IV: May the Fourth Be with You

0:00:46 > 0:00:48Bad luck, movie makers, it's us again.

0:00:48 > 0:00:51This is the show that takes out its geeky monocle

0:00:51 > 0:00:53and scrutinises your puny human efforts.

0:00:53 > 0:00:58We'll pore over every frame to find your boobs...

0:00:58 > 0:01:00Yeah. Can we have another go?

0:01:00 > 0:01:04I'm not sure, "find your boobs" is quite right. Thanks.

0:01:04 > 0:01:06- Action!- Where was I?

0:01:06 > 0:01:07Ah, yes.

0:01:07 > 0:01:10This may look, to you, like a renovated church,

0:01:10 > 0:01:11but, in fact, it's a nerve hub.

0:01:11 > 0:01:14It's a nucleus - an offshoot of the Matrix.

0:01:14 > 0:01:16Well, all right, it is a renovated church

0:01:16 > 0:01:20but just off camera, in the crypt, is a team of pale-faced, muttering,

0:01:20 > 0:01:25gibbering, almost subhuman creatures that we call our researchers.

0:01:25 > 0:01:27They've taken dedication to the point of actual mania.

0:01:27 > 0:01:30They're now unable even to go for a cup of coffee

0:01:30 > 0:01:33without going up to complete strangers and shouting,

0:01:33 > 0:01:37"You were holding that cup in the other hand five minutes ago, you LOSER!"

0:01:37 > 0:01:39Either that or they're just looking at Facebook

0:01:39 > 0:01:44and cutting and pasting from IMDB but it's probably the first one.

0:01:44 > 0:01:45On tonight's show...

0:01:56 > 0:01:59And which of these films made the most mistakes in just one scene?

0:01:59 > 0:02:00Find out later!

0:02:02 > 0:02:04So, on with the show.

0:02:04 > 0:02:05Now, if you're anything like me,

0:02:05 > 0:02:08you've been transported inside the software world

0:02:08 > 0:02:10of a mainframe computer where you have to offer up

0:02:10 > 0:02:13astonishing movie blunders in an attempt to get back out.

0:02:13 > 0:02:15But you're not like me at all - quite the opposite.

0:02:15 > 0:02:18I'm on the television and you're poised over Twitter

0:02:18 > 0:02:20ready to be all cross at me for doing another clip show -

0:02:20 > 0:02:24to which I can only reply, "Welcome to Great Movie Mistakes IV!"

0:02:24 > 0:02:28And by the way - only one of us gets to ride that incredible Laser Bike.

0:02:28 > 0:02:30Hashtag, it's me.

0:02:31 > 0:02:34Let's look at our first batch of Hollywood howlers.

0:02:36 > 0:02:37I want what you owe me...

0:02:37 > 0:02:40Here's The Dark Knight Rises -

0:02:40 > 0:02:42big scale thrills but a huge, preposterous letdown.

0:02:42 > 0:02:47- Nice outfit. Those heels make it tough to walk?- I don't know.

0:02:48 > 0:02:51Good question, though, as only moments later we get the answer.

0:02:54 > 0:02:57They're clearly retractable heels that disappear when running

0:02:57 > 0:02:59and brawling's on the cards.

0:03:03 > 0:03:07Could Bruce Wayne of stately Wayne Manor be a benefits cheat?

0:03:07 > 0:03:08Consider this evidence.

0:03:08 > 0:03:11Here he's having a chat with Mr Fox...

0:03:11 > 0:03:14If you filed your entire R&D budget into a fusion project...

0:03:14 > 0:03:17..but as soon as he realises the cameras are on him

0:03:17 > 0:03:20a walking stick suddenly appears.

0:03:20 > 0:03:22Next year expect to see him break dancing

0:03:22 > 0:03:23on Britain's Got Talent.

0:03:23 > 0:03:25I can't. I can't, Lucius.

0:03:28 > 0:03:30Fighting and chaos reigns in Gotham City

0:03:30 > 0:03:33and the smell of testosterone is high

0:03:33 > 0:03:36but one man seems more lavender-scented...

0:03:36 > 0:03:38Did you see him? Rewind!

0:03:40 > 0:03:43This chap's fighting nobody at all!

0:03:43 > 0:03:45Listen, matey, you're only supposed to punch the air

0:03:45 > 0:03:47when you win a fight.

0:03:50 > 0:03:53Glossy and entertaining as The Hunger Games was,

0:03:53 > 0:03:56it left many fans disappointed - and is this why.

0:03:56 > 0:03:59Look at the flowers being thrown at the parading chariots.

0:03:59 > 0:04:02We will not be overlooked. Now, I LOVE that!

0:04:05 > 0:04:07Now look at the roadway - completely clear.

0:04:07 > 0:04:11No wonder everyone's so hungry if all their vegetation self-destructs.

0:04:15 > 0:04:18Politically thrilling political thriller The Ides Of March

0:04:18 > 0:04:20has Philip Seymour Hoffman visiting a pretend barber

0:04:20 > 0:04:23who pretends to cut his hair.

0:04:23 > 0:04:27I mean, it looks like a nice close cut but where are all the clippings?

0:04:27 > 0:04:29Nothing's actually been cut off.

0:04:30 > 0:04:34Ah, ready to face the world with a fresh new non-haircut.

0:04:38 > 0:04:41Lacklustre and rushed - it's the not-so-Amazing Spider-Man

0:04:41 > 0:04:45where Peter and The Lizard are having a dust-up.

0:04:45 > 0:04:47And boy, does Peter get dusted up!

0:04:48 > 0:04:51Though realising that he'll upset Aunt May,

0:04:51 > 0:04:53he quickly cleans himself up again - a bit.

0:04:59 > 0:05:02Gwen, I worry if Peter's the right guy for you.

0:05:02 > 0:05:05When you chat, although you may think you've got his attention

0:05:05 > 0:05:06with his earphones out...

0:05:06 > 0:05:10- Oh, it's Thursday.- It's Thursday? - What happened to your eye?

0:05:10 > 0:05:14..he's only half-listening as his right earphone springs back in.

0:05:14 > 0:05:16No, love, the right ear!

0:05:19 > 0:05:21- Hey.- What do we have here? A concealed weapon?

0:05:21 > 0:05:23Hey, it's his grandmother's suit!

0:05:23 > 0:05:25Now this a blatant mistake from the fairly good,

0:05:25 > 0:05:28reasonably fun Men In Black III.

0:05:28 > 0:05:29..before you press that...

0:05:29 > 0:05:31I'll leave it to you to work out what the error is.

0:05:31 > 0:05:32If you can't get it,

0:05:32 > 0:05:35you probably need some suddenly appearing glasses.

0:05:35 > 0:05:37Ah, that's a giveaway.

0:05:37 > 0:05:39..is a standard issue Neuralyzer.

0:05:42 > 0:05:45In this scene from the surprisingly tense, watch-through-your-fingers,

0:05:45 > 0:05:48Woman In Black, Harry Potter's brought a magic dog with him,

0:05:48 > 0:05:52from Hogwarts. There he is overtaking the dog...

0:05:52 > 0:05:55and now suddenly the dog's in front of him again.

0:05:56 > 0:05:59It's probably some sort of spell.

0:05:59 > 0:06:01"Teleportio!" or something.

0:06:02 > 0:06:05I don't know if you've noticed this, but some films like

0:06:05 > 0:06:08The Bourne Identity and Annie just have normal heroes in them.

0:06:08 > 0:06:11Whereas all the best films have superheroes in them,

0:06:11 > 0:06:13who are like normal heroes but superer.

0:06:13 > 0:06:17One of my favourite superhero films this year was Avengers Assembly,

0:06:17 > 0:06:19where all the Avengers and their teachers

0:06:19 > 0:06:21got together in the main hall and sang hymns.

0:06:21 > 0:06:24I'm really looking forward to the sequels - Avengers Harvest Festival,

0:06:24 > 0:06:27Avengers Nativity and Avengers Wet Break.

0:06:27 > 0:06:30Right, shut up, everyone, it's Avengers Assemble,

0:06:30 > 0:06:32which is MASSIVELY exciting.

0:06:32 > 0:06:34Here Captain America takes a shot,

0:06:34 > 0:06:37causing terrible damage to his costume and body...

0:06:39 > 0:06:42..and over here everyone's second favourite Sherlock Holmes

0:06:42 > 0:06:44but first favourite Iron Man, Robert Downey Jr,

0:06:44 > 0:06:46has a great big cut to his right eyebrow...

0:06:48 > 0:06:51..but here's proof of the power of positive thinking -

0:06:51 > 0:06:54all evidence of damage has gone from the Captain's cozzie

0:06:54 > 0:06:56and the Iron's cut has miraculously healed.

0:06:59 > 0:07:02Now Thor and Iron Man are having a scrap.

0:07:02 > 0:07:06Thor sends Iron Man flying off into the woods.

0:07:06 > 0:07:08You want me to put the hammer down?!

0:07:08 > 0:07:10Then when Thor turns on Captain America, he's all like,

0:07:10 > 0:07:13"My American shield will protect me,"

0:07:13 > 0:07:16and Thor then flies off into the woods...

0:07:27 > 0:07:30..but when they all get up, they're about a metre apart.

0:07:30 > 0:07:34Those Avengers Assembled a little too quickly, if you ask me!

0:07:34 > 0:07:35Are we done here?

0:07:37 > 0:07:41Part of the skill of being a special effects wizard is making sure

0:07:41 > 0:07:43that none of your tricks of the trade are exposed.

0:07:43 > 0:07:47Unfortunately in this clip we have the FX version of an upskirt...

0:07:52 > 0:07:56..as the ratchet cable used to spin the car is clearly visible.

0:08:00 > 0:08:02There are some superheroes you really invest in

0:08:02 > 0:08:05and others nobody gives a toss about.

0:08:06 > 0:08:09Captain America, now, and you'll see here

0:08:09 > 0:08:11how Steve goes into the getting-buff-matron

0:08:11 > 0:08:13in perfect-fitting trousers...

0:08:17 > 0:08:18Mr Stark!

0:08:21 > 0:08:24..which still fit perfectly after he's gone all big.

0:08:24 > 0:08:27Still, it's by that logic that we all avoided seeing

0:08:27 > 0:08:30Lou Ferrigno's naughty bits, so, you know, every cloud.

0:08:42 > 0:08:45After some impressive underwater rough and tumble,

0:08:45 > 0:08:48Steve throws Heinz out of the water and onto the dock

0:08:48 > 0:08:51but, miraculously, both of them are dry.

0:08:53 > 0:08:56This is a shame, I'd have loved to see them both have a rub down

0:08:56 > 0:08:59with some fluffy towels before he takes that deadly pill.

0:09:01 > 0:09:03Tomorrow shall take its place.

0:09:08 > 0:09:10One of Captain America's unsung superpowers

0:09:10 > 0:09:13is the ability to deteriorate buildings.

0:09:13 > 0:09:17Here he is making an evil Nazi railing break by sheer

0:09:17 > 0:09:19power of charisma and pectorals.

0:09:19 > 0:09:20Intact here...

0:09:27 > 0:09:30- Got to be a rope or something! - Just go! Get out of here!

0:09:30 > 0:09:32Not going without you!

0:09:32 > 0:09:34..and broken here.

0:09:34 > 0:09:37In the sequel he takes down Stalin with some well-placed dry rot.

0:09:41 > 0:09:44A shocking, sad and pivotal scene from the Amazing Spider-Man, here,

0:09:44 > 0:09:47as Uncle Ben's shot down...

0:09:48 > 0:09:52..but here's proof Charlie Sheen's dad's just doing his actor day job.

0:09:52 > 0:09:55See how he falls to the ground with glasses on?

0:09:57 > 0:09:59Well, he must be taking a nap,

0:09:59 > 0:10:02as when Peter rushes to help him here, the glasses are off.

0:10:02 > 0:10:04Someone call an ambulance!

0:10:07 > 0:10:09Keep your eyes on this numberplate.

0:10:09 > 0:10:11Hmm, is this Eastern Europe?

0:10:11 > 0:10:13Thought so.

0:10:13 > 0:10:16This is the contrived, forgotten Ghost Rider sequel.

0:10:19 > 0:10:21Look at the numberplate now -

0:10:21 > 0:10:22it's reversed.

0:10:25 > 0:10:27That's the problem with ghost riders -

0:10:27 > 0:10:30the numberplasms on their motorspookles

0:10:30 > 0:10:32are very unreli-I-I-I-able!

0:10:36 > 0:10:38Finding out they've developed superpowers

0:10:38 > 0:10:40makes the kids in effective low-budgeter Chronicle

0:10:40 > 0:10:41really excited,

0:10:41 > 0:10:43and, like most teenage boys, they celebrate

0:10:43 > 0:10:45by trying to hurt each other.

0:10:46 > 0:10:49Steve gets Matt slap-bang under the right eye...

0:10:49 > 0:10:50THEY LAUGH

0:10:52 > 0:10:57Dude, get off! Get off! What are you doing?

0:10:57 > 0:10:59- Underhand.- I tried, man. I tried.

0:10:59 > 0:11:02..but soon they're laughing on the other side of their faces.

0:11:02 > 0:11:04Sorry, bruising on the other side of their faces.

0:11:06 > 0:11:10Now we come to the mistakes, which are so asinine, so dumb,

0:11:10 > 0:11:14so daft, so idiotic, so brainless, so thick, so inept

0:11:14 > 0:11:18and just so plain stupid they get a whole category to themselves.

0:11:19 > 0:11:21'Cut!'

0:11:21 > 0:11:25What? That was perfect. I'm not doing it again. That was fine.

0:11:25 > 0:11:27How to completely sell out a joke -

0:11:27 > 0:11:29basically, what you do, is have a funny idea,

0:11:29 > 0:11:32like these commune people in the utterly standard Wanderlust,

0:11:32 > 0:11:35making a feature of never clapping but finger-rubbing.

0:11:35 > 0:11:38This is much less aggressive than clapping.

0:11:38 > 0:11:41Try it. Try it. Seriously, it's better.

0:11:41 > 0:11:42Two, three...

0:11:42 > 0:11:46Then, later on, have the exact same people clap like us normal folk.

0:11:46 > 0:11:49That's one joke that won't be bothering anyone again!

0:11:54 > 0:11:56Marginally diverting Man On A Ledge next,

0:11:56 > 0:11:59and in this clip, man not-yet-on-a-ledge

0:11:59 > 0:12:01is being very careful to remove his fingerprints

0:12:01 > 0:12:03from everything he touches.

0:12:03 > 0:12:06Oh, except the window he's going to open with his bare, fingerprinty,

0:12:06 > 0:12:08made-of-clue hands.

0:12:08 > 0:12:09Rookie mistake.

0:12:09 > 0:12:12Like using a Dyson Airblade then touching the toilet door.

0:12:15 > 0:12:19So where's the first place the forensics dust for prints?

0:12:19 > 0:12:21Easy! But let's spell it out to you.

0:12:25 > 0:12:26Oh.

0:12:29 > 0:12:31I'm a bit nervous of using the word "headcount"

0:12:31 > 0:12:33when one of the icky Final Destination films

0:12:33 > 0:12:36is concerned, but listen to this...

0:12:36 > 0:12:40Among the survivors were eight employees of Presage Paper,

0:12:40 > 0:12:42on their way to a business retreat,

0:12:42 > 0:12:45the other 17 employees were killed in the collapse...

0:12:45 > 0:12:47Eight survivors and 17 dead.

0:12:47 > 0:12:48That's 25 people.

0:12:50 > 0:12:54So why have they only bothered here with 18 passengers plus the driver?

0:12:55 > 0:12:58Not the sort of cuts I was expecting in this film.

0:13:00 > 0:13:01You know in the Sound Of Music

0:13:01 > 0:13:03where Julie Andrews is bellowing her head off on a bus

0:13:03 > 0:13:05and none of the other passengers bats an eyelid?

0:13:05 > 0:13:08Well, this is exactly like that, only with werewolves.

0:13:10 > 0:13:14Anyway, there are evil hell creatures tearing cars apart...

0:13:14 > 0:13:18but the people on the pavement stroll on taking as little notice

0:13:18 > 0:13:21as the cinema-going public does of the Underworld films.

0:13:24 > 0:13:27It's the better-than-expected Fright Night remake.

0:13:27 > 0:13:29Now look at how Charlie's mum

0:13:29 > 0:13:31protests at mowing down poor Jerry here.

0:13:31 > 0:13:32Mom, just hit it!

0:13:32 > 0:13:34Charlie, no!

0:13:34 > 0:13:36Just BLEEP hit it!

0:13:38 > 0:13:39But even though Charlie grabs the wheel,

0:13:39 > 0:13:43it's quite obvious it's his mum with the foot on the accelerator,

0:13:43 > 0:13:46carrying out the very thing she doesn't want to do.

0:13:46 > 0:13:49I'm not doing a joke about women drivers. I'm just not.

0:13:51 > 0:13:53Hey, Mom.

0:13:54 > 0:13:57Watch this for an absolute ruddy mess-up and a half,

0:13:57 > 0:14:01in the seen-it-all-before time-travel movie, In Time.

0:14:01 > 0:14:03Happy 50th!

0:14:03 > 0:14:0550? That's right.

0:14:06 > 0:14:0825 for the 25th time.

0:14:10 > 0:14:11Did you spot it?

0:14:11 > 0:14:15Course, 25 for the 25th time would actually be her 49th birthday.

0:14:15 > 0:14:17..for a girlfriend...

0:14:17 > 0:14:19Tsk. I bet the guys responsible

0:14:19 > 0:14:22celebrated the millennium in 2000 as well, like idiots.

0:14:22 > 0:14:24Now where's my real ale?

0:14:27 > 0:14:30Men, eh? Won't ever listen to directions.

0:14:30 > 0:14:33In this clip from a big waste of time called Abduction,

0:14:33 > 0:14:35Nathan is clearly told to go to...

0:14:41 > 0:14:43Got that, Nathan?

0:14:43 > 0:14:45Clarendon Avenue. This is the street.

0:14:45 > 0:14:49Avenue? It's Boulevard, for goodness' sake!

0:14:49 > 0:14:54You get asked to do one simple thing... AND that's Apartment 202.

0:14:54 > 0:14:56Well, this is a disas... Oh...

0:14:57 > 0:14:59..it's the right house despite all that.

0:14:59 > 0:15:00Lucky!

0:15:03 > 0:15:06Whether the Earl of Oxford was actually Shakespeare is still

0:15:06 > 0:15:07open to debate.

0:15:07 > 0:15:09No, it isn't. He wasn't!

0:15:10 > 0:15:14But we can all agree he was one hell of a horticulturist.

0:15:14 > 0:15:16Here in the abominable Anonymous,

0:15:16 > 0:15:20he presents Ben Jonson with a red and white Tudor Rose.

0:15:20 > 0:15:21My Lord.

0:15:21 > 0:15:22The Tudor Rose.

0:15:24 > 0:15:27The most beautiful of flowers, do you not think?

0:15:27 > 0:15:31Problem is, the Tudor Rose is not so much your actual flower,

0:15:31 > 0:15:33more your totally invented heraldic symbol.

0:15:33 > 0:15:34Hard to come by.

0:15:34 > 0:15:37For any science fiction fans who may be watching,

0:15:37 > 0:15:39I have prepared the following statement.

0:15:39 > 0:15:42"Doctor Spock said 'Beam Me Up, Scotty' and walked onto the bridge

0:15:42 > 0:15:46"of The Firefly where he bumped into the character Doctor Who who

0:15:46 > 0:15:50"was chatting to Hans Solos about the time he was frozen in Kryptonite."

0:15:51 > 0:15:53The sci-fi fans have probably gone away now,

0:15:53 > 0:15:56moaning about our inaccuracies on their special internet forums,

0:15:56 > 0:15:59so we can enjoy some mistakes in sci-fi films

0:15:59 > 0:16:01without destroying their world.

0:16:01 > 0:16:04The biggest problem in the old west, after cholera,

0:16:04 > 0:16:06was how to accessorise.

0:16:06 > 0:16:08Here's Daniel Craig in the humourless Cowboys & Aliens

0:16:08 > 0:16:12deciding that his special "alion" bracelet is too heavy to ride in.

0:16:17 > 0:16:20Now he's changed his mind and it's on again.

0:16:20 > 0:16:24Honestly, no wonder cowboys take so long to get ready.

0:16:24 > 0:16:26Or is that women? I always get them mixed up.

0:16:26 > 0:16:29That's why I found Brokeback Mountain so confusing.

0:16:33 > 0:16:36In this bar scene, James Bond's drinks are not so much

0:16:36 > 0:16:39"shaken not stirred" as "poured not drunk".

0:16:41 > 0:16:42Where did you get your bracelet?

0:16:45 > 0:16:48There's something you don't know about me, lady.

0:16:50 > 0:16:52You don't remember anything, do you?

0:16:55 > 0:16:56What do you want?

0:16:58 > 0:17:00He's so busy sloshing out the whisky

0:17:00 > 0:17:02that he forgets to do the drinking it part.

0:17:02 > 0:17:04And all without a coaster, too.

0:17:04 > 0:17:06You do not want to see the rings on that bar.

0:17:11 > 0:17:14Some she-actors find getting off horses unladylike,

0:17:14 > 0:17:17so in this clip Olivia Wilde bypasses the problem

0:17:17 > 0:17:19by simply refusing to do the middle bit.

0:17:20 > 0:17:22"Look, I'll just stand next to it, OK?"

0:17:25 > 0:17:28"Yes, I know I was sitting on it in the last shot. Nobody'll notice."

0:17:31 > 0:17:33Putting the "bored" into "board game",

0:17:33 > 0:17:35here's the horribly unsubtle Battleship.

0:17:35 > 0:17:39Here, not only does Alex show off his pathetic robbery skills,

0:17:39 > 0:17:42if you look at the clock on the CCTV feed,

0:17:42 > 0:17:44he also manages to leap backwards and forward in time

0:17:44 > 0:17:46like a rubbish Doctor Who.

0:17:50 > 0:17:52It would seem that Commander Stone Hopper's mum

0:17:52 > 0:17:54must've popped his gloves on idiot strings

0:17:54 > 0:17:57as he manages to slip them on and off throughout this scene

0:17:57 > 0:17:58with ease.

0:17:58 > 0:18:01FOGHORN BLOWS

0:18:05 > 0:18:06They're off now.

0:18:11 > 0:18:12But they're back here.

0:18:15 > 0:18:18But see how the ultrasonic attack shatters all the glass?

0:18:18 > 0:18:21Well, maybe Mum knitted a binoculars case,

0:18:21 > 0:18:24as these lenses are fine.

0:18:24 > 0:18:25Thanks, Mum!

0:18:25 > 0:18:26What the hell is this?

0:18:29 > 0:18:32When you're under attack from a ruddy great big robot ship

0:18:32 > 0:18:34from outer space, it's important that you have a change of pants

0:18:34 > 0:18:37and plenty of ammunition.

0:18:37 > 0:18:39Especially when your cannons get destroyed.

0:18:45 > 0:18:46You all right?

0:18:46 > 0:18:49They ain't going to save this battleship, no way.

0:18:49 > 0:18:51But, hey, why not just grow them back instantaneously

0:18:51 > 0:18:53like these guys do in the following shot?

0:18:56 > 0:18:57Fresh water.

0:18:57 > 0:19:01Contagion now, which is different from Outbreak because...

0:19:01 > 0:19:03Well, because it's... Look, it just is, all right?

0:19:04 > 0:19:06To illustrate the power of the disease,

0:19:06 > 0:19:09here's a miserable montage of deserted cities.

0:19:09 > 0:19:13As we know, only three things could survive a global virus.

0:19:13 > 0:19:16Sea creatures, cockroaches, and the ruddy rush-hour traffic.

0:19:23 > 0:19:26Charming '80s-based "alion" fun with Super 8 now,

0:19:26 > 0:19:28and evidence that Hollywood really is another world.

0:19:29 > 0:19:32When they need to move a bus, they do it with a massive chain...

0:19:36 > 0:19:37..as you can see here,

0:19:37 > 0:19:40whereas the rest of us earthlings look on and say,

0:19:40 > 0:19:42"Why not just drive the bus?"

0:19:45 > 0:19:48The real reason why kids shouldn't play with fireworks now.

0:19:48 > 0:19:51It's a little-known fact that when anyone under the age of 18

0:19:51 > 0:19:54so much as holds a sparkler, like young Joe here...

0:19:57 > 0:19:59..it will spontaneously light itself.

0:20:01 > 0:20:03'I'll never forget that year.'

0:20:03 > 0:20:05'I was young, I was full of hope,

0:20:05 > 0:20:07'I was shooting Great Movie Mistakes IV.'

0:20:07 > 0:20:10'Of course, I didn't know then what a fool I was,

0:20:10 > 0:20:12'none of us saw what was just round the corner.

0:20:12 > 0:20:15'Then, one day, while I was introducing a section

0:20:15 > 0:20:18'on biographical films, it all became clear to me.'

0:20:18 > 0:20:21But you're not going to find out what became clear to me,

0:20:21 > 0:20:23because like all biographical films, we're going to jump

0:20:23 > 0:20:27straight into flashback the moment it looks like getting interesting.

0:20:27 > 0:20:31Robert! Time for your tea! It's Spangles and Angel Delight!

0:20:31 > 0:20:35Sigmund Freud is the subject of the revealing but somewhat mediocre

0:20:35 > 0:20:37A Dangerous Method.

0:20:37 > 0:20:40Here, Freud is packing up his books, and is probably so busy

0:20:40 > 0:20:42thinking about rude thoughts and mucky stuff

0:20:42 > 0:20:45that he doesn't even notice that when he picks his book up,

0:20:45 > 0:20:47it stays where it is.

0:20:47 > 0:20:49..excise his father's name from the cartouches.

0:20:49 > 0:20:51Then, suddenly, it's on his papers.

0:20:51 > 0:20:55This was something traditionally done by all new kings who didn't

0:20:55 > 0:20:57wish their father's name to continue to be public currency.

0:20:59 > 0:21:02And then he puts it back on his papers to leave.

0:21:06 > 0:21:09Now for a bit of J Edgar, the flat and dreary biopic

0:21:09 > 0:21:11of the ex-Director of the FBI and inventor of the Dyson.

0:21:13 > 0:21:16Look at this cereal box that Tolson puts down.

0:21:18 > 0:21:20There's a short conversation...

0:21:22 > 0:21:24..and as Tolson leaves, he picks up the box,

0:21:24 > 0:21:25which now faces the other way.

0:21:26 > 0:21:30As continuity goes, that's not g-rrrrrrrrreat.

0:21:35 > 0:21:37Guns and God now, in the very earnest and worthy

0:21:37 > 0:21:41and all those sorts of words Machine Gun Preacher.

0:21:41 > 0:21:46Jan Leeming looks on proudly as Gerald or Gerard Butler is baptised

0:21:46 > 0:21:48and does all kinds of face-acting.

0:21:54 > 0:21:56Hallelujah!

0:21:56 > 0:21:58In the name of our Lord, Jesus Christ...

0:21:58 > 0:22:00Problem is, all his clothes are already wet.

0:22:00 > 0:22:02He's getting born again again.

0:22:06 > 0:22:10The biggest movie mistake of all, of course, is Madonna's film career.

0:22:11 > 0:22:14In her self-directed monstrosity W.E.

0:22:14 > 0:22:17her research into the Royal Family is impeccable.

0:22:19 > 0:22:22'King George III has died, and the nation mourns.'

0:22:22 > 0:22:27Well, George III died in 1820. She meant George V.

0:22:27 > 0:22:30Either that or she turned over two pages

0:22:30 > 0:22:33in the Ladybird Book Of Kings And Queens.

0:22:34 > 0:22:36Nothing really matters,

0:22:36 > 0:22:39sang pop pensioner Madonna as a line in a song once.

0:22:39 > 0:22:42And historical accuracy is one of them.

0:22:42 > 0:22:46Wallis and Edward are papped to within an inch of their lives,

0:22:46 > 0:22:49provoking absolute outrage in the British press.

0:22:49 > 0:22:50In actual fact,

0:22:50 > 0:22:53UK newspapers carefully covered up the scandal, and the story

0:22:53 > 0:22:58wasn't reported until after Edward's abdication the following December.

0:22:58 > 0:23:01Madge would be hung up for that howler!

0:23:04 > 0:23:05Would you look at that?

0:23:05 > 0:23:08Me, presenting Great Movie Mistakes Minus One.

0:23:08 > 0:23:12It was a prequel we made to set up some back story for the shows.

0:23:12 > 0:23:16What makes me so keen to point out sometimes quite trivial mistakes

0:23:16 > 0:23:20in movies, why do I hate continuity errors so very much,

0:23:20 > 0:23:22what is the big problem

0:23:22 > 0:23:25with seeing camera equipment reflected in things?

0:23:25 > 0:23:29Yeah, it's all here in Great Movie Mistakes Minus One: The Prequel.

0:23:29 > 0:23:32Because prequels are great.

0:23:34 > 0:23:38Effective apocalyptic thrills in Rise Of The Planet Of The Apes,

0:23:38 > 0:23:41or should that be Disappearance Of The Bodies Of The Apes,

0:23:41 > 0:23:43as clearly, while many of these apes are being shot at

0:23:43 > 0:23:45and are likely to, you know, peg out...

0:23:50 > 0:23:53..when Will later drives away there's not a single

0:23:53 > 0:23:54dead simian to be seen.

0:23:57 > 0:24:00Maybe this was the pre-watershed edit for Ape TV.

0:24:03 > 0:24:06Get these people off the bridge!

0:24:06 > 0:24:08OK, car fans, hands up who knows the difference between a Nissan

0:24:08 > 0:24:10and a Volkswagen?

0:24:10 > 0:24:12I don't know why you've got your hand up, Serkis.

0:24:14 > 0:24:17One minute you're standing on a Nissan Maxima...

0:24:21 > 0:24:23..the next it's a VW Jetta.

0:24:23 > 0:24:25Oh well, you know what they say.

0:24:25 > 0:24:27You pay peanuts, you get your cars mixed up.

0:24:32 > 0:24:33Oh, take a look at these lovely gloves,

0:24:33 > 0:24:36because for as long as costume designers provide actors

0:24:36 > 0:24:38with gloves, actors will find ways

0:24:38 > 0:24:41to forget whether they should be wearing them or not.

0:24:42 > 0:24:44Isn't that right, Noomi Rapace

0:24:44 > 0:24:47in plot-hole-riddled-shambles that is Prometheus?

0:24:52 > 0:24:55Out now, from Prometheus Products, the all-new three-in-one flashlight!

0:24:57 > 0:25:00Boarding an "alion" spaceship? Need a flashlight with three lights?

0:25:00 > 0:25:03Not a problem, eh, Holloway?

0:25:06 > 0:25:09More of a one-light-flashlight kind of guy?

0:25:09 > 0:25:11With the Prometheus Three-In-One, it's easy.

0:25:11 > 0:25:14Joan from Tenby has got hers. Buy now!

0:25:18 > 0:25:19Prometheus was one big movie mistake,

0:25:19 > 0:25:23compared to the original and best, Alien, but that had errors too.

0:25:24 > 0:25:26Ignore the fact that it's 2122

0:25:26 > 0:25:28and they're still using Commodore VIC-20s.

0:25:28 > 0:25:31It seems in space no-one can see you spell,

0:25:31 > 0:25:33as "Alignment" has an extra "L".

0:25:34 > 0:25:37Can I do the "it's one 'L' of a movie" joke?

0:25:37 > 0:25:39No? Gits.

0:25:42 > 0:25:46Parker here can never get a word in edgeways at dinner parties,

0:25:46 > 0:25:49but this time he goes to extraordinary lengths.

0:25:51 > 0:25:54You think he's stopped speaking?

0:25:54 > 0:25:56No, he's still talking while smiling. Look again.

0:26:04 > 0:26:07He could give Keith Harris a run for his money with that skill.

0:26:11 > 0:26:14In the grim, brutal fearfest Aliens,

0:26:14 > 0:26:17Ripley doesn't like hospital food and tries to escape.

0:26:17 > 0:26:19But this isn't the first time she's tried it.

0:26:19 > 0:26:21Look at those two scuff marks.

0:26:27 > 0:26:28Oh, now just one mark.

0:26:28 > 0:26:31Go on, Ripley, save the film for continuity's sake!

0:26:32 > 0:26:34Both marks are back. Breathe easy, everyone!

0:26:42 > 0:26:45Never mind those awful Aliens Vs Predator movies.

0:26:45 > 0:26:47This film is a mash-up with the Bionic Man,

0:26:47 > 0:26:51as metal mechanical parts can clearly be seen on the alien queen.

0:26:51 > 0:26:54Can we rebuild him? Sorry, her.

0:27:04 > 0:27:05Once I'm done here,

0:27:05 > 0:27:08I must get a sleeping bag for the Star Wars 7 premiere queue.

0:27:10 > 0:27:12But I shan't be buying the membranous one

0:27:12 > 0:27:14that Ripley got from FutureMillets,

0:27:14 > 0:27:16as while she looks snug as a bug tearing out of it,

0:27:16 > 0:27:18if you rewind...

0:27:19 > 0:27:21..her head and legs are already out.

0:27:22 > 0:27:26Alien: Resurrection was a letdown, an absolute joke of a film.

0:27:29 > 0:27:32And in this joke film, the props were jokes, too.

0:27:32 > 0:27:35See how this barbell solidly catches Ripley in the face?

0:27:41 > 0:27:45Well, when Christie swings it about, we can see it's a novelty

0:27:45 > 0:27:47rubber barbell that bends all over the place.

0:27:49 > 0:27:52We all love a good old classic family film like

0:27:52 > 0:27:56Nil By Mouth, Whatever Happened To Baby Jane? or Sophie's Choice.

0:27:56 > 0:27:59Turns out that family films in this context means

0:27:59 > 0:28:01"films for the whole family to watch".

0:28:01 > 0:28:02But that is not what they are.

0:28:02 > 0:28:06Aside from a few rare exceptions, family films are for children.

0:28:06 > 0:28:09They're not for me, and I'm part of a family, too.

0:28:09 > 0:28:11If I wanted to watch a film with my whole family,

0:28:11 > 0:28:12it would be Blade Runner,

0:28:12 > 0:28:15and I can tell you right now that my two-year-old would hate it.

0:28:15 > 0:28:18Particularly if it was the studio cut with the stupid voiceover.

0:28:19 > 0:28:21Alvin And The Chipmunks: Chipwrecked, now.

0:28:21 > 0:28:24Astoundingly, even worse than the first two.

0:28:24 > 0:28:26Now, this is nearly all animation, right?

0:28:26 > 0:28:31So they were pointing their cameras only at a man with a magazine.

0:28:31 > 0:28:34So you'd have thought someone, surely would notice something.

0:28:37 > 0:28:40And they did eventually, but way, way too late.

0:28:46 > 0:28:48A film crew practical joke, now.

0:28:48 > 0:28:51This time, one of the characters made of drawing and computer

0:28:51 > 0:28:53getting punk'd.

0:28:53 > 0:28:55" 'Ere, Gustav," said the editor.

0:28:55 > 0:28:57"Let's make it look like the chipmunk

0:28:57 > 0:29:00"on the dry raft's peed herself."

0:29:00 > 0:29:02"Good idea, Ernst," said the sidekick,

0:29:02 > 0:29:05and so it comes to pass. Wet all over.

0:29:08 > 0:29:11Ah, that hollow sound of the franchise barrel being scraped

0:29:11 > 0:29:14means that we join The Smurfs in their awful movie.

0:29:15 > 0:29:17Now, New York is excellent for filming,

0:29:17 > 0:29:19as they just let you do it.

0:29:19 > 0:29:22But you do tend to attract crowds of excited members of the public

0:29:22 > 0:29:24watching you film, like here.

0:29:25 > 0:29:28Still, if I saw the Smurfs filming, I'd stop to look.

0:29:28 > 0:29:30Not the Moomins, though. I'd just keep walking.

0:29:30 > 0:29:32Get your hand out of my kilt!

0:29:36 > 0:29:39Now this song is played on everything uplifting

0:29:39 > 0:29:40that's on TV ever.

0:29:40 > 0:29:44Hoppipolla by Sigur Ros, and in this scene from the cloying,

0:29:44 > 0:29:47so-called inspiring We Built A Zoo, it's certainly doing the trick.

0:29:52 > 0:29:53Because judging by the trees and grass,

0:29:53 > 0:29:56it's certainly not wind that's keeping those kites in the air.

0:30:01 > 0:30:03Am I doing anything right?

0:30:03 > 0:30:06Proof that people who do organized things like taking packed lunches

0:30:06 > 0:30:08to work aren't as efficient as they think.

0:30:10 > 0:30:13Eight-year-old smugster Rosie's putting her sandwiches into bags

0:30:13 > 0:30:15because heaven forfend she just go to Pret or somewhere,

0:30:15 > 0:30:16like everyone else.

0:30:18 > 0:30:19Good.

0:30:23 > 0:30:25But when she pointlessly labels the bags,

0:30:25 > 0:30:27the sarnies have leapt back on the worktop. Ha!

0:30:34 > 0:30:36Now Scarlett has to lock some lions in a thing

0:30:36 > 0:30:39cos they can get a bit bitey at humans.

0:30:39 > 0:30:42But the director probably decided that giving her a chain

0:30:42 > 0:30:44and an open padlock, as seen here,

0:30:44 > 0:30:45was a bit too easy...

0:30:45 > 0:30:48The only way to fix it is to jimmy it from the inside.

0:30:50 > 0:30:52..because by the next shot, they're gone.

0:30:57 > 0:31:00Fans of Panic Room will love to see that unimaginative clunker

0:31:00 > 0:31:04Spy Kids: All The Time In The World 4D, features a panic room.

0:31:05 > 0:31:07However, logic fans will be less keen.

0:31:07 > 0:31:11Look at this fireplace full of, erm, gold, baubly things and fronds.

0:31:16 > 0:31:20Almost immediately they've gone! From the world. In 4D.

0:31:24 > 0:31:27With so many bits and pieces on a film set,

0:31:27 > 0:31:29it's important to keep everything labelled.

0:31:29 > 0:31:31Circuit boards, for example.

0:31:32 > 0:31:34If you're using one as a prop,

0:31:34 > 0:31:37you'll want to make sure everyone knows what it's for.

0:31:37 > 0:31:39Besides someone will cover that up before shooting, right?

0:31:41 > 0:31:42Wrong! In 4D.

0:31:44 > 0:31:48Our next section is Fantasy Films, which is a genre of film involving

0:31:48 > 0:31:51parallel worlds, magic wizards, Greek mythology

0:31:51 > 0:31:53and all that shiznit.

0:31:53 > 0:31:55I know that now, but I only had this explained to me

0:31:55 > 0:31:58after I'd been trying to make my own fantasy film.

0:31:58 > 0:32:00I had to send back the girls, the boys, the tarpaulin,

0:32:00 > 0:32:02the brie and the Dyson Airblade,

0:32:02 > 0:32:05and it was all a little embarrassing to say the least.

0:32:05 > 0:32:09But then where the hell would I be without embarrassing mistakes?

0:32:09 > 0:32:10Talking of which...

0:32:16 > 0:32:18Here, a wooden dagger steals the scene

0:32:18 > 0:32:22from wooden acting in fantasy action movie Wrath Of The Titans.

0:32:22 > 0:32:25Mind you, it does have some magical properties.

0:32:25 > 0:32:26Look, it's gone!

0:32:26 > 0:32:29I WOODEN have thought they could do that...

0:32:34 > 0:32:36I don't know what I'd do when confronted with a one-eyed giant,

0:32:36 > 0:32:39but poor Perseus here is so terrified he doesn't know

0:32:39 > 0:32:40whether he's coming or going.

0:32:43 > 0:32:45As he breaks free from the Cyclops's grasp...

0:32:48 > 0:32:51..he ends up facing the wrong direction.

0:32:54 > 0:32:57Did you know that they had proper dentists in the olden times?

0:32:57 > 0:33:01I certainly didn't until I saw this scene from Wrath Of The Titans.

0:33:01 > 0:33:03Watch Agenor as he gives us all a perfect view

0:33:03 > 0:33:06of ye olde mythical silver filling of the Gods.

0:33:13 > 0:33:15OK, everyone, now, I know there's loads of us,

0:33:15 > 0:33:19so it's important we do the same thing in this scene from Immortals.

0:33:19 > 0:33:22Just remember, swords in the left hand, shields in the right.

0:33:22 > 0:33:25So when we shoot the scene from the front, don't forget that.

0:33:28 > 0:33:29Oh.

0:33:29 > 0:33:32Well, it's a dull epic, no-one will care.

0:33:44 > 0:33:47Time now for another quick round of Metil Or Normil.

0:33:47 > 0:33:51This breastplate certainly looks like metil. Well, a bit like metil.

0:33:51 > 0:33:55Actually, I think it's normil, looks like rubber to me.

0:33:55 > 0:33:57We'll have to wait till he takes it off.

0:34:00 > 0:34:01Yes, look, I was right.

0:34:01 > 0:34:03Definitely normil.

0:34:09 > 0:34:12In this show, I have to record over 200 links.

0:34:12 > 0:34:15That's a set number of links, unlike those in this chain

0:34:15 > 0:34:17from cheesily fun John Carter.

0:34:19 > 0:34:21It's too short for him to escape the ape...

0:34:23 > 0:34:27..but then it's long enough to wrap round the ape like a billion times.

0:34:35 > 0:34:38Mum, Mum, guess what? I've got a job as a sound-effects man

0:34:38 > 0:34:41on this big, colourful film about Snow White!

0:34:41 > 0:34:43We've got loads of well hench sound effects.

0:34:45 > 0:34:48There's one of two axes touching that I really love,

0:34:48 > 0:34:49I'm about to use it now.

0:34:49 > 0:34:51METALLIC RUBBING

0:34:51 > 0:34:53Oh, they didn't touch. Never mind, I'll use it anyway!

0:34:59 > 0:35:04Mirror, mirror on the wall, Who's the sneakiest prince of all?

0:35:04 > 0:35:06This one, saying farewell to Snow White,

0:35:06 > 0:35:09cos he was on Charles's left and he's now on Charles's right.

0:35:14 > 0:35:16Snow White films are like London buses. You wait years,

0:35:16 > 0:35:19and then two underwhelming ones turn up at the same time.

0:35:19 > 0:35:22This is the one that isn't the other one, and we're talking horse.

0:35:22 > 0:35:25I love horses, best of all the animals,

0:35:25 > 0:35:28but I can't stand a horse with mucky legs, which is why this scene

0:35:28 > 0:35:31at first appals and then soothes me.

0:35:34 > 0:35:35Dirty horse.

0:35:38 > 0:35:39Clean horse.

0:35:43 > 0:35:45Now, spoiler alert, everyone!

0:35:45 > 0:35:49So, the closing scene comes to a close and everyone has got closure.

0:35:49 > 0:35:51And as we pull out of the throne room,

0:35:51 > 0:35:55the doors swing closed to emphasise the closing of the story.

0:35:56 > 0:35:59But if we rewind just a couple of moments, you'll see that throughout

0:35:59 > 0:36:04the coronation, those closing doors were already very much closed.

0:36:06 > 0:36:10The British film industry is much like the American film industry,

0:36:10 > 0:36:12except they make some.

0:36:12 > 0:36:15I'm joking, of course. The UK Film Council generated

0:36:15 > 0:36:18so much successful film-making that the government destroyed it.

0:36:18 > 0:36:21Making a British film is much like the plot of a British film.

0:36:21 > 0:36:24A plucky underdog, charming and stammering,

0:36:24 > 0:36:27like Hugh Grant or Colin Firth, delete as applicable,

0:36:27 > 0:36:28achieves some success

0:36:28 > 0:36:32after overcoming some moderate obstacles, usually in the rain.

0:36:32 > 0:36:35Contains mild peril, possibly that Toploader song,

0:36:35 > 0:36:36and a fair few mistakes.

0:36:37 > 0:36:41Madcap, not-very-funny spy caper Johnny English Reborn now,

0:36:41 > 0:36:44and if the whole point of this scene is whether the switch is on or off,

0:36:44 > 0:36:47you'd think they'd pay close attention to it.

0:36:47 > 0:36:50But, no. Here it's switched off,

0:36:50 > 0:36:51then this lady takes her dress off...

0:36:51 > 0:36:53Do you know how to turn it on?

0:36:53 > 0:36:55..and then next thing you know it's back on.

0:36:56 > 0:36:58Maybe the continuity guy got distracted?

0:37:01 > 0:37:06Glenn Close as footballer Lee Dixon here, counting his tips.

0:37:06 > 0:37:07it's three coins on the bed.

0:37:07 > 0:37:08This is Albert Nobbs,

0:37:08 > 0:37:11a haunting and bittersweet film with an amusing name.

0:37:13 > 0:37:16Now look at the coins. There's loads more.

0:37:16 > 0:37:17It's a Christmas miracle!

0:37:20 > 0:37:24The Best Exotic Marigold Hotel was refreshingly upbeat

0:37:24 > 0:37:26for a Brit flick, with some good performances,

0:37:26 > 0:37:28but while Tom Wilkinson's being all emotional,

0:37:28 > 0:37:31Dame Judi's not listening.

0:37:31 > 0:37:34She's going through her photos.

0:37:34 > 0:37:37You see those pics? Rewind earlier and they weren't there.

0:37:39 > 0:37:43I reckon the next cutaway will have her doing a Sudoku.

0:37:48 > 0:37:51A tremendous display now from the conjuror Celia Imrie.

0:37:51 > 0:37:54It's the old "put the note in the pocket, fail to push it in,

0:37:54 > 0:37:55"have it Photoshopped out" routine.

0:37:57 > 0:37:59Let's see that again in slow motion

0:37:59 > 0:38:01so we can wonder at Celia's deft handiwork.

0:38:04 > 0:38:07And, thrifty old pro that she is, she makes sure to reappear it

0:38:07 > 0:38:09later on, so she can snatch it back.

0:38:14 > 0:38:16Daniel Radcliffe gets confused when decorating

0:38:16 > 0:38:18in the pant-wettingly scary The Woman In Black.

0:38:20 > 0:38:22He's using an axe to strip the wallpaper,

0:38:22 > 0:38:25surely something like a scraper would be better?

0:38:26 > 0:38:30Later, common sense of sorts prevails as he uses his bare hands.

0:38:34 > 0:38:36But then he's back with the axe again

0:38:36 > 0:38:38without so much as a bending down.

0:38:38 > 0:38:40Someone get that boy a rawl plug.

0:38:43 > 0:38:46What can only be censorship here. Listen and watch.

0:38:46 > 0:38:49I don't expect to be finished until Friday at least.

0:38:50 > 0:38:53Now, Daniel Radcliffe's mouth keeps moving at the end.

0:38:53 > 0:38:55What offensive line did he say?

0:38:58 > 0:39:01Well, I can exclusively reveal that he really said

0:39:01 > 0:39:05"I don't expect to be finished until Friday at least, wubbawubbawubba".

0:39:07 > 0:39:11If there's one thing we, the guys at Great Movie Mistakes IV hate,

0:39:11 > 0:39:13it's an unnecessary sequel.

0:39:13 > 0:39:14As you may recall me saying

0:39:14 > 0:39:17way back in Great Movie Mistakes II and III.

0:39:17 > 0:39:20But the good thing about sequels is that they give gainful employment

0:39:20 > 0:39:22to a lot of Roman numerals that would otherwise

0:39:22 > 0:39:24be claiming Jobseeker's Allowance.

0:39:24 > 0:39:27It's really just sequels and clock faces keeping them going.

0:39:27 > 0:39:30Journey 2, you are letting the side down.

0:39:30 > 0:39:32By the way, it's time that someone said this on television,

0:39:32 > 0:39:35there is no such word as "quadrilogy".

0:39:35 > 0:39:37The word is "tetralogy", and last time I checked,

0:39:37 > 0:39:40it was functioning perfectly well, thank you.

0:39:41 > 0:39:44You know that game kids play where there's a tray,

0:39:44 > 0:39:47and one thing gets removed, and you have to spot what it is?

0:39:47 > 0:39:50Well, brainless action flick Mission Impossible Ghost Protocol

0:39:50 > 0:39:52incorporated that game in the film.

0:39:52 > 0:39:53So, watch carefully.

0:39:53 > 0:39:55This wasn't a rescue mission?

0:39:55 > 0:39:57Let me put it this way.

0:39:57 > 0:40:00If the secretary wanted me out of there,

0:40:00 > 0:40:01it must be pretty bad out here.

0:40:02 > 0:40:04Now, what's gone? No?

0:40:07 > 0:40:09That's right. It was that silver thing.

0:40:09 > 0:40:11Our next Mission Impossible game is called

0:40:11 > 0:40:13"What is that silver thing?"

0:40:16 > 0:40:18Now it's the big-hearted Muppets movie,

0:40:18 > 0:40:20and isn't Amy Adams just lovely?

0:40:22 > 0:40:25She's so perky she's even brought partial life to these dead flowers.

0:40:25 > 0:40:27It's OK, they're really sweet.

0:40:27 > 0:40:30You don't mind that he's coming, right?

0:40:30 > 0:40:31But not for long.

0:40:33 > 0:40:36Some Muppets are tricky to work with.

0:40:36 > 0:40:40Sam the Bald American Eagle, for example, is hugely xenophobic.

0:40:40 > 0:40:41It's way too far.

0:40:41 > 0:40:43That's why in this scene, when a bunch of them

0:40:43 > 0:40:45travel to France by map...

0:40:48 > 0:40:51..he's bailed out by the time they reach Gallic shores.

0:40:54 > 0:40:55ALL: To Paris!

0:40:57 > 0:41:01It's a well-known fact that nobody speaks German,

0:41:01 > 0:41:04which is why the team behind this middling reboot of Sherlock Holmes

0:41:04 > 0:41:06could get away with this little prank.

0:41:09 > 0:41:12The subtitle says "Time to introduce Little Hansel."

0:41:14 > 0:41:17What he actually said translates as...

0:41:24 > 0:41:26This next mistake is mainly here to have a pop at the dreadful

0:41:26 > 0:41:28Twilight series.

0:41:28 > 0:41:32Look at Bella's hands as she hides her morning sickness from Edward.

0:41:32 > 0:41:35She closes the seat with her right hand,

0:41:35 > 0:41:38then she's immediately putting all her weight on it with her left.

0:41:38 > 0:41:40Possible, but athletic.

0:41:44 > 0:41:46Ah, what a lovely couple.

0:41:46 > 0:41:48There they are wearing wedding bands,

0:41:48 > 0:41:50because Stephenie Meyer wants girls to know that even

0:41:50 > 0:41:53if it's a vampire you're sleeping with, you should get married first.

0:41:55 > 0:41:58But the moment they're out of the cab, no more rings.

0:41:58 > 0:41:59Art predicting life there.

0:42:03 > 0:42:08Tongue-in-cheek and amusing, MIB III is a mind-bending time-travel movie,

0:42:08 > 0:42:12most obviously in this scene from New York, 1969.

0:42:12 > 0:42:13See those pinball machines?

0:42:15 > 0:42:19Pinball was banned in the Big Apple until 1976, as we all know.

0:42:19 > 0:42:21And once again, the credibility of an alien-filled,

0:42:21 > 0:42:24conspiracy-inspired, dimension-hopping movie is ruined.

0:42:24 > 0:42:27Think your hoop's a little off. Want me to clean her?

0:42:30 > 0:42:32More time travel now,

0:42:32 > 0:42:34as the guys seem to be stuck in a chronic hysterisis.

0:42:34 > 0:42:36That's a time loop, to you and me.

0:42:37 > 0:42:39See this van?

0:42:39 > 0:42:41It's the same van we saw seconds ago.

0:42:41 > 0:42:42Happily, they escape,

0:42:42 > 0:42:45so the fourth film won't be two hours of more of the same.

0:42:50 > 0:42:51Oooh! Another one!

0:42:53 > 0:42:57There's also some extraordinary errors in the older MIB films.

0:42:57 > 0:43:00In the funny and entertaining original, we see that to be

0:43:00 > 0:43:02a Man In Black, you need intelligence, bravery

0:43:02 > 0:43:04and secretarial skills.

0:43:05 > 0:43:08Being a defender of the galaxy means Agent K types so quickly

0:43:08 > 0:43:11his fingers don't even touch the keyboard.

0:43:11 > 0:43:13Either that or he's tickling an invisible kitten.

0:43:17 > 0:43:20Men In Black II is a disappointing letdown,

0:43:20 > 0:43:22featuring as it does Agent K emptying his guns

0:43:22 > 0:43:23at a giant rubbish bin.

0:43:36 > 0:43:38Mind you, it's a bit fortunate.

0:43:38 > 0:43:40Watch as he drops the guns on the floor,

0:43:40 > 0:43:43only for them to be removed in the next shot.

0:43:43 > 0:43:45Why can't my binmen be that efficient?

0:43:50 > 0:43:52You know our arrangements, Jeff.

0:43:52 > 0:43:54You don't travel outside of the E, F and R subway lines...

0:43:54 > 0:43:57Actors, eh? Always desperate to show off their improv.

0:43:58 > 0:44:02Here, the actor playing Agent T demonstrates his miming skills

0:44:02 > 0:44:05as he wrestles with an invisible weed.

0:44:05 > 0:44:07Oops, someone forgot the CGI.

0:44:07 > 0:44:09Next thing you know, he'll be battling his way

0:44:09 > 0:44:12out of a pretend box and descending an imaginary staircase.

0:44:14 > 0:44:17Films often play fast and loose with the laws of the universe.

0:44:17 > 0:44:20They try and make us believe all kinds of things are possible.

0:44:20 > 0:44:22Like noise in the vacuum of space,

0:44:22 > 0:44:24surviving a nuclear blast by hiding in a fridge,

0:44:24 > 0:44:28or that people will laugh at a film with Rob Schneider in it.

0:44:28 > 0:44:29So, yes, impossible things.

0:44:29 > 0:44:32To be fair, some impossible film things are really cool.

0:44:32 > 0:44:35I mean, I believed for ages I could move things

0:44:35 > 0:44:38with the power of my mind. Still do, a bit.

0:44:41 > 0:44:42Doh!

0:44:52 > 0:44:55Cool.

0:44:55 > 0:44:57In the waste of time that's In Time,

0:44:57 > 0:45:00we see a far too successful booby trap.

0:45:00 > 0:45:03Stingers - strips of nails left on the road to puncture tyres - are

0:45:03 > 0:45:07used by the police to bring naughty vehicles to a controlled halt.

0:45:07 > 0:45:11However, when this former Mouseketeer drives over one,

0:45:11 > 0:45:14his car has a massive hissy fit and tumbles over a cliff,

0:45:14 > 0:45:18temporarily vaporising its passengers

0:45:18 > 0:45:20before they reappear at the bottom.

0:45:23 > 0:45:26Iron Sky now. A film which comprehensively

0:45:26 > 0:45:29fails its Baccalaureate in Science, which of course means it gets

0:45:29 > 0:45:33an A star in the totally made-up world of movie science.

0:45:33 > 0:45:35Why don't you narrate along with me as we play

0:45:35 > 0:45:38Things That Things Don't Do In The Vacuum Of Space.

0:45:41 > 0:45:44Firstly, we hear the sound of the ship separating,

0:45:44 > 0:45:46a massive blunder because - all together now -

0:45:46 > 0:45:48there's no sound in a vacuum.

0:45:50 > 0:45:53Then we see fires burning on the destroyed ship.

0:45:53 > 0:45:56One, two, three - fires don't burn in a vacuum.

0:45:59 > 0:46:02And as these banners unfurl, we can be pretty sure

0:46:02 > 0:46:06they wouldn't do this, as there's no air in a vacuum either.

0:46:06 > 0:46:10Rookie mistake - even I didn't fall into that trap when I made

0:46:10 > 0:46:13that fake moon-landing footage I'm not allowed to talk about.

0:46:15 > 0:46:18In the insultingly bad Journey 2, these people are riding

0:46:18 > 0:46:22on giant bees, and I for one don't believe a frame of it.

0:46:22 > 0:46:26There's no way on earth anyone would cast that wrestler in a film.

0:46:26 > 0:46:29Anyway, the birds chasing them are apparently...

0:46:29 > 0:46:31That's a white-throated needletail.

0:46:31 > 0:46:33..when in fact it's quite clear

0:46:33 > 0:46:36that they're white-fronted bee-eaters.

0:46:36 > 0:46:38I know that because I'm a dedicated twitcher.

0:46:38 > 0:46:40Although the tablets are helping.

0:46:45 > 0:46:47When giving a presentation,

0:46:47 > 0:46:50the cardinal sin is not to walk through the beam,

0:46:50 > 0:46:53otherwise all your PowerPoint stuff will get shadows on it.

0:46:55 > 0:46:58You might want to splash out on the projector from the nostalgia-steeped

0:46:58 > 0:47:01Super 8, however, as the kids sit right in the beam

0:47:01 > 0:47:03without casting any shadow.

0:47:03 > 0:47:06Luckily, in this shot, the kids have vanished anyway.

0:47:09 > 0:47:11- What's up?- Noah!

0:47:11 > 0:47:13There aren't enough whistling kettles in films.

0:47:13 > 0:47:15The sad reason for this is that

0:47:15 > 0:47:18they are fiendishly scientifically complicated items.

0:47:19 > 0:47:22For example, if the spout is open, they won't whistle,

0:47:22 > 0:47:23a fact which is apparently news

0:47:23 > 0:47:26to the makers of fat-boy laugh-drought The Sitter.

0:47:26 > 0:47:28Sack the spout-wrangler.

0:47:29 > 0:47:32Solid Gold. Do you have any idea what that's worth?

0:47:32 > 0:47:35Matthew Broderick may be generally ace,

0:47:35 > 0:47:38but he doesn't know Jack Bueller about the weight of cars.

0:47:38 > 0:47:41He reckons a solid gold car would weigh about...

0:47:41 > 0:47:42Must weigh 2,000lbs.

0:47:42 > 0:47:45..but in reality they weigh something like a couple of tons

0:47:45 > 0:47:48and you certainly wouldn't be able to fling them about the way they do

0:47:48 > 0:47:51in brainless caper Tower Heist.

0:47:51 > 0:47:53I should know, I've got four of them.

0:47:53 > 0:47:55They give me one every time I do this show.

0:47:55 > 0:47:59Any more and I'll have to move a couple onto the helipad.

0:47:59 > 0:48:00Hello?

0:48:02 > 0:48:04Is anybody here?

0:48:04 > 0:48:06Hello?

0:48:06 > 0:48:09I'm here to make Great Movie Mistakes.

0:48:09 > 0:48:10Hello?

0:48:12 > 0:48:14DEEP, RUMBLING VOICE: Great Movie Mistakes.

0:48:14 > 0:48:17I haven't heard those words in ten year or more.

0:48:19 > 0:48:22What? Who's there? Who said that?

0:48:22 > 0:48:24I said that.

0:48:24 > 0:48:29They haven't made Great Movie Mistakes in nigh on ten years.

0:48:29 > 0:48:33Not since that Robert Webb died so horribly and painfully.

0:48:33 > 0:48:36But that's ridiculous. I'm Robert Webb, and I...

0:48:41 > 0:48:46Horror Films. CREEPY LAUGH

0:48:48 > 0:48:51Gruesome, mind-bending horror in The Cabin In The Woods now.

0:48:52 > 0:48:55Doors in spooky houses have a mind of their own,

0:48:55 > 0:48:57but this one's indecisive.

0:48:57 > 0:49:00Here Dana leaves it open

0:49:00 > 0:49:03but now it's closed.

0:49:06 > 0:49:10However, in just a few seconds it's open again to let the gang in.

0:49:10 > 0:49:14Honestly, if they just fitted creepy houses with automatic doors

0:49:14 > 0:49:16it'd save all sorts of bother.

0:49:19 > 0:49:23A flipped shot moment in the intelligence-insulting Piranha 3DD.

0:49:23 > 0:49:25Not just any old flipped shot -

0:49:25 > 0:49:27it's one with the Hoff.

0:49:27 > 0:49:31Unless this badge is supposed to be in mirror writing. Poor show!

0:49:31 > 0:49:34You don't hire the Hoff and then make him look stupid.

0:49:34 > 0:49:36Insert punch line here.

0:49:36 > 0:49:41David? That's pretty cool. That's my name too. Here you go.

0:49:43 > 0:49:48Lacklustre and seriously flawed chiller Silent House now.

0:49:48 > 0:49:52Like the 1920s version of the Hugh Laurie TV hit.

0:49:52 > 0:49:55In this scene, we're asked to believe that what we're watching is

0:49:55 > 0:49:58one continuous shot.

0:50:00 > 0:50:03But that doesn't explain why the patterns of blood

0:50:03 > 0:50:06on Elizabeth Olsen's clothes and face keep changing.

0:50:10 > 0:50:12Maybe it's lupus. It's never lupus.

0:50:16 > 0:50:18Underworld: Awakening?

0:50:18 > 0:50:20Underworld: Snooze Button, more like!

0:50:20 > 0:50:23Awful film, but it features an amazing catsuit.

0:50:25 > 0:50:27Not only can you wear it in heels...

0:50:29 > 0:50:34..and then seconds later wear it in flats...

0:50:34 > 0:50:36you can also hide a blooming great hand grenade

0:50:36 > 0:50:39in it without breaking the skin-tight lines in the slightest.

0:50:45 > 0:50:48Now look at the problem with the CCTV here.

0:50:48 > 0:50:51Security cameras are in fixed positions,

0:50:51 > 0:50:54they can't follow trolleys down corridors, can they?

0:50:58 > 0:51:02Well, this impossible camera seems to be playing Race You To The End.

0:51:06 > 0:51:08Unimaginative, uninspired gore shocks

0:51:08 > 0:51:10from Final Destination 5 now.

0:51:11 > 0:51:13The extras here are playing fast and loose with

0:51:13 > 0:51:17the laws of public transport as this woman exits the bus more than once.

0:51:23 > 0:51:26And the driver can't decide whether he's standing up...

0:51:28 > 0:51:30..or sitting down.

0:51:30 > 0:51:33He may just be all out of sorts because, you know, all the terror.

0:51:33 > 0:51:34To Death-town!

0:51:36 > 0:51:39What would be your nominations for Best Picture?

0:51:39 > 0:51:42Mine would be the Mona Lisa, that Klimt one everyone's got,

0:51:42 > 0:51:46and this picture of me on the beach where I'm sucking it in.

0:51:46 > 0:51:49Delightful whimsy aside, what we're really talking about is the Oscars.

0:51:49 > 0:51:53Luckily the Academy Awards are there to let you know exactly what

0:51:53 > 0:51:55films are more or less perfectly brilliant,

0:51:55 > 0:51:56like Avatar or Titanic.

0:51:56 > 0:52:00Sorry, that sounds like I'm having a pop at James Cameron.

0:52:00 > 0:52:04I'm really not. I'm just having a pop at his films.

0:52:04 > 0:52:05Anyway, award-winning films are

0:52:05 > 0:52:08just as capable of making careless mistakes as any other film.

0:52:08 > 0:52:10That's rather comforting to know, isn't it?

0:52:10 > 0:52:14Like reminding yourself that the Queen also goes to the lav.

0:52:14 > 0:52:18It's Spielberg's epic adaptation of the National Theatre's epic

0:52:18 > 0:52:21adaptation of Michael Morpurgo's epic adaptation

0:52:21 > 0:52:24of the First World War, War Horse, which touched hearts worldwide.

0:52:26 > 0:52:30And if that's not enough - they got the continuity wrong with an apple.

0:52:30 > 0:52:31Look, whole apple...

0:52:35 > 0:52:37..apple with a big bite out of it,

0:52:37 > 0:52:40that wasn't there at the start of this clip.

0:52:40 > 0:52:43Who did that? A ghost horse, maybe?

0:52:49 > 0:52:53And now, nudity. In fact, horse nudity!

0:52:53 > 0:52:55Albert knows everything about horses

0:52:55 > 0:52:56and all their horse stuff.

0:52:58 > 0:53:02See, you've got it. You've got it.

0:53:02 > 0:53:05But clearly not how to put a horse's clothes on.

0:53:05 > 0:53:07The collar's upside down.

0:53:07 > 0:53:10Either that or the horse is upside down.

0:53:10 > 0:53:14And now this German soldier's doing it. In a film about horses.

0:53:16 > 0:53:18Spielberg should have stuck with sharks.

0:53:18 > 0:53:21Well, well, look at you.

0:53:23 > 0:53:26This is the touching and heartfelt Extremely Loud & Incredibly Close.

0:53:27 > 0:53:31Oskar here has found a note left by his late father, Tom Hanks,

0:53:31 > 0:53:33who reads it out in his head like normal.

0:53:33 > 0:53:38Congratulations, Oskar. With unbelievable bravery and wisdom far

0:53:38 > 0:53:42beyond your years you have solved reconnaissance expedition number six.

0:53:44 > 0:53:46But ghost dad Tom has done some posthumous editing

0:53:46 > 0:53:49as his words are very different to what the note says.

0:53:49 > 0:53:55Wherever they now are, the people of the sixth borough celebrate you.

0:53:55 > 0:53:57Extremely Loud & Incredibly Wrong.

0:53:57 > 0:53:58Now it's time to go home.

0:54:03 > 0:54:06Now the joyful, beguiling The Artist, which, like all

0:54:06 > 0:54:08Adam Sandler films, proves films

0:54:08 > 0:54:10can be better if no-one talks throughout them.

0:54:12 > 0:54:15Here Peppy Miller puts her bag on the floor, but cut to the wide...

0:54:17 > 0:54:20The floor has eaten it.

0:54:22 > 0:54:25Oh, thank God. It spat it out again.

0:54:25 > 0:54:29It's like when that swamp dragon ate R2D2 all over again, but arty.

0:54:34 > 0:54:36Notebooks - they cause so much fuss.

0:54:36 > 0:54:38Here Peppy drops hers

0:54:38 > 0:54:41in the clamouring throng to see movie star George,

0:54:41 > 0:54:44but as she picks it up, she's right next to him.

0:54:44 > 0:54:45Thanks, notebook!

0:54:45 > 0:54:49However, look! The notebook's disappeared!

0:54:49 > 0:54:53That's gratitude for you. But once the notebook has had a word with

0:54:53 > 0:54:55its agent, it's back in the movie.

0:54:55 > 0:54:58Showbiz - such a fickle mistress.

0:55:04 > 0:55:07Normally this show has microphones creeping into shot,

0:55:07 > 0:55:09but here it's the opposite.

0:55:09 > 0:55:10There's the mic in shot.

0:55:14 > 0:55:16But then, boom, it's gone!

0:55:16 > 0:55:19I don't mean "boom" like the microphone, I mean...

0:55:19 > 0:55:22Oh, you know what I mean. Luckily it comes right back.

0:55:22 > 0:55:24Who'd have thought a microphone

0:55:24 > 0:55:26would be so troublesome in a silent movie?

0:55:31 > 0:55:33- More? - Yeah, just a little bit more.

0:55:33 > 0:55:35Don't tell your mother.

0:55:35 > 0:55:36Moneyball now,

0:55:36 > 0:55:40a quality crowd-pleaser about an American rounders team. Amazing!

0:55:40 > 0:55:43Here, Brad Pitt asks his daughter...

0:55:43 > 0:55:45Big spoon or little spoon?

0:55:45 > 0:55:47Little spoon.

0:55:48 > 0:55:52But then we see the little tyke clearly eating with a big spoon.

0:55:52 > 0:55:54Unless that really is the little spoon,

0:55:54 > 0:55:57and Brad Pitt's big spoon is actually a wok.

0:55:59 > 0:56:03Here Brad Pitt's cross with his rounders players.

0:56:03 > 0:56:05As he enters the dressing room or whatever it's called,

0:56:05 > 0:56:07Jeremy Giambi is dancing away.

0:56:13 > 0:56:17In the reverse shots, a white towel swings freely between his legs.

0:56:17 > 0:56:19From the front...

0:56:19 > 0:56:20not a sausage.

0:56:20 > 0:56:22Is losing fun?

0:56:25 > 0:56:28Another film about a small boy and a dead father,

0:56:28 > 0:56:29this time with robots,

0:56:29 > 0:56:34Martin Scorsese's escapist, exhilarating, magical Hugo.

0:56:34 > 0:56:36Where's the station inspector?

0:56:36 > 0:56:39Ben Kingsley enjoys a bit of notebook-based hocus-pocus

0:56:39 > 0:56:42with disappearing, reappearing rubber band.

0:56:42 > 0:56:44First it's on the notebook...

0:56:47 > 0:56:50..then it isn't, then it is...

0:56:52 > 0:56:53..then it isn't.

0:56:53 > 0:56:56To be honest, it's behaving pretty much like any rubber band.

0:56:56 > 0:56:59Not there when you need it.

0:57:05 > 0:57:08Here Hugo is performing a bog-standard card trick.

0:57:08 > 0:57:10Not so impressive, right?

0:57:10 > 0:57:11Wrong, magic fans.

0:57:11 > 0:57:15Not only does Hugo guess the right card, but he also manages

0:57:15 > 0:57:17to turn his right hand

0:57:17 > 0:57:19into his left hand. He's a true pro.

0:57:22 > 0:57:25Oh, hi there. You probably thought this was footage of me

0:57:25 > 0:57:28attending a soiree with my showbiz pals

0:57:28 > 0:57:30at the Groucho's or the Nando's.

0:57:30 > 0:57:34In fact, these people here are supporting, or background artists.

0:57:34 > 0:57:36They are only pretending to be my friends,

0:57:36 > 0:57:38and have been paid to do so.

0:57:38 > 0:57:42Which is different from my actual friends because...

0:57:42 > 0:57:43Because...

0:57:45 > 0:57:47Roll the VT.

0:57:47 > 0:57:49General Patton has said...

0:57:49 > 0:57:52Now the soulless superhero flick Captain America,

0:57:52 > 0:57:55and it will shock you to discover that these aren't real soldiers

0:57:55 > 0:57:58but actual background artists.

0:57:58 > 0:58:01You can tell because here they walk behind Captain Phillips

0:58:01 > 0:58:03but in the very next shot

0:58:03 > 0:58:06they are marching again back where they started.

0:58:06 > 0:58:08Our boys wouldn't do that.

0:58:11 > 0:58:15Now James Bond with curtains is haunted by skellingtons or something

0:58:15 > 0:58:18in the confused yet predictable Dream House.

0:58:18 > 0:58:20Here he is haunted by a terrifying doppelganger couple

0:58:20 > 0:58:24as these two, note the stylish but practical red boots on the lady,

0:58:24 > 0:58:27walk down the pavement and then when Daniel Craig David

0:58:27 > 0:58:29leaves the cafe a few moments later...

0:58:30 > 0:58:34Bingo! The identical couple are still walking towards them

0:58:34 > 0:58:35in the same direction.

0:58:35 > 0:58:41Of course, they could have stopped and had a row. We just don't know.

0:58:41 > 0:58:44In this daft but fun scene from The Muppets,

0:58:44 > 0:58:47keep watching the anger therapy patients fighting.

0:58:47 > 0:58:50One of them's not up to scratch with his brawling.

0:58:50 > 0:58:52Thursday's another one of my trigger words!

0:58:52 > 0:58:54You'll see the tall man with white hair

0:58:54 > 0:58:57is clearly not hitting anything...

0:58:58 > 0:59:00..as his punch misses by at least one foot.

0:59:02 > 0:59:07Yet, we hear the punch and the other man falls down.

0:59:07 > 0:59:09Also that's not a real animal.

0:59:09 > 0:59:10Animal!

0:59:12 > 0:59:13Not at night.

0:59:14 > 0:59:17We Bought A Zoo was over-sensitive and syrupy,

0:59:17 > 0:59:19but it's slightly better than the prequel

0:59:19 > 0:59:22I Rented A Newsagent-Cum-Off-Licence.

0:59:22 > 0:59:24Off-camera string-pulling is visible here

0:59:24 > 0:59:27when two extras are waiting for their cue to walk forward,

0:59:27 > 0:59:30which they start to do after a couple of seconds.

0:59:32 > 0:59:34And action. Nice.

0:59:38 > 0:59:41Guys, it's the other zoo film - it's Zookeeper!

0:59:41 > 0:59:42Guys?

0:59:44 > 0:59:47Here Griffin cycles past a man sat on a bench

0:59:47 > 0:59:49wearing a blue blazer and cream trousers.

0:59:53 > 0:59:57Then later, from Griffin's POV, we see he's about to cycle past

0:59:57 > 0:59:59a woman in a light shirt and blue jeans

0:59:59 > 1:00:00and a man in a straw-coloured hat.

1:00:02 > 1:00:04But from the opposite angle,

1:00:04 > 1:00:08he's just cycled past the man in a blue blazer and cream trousers.

1:00:08 > 1:00:10It doesn't make any sense, I tell you.

1:00:10 > 1:00:14Like the decision to green-light this film in the first place.

1:00:15 > 1:00:18Now, Wes Anderson's escapist, eccentric quirk-fest

1:00:18 > 1:00:20Moonrise Kingdom.

1:00:20 > 1:00:22When Cousin Ben is talking to Sam and Suzy

1:00:22 > 1:00:25as they walk through the camp, a marching Scout extra

1:00:25 > 1:00:30in the background can be seen looking and waving at the camera.

1:00:30 > 1:00:32He'll be earning his Ruin The World Of The Movie badge,

1:00:32 > 1:00:34I shouldn't wonder.

1:00:34 > 1:00:36Still to come...

1:00:46 > 1:00:50..and which 2012 film made the most mistakes in just one scene?

1:00:50 > 1:00:52Find out soon.

1:01:01 > 1:01:03This time, the outstanding, action-packed must-see

1:01:03 > 1:01:07sci-fi classic Terminator 2: Judgement Day.

1:01:07 > 1:01:10The story so far - in the first gripping and suspenseful

1:01:10 > 1:01:14Terminator film, a robot comes from the future to kill Sarah Connor

1:01:14 > 1:01:17and stop her from having a son who becomes a future revolutionary.

1:01:17 > 1:01:20Kyle Reese, also from the future, trains Sarah

1:01:20 > 1:01:23and gives her the knowledge she needs to defeat the robot.

1:01:23 > 1:01:26She and Kyle get it on and conceive the prodigal son, John Connor.

1:01:26 > 1:01:29Now, fast-forward 11 years to 1995.

1:01:29 > 1:01:32The robots are going to have another go.

1:01:32 > 1:01:35They send a more advanced Terminator back this time

1:01:35 > 1:01:38with the mission of killing the now 11-year-old John Connor.

1:01:38 > 1:01:40Good plan, robots.

1:01:40 > 1:01:44But wait! Why have you sent it back to 1995, the very place where

1:01:44 > 1:01:48Sarah Connor has had over a decade to prepare for such an event?

1:01:48 > 1:01:50Look, you've given her some time to

1:01:50 > 1:01:53raise her son to be a leader of the human resistance.

1:01:53 > 1:01:54Smart work(!)

1:01:55 > 1:01:57I mean, guys, she's already

1:01:57 > 1:01:58attempted to bomb a computer factory,

1:01:58 > 1:02:00and she's got a huge arsenal of weaponry

1:02:00 > 1:02:03stored in an underground bunker.

1:02:03 > 1:02:06What they should do is send the Terminator back further in time

1:02:06 > 1:02:08to when they don't know about any of this.

1:02:08 > 1:02:11Why not go back to the '70s when Sarah Connor was in school?

1:02:13 > 1:02:15Or they could go even further back

1:02:15 > 1:02:17and just take her out when she was a baby.

1:02:20 > 1:02:23Or, with a bit of imagination, they could go back even further

1:02:23 > 1:02:25and kill off her grandparents

1:02:25 > 1:02:28and stop Sarah even getting born in the first place.

1:02:28 > 1:02:29Or further still.

1:02:30 > 1:02:32You get the general idea.

1:02:32 > 1:02:35So, robots, not as clever as you think you are.

1:02:35 > 1:02:37Because if you were, you wouldn't have had to make

1:02:37 > 1:02:39Terminator 2: Judgement Day.

1:02:39 > 1:02:41Which is why I hardly ever chat with my Roomba.

1:02:41 > 1:02:42The end.

1:02:46 > 1:02:50Oh, this is ridiculous. I can't make it sync.

1:02:50 > 1:02:52Sync with laptop.

1:02:52 > 1:02:55PHONE: Do you want me to call your Uncle Martin?

1:02:55 > 1:02:56Sync with laptop.

1:02:56 > 1:03:00Searching the internet for scuba-diving courses.

1:03:00 > 1:03:02Sync with laptop.

1:03:02 > 1:03:06That's great. Sync with laptop is now in your diary for April.

1:03:06 > 1:03:08Do you want a reminder?

1:03:08 > 1:03:11Technology!

1:03:12 > 1:03:15This is the zesty but trivial What's Your Number?

1:03:15 > 1:03:18And this clip is a little embarrassing for the production

1:03:18 > 1:03:21as it obviously shows up the fact that they bought a knock off iPhone

1:03:21 > 1:03:25copy from the Australian company Ipple

1:03:25 > 1:03:26as when Ally answers it...

1:03:26 > 1:03:29it's upside down.

1:03:29 > 1:03:32Hi, Mom, can I call you right back? I'm in a meeting. OK.

1:03:36 > 1:03:39One thing I really hate is when you're not sure

1:03:39 > 1:03:41whether a text you sent has arrived.

1:03:41 > 1:03:45Fortunately, the bland and uneven Like Crazy has the answer.

1:03:45 > 1:03:50All you need to do is send your texts on either May 28th

1:03:50 > 1:03:55or December 1st because apparently they are interchangeable.

1:03:57 > 1:04:01The catchily-titled Twilight: Breaking Dawn Part 1 now,

1:04:01 > 1:04:03and here Bella is calling Rosalie

1:04:03 > 1:04:06but we can clearly see her phone is in lock mode.

1:04:08 > 1:04:11Or is it? Vampire phones are special though as they're always

1:04:11 > 1:04:15unlocked for emergency orders of delicious blood sandwiches.

1:04:17 > 1:04:20A good romantic comedy should make you feel like anything is possible.

1:04:20 > 1:04:23Apparently so can middling ones,

1:04:23 > 1:04:26as this clip from Salmon Fishing In The Yemen proves.

1:04:26 > 1:04:29It tries to make us believe that you can successfully send

1:04:29 > 1:04:32heartfelt text messages when you clearly have no signal.

1:04:36 > 1:04:39In the slow-paced and depressing Young Adult,

1:04:39 > 1:04:41Mavis is getting a cassette out of her bag.

1:04:43 > 1:04:45It's fully rewound.

1:04:48 > 1:04:51But when she puts it in the car it is halfway through a song

1:04:51 > 1:04:54and she has to rewind it.

1:04:54 > 1:04:57She wants to get at that cassette with a pencil.

1:04:57 > 1:04:59Or a biro. Which did you use?

1:05:00 > 1:05:02Oh, ask your mum and dad then!

1:05:05 > 1:05:08Here's the man who is suddenly in all films answering a phone

1:05:08 > 1:05:10in the so-so indie Jeff Who Lives At Home.

1:05:10 > 1:05:11PHONE RINGS

1:05:11 > 1:05:13But he doesn't press the button to answer it.

1:05:13 > 1:05:15BEEP

1:05:15 > 1:05:17"A-ha!" think the boffins in the edit,

1:05:17 > 1:05:19"We can fix that with a beep!"

1:05:20 > 1:05:22PHONE RINGS

1:05:22 > 1:05:25No, you cannot, boffins, for I, Robert Webb, have spotted it

1:05:25 > 1:05:27and thusly foiled you.

1:05:28 > 1:05:33Some of the best comedy films of all time have one thing in common.

1:05:33 > 1:05:35Trading Places, Every Which Way But Loose, Dunston Checks In,

1:05:35 > 1:05:37Outbreak, King Kong, Gorillas In The Mist,

1:05:37 > 1:05:42Planet Of The Apes, Greystoke, Mighty Joe Young, Congo.

1:05:42 > 1:05:47Sorry, no, the thing these films have in common is, like, monkeys.

1:05:47 > 1:05:48It's monkeys.

1:05:49 > 1:05:52Most of these films aren't even comedies.

1:05:52 > 1:05:55I mean - I've seen Dunston Checks In.

1:05:55 > 1:05:57I'll do it myself. No, I'll just busk it.

1:05:57 > 1:05:59You're still rolling?

1:05:59 > 1:06:00Good.

1:06:00 > 1:06:03Some of the best comedy films of all time have one thing in common.

1:06:03 > 1:06:06Confetti, Magicians, The Wedding Video.

1:06:08 > 1:06:11What? That is totally justified.

1:06:13 > 1:06:17All right, not Confetti but, I mean, the other two are quite good.

1:06:17 > 1:06:18Anyone with an ounce of manners

1:06:18 > 1:06:20knows that spitting on someone's head,

1:06:20 > 1:06:23like littering or tax avoidance, is jolly rude.

1:06:23 > 1:06:27So it's good that in the very coarse, very dumb Goon,

1:06:27 > 1:06:30young Ryan here completely fails to hit his target, Doug.

1:06:35 > 1:06:36See?

1:06:38 > 1:06:40I don't know what this is.

1:06:40 > 1:06:41Hair gel? Over-excitement?

1:06:45 > 1:06:48Ice Hockey is hugely popular in the US.

1:06:48 > 1:06:50However, it's not so popular that

1:06:50 > 1:06:52people will turn up to watch a pretend match

1:06:52 > 1:06:55as these cardboard cut-out excuses for audience members prove.

1:06:59 > 1:07:02It just doesn't fit the HBO brand...

1:07:02 > 1:07:05Here's Jennifer Aniston in the inert comedy Wanderlust

1:07:05 > 1:07:08defiantly shutting her laptop, the IT equivalent of slamming a door.

1:07:08 > 1:07:12We could throw in some vampires in there to have sex with the penguins

1:07:12 > 1:07:15and then you could have brooding, sexy, little vampire penguins.

1:07:15 > 1:07:17I'm calling actor error on this one.

1:07:17 > 1:07:19You'd think that having done something so dramatic,

1:07:19 > 1:07:22she'd have noticed that it was open again a few shots later

1:07:22 > 1:07:23as she packed up to leave.

1:07:23 > 1:07:25I think you're joking?

1:07:26 > 1:07:30My favourite mistakes on this show are always the ones where it would

1:07:30 > 1:07:32have been easier to get it right.

1:07:32 > 1:07:34How did this end up happening, for example?

1:07:34 > 1:07:37This margarita's poured out on the rocks.

1:07:37 > 1:07:40..5 o'clock, when you could have 4.30.

1:07:40 > 1:07:42Can someone have frozen, slushy margarita

1:07:42 > 1:07:44ready for when we cut back?

1:07:44 > 1:07:45Thanks!

1:07:45 > 1:07:47Baffling.

1:07:47 > 1:07:48- Keep going, keep going.- OK.

1:07:50 > 1:07:53Depressing gross-out, body-swap nonsense now in The Change-Up,

1:07:53 > 1:07:57a film so far beneath its star Jason Bateman

1:07:57 > 1:08:00that he must've spent the whole shoot underground.

1:08:00 > 1:08:04In this scene, Bateman as Mitch as Dave gets pushed out of bed,

1:08:04 > 1:08:05or does he?

1:08:05 > 1:08:06Jesus. Hey!

1:08:08 > 1:08:11No, at the last minute, she snaps back her retracto-arms

1:08:11 > 1:08:13and kicks him, instead.

1:08:13 > 1:08:15Get through that door, Jason,

1:08:15 > 1:08:18and don't stop till you're not in the film any more.

1:08:21 > 1:08:24This gentleman is exposing his midriff in the way

1:08:24 > 1:08:25we all did in the '80s.

1:08:27 > 1:08:30He does it in the witty and frantic Two Days In New York.

1:08:30 > 1:08:33But you know how revivals go -

1:08:33 > 1:08:35there one minute, gone the next.

1:08:37 > 1:08:39And then it's back in fashion again.

1:08:42 > 1:08:46In the savagely satirical The Dictator, Sacha Baron Cohen

1:08:46 > 1:08:48plays the hardest game of Guess Who ever.

1:08:50 > 1:08:52Believe it or not, these are the pictures left after

1:08:52 > 1:08:55he's flicked down all the ones with glasses.

1:08:56 > 1:08:58And it's going to be a pretty tough game,

1:08:58 > 1:09:00because most are duplicates or flips of each other.

1:09:00 > 1:09:03I bet it's Bernard, though. It's always Bernard.

1:09:08 > 1:09:11Supreme leader is on the talking painting.

1:09:11 > 1:09:13These mug shots of Nadal and Aladeen show the pseudonyms

1:09:13 > 1:09:16Nadal and Allison Burger.

1:09:16 > 1:09:17..was cut short by what police

1:09:17 > 1:09:20are now calling a terrorism misunderstanding.

1:09:20 > 1:09:23But she says his name is Emir Gency Exit Only.

1:09:23 > 1:09:25Emir Gency Exit Only.

1:09:25 > 1:09:28If she'd only taken the time to study those mug shots, none of us

1:09:28 > 1:09:32would have wasted a precious thirty seconds of our lives on that joke.

1:09:32 > 1:09:34Sometimes, a film is just

1:09:34 > 1:09:38so damn good that the only thing to do is make it again, but different.

1:09:38 > 1:09:40You know that feeling when you're watching a cracking movie

1:09:40 > 1:09:43and you think to yourself, "I'd love to see this again with

1:09:43 > 1:09:47"different actors and with some of the dialogue slightly changed?"

1:09:47 > 1:09:51Well, no, neither do I, but presumably it's happened to someone.

1:09:51 > 1:09:53American studios have a particular fondness

1:09:53 > 1:09:55for making new versions of French films,

1:09:55 > 1:09:59figuring that nobody could possibly have seen the original.

1:09:59 > 1:10:02Next time you see something hoo-larious with Adam Sandler

1:10:02 > 1:10:06in a dress or Cameron Diaz being amusingly coarse, bear in mind it

1:10:06 > 1:10:10probably started life as a sensitive examination of personal identity

1:10:10 > 1:10:11called Pourquoi Moi?

1:10:12 > 1:10:16In Die Another Day, James Bond had an invisible car.

1:10:16 > 1:10:17Here's there's two...

1:10:18 > 1:10:22..in this is lamentable spoof TV remake Dark Shadows.

1:10:24 > 1:10:26You see? They're invisible.

1:10:26 > 1:10:28Ha! Yah, boo, sucks, 007!

1:10:33 > 1:10:37Now, that social taboo we're all uncomfortable talking about -

1:10:37 > 1:10:39spontaneous combustion.

1:10:39 > 1:10:43Luckily, the treatment's just a good dousing with water.

1:10:43 > 1:10:45Special dry water that doesn't leave

1:10:45 > 1:10:48a trace in the bucket once you've thrown it.

1:10:53 > 1:10:56Vampires do DIY just like us regular folk.

1:10:56 > 1:10:59Barnabus is inside a coffin with a separate lid,

1:10:59 > 1:11:01but between here and the graveyard

1:11:01 > 1:11:05they've clearly managed a pit stop at IKEA for some hinges.

1:11:05 > 1:11:08They probably also picked up 500 tea lights for 50p

1:11:08 > 1:11:10and gorged on Swedish meatballs.

1:11:13 > 1:11:17The aptly-named 21 Jump Street now, a violent and naughty film

1:11:17 > 1:11:20where characters jump from one location to another

1:11:20 > 1:11:23without paying any attention to boring stuff like continuity.

1:11:23 > 1:11:26For example, this door opens on three people

1:11:26 > 1:11:28but only two of them walk in.

1:11:28 > 1:11:31- Who invited you guys? - I did. The party's here.

1:11:31 > 1:11:33- What's up?- Hi, buddy.

1:11:33 > 1:11:37Delroy's probably popped round the corner to 21 Teleport Street.

1:11:40 > 1:11:42A bona fide miracle, next.

1:11:42 > 1:11:46Never mind loaves and fishes, some higher power obviously

1:11:46 > 1:11:49decided that this tatty old newspaper on the church door

1:11:49 > 1:11:51was making the place look untidy

1:11:51 > 1:11:54because mere seconds later, it's gone.

1:11:54 > 1:11:55Hallelujah!

1:11:58 > 1:12:01It's hard to keep track of relations when you're from a larger family.

1:12:01 > 1:12:05Like Ren in the semi-enjoyable but pointless Footloose remake.

1:12:05 > 1:12:08His cousins can't stand still.

1:12:08 > 1:12:10Here he's greeted by two of them.

1:12:10 > 1:12:14How you doing? You guys are huge. Get off me. Attack of the cousins!

1:12:14 > 1:12:16But then he's with just one.

1:12:16 > 1:12:19The other's hanging out with Lulu.

1:12:19 > 1:12:22Not that Lulu, alas, she's not in either of the Foots Loose.

1:12:25 > 1:12:28This cross but charismatic young gentlemen played by not Kevin Bacon

1:12:28 > 1:12:31gets all crossly into his Beetle and drives away,

1:12:31 > 1:12:34showing the exposed engine.

1:12:34 > 1:12:35ENGINE STARTS

1:12:40 > 1:12:42But when he arrives at this warehouse,

1:12:42 > 1:12:44the boot is repaired and the engine covered.

1:12:44 > 1:12:49Oh, hello. I'm just flushing 250 million down the toilet,

1:12:49 > 1:12:51rather like the makers of John Carter.

1:12:53 > 1:12:55Here in Britain, we love an underdog.

1:12:55 > 1:12:59We like things that are plucky or unfashionable or sometimes

1:12:59 > 1:13:02just plain crap. We root for them, we cheer for them,

1:13:02 > 1:13:03we wish them the best.

1:13:03 > 1:13:06What we won't do apparently is buy tickets for them.

1:13:06 > 1:13:09Which is why the following films appear in our

1:13:09 > 1:13:11Worst Flops At The Box Office section.

1:13:11 > 1:13:14Here are some mistakes which, like the films they come from,

1:13:14 > 1:13:16you didn't notice the first time.

1:13:20 > 1:13:23Conan The Terrible, sorry, Conan The Barbarian now,

1:13:23 > 1:13:25and Tamara's strolling through the forest

1:13:25 > 1:13:28with clear lines of sight in every direction.

1:13:28 > 1:13:33Yet somehow she doesn't see or hear Massive Man On Horse.

1:13:35 > 1:13:37She failed to spot the foot-soldiers too,

1:13:37 > 1:13:41despite those skinny saplings being too small to hide behind.

1:13:41 > 1:13:42She didn't see them.

1:13:42 > 1:13:44Just like nobody saw this film.

1:13:51 > 1:13:53I Don't Know How She Does It,

1:13:53 > 1:13:56otherwise known as I Don't Know Why They Made It

1:13:56 > 1:13:58has Sarah Jessica Parker running kookily late

1:13:58 > 1:14:01with her beige heels and no tights.

1:14:01 > 1:14:04But here she's wearing black tights and boots.

1:14:04 > 1:14:07- Oh, hi, Clarke.- Good morning.

1:14:07 > 1:14:10And now it's the original combo again.

1:14:10 > 1:14:12I don't know how she did that.

1:14:15 > 1:14:16It may have been a flop,

1:14:16 > 1:14:19but John Carter was actually quite good fun.

1:14:19 > 1:14:21This is the wedding,

1:14:21 > 1:14:24and Sab Than is discovering that there's nothing more embarrassing

1:14:24 > 1:14:26than finishing your stag night with a drunken tattoo.

1:14:26 > 1:14:31In the time of oceans, the celestial lovers rose from the sea each night.

1:14:31 > 1:14:32And just like a drunken tattoo,

1:14:32 > 1:14:36this one is staggering all over his face from left to right.

1:14:36 > 1:14:38So may it be again.

1:14:41 > 1:14:44On to the hokey and scrappy Cowboys And Aliens now,

1:14:44 > 1:14:47and as Jake escapes from the alien stronghold

1:14:47 > 1:14:50he's covered in a blast of alien space dust

1:14:50 > 1:14:52or popping candy, as you youngsters call it.

1:14:56 > 1:14:57I hate it when that happens.

1:14:59 > 1:15:01And so does Jake. Look, he's now dust-free.

1:15:05 > 1:15:08The Thing is a dull, sloppy, unsuccessful prequel

1:15:08 > 1:15:11to a successful film called The Thing.

1:15:11 > 1:15:16I'm hoping they make a sequel called And Another Thing.

1:15:16 > 1:15:18Here, Kate turns on both taps,

1:15:18 > 1:15:21has the most feeble face-wash of all time,

1:15:21 > 1:15:24then turns off the water one-handed.

1:15:24 > 1:15:26So the thing about The Thing is

1:15:26 > 1:15:28why isn't the other tap still running?

1:15:34 > 1:15:38The aptly-named Anonymous was a preposterous romp based on

1:15:38 > 1:15:41the idea that Shakespeare wasn't Shakespeare, but the Earl of Oxford.

1:15:41 > 1:15:43However, we can reveal

1:15:43 > 1:15:46that the Earl of Oxford wasn't the Earl of Oxford, either.

1:15:46 > 1:15:49judging by that very modern tattoo that's peeping out

1:15:49 > 1:15:53from under his doublet, he's clearly Rhys Ifans.

1:15:53 > 1:15:55If you're the kind of person who, when reading a book,

1:15:55 > 1:15:57likes to skip over the difficult bits,

1:15:57 > 1:15:59and put Keira Knightley all over the rest,

1:15:59 > 1:16:01then you'll love film adaptations.

1:16:01 > 1:16:04Since film was invented, directors have been slightly ruining

1:16:04 > 1:16:08or basically missing the point of some of the greatest literary works

1:16:08 > 1:16:11in the world. But they still found room to make some shocking mistakes.

1:16:11 > 1:16:14Fortunately, the world of literature has been getting its own back

1:16:14 > 1:16:18for years by taking tremendous films and getting hacks to write

1:16:18 > 1:16:20unreadably awful novelizations.

1:16:20 > 1:16:23So, you know, swings and roundabouts.

1:16:23 > 1:16:26George Smiley's waiting for a call, with his shoes neatly under

1:16:26 > 1:16:30the table in the thrilling and classy Tinker Tailor Soldier Spy.

1:16:37 > 1:16:39But when it's an important call,

1:16:39 > 1:16:41surely it's wise to be fully clothed,

1:16:41 > 1:16:44so in the next shot they're back on again.

1:16:44 > 1:16:46Though now he's taken them off.

1:16:46 > 1:16:48Oh, make up your mind!

1:16:48 > 1:16:50The same thing happens with his underpants

1:16:50 > 1:16:52but we can't show that bit.

1:16:57 > 1:17:00I think there's just a simple script typo in this scene

1:17:00 > 1:17:03from meandering flick The Rum Diary.

1:17:03 > 1:17:06There's Johnny Depp with his hair all unkempt

1:17:06 > 1:17:09and this line is delivered.

1:17:09 > 1:17:12You blew it, Kemp.

1:17:12 > 1:17:15And suddenly Johnny's neatly coiffed again.

1:17:15 > 1:17:19I'm pretty sure the line should have been, "You blow-dried it, Kemp."

1:17:22 > 1:17:25Want to have some breakfast? A little lobster on the beach?

1:17:25 > 1:17:28- 20 minutes away.- Sounds inviting.

1:17:28 > 1:17:31Sunglasses, like umbrellas and razors can be categorised as

1:17:31 > 1:17:33things in life you find yourself buying

1:17:33 > 1:17:34much more often than you ought to.

1:17:34 > 1:17:36I just called Miami.

1:17:36 > 1:17:38But on Movie Mistakes we love them.

1:17:38 > 1:17:42Why? Well, take Johnny Depp. He puts them on...

1:17:42 > 1:17:43I better call in.

1:17:43 > 1:17:45..he stands up...

1:17:45 > 1:17:46Call from the car.

1:17:46 > 1:17:48..he picks them up again.

1:17:48 > 1:17:51Well, it's easy to forget where you've put them.

1:17:55 > 1:17:58Ah, look, nothing in the sky for miles around,

1:17:58 > 1:18:01except a few clouds in this expensive-looking but unnecessary

1:18:01 > 1:18:04umpteenth adaptation of The Three Musketeers.

1:18:07 > 1:18:10And yet just 39 seconds later...

1:18:11 > 1:18:14..where did this ruddy, great low-flying airship come from?

1:18:17 > 1:18:19SHOUTING

1:18:24 > 1:18:27Some mistakes can be put down to simple revenge.

1:18:27 > 1:18:30Clearly the cameraman was so annoyed at crashing into this wooden pole...

1:18:30 > 1:18:34Careful! ..that he sneakily removed it for the next shot.

1:18:35 > 1:18:37Luckily, someone noticed

1:18:37 > 1:18:40and Poley resumed his rightful place next to the step.

1:18:40 > 1:18:41For a bit.

1:18:50 > 1:18:52Rule one of escaping from baddies -

1:18:52 > 1:18:54be sure you make a clean getaway.

1:18:55 > 1:18:58However, once D'Artagnan runs through the door,

1:18:58 > 1:19:01he just stops and waits.

1:19:01 > 1:19:04Almost, and I know this is going to sound mad,

1:19:04 > 1:19:07almost like an actor waiting for his next cue.

1:19:12 > 1:19:16If I dared, I'd touch you, see if you were real.

1:19:16 > 1:19:20Mr Rochester's journal. "Wednesday. An exciting day.

1:19:20 > 1:19:23"Jane Eyre returned from visiting her aunt,

1:19:23 > 1:19:28"I put this very journal down to say hello.

1:19:28 > 1:19:30"However, no sooner had she ascended the stairs

1:19:30 > 1:19:33"than my journal completely disappeared,

1:19:33 > 1:19:35"only to reappear moments later.

1:19:35 > 1:19:37"Should it disappear again,

1:19:37 > 1:19:40"I shall write my innermost thoughts on my massive hat."

1:19:40 > 1:19:41Very sloppy.

1:19:41 > 1:19:44If you don't know what I'm talking about when I say,

1:19:44 > 1:19:46"She sees a nun and falls off the bell tower,"

1:19:46 > 1:19:49or "It's his sledge," then congratulations!

1:19:49 > 1:19:53You've just had the two top films of all time ruined for you.

1:19:53 > 1:19:56In the latest BFI/Sight and Sound Poll of the greatest ever films,

1:19:56 > 1:20:01Vertigo ended Citizen Kane's long run by pipping it to the top spot.

1:20:01 > 1:20:04The rest of the top ten was made up of popular favourites like

1:20:04 > 1:20:06Tokyo Story, La Regle De Jeu,

1:20:06 > 1:20:08Sunrise: A Song Of Two Humans and

1:20:08 > 1:20:09The Passion Of Joan Of Arc,

1:20:09 > 1:20:13because film critics aren't in any way up themselves.

1:20:13 > 1:20:15Anyway, even being the best of all time

1:20:15 > 1:20:19doesn't protect you from our beady eye.

1:20:19 > 1:20:23One of greatest, most suspenseful thrillers now. Psycho.

1:20:23 > 1:20:27This being 1960, everyone was more modest than they are nowadays.

1:20:27 > 1:20:29Janet Leigh's so prim,

1:20:29 > 1:20:32she even wore her underpants for her ill-fated shower, as you can see

1:20:32 > 1:20:36when creepy Norman Bates wraps her up and carries her to the boot.

1:20:40 > 1:20:43Oddly enough, in Gus Van Sant's pointless and embarrassing

1:20:43 > 1:20:47shot-for-shot remake, they deliberately made the same mistake

1:20:47 > 1:20:50again, and you get the chance to see Anne Heche in her undies too.

1:20:50 > 1:20:52Twice the goofs for half the fun!

1:20:56 > 1:20:59The harsh and brutally dark war classic Apocalypse Now

1:20:59 > 1:21:02features this cameo from director, Francis Ford Coppola.

1:21:02 > 1:21:05He clearly loves the limelight, as just seconds before,

1:21:05 > 1:21:10we see the crew filming in blatant silhouette.

1:21:10 > 1:21:13Word of advice FFC, next time do it with jazz-hands.

1:21:16 > 1:21:21Astonishing visuals, plus over-pretentiousness equals

1:21:21 > 1:21:232001: A Space Odyssey,

1:21:23 > 1:21:25and in this scene which takes place some hours

1:21:25 > 1:21:30before the plot starts, Dr Floyd is looking at pictures of ground.

1:21:30 > 1:21:33However, now it's completely different ground.

1:21:33 > 1:21:36That's what happens when you do 127 retakes,

1:21:36 > 1:21:38Mr Kubrick. Learn from the professionals!

1:21:42 > 1:21:44I honestly think you ought to sit down calmly.

1:21:44 > 1:21:48Now, should I ever find myself trapped on an airless space station

1:21:48 > 1:21:51trying to stop a malfunctioning artificial intelligence killing me,

1:21:51 > 1:21:55remind me to make sure my spacesuit, essential to an airless environment,

1:21:55 > 1:21:58is securely fastened, exposing no flesh,

1:21:58 > 1:22:00otherwise I might get a bit breathless,

1:22:00 > 1:22:04goggly eyed and generally explode a bit.

1:22:04 > 1:22:10Meticulously crafted and elegantly shot, it can only be Citizen Kane.

1:22:10 > 1:22:13However, here you can see some animated pterodactyls

1:22:13 > 1:22:16flying around some 20th-century picnickers!

1:22:16 > 1:22:19Apparently this was background footage nabbed from Son Of Kong,

1:22:19 > 1:22:21but Orson Welles reportedly liked

1:22:21 > 1:22:24the reptiles so much he kept them in.

1:22:24 > 1:22:27Orson, you well-known perfectionist, you, of course you did!

1:22:31 > 1:22:34Interior design now, and here's Jimmy Stewart in the exciting

1:22:34 > 1:22:38and tension-filled number-one movie in the poll, Vertigo.

1:22:38 > 1:22:41Look at the cushions he offers Madeline to sit on.

1:22:41 > 1:22:45They're green, yes? Oh, no, they're not, they're gold.

1:22:47 > 1:22:49Oh, wait a minute, sorry, folks.

1:22:49 > 1:22:52They're definitely, definitely green.

1:22:54 > 1:22:57Ever the attentive host,

1:22:57 > 1:23:00Jimmy's offering his lovely visitor a cup of coffee.

1:23:00 > 1:23:02Well, to be more precise, just a cup.

1:23:02 > 1:23:04Maybe she should pop next door

1:23:04 > 1:23:07and borrow some from the hunky neighbour?

1:23:10 > 1:23:12In this tense scene on the beach,

1:23:12 > 1:23:15Madeline is getting in touch with nature and hugging a tree.

1:23:15 > 1:23:22I'm walking down a long corridor, that once was mirrored.

1:23:22 > 1:23:25And fragments of the mirror still hang there.

1:23:25 > 1:23:27However, she manages to turn her back on it,

1:23:27 > 1:23:28seemingly without moving.

1:23:28 > 1:23:31I tell you what, that Alfred Hitchcock certainly knows

1:23:31 > 1:23:33how to weave a web of mystery and intrigue.

1:23:35 > 1:23:39It's a little bit of a Hollywood secret, but you can't just

1:23:39 > 1:23:42use normal cars, trains, motorbikes and so on, when making a film.

1:23:42 > 1:23:45No, all the vehicles you see are stars in their own right.

1:23:45 > 1:23:49The cars always demand their own trailers, every motorcycle insists

1:23:49 > 1:23:53on riders, buses won't film without regular stops and all the aeroplanes

1:23:53 > 1:23:56are scientologists and won't let anyone look them in the cockpit.

1:23:56 > 1:24:02Also, something about helicopters, um, they work on a rotor system?

1:24:02 > 1:24:06Something like that? Somebody sort this out.

1:24:06 > 1:24:11Icily compelling sex pest docusoap Shame now,

1:24:11 > 1:24:15and here Michael "Middle Stump" Fassbender arrives at Fulton Street

1:24:15 > 1:24:18as he creepily eyes up a woman in a hat.

1:24:30 > 1:24:33But he's on the world's most inconvenient train,

1:24:33 > 1:24:35as you see when they leave Fulton Street.

1:24:38 > 1:24:42Then after a few minutes of serious-faced ogling, arrive at...

1:24:42 > 1:24:43Fulton Street!

1:24:46 > 1:24:48Get your coat, love, you've pulled.

1:24:53 > 1:24:56Every which way but funny now with The Zookeeper.

1:24:56 > 1:24:59Everything about this clip is ridiculous.

1:25:00 > 1:25:03The background is swishing about like nobody's business,

1:25:03 > 1:25:08and TV funnyman Kevin James isn't even turning the steering wheel.

1:25:09 > 1:25:11Absolutely ridiculous.

1:25:11 > 1:25:14The talking gorilla in the daringly tight T-shirt, however, is fine.

1:25:19 > 1:25:20Misbehaving wingtips now,

1:25:20 > 1:25:23which is the bane of the Victorian dandy's life,

1:25:23 > 1:25:26but also in the turbo-charged Avengers Assemble.

1:25:30 > 1:25:32As the plane lands, the wings fold in.

1:25:36 > 1:25:38But when Captain America disembarks,

1:25:38 > 1:25:39they are folded out again.

1:25:39 > 1:25:43Let's see it again - and watch out for the bonus boob here.

1:25:43 > 1:25:47What the hell happened to the hi-vis orange runway man?

1:25:54 > 1:25:56The windscreen wipers on this police car

1:25:56 > 1:25:59in the comedically dry The Guard remind me very much

1:25:59 > 1:26:01of the men in The Grand old Duke of York.

1:26:01 > 1:26:03Because when they are up they are up,

1:26:03 > 1:26:05and when they are down they are down.

1:26:05 > 1:26:10And that's the end of my simile. Wrong windscreen wipers is my point.

1:26:10 > 1:26:12Just been transferred from Dublin.

1:26:14 > 1:26:16Pointless remake of Footloose now -

1:26:16 > 1:26:18and a stark reminder that level crossings

1:26:18 > 1:26:21are dangerous places, kids. Here we see how,

1:26:21 > 1:26:23if you're not careful, your lovely sister's saloon car

1:26:23 > 1:26:26will inexplicably turn into a black four by four

1:26:26 > 1:26:28the moment it touches the railway lines.

1:26:36 > 1:26:38He's not looking good, sir.

1:26:38 > 1:26:40The disappointing Johnny English Reborn now,

1:26:40 > 1:26:44and when Johnny says, "It's just like riding a bike,"

1:26:44 > 1:26:47that's clearly not what he said when they shot it.

1:26:47 > 1:26:50- It's just like riding a bike. - Maybe he was actually saying,

1:26:50 > 1:26:52"Get rid of that man on the back seat,"

1:26:52 > 1:26:55because by the next shot, he has clearly disappeared.

1:26:57 > 1:26:59Yes, it's all coming back to me.

1:27:06 > 1:27:09If violent revenge flick How I Spent My Summer Vacation

1:27:09 > 1:27:11is anything to go by, Mel Gibson spends his holidays

1:27:11 > 1:27:15dressed as a clown in a deserted part of Mexico.

1:27:15 > 1:27:16Not that deserted, mind.

1:27:16 > 1:27:19Those tyre tracks show there's been another car there,

1:27:19 > 1:27:22or at the very least a previous take.

1:27:25 > 1:27:30Action movies are like making love. Last about 90 minutes check.

1:27:30 > 1:27:32Have loud noises going on throughout check.

1:27:32 > 1:27:34An Aerosmith song playing check.

1:27:34 > 1:27:38And big men in vests running around shooting assorted Europeans

1:27:38 > 1:27:39or Middle Easterns - check.

1:27:39 > 1:27:42And, of course, an awful lot of blood.

1:27:42 > 1:27:45Happy lovemaking, sex fans!

1:27:45 > 1:27:48What's wrong here in the hammy and laughably bad Abduction?

1:27:50 > 1:27:54Acting rule number one is never look into the camera, but gotcha!

1:27:54 > 1:27:56Taylor Lautner can't resist!

1:27:57 > 1:28:01Still, if this is the take they used, the other ones must have just

1:28:01 > 1:28:04had him staring slack-jawed into the camera and wobbling.

1:28:07 > 1:28:10Look at the light filtering through the outdoor window.

1:28:10 > 1:28:12I love a good sunset, don't you?

1:28:13 > 1:28:16And so do the makers of Abduction.

1:28:16 > 1:28:19They've really captured that magic hour.

1:28:19 > 1:28:23- Yeah.- 'Hey, I heard you pull up...'

1:28:23 > 1:28:26Or rather, that abrupt few seconds between day and,

1:28:26 > 1:28:28in the next shot, night.

1:28:31 > 1:28:33It's the run-of-the-mill In Time,

1:28:33 > 1:28:37and Henry's timeline's running out, so he's decided to keel over

1:28:37 > 1:28:40and fall into some lovely running water.

1:28:44 > 1:28:49That's very fortunate, had he jumped a few seconds earlier,

1:28:49 > 1:28:52he'd have fallen on to a barely wet slab of concrete.

1:28:57 > 1:29:01The generally "meh" This Means War now, and attention, ladies -

1:29:01 > 1:29:04if you've ever had your jacket stolen from a nightclub,

1:29:04 > 1:29:08it was almost certainly stolen by Hollywood actor, Reese Witherspoon.

1:29:08 > 1:29:14The proof? Well, here she is going in without a jacket,

1:29:14 > 1:29:18and here she is exiting the same club, with a jacket.

1:29:18 > 1:29:22- Tell it to the DA, Witherspoon. - I'm not the girl for you.

1:29:23 > 1:29:25Tooth fairy news now,

1:29:25 > 1:29:28and it turns out the little blighter's working overtime.

1:29:28 > 1:29:32Here, young Joe is missing the traditional two front teeth,

1:29:32 > 1:29:37but the director clearly thought that was a bit of a cliche,

1:29:37 > 1:29:40because later on the same day the missing teeth are altogether

1:29:40 > 1:29:43hipper, edgier bottom-row ones.

1:29:43 > 1:29:45Hands up!

1:29:49 > 1:29:53Here's a clip from thin-on-laughs action comedy, 30 Minutes Or Less,

1:29:53 > 1:29:57which, if it isn't a sequel to One Hour Photo, should be.

1:29:57 > 1:30:00Here, Chet's spray-painted the inside of the door.

1:30:01 > 1:30:04It's like you bought a Mustang...

1:30:04 > 1:30:08Luckily, by the time they stop, the paint's disappeared.

1:30:08 > 1:30:10My wife gets angry when I eat sushi in the car.

1:30:10 > 1:30:13She doesn't understand it makes me a better driver.

1:30:16 > 1:30:19Hugely-disappointing, dreary war-fest Red Tails now,

1:30:19 > 1:30:22and important advice on hat etiquette.

1:30:22 > 1:30:24I need everyone on this next mission.

1:30:24 > 1:30:27Young Joe here is committing a faux-pas of epic proportions

1:30:27 > 1:30:29as Army regulations state that hats should be

1:30:29 > 1:30:31removed when indoors...

1:30:31 > 1:30:33and worn when outside.

1:30:33 > 1:30:35He's doing neither.

1:30:35 > 1:30:38He'd be a laughing stock at Ascot, the berk.

1:30:42 > 1:30:44Cuba Gooding Jnr is doing his best

1:30:44 > 1:30:47to win the coveted Pipe Smoker Of The Year award.

1:30:47 > 1:30:49Look at his masterful skills.

1:30:49 > 1:30:54He's so good, he can simultaneously point out directions with it.

1:30:54 > 1:30:55And smoke it at the same time.

1:30:59 > 1:31:02Airports are stressful - all that queuing, waiting

1:31:02 > 1:31:04and having your private bits probed by security.

1:31:04 > 1:31:07These poor blokes are having a terrible time,

1:31:07 > 1:31:13their duty-free fags have finished and their plane has inexplicably changed from an A3...

1:31:16 > 1:31:17..to A2.

1:31:17 > 1:31:20Goodness knows where their luggage is going to end up!

1:31:20 > 1:31:26Deck the halls with merry gentlemen, it's the most wonderful time of the chestnuts roasting

1:31:26 > 1:31:29on a red-nosed sleigh bells jingle all the way.

1:31:29 > 1:31:33I actually used to hate Christmas, but one day, just as I was about to jump in a river,

1:31:33 > 1:31:37this angel came along and showed me what the world would have been like

1:31:37 > 1:31:39if Great Movie Mistakes had never happened.

1:31:39 > 1:31:43And let me tell you, it wasn't pretty, it wasn't pretty at all.

1:31:43 > 1:31:47Thankfully, here's some festive movie goofs.

1:31:47 > 1:31:49HE BLOWS HIS MOUSTACHE FROM HIS MOUTH

1:31:51 > 1:31:54Timeless feel-good Christmas classic, It's A Wonderful Life, now

1:31:54 > 1:31:56and James Stewart has brought with him,

1:31:56 > 1:31:58a festive bog seat covered in holly

1:31:58 > 1:32:01to really liven up the atmos in the smallest room.

1:32:01 > 1:32:03ALL TALK AT ONCE

1:32:03 > 1:32:04He puts it down...

1:32:04 > 1:32:05Harry...

1:32:05 > 1:32:08..but, it immediately springs back up again.

1:32:08 > 1:32:11He must have caught his sleeve on a sprig.

1:32:14 > 1:32:17Dancing is prohibited at this municipal pool, James,

1:32:17 > 1:32:19it's the rules.

1:32:23 > 1:32:25And where's your bathing cap?

1:32:25 > 1:32:28Don't you know stray hair clogs the filters?

1:32:28 > 1:32:31Even more so when your entire toupee floats off.

1:32:31 > 1:32:35Well, I hope that distracts him from any heavy petting with that lady.

1:32:39 > 1:32:41Before the tobacco ad ban,

1:32:41 > 1:32:44they said a pipe really does something for a man.

1:32:44 > 1:32:47And here you can see they're not wrong.

1:32:47 > 1:32:48See this smoking chap?

1:32:49 > 1:32:51Instant sex change.

1:32:51 > 1:32:55Proof you should just say no to pipes, BBC Three viewers.

1:32:55 > 1:32:56Wait a minute.

1:32:56 > 1:32:57I think I've got a date.

1:33:00 > 1:33:02The Santa Clause is a reasonably jolly movie

1:33:02 > 1:33:04if there's nothing else on.

1:33:04 > 1:33:06And here's Father Christmas himself,

1:33:06 > 1:33:09having trouble doing his only job of the year.

1:33:10 > 1:33:12But what's this?

1:33:12 > 1:33:15I know people say there's a blanket of snow,

1:33:15 > 1:33:18but that just looks like an actual blanket to me.

1:33:21 > 1:33:25"Watch the skies," says the sign on the movie theatre

1:33:25 > 1:33:29in the still very entertaining and funny festive treat, Gremlins.

1:33:33 > 1:33:35Actually, that sign should have said,

1:33:35 > 1:33:39"Watch the hills," as they're green and free of snow, unlike the rest of the set.

1:33:42 > 1:33:44Here, one of the crew must have had

1:33:44 > 1:33:46a late-night kebab and a couple of cans,

1:33:46 > 1:33:50as they're clearly visible pushing over the Christmas tree.

1:33:51 > 1:33:54Christmas spirit? Christmas lager, I wager.

1:33:58 > 1:34:01Now, viewers, here's something you really, really don't want to do.

1:34:01 > 1:34:04And that's cut the cable for some fairy lights with

1:34:04 > 1:34:07a pair of metal scissors while they're still on.

1:34:08 > 1:34:10But, here all the lights stay on.

1:34:10 > 1:34:14They must have matted out the stuntman who fried doing the scene.

1:34:20 > 1:34:22Good evening. I'm television's Robert Webb.

1:34:22 > 1:34:26You might recognise me from your television on which I often appear.

1:34:26 > 1:34:29Welcome once again to Pointless View, where we invite you,

1:34:29 > 1:34:31some public, to do our job for us.

1:34:31 > 1:34:32HE LAUGHS

1:34:32 > 1:34:35Of course, I'm joking... Partially.

1:34:35 > 1:34:36Onto our first letter.

1:34:36 > 1:34:40This comes from Arthur Martha Not Sure in Clittering, East Sussex.

1:34:40 > 1:34:43And he or she has reached the end of his or her short fuse

1:34:43 > 1:34:46with The Adventures Of Tintin: The Secret Of The Unicorn.

1:34:56 > 1:35:00'When Alan finds out that Tintin has blocked the door to the cabin,

1:35:00 > 1:35:02'he tells Tom to get TNT.

1:35:02 > 1:35:04'Well, Tom returns with dynamite.'

1:35:04 > 1:35:07Play like that then do you, Tintin? Get the TNT.

1:35:07 > 1:35:12'Dynamite contains no TNT, but is actually stabilised nitro-glycerine.

1:35:12 > 1:35:16'I know this because I'm pretty much certain I was once in a war.'

1:35:27 > 1:35:30Yikes! I certainly won't get on the wrong side of you, Arthur Martha.

1:35:30 > 1:35:33But you're right, that duck was delicious.

1:35:33 > 1:35:37our next letter's from Lazy Susan from Prisk, who is so angry with

1:35:37 > 1:35:39the film Cowboys & Aliens,

1:35:39 > 1:35:42that we might as well have to rename it, Cowboys & Aliens & Susan.

1:36:04 > 1:36:06'At one point, in a scene set in 1873,

1:36:06 > 1:36:09'the bandit suggested a trip to Puerto Vallarta,

1:36:09 > 1:36:12'which obviously didn't yet exist.'

1:36:12 > 1:36:14We're going as far away as we can go.

1:36:14 > 1:36:15You remember Puerto Vallarta?

1:36:22 > 1:36:24That's enough now, Lazy Susan.

1:36:24 > 1:36:27A word from the web now, and I don't mean me.

1:36:27 > 1:36:30Someone has finally left a message on the Pointless View website.

1:36:30 > 1:36:34This is from a Mr Rodney Fascist. I love fashion too, Rodney.

1:36:34 > 1:36:37He has this to say about The Three Musketeers.

1:36:43 > 1:36:47'In one scene, King Louis XIII is shown playing a game of chess

1:36:47 > 1:36:49'with Cardinal Richelieu.

1:36:49 > 1:36:51'During the game when the king was in check,

1:36:51 > 1:36:54'the Cardinal advises him to castle.'

1:36:54 > 1:36:56But he's vulnerable, he needs protection.

1:36:56 > 1:36:58May I suggest you castle him?

1:36:58 > 1:37:01'But this move cannot be made when the king is in check.

1:37:01 > 1:37:03'This man is a Cardinal, ordained by God.

1:37:03 > 1:37:06'I was almost sick into my own lap when I saw this happen.'

1:37:10 > 1:37:13This next letter comes in from Dame Washalot,

1:37:13 > 1:37:15from the slippery slope at the Magic Faraway Tree.

1:37:25 > 1:37:28'Here, all the men are shown wearing the aforementioned trousers,

1:37:28 > 1:37:32'which would not come to exist in the Mediterranean for another 600 years,

1:37:32 > 1:37:34'and which the ancient Greeks never wore,

1:37:34 > 1:37:37'opting for loose-fitting, draped clothing.'

1:37:49 > 1:37:53And that's another story, Dame, but your secret's safe with me.

1:37:53 > 1:37:55A more serious moment now,

1:37:55 > 1:37:58as we touch on the very serious subject of war.

1:37:58 > 1:38:01The film War Horse makes the horror of war very clear by showing

1:38:01 > 1:38:04how much worse things are when they happen to a horse.

1:38:04 > 1:38:08But not everyone was convinced, certainly not Doris Mantovani,

1:38:08 > 1:38:09of Clinic in Sexfordshire.

1:38:16 > 1:38:18'Before that, in spite of the expensive set

1:38:18 > 1:38:20'and the money spent in the art department,

1:38:20 > 1:38:24'I was horrified to see Major Stewart refer to the Indian NCO as Sergeant Major.'

1:38:24 > 1:38:26Excellent, Sergeant Major.

1:38:26 > 1:38:29'There was no such rank in the British Indian Army.

1:38:29 > 1:38:32'Indian cavalry Sergeants were known as Duffadars.

1:38:32 > 1:38:36'More senior Indian cavalry officers held VCO ranks, Jemadar,

1:38:36 > 1:38:40'Risaldar and Risaldar Major, which had no British equivalent.'

1:38:45 > 1:38:46# Come fly with me

1:38:46 > 1:38:49# Let's fly, let's fly away.#

1:38:49 > 1:38:51I'm not just singing that to be sexy,

1:38:51 > 1:38:55it's all so relevant to our next two letters which both have a distinctly

1:38:55 > 1:38:59aviational theme and come to us courtesy of identical twins,

1:38:59 > 1:39:03Bethany and Ethany Sleepytime, from Up The Wooden Hill in Bedfordshire.

1:39:03 > 1:39:04Here is Bethany's letter.

1:39:07 > 1:39:10'..the sheik's aircraft has a Moroccan tail ID,

1:39:10 > 1:39:11'not a Yemeni tail ID.'

1:39:13 > 1:39:15While Ethany has this to say.

1:39:17 > 1:39:19'..the plane travelling to Rome

1:39:19 > 1:39:22'is definitely a Romanian air transport aircraft.

1:39:22 > 1:39:24'This is because the film was shot in Romania.'

1:39:25 > 1:39:28Thank you so much, Ethany, we all really enjoyed your letter

1:39:28 > 1:39:30and you've won our letter of the week.

1:39:30 > 1:39:33Your prize is this model of a Sopwith Concord.

1:39:34 > 1:39:37Which we'll send to you via airmail.

1:39:37 > 1:39:40Have a word with your sister, though, her letter was rubbish.

1:39:40 > 1:39:43In fact, you might want to cut her out of your life,

1:39:43 > 1:39:44she seems like dead weight.

1:39:44 > 1:39:47Join us again next week on Pointless View

1:39:47 > 1:39:49when I will be joined for a panel discussion

1:39:49 > 1:39:52by Richard Dawkins, Germaine Greer and the Great Soprendo.

1:39:57 > 1:39:59What would we do without crime?

1:39:59 > 1:40:02Eh? If we didn't have crime, the Godfather films would be

1:40:02 > 1:40:06about a series of christenings, Sexy Beast would be just two hours

1:40:06 > 1:40:09of shiny cockneys having a lovely holly bobs, and Oceans 11 to 13

1:40:09 > 1:40:13would be a dreary account of too many men making a deposit.

1:40:13 > 1:40:15But, luckily, there is crime.

1:40:15 > 1:40:19Hurray for crime and all the films that are made about her.

1:40:19 > 1:40:21Though, as you'll see,

1:40:21 > 1:40:25crime movies are just as guilty of some inexcusable errors.

1:40:25 > 1:40:27This is Drive, a soulless film

1:40:27 > 1:40:30about a character called the driver, who does driving...

1:40:30 > 1:40:32And crimes.

1:40:33 > 1:40:37Here, the driver nudges a car off the cliff, the rotter.

1:40:38 > 1:40:40But although he hits the door...

1:40:42 > 1:40:44..it's the bumper that gets crumpled.

1:40:44 > 1:40:47Which is going to play havoc with the no-claims bonus.

1:40:50 > 1:40:52Now for the dullest Transformer ever.

1:40:52 > 1:40:54A kind of Optimus Sub-Prime.

1:40:58 > 1:41:02The car that beeps at Ryan and Carey is clearly a silver Ford Focus.

1:41:02 > 1:41:05But as it passes, it's equally clearly a blue Toyota.

1:41:07 > 1:41:09Transformers, Toyota Corollas in disguise.

1:41:14 > 1:41:17Sometimes in films it's necessary to flip the shot,

1:41:17 > 1:41:20for example if an actor has put his face on the wrong way round

1:41:20 > 1:41:23or is frowning instead of smiling.

1:41:23 > 1:41:27But, hey, Drive film-makers, if you are going to flip the shot try to

1:41:27 > 1:41:30do it when there's not lots of big writing on screen, yeah?

1:41:33 > 1:41:35We have a bit of an underwear problem

1:41:35 > 1:41:38in the moderately entertaining Man On A Ledge.

1:41:38 > 1:41:40Joey is wearing his green undies

1:41:40 > 1:41:43above his jeans because he is one of "da yoot".

1:41:43 > 1:41:46But in the very same sequence they go all black.

1:41:46 > 1:41:50This is why they normally don't let actors wear their own pants.

1:41:53 > 1:41:56Robert De Niro is, of course, a follower of the Method School

1:41:56 > 1:41:59developed by Lee Strasberg from the teachings of Stanislavsky.

1:42:01 > 1:42:04Whereas Jason Statham supports Chelsea.

1:42:04 > 1:42:07- What you doing? - I'm going to get my watch back.

1:42:07 > 1:42:10This is the pacey but basic action movie Killer Elite.

1:42:12 > 1:42:16De Niro's training is in evidence here as simply can't decide whether

1:42:16 > 1:42:19his character would wear his watch in his back pocket

1:42:19 > 1:42:20or on his wrist.

1:42:26 > 1:42:30Jason now peevishly kicks a slat from the chair he's tied to

1:42:30 > 1:42:32but such is his kinship with all things wooden,

1:42:32 > 1:42:35he's repaired it by next time we see it.

1:42:36 > 1:42:38Hi. It's me, Robert Webb.

1:42:38 > 1:42:40I'm glad you could make it.

1:42:40 > 1:42:41What's your name?

1:42:44 > 1:42:48What a funny name. What a very funny name.

1:42:48 > 1:42:49Would you like some wine?

1:42:59 > 1:43:01Cheers.

1:43:04 > 1:43:08- Cut.- You've just caught me making one of my new range of DVDs.

1:43:08 > 1:43:11This one is like an interactive date. You know,

1:43:11 > 1:43:13for lonely people who have basically given up.

1:43:13 > 1:43:16But before they give up, they tend to go out on actual dates

1:43:16 > 1:43:18to watch romantic movies.

1:43:18 > 1:43:21It's the perfect opportunity to see incredibly attractive people

1:43:21 > 1:43:24get up to all sorts of shenanigans on the bumpy road to love,

1:43:24 > 1:43:27giving them magical memories to cry over later, alone.

1:43:28 > 1:43:30And action!

1:43:31 > 1:43:33Have you done something with your hair

1:43:33 > 1:43:36if you're a woman or trousers if you're a man?

1:43:37 > 1:43:38Fancy a bonk?

1:43:40 > 1:43:43Turgid bit of fluff Friends With Benefits now,

1:43:43 > 1:43:47and this scene's designed to show us how fun this lady character is.

1:43:49 > 1:43:52She outrageously draws on his face.

1:43:52 > 1:43:55But here the marks have gone!

1:43:55 > 1:43:57However, in the reflection,

1:43:57 > 1:43:59there they are!

1:43:59 > 1:44:01The marks are on his face. He bears the mark!

1:44:04 > 1:44:07Ugh, tidying up, eh? It never ends.

1:44:07 > 1:44:10That's what Justin Timberlake would be thinking about

1:44:10 > 1:44:13if he weren't so focused on Mila Kunis's bottom.

1:44:13 > 1:44:16Because no sooner has she taken out the rubbish from in front

1:44:16 > 1:44:19of the sofa, than it appears again!

1:44:19 > 1:44:22Chores. Huh! What are they good for?

1:44:22 > 1:44:25- What?- Let's have sex like we're playing tennis.

1:44:27 > 1:44:31Jacob is sending a text message to Sam in Anna's kitchen.

1:44:31 > 1:44:34Upon being questioned who he is texting,

1:44:34 > 1:44:37he puts his phone down in front of the laptop computer and goes.

1:44:44 > 1:44:48This is twinkly-sunlight, wistful Handycam, John-Lewis-ad-style,

1:44:48 > 1:44:51lower-sixth, romance film Like Crazy, and as you can guess,

1:44:51 > 1:44:54I'm filling time until the bit where Anna goes to check, and the

1:44:54 > 1:44:58phone has changed its position to the side of the computer instead.

1:45:01 > 1:45:04Some heartfelt acting, from a suitcase acting

1:45:04 > 1:45:07as, refusing to be outshone by these two moppets,

1:45:07 > 1:45:08it moves to his left.

1:45:11 > 1:45:15I mean, guys, it's a pretty big suitcase. Why aren't they moving it?

1:45:15 > 1:45:16I think I know why.

1:45:16 > 1:45:19It casts no reflection in the window in the shots of her.

1:45:19 > 1:45:21Perhaps it is a vampire suitcase...

1:45:26 > 1:45:31It's the sentimental and weepy One Day, and Emma can't make up

1:45:31 > 1:45:33her mind about her wine.

1:45:33 > 1:45:35She turns to get a glass

1:45:35 > 1:45:38but in the next shot she doesn't have the bottle

1:45:38 > 1:45:40and goes to take it again.

1:45:40 > 1:45:42She pours it out and puts the bottle on her right

1:45:42 > 1:45:44and now it's on her left.

1:45:44 > 1:45:47And she does a terrible accent but we'll spare you that madness.

1:45:50 > 1:45:52Warning, do not take laughing gas.

1:45:52 > 1:45:55Do not behave like these Scottish folk

1:45:55 > 1:45:57from the dystopian and bleak Perfect Sense.

1:45:57 > 1:45:59And if you don't heed my advice,

1:45:59 > 1:46:02don't be weird and make the canister jump from James's hand

1:46:02 > 1:46:04to Michael's.

1:46:05 > 1:46:07You know when a film is about castles

1:46:07 > 1:46:10and nights or Jesuses or Vikings or all of those?

1:46:10 > 1:46:13Well, they didn't film them back then because they couldn't,

1:46:13 > 1:46:16because long ago, people were stupid and couldn't plug things in.

1:46:16 > 1:46:19But the problem with filming historical items is that

1:46:19 > 1:46:22things that have no business being on screen sometimes turn up -

1:46:22 > 1:46:25like mobile phones, digital watches or Danny Dyer.

1:46:25 > 1:46:28Here's a selection of some of the most prominent

1:46:28 > 1:46:29anachronisms of the year.

1:46:29 > 1:46:32I'm actually wearing an anachronism right now.

1:46:32 > 1:46:34I'm sure you've spotted it. Yes, that's right.

1:46:34 > 1:46:37This shirt is from 2035.

1:46:37 > 1:46:41More from Jason Mark-Of-Quality Statham here in Killer Elite.

1:46:41 > 1:46:43Yeah, me neither.

1:46:43 > 1:46:46In this thrill-packed scene set in 1980,

1:46:46 > 1:46:48we can see a Superdry logo on his coat,

1:46:48 > 1:46:51when in fact lads-mag readers didn't wander around

1:46:51 > 1:46:56with that written all over them until the brand was founded in 2003.

1:46:56 > 1:46:58Just have to slow him down, won't we?

1:47:00 > 1:47:03Guy Ritchie will kick himself over this one.

1:47:03 > 1:47:06In his naff Sherlock Holmes movie,

1:47:06 > 1:47:08Moriarty listens to Schubert on his phonograph.

1:47:08 > 1:47:10MUSIC PLAYS

1:47:10 > 1:47:12When, as we know, in 1891,

1:47:12 > 1:47:15Schubert's work was only available on download.

1:47:15 > 1:47:18No, hang on a minute, that's not right.

1:47:18 > 1:47:23But that type of record wasn't introduced until the 20th century.

1:47:23 > 1:47:25This fish, you cannot cheat.

1:47:27 > 1:47:30Underwhelming remake The Thing now.

1:47:31 > 1:47:34So, what's wrong with this troubling scene, do you think,

1:47:34 > 1:47:35off the top of your head?

1:47:36 > 1:47:39That's right, it's what's on top of her head - moulded

1:47:39 > 1:47:43plastic headphones weren't available in 1982 when this scene is set.

1:47:43 > 1:47:47Other proof that this isn't from 1982 is that nobody is

1:47:47 > 1:47:49playing Simon or eating Ice Magic.

1:47:53 > 1:47:57In this clip from the brilliant War Horse, we see our hero,

1:47:57 > 1:47:59the war horse, busy being a horse in a war.

1:47:59 > 1:48:03See as he gallops magnificently down a long, straight trench.

1:48:04 > 1:48:06Problem is, trenches were built in zigzags

1:48:06 > 1:48:10so enemy interlopers couldn't just pick off everyone with a few shots.

1:48:11 > 1:48:15I'd go and see the stage version instead. It's got massive puppets.

1:48:22 > 1:48:24An adventure begins.

1:48:24 > 1:48:27We Bought A Zoo is set way back in June 2010.

1:48:27 > 1:48:29It's a formulaic and nauseating film

1:48:29 > 1:48:31about how some people open a zoo.

1:48:32 > 1:48:35And about how Matt Damon invents a time machine.

1:48:35 > 1:48:38Because the house listings he's following here

1:48:38 > 1:48:39are from January 2011.

1:48:40 > 1:48:43And later on he refers to his daughter as being...

1:48:43 > 1:48:46I can't even find you, you're like a Chilean miner.

1:48:46 > 1:48:49..when the mine didn't collapse until August that year.

1:48:49 > 1:48:53Call the miners, you could have warned them, prescient Matt Damon!

1:48:53 > 1:48:56You know, we're a forgiving bunch here at GMMIV,

1:48:56 > 1:48:59and there's nothing we like better than seeing a mistake unmade.

1:48:59 > 1:49:02That's why we're thrilled that next year there's a whole crop

1:49:02 > 1:49:06of films which are going to be remade, re-released or done in 3-D.

1:49:06 > 1:49:08Let's hope they do it right this time,

1:49:08 > 1:49:10not like these original doofs.

1:49:10 > 1:49:14Groundbreaking thrill-athon Jurassic Park

1:49:14 > 1:49:15is released in 3-D next year,

1:49:15 > 1:49:19and this scene of flocking dinosaurs will look amazing.

1:49:19 > 1:49:21Can I say "flocking" pre-watershed?

1:49:21 > 1:49:24Anyway, watch as they run past the kids,

1:49:24 > 1:49:27only to disappear in the next shot as they turn and run away.

1:49:30 > 1:49:32Dinosaurs are big and dangerous, yes?

1:49:32 > 1:49:36They might escape, so you need a strong fence around the perimeter.

1:49:36 > 1:49:37All the way round, no gaps.

1:49:37 > 1:49:40Not like that massive one to the left of the gate.

1:49:40 > 1:49:44Oh, my God, dinosaurs! We're all going to die.

1:49:54 > 1:49:58Independence Day is getting a shiny new stereoscopic makeover in 2013,

1:49:58 > 1:50:01and let's hope it's a better special edition than the dreadful

1:50:01 > 1:50:05full-screen DVD release which revealed some astonishing clunkers.

1:50:06 > 1:50:09When under attack from 15-mile high flying saucers,

1:50:09 > 1:50:10what's the best thing to do?

1:50:10 > 1:50:14Run for cover, arm yourself, stick your head between your legs,

1:50:14 > 1:50:18wet yourself... Don't do those last two at the same time, by the way.

1:50:18 > 1:50:22Well, these Washington sightseers opt to keep calm and carry on,

1:50:22 > 1:50:25milling about and taking photos before the White House

1:50:25 > 1:50:26is blown to smithereens.

1:50:26 > 1:50:29- The fools!- Now what do we do?

1:50:31 > 1:50:34Of course, being the official residence of the leader

1:50:34 > 1:50:37of the free world, security in the White House is second to none.

1:50:39 > 1:50:43But no missile defence strategy could catch this intruder,

1:50:43 > 1:50:47who flummoxed them all by crawling on his hands and knees. Clever.

1:50:53 > 1:50:58A new version of Robocop is coming in, well, 2014, but will

1:50:58 > 1:51:02they solve the big mystery of the very satirical and violent original?

1:51:02 > 1:51:05Pay attention to Robocop's chin strap.

1:51:10 > 1:51:14As when he removes his helmet, where's my chinstrap?

1:51:14 > 1:51:15He's a chinstrap-less wonder.

1:51:20 > 1:51:24Perhaps 2013's Man Of Steel can match the awesomeness

1:51:24 > 1:51:27of the best Superman movie, Superman II.

1:51:27 > 1:51:29This is my favourite bit.

1:51:29 > 1:51:32Where Non throws Daily Planet editor Perry White about.

1:51:32 > 1:51:34He's terrified.

1:51:34 > 1:51:37Thankfully, a kindly crewmember on the right of the screen

1:51:37 > 1:51:39is there to hold his hand. Bless.

1:51:41 > 1:51:44There's so much back patting that goes on in the film industry

1:51:44 > 1:51:47that many execs are now forced to wear reinforced blazers.

1:51:47 > 1:51:50Much of this incestuous congratulating goes on

1:51:50 > 1:51:52in the award ceremonies, which are countless.

1:51:52 > 1:51:53Unless you count them.

1:51:53 > 1:51:55In which case there are about 200 year.

1:51:55 > 1:52:00Well, this year there are 201, as we are about to enter our final section

1:52:00 > 1:52:01of the night, and present

1:52:01 > 1:52:05the Most Mistakes In One Scene Award For 2012.

1:52:05 > 1:52:10Or, MMIOS Twe-Twe, as I like to call them. Here are the nominations.

1:52:10 > 1:52:13I should have an envelope. Could someone get me an envelope?

1:52:13 > 1:52:16NB, a glittery one. Thanks.

1:52:19 > 1:52:21Here's the punningly titled

1:52:21 > 1:52:25but sadly made Alvin And The Chipmunks: Chipwrecked.

1:52:25 > 1:52:27Here are two kids in blue watching the monk-dancing.

1:52:29 > 1:52:31And then piff-paff-poof, they're gone.

1:52:31 > 1:52:33And if that's not enough,

1:52:33 > 1:52:37celebrity Scientologist Jason Lee pushes past yellow polo shirt guy...

1:52:40 > 1:52:43..and then pushes past him again. And now the girls are back...

1:52:44 > 1:52:47..only for one of them to be replaced.

1:52:47 > 1:52:50What a load of chip. Four mistakes.

1:52:55 > 1:52:56Next up, The Inbetweeners Movie,

1:52:56 > 1:52:59and it's a busy time for wrong background artists.

1:52:59 > 1:53:01When Jay and Si are fighting,

1:53:01 > 1:53:05an extra in a red cap appears behind Will's right shoulder.

1:53:05 > 1:53:07I shall call him Leopold.

1:53:07 > 1:53:11Leopold then mysteriously keeps shifting positions between shots.

1:53:14 > 1:53:15All right, come on, you two.

1:53:18 > 1:53:21I'm sick of his BLEEP. I'm going to BLEEP do him!

1:53:21 > 1:53:24Oh, you're hard, Si(!) I didn't see you do me just now.

1:53:24 > 1:53:26- Let's go for walk!- Don't cry, Si.

1:53:26 > 1:53:29Then a couple with a male carrying a beach towel over his shoulder

1:53:29 > 1:53:32walk past and over to the right side of the road.

1:53:32 > 1:53:33Then there's a cut,

1:53:33 > 1:53:36and the couple are walking to the right side of the road again.

1:53:38 > 1:53:40Meanwhile, after the fight, Jay walks away

1:53:40 > 1:53:42and kicks a nearby metal bench.

1:53:42 > 1:53:44The bench is empty when he kicks it.

1:53:44 > 1:53:48But in the wide shot, it's only Leopold sitting there again.

1:53:48 > 1:53:51Five mistakes. Thanks, The Leopold Movie!

1:53:52 > 1:53:54And the award goes to...

1:53:56 > 1:53:58That is not what I asked for.

1:54:01 > 1:54:03And the award goes to...

1:54:03 > 1:54:07this astounding mistake-filled scene from Men In Black III.

1:54:07 > 1:54:10Here, Griffin talks about the Mets baseball team.

1:54:10 > 1:54:13..The World Series, they were in last place every single season

1:54:13 > 1:54:15- until they...- Wrong.

1:54:15 > 1:54:18In 1968, the Mets were second to last in the World Series.

1:54:20 > 1:54:22Now look at his hands.

1:54:22 > 1:54:24They've gone.

1:54:24 > 1:54:28This packet is especially odd. A big box one second...

1:54:31 > 1:54:33And the next it shrinks to tiny sized.

1:54:33 > 1:54:36You're not going to fit many crackers in that.

1:54:36 > 1:54:40But it doesn't end there, oh no. This could be a record, viewers.

1:54:40 > 1:54:43Now, more hand trouble.

1:54:43 > 1:54:44Here they're back.

1:54:44 > 1:54:45Now they're gone.

1:54:47 > 1:54:49And as the final coup de grace,

1:54:49 > 1:54:53Griffin's arms are now interlocked with J and K's.

1:54:53 > 1:54:55Men In Black 3, movie mistakes, six.

1:54:55 > 1:54:57Congratulations.

1:54:57 > 1:54:59I lost my planet.

1:54:59 > 1:55:00So, there you have it.

1:55:00 > 1:55:04Once again, moviemakers have spent the year cramming their films

1:55:04 > 1:55:08with moments as wrong and yet as entertaining as a chocolate bus.

1:55:08 > 1:55:11I hope you've enjoyed watching them as much as we've enjoyed finding them.

1:55:11 > 1:55:13Actually, wait, I hope you've enjoyed it

1:55:13 > 1:55:17a lot more than that, because it's actually quite time-consuming.

1:55:17 > 1:55:19Anyway, thanks for watching,

1:55:19 > 1:55:23this has been Grand Moving Mishaps 5, and I've been Keith Lemon.

1:55:23 > 1:55:24Hello.

1:55:40 > 1:55:44Subtitles by Red Bee Media Ltd