47It's hard to keep track of relations when you're from a larger family.
0:19:47 > 0:19:49Like Ren in the semi-enjoyable but pointless Footloose remake.
0:19:51 > 0:19:53His cousins can't stand still.
0:19:53 > 0:19:55Here he's greeted by two of them.
0:19:55 > 0:20:00How you doing? You guys are huge. Get off me. Attack of the cousins!
0:20:00 > 0:20:01But then he's with just one.
0:20:01 > 0:20:04The other's hanging out with Lulu.
0:20:04 > 0:20:08Not that Lulu, alas, she's not in either of the Foots Loose.
0:20:10 > 0:20:14This cross but charismatic young gentlemen played by not Kevin Bacon
0:20:14 > 0:20:17gets all crossly into his Beetle and drives away,
0:20:17 > 0:20:19showing the exposed engine.
0:20:19 > 0:20:21ENGINE STARTS
0:20:25 > 0:20:27But when he arrives at this warehouse,
0:20:27 > 0:20:30the boot is repaired and the engine covered.
0:20:30 > 0:20:33If you don't know what I'm talking about when I say,
0:20:33 > 0:20:35"she sees a nun and falls off the bell tower"
0:20:35 > 0:20:38or "it's his sledge," then congratulations!
0:20:38 > 0:20:41You've just had the two top films of all time ruined for you.
0:20:41 > 0:20:45In the latest BFI/Sight and Sound Poll of the greatest ever films,
0:20:45 > 0:20:49Vertigo ended Citizen Kane's long run by pipping it to the top spot.
0:20:49 > 0:20:53The rest of the top ten was made up of popular favourites like
0:20:53 > 0:20:55Tokyo Story, La Regle De Jeu,
0:20:55 > 0:20:56Sunrise: A Song Of Two Humans and
0:20:56 > 0:20:58The Passion Of Joan Of Arc,
0:20:58 > 0:21:02because film critics aren't in any way up themselves.
0:21:02 > 0:21:04Anyway, even being the best of all time
0:21:04 > 0:21:08doesn't protect you from our beady eye.
0:21:08 > 0:21:11The harsh and brutally dark war classic Apocalypse Now
0:21:11 > 0:21:15features this cameo from director, Francis Ford Coppola.
0:21:15 > 0:21:18He clearly loves the limelight, as just seconds before,
0:21:18 > 0:21:22we see the crew filming in blatant silhouette.
0:21:22 > 0:21:24Word of advice FFC, next time do it with jazz-hands.
0:21:30 > 0:21:33Astonishing visuals, plus over-pretentiousness equals
0:21:33 > 0:21:352001: A Space Odyssey,
0:21:35 > 0:21:37and in this scene which takes place some hours
0:21:37 > 0:21:42before the plot starts, Dr Floyd is looking at pictures of ground.
0:21:42 > 0:21:45However, now it's completely different ground.
0:21:45 > 0:21:48That's what happens when you do 127 retakes,
0:21:48 > 0:21:50Mr Kubrick, learn from the professionals.
0:21:53 > 0:21:56I honestly think you ought to sit down calm.
0:21:56 > 0:21:59Now, should I ever find myself trapped on an airless space station
0:21:59 > 0:22:02trying to stop a malfunctioning AI from killing me,
0:22:02 > 0:22:06remind me to make sure my spacesuit, essential in an airless environment,
0:22:06 > 0:22:09is securely fastened, exposing no flesh,
0:22:09 > 0:22:12otherwise I might get a bit breathless,
0:22:12 > 0:22:16goggly eyed and generally explode a bit.
0:22:16 > 0:22:22Meticulously crafted, and elegantly shot, it can only be Citizen Kane.
0:22:22 > 0:22:25However, here you can see some animated pterodactyls
0:22:25 > 0:22:28flying around some 20th century picnickers!
0:22:28 > 0:22:31Apparently this was background footage nabbed from Son Of Kong,
0:22:31 > 0:22:33but Orson Welles reportedly liked
0:22:33 > 0:22:35the reptiles so much he kept them in.
0:22:35 > 0:22:38Orson, you well-known perfectionist, you, of course you did!
0:22:43 > 0:22:46Interior design now, and here's Jimmy Stewart in the exciting
0:22:46 > 0:22:50and tension filled number one movie in the poll, Vertigo.
0:22:50 > 0:22:53Look at the cushions he offers Madeline to sit on.
0:22:53 > 0:22:57They're green, yes? Oh no they're not, they're gold.
0:22:58 > 0:23:00Oh, wait a minute, sorry folks.
0:23:00 > 0:23:04They're definitely, definitely green.
0:23:06 > 0:23:08Ever the attentive host,
0:23:08 > 0:23:12Jimmy's offering his lovely visitor a cup of coffee.
0:23:12 > 0:23:14Well, to be more precise, just a cup.
0:23:14 > 0:23:16Maybe she should pop next door
0:23:16 > 0:23:18and borrow some from the hunky neighbour?
0:23:22 > 0:23:24In this tense scene on the beach,
0:23:24 > 0:23:27Madeline is getting in touch with nature and hugging a tree.
0:23:27 > 0:23:34I'm walking down a long corridor, that once was mirrored.
0:23:34 > 0:23:36And fragments of the mirror still hang there.
0:23:36 > 0:23:38However, she manages to turn her back on it,
0:23:38 > 0:23:40seemingly without moving.
0:23:40 > 0:23:43I tell you what, that Alfred Hitchcock certainly knows
0:23:43 > 0:23:45how to weave a web of mystery and intrigue.
0:23:47 > 0:23:49You know when a film is about castles
0:23:49 > 0:23:52and knights or Jesuses or Vikings or all of those?
0:23:52 > 0:23:55Well, they didn't film them back then because they couldn't,
0:23:55 > 0:23:58because long ago, people were stupid and couldn't plug things in.
0:23:58 > 0:24:01But the problem with filming historical items is that
0:24:01 > 0:24:04things that have no business being on screen sometimes turn up -
0:24:04 > 0:24:07like mobile phones, digital watches or Danny Dyer.
0:24:07 > 0:24:10Here's a selection of some of the most prominent
0:24:10 > 0:24:11anachronisms of the year.
0:24:11 > 0:24:14I'm actually wearing an anachronism right now.
0:24:14 > 0:24:16I'm sure you've spotted it. Yes, that's right.
0:24:16 > 0:24:19This shirt is from 2035.
0:24:19 > 0:24:21More from Jason Mark-Of-Quality Statham here in Killer Elite.
0:24:23 > 0:24:25Yeah, me neither.
0:24:25 > 0:24:28In this thrill-packed scene set in 1980,
0:24:28 > 0:24:30we can see a Superdry logo on his coat,
0:24:30 > 0:24:33when in fact lads' mags readers didn't wander around
0:24:33 > 0:24:38with that written all over them until the brand was founded in 2003.
0:24:38 > 0:24:40Just have to slow him down, won't we?
0:24:42 > 0:24:45Guy Ritchie will kick himself over this one.
0:24:45 > 0:24:48In his naff Sherlock Holmes movie,
0:24:48 > 0:24:50Moriarty listens to Schubert on his phonograph.
0:24:50 > 0:24:52MUSIC PLAYS
0:24:52 > 0:24:54When, as we know, in 1891,
0:24:54 > 0:24:57Schubert's work was only available on download.
0:24:57 > 0:25:00No, hang on a minute, that's not right.
0:25:00 > 0:25:05But that type of record wasn't introduced until the 20th century.
0:25:05 > 0:25:07This fish, you cannot cheat.
0:25:08 > 0:25:11Everyone's favourite lovable rom-com kook Margaret Thatcher
0:25:12 > 0:25:16in the impressive Iron Lady is getting her hair done.
0:25:16 > 0:25:19But this scene is set in 1975,
0:25:19 > 0:25:23two years before those tinfoil highlighty things were patented.
0:25:23 > 0:25:26Maybe they're just bits of her iron head or something.
0:25:26 > 0:25:29It's not like this film got any of its facts wrong.
0:25:31 > 0:25:33Underwhelming remake The Thing now.
0:25:34 > 0:25:37So, what's wrong with this troubling scene, do you think,
0:25:37 > 0:25:39off the top of your head?
0:25:40 > 0:25:43That's right, it's what's on top of her head - moulded
0:25:43 > 0:25:47plastic headphones weren't available in 1982 when this scene is set.
0:25:47 > 0:25:50Other proof that this isn't from 1982 is that nobody is
0:25:50 > 0:25:53playing Simon or eating Ice Magic.
0:25:57 > 0:26:00In this clip from the brilliant War Horse, we see our hero,
0:26:00 > 0:26:03the warhorse, busy being a horse in a war.
0:26:03 > 0:26:06See as he gallops magnificently down a long straight trench.
0:26:08 > 0:26:10Problem is, trenches were built in zigzags
0:26:10 > 0:26:13so enemy interlopers couldn't just pick off everyone with a few shots.
0:26:14 > 0:26:18I'd go and see the stage version instead. It's got massive puppets.
0:26:26 > 0:26:27An adventure begins.
0:26:27 > 0:26:30We Bought A Zoo is set way back in June 2010.
0:26:30 > 0:26:32It's a formulaic and nauseating film
0:26:32 > 0:26:34about how some people open a zoo.
0:26:36 > 0:26:39And about how Matt Damon invents a time machine.
0:26:39 > 0:26:41Because the house listings he's following here
0:26:41 > 0:26:43are from January 2011.
0:26:44 > 0:26:47And later on he refers to his daughter as being...
0:26:47 > 0:26:50I can't even find you, you're like a Chilean miner.
0:26:50 > 0:26:53..When the mine didn't collapse until August that year.
0:26:53 > 0:26:57Call the miners, you could have warned them, prescient Matt Damon!
0:26:57 > 0:27:01Well, the time has come for film-makers to breathe a sigh of relief,
0:27:01 > 0:27:03because we're done - for now.
0:27:03 > 0:27:04But beware Hollywood.
0:27:04 > 0:27:07If you try and get away with even the tiniest little error,
0:27:07 > 0:27:13a misplaced hair, a shifting coffee cup or making John Carter, we will be watching. Good night.
0:27:23 > 0:27:25Subtitles by Red Bee Media Ltd