Not in 3D

0:00:44 > 0:00:48The name's Webb, Robert Webb and I've got a license to kill...

0:00:48 > 0:00:51the next two hours of your life,

0:00:51 > 0:00:53with all the mistakes from the latest movie releases.

0:00:53 > 0:00:56It's the return of the show that leaves the movie industry

0:00:56 > 0:00:58shaken and stirred by pointing out

0:00:58 > 0:01:01when it's made a right Thunderballs...up.

0:01:01 > 0:01:04Our team of movie nerds have been on Her Majesty's secret service

0:01:04 > 0:01:08to spot this year's brand new batch of movie clunkers.

0:01:08 > 0:01:12They're for your eyes only and, believe me, Dr No...one will...

0:01:12 > 0:01:14Sorry, I'm not going to do this for the whole show.

0:01:14 > 0:01:17When I said I want a James Bond style opening, I thought you'd

0:01:17 > 0:01:20give me fast cars, exotic locations and beautiful women,

0:01:20 > 0:01:22not a dodgy tux and bad puns.

0:01:22 > 0:01:25What, The Man With The Golden Pun? Yeah, very strong.

0:01:25 > 0:01:29Yeah, great. That's it, forget it. That's the last straw.

0:01:29 > 0:01:30Get Keith Lemon!

0:01:32 > 0:01:35That's better. There'll be no more of that nonsense.

0:01:35 > 0:01:38Instead, we're going to review clip after clip

0:01:38 > 0:01:41of the greatest movie mistakes from this year's films

0:01:41 > 0:01:43and my word is my bond.

0:01:43 > 0:01:45Hang on!

0:02:02 > 0:02:04Don't sequels just do your heads in?

0:02:04 > 0:02:07It seems that, nowadays, people can't just let a good thing happen

0:02:07 > 0:02:10without exploiting it over and over again.

0:02:10 > 0:02:13Repeating the same tired formula until there's nothing original left.

0:02:13 > 0:02:17At least that's what we think here at Movie Mistakes...Three.

0:02:17 > 0:02:20Statistically, sequels gross more at the box office

0:02:20 > 0:02:23than the first film in a series, so do prequels.

0:02:23 > 0:02:26So I've come up with a plan, make the second film first,

0:02:26 > 0:02:30then do the first film second, but because you've made the second film

0:02:30 > 0:02:33first, the second film, which is in fact the first film,

0:02:33 > 0:02:36will technically be a prequel. Ker-ching!

0:02:36 > 0:02:40The best thing about sequels is that they get to have subtitles.

0:02:40 > 0:02:43Terminator 2, Judgement Day, Babe 2 - Pig In The City,

0:02:43 > 0:02:46Garfield 2 - who allowed this to get made.

0:02:48 > 0:02:52The foreboding and climactic Harry Potter And The Deathly Hallows.

0:02:52 > 0:02:57Here, the charmingly named Mundungus knocks over a stack of newspapers.

0:02:57 > 0:02:59Listen, I panicked...

0:02:59 > 0:03:01Daily Prophets everywhere.

0:03:02 > 0:03:06But, perhaps a special cleaning spell is used as, later on,

0:03:06 > 0:03:08we see the papers are neatly stacked again.

0:03:08 > 0:03:12Abracadabra? Abraca-bad-ra.

0:03:16 > 0:03:20Harry Potter critics say it became a little repetitive towards the end.

0:03:20 > 0:03:22- I think that's a bit unfair. - They're after you, mate.

0:03:22 > 0:03:26Oh, hang on, that waitress covers the same piece of ground twice.

0:03:27 > 0:03:29What about all the people the wedding?

0:03:29 > 0:03:30There she goes...

0:03:30 > 0:03:32and there she goes again.

0:03:32 > 0:03:34Maybe they had a point after all.

0:03:36 > 0:03:41Helena Bonham Carter straddling Emma Watson is a sight to get any

0:03:41 > 0:03:44Harry Potter fan-boy hot and bothered, but not like that.

0:03:44 > 0:03:47I'm talking about this massive movie clunker.

0:03:47 > 0:03:50SHE SCREAMS

0:03:53 > 0:03:55She goes to carve into her right arm,

0:03:55 > 0:03:57then, suddenly, she's attacking her left.

0:03:59 > 0:04:02It's awful. There's not even any mud for them to fight in.

0:04:05 > 0:04:08Ah, pirates - making alcoholism fun!

0:04:08 > 0:04:11It's the boisterous Pirates Of The Caribbean 4.

0:04:12 > 0:04:16And, as Geoffrey Rush tilts his hollow leg high to get a drink,

0:04:16 > 0:04:18Jack Sparrow wants a taste.

0:04:18 > 0:04:20I want one of those.

0:04:20 > 0:04:24Sadly, his hands are tied and could never tilt the leg high enough.

0:04:24 > 0:04:27Here's to revenge - sweet and clear.

0:04:28 > 0:04:30Revenge.

0:04:30 > 0:04:31How'd he do that?

0:04:31 > 0:04:32Come, Hector.

0:04:34 > 0:04:37It's the flaccid Little Fockers

0:04:37 > 0:04:40and here's Jessica Alba dropping off Ben Stiller in a lovely

0:04:40 > 0:04:42car with black seats.

0:04:43 > 0:04:45- Are you sure you're going to be OK? - Yeah.

0:04:45 > 0:04:48Well, it's not him you should worry about, it's your car

0:04:48 > 0:04:51because over night...the seats have turned white.

0:04:51 > 0:04:52You OK?

0:04:52 > 0:04:56Following the example of Dustin Hoffman's hair.

0:04:59 > 0:05:02Oh, it's the atmospheric Paranormal Activity 2.

0:05:02 > 0:05:03BANG

0:05:03 > 0:05:06And there's some spooky goings on in this household.

0:05:07 > 0:05:10Oh, keep an eye on the pots and pans hanging from the rack.

0:05:10 > 0:05:12That's enough.

0:05:13 > 0:05:16Oooh, they keep changing colour and shape.

0:05:17 > 0:05:20A poltergeist or cock-up?

0:05:20 > 0:05:21You decide.

0:05:23 > 0:05:26You know, it takes so much time and money

0:05:26 > 0:05:28to CGI those robots in Transformers,

0:05:28 > 0:05:32I'd just not bother putting them in every shot.

0:05:32 > 0:05:34I mean, who's going to notice?

0:05:34 > 0:05:36Unfortunately, we are!

0:05:36 > 0:05:40Keep an eye on this character, Brains, who transforms into

0:05:40 > 0:05:41thin air!

0:05:41 > 0:05:44Shame this film can't transform into a good one.

0:05:44 > 0:05:46That's what you love about me.

0:05:48 > 0:05:50You've got some BLEEP.

0:05:50 > 0:05:53It's annoying when there's loads of action going on.

0:05:53 > 0:05:55There's never time to shave, is there, Shia Labeouf?

0:05:59 > 0:06:03Especially when you're getting attacked by a flying robot.

0:06:05 > 0:06:07No!

0:06:07 > 0:06:11But, wait a second, he hasn't, has he?

0:06:11 > 0:06:15From Shia Labeouf to sheered Labeouf.

0:06:17 > 0:06:19You think you're a hero...

0:06:19 > 0:06:22It's near the end of transformers and time is tight.

0:06:22 > 0:06:23Who's the messenger?

0:06:23 > 0:06:26But look at this clock, it's got a mind of it's own.

0:06:26 > 0:06:28Starting at 2:20.

0:06:32 > 0:06:35It jumps back to 12:15...

0:06:37 > 0:06:40..and then back further to 11 o'clock.

0:06:40 > 0:06:43It's like Back To The Future, but with robots

0:06:43 > 0:06:45and without Michael J Fox.

0:06:45 > 0:06:48Actually, forget it, it's nothing like Back To The Future.

0:06:50 > 0:06:54Last clip from Transformers and lucky old sheered Labeouf is getting

0:06:54 > 0:06:58a snog from his latest supermodel girlfriend.

0:06:58 > 0:07:00But take a look at her mucky paws.

0:07:00 > 0:07:02I'm going to hold you to that.

0:07:02 > 0:07:05They keep changing from clean and over his shoulders,

0:07:05 > 0:07:07to dirty and on his face.

0:07:12 > 0:07:16The most popular genre of the moment seems to be the superheroes.

0:07:16 > 0:07:20Spiderman, Superman, Natalie Port-man, X-men, that's another one.

0:07:20 > 0:07:23I've always found their name confusing.

0:07:23 > 0:07:26X-men, they're ex-men. So they're women.

0:07:26 > 0:07:29If that's the case, I suppose that explains

0:07:29 > 0:07:31why I fancy Wolverine so very much.

0:07:31 > 0:07:34Everyone is quick to talk about superheroes, but no-one

0:07:34 > 0:07:36in interested in the real life heroes.

0:07:36 > 0:07:39For me, my hero in life has always been my old English teacher.

0:07:39 > 0:07:43He was caring and passionate, a real inspiration to all he taught

0:07:43 > 0:07:45and by night, he donned a mask and cape

0:07:45 > 0:07:47and went out and fought criminals.

0:07:47 > 0:07:50I'll never forget you, Mr Batman.

0:07:52 > 0:07:56Now it's time for breakneck action hit X-Men First Class.

0:07:56 > 0:07:59But that isn't a history class,

0:07:59 > 0:08:03as while they may be flashing back to 1944...

0:08:03 > 0:08:07that photo of Einstein was taken in 1947.

0:08:08 > 0:08:10Class dismissed.

0:08:14 > 0:08:17Here's James McAvoy as superhero, Professor Xavier.

0:08:17 > 0:08:21But every superhero has his weakness and for Xavier, it's windows.

0:08:23 > 0:08:24See that?

0:08:25 > 0:08:26I read the teleporter's mind.

0:08:26 > 0:08:30Ouch! He bangs his head against the glass.

0:08:30 > 0:08:31Curse you, window, I'll get you next time!

0:08:31 > 0:08:33I read the teleporter's mind.

0:08:35 > 0:08:38Now, James is rightly thinking twice

0:08:38 > 0:08:40about shooting his mate in the head.

0:08:40 > 0:08:43But look at the distance the gun is from his head,

0:08:43 > 0:08:45it changes with every shot.

0:08:45 > 0:08:49That's every shot of the camera, not of the gun, thankfully.

0:08:49 > 0:08:50No, I can't.

0:08:52 > 0:08:55Now have the animators made an error here? Look at Emma Frost -

0:08:55 > 0:08:58she's the one that's a woman.

0:08:58 > 0:09:01When she changes from diamonds back to human

0:09:01 > 0:09:03her hair style changes.

0:09:05 > 0:09:06Here it's loose.

0:09:06 > 0:09:07Now tied back.

0:09:07 > 0:09:09We don't harm our own kind.

0:09:09 > 0:09:13With her hair in that state, she must have been made from uncut diamonds.

0:09:15 > 0:09:18On to the let down that was Green Lantern

0:09:18 > 0:09:21and this guy is ecstatic because all day, he's been trying to keep

0:09:21 > 0:09:25his slippery headphones on his head and now he's finally made them...

0:09:25 > 0:09:28Oh. Oh well. Back to the drawing board.

0:09:32 > 0:09:35Take a look at Ryan Reynolds brown eyes.

0:09:35 > 0:09:37You know, you can't be a pilot if you're colour blind.

0:09:39 > 0:09:42Maybe they should have the same rule for casting directors because,

0:09:42 > 0:09:47according to this film, when he was younger, he had blue eyes.

0:09:50 > 0:09:52It's Ken Branagh's smart take on Thor.

0:09:52 > 0:09:54But where's the cock-up?

0:09:55 > 0:09:59As Dylan says, the answer, my friend, is blowing in the wind.

0:10:01 > 0:10:05Look at that stiff breeze blowing their hair across their faces...

0:10:05 > 0:10:09that suddenly disappears... and it returns.

0:10:09 > 0:10:15Misquoting Dylan again, let's hope, at that height, they're not sitting on the eves of destruction.

0:10:15 > 0:10:17I try, I fail.

0:10:17 > 0:10:19I'm going to get everything back.

0:10:22 > 0:10:25In this scene, it's tipping it down with rain

0:10:25 > 0:10:28and everyone's getting soaking wet.

0:10:29 > 0:10:31Apart from the guy from The Hurt Locker,

0:10:31 > 0:10:34who keeps a dry face at all times.

0:10:35 > 0:10:39With that condition, he must get through a hell of a lot of Nivea.

0:10:41 > 0:10:46Thor, again, and an exciting moment where a coffee spills over.

0:10:50 > 0:10:52But there's no use crying over it because,

0:10:52 > 0:10:56in just a matter of seconds, it goes from being knocked over

0:10:56 > 0:10:58to upright again.

0:10:59 > 0:11:01Better latte than never.

0:11:03 > 0:11:07In my opinion, a good movie always leaves you asking questions.

0:11:07 > 0:11:09Who was Keyser Soze?

0:11:09 > 0:11:12How did Nice Guy Eddie get shot? And, dude, where is my car?

0:11:12 > 0:11:17but this selection of clunkers is so terrible, it will leave you

0:11:17 > 0:11:20asking only one question. What were they thinking?

0:11:22 > 0:11:25Very geeky comedy with the film Paul, now,

0:11:25 > 0:11:28and the invisible alien looks at Nick Frost's passport.

0:11:31 > 0:11:34But it should say British citizen and not British subject.

0:11:34 > 0:11:37Could be worse, it could be French subject.

0:11:37 > 0:11:39That was always my least favourite subject.

0:11:42 > 0:11:44He's from another world.

0:11:44 > 0:11:46Take a look at the green oven mitt on the wall.

0:11:46 > 0:11:48It's about to disappear.

0:11:48 > 0:11:50If it makes you feel any better, my existence...

0:11:50 > 0:11:52There it goes.

0:11:52 > 0:11:55That's the thing about sci-fi films, I mean, the rule book is thrown

0:11:55 > 0:11:56out of the window.

0:11:56 > 0:11:57# Amazing grace... #

0:11:57 > 0:12:00In fact, I bet they did it on purpose.

0:12:00 > 0:12:03I bet it represents something like, you know, us,

0:12:03 > 0:12:06like, are we really hear or are we just...

0:12:06 > 0:12:08Oh, yeah.

0:12:08 > 0:12:09Oh, never mind, it's back.

0:12:09 > 0:12:12Turns out it just represents a mistake they made.

0:12:14 > 0:12:17And now fireworks. Remember the code...

0:12:17 > 0:12:19That'll put us behind the tree...

0:12:19 > 0:12:21..light them at an arms length...

0:12:21 > 0:12:22Hey! Watch the fuse!

0:12:22 > 0:12:23..stand well back...

0:12:23 > 0:12:24That's not funny.

0:12:24 > 0:12:26..and take your head torch off twice.

0:12:26 > 0:12:29Arrh. Boom!

0:12:35 > 0:12:38But watch Pegg's head torch. He just lets it vanish.

0:12:40 > 0:12:42He's no responsible adult.

0:12:46 > 0:12:49Pretentious arty action in Hanna.

0:12:49 > 0:12:53Here, Cate Blanchett runs up a flight of stairs in comfy shoes,

0:12:53 > 0:12:55dropping her monkey head along the way.

0:12:56 > 0:12:59No time to worry about simian head gear, there's a child to chase.

0:13:05 > 0:13:08But, apparently, plenty of time to change shoes.

0:13:08 > 0:13:10Let's see that again.

0:13:13 > 0:13:16Before you can say, "Here come the girls," she's in boots!

0:13:20 > 0:13:24Here's Hanna herself and I know what you're thinking,

0:13:24 > 0:13:27Hanna was brought up as a trained assassin in isolation

0:13:27 > 0:13:30near the arctic circle, so how come she's got pierced ears?

0:13:31 > 0:13:34This movie has more holes than Hanna's lobes.

0:13:37 > 0:13:41Hanna's having a face-to-face chat with her friend Sophie,

0:13:41 > 0:13:43lying on her left hand side.

0:13:43 > 0:13:45And here's Sophie who, for some reason,

0:13:45 > 0:13:47appears to be also lying on her left side.

0:13:48 > 0:13:51So, how are they face-to-face?

0:13:51 > 0:13:52I like you.

0:13:52 > 0:13:54Look me in the eye and answer me!

0:13:55 > 0:13:57I'd like to have a friend.

0:13:59 > 0:14:01In the soppy Just Wright,

0:14:01 > 0:14:06Scott walks Leslie over to a covered object shaped very much like a car.

0:14:06 > 0:14:11She asks what it is and he reveals, to her great surprise...

0:14:11 > 0:14:12that it's a car.

0:14:12 > 0:14:15No, you didn't!

0:14:15 > 0:14:17But keep your eye on the antenna.

0:14:17 > 0:14:19It's visible even though the car's covered

0:14:19 > 0:14:22and doesn't move with the fabric.

0:14:25 > 0:14:28Just WRIGHT?! Just WRONG more, like!

0:14:28 > 0:14:30ROBERT WEBB CHUCKLES

0:14:32 > 0:14:34Here's the moribund Something Borrowed.

0:14:34 > 0:14:38Keep an eye on the girl on the far left fast asleep.

0:14:40 > 0:14:44Now she's wide awake and catching up on the latest gossip in Grazia.

0:14:44 > 0:14:46Can't have been a very interesting article because, look,

0:14:46 > 0:14:51sleeping on the job again. A bit like the continuity editor.

0:14:54 > 0:14:57On to the tongue-in-cheek Red now and here's lovely Helen Mirren

0:14:57 > 0:14:58looking glamorous,

0:14:58 > 0:15:02but then she could make a cheap plastic watch look glamorous.

0:15:02 > 0:15:05Which must be exactly what she's done

0:15:05 > 0:15:10as while the necklace sets off the metal detector,

0:15:10 > 0:15:11the watch doesn't.

0:15:15 > 0:15:16Still with Red and here,

0:15:16 > 0:15:19Bruce Willis gets a little help with his handcuffs.

0:15:19 > 0:15:23He's handed a key, but wait a second,

0:15:23 > 0:15:25the handcuffs aren't even locked.

0:15:27 > 0:15:29How much help do you need, Bruce?

0:15:29 > 0:15:32Do you want him to tie your shoelaces while he's at it?

0:15:34 > 0:15:35You can't beat watching a film in 3D.

0:15:35 > 0:15:37Not only do things jump out the screen at you,

0:15:37 > 0:15:43but when you get to any rude bits, you can do this. Ho-ho!

0:15:43 > 0:15:463D films are making huge waves at the moment,

0:15:46 > 0:15:48but what will be the next step? 4D? 5D?

0:15:48 > 0:15:51Here at Movie Mistakes 3, we can reveal the latest

0:15:51 > 0:15:55technological advancement that's about to take Hollywood by storm -

0:15:55 > 0:15:578D.

0:15:57 > 0:16:01I'm about to watch the latest Saw movie. OK!

0:16:02 > 0:16:03HE SCREAMS

0:16:03 > 0:16:06Turn it off! Turn it off!

0:16:09 > 0:16:12I think I'm going to stick to 2D.

0:16:15 > 0:16:20Dreary TRON: Legacy now and look at the dangerous driving.

0:16:20 > 0:16:22Surely he can't get away with this.

0:16:23 > 0:16:26He won't because the police have clocked him with a speed gun.

0:16:26 > 0:16:29But the police seem to have failed to spot the fact that everyone

0:16:29 > 0:16:33is driving the wrong way down that road.

0:16:36 > 0:16:38It's impossible to catch a cab in New York,

0:16:38 > 0:16:41so why not let a cab catch you?

0:16:42 > 0:16:45Watch out, here come the police.

0:16:47 > 0:16:48Here they are.

0:16:48 > 0:16:49You pay!

0:16:50 > 0:16:53And here they are again.

0:16:58 > 0:17:00Oh, he looks hard(!)

0:17:00 > 0:17:03As this poor lady's about to find out.

0:17:03 > 0:17:05You don't want to fight him.

0:17:05 > 0:17:08Look at the neon strip on her right leg.

0:17:09 > 0:17:13He's so tough, he can kick someone's trousers back to front.

0:17:13 > 0:17:16See, the strip is on the opposite side...

0:17:16 > 0:17:18and her side parting too.

0:17:18 > 0:17:20What a guy.

0:17:23 > 0:17:27A CGI Jeff Bridges speaks to his army of baddie motorcycle couriers.

0:17:27 > 0:17:33There's clearly no-one standing directly in front of him. Look.

0:17:34 > 0:17:38But the reflection in his visor suggests he's dead opposite him.

0:17:38 > 0:17:42He must have pushed his way to the front.

0:17:42 > 0:17:44What a crawler!

0:17:46 > 0:17:49Jackass 3D now and those hardcore lunatics

0:17:49 > 0:17:53take on one of my biggest fears - self-assembled furniture.

0:17:53 > 0:17:56Watch the corner of the room where the plant is,

0:17:56 > 0:18:00because in no time at all, they're going to put up...

0:18:00 > 0:18:01a bookcase!

0:18:01 > 0:18:03Jackass 3D is amazing.

0:18:03 > 0:18:07It really feels like they're bursting through your telly.

0:18:07 > 0:18:09See!

0:18:13 > 0:18:17Piranha 3D full of action, gore and mistakes.

0:18:17 > 0:18:21Here sheriff Elizabeth Shue falls in a big lake.

0:18:22 > 0:18:24Deputy fellow manages to get her out

0:18:24 > 0:18:28but moments later, she's bone dry. What a mistake.

0:18:28 > 0:18:31They should shoot the sheriff and the deputy for that one.

0:18:35 > 0:18:36Now, what's this idiot up to?

0:18:36 > 0:18:40You can't put a walkie-talkie in water.

0:18:40 > 0:18:43Oi, mate! They're not called swimmie-talkies, are they?

0:18:43 > 0:18:45It'll short-circuit.

0:18:45 > 0:18:51But in Piranha 3D anything can happen, even if it shouldn't.

0:18:51 > 0:18:52OK, I'm in.

0:18:52 > 0:18:54And the walkie-talkie works perfectly.

0:18:54 > 0:18:55'Do you copy?'

0:18:59 > 0:19:01The dim-witted Resident Evil: Afterlife

0:19:01 > 0:19:04and Milla Jovovich is taking down some baddies.

0:19:04 > 0:19:06As most ladies will tell you,

0:19:06 > 0:19:09although you may turn up at work in killer heels,

0:19:09 > 0:19:14keep a comfy pair of shoes in your bag, just in case you have to...

0:19:14 > 0:19:15you know, run up a wall.

0:19:20 > 0:19:24But like any good hero, she wants to be buried in her boots

0:19:24 > 0:19:27and her heels are back on.

0:19:30 > 0:19:32Back to killing baddies again

0:19:32 > 0:19:36and these zombies are almost on top of our heroes.

0:19:36 > 0:19:41But while everyone escapes, Milla stays to face certain doom.

0:19:41 > 0:19:42Oh, what a shame, Milla.

0:19:42 > 0:19:45All those things you wanted to do before you died

0:19:45 > 0:19:47and now there's no time.

0:19:50 > 0:19:52Oh, hold on, they're suddenly miles away.

0:19:52 > 0:19:56Hooray! Now you've got time to do that lifelong ambition -

0:19:56 > 0:19:58a bungee jump.

0:19:58 > 0:19:59Whoopee!

0:20:01 > 0:20:03That's pretty smart thinking.

0:20:03 > 0:20:07Now, this chap has a gun trained on Milla.

0:20:07 > 0:20:09Stop right there.

0:20:09 > 0:20:11And this other bloke looks nasty.

0:20:11 > 0:20:13There's no way out of this one.

0:20:13 > 0:20:17If only the gunman was as close enough to kick as those knives.

0:20:17 > 0:20:18Oh, now he is!

0:20:18 > 0:20:22Well, it was either that or grow telescopic legs.

0:20:27 > 0:20:30They say you should never meet your heroes,

0:20:30 > 0:20:32which I guess is why no-one ever comes up to me in the street

0:20:32 > 0:20:34and tells me how much they love my work.

0:20:34 > 0:20:36Thanks, guys. That means a lot(!)

0:20:36 > 0:20:39Everytime someone crosses the street to avoid meeting me,

0:20:39 > 0:20:42I think to myself, "There goes a true fan."

0:20:48 > 0:20:52The hard-boiled and vicious Mechanic goes a bit Weekend At Bernie's

0:20:52 > 0:20:56as Jason Statham covers up his killing by making the corpse

0:20:56 > 0:20:57swim a few more lengths.

0:21:01 > 0:21:04But look at his grip on the dead man's wrists.

0:21:04 > 0:21:07It should clearly be visible from above,

0:21:07 > 0:21:08but it's not.

0:21:08 > 0:21:11What would Bernie say?

0:21:11 > 0:21:13Well, nothing. He's dead.

0:21:15 > 0:21:19Angelina Jolie in the disjointed film Salt,

0:21:19 > 0:21:21here climbs down a lift shaft.

0:21:23 > 0:21:26Just a wait few minutes for the lift, you impatient madam.

0:21:28 > 0:21:30Thankfully, she emerges from what must be

0:21:30 > 0:21:32a filthy and greasy lift shaft

0:21:32 > 0:21:35with a pristine white shirt and clean, spotless skin.

0:21:35 > 0:21:37How does she do it?

0:21:41 > 0:21:43It's the crackpot action movie Red

0:21:43 > 0:21:47and Bruce Willis has kidnapped a lady and taped up her mouth.

0:21:47 > 0:21:50But the more she gesticulates, the more we can see that

0:21:50 > 0:21:54she has enough movement in her arms to take the tape off.

0:21:54 > 0:21:58Maybe if she stopped complaining and thought a second she'd work it out.

0:21:58 > 0:21:59I'm a little hungry too.

0:22:01 > 0:22:06Moody revenge film Faster now and The Rock hears an eagle call.

0:22:08 > 0:22:10# Who's that riding? #

0:22:10 > 0:22:13Trouble is, the bird he's seeing is actually a seagull.

0:22:15 > 0:22:20Maybe the seagull thinks it'll sound more impressive as an eagle.

0:22:20 > 0:22:23A bit like calling yourself "The Rock,"

0:22:23 > 0:22:25when your real name is Dwayne.

0:22:28 > 0:22:32It's the best actor of his generation, 50 Cent,

0:22:32 > 0:22:33in the very flat Blood Out

0:22:33 > 0:22:36doing some incredible sunglasses acting.

0:22:36 > 0:22:38Look good on you, man.

0:22:38 > 0:22:40They do look good on him, don't they?

0:22:40 > 0:22:42He should never take them off.

0:22:45 > 0:22:47Oh, wait a minute, they've disappeared.

0:22:47 > 0:22:51That's awful continuity if you want my 50 cents on the matter.

0:22:53 > 0:22:56And now, major movie storyline faults

0:22:56 > 0:23:01are reviewed and exposed in Great Pothole Mistakes.

0:23:01 > 0:23:03In the spooky and surprising Sixth Sense,

0:23:03 > 0:23:05Bruce Willis plays Dr Malcolm Crowe,

0:23:05 > 0:23:08a child psychologist who gets shot by a former patient

0:23:08 > 0:23:11and, ten months later, befriends a troubled young boy

0:23:11 > 0:23:13who can see dead people.

0:23:13 > 0:23:16One of whom, it turns out, is Dr Crowe, raising the question

0:23:16 > 0:23:19how good a doctor is he that it took him ten months

0:23:19 > 0:23:20to diagnose his own death?

0:23:20 > 0:23:22Surely there were clues.

0:23:24 > 0:23:27Like his wife crying into her dinner for one.

0:23:27 > 0:23:29Or when she went to a funeral he wasn't invited to.

0:23:29 > 0:23:33Or when she took up starfishing in bed.

0:23:33 > 0:23:36And then there must have been his sudden lack of bar presence,

0:23:36 > 0:23:40and having is phone cut off and not needing the toilet.

0:23:43 > 0:23:45And being able to go to the flicks without paying.

0:23:47 > 0:23:51And even if his unrequited sexual advances towards his wife

0:23:51 > 0:23:55were nothing new, surely when she made the bed with him still in it

0:23:55 > 0:23:59he must have wondered what the blazes was afoot.

0:23:59 > 0:24:01"Sorry, I'm still here."

0:24:01 > 0:24:05You stole the distinctive autumnal tones of my seminal movie.

0:24:05 > 0:24:06Be gone!

0:24:09 > 0:24:12Awards - what are they good for?

0:24:12 > 0:24:15Plumping up the already inflated egos of pampered performers.

0:24:15 > 0:24:18Rewarding someone for doing a job they've already been paid

0:24:18 > 0:24:20far too much money to do in the first place.

0:24:20 > 0:24:24As if all performers have a pathetic obsession with recognition.

0:24:24 > 0:24:27Awards are a complete sham, a massive waste of time

0:24:27 > 0:24:30and, as I stated very loudly at this year's Annual Clip Show Awards,

0:24:30 > 0:24:34I'm not interested in stupid awards and, yes, we have been passed over

0:24:34 > 0:24:37yet again and, yes, I may have been removed by security

0:24:37 > 0:24:39for causing a scene, but there is no way that

0:24:39 > 0:24:42Animal Foul Ups deserved to win again.

0:24:42 > 0:24:46Speaking of awards, here are some Oscar-nominated clips.

0:24:50 > 0:24:53Inception - where strange things happen almost without explanation.

0:24:53 > 0:24:56That's not the way I deal with things.

0:24:56 > 0:25:00Maybe that's how you justify the rain on the window behind Saito.

0:25:00 > 0:25:02But there's no rain on DiCaprio.

0:25:03 > 0:25:07And the continuity editor is thrown off the building

0:25:07 > 0:25:10- for one too many errors. - What will you do with him?- Nothing.

0:25:10 > 0:25:13You'd have thought working on Inception would be a dream job.

0:25:18 > 0:25:21Now a maths lesson from revealing biopic The Social Network.

0:25:21 > 0:25:25Facebook's run by some of the greatest business minds in the world.

0:25:25 > 0:25:28So these numbers will be meticulously crunched.

0:25:28 > 0:25:31Let's listen to how their business is divided up.

0:25:31 > 0:25:34That represents a 34.4% ownership share.

0:25:34 > 0:25:38So Eduardo owns 34.4%.

0:25:38 > 0:25:43- You should know that Mark has already taken his percentage from 60 down to 51.- Oh.

0:25:43 > 0:25:45Zuckerberg owns 51%.

0:25:45 > 0:25:47Who else is in?

0:25:47 > 0:25:49Dustin Moskovitz owns 6.81%,

0:25:49 > 0:25:55Sean Parker 6.47% and Peter Thiel 7%.

0:25:55 > 0:25:57Total 105%!

0:25:57 > 0:26:00Would you like to use my pen?

0:26:00 > 0:26:03Would you like to use my calculator?

0:26:07 > 0:26:10Ooh, the brutal and uncompromising Black Swan now

0:26:10 > 0:26:13and check out Natalie Portman's scarf.

0:26:13 > 0:26:15Did she kill a white swan to make it?

0:26:15 > 0:26:18Anyway, she's about to step through a magical door.

0:26:18 > 0:26:20Why is it a magical door?

0:26:20 > 0:26:25Because as she steps through it, her scarf's no longer round her neck.

0:26:26 > 0:26:29It's like a very low rent Mr Benn.

0:26:33 > 0:26:38The Fighter is so full of clangers, it makes me want to hurt someone.

0:26:38 > 0:26:41Not Marky Mark obviously, he's a bit tough.

0:26:41 > 0:26:43And not Bale, the lunatic!

0:26:45 > 0:26:49But Rock 'Em Sock 'Em Robots would help vent my frustrations.

0:26:49 > 0:26:53It's good, Dick. I'm just trying to figure out what's best for me.

0:26:54 > 0:26:58Where have they gone? I wasn't going to break them.

0:26:58 > 0:27:02I'm sorry, I don't know who you are or why you're taking.

0:27:02 > 0:27:06Oh, back now. Well, if you're going to be like that I don't want them.

0:27:06 > 0:27:09We're together. Do we need to do this again? Hi, I'm Charlene.

0:27:11 > 0:27:14In the emotional King's Speech,

0:27:14 > 0:27:17the Monarch struggles with a speech impediment.

0:27:17 > 0:27:22However, his missus Queen Bonham Carter has her own struggles.

0:27:22 > 0:27:24Her veil keeps moving on its own accord.

0:27:24 > 0:27:27First it's down...

0:27:27 > 0:27:28Indentured servitude?

0:27:28 > 0:27:31..then it's up...

0:27:31 > 0:27:34Well, we need to have your hubby pop by.

0:27:34 > 0:27:37- Tuesday would be good. - ..then it's down.

0:27:37 > 0:27:41They should make a film of that - The Queen's Manic Depressive Veil.

0:27:43 > 0:27:46Greetings, bold traveller. Far have you journeyed in the search

0:27:46 > 0:27:50of mistakes from the realm of fantasy films and weary must ye be,

0:27:50 > 0:27:53but finally ye shall be rewarded with what ye seek.

0:27:53 > 0:27:57First I will need drop of monk's wood from the vial of crisal wood

0:27:57 > 0:28:00to unlock the spell... Oh, stop this. Just play the clips.

0:28:00 > 0:28:05Here are the fantasy film mistakes. Yeah. No, over there.

0:28:08 > 0:28:12Over to Narnia and the exciting and epic Voyage Of The Dawn Treader.

0:28:12 > 0:28:18Look behind our brave explorers That door is firmly closed. How can they get in?

0:28:20 > 0:28:23Oh, it's already open and now we HEAR it opening.

0:28:23 > 0:28:25DOOR GRUNDLES OPEN

0:28:25 > 0:28:30Narnia's a confusing place. What next, a talking lion?

0:28:33 > 0:28:37What's your least favourite season? Autumn? Winter?

0:28:37 > 0:28:40Mine is The Season Of The Witch.

0:28:40 > 0:28:42That felt longer than both autumn and winter put together.

0:28:42 > 0:28:45Now, look at the boy's sword.

0:28:46 > 0:28:50Did you spot it? Let's see that again.

0:28:50 > 0:28:52Perhaps you can be of service.

0:28:55 > 0:29:00The sword swaps hands. Witchcraft, or maybe glitch craft?

0:29:03 > 0:29:07The actors in this half-hearted and messy take on Red Riding Hood

0:29:07 > 0:29:10must be a bit chilly.

0:29:10 > 0:29:12It's clearly the middle of winter,

0:29:12 > 0:29:14but everyone's wearing short-sleeved garments.

0:29:16 > 0:29:20Rumours that this film was shot on a Saturday night out in Newcastle have yet to be confirmed.

0:29:24 > 0:29:29Clint Eastwood's flawed fantasy Hereafter now, and in this scene,

0:29:29 > 0:29:32an expert is telling us about the great Charles Dickens.

0:29:32 > 0:29:38Over here on this wall we have several illustrations for The Mystery of Edward Drood...

0:29:38 > 0:29:40Oh dear. I hate to be a know-it-all,

0:29:40 > 0:29:44but I think you'll find it was The Mystery of Edwin Drood, not Edward Drood.

0:29:44 > 0:29:48To think I had such great expectations for this film.

0:29:51 > 0:29:54This is the film Your Highness,

0:29:54 > 0:30:00and this poor, helpless maiden is tied down so tightly she can barely move.

0:30:02 > 0:30:08But at the end of the scene, she's able to sit up quite easily whilst still being tied down.

0:30:08 > 0:30:14Your Highness, the film that hits an all-time lowness.

0:30:16 > 0:30:21I always say the key to a successful double act is having two people...

0:30:21 > 0:30:24From my experience, if you want to create a successful double act,

0:30:24 > 0:30:25and you're not very cool,

0:30:25 > 0:30:28find someone who is much less cool than you,

0:30:28 > 0:30:30and then you'll be known as the cool one.

0:30:30 > 0:30:35Some Hollywood double acts work so well together, it's hard to imagine one without the other.

0:30:35 > 0:30:37Tom Hank and Meg Ryan, Brad and Angelina,

0:30:37 > 0:30:40Lindsay Lohan and her parole officer.

0:30:40 > 0:30:45But my favourite double act has got to be Superman and Clark Kent.

0:30:45 > 0:30:46What?

0:30:47 > 0:30:50How can they be the same person? They don't look anything alike.

0:30:50 > 0:30:53He just wears glasses?!

0:30:53 > 0:30:55That is so... So clever.

0:30:55 > 0:30:59OK, then it's got to be Spiderman and Peter Parker.

0:31:01 > 0:31:05The surprisingly dark Love And Other Drugs now,

0:31:05 > 0:31:07and watch Anne Hathaway's arm.

0:31:07 > 0:31:09It's under the pillow behind Jake Gyllenhaal's arm,

0:31:09 > 0:31:14then it pops up before tucking itself back behind the pillow

0:31:14 > 0:31:16like his arm's made of nothing.

0:31:16 > 0:31:18Also, she's not pointing and laughing,

0:31:18 > 0:31:22which in my experience is what women normally do after sex. Right?

0:31:24 > 0:31:29Here's a scene from the goofy Dinner for Schmucks, and just keep an eye on her ears.

0:31:29 > 0:31:30He wants me to curate it.

0:31:30 > 0:31:32Oh, my God!

0:31:32 > 0:31:34She's lost her earrings!

0:31:34 > 0:31:37You call a guy a douche and you get your first museum show out of it.

0:31:37 > 0:31:38Now they're back.

0:31:38 > 0:31:43I love you so much. You're stunning, smart and awful with pronunciation.

0:31:43 > 0:31:45Now they've gone again!

0:31:45 > 0:31:48Apparently she's wearing a new type of jewellery.

0:31:48 > 0:31:51Disappear-rings!

0:31:51 > 0:31:52I love you.

0:31:56 > 0:31:58Oh, my God.

0:31:58 > 0:32:02Here, Steve Carrel wrestles Paul Rudd away from a lift.

0:32:02 > 0:32:03I think we need to cool off...

0:32:03 > 0:32:05Gosh, I hate when that happens.

0:32:05 > 0:32:08Look, he's grabbing him by the arm.

0:32:08 > 0:32:09He's got his arm.

0:32:09 > 0:32:14And then suddenly... it's his right leg!

0:32:14 > 0:32:16What a joke.

0:32:16 > 0:32:19Paul Rudd's not the only one having his leg pulled around here.

0:32:19 > 0:32:22THEY GRUNT AND MOAN

0:32:22 > 0:32:23You are welcome.

0:32:28 > 0:32:31In this bit, Steve Carrel changes his specs

0:32:31 > 0:32:35so he can dress a mouse for its impending marriage.

0:32:40 > 0:32:44Nice cameo by Stuart Little.

0:32:45 > 0:32:48But when he removes the magnifying glasses...

0:32:48 > 0:32:52Oops, his normal glasses are still on.

0:32:52 > 0:32:53What a mouse-stake to make.

0:32:57 > 0:33:00At the schmucks' dinner itself,

0:33:00 > 0:33:05watch out for the lady in the purple dress, who's in two places at once.

0:33:08 > 0:33:10Here she is.

0:33:10 > 0:33:12And now she's over here too.

0:33:12 > 0:33:16Incredible! At least she can pass herself the salt.

0:33:24 > 0:33:30Here, Steve plays such a schmuck that he walks straight into a pond and gets his trousers wet.

0:33:30 > 0:33:31But hang on.

0:33:31 > 0:33:36They're already wet before he goes in from a previous take.

0:33:36 > 0:33:38When they said this comedy was pant-wetting,

0:33:38 > 0:33:41I thought they meant it was funny!

0:33:43 > 0:33:45Oh, the usual scene.

0:33:45 > 0:33:49A man asleep in the bath with his hand down the toilet.

0:33:49 > 0:33:53This is the predictable Just Go With It,

0:33:53 > 0:33:59which was the editor probably said when he saw that the toilet seat was down instead of up on the next shot.

0:34:01 > 0:34:03Just go with it. No-one will notice.

0:34:05 > 0:34:09I mean, that kid's not noticed, and he's sat on a man's hand.

0:34:11 > 0:34:16Jennifer Aniston and Adam Sandler play plastic surgeons,

0:34:16 > 0:34:19but maybe it's their movie that needs corrective surgery.

0:34:19 > 0:34:22I think that's enough. Do you feel that?

0:34:22 > 0:34:23No.

0:34:23 > 0:34:26One moment Sandler is wearing rubber gloves, and then suddenly...

0:34:26 > 0:34:28..they've gone!

0:34:28 > 0:34:31That bra is the perfect size, Sandler,

0:34:31 > 0:34:33Cos you've just made one massive boob.

0:34:37 > 0:34:40Film animals are intensively-trained creatures

0:34:40 > 0:34:43who behave exactly the way the director wants them to.

0:34:43 > 0:34:46- But sometimes corners are cut. - The pig is tasting my body!

0:34:46 > 0:34:48No, he's not.

0:34:48 > 0:34:54He should be saying, "The pig is eating the food that I've smeared all over my back to attract it."

0:34:54 > 0:34:56The pig's the one who's least at fault.

0:34:56 > 0:34:58The pig is tasting my body!

0:35:00 > 0:35:06Action films now. None of your namby-pamby romance or any of that girly stuff.

0:35:06 > 0:35:09Films for blokes, full of explosions and fights and guns.

0:35:09 > 0:35:12Films for real men. Real men like me!

0:35:12 > 0:35:15Are you talking to me?! Are you talking to me?!

0:35:15 > 0:35:17Oh, you are talking to me.

0:35:17 > 0:35:21What... We can't have the gun. Health and safety. Oh, OK.

0:35:21 > 0:35:22GUN BLASTS

0:35:23 > 0:35:25And talking of being sorry,

0:35:25 > 0:35:27I got kicked out of my local cinema the other week

0:35:27 > 0:35:31after I went up to the lady at the ticket kiosk and told her I was looking for a bit of action.

0:35:31 > 0:35:35I only wanted a ticket to see the new Jason Statham film.

0:35:35 > 0:35:37Well, that's what I told the police anyway.

0:35:39 > 0:35:41Nice vest.

0:35:41 > 0:35:44It's the ridiculous The Expendables,

0:35:44 > 0:35:47where the most expendable thing is that vest.

0:35:49 > 0:35:51Sly got on board wearing it...

0:35:51 > 0:35:53Now it's off.

0:35:54 > 0:35:56He hangs up his guns...

0:35:59 > 0:36:00And it's on again.

0:36:01 > 0:36:03And then it isn't.

0:36:03 > 0:36:08I haven't seen this much vest removal since Take That at Wembley in 1995.

0:36:12 > 0:36:17Cockney legend Statham starting some aggro with some sweaty crims.

0:36:17 > 0:36:21Here he is pokin' along on his bike in his levver jacket and 'elmet.

0:36:21 > 0:36:24That'll take a while to take off.

0:36:25 > 0:36:30But in an instant his trouble and strife is strolling away wiv his gear.

0:36:30 > 0:36:32Would you Adam and Eve it?

0:36:37 > 0:36:40A horrible scene of torture from The Expendables,

0:36:40 > 0:36:43but not as horrible as this goof.

0:36:44 > 0:36:46SHE SCREAMS

0:36:46 > 0:36:47MAN SPEAKS IN SPANISH

0:36:47 > 0:36:50She gives a defiant kick to her captors...

0:36:53 > 0:36:55THEY SPEAK IN SPANISH

0:36:55 > 0:36:59However, when she falls, you can see that her legs are tied together.

0:36:59 > 0:37:03Maybe the director was too tied up to notice this. Thanks again. Thanks.

0:37:05 > 0:37:09Cameron Diaz, in the straightforward and predictable Knight And Day,

0:37:09 > 0:37:14is being harassed by this villain in his neat beard.

0:37:14 > 0:37:19Wow, that beard could make any self-respecting man jealous.

0:37:19 > 0:37:25But not as much as his ability to grow a full beard later that day.

0:37:25 > 0:37:28Blimey. I can't even do Movember.

0:37:30 > 0:37:35Here's Angelina Jolie as Salt in the far-fetched Salt.

0:37:36 > 0:37:39Now, too much salt is bad for you, so let's keep this short.

0:37:39 > 0:37:43Here she's brought along an ashtray and a packet of fags.

0:37:43 > 0:37:45What about your insides, Salt?

0:37:45 > 0:37:47- I need to get to the phone. - No, no, no.

0:37:47 > 0:37:51Someone should really hide them. Oh, they have!

0:37:51 > 0:37:54But you can't fool Salt. She finds them again.

0:37:54 > 0:37:56Her IQ is as high as her blood pressure.

0:37:58 > 0:38:02Looks like Salt's about to get on a bouncy castle.

0:38:02 > 0:38:05She knows the rules. No shoes.

0:38:05 > 0:38:09That's right. Put them neatly behind you.

0:38:09 > 0:38:12But in the CCTV shot, they're scattered all over the place.

0:38:12 > 0:38:15No party bag for you!

0:38:19 > 0:38:23In this climactic scene, Salt... Spoiler alert!

0:38:23 > 0:38:25..kills the Russian president.

0:38:25 > 0:38:29And speaking of spoiling things, take a look at the dead pres.

0:38:29 > 0:38:31We need a medical crew down in the crypt.

0:38:31 > 0:38:35No need to look for a pulse. His eyes can tell you he's totally fine.

0:38:38 > 0:38:42They say dead men don't talk, but apparently they do blink.

0:38:45 > 0:38:48Now, this is the melodramatic Sanctum,

0:38:48 > 0:38:51and you'll need to watch very carefully.

0:38:52 > 0:38:56Something the director failed to do when they picked a stuntman.

0:38:56 > 0:39:01Look, a watch in this shot and no watch during the stunt.

0:39:04 > 0:39:07I wouldn't give this movie the time of day.

0:39:11 > 0:39:13I always thought that box office number ones

0:39:13 > 0:39:17were what the staff at the multiplex did when they had too many fizzy drinks.

0:39:17 > 0:39:21It turns out I was just wrong about that.

0:39:21 > 0:39:25Anyway, the mistakes you're about to see are all from movies which raked in the most money

0:39:25 > 0:39:27and were Top of the Pops in the week of their release.

0:39:27 > 0:39:34Rumours that Fast Five only got there through charging £250 a ticket are unsubstantiated.

0:39:37 > 0:39:42It's the mawkish Due Date, and Robert Downey Jr's looking cool.

0:39:42 > 0:39:46Peter... OK, listen.

0:39:46 > 0:39:48He's even got those light-sensitive sunglasses.

0:39:48 > 0:39:51Though this scene must have been filmed on a very changeable day,

0:39:51 > 0:39:54as his glasses go from very dark to...

0:39:55 > 0:39:57- I just didn't want to go... - ..completely gone.

0:39:57 > 0:40:00Proof that the director also needed specs.

0:40:02 > 0:40:06We say a deathly hallow to Harry Potter and chums

0:40:06 > 0:40:10in this lively scene where they're transported from a fiery tent...

0:40:10 > 0:40:11to the safety of...

0:40:11 > 0:40:14oncoming traffic.

0:40:14 > 0:40:15But look again.

0:40:15 > 0:40:20Harry's is on Hermione's left and Ron on her right.

0:40:21 > 0:40:25But when they reappear, it's the other way round.

0:40:27 > 0:40:30In this gory scene from the disappointing Little Fockers,

0:40:30 > 0:40:34Ben Stiller slices straight through his finger,

0:40:34 > 0:40:37making Bobby De Niro Bloody De Niro.

0:40:37 > 0:40:39THEY ALL SCREAM

0:40:40 > 0:40:45But there's blood on the right side of his face when earlier it was all over his left.

0:40:47 > 0:40:50That's not just blood on your face, Bobby. There's egg on it too.

0:40:54 > 0:40:57The Expendables, and Sly Stallone's got a gun ready to use

0:40:57 > 0:41:02in an exciting escape from some bad men.

0:41:02 > 0:41:03BRAKES SCREECH

0:41:05 > 0:41:11I worry that these days Sly's mind is not what it used to be.

0:41:11 > 0:41:14Look, he's forgotten that he should be holding the gun,

0:41:14 > 0:41:15not having it in his belt.

0:41:15 > 0:41:20But once Statham shouts the magic words, the gun's back...

0:41:20 > 0:41:21for Sly to throw away.

0:41:24 > 0:41:26A clever scene from Transformers

0:41:26 > 0:41:29with real footage of President Nixon on the TV.

0:41:29 > 0:41:33And they've carefully recreated the set to match it.

0:41:33 > 0:41:37However, was it too much of a push to get a lamp?

0:41:37 > 0:41:40It's here but not here.

0:41:40 > 0:41:43No, that would've been a giant leap too far.

0:41:45 > 0:41:48Fast paced sci-fi thrills in Limitless,

0:41:48 > 0:41:50and for a man with no limits,

0:41:50 > 0:41:53Bradley Cooper really struggles with the little things.

0:41:53 > 0:41:56Like sitting down on a chair properly.

0:41:59 > 0:42:02Oh, come on, don't cry. Look, the chair's back up again!

0:42:02 > 0:42:04You can have another go!

0:42:08 > 0:42:10My mother always used to say,

0:42:10 > 0:42:13"Never fly-kick a man with a massive hammer in the face."

0:42:13 > 0:42:16Sadly, Milla's mum didn't, which is bad news,

0:42:16 > 0:42:21because this man is going to hit Milla with the massive hammer.

0:42:21 > 0:42:27However, it's not all bad, because at least he hit her into a nice, soft bouncy wall.

0:42:29 > 0:42:31See? Every hammer has a silver lining.

0:42:35 > 0:42:38Now this girl's in pursuit.

0:42:38 > 0:42:41She slides underneath, shooting him as she goes.

0:42:41 > 0:42:43But wait.

0:42:43 > 0:42:45Look, that hammer's going to land on her!

0:42:45 > 0:42:49Phew. Saved by a continuity error.

0:42:49 > 0:42:53MC Hammer snuffs it and she's not even there.

0:42:58 > 0:43:02Adrenalin-pumping Fast Five now, and when robbing a bank,

0:43:02 > 0:43:05attention to detail really counts.

0:43:05 > 0:43:08Here the safe's unlocked with a right-hand print.

0:43:13 > 0:43:16Young Mia then goes to extreme measures,

0:43:16 > 0:43:18grabbing his print on her bikini.

0:43:20 > 0:43:22But it's the left hand.

0:43:22 > 0:43:27That shouldn't work, then. Caught you red-handed AND red-faced!

0:43:27 > 0:43:32- So did he just slap that- BLEEP - or did he grab and hold onto it?

0:43:34 > 0:43:36The only thing that keeps me on the edge of my seat more than

0:43:36 > 0:43:40watching a good thriller is a really, really small seat.

0:43:40 > 0:43:43I love a good thriller - it's my favourite genre of film.

0:43:43 > 0:43:46It's also a Michael Jackson album title.

0:43:46 > 0:43:50I also like films that are bad, dangerous or simply off the wall!

0:43:50 > 0:43:53HE LAUGHS

0:43:56 > 0:44:00Now the fraught and claustrophobic Buried.

0:44:00 > 0:44:05Here, Ryan Reynolds unties his hands and removes the gag around his neck.

0:44:05 > 0:44:07But then out of nowhere...

0:44:11 > 0:44:13..the gag's back around his neck!

0:44:13 > 0:44:17For a film full of gags, it's just not funny.

0:44:21 > 0:44:24Now Ryan grabs a pen and writes with his left hand.

0:44:25 > 0:44:28But when the shot changes, it's suddenly his right.

0:44:28 > 0:44:32So as well as being a big Hollywood star, he's also ambidextrous!

0:44:33 > 0:44:36Talk about buried talent!

0:44:40 > 0:44:43It's the gripping and gritty film The Town.

0:44:43 > 0:44:47The thing about towns nowadays is that businesses can change

0:44:47 > 0:44:49so quickly, can't they?

0:44:49 > 0:44:53Look at the bar across the road from this flower shop.

0:44:55 > 0:44:57- It's called Fitzgerald's, right? - I'm in.

0:44:57 > 0:44:59I have this.

0:44:59 > 0:45:03Well, not any more, because we see the bar is now called The Junction.

0:45:03 > 0:45:06Sounds like a naff gastropub to me.

0:45:08 > 0:45:13Matthew McConaughey in the solidly crafted Lincoln Lawyer.

0:45:13 > 0:45:15- Get the hell out of my house. - Take that, M Dog!

0:45:15 > 0:45:17I told you my son didn't kill...

0:45:17 > 0:45:19Lucky it was his left arm so he can shoot right back at her.

0:45:27 > 0:45:31Oh, hang on, that's his right arm in the sling.

0:45:31 > 0:45:34Sue the doctors for malpractice, Matthew,

0:45:34 > 0:45:37and then get a better lawyer than yourself to represent you.

0:45:37 > 0:45:39I thought I told you to be careful.

0:45:44 > 0:45:47Onto the intriguing Adjustment Bureau

0:45:47 > 0:45:49and Matt Damon has a phone in his coffee.

0:45:49 > 0:45:51Personally I prefer milk and sugar.

0:45:51 > 0:45:54- 'You won't believe who I just ran into?'- Who?- 'The girl from...'

0:45:54 > 0:45:58But what's this? Moments later, he's talking on a different phone.

0:45:58 > 0:45:59The one you kissed?

0:45:59 > 0:46:02- However, keep watching as during the same conversation...- Whatever, dude.

0:46:02 > 0:46:06- It won't work again. - ..he's back on the BlackBerry.

0:46:06 > 0:46:08And you didn't write it?

0:46:11 > 0:46:16Now Matt's looking at an article so good they've printed it twice.

0:46:16 > 0:46:21See, it's the same chunk of text here and here.

0:46:21 > 0:46:24How lazy to just repeat the same thing over again.

0:46:24 > 0:46:27How lazy to just repeat the same thing over again.

0:46:29 > 0:46:32It's torturous suspense flick The Resident.

0:46:32 > 0:46:35And weirdo Max has snuck into Juliet's bedroom to get some

0:46:35 > 0:46:38kind of creepy thrill from not quite touching her.

0:46:40 > 0:46:44However, the really odd bit is Juliet lying on her side...

0:46:44 > 0:46:47then instantly she's on her back.

0:46:47 > 0:46:49You've been out-weirded, Max!

0:46:49 > 0:46:52Go back home and count your toenail clippings collection.

0:46:54 > 0:46:55ALARM BEEPS

0:46:55 > 0:46:59Oh, no! It's 8:27am and Juliet's overslept.

0:47:01 > 0:47:06Hurry up, Juliet, get your trousers on. It's awful when you oversleep.

0:47:06 > 0:47:08You just can't get your brain into gear.

0:47:10 > 0:47:13And Juliet's not got her brain into gear as she's making a call

0:47:13 > 0:47:16when her phone is clearly still locked.

0:47:17 > 0:47:19I seriously overslept.

0:47:23 > 0:47:25Now, an abysmal film,

0:47:25 > 0:47:29The Roommate, where the roommates in question take a photo of themselves.

0:47:29 > 0:47:32That shot will look great on the shared house wall.

0:47:32 > 0:47:36Shame they get a different picture from the wrong angle then.

0:47:36 > 0:47:39And if they can't agree on that, it'll be murder

0:47:39 > 0:47:41when they do the cleaning rota.

0:47:44 > 0:47:47It's the contrived mystery movie Unknown.

0:47:47 > 0:47:52And here's an quick science lesson - what happens when you use something

0:47:52 > 0:47:55that gives out an electric shock on something that's soaking wet?

0:47:58 > 0:48:01A nasty electric shock for everyone concerned.

0:48:01 > 0:48:06However, concern is not something these ambulance men seem to have.

0:48:09 > 0:48:15In Unknown, Diane Kruger gets knocked unconscious with chloroform.

0:48:15 > 0:48:19But when one of her eyes is opened to check she's out, the other one opens as well.

0:48:19 > 0:48:21Blink and you'd miss it.

0:48:21 > 0:48:24Wink and you'd be better for the part than Diane.

0:48:27 > 0:48:30And now another movie storyline's faults are reviewed

0:48:30 > 0:48:33and exposed in Great Plothole Mistakes.

0:48:33 > 0:48:37In the exhausting action-packed thrill-fest

0:48:37 > 0:48:39that is Raiders of the Lost Ark,

0:48:39 > 0:48:43it's 1936 and celebrated archaeologist Dr Indiana Jones

0:48:43 > 0:48:44is approached by army intelligence.

0:48:44 > 0:48:49They tell him that Hitler's obsession with the occult has led him to seek the Ark of the Covenant,

0:48:49 > 0:48:52a sacred relic containing the wrath of God.

0:48:52 > 0:48:57In our version, Indy says, "Listen, guys, I just got back from Peru.

0:48:57 > 0:49:00"I've been chased by a massive ball. I'm shattered.

0:49:00 > 0:49:03"I've got lots of post to open, the garden's been neglected

0:49:03 > 0:49:06"and this hat needs dry cleaning. I might give this one a miss."

0:49:06 > 0:49:09"But the Ark of the Covenant, Dr Jones!" "Yeah, you know what?

0:49:09 > 0:49:13"It won't make much difference whether I go or not."

0:49:13 > 0:49:15So while Indy stays at home and gets his stuff sorted,

0:49:15 > 0:49:19the Nazis get the Ark undisturbed,

0:49:19 > 0:49:22transport it from Egypt all the way back to Berlin where

0:49:22 > 0:49:26a triumphant Fuhrer pops the lid in front of his evil acolytes.

0:49:26 > 0:49:31"Oh, goody!" And it melts his stupid face off, averting World War II.

0:49:35 > 0:49:39Comedy now. People have a lot of theories about comedy.

0:49:39 > 0:49:42They say tragedy plus time equals comedy.

0:49:42 > 0:49:45But Bambi came out years ago and every time I watch it,

0:49:45 > 0:49:48I bawl my eyes out. But then my mother was a dear.

0:49:48 > 0:49:52They also say it takes more muscles to frown than it does to smile.

0:49:52 > 0:49:57No wonder I felt so exhausted watching Cheaper By The Dozen 2.

0:49:57 > 0:50:01But most importantly, they say the secret of comedy is timing.

0:50:03 > 0:50:07Knowing the exact moment to say something hilarious.

0:50:09 > 0:50:13Actually, thinking about it, timing isn't quite as important as having something funny to say.

0:50:13 > 0:50:15Sorry.

0:50:17 > 0:50:19Junior Suite...

0:50:19 > 0:50:25It's quirky and unusual Cedar Rapids where Tim is staying 112.

0:50:25 > 0:50:27It's strange then that when Dean arrives, he says...

0:50:27 > 0:50:32Double stock my minibar, please, 1019. Thank you.

0:50:32 > 0:50:36Because, look, he's also staying in 112 with Tim and also Ronald.

0:50:36 > 0:50:40Someone in 1019 is going to get a nice surprise.

0:50:43 > 0:50:47Now notice all the climbers on the wall with Tim are securely

0:50:47 > 0:50:52tied on with ropes and harnesses to avoid falling off.

0:50:52 > 0:50:55Or suddenly inexplicably vanishing.

0:50:58 > 0:51:01Low brow and proud of it, it's Hall Pass

0:51:01 > 0:51:05and I do wish that that guy would stop flashing his chest about.

0:51:05 > 0:51:09His shirt agrees and has taken it upon itself to button up.

0:51:10 > 0:51:13It's one of those self-fastening shirts.

0:51:13 > 0:51:17The trouble with those is that they've got a habit of...

0:51:17 > 0:51:20- Yeah, it's unbuttoned again. - I gotta get going.

0:51:20 > 0:51:22We have a team meeting in 20 minutes.

0:51:22 > 0:51:24Best do it up yourself, yeah, fella.

0:51:26 > 0:51:31Sam Jackson and The Rock are wearing no ordinary medals

0:51:31 > 0:51:35in this frantic comedy, The Other Guys, they're mood medals.

0:51:35 > 0:51:37And we'd do it again and again.

0:51:37 > 0:51:39They disappear when they get angry.

0:51:39 > 0:51:42- If we want to hear you talk, I will shove my arm up your- BLEEP

0:51:42 > 0:51:45and work your mouth like a puppet! You hear me?! You hear me?

0:51:45 > 0:51:48And reappear when they're happy again. See?

0:51:48 > 0:51:52Either that or someone's been "medalling" - thanks - with the props.

0:51:56 > 0:52:00A police officer must always know where his gun is.

0:52:00 > 0:52:03However, Will Ferrell has forgotten his golden rule -

0:52:03 > 0:52:05he's rolling around on top of it.

0:52:07 > 0:52:11Only for it to return to his holster moments later.

0:52:15 > 0:52:21Here, Will Ferrell is in a violent rage with Alan Partridge.

0:52:21 > 0:52:23They say you can't reproduce truly great art,

0:52:23 > 0:52:26but when Will takes this mediocre squiggle off the wall,

0:52:26 > 0:52:29an exact reproduction immediately takes its place.

0:52:32 > 0:52:35The very raw comedy Horrible Bosses.

0:52:36 > 0:52:40Jamie Foxx is given a suitcase full of money.

0:52:40 > 0:52:41Well, a bit of money.

0:52:41 > 0:52:45Anyway, he'd best latch the suitcase all the same. Good man.

0:52:47 > 0:52:49But spool forward a bit...

0:52:49 > 0:52:52and the latches are undone again.

0:52:52 > 0:52:56With all that cash, you'd think he'd be able to buy a better suitcase.

0:52:58 > 0:53:02One of my favourites, Big Momma 3, with an angry woman

0:53:02 > 0:53:05covered in white foam making a mess of the door.

0:53:07 > 0:53:10- Never mind. Here's Big Momma's peerless acting skills.- Me?!

0:53:10 > 0:53:15- Well, thank you, sure. - But who's cleaned up that door?

0:53:15 > 0:53:20What a shame. This silly blunder ruins an otherwise perfect film(!)

0:53:22 > 0:53:25Historical movies are a personal favourite of mine.

0:53:25 > 0:53:30I often picture myself cast in a lavish version of a classic Jane Austen movie -

0:53:30 > 0:53:32Mr Darcy in a drenched shirt, open to the waist,

0:53:32 > 0:53:35climbing out of the water, whilst watching, in anticipation,

0:53:35 > 0:53:39dressed in a gorgeous bodice, holding a parasol, there I am.

0:53:39 > 0:53:43"Oh, Mr Darcy!" That's how I'd do it.

0:53:46 > 0:53:51Oscar fodder with the classy remake of True Grit.

0:53:51 > 0:53:54And times sure were tough in 19th-century Texas.

0:53:54 > 0:53:57Unless, that is, you're the heroine Mattie Ross

0:53:57 > 0:54:00and you have the amazing ability to go from soaking wet...

0:54:08 > 0:54:10..to bone dry in ten seconds flat.

0:54:14 > 0:54:16Consumer issues now and here,

0:54:16 > 0:54:18Jeff Bridges shows his disgust with the corn bread

0:54:18 > 0:54:20in his bargain bucket

0:54:20 > 0:54:23by spilling them out of the bag and shooting them.

0:54:23 > 0:54:26Luckily, it's Colonel Sanders' disappearing corn -

0:54:26 > 0:54:27it's nowhere to be seen.

0:54:31 > 0:54:33Well, he won't have to waste any more precious bullets.

0:54:37 > 0:54:41A ropey gaff now. See that chap hanging around in the branches?

0:54:41 > 0:54:46One minute he's top of the tree, next he's swinging a lot lower.

0:54:46 > 0:54:49How Jeff Bridges doesn't twig, I'll never know.

0:54:53 > 0:54:56Frivolous grave robbing jokery with Burke and Hare,

0:54:56 > 0:54:59and here's Simon Pegg chatting up her off of Home & Away.

0:54:59 > 0:55:04- When will I be able to see you again, Jenny?- At the Lyceum Theatre.

0:55:04 > 0:55:06- Really? When?- When we put...

0:55:06 > 0:55:10Maybe in 55 years' time, when the Lyceum Theatre is actually built.

0:55:10 > 0:55:13- Goodnight, William.- That's certainly one way to ditch a guy.

0:55:19 > 0:55:22Burke and Hare are chopping down a tree to stop a coach.

0:55:24 > 0:55:27And who's inside? Urgh!

0:55:27 > 0:55:31If I saw a coach with Michael Winner inside, I wouldn't want to stop it.

0:55:31 > 0:55:34But they've only made a tiny dent at chest height.

0:55:34 > 0:55:36Come on, put your back into it!

0:55:36 > 0:55:42However, this being the crazy world of true life drama, the entire tree comes tumbling down.

0:55:42 > 0:55:45Uh-oh. The winner takes a fall.

0:55:54 > 0:55:57- Hmm, that table looks a little bare. - Lovely.

0:55:58 > 0:56:02I know what's missing - she forgot the flowers.

0:56:02 > 0:56:03Oh, there they are.

0:56:03 > 0:56:06- Thank you. - Bit of an odd side dish, though.

0:56:11 > 0:56:13Here's BAFTA-winning actor Tom Wilkinson

0:56:13 > 0:56:17unveiling my nominees for the best actor in the movie Burke and Hare.

0:56:19 > 0:56:22But which corpse wins? None of them!

0:56:22 > 0:56:26The award goes to the incredible moving blanket.

0:56:26 > 0:56:29First the corpses are uncovered -

0:56:29 > 0:56:32quick round of applause -

0:56:32 > 0:56:34then one of them is covered up again.

0:56:35 > 0:56:38A bravura performance!

0:56:44 > 0:56:45Solving a crime, sir.

0:56:45 > 0:56:49The cream of British talent drops some home-grown blunders here.

0:56:49 > 0:56:52What on earth are you talking about?

0:56:52 > 0:56:55There's Ronnie Corbett - not a mistake, he actually is that small.

0:56:55 > 0:56:59I don't know what this little man is trying to prove.

0:56:59 > 0:57:03- Stephen Merchant plays goldfish bowl holder 4.- I want him removed.

0:57:03 > 0:57:07- It is you, sir!- And now Tim Curry, co-starring with his teeth.

0:57:10 > 0:57:13But ignore them and watch his background. He steps forward.

0:57:15 > 0:57:19But look, the background remains the same,

0:57:19 > 0:57:22suggesting he didn't step forward at all.

0:57:22 > 0:57:24We shall all have to pay the price.

0:57:24 > 0:57:28And now Merchant's bowl has disappeared.

0:57:28 > 0:57:34And to think he was chief bowl holder at the RSC. What an insult!

0:57:37 > 0:57:41Rip-roaring Roman caper The Eagle now and this looks like such

0:57:41 > 0:57:43an arduous journey it would give anyone a shock.

0:57:45 > 0:57:49It certainly did to Jamie Bell's horse who overnight changes

0:57:49 > 0:57:53colour from brown to white with no explanation.

0:57:55 > 0:57:57The dark and brutal Killer Inside Me

0:57:57 > 0:58:02starring Casey Affleck as a deputy sheriff-cum-homicidal maniac.

0:58:02 > 0:58:04Ho-hum, you might think.

0:58:04 > 0:58:07But I feel anguish and I'm sorry.

0:58:07 > 0:58:11But look all of a sudden, he's clutching a thick wooden plank!

0:58:11 > 0:58:15Superb uncredited cameo from his brother Ben.

0:58:17 > 0:58:19When a film is described as "cultural,"

0:58:19 > 0:58:23that probably means it hasn't got a good enough story to be popular,

0:58:23 > 0:58:25so it's being passed off as art.

0:58:25 > 0:58:28"Mm, yes, it's supposed to be boring! That's the point!"

0:58:28 > 0:58:32You can explain away all kinds of things using the art house excuse.

0:58:32 > 0:58:33Shaky cameras - it's art.

0:58:33 > 0:58:35Gaping plot holes - it's art.

0:58:35 > 0:58:37Pretentious acting - that's just Natalie Portman,

0:58:37 > 0:58:40there's nothing we can do about that now.

0:58:40 > 0:58:42Some films are pure entertainment.

0:58:42 > 0:58:45Others go a little deeper and ask questions like, "Why are we here,

0:58:45 > 0:58:49"in the cinema watching another M Night Shyamalan film?"

0:58:51 > 0:58:54Natalie Portman's in need of a champagne top-up, I think,

0:58:54 > 0:58:57in creepy ballet melodrama Black Swan.

0:58:57 > 0:58:59..appreciated presence on our stage.

0:58:59 > 0:59:04But being so freaked out by Winona Ryder giving her evils, none of us notice that,

0:59:04 > 0:59:07by the end of the scene, the flute is full to the brim again.

0:59:07 > 0:59:09To beauty.

0:59:11 > 0:59:16Next up, here's It's Kind Of A Funny Story,

0:59:16 > 0:59:19a One Flew Over The Cuckoo's Nest for Justin Bieber fans.

0:59:19 > 0:59:24And suicidal Craig has to give up all potentially harmful items.

0:59:24 > 0:59:25Your belt and shoelaces.

0:59:25 > 0:59:30- So his belt and shoelaces are gone. - We can't take chances.

0:59:31 > 0:59:35But later on, Craig and another patient Bobby are shooting hoops

0:59:35 > 0:59:37with draw-stringed trackie bottoms

0:59:37 > 0:59:41and very laced-up shoes. That basket ball's probably

0:59:41 > 0:59:45- a cyanide gobstopper. - Don't play dumb with me.

0:59:47 > 0:59:51Now, slow-moving alien thriller Monsters and our couple's being

0:59:51 > 0:59:55fleeced by a man who'd get Anne Robinson frothing at the mouth.

0:59:55 > 0:59:56Um, how much?

0:59:56 > 0:59:59That will be 5,000 colones.

0:59:59 > 1:00:03- 5,000?- Yeah, 5,000. - So that's 5,000 Costa Rican colones.

1:00:03 > 1:00:05That will be 5,000 colonies.

1:00:05 > 1:00:08- 5,000?- Yeah, yeah, 5,000.

1:00:08 > 1:00:11- 5,000 is a lot of money. - Yes, I know, but...

1:00:11 > 1:00:14Oh, it's now 5,000? Big mistake.

1:00:14 > 1:00:17At the current exchange rate, 5,000 is...

1:00:21 > 1:00:25No wonder this film had no cash for the special effects.

1:00:28 > 1:00:32Monsters again and this completely deserted town

1:00:32 > 1:00:35isn't quite as deserted as it seems.

1:00:35 > 1:00:38Now, before you cower behind the sofa, take another look.

1:00:41 > 1:00:43It seems the ali-ons prefer pick-up trucks to spaceships

1:00:43 > 1:00:49when they pop to the shop for a pint of milk and a family-sized Galaxy.

1:00:51 > 1:00:56Here's feisty teen Ree in gritty drama Winter's Bone.

1:00:56 > 1:00:58This confrontation looks like

1:00:58 > 1:01:01it'll get pretty tense as the gloves are well and truly off.

1:01:02 > 1:01:05No, hang on, they're back on again.

1:01:08 > 1:01:12Phew, looks like all will be fine after all.

1:01:13 > 1:01:16No, wait, they're off again! Oh, make your mind up, love.

1:01:18 > 1:01:21So often with films, the stars get the awards,

1:01:21 > 1:01:25but what about those people behind the scenes? How do they get noticed?

1:01:25 > 1:01:29They could become the best in their field or work their way up to become a famous director.

1:01:29 > 1:01:31Or they could just stand in the back of shot.

1:01:31 > 1:01:34Well, that's exactly what we're awarding now -

1:01:34 > 1:01:36those people who went that extra distance

1:01:36 > 1:01:38from out-of-shot to into shot.

1:01:40 > 1:01:42What?

1:01:44 > 1:01:47It's the Great Movie Mistakes Award for Best Supporting Actor,

1:01:47 > 1:01:50and here are the nominations.

1:01:50 > 1:01:54Lightweight action from Knight And Day and some great scene stealing.

1:01:54 > 1:01:57Look at the security guards behind Cameron Diaz.

1:02:00 > 1:02:03They suddenly change into normal civilians

1:02:03 > 1:02:08and then back into security guards at the top of the escalator.

1:02:09 > 1:02:12Maybe they were just working undercover for a bit.

1:02:17 > 1:02:21If you've got a problem, maybe you can hire The A-Team,

1:02:21 > 1:02:23to clean your windows, because...

1:02:23 > 1:02:26Let's go back.

1:02:26 > 1:02:28Mr T has got that window so clean,

1:02:28 > 1:02:31you can see the cameraman's own reflection in it.

1:02:33 > 1:02:37A blatant and unwelcome cameo. A bit like the movie.

1:02:40 > 1:02:44In seen-it-all-before thriller The Resident,

1:02:44 > 1:02:48Jack returns to his flat and senses all is not right.

1:02:48 > 1:02:51If it the presence of a ghostly character?

1:02:51 > 1:02:56Or just the reflection of the clumsy cameraman in his kitchen window?

1:02:56 > 1:02:59Time to move out, if you ask me, Jack.

1:03:01 > 1:03:03Who are you texting?

1:03:03 > 1:03:06It's crazy horror comedy Vampires Suck

1:03:06 > 1:03:09and Alice gets a mobile phone right in the face.

1:03:09 > 1:03:15Now, either Edward is a very good shot or someone just off camera

1:03:15 > 1:03:17is throwing a mobile phone right in her face.

1:03:19 > 1:03:22There, thrown from point-blank range.

1:03:22 > 1:03:24That's a bit "phoney"!

1:03:28 > 1:03:31But the winner is Man In Shorts.

1:03:31 > 1:03:36It's the climax of the testosterone-dripping Expendables

1:03:36 > 1:03:38and all hell is breaking loose.

1:03:38 > 1:03:40Everyone's running for their lives,

1:03:40 > 1:03:44but hold on, who's this fellow in Bermuda shorts with the camcorder?

1:03:44 > 1:03:48A very unfortunate tourist?

1:03:48 > 1:03:51Next year, I'd stick to Rhyl. There's fewer explosions.

1:03:53 > 1:03:56Science fiction. So much more popular

1:03:56 > 1:03:58than its boring older brother, science fact.

1:03:58 > 1:04:02My favourite type of sci-fi used to be films set in dystopian futures,

1:04:02 > 1:04:06which portrayed a world dominated by technology, totalitarian governments

1:04:06 > 1:04:09and the collapse of society as we know it. But nowadays,

1:04:09 > 1:04:13I can get exactly the same thing just by watching the news.

1:04:15 > 1:04:17The baffling Inception now.

1:04:17 > 1:04:20I think this film's about the new sport extreme sleeping,

1:04:20 > 1:04:23where people have to sleep through anything.

1:04:23 > 1:04:27Here, they listen to boring music to drift away.

1:04:29 > 1:04:33Ah, yes, the falling off the bridge event - very tricky -

1:04:33 > 1:04:36especially if your headphones have come off.

1:04:36 > 1:04:38What's he going to do now?

1:04:38 > 1:04:41Without Coldplay's greatest hits playing, he'll surely wake up.

1:04:41 > 1:04:46Oh, phew, they're back on. And he's ready to be plunged into the river.

1:04:48 > 1:04:53In this clip, we see Cillian Murphy get shot once in the chest.

1:04:56 > 1:05:01But when they come to help him, there are two bullet wounds.

1:05:01 > 1:05:04Well, as the saying goes, shoot me once, shame on you.

1:05:04 > 1:05:08Shoot me twice, shame on the continuity guy.

1:05:10 > 1:05:15Next up, Battle: Los Angeles. A film that focuses too much on the action

1:05:15 > 1:05:17and not enough on the dialogue.

1:05:17 > 1:05:20Here, the soldiers prefer to bark rather than talk.

1:05:20 > 1:05:23- HE SLURS: Right, we're up. - What's that,

1:05:25 > 1:05:29Lassie(?) In this scene, the aliens are on the run and Aaron Eckhart is

1:05:29 > 1:05:32trying to choose which gun goes best with his outfit.

1:05:35 > 1:05:37Pistol? Yeah, pistol.

1:05:39 > 1:05:43Or machine gun? No, pistol, gotta be pistol.

1:05:47 > 1:05:50Taut, exciting thrills from Source Code now.

1:05:50 > 1:05:53And this is Jake Can't-Pronounce-His-Last-Name

1:05:53 > 1:05:57swiping a wallet to check out a driver's licence.

1:05:59 > 1:06:02- You have the bomber's name? - Derek Frost.

1:06:02 > 1:06:04Yes, that's the only thing he has,

1:06:04 > 1:06:07because all the other details are completely different.

1:06:07 > 1:06:12Look - address, date of birth, height. All of it!

1:06:15 > 1:06:21Next up, the vile chiller Splice, and we see Adrian Brody doing...

1:06:21 > 1:06:24- BELT RATTLES - Well, yeah, never mind that.

1:06:24 > 1:06:28Watch Sarah Polley. Look, she's left the door open.

1:06:29 > 1:06:32But then she opens the already-open door.

1:06:32 > 1:06:35Nearly as strange as what Brody was up to.

1:06:38 > 1:06:42Take a look at the Splice girl's dress.

1:06:44 > 1:06:47Because, hanging upside down, you would imagine

1:06:47 > 1:06:50it would fall down around her shoulders.

1:06:53 > 1:06:56Sporty AND Scary Splice!

1:07:00 > 1:07:03Films about true life next.

1:07:03 > 1:07:08Films like 127 Hours, a true story of a man stuck in a canyon for days.

1:07:08 > 1:07:12I got stuck on the M25 for what felt like 127 hours once.

1:07:12 > 1:07:15I didn't chop off my own arm, did I? No, I did not!

1:07:15 > 1:07:18I did, however, wee in a Coke bottle,

1:07:18 > 1:07:21eat a family bag of Wotsits and openly cry,

1:07:21 > 1:07:24but apparently, that story's not Hollywood material!

1:07:24 > 1:07:26Tch!

1:07:28 > 1:07:33It's super nerd Mark Zuckerberg, although he can't be that nerdy.

1:07:33 > 1:07:35He's mates with Justin Timberlake.

1:07:35 > 1:07:37Oh, good catch, Justin.

1:07:38 > 1:07:39Sharon?

1:07:39 > 1:07:40SMASH!

1:07:40 > 1:07:43- Oh, no!- I'm so sorry!- Mark!

1:07:43 > 1:07:46- Girls can't catch! - Here you go.- No, wait!

1:07:47 > 1:07:50Luckily, it was one of those completely empty beer bottles

1:07:50 > 1:07:53kept for situations like this.

1:07:54 > 1:07:57- I'm so sorry. - Look, no stain on the wall.

1:07:57 > 1:07:59Or maybe Zuckerberg's so rich,

1:07:59 > 1:08:02he can afford beer that tidies up after itself.

1:08:05 > 1:08:09Here's sweaty Christian Bale in the honest and hard-edged The Fighter.

1:08:11 > 1:08:13Look at his T-shirt. Drenched!

1:08:17 > 1:08:20But after a long walk in the sun, the sweat seems to have disappeared.

1:08:22 > 1:08:24What's his antiperspirant?

1:08:27 > 1:08:30Not one with 24-hour protection, as he's drenched again.

1:08:33 > 1:08:37Look at Mark Wahlberg's fit bod as Micky Ward in The Fighter.

1:08:37 > 1:08:39Not a tattoo in sight.

1:08:39 > 1:08:43But cut to him in bed and what's this?

1:08:43 > 1:08:48It's Mark's tat of Bob Marley, which Micky never had in real life.

1:08:48 > 1:08:52Eddy Grant on the inner thigh, though? That's a possibility.

1:08:54 > 1:08:57A young John Lennon with his nasal singing voice

1:08:57 > 1:09:00in the unsentimental Nose-where Boy.

1:09:00 > 1:09:04- Sorry, Nowhere Boy. - # You're my little girl! #

1:09:04 > 1:09:07But when he stops singing, we see the tape is at the start of the reel

1:09:07 > 1:09:10and the song couldn't have been recorded.

1:09:11 > 1:09:14Which is lucky, as it sounded horrific.

1:09:16 > 1:09:18We had great success...

1:09:18 > 1:09:22A scene from the so-called documentary I'm Still Here

1:09:22 > 1:09:26and look at the glasses hanging off the shirt of Joaquin Phoenix

1:09:26 > 1:09:28or whatever he's called.

1:09:28 > 1:09:32- Look, they've vanished. - I have a little studio, d'you know?

1:09:32 > 1:09:35Puffy Combs, or whatever he's called, doesn't notice.

1:09:35 > 1:09:38I'm excited to hear this stuff. I want to hear if you...

1:09:38 > 1:09:43And now they're back. Mo sunglasses, mo problems.

1:09:45 > 1:09:47More than seven square miles...

1:09:47 > 1:09:50Harsh realities from Made In Dagenham now,

1:09:50 > 1:09:53a British film harping back to the glorious era

1:09:53 > 1:09:58where 55,000 men worked in a car factory with only 187 women.

1:09:58 > 1:10:01That's because the men knew they were talking about back then.

1:10:01 > 1:10:04- Are you threatening me? - Let's listen.

1:10:04 > 1:10:07I'm trying to stop 40,000 people from losing their jobs, Mrs Castle.

1:10:07 > 1:10:11That's how many people work as Ford employees in this country, not to mention...

1:10:11 > 1:10:16I thought it was 55,000, you berk? Let the women take over, I say.

1:10:19 > 1:10:21It's raining in Dagenham.

1:10:21 > 1:10:24Look at that poor old guy outside with his brolly.

1:10:24 > 1:10:26He can't wait to get inside in the dry.

1:10:26 > 1:10:29I'm lucky you weren't getting the lads to hold out for a full house.

1:10:29 > 1:10:31Get yourself home, man!

1:10:31 > 1:10:33All over the country...

1:10:33 > 1:10:36Later on and now he must be somewhere nice and warm.

1:10:36 > 1:10:40Oh, no, no. There he is again. Maybe he likes the rain.

1:10:40 > 1:10:43You'll always be fighting over the scraps on the top table...

1:10:43 > 1:10:45And again.

1:10:45 > 1:10:46Get equal pay, yeah.

1:10:48 > 1:10:50And again.

1:10:50 > 1:10:53He just can't get enough of it. Get inside, man, you'll catch your death!

1:10:53 > 1:10:57What I don't get is why it's so important to you.

1:11:00 > 1:11:04Compelling drama from Conviction and Kenny's been freed from jail,

1:11:04 > 1:11:08but maybe he should be banged straight up again for crimes against continuity.

1:11:08 > 1:11:12- His offences are many. No hat, your honour.- Will you thank your sister?

1:11:12 > 1:11:14And now, a hat.

1:11:16 > 1:11:20- Holding his scarf, your honour. - Is this for us?- Yes, it's for you.

1:11:20 > 1:11:25And now suddenly wearing it again. The prosecution rests.

1:11:27 > 1:11:30Next up, we're looking at teen movies,

1:11:30 > 1:11:34which, for a man only recently out of his teens - that's right - is exactly my thing.

1:11:34 > 1:11:39- MOBILE PHONE RINGS - They're cool, wicked and totally radical. Oh, excuse me.

1:11:39 > 1:11:42Oh, hey, Dazza! Yeah? What's up, dude?

1:11:42 > 1:11:46Yeah, I would love to come down the Rec and skateboard with you.

1:11:46 > 1:11:49Hang on. Mum, I'm going down the Rec with Dazza.

1:11:49 > 1:11:52- HIGH-PITCHED VOICE:- Not until you've finished hosting the show.

1:11:52 > 1:11:54But, Mum!

1:11:54 > 1:11:58- No buts.- I can't come out. See you tomoz.

1:12:00 > 1:12:03Here are some classic goofs from teen films.

1:12:03 > 1:12:07- Say it nicely!- Here are some classic goofs from teen films.

1:12:09 > 1:12:11I saw that!

1:12:14 > 1:12:18Next, in the light-hearted Easy A, Olive shows this boy what's what

1:12:18 > 1:12:22by crushing an ice-cream cone in front of his face.

1:12:22 > 1:12:27But the cone instantly reappears. Here today, cone tomorrow.

1:12:31 > 1:12:33Now, watch Olive trying to take off her left boot

1:12:33 > 1:12:36Is that lavender? It's pretty.

1:12:36 > 1:12:40Which becomes her right boot, then she takes off her right boot again,

1:12:40 > 1:12:43but somehow she's removed both her boots!

1:12:43 > 1:12:47A clear example of two rights making a wrong.

1:12:50 > 1:12:53In energetic Step Up 3D, it's the dance battle.

1:12:53 > 1:12:58And as any B-boy knows, things get hot on the dance floor,

1:12:58 > 1:13:01which is why the guy who's with those men pretending to be dogs

1:13:01 > 1:13:03keeps taking his coat off.

1:13:05 > 1:13:06Now you see it...

1:13:06 > 1:13:08Now you don't.

1:13:08 > 1:13:12Reminds me of my Nan's 80th. That was a lively affair.

1:13:15 > 1:13:19Another one from Step Up, and take a look at Moose's bag,

1:13:19 > 1:13:22because it's only on in the shots from behind.

1:13:22 > 1:13:24Yeah, I mean I...

1:13:24 > 1:13:25I'm a double major

1:13:25 > 1:13:27Now, I know it's a backpack,

1:13:27 > 1:13:29but you'd still see the strap on the front, right?

1:13:29 > 1:13:30Yes?

1:13:30 > 1:13:33What do you mean, you can't believe it?

1:13:35 > 1:13:38It's Submarine, a reflective film about a son

1:13:38 > 1:13:42trying to smooth out the creases in his parents' relationship.

1:13:44 > 1:13:45And by the looks of things,

1:13:45 > 1:13:49he's also smoothing out the creases in this drawing.

1:13:49 > 1:13:51See? The fold's gone.

1:13:51 > 1:13:54No need to set it on fire, though!

1:13:54 > 1:13:56Oh! Kids!

1:13:59 > 1:14:03Finally, a flashback scene in the worthless Twilight sequel, Eclipse.

1:14:03 > 1:14:08Now, clothes in those days were made to last.

1:14:08 > 1:14:10Look at that!

1:14:10 > 1:14:13She stabs right through her dress and it doesn't even rip.

1:14:13 > 1:14:16You don't get that kind of quality at Primark, do you?

1:14:18 > 1:14:22And now another film's storyline flaws are reviewed and exposed

1:14:22 > 1:14:24in Great Plot Hole Mistakes.

1:14:24 > 1:14:27M Night Shyamalamadingdong's outlandish and far-fetched

1:14:27 > 1:14:302002 film Signs stars Mel Gibson

1:14:30 > 1:14:34as a man who finds crop circles in his field which, it turns out,

1:14:34 > 1:14:36is the work of ali-ons.

1:14:36 > 1:14:40They've chosen to invade Earth for reasons that are mainly explained in crop circles,

1:14:40 > 1:14:41which we can't understand.

1:14:41 > 1:14:46Fortunately, the one substance able to destroy the ali-ons is water,

1:14:46 > 1:14:48so they're fairly easily defeated. The End.

1:14:48 > 1:14:53So what made the water-fearing ali-ons choose planet Earth, you might wonder?

1:14:53 > 1:14:57- Just a minute, Lionel, did you say Planet Earth?- That's right.

1:14:57 > 1:15:02But 71% of the earth's surface is water, which is lethal to us ali-ons.

1:15:02 > 1:15:03Yes.

1:15:03 > 1:15:06What about Mars? That's nice and dry.

1:15:06 > 1:15:08There hasn't been water on Mars for ages.

1:15:08 > 1:15:12Yes, but where's the challenge in that? Come on.

1:15:12 > 1:15:14Are you an ali-on or a mouse?

1:15:14 > 1:15:15OK, OK.

1:15:15 > 1:15:19So, we go to one of the dry bits of Earth, like the Atacama Desert?

1:15:19 > 1:15:22No, we go to nice verdant farming country

1:15:22 > 1:15:25and choose specifically the house of a family of water-filled humans

1:15:25 > 1:15:28whose daughter has a strange obsession with water.

1:15:28 > 1:15:32But we'll be wearing protective waterproof clothing, yes?

1:15:32 > 1:15:33No, I thought we'd go naked.

1:15:33 > 1:15:36Naked?! What if they spit at us?

1:15:36 > 1:15:39I don't know about you, but when I'm crowing over puny humans,

1:15:39 > 1:15:43I like to have my guys out, swinging in the breeze.

1:15:43 > 1:15:47I'm worried this might be the worst idea you've ever had, Lionel.

1:15:47 > 1:15:49No, that was instant mashed potato.

1:15:49 > 1:15:52THEY LAUGH

1:15:54 > 1:15:57Why does Hollywood love remakes so much?

1:15:57 > 1:16:00Well, sometimes a film is so close to being brilliant

1:16:00 > 1:16:03but there's just one tiny thing that stops it being perfect,

1:16:03 > 1:16:06like it's foreign, or it was made over ten years ago.

1:16:06 > 1:16:09Things that stop anyone in their right mind wanting to watch it.

1:16:09 > 1:16:13The other reason to remake a movie is if the original didn't quite get it right.

1:16:13 > 1:16:18Who didn't think that Get Carter was improved by the addition of Sylvester Stallone?

1:16:18 > 1:16:21Or that The Italian Job was crying out for a cameo by Marky Mark?

1:16:21 > 1:16:24I, for one, can't wait for next year's summer blockbuster,

1:16:24 > 1:16:25Citizen Kane...

1:16:25 > 1:16:27with Miley Cyrus.

1:16:27 > 1:16:28Mm.

1:16:30 > 1:16:34The needless, over-the-top A-Team movie,

1:16:34 > 1:16:37and maybe they should give up this soldiers-of-fortune malarkey

1:16:37 > 1:16:41and become baggage handlers. Watch the case by the side of BA.

1:16:41 > 1:16:43I want to kill you, man.

1:16:43 > 1:16:45You're not going to kill me! I'm going to kill YOU!

1:16:45 > 1:16:47It's now behind his head...

1:16:47 > 1:16:49I got two guns here.

1:16:50 > 1:16:53..then on the other side.

1:16:53 > 1:16:56It moves around more than Hannibal's wig did in the old series.

1:16:56 > 1:16:57Whoopsie!

1:16:59 > 1:17:03Loyal fans of The A-Team had problems with the remake,

1:17:03 > 1:17:06and this must have got their blood boiling.

1:17:06 > 1:17:08Look, they've mis-spelled Murdock's name!

1:17:08 > 1:17:11It's D-O-C-K, not D-O-C-H.

1:17:11 > 1:17:15I pity the fool who made that mistake.

1:17:15 > 1:17:17Saying that, I also pity the person

1:17:17 > 1:17:20who still cares so much about The A-Team.

1:17:24 > 1:17:27At the end of the instantly forgettable Mechanic remake,

1:17:27 > 1:17:32Ben Foster selects a jazz record to play on the posh turntable.

1:17:32 > 1:17:35Ah! I love a bit of free form experimental jazz.

1:17:35 > 1:17:40CLASSICAL MUSIC PLAYS

1:17:40 > 1:17:43Hang on! It's ruddy Shubert's Trio Number Two!

1:17:44 > 1:17:49But it definitely says "Jazz" on the cover.

1:17:49 > 1:17:51Right, back to HMV.

1:17:53 > 1:17:56Gulliver's Travels with Jack Black,

1:17:56 > 1:17:59perfect casting, as the book was all about a loveable,

1:17:59 > 1:18:00immature, rock-loving idiot.

1:18:00 > 1:18:02Cos he called it a "mandate", so...

1:18:02 > 1:18:05The kind of character that doesn't know his right hand from his left.

1:18:05 > 1:18:07- ..bushy-tailed for the boys. - The right...

1:18:07 > 1:18:10Now the left.

1:18:10 > 1:18:13Jonathan Swift can rest easy that his work is in safe,

1:18:13 > 1:18:15but confused hands.

1:18:15 > 1:18:16We just got here.

1:18:18 > 1:18:21In the final scene, Gulliver returns from his travels

1:18:21 > 1:18:24and gains this girlfriend.

1:18:24 > 1:18:28When I returned from my travels, all I gained was a case of the trots.

1:18:28 > 1:18:31But what has she got to hide?

1:18:31 > 1:18:33Her ID is the wrong way round,

1:18:33 > 1:18:34Danke schon.

1:18:34 > 1:18:36then it flips...

1:18:36 > 1:18:39Mark. I'm just the new guy in the mailroom...

1:18:39 > 1:18:43Now it's hidden again. Hm...mysterious.

1:18:45 > 1:18:48Some films just don't know when to quit making mistakes.

1:18:48 > 1:18:51In the end credits for Gulliver's Travels,

1:18:51 > 1:18:54check out the date on this newspaper.

1:18:54 > 1:18:56June 20th to June 3rd?

1:18:56 > 1:18:59Someone obviously feels like time was moving backwards

1:18:59 > 1:19:02when they were watching this film. I didn't.

1:19:04 > 1:19:09Off to Jellystone Park for the charmless Yogi Bear movie.

1:19:09 > 1:19:12Booboo has handcuffed Yogi to a tree.

1:19:12 > 1:19:15But keep an eye on which paw the handcuff is on.

1:19:16 > 1:19:19First it's his right paw,

1:19:19 > 1:19:21then it's his left paw,

1:19:21 > 1:19:24then his right paw again.

1:19:24 > 1:19:26Either way, it's very PAW indeed.

1:19:33 > 1:19:35Hello and welcome to Pointless View,

1:19:35 > 1:19:40the programme where you have the chance to blow off about the things that really ruin films for you.

1:19:40 > 1:19:41You know how it is.

1:19:41 > 1:19:44It's impossible to follow a story if a flag's upside down, isn't it?

1:19:44 > 1:19:48I personally had Braveheart ruined for me by an errant tartan

1:19:48 > 1:19:51and Mel Gibson not being a blue 13th-century Scotsman,

1:19:51 > 1:19:54but a brownish 20th-century Australian.

1:19:54 > 1:19:58Here's a letter from Zorro Madeley of Funningham.

1:19:58 > 1:20:02How was I expected to enjoy the wizardry-pokery of Harry Potter and The Deathly Hallows

1:20:02 > 1:20:05when it featured a bus bound for Dartford, to the south,

1:20:05 > 1:20:07seen taking the tunnel north,

1:20:07 > 1:20:10even though southbound traffic takes the bridge?

1:20:10 > 1:20:13There hasn't been a southbound tunnel at Dartford since 1991.

1:20:13 > 1:20:15From that point on, I felt it impossible

1:20:15 > 1:20:18to believe in the enchanted chosen one of Hogwarts.

1:20:18 > 1:20:19I'm not an idiot.

1:20:19 > 1:20:23Precious Haystacks of Bumley says this.

1:20:23 > 1:20:25In the so-called King's Speech,

1:20:25 > 1:20:30the eponymous King's eponymous speech is enjoyed live

1:20:30 > 1:20:35by a group of factory workers. It was broadcast at six pm on a Sunday,

1:20:35 > 1:20:39so the only factory operating at such a time in a Christian country like Great Britain

1:20:39 > 1:20:42would have been one run by Satan.

1:20:42 > 1:20:47Am I to believe that our King would broadcast to the minions of hell?

1:20:47 > 1:20:48I'm not an idiot.

1:20:48 > 1:20:52Wing Commander Flava Tebbit is exercised by the shape of melted sand.

1:20:52 > 1:20:56As someone who only watches films for the glassware in them,

1:20:56 > 1:21:00I was enraged by the John Lennon biopic Nowhere Boy,

1:21:00 > 1:21:04in which the Beatle-to-be is seen drinking from a nonic pint glass,

1:21:04 > 1:21:09a type not invented until nearly three years after the scene was set.

1:21:09 > 1:21:14I'm not a man given to tears, but I cried for nearly a fortnight,

1:21:14 > 1:21:16and am now taking medicine.

1:21:16 > 1:21:18I'm not an idiot.

1:21:18 > 1:21:20I'm glad to hear it, Wing Commander.

1:21:20 > 1:21:22A Mr Puff Diddy Hamilton of Underdunderden says...

1:21:22 > 1:21:26I'm known for my sense of humour, and have laughed twice,

1:21:26 > 1:21:28but I failed to see the joke in Drive Angry,

1:21:28 > 1:21:30when a hydrogen truck is shown

1:21:30 > 1:21:34labelled with a hazardous material placard bearing the number 1075.

1:21:34 > 1:21:381075, as any film buff knows, is the UN number for propane.

1:21:38 > 1:21:40Hydrogen is in the range 1048-1053,

1:21:40 > 1:21:44and I shall be returning the director's pretty young wife

1:21:44 > 1:21:46to him piece by piece until this is corrected.

1:21:46 > 1:21:48I'm not an idiot.

1:21:48 > 1:21:52Blind Lemon Palmer-Tomkinson of Walton-on-Toast is even more forthright.

1:21:52 > 1:21:56In the Kate Hudson film A Little Bit Of Heaven,

1:21:56 > 1:21:59one of the characters calls a radio station to enter a competition.

1:21:59 > 1:22:04My enjoyment was quite ruined by the absence of a squeal of feedback,

1:22:04 > 1:22:05such as would have been heard.

1:22:05 > 1:22:10- Hello?- 'Who is this?' - Marley Corbett. Did I win?

1:22:10 > 1:22:14I'm sure plenty of people would have liked to hear a howl of interference

1:22:14 > 1:22:19and painful high-pitched whistling in this otherwise rather quiet film.

1:22:19 > 1:22:20I'm not an idiot.

1:22:20 > 1:22:24Pontius Bon Jovi of Gloveswold has a bee in his ointment

1:22:24 > 1:22:27about the Anne Hathaway film Love And Other Drugs.

1:22:27 > 1:22:31Jake Gyllenhaaaal's character is seen to be using an iMac

1:22:31 > 1:22:35attached to an Apple Pro Mouse in what's supposed to be 1996.

1:22:35 > 1:22:38But the Pro wasn't available until 2000.

1:22:38 > 1:22:43To my disappointment, this time-travelling subplot wasn't picked up on anywhere in the film.

1:22:43 > 1:22:45Perhaps the makers were worried that

1:22:45 > 1:22:49if Jake Gyllenhaaaal were able to travel four years into the future,

1:22:49 > 1:22:51it would ruin the will-they, won't-they romance.

1:22:51 > 1:22:54I was sick in my mouth and someone else's and went home.

1:22:54 > 1:22:55I'm not an idiot.

1:22:55 > 1:22:58But it's not all bad news.

1:22:58 > 1:23:01This letter is from Seven Zark Mountbatten of The Isle Of Teeth.

1:23:01 > 1:23:04I usually enjoy the films of Angelina Jolie,

1:23:04 > 1:23:06who is a beautiful and striking woman.

1:23:06 > 1:23:10But in Salt, her character's name was Chenkov, a Russian male surname.

1:23:10 > 1:23:13The female version would, of course, be Chenkova.

1:23:13 > 1:23:15As a result of this error, I have become homosexual,

1:23:15 > 1:23:18a consequence both unexpected and fabulous.

1:23:18 > 1:23:19I'm not an idiot.

1:23:19 > 1:23:22A satisfied customer? Good night.

1:23:27 > 1:23:30For a shoot to be successful, the whole team,

1:23:30 > 1:23:33including those behind the camera, have to be at the top of their game.

1:23:33 > 1:23:37Every member of the crew has a vital part to play, and must never lose concentration.

1:23:37 > 1:23:40For example, if the focus puller loses focus,

1:23:40 > 1:23:44then there will be a loss of focus because the focus puller lost focus.

1:23:44 > 1:23:46That's not a great example, but you know what I mean.

1:23:46 > 1:23:50Everyone has an important job to do, from the soundman to the editor,

1:23:50 > 1:23:54right down to the runner who brings the star his coffee.

1:23:54 > 1:23:59Argh! What the hell?! I asked for a soy latte with an extra shot!

1:23:59 > 1:24:02That didn't have an extra shot! What the hell were you thinking?

1:24:02 > 1:24:03Sorry.

1:24:03 > 1:24:06Here are some absolute clangers that happened purely because

1:24:06 > 1:24:09the crew weren't paying enough attention.

1:24:09 > 1:24:12Standing there crying isn't going to bring me the right coffee, is it?

1:24:12 > 1:24:13Boo hoo hoo!

1:24:13 > 1:24:15Get him out of here.

1:24:18 > 1:24:20Relentless action in The Tourist,

1:24:20 > 1:24:24where Angelina, in France, imaginatively orders a croissant.

1:24:31 > 1:24:35But, zut alors! She's actually been brought a pain au chocolat.

1:24:36 > 1:24:40Look how angry she is! She's set fire to her menu!

1:24:42 > 1:24:44Over in Venice now

1:24:44 > 1:24:47and a handcuffed Johnny Depp is determined to earn his title

1:24:47 > 1:24:48as The Tourist.

1:24:50 > 1:24:53Look, he's going water skiing.

1:24:53 > 1:24:54Rubbish, isn't he?

1:24:54 > 1:24:58Oh, well, he's still handcuffed, so that'll restrict him.

1:25:00 > 1:25:03Ah, apparently not.

1:25:03 > 1:25:08He's pulling himself along quite easily there as if he's not handcuffed at all.

1:25:08 > 1:25:11And if that's not enough, look!

1:25:13 > 1:25:17There's a camera operator in the boat, too.

1:25:17 > 1:25:19Phew, what a holiday this is turning out to be!

1:25:21 > 1:25:26In Venice, they have taxi boats! Look, here's the taxi sign.

1:25:27 > 1:25:31And as if having to get used to a boat that's also a taxi's not enough,

1:25:31 > 1:25:34this taxi boat confuses us even more

1:25:34 > 1:25:38by continuing to lose and then gain its taxi sign.

1:25:39 > 1:25:41Here it's just a boat.

1:25:43 > 1:25:45Now it's a taxi again.

1:25:45 > 1:25:46Taxi for the editor?

1:25:46 > 1:25:48I think so.

1:25:48 > 1:25:50Agent Denise, Clifton Ward.

1:25:52 > 1:25:56- You guys want anything? - Pretzels, all right?- Yeah.

1:25:56 > 1:25:58It's the ice hockey!

1:25:58 > 1:26:01But sadly, as this is The Dilemma,

1:26:01 > 1:26:05we have to watch Vince Vaughan confront Winona Ryder about an alleged affair.

1:26:05 > 1:26:06Boring!

1:26:06 > 1:26:08Hey.

1:26:09 > 1:26:12Well, at least the game's on the tellies, there.

1:26:12 > 1:26:15But look closely and you see that the Chicago Blackhawks

1:26:15 > 1:26:19are in different kit to the live game they were just playing.

1:26:19 > 1:26:20What the puck?!

1:26:24 > 1:26:29Vince Vaughan is back home empty handed. See? Nothing in his hands.

1:26:29 > 1:26:32But his friends and family have arranged an intervention.

1:26:32 > 1:26:35I guess we can start.

1:26:35 > 1:26:37Ronnie, why don't you come join us?

1:26:37 > 1:26:39They think he has a drink problem. Maybe they have a point.

1:26:39 > 1:26:43Your family and friends are here because they love you, Ronald,

1:26:43 > 1:26:46and they can't stand to see you destroy yourself any more.

1:26:46 > 1:26:50Look! Next time we see his hands, a brown paper bag has appeared.

1:26:50 > 1:26:53I bet it's full of booze.

1:26:56 > 1:26:58It's violent crime flick Blitz,

1:26:58 > 1:27:00and Jason Statham finds it hilarious

1:27:00 > 1:27:03that the beer in his glass keeps changing levels.

1:27:08 > 1:27:12Stop laughing, Jason, it's not big and it's not clever.

1:27:12 > 1:27:15Though, I'd never say that to his face.

1:27:17 > 1:27:19- Yes.- Shouldn't we promote one of our own?

1:27:19 > 1:27:23Read all about it! Time travelling tabloid appears in the movie Blitz.

1:27:23 > 1:27:25Superintendent Brown holds up a paper

1:27:25 > 1:27:28where it's announced that a second cop has been shot.

1:27:28 > 1:27:32Only a second cop hasn't been shot yet.

1:27:32 > 1:27:37But when he is, look, the chief is reading the same paper.

1:27:37 > 1:27:39What a scoop!

1:27:42 > 1:27:44I wanted to say really quick that...

1:27:44 > 1:27:46Sure-fire comedy hit Bridesmaids,

1:27:46 > 1:27:49and Annie's tipsy and making a toast. That's never good.

1:27:49 > 1:27:52I'd get confused and speak into the champagne flute

1:27:52 > 1:27:54while taking sips from the microphone.

1:27:54 > 1:27:57..helped shape who I am. I just want to thank you.

1:27:57 > 1:28:01Oh, it seems Annie was having the same thought. They've swapped over.

1:28:03 > 1:28:07- All right, let's see what's next. Another one.- Yeah.

1:28:07 > 1:28:09I know who this is from.

1:28:09 > 1:28:11Take a look at Megan's right hand.

1:28:11 > 1:28:15The poor little treasure's been injured all film.

1:28:15 > 1:28:17She should never have to work again.

1:28:17 > 1:28:19Very good time in high school.

1:28:19 > 1:28:23Hold on, the support's on her left hand now. She's not injured at all.

1:28:23 > 1:28:25Benefit cheat!

1:28:25 > 1:28:27Burn her!

1:28:29 > 1:28:31Sure, horror movies are scary,

1:28:31 > 1:28:34but are they scarier than things that happen in real life?

1:28:34 > 1:28:37I've yet to see anything in a film that makes me jump more than

1:28:37 > 1:28:40when you wake up and find you've slept through an alarm.

1:28:40 > 1:28:43Sure, bad things happen to people in the Saw films,

1:28:43 > 1:28:47but nothing as bad as accidentally calling your girlfriend by your ex-girlfriend's name.

1:28:47 > 1:28:50Now that is terrifying. I love watching horror films,

1:28:50 > 1:28:52but the atmosphere's got to be just right.

1:28:52 > 1:28:55What I do is I light some candles and place them around the room

1:28:55 > 1:28:59then put on some scary music before it starts, to get in the mood.

1:28:59 > 1:29:03I pull the duvet over my head and then I'm thrown out the cinema.

1:29:05 > 1:29:09It's the flat and pointless remake of I Spit On Your Grave.

1:29:09 > 1:29:13Watch this video tape because it keeps changing position.

1:29:15 > 1:29:16To my what?

1:29:16 > 1:29:20This scene reminds me of my dad trying to work the video.

1:29:20 > 1:29:25- Dad, you've put it the wrong way round.- What's on the tape?

1:29:25 > 1:29:28- Is this some kind of- BLEEP- up joke? I'll smash the damn thing myself.

1:29:28 > 1:29:30Dad, not that way either.

1:29:30 > 1:29:35Any second, I expect this film to be wiped over with the snooker.

1:29:35 > 1:29:37This is a shot he plays well.

1:29:41 > 1:29:46Case 39 creates a self of menace and unease right from the start.

1:29:46 > 1:29:50Don't believe me? Look at Renee Zellweger's car window.

1:29:50 > 1:29:52First it's down.

1:29:52 > 1:29:54Then it's up.

1:29:54 > 1:29:57What malevolent force could be at work here?

1:29:57 > 1:30:01The force of not paying attention, I wager. Hmm?

1:30:04 > 1:30:09Another cock-up from case 39. Watch the knife as she takes it out.

1:30:11 > 1:30:14In a second shot, it's much bigger.

1:30:16 > 1:30:18Watch again.

1:30:18 > 1:30:20Little knife...

1:30:21 > 1:30:23Big knife!

1:30:23 > 1:30:27Maybe when she first took it out it was just a bit cold.

1:30:29 > 1:30:34Final clip from Case 39, and here we see a shape-shifting house.

1:30:34 > 1:30:36Take a look at the corridor to her left.

1:30:42 > 1:30:43Now it's a door.

1:30:45 > 1:30:48And now the door is open.

1:30:50 > 1:30:54I don't know whether to call an exorcist or Colin and Justin.

1:30:56 > 1:30:58Honey, where are you?

1:30:58 > 1:31:00Low-budget and low-rent Insidious now,

1:31:00 > 1:31:04starring a rather casual Patrick Wilson with his shirt open.

1:31:05 > 1:31:08Something's wrong. Quick, Patrick! Quicker!

1:31:08 > 1:31:11BOY SCREAMS

1:31:11 > 1:31:14Oh, you're finally here. Where have you been?

1:31:14 > 1:31:16Oh, busy putting a tie on,

1:31:16 > 1:31:19to look all smart for your distressed hysterical son.

1:31:19 > 1:31:21- How thoughtful.- Are you OK?

1:31:23 > 1:31:28And now, Patrick's investigating the ghostly noise outside.

1:31:28 > 1:31:32But, the porch lightbulb's just gone. Nightmare!

1:31:34 > 1:31:37Well, maybe the ghost will change it.

1:31:37 > 1:31:39Oh, he did!

1:31:39 > 1:31:43I don't trust ghosts, you can see right through them.

1:31:45 > 1:31:49Things are getting really scary in Insidious now.

1:31:49 > 1:31:52Patrick's approaching the red door.

1:31:52 > 1:31:55Look at all that smoke. Where's it all coming from?

1:31:58 > 1:32:01Oh, the smoke machine in the corner.

1:32:03 > 1:32:05This next section is about anachronisms,

1:32:05 > 1:32:07which is when a thing is historically out of place.

1:32:07 > 1:32:09Like a computer in Robin Hood

1:32:09 > 1:32:12or a mobile phone in The Importance Of Being Earnest,

1:32:12 > 1:32:17or those trainers on a cameraman who lives in the year 2011!

1:32:17 > 1:32:19Don't look like that, Paul, I'm just joking.

1:32:19 > 1:32:22I'm only joking, mate, come on! Don't be like that.

1:32:22 > 1:32:24Look at the good times we've had.

1:32:26 > 1:32:30Look at this block of flats in the powerful true-life flick

1:32:30 > 1:32:31Made In Dagenham.

1:32:31 > 1:32:36It's 1968, but someone's so far ahead of their time,

1:32:36 > 1:32:38they've already got a satellite dish

1:32:38 > 1:32:42and can watch reruns of programmes that haven't yet been made.

1:32:44 > 1:32:48Here's a Ronnie Barker look-alike, denying that his factory workers

1:32:48 > 1:32:51are members of a troublesome political group.

1:32:51 > 1:32:53Do you know what we're dealing with?

1:32:53 > 1:32:56Socialist Workers' Party, Workers' Revolutionary Party,

1:32:56 > 1:32:59- Revolutionary Communist- BLEEP- Party.

1:32:59 > 1:33:02- Who's she with?- We don't actually think she's with anyone, sir.

1:33:02 > 1:33:05We actually don't think she's a Communist.

1:33:05 > 1:33:09But of course she isn't. None of these groups existed in the '60s.

1:33:12 > 1:33:14I need a good trainer...

1:33:14 > 1:33:16Secretariat is a plodding film,

1:33:16 > 1:33:20but this old chap's getting down with the kids by showing off

1:33:20 > 1:33:23his knowledge of 1972 hit movie Super Fly.

1:33:23 > 1:33:28He's a French Canadian, dresses like Super Fly.

1:33:28 > 1:33:33A shame that this film's set in 1969. Not so hip, Daddy-o.

1:33:36 > 1:33:38It's inspirational '80s movie The Fighter,

1:33:38 > 1:33:43where Marky Mark's funky bunch is swapped for some squabbling ladies.

1:33:43 > 1:33:47But ignore them and look at the 2011 vehicle inspection sticker

1:33:47 > 1:33:50in his buddy's car windscreen.

1:33:50 > 1:33:52Trying to reverse away isn't going to help.

1:33:56 > 1:33:59In '60s heart-warmer That's What I Am,

1:33:59 > 1:34:02young Andy plays a drum kit with Sabian cymbals.

1:34:02 > 1:34:07But Sabian didn't begin manufacturing cymbals until 1981.

1:34:07 > 1:34:10That was certainly interesting.

1:34:10 > 1:34:12Well, no, it certainly wasn't.

1:34:16 > 1:34:19The bleak and frightening The Killer Inside Me,

1:34:19 > 1:34:23and Casey Affleck's rummaging about in a lady's drawers.

1:34:23 > 1:34:26Sheriff's office, ma'am, what are you doing with it?

1:34:26 > 1:34:28I have a permit.

1:34:28 > 1:34:31Apparently looking for a gun permit.

1:34:31 > 1:34:34Something that's not needed to own a gun in Texas.

1:34:34 > 1:34:36Satisfied, copper?

1:34:36 > 1:34:41Hmm, a likely story. I think he just wants to fondle her pants.

1:34:41 > 1:34:42I reckon it's all right.

1:34:48 > 1:34:52- Now Casey's giving us his life story.- I was born here 29 years ago.

1:34:52 > 1:34:55Central City was small enough...

1:34:55 > 1:35:00But look, here's a modern USPS truck reflected in the window.

1:35:00 > 1:35:02Born ruddy yesterday, more like.

1:35:04 > 1:35:07These days, the world of animation can produce miraculous characters

1:35:07 > 1:35:10that are out of this world. But don't just believe me.

1:35:10 > 1:35:14Why don't we ask my animated sidekick? It's Squigaloo Squirrel.

1:35:15 > 1:35:17Hello there, Squigaloo!

1:35:18 > 1:35:22Oh, Squigaloo, you do say the silliest things.

1:35:22 > 1:35:24HE LAUGHS

1:35:24 > 1:35:26No, you are, Squigaloo.

1:35:26 > 1:35:30Now, introduce the next set of clips for the ladies and gentlemen,

1:35:30 > 1:35:32featuring bloopers in animated movies.

1:35:36 > 1:35:39Great. So we're going to put the squirrel on after, yeah?

1:35:39 > 1:35:42Otherwise, that's just me talking to a brick.

1:35:42 > 1:35:43I might look a ninny.

1:35:44 > 1:35:46OK.

1:35:46 > 1:35:48Well, I'll trust you this time.

1:35:54 > 1:35:55Wild West fun now.

1:35:57 > 1:36:00When Rango drops his bullets, we see him reloading them

1:36:00 > 1:36:04on the right side of his gun.

1:36:04 > 1:36:09- However, the chamber is hanging on the left side.- Just a second.

1:36:12 > 1:36:16Later on in the same scene, chameleons may be good at changing,

1:36:16 > 1:36:18but some things shouldn't change.

1:36:18 > 1:36:20Like here...

1:36:20 > 1:36:23where the hawk is completely flattened to the ground...

1:36:27 > 1:36:30..And now his feet poke up when they shouldn't be there.

1:36:32 > 1:36:36More Rango, and this car crash has a traumatic effect

1:36:36 > 1:36:38on the doll he shares a tank with.

1:36:38 > 1:36:40Here she has a right arm.

1:36:47 > 1:36:49But after this crash, it's now a left arm.

1:36:51 > 1:36:55At the end of the day, I suppose it's just an "armless" bit of fun.

1:36:59 > 1:37:02Some pig ignorance from the animators of Shrek.

1:37:02 > 1:37:07Yes, he's back and he seems to be over the moon to be scaring everyone again.

1:37:08 > 1:37:11Look how he scares those pigs.

1:37:11 > 1:37:14He must have really scared them because as we zoom out,

1:37:14 > 1:37:16they're nowhere to be seen.

1:37:21 > 1:37:23Another Shrek mistake.

1:37:23 > 1:37:27Yes, indeed, keep your eye on the letter F on the hanky

1:37:27 > 1:37:28that Shrek picks up.

1:37:33 > 1:37:35One minute it's there...

1:37:37 > 1:37:41..then it's over there on completely the other side.

1:37:41 > 1:37:43Get it right, for F's sake.

1:37:45 > 1:37:48Disney's back on form now, even if the film-makers

1:37:48 > 1:37:52get just as tangled as their characters in Tangled.

1:37:52 > 1:37:55Flynn Ryder struggles onto his side as he's tied to the chair.

1:37:55 > 1:37:56No can do.

1:37:59 > 1:38:03However, next time he's pulled into shot, he's on his back again.

1:38:03 > 1:38:06- Hairy stuff, I think you'll agree.- A horse?

1:38:08 > 1:38:11Zoology now, and here's the colourful Rio,

1:38:11 > 1:38:13a film all about a macaw called Blu.

1:38:15 > 1:38:17The perfect marshmallow-to-cocoa ratio.

1:38:17 > 1:38:21But to macaws, cocoa is toxic.

1:38:21 > 1:38:22Lucky this is an animation

1:38:22 > 1:38:26or we really would've seen death by chocolate.

1:38:29 > 1:38:31- Did it, boys.- We did it!

1:38:31 > 1:38:35It takes one animator an entire week to do just four seconds of footage.

1:38:35 > 1:38:39But when they animate the flaps on this plane going down,

1:38:39 > 1:38:42rather than up, which would've sent the plane careering to the ground,

1:38:42 > 1:38:46you wonder whether that particular week was well spent.

1:38:50 > 1:38:54Classy sequel Toy Story 3, where Barbie removes two screws

1:38:54 > 1:38:57that hold Buzz Lightyear's back compartment.

1:38:57 > 1:38:58..show you no mercy.

1:39:00 > 1:39:01Why's it not working?

1:39:01 > 1:39:05However, at no point do they re-screw the compartment closed.

1:39:05 > 1:39:07It just stays shut for the rest of the movie.

1:39:07 > 1:39:08IN SPANISH:

1:39:08 > 1:39:11No wonder he's acting like he's got a screw loose.

1:39:19 > 1:39:22Toy Story 3 begins with Mr Potato Head having only one eye

1:39:22 > 1:39:26so that Andy can pretend he's wearing an eye patch.

1:39:28 > 1:39:31But keep your eyes peeled on Mr Potato's eyes,

1:39:31 > 1:39:36because when Andy's "mom" films him, he's suddenly regained it.

1:39:36 > 1:39:38Peeled, you get it? Like peeling a potato?

1:39:38 > 1:39:40Right, please yourselves.

1:39:42 > 1:39:46More films are made about cars than any other mode of transport.

1:39:46 > 1:39:49I used to love cars so much that I'd ever only watch

1:39:49 > 1:39:51the final third of Planes, Trains And Automobiles.

1:39:51 > 1:39:54But these days, I'm much more environmentally minded

1:39:54 > 1:39:56and I think Hollywood should follow suit.

1:39:56 > 1:39:59In The Italian Job, instead of Mini Coopers,

1:39:59 > 1:40:00they should have foldaway bikes.

1:40:00 > 1:40:03And I want to see The Fast And The Furious on Segways.

1:40:03 > 1:40:06That said, would Ryan Gosling have looked as cool if,

1:40:06 > 1:40:10instead of Drive, the film had been called Walk?

1:40:14 > 1:40:19Insightful teen fun in Easy A, and Todd is driving Olive home.

1:40:19 > 1:40:21But when we catch a glimpse of the speedometer,

1:40:21 > 1:40:25we see that they're travelling at 0mph.

1:40:25 > 1:40:28Something must be wrong with your car, mate.

1:40:28 > 1:40:31Easy A? Better call the Easy AA, hmm?! Huh?!

1:40:33 > 1:40:37In the straightforward Just Go With It, Jennifer Aniston

1:40:37 > 1:40:40perfectly parks, silencing any chauvinists.

1:40:40 > 1:40:42D'oh. Wait a minute.

1:40:42 > 1:40:43What is that?

1:40:43 > 1:40:47Turns out she's gone all over the lines. Birds, eh?

1:40:47 > 1:40:48What?

1:40:50 > 1:40:53The slow but thoughtful Rabbit Hole now,

1:40:53 > 1:40:55and Nicole's not wearing a seatbelt.

1:40:55 > 1:40:58- I don't want to move. - I don't want another baby.

1:40:58 > 1:41:00CAR HORN BLARES

1:41:00 > 1:41:04Luckily, a seatbelt appeared just in the nick of time.

1:41:04 > 1:41:06A clunk-click clunker.

1:41:06 > 1:41:09- What're you doing? - I just had to check the cake.

1:41:12 > 1:41:15Matthew McConaughey's such a successful lawyer

1:41:15 > 1:41:17in the thrilling drama The Lincoln lawyer,

1:41:17 > 1:41:23that he's got a number plate that says NT GUILTY on it. Classy!

1:41:23 > 1:41:27But in California, a licence plate can only have seven letters on it.

1:41:27 > 1:41:29And NT GUILTY has eight.

1:41:29 > 1:41:34Which makes it an illegal number plate, and very guilty indeed.

1:41:34 > 1:41:36Oh, the irony!

1:41:38 > 1:41:41He also has a chauffeur, which seems a bit poncey.

1:41:41 > 1:41:44Surely he could drive himself?

1:41:44 > 1:41:46Actually, the car can drive itself.

1:41:49 > 1:41:52Yep, it was moving before he'd even started it.

1:41:57 > 1:41:59Maybe his car is a distant cousin of Herbie.

1:42:01 > 1:42:07When I heard that the downbeat drama Winter's Bone was a bit backward,

1:42:07 > 1:42:11I thought that meant it was full of uneducated hillbilly types.

1:42:11 > 1:42:13But no, it actually means it's backward,

1:42:13 > 1:42:17as the reverse shot of this pick-up proves.

1:42:17 > 1:42:19Warning - this vehicle is literally reversing.

1:42:19 > 1:42:22Make sure your daddy knows the gravity of this deal.

1:42:26 > 1:42:29In the unflinching crime movie, The Town,

1:42:29 > 1:42:31the bank robbers are forced to drive around the block

1:42:31 > 1:42:34as they wait for their plan to fall into place.

1:42:37 > 1:42:40But the second time they drive up the same road,

1:42:40 > 1:42:43all of the parked cars are different.

1:42:43 > 1:42:46How long did it take them to drive around the block?

1:42:46 > 1:42:49Mind you, you know how bad traffic can get in Town.

1:42:51 > 1:42:55And now, more movie storyline flaws are reviewed and laid bare in...

1:42:57 > 1:42:59In the hard-edged, pacy sci-fi thriller, District 9,

1:42:59 > 1:43:03crashed ali-ons are stranded in Johannesburg and are forced

1:43:03 > 1:43:05to live as second-class citizens in a ghetto

1:43:05 > 1:43:09policed by a big corporation and Nigerian gangsters who sell them cat food

1:43:09 > 1:43:12What everyone wants is the ali-ons' incredible superguns

1:43:12 > 1:43:14that can fire pigs and that.

1:43:14 > 1:43:17Hang on, incredible superguns?

1:43:17 > 1:43:21Red alert, those with massively superior weaponry

1:43:21 > 1:43:23don't tend to stay second-class citizens

1:43:23 > 1:43:28for much longer than it takes them to get their massively superior weaponry out.

1:43:28 > 1:43:31Tell you what, I'm getting a bit fed up with being oppressed.

1:43:31 > 1:43:36Too right, I mean there's only so much of this us ali-ons can take.

1:43:36 > 1:43:39You know, after 28 years of relentless abuse

1:43:39 > 1:43:40and slum-dwelling,

1:43:40 > 1:43:43I'm almost tempted to get the incredible superguns

1:43:43 > 1:43:48that only us ali-ons can use, and show these humans who's boss.

1:43:52 > 1:43:54On the other hand, cat food...

1:43:54 > 1:43:59Yup, yup, the cat food is nice and even with our ali-on ability

1:43:59 > 1:44:02to build superior weaponry and gigantic spacecraft

1:44:02 > 1:44:04that can hover powerlessly in the sky for decades,

1:44:04 > 1:44:08there's no guarantee that we'd be any good at making cat food.

1:44:08 > 1:44:11Yes, might as well sit tight and wait for the white man

1:44:11 > 1:44:14with the pretty arm to help us.

1:44:14 > 1:44:15Yeah.

1:44:16 > 1:44:18More Whiskas?

1:44:21 > 1:44:24Technology plays an increasingly vital role in the movies.

1:44:24 > 1:44:27Without mobile phones there'd be no Matrix,

1:44:27 > 1:44:29without computers there'd be no Tron

1:44:29 > 1:44:33and without the internet I wouldn't have illegally downloaded either of those.

1:44:33 > 1:44:36That's a joke, I don't approve of law-breaking!

1:44:36 > 1:44:39Phone, fax, Facebook, Google Plus, Twitter, iPhone, Blackberry,

1:44:39 > 1:44:40email, instant messenger -

1:44:40 > 1:44:45it's great to have so many different ways to find out that no-one wants to talk to you.

1:44:45 > 1:44:47Despite there being a whole film about Facebook,

1:44:47 > 1:44:50you don't see a lot of social networking sites in movies.

1:44:50 > 1:44:52Harry is now 'friends' with Sally.

1:44:52 > 1:44:55Mr and Mrs Smith went from 'married' to 'it's complicated'.

1:44:55 > 1:44:57I suppose it's lucky really.

1:44:57 > 1:45:02You don't want all your friends finding out you've been poked by Charlie Sheen.

1:45:04 > 1:45:08A clip from Buried - the taut thriller about a man

1:45:08 > 1:45:11buried alive with nothing but a mobile phone.

1:45:11 > 1:45:16The scariest part is that he doesn't even know how to use his mobile...

1:45:16 > 1:45:19See? It's upside down!

1:45:19 > 1:45:21It's clearly been turning in his grave.

1:45:27 > 1:45:32In sombre movie Hereafter, Marcus watches some YouTube clips.

1:45:32 > 1:45:36But see the information under the person talking?

1:45:36 > 1:45:38When he clicks on the second clip,

1:45:38 > 1:45:41it has the exact same amount of views and information!

1:45:42 > 1:45:47Perhaps it took 259,042 takes to do the scene?

1:45:47 > 1:45:50If you believe in Christ you have nothing to fear.

1:45:53 > 1:45:57Now the misfire that is Gulliver's Travels.

1:45:57 > 1:46:01No signal, but I got 12 messages - Mr Popularity!

1:46:01 > 1:46:05No signal? But you can't check messages without a signal.

1:46:05 > 1:46:09I wonder if Jonathan Swift knew he'd made a massive error

1:46:09 > 1:46:11when he wrote this in 1726?

1:46:15 > 1:46:17Now it's the highly implausible film Unknown.

1:46:17 > 1:46:19MOBILE BEEPS

1:46:19 > 1:46:23In this clip, Liam Neeson gets a text from 2010,

1:46:23 > 1:46:26even though the film is set in 2011.

1:46:26 > 1:46:30I'd change your service provider if I were you, Liam.

1:46:32 > 1:46:34Still on Unknown

1:46:34 > 1:46:38and now Liam's wife is trying to get into a password-protected file.

1:46:38 > 1:46:42She's figured out the password, clever lady,

1:46:42 > 1:46:45but if she'd looked a little harder she'd have seen

1:46:45 > 1:46:48that the password's accepted before she's typed it in!

1:46:48 > 1:46:51I'm personally not going to accept this error...

1:46:53 > 1:46:54Oh, go on then.

1:46:56 > 1:46:58Creaky suspense from Scream 4

1:46:58 > 1:47:01where Neve Campbell is clearly told by Hayden Panettiere

1:47:01 > 1:47:04that the landline's down and someone's smashed the router.

1:47:04 > 1:47:08I tried to call 911 but the landline's dead and someone's smashed the router.

1:47:08 > 1:47:10- I think I got through on my cell. - OK, where's Jill?

1:47:12 > 1:47:14However, a bit later on,

1:47:14 > 1:47:18when she whips out her phone, we see that the WiFi signal is on.

1:47:18 > 1:47:22Perhaps someone was WiFired for that blunder?

1:47:22 > 1:47:24Tell Sydney heads are going to roll tonight!

1:47:26 > 1:47:29The laws of time are disregarded

1:47:29 > 1:47:32in the high-octane but routine Unstoppable.

1:47:32 > 1:47:37Here, Chris Pine has a picture of his beautiful wife on his phone.

1:47:37 > 1:47:39Debt of gratitude, blah, blah, blah

1:47:39 > 1:47:42But at the press conference at the end of the film,

1:47:42 > 1:47:46we see a shot of his beautiful wife that's exactly the same picture.

1:47:46 > 1:47:49See? Unstoppable? That's unacceptable.

1:47:51 > 1:47:55Films get better with age, like so many things.

1:47:55 > 1:47:57Wine, cheese, a good lover -

1:47:57 > 1:47:59or at least that's what I tell my girlfriend.

1:47:59 > 1:48:03She's 78 and needs a lot of confidence boosting,

1:48:03 > 1:48:05so here are some slightly older clips

1:48:05 > 1:48:07that we may have missed in the first two shows.

1:48:07 > 1:48:09STATIC AND CLATTERING

1:48:09 > 1:48:12Oh! She's had another fall. Excuse me!

1:48:14 > 1:48:17Lovable musical Grease now,

1:48:17 > 1:48:20and Vi demonstrates early voice control technology

1:48:20 > 1:48:23as all it takes is for her to do a low grunt...

1:48:23 > 1:48:26and the light goes out.

1:48:26 > 1:48:29She certainly didn't flick the switch - look...

1:48:31 > 1:48:34..her elbow is a good few inches away.

1:48:34 > 1:48:35How's it done, Vi?

1:48:35 > 1:48:37Enlighten us!

1:48:39 > 1:48:43THEY ALL SING "SUMMER NIGHTS"

1:48:43 > 1:48:46Ah, those crazy school days, when everyone could perform

1:48:46 > 1:48:49a flawless, impromptu song-and-dance number!

1:48:49 > 1:48:51Best years of my life!

1:48:51 > 1:48:56Though Rizzo goes and ruins it by putting on some cool shades...

1:48:56 > 1:48:58that instantly come off.

1:49:00 > 1:49:03But it takes our eye off Travolta readjusting his tight trousers...

1:49:05 > 1:49:07Oh, back on again.

1:49:07 > 1:49:09Good diversion, Rizzo!

1:49:12 > 1:49:16The colourful, camp classic The Wizard of Oz

1:49:16 > 1:49:20and Dorothy's down the Yellow Brick Road in her iconic red shoes.

1:49:20 > 1:49:21But she's a bit peckish...

1:49:21 > 1:49:24The tree doesn't like this.

1:49:24 > 1:49:28- Well, how would you like someone come and pinch something off of you?- Oh, dear!

1:49:28 > 1:49:31Well- we find out, as someone's had it away with Dorothy's lovely shoes

1:49:31 > 1:49:35and replaced them with dreary old dance shoes.

1:49:35 > 1:49:36Look!

1:49:40 > 1:49:44Hooray! I guess that did it. Help yourself.

1:49:46 > 1:49:49Now as Dorothy chases the Tin Man,

1:49:49 > 1:49:53see how the very important can of oil falls out of her basket.

1:49:57 > 1:49:59Here it is!

1:50:01 > 1:50:03Luckily with oil prices as they are,

1:50:03 > 1:50:07it reappears intact so Tin Man can sort out his arthritic joints.

1:50:07 > 1:50:09That was wonderful.

1:50:09 > 1:50:11Well, OIL be damned!

1:50:14 > 1:50:17The original and best Superman movie now,

1:50:17 > 1:50:23and while you may believe a man can fly, he can also walk through glass.

1:50:23 > 1:50:26Here, he's in a different door partition to Lois,

1:50:26 > 1:50:31but when they come out, they leave from the same partition.

1:50:31 > 1:50:33Also - rewind that...

1:50:37 > 1:50:39Yep, a clear reflection of the camera man.

1:50:41 > 1:50:44Now I'll believe a man can spy.

1:50:48 > 1:50:53Clark Kent is ever the polite gentleman, even when knocked out.

1:50:53 > 1:50:55Did you see that?

1:50:57 > 1:51:01See? He doffs his hat to his mugger as he runs away.

1:51:05 > 1:51:09The final word in romantic comedies is Pretty Woman,

1:51:09 > 1:51:13but I wish Julia Roberts would sort her manners out -

1:51:13 > 1:51:16look she's talking through a mouthful of croissant...

1:51:16 > 1:51:19How far did you go in school?

1:51:19 > 1:51:22Even more impolitely, she then changes it to a pancake!

1:51:24 > 1:51:25Your folks must be proud.

1:51:25 > 1:51:27And then takes a second bite out...

1:51:29 > 1:51:32..which goes back on the pancake afterwards.

1:51:32 > 1:51:34Disgraceful.

1:51:38 > 1:51:40Ah, the epic and magical Sound of Music,

1:51:40 > 1:51:43and look at the lovely scenery.

1:51:43 > 1:51:45On such a beautiful, clear and sunny day

1:51:45 > 1:51:48wouldn't you want to climb up an Alpine hillside,

1:51:48 > 1:51:52take a deep breath of fresh air and just sing your guts out?

1:51:53 > 1:51:56Come on, Julie, give us a burst!

1:51:56 > 1:51:59Oh, it's suddenly gone all dull and cloudy.

1:51:59 > 1:52:03I'd go back in, love. Film's over, everyone!

1:52:05 > 1:52:07Out of all last year's films,

1:52:07 > 1:52:09we think this next film had the moist mistakes.

1:52:09 > 1:52:11Did I say moist?

1:52:11 > 1:52:12Out of all of last year's films,

1:52:12 > 1:52:16we think this next mistake had the most mistakes...

1:52:16 > 1:52:20Out of all of last year's films, we think this nest film...

1:52:20 > 1:52:21Nest?

1:52:21 > 1:52:23Out of all the films,

1:52:23 > 1:52:28we think this next one had the most mistakes, of last year.

1:52:28 > 1:52:31Out of all of last year's mistakes, this was the most.

1:52:31 > 1:52:34Out of all of last year's films,

1:52:34 > 1:52:37we think this next film had the most mistakes YES!

1:52:37 > 1:52:38Sorry, without the yes.

1:52:40 > 1:52:43And the film we found the most mistakes in this year

1:52:43 > 1:52:45was the very underwhelming and disappointing

1:52:45 > 1:52:47The Green Hornet remake.

1:52:47 > 1:52:48Let's count them up!

1:52:48 > 1:52:50Good morning.

1:52:50 > 1:52:53Keep staring at the attractive lady lying in the bed,

1:52:53 > 1:52:56as one minute she's all covered up,

1:52:56 > 1:52:59then the duvet comes down and we see her bra!

1:52:59 > 1:53:01Then it goes up...

1:53:01 > 1:53:02and down

1:53:02 > 1:53:07and up and down for the rest of the scene.

1:53:07 > 1:53:09Of course, I watched this clip several times

1:53:09 > 1:53:11just to be sure of the mistake.

1:53:14 > 1:53:18Two mistakes for the price of one in this car chase.

1:53:18 > 1:53:22The offside headlight gets knocked out by The Hornet's car...

1:53:24 > 1:53:26Oh, no.

1:53:26 > 1:53:29..but as the car flips over, it's all fixed again!

1:53:31 > 1:53:34Then the car careers forwards,

1:53:34 > 1:53:36but slams through the window backwards.

1:53:36 > 1:53:40Proof indeed that two wrongs don't make a right...

1:53:40 > 1:53:42They make a right clanger.

1:53:42 > 1:53:44This is the greatest moment of my life.

1:53:46 > 1:53:47She's completely un-nailable.

1:53:47 > 1:53:49It's a terrible fact, I don't know what to do.

1:53:49 > 1:53:52In this clip, Kato drives very straight

1:53:52 > 1:53:56down a very straight road, but look how erratically he steers!

1:53:56 > 1:54:00This film's proving to have more gaffs than a dodgy council estate...

1:54:03 > 1:54:06And here's three more whoppers.

1:54:06 > 1:54:09Watch this weapon as it disappears quicker than director

1:54:09 > 1:54:11Michel Gondry's credibility.

1:54:12 > 1:54:14Ta-da!

1:54:20 > 1:54:24But now just watch Mr Beach Ball sat proudly on his chair.

1:54:24 > 1:54:27Ooh, now he's off...

1:54:27 > 1:54:31Maybe he's trying to escape from this movie, I wouldn't blame him.

1:54:31 > 1:54:33I mean, he may have a better offer.

1:54:33 > 1:54:36There's probably a volleyball tournament he could be starring in.

1:54:36 > 1:54:39That would be nice.

1:54:39 > 1:54:41Oh, no, now he's back.

1:54:41 > 1:54:44Mr Beach Ball, I'd have a word with your agent.

1:54:44 > 1:54:46You're better than this.

1:54:46 > 1:54:47Get off my property!

1:54:51 > 1:54:54In this scene, look at the tree in the background.

1:54:54 > 1:54:57What are you doing up here? All the guys are waiting.

1:54:57 > 1:55:02Popeye walks far past it... and now he's right next to it.

1:55:02 > 1:55:04Maybe Mr Tree's after more screen time?

1:55:04 > 1:55:06We'll never know.

1:55:08 > 1:55:09Last one.

1:55:09 > 1:55:12The gas mask is clearly on Chudnofsky's forehead

1:55:12 > 1:55:14as he fights Kato.

1:55:14 > 1:55:17..or be it your blood, red will be the last colour...

1:55:22 > 1:55:26Then, suddenly, it's entirely on his face...

1:55:27 > 1:55:30I'd keep it on if I were you.

1:55:30 > 1:55:33With nine solid goofs, this film's a bit of a stinker.

1:55:35 > 1:55:39Well, that's all the time we have left for Great Movie Mistakes Three.

1:55:39 > 1:55:42All that remains is for us to show you

1:55:42 > 1:55:44some of the mistakes that we've spotted in our own show.

1:55:44 > 1:55:45For example:

1:55:45 > 1:55:49Technology plays an increasingly vital role in the movies...

1:55:49 > 1:55:51'Did you notice that in this clip

1:55:51 > 1:55:54'there was a silver warrior robot in shot?'

1:55:57 > 1:56:00I always say the key to a successful double act...

1:56:00 > 1:56:02'This link looks fairly uneventful

1:56:02 > 1:56:04'but let's see that again.'

1:56:06 > 1:56:09I always say, the key to having a successful double act...

1:56:09 > 1:56:13'You can clearly see they've used a stunt Robert for this scene.'

1:56:13 > 1:56:16But the worst mistake of the show has to be

1:56:16 > 1:56:18forgetting to write a proper ending.

1:56:18 > 1:56:23So, um, bye, I guess.

1:56:23 > 1:56:24That's it.

1:56:24 > 1:56:28But stick around, there's probably some show about pregnant teens next.

1:56:46 > 1:56:49Subtitles by Red Bee Media

1:56:49 > 1:56:52Email subtitling@bbc.co.uk