0:00:10 > 0:00:13I mean, do what you like. I'm not your mum.
0:00:37 > 0:00:41Hello, and welcome to Movie Mistakes 2 - The Sequel.
0:00:41 > 0:00:43Like any sequel, we're bigger, louder,
0:00:43 > 0:00:47and most snobs are going to say, not as good as the first one.
0:00:47 > 0:00:50Well, that's not true, because our crack team of celluloid super-geeks
0:00:50 > 0:00:54have outdone themselves, by trawling this year's top movies,
0:00:54 > 0:00:56alongside some revered classics,
0:00:56 > 0:00:59to compile a brand-new collection of cinematic clunkers.
0:00:59 > 0:01:03Oh, and apparently, in order to compete with the latest movie fad,
0:01:03 > 0:01:07we've got to do something 3D, so please put on your 3D glasses now
0:01:07 > 0:01:10and prepare to get your mind blown.
0:01:10 > 0:01:11OK, ready?
0:01:11 > 0:01:13Whoo! Whoo! Oh! Whoo!
0:01:16 > 0:01:19There. Take that, Avatar.
0:01:19 > 0:01:23Now you can take your 3D glasses off, cos you look ridiculous. Oh.
0:01:23 > 0:01:25Right, let's get on with it.
0:01:25 > 0:01:27On tonight's show...
0:01:36 > 0:01:40It's always reassuring to see that even the rich and powerful Hollywood gods
0:01:40 > 0:01:42make mistakes, like us mere mortals.
0:01:42 > 0:01:47It's even more reassuring that they're on film, so we can point them out and laugh at them.
0:01:47 > 0:01:52Ha-ha! In your face, Hollywood! That said, if there are any powerful directors watching,
0:01:52 > 0:01:53I am available for work.
0:01:55 > 0:02:00The new Karate Kid, and here's Jaden Smith off to China
0:02:00 > 0:02:02on plane number B-2460.
0:02:07 > 0:02:11Only thing is, the plane that lands is B-2443.
0:02:11 > 0:02:14You may be the son of a superstar, Smith, but that's "plane" wrong.
0:02:14 > 0:02:16He-he! "Plane wrong"!
0:02:19 > 0:02:21The film is all about a young American boy
0:02:21 > 0:02:24learning the basics of martial arts - control,
0:02:24 > 0:02:27standing on one leg up a mountain,
0:02:27 > 0:02:29teasing deadly snakes.
0:02:29 > 0:02:32But can you spot this kung-fu clanger?
0:02:32 > 0:02:36Notice there are four bars on the outside of this window.
0:02:36 > 0:02:39Now wait for it...
0:02:39 > 0:02:40Ooh, here comes Jackie Chan.
0:02:40 > 0:02:43He's spotted the problem.
0:02:43 > 0:02:46Yep, on the inside, there are eight bars.
0:02:46 > 0:02:47Appalling.
0:02:50 > 0:02:52# ..Instead of daisies
0:02:52 > 0:02:54# I don't know, though
0:02:54 > 0:02:56# What do you think? #
0:02:56 > 0:03:00Now to the macabre musical, Sweeney Todd.
0:03:00 > 0:03:03Tim Burton is truly the master of atmosphere.
0:03:03 > 0:03:07Everything looks atmospheric...even that modern plastic water bottle.
0:03:07 > 0:03:11- Still, at least Johnny Depp isn't singing.- I'm sorry. Excuse me.
0:03:13 > 0:03:17- # She was beautiful... # - Ah, here's Johnny Depp singing.
0:03:17 > 0:03:19# Foolish barber and his wife
0:03:19 > 0:03:25# She was his reason and his life And she was beautiful... #
0:03:25 > 0:03:27But we're interested in this baby's bottom,
0:03:27 > 0:03:31because it's covered in a 21st-century disposable nappy.
0:03:31 > 0:03:33Now, that's a bum note.
0:03:39 > 0:03:41Legally Blonde 2 and a sped-up sunrise.
0:03:41 > 0:03:45That's all good and fine, but when we go back to real time,
0:03:45 > 0:03:47the sun's reflection is still speeded up in the window.
0:03:47 > 0:03:50- Time to legislate! - How does that work?
0:03:50 > 0:03:51Hm? Eh? Heh? Uh?
0:03:53 > 0:03:57The unconscious Argentinian suffered from a sickness called narcolepsy.
0:03:57 > 0:03:59Perfectly fine one moment, then suddenly, unconscious the next.
0:03:59 > 0:04:02It's Moulin Rouge now. Director Baz Luhrmann uses the old trick
0:04:02 > 0:04:06of making an actor kneel on some shoes to make him look really short.
0:04:06 > 0:04:10Unfortunately, it's not so good when filmed from above -
0:04:10 > 0:04:13fake shoes on knees and real feet.
0:04:13 > 0:04:15Right, Toulouse, I still have to finish the music.
0:04:17 > 0:04:19Here's that same short character,
0:04:19 > 0:04:22Toulouse-Lautrec, in a musical number.
0:04:25 > 0:04:28Nice bit of fairy work from Kylie.
0:04:28 > 0:04:30We were off to the Moulin Rouge.
0:04:30 > 0:04:33By this point, they'd given up on the kneeling thing.
0:04:33 > 0:04:36Now he's got knee pads on and he's just standing in a hole.
0:04:36 > 0:04:39For Satine!
0:04:39 > 0:04:41Yeah!
0:04:47 > 0:04:51The thought-provoking film Crash asks a lot of questions, such as
0:04:51 > 0:04:54how do you turn off a light without actually touching the switch?
0:04:58 > 0:05:00Let's see that again.
0:05:04 > 0:05:06Nope, still don't know how that's done.
0:05:08 > 0:05:09Yeah, I ordered.
0:05:09 > 0:05:11Here's movie hunk Robert Pattinson
0:05:11 > 0:05:15showing us a fabulous magic trick with his cup of coffee.
0:05:15 > 0:05:18First adds some sugar, then stirs it.
0:05:18 > 0:05:22We throw in make-up, toiletries, cell-phone chargers...
0:05:22 > 0:05:23And now it's a cigarette. Ta-da!
0:05:23 > 0:05:26- And it's vanished again. - Then we do an infomercial.
0:05:26 > 0:05:28And it's back again! Ta-da!
0:05:28 > 0:05:31Provide us with actual money?
0:05:31 > 0:05:33He goes to light it...
0:05:33 > 0:05:35and for the big finale...
0:05:35 > 0:05:37it's a coffee cup again!
0:05:37 > 0:05:40Made more sense when he was a rubbish vampire.
0:05:42 > 0:05:46Next, we come to another classic movie mistake - crew in shot.
0:05:46 > 0:05:48I once saw a classic example of crew in shot.
0:05:48 > 0:05:52That's because the film was shot in the Cheshire town of Crewe.
0:05:52 > 0:05:56But seriously! I'm talking about when the film crew end up on screen,
0:05:56 > 0:06:01which is ridiculous, because they're not as important as us actors.
0:06:01 > 0:06:06OK, OK, I'm sorry, they're just as important.
0:06:06 > 0:06:07No, they're not. Roll VT.
0:06:09 > 0:06:13Here's Cuba Gooding Jnr wondering what he's done to deserve a role
0:06:13 > 0:06:16in cinematic turkey Pearl Harbor.
0:06:16 > 0:06:18But keep your eyes on the left of the screen.
0:06:18 > 0:06:23That's no navy crewman, that's a film crewman with a remote control for the camera.
0:06:30 > 0:06:34Martin Scorsese's masterpiece Taxi Driver, and it appears that
0:06:34 > 0:06:36Travis Bickle has noticed something out of his window.
0:06:36 > 0:06:40Maybe it's someone looking at him. He really hates people looking at him.
0:06:43 > 0:06:46Hang on, who was that? Let's see that again.
0:06:47 > 0:06:51It's the reflection of the cameraman and the guy pushing the dolly.
0:06:51 > 0:06:54They really were looking at him.
0:06:56 > 0:06:59They say that great art holds a mirror up to life.
0:06:59 > 0:07:02- Hey, where do you want this? - Uh, in the bedroom.
0:07:02 > 0:07:07But in the movie Ghost, they're holding up a mirror to the film crew. There they are.
0:07:07 > 0:07:09OK, we'll let them off that one mistake.
0:07:09 > 0:07:13- Hang on, there's a lighting stand in the shot, too.- Like it, huh?
0:07:13 > 0:07:15Like? "Like" is hardly the word.
0:07:15 > 0:07:17Oh, well, they're only human.
0:07:17 > 0:07:19Apart from the ghost. He's a ghost.
0:07:23 > 0:07:25Here's Surrogates.
0:07:25 > 0:07:29In this film, everyone has a robotic copy of themselves.
0:07:29 > 0:07:32So don't worry, all these people falling over are just robots.
0:07:32 > 0:07:34All robots.
0:07:34 > 0:07:37Apart from the film crew standing round the corner.
0:07:37 > 0:07:39They're not robots. They're idiots.
0:07:44 > 0:07:47Here's Steven Spielberg's classic film Duel.
0:07:47 > 0:07:50How do actors know when to start acting?
0:07:50 > 0:07:52It's when Steven tells them to.
0:07:52 > 0:07:54Watch his hand in the corner.
0:07:54 > 0:07:57And action! Let's see that again in slow motion.
0:07:59 > 0:08:01Ac-tion...
0:08:03 > 0:08:06Alfred Hitchcock used to have cameos in his films,
0:08:06 > 0:08:10so it's no surprise that Spielberg wanted to do the same.
0:08:10 > 0:08:12Actually, he didn't want to -
0:08:12 > 0:08:16he just stood right in front of the shiny, reflective phone booth.
0:08:16 > 0:08:18Hi, Steve!
0:08:20 > 0:08:23Now Ridley Scott's film American Gangster.
0:08:23 > 0:08:26Ridley is famed for his hard work, so you can forgive him
0:08:26 > 0:08:29putting his feet up and watching a bit of telly.
0:08:29 > 0:08:30There he is.
0:08:35 > 0:08:36And God bless the Unites States...
0:08:36 > 0:08:39This is the Triple Rock Baptist Church
0:08:39 > 0:08:42from the film The Blues Brothers, but even the frantic dancing
0:08:42 > 0:08:46can't distract you from a crew member blatantly running through the back of shot.
0:08:46 > 0:08:50Not so much Blues Brothers as "Where's the nearest loos, brothers?"
0:08:50 > 0:08:52I just thought of that myself.
0:08:55 > 0:08:58- # So exciting, the audience will... # - Baz Luhrmann captured the look,
0:08:58 > 0:09:03the feel and the spirit of a 1900s Parisian cabaret in Moulin Rouge.
0:09:06 > 0:09:08He also managed to capture a stage hand wearing
0:09:08 > 0:09:13a baseball cap and wristwatch, swinging this actor back and forth.
0:09:13 > 0:09:16Hey, Mum, I told you I'd make it in showbiz!
0:09:18 > 0:09:21Finally, it's Charlie And The Chocolate Factory.
0:09:21 > 0:09:23You know, they're always telling you what to do, what not to do,
0:09:23 > 0:09:25and it's not conducive to a creative atmosphere.
0:09:25 > 0:09:27The great thing about a remake
0:09:27 > 0:09:31is that you can use technological advances to eliminate all mistakes.
0:09:31 > 0:09:34Or you can just lob some whopping great glasses on Johnny Depp
0:09:34 > 0:09:37and see a camera in the reflection. Either's good.
0:09:37 > 0:09:39If you don't believe me, you should ask.
0:09:41 > 0:09:44I've always found it easy to tell my left from my right
0:09:44 > 0:09:47by using the simple system of not being an idiot.
0:09:47 > 0:09:50But movie makers seem to mix them up all the time.
0:09:50 > 0:09:53It's not just stupid, it's dangerous, too.
0:09:53 > 0:09:58I found this out the hard way during a particularly aggressive round of the hokey-cokey,
0:09:58 > 0:10:01when I put my left foot in to the face of my ten-year-old niece.
0:10:01 > 0:10:06I cross my heart you'll never catch me making that sort of mistake again.
0:10:08 > 0:10:11Holly. Holly.
0:10:13 > 0:10:14Holly.
0:10:14 > 0:10:16Yes! Holly!
0:10:16 > 0:10:20First up, we have Land Of The Lost, a comedy about a little hairy man
0:10:20 > 0:10:22who touches people inappropriately.
0:10:22 > 0:10:26Anyway, watch the hand, not the boob.
0:10:26 > 0:10:28- Chaka.- Chaka?
0:10:28 > 0:10:32The left hand on Anna Friel, and now it's suddenly the right hand.
0:10:32 > 0:10:34Clever monkey.
0:10:34 > 0:10:37Wi-ill. Will.
0:10:39 > 0:10:42Val Kilmer now, an actor so mesmerising
0:10:42 > 0:10:44he can make you forget which side is which.
0:10:44 > 0:10:47It's not a long shot. Harry, you're not listening to me!
0:10:47 > 0:10:48- Harry? Harry!- What?
0:10:48 > 0:10:52The left hand on Robert Downey's mouth...and now it's the right.
0:10:52 > 0:10:55That's some seriously powerful acting.
0:10:57 > 0:11:01Next up, it's horror classic Silence Of The Lambs,
0:11:01 > 0:11:03and take a look at this door.
0:11:03 > 0:11:06The handle's on the right. Right?
0:11:10 > 0:11:12This film makes everything unsettling,
0:11:12 > 0:11:15even changing which side the door opens on.
0:11:19 > 0:11:21Creepy! Boo!
0:11:23 > 0:11:25Ah, The Hangover.
0:11:25 > 0:11:27We've all been there.
0:11:27 > 0:11:30A big, crazy night out and you don't know what you're doing...
0:11:31 > 0:11:34..and I happen to find 80,000 worth of Bellagio...
0:11:34 > 0:11:37You hold something in your right hand,
0:11:37 > 0:11:38and suddenly it's in your left.
0:11:40 > 0:11:43Whoo, yeah, we're...American!
0:11:45 > 0:11:49Here's everyone's second-favourite magical babysitter, Nanny McPhee.
0:11:51 > 0:11:55Oh, look, she's making statues come to life.
0:11:55 > 0:11:57Not as impressive, though, as making the sidecar
0:11:57 > 0:12:01go from the left of the bike to the right.
0:12:01 > 0:12:05See? Even the lion's disgusted at this movie mistake.
0:12:07 > 0:12:11Sean Penn now in this Oscar-winning performance as Harvey Milk.
0:12:11 > 0:12:15A powder-blue pen to sign the city's first gay-rights law.
0:12:15 > 0:12:19But don't watch that Penn, watch this one.
0:12:19 > 0:12:21The suity bloke holds it in his left hand...
0:12:21 > 0:12:24..substantive move for civil rights.
0:12:24 > 0:12:27..but he signs with his right hand.
0:12:27 > 0:12:30Right old load of old nonsense, more like.
0:12:32 > 0:12:36Here are the two stars of Fired Up - I can't recall their names -
0:12:36 > 0:12:39presumably running away from a massive horde of fans.
0:12:39 > 0:12:43When they jump over the wall, blondie is on the right.
0:12:43 > 0:12:47But in the water, they switch places, and he's now on the left,
0:12:47 > 0:12:49echoing my thoughts when I watched Fired Up.
0:12:49 > 0:12:54I wanted to swap places with someone not watching Fired Up.
0:12:54 > 0:12:58- Hey. I'm Nick. - Shawn.- Can we use your pool?
0:13:00 > 0:13:04Finally, a clip from the movie Very Bad Things, starring Cameron Diaz.
0:13:04 > 0:13:08Cameron's no stranger to very bad things herself.
0:13:08 > 0:13:10In this scene, she's just read the script
0:13:10 > 0:13:12for Charlie's Angels 2: Full Throttle.
0:13:12 > 0:13:15But keep an eye on the spray and the brush.
0:13:15 > 0:13:18As they fade from a crane shot to a helicopter shot,
0:13:18 > 0:13:20they've suddenly switched.
0:13:20 > 0:13:24Well done, Cameron, you've been upstaged by cleaning products.
0:13:26 > 0:13:28I love superheroes.
0:13:28 > 0:13:33Not normal, real-life heroes - you know, "Ooh, look at me, I saved a child from a burning building."
0:13:33 > 0:13:36Big deal. Learn to fly, then I'll be interested.
0:13:36 > 0:13:41I've always wanted to be a superhero, Web Man, who fires webs
0:13:41 > 0:13:45out of his wrists and uses them to swing from building to building. I can't believe no-one's done that.
0:13:45 > 0:13:49I think my favourite, though, must be Christian Bale in The Dark Knight.
0:13:49 > 0:13:55His main enemy is actually another superhero - not Superman or Spider-Man, but Lighting Man.
0:13:55 > 0:14:00"Ooh, I'm doing a scene here, and this guys walks right through my set with his lights. Ner ner ner!
0:14:00 > 0:14:04"I'm all distracted." Tch! Superheroes!
0:14:08 > 0:14:12Here's everyone's least favourite Superman, Brandon Routh,
0:14:12 > 0:14:15showing off in front of a crowd of people.
0:14:15 > 0:14:18Keep an eye on that pristine taxi on the ground.
0:14:25 > 0:14:28As soon as Superman gets anywhere near it, it's all smashed up.
0:14:28 > 0:14:32Oh, well, at least no harm will come to any more cars.
0:14:32 > 0:14:34Ah.
0:14:36 > 0:14:39A baseball game now, but what's that?
0:14:43 > 0:14:47Is it a bird? Is it a plane? Yeah, it's a plane. Well done.
0:14:47 > 0:14:50But where have all the baseball players gone?
0:14:50 > 0:14:53Ah, there they are.
0:14:53 > 0:14:54No, they're all gone again.
0:14:54 > 0:14:58Y'know, there's really nothing super about that at all.
0:14:58 > 0:15:01Put the plane down and sort out your movie.
0:15:03 > 0:15:05Next up, it's Catwoman and Batman
0:15:05 > 0:15:09going at it like cats and, er, bats on this rooftop.
0:15:09 > 0:15:12The reassuring thing about this scene is that if there's a fire,
0:15:12 > 0:15:16they can use the fire-escape ladder to climb down to safety.
0:15:16 > 0:15:21But holy changeroonies, Batman, where's the ladder gone?
0:15:21 > 0:15:24- Get up, man. - How could you? I'm a woman!
0:15:27 > 0:15:31Catwoman's back home, still upset about the last continuity error.
0:15:31 > 0:15:33You may have already noticed
0:15:33 > 0:15:35there's no frying pan on the stove there.
0:15:42 > 0:15:46Ooh, you know that frying pan that wasn't there a minute ago?
0:15:46 > 0:15:48Now it is.
0:15:48 > 0:15:51Me-ow!
0:15:53 > 0:15:56Batman Begins now, and keep an eye on the walking stick
0:15:56 > 0:15:58over baddie Liam Neeson's shoulder.
0:15:58 > 0:16:00Now you see it, now you don't.
0:16:00 > 0:16:02That's ninja skills, that is.
0:16:04 > 0:16:07You simply walk up behind them and stab them in the heart.
0:16:07 > 0:16:10Quick, watch Bruce Wayne make this man vanish.
0:16:10 > 0:16:12Smash! And he's gone.
0:16:12 > 0:16:13Disappeared. Incredible.
0:16:13 > 0:16:16I am going to stop you.
0:16:21 > 0:16:24Here's the pivotal moment when Peter Parker is bitten
0:16:24 > 0:16:27by a genetically modified spider, turning him into Spider-Man.
0:16:27 > 0:16:30I'm surprised his Spidey senses aren't tingling
0:16:30 > 0:16:32to tell him that he's being watched -
0:16:32 > 0:16:35by a member of the film crew reflected in this TV screen.
0:16:35 > 0:16:37There he is.
0:16:37 > 0:16:42If you're watching, why didn't you swat that spider, mate? Honestly!
0:16:44 > 0:16:45Look!
0:16:45 > 0:16:49In this clip, the villain isn't the Sandman but the Child Catcher,
0:16:49 > 0:16:51by the look of things. Keep an eye on this fireman.
0:16:51 > 0:16:53He picks up a small boy.
0:17:00 > 0:17:02And he picks up a small boy.
0:17:05 > 0:17:08And then he picks up a small boy.
0:17:10 > 0:17:13Never mind Spider-Man, someone call social services!
0:17:15 > 0:17:18I'm such a huge fan of yours. I didn't want to...
0:17:18 > 0:17:20Here's a clip from Iron Man 2,
0:17:20 > 0:17:22starring veteran actor Mickey Rourke.
0:17:22 > 0:17:26Notice there's no toothpick in his mouth.
0:17:26 > 0:17:30I only mention it because Rourke is renowned for his legendary toothpick work.
0:17:30 > 0:17:33Oui, oui. I'm fine.
0:17:34 > 0:17:36No toothpick.
0:17:36 > 0:17:39And there's the toothpick, out of nowhere!
0:17:39 > 0:17:40Please sit.
0:17:40 > 0:17:42If only he'd been that picky about some of his movie roles.
0:17:44 > 0:17:50Here's the Iron Man himself, Tony Stark, opening the Stark Expo.
0:17:50 > 0:17:52Notice how he's dressed for the occasion,
0:17:52 > 0:17:54complete with a white shirt and bow tie.
0:17:54 > 0:17:56Please welcome my father Howard.
0:17:58 > 0:18:02Everything is achievable through technology.
0:18:02 > 0:18:04Well, he doesn't leave the stage during the presentation,
0:18:04 > 0:18:09but before you can say "Robert Downey Jnr", here he is wearing a black shirt. Tch!
0:18:09 > 0:18:12Could've used an iron, man.
0:18:14 > 0:18:19Transformers, a series of films in which a variety of motor vehicles
0:18:19 > 0:18:21turn into a variety of robots.
0:18:21 > 0:18:23I'd love a car that turns into a robot.
0:18:23 > 0:18:27The only thing my car's ever turned into is my drive. I don't really have a drive.
0:18:27 > 0:18:30The films were directed by Michael Bay,
0:18:30 > 0:18:33a man who loves action so much even his diarrhoea is explosive.
0:18:33 > 0:18:37And they star Shia LaBeouf, a man who's no stranger to mistakes
0:18:37 > 0:18:40after his parents chose to call him Shia LaBeouf.
0:18:40 > 0:18:46Translated into English, his name means "Look at these terrible movie mistakes...LaBeouf."
0:18:46 > 0:18:50- Mikaela, do not touch it, OK? - All kinds of things transform
0:18:50 > 0:18:54in these films, such as the empty space on the floor.
0:18:55 > 0:18:58You're hot, but you ain't so bright.
0:18:58 > 0:19:01Suddenly, here's some cigar boxes.
0:19:01 > 0:19:04- That'll work. - And a couple of mousetraps.
0:19:04 > 0:19:06- Oh!- Clever, yeah?
0:19:06 > 0:19:07No, it's awful.
0:19:07 > 0:19:10What are you looking at, slobber puss?
0:19:12 > 0:19:14Egypt and Jordan, like the tip of a blade.
0:19:14 > 0:19:1829.5 degrees north, 35 east. Here it is.
0:19:18 > 0:19:22Here's Shia LaBeouf speeding through the Egyptian desert.
0:19:22 > 0:19:24But don't let the Pyramids distract you,
0:19:24 > 0:19:28because that's the shadow of the camera van driving alongside.
0:19:30 > 0:19:32We got the cops.
0:19:36 > 0:19:39Rule one when talking to a huge, angry robot:
0:19:39 > 0:19:41concentrate on what he's saying.
0:19:41 > 0:19:43Come here, boy.
0:19:43 > 0:19:46And don't move around. First Shia's at the top of the stairs...
0:19:46 > 0:19:48You remember me?
0:19:48 > 0:19:50..now he's halfway down.
0:19:50 > 0:19:53He's jumped from here to here.
0:19:54 > 0:19:59- Just don't hurt her.- And he's moved again, from here to here.
0:20:01 > 0:20:04That'll teach him.
0:20:06 > 0:20:07You going to wear handcuffs?
0:20:07 > 0:20:09Watch out for Shia's hoodie in this scene.
0:20:09 > 0:20:11One moment it's off...
0:20:11 > 0:20:13This is real.
0:20:15 > 0:20:16..and now it's on.
0:20:16 > 0:20:20I have a record, because I went and turned my dad in.
0:20:20 > 0:20:23When have you had to sacrifice anything in your perfect little life?
0:20:23 > 0:20:26Still on. Tense moment.
0:20:26 > 0:20:27Big guys. Big guys with big guns.
0:20:27 > 0:20:29And now it's half off.
0:20:29 > 0:20:32- Answer me!- A clip that features self-removing clothes,
0:20:32 > 0:20:36and none of them on Megan Fox. Unbelievable.
0:20:40 > 0:20:43Here we see our heroes getting hot and bothered in the desert.
0:20:43 > 0:20:47Shia's trying to cool off, waving his jacket around like a madman.
0:20:54 > 0:20:56And suddenly, it's gone.
0:20:56 > 0:20:59Shame - it was 30 quid from Top Man.
0:20:59 > 0:21:03But don't fret, jacket fans, the next scene it's back in his hands.
0:21:03 > 0:21:06He should really "jacket" in.
0:21:08 > 0:21:12Here's a gripping action scene from director Michael Bay.
0:21:12 > 0:21:15The wheels on the bus don't so much go round and round
0:21:15 > 0:21:18as explode in a fiery ball of metal and human flesh.
0:21:18 > 0:21:21I say "human flesh", but looking at the clip again,
0:21:21 > 0:21:25we see that the bus doesn't have any passengers or even seats,
0:21:25 > 0:21:26just a dummy driver.
0:21:26 > 0:21:30It's as empty as a local cinema showing a Shia LaBeouf-a-thon.
0:21:33 > 0:21:35Obviously, actors don't do all their own acting themselves.
0:21:35 > 0:21:38Sometimes they're replaced with a body double or even a dummy.
0:21:38 > 0:21:41It's ridiculous. You can't replace talent with a dummy.
0:21:41 > 0:21:43Isn't that right, David Mitchell?
0:21:43 > 0:21:44"That's right, Robert.
0:21:44 > 0:21:47"Although I should say, you were always the talented one."
0:21:47 > 0:21:50See? I never use a body double.
0:21:50 > 0:21:53Why would I, when I've got a body like this?
0:21:54 > 0:21:57You're going to put in a six-pack in Post, yeah?
0:21:57 > 0:21:59Cheers.
0:22:01 > 0:22:04First up, it's '80s classic Fatal Attraction.
0:22:04 > 0:22:07Here we see Michael Douglas having a bit of rough and tumble
0:22:07 > 0:22:09with original bunny boiler Glenn Close.
0:22:10 > 0:22:12Ooh, wait - that's not Michael Douglas.
0:22:19 > 0:22:22Let's have another look at him.
0:22:22 > 0:22:23Wait for it.
0:22:23 > 0:22:27Hang on, is that Jerry Seinfeld?
0:22:27 > 0:22:29Well, it looks more like him than Michael Douglas.
0:22:29 > 0:22:32Work's probably dried up since the sitcom finished.
0:22:34 > 0:22:36Don't turn that engine on, I swear to God.
0:22:36 > 0:22:42This scene from Role Models features Ronnie, a small boy stealing a car.
0:22:42 > 0:22:43If there's anything funnier
0:22:43 > 0:22:46than children recklessly endangering their own lives,
0:22:46 > 0:22:48I don't know what it is.
0:22:48 > 0:22:50But don't worry, all the actual driving is being done
0:22:50 > 0:22:53by a much taller, fully road-legal stuntman.
0:22:53 > 0:22:56Kids, eh? They grow up so fast.
0:22:56 > 0:22:58What are you doing?!
0:23:03 > 0:23:07When you love someone, you've got to trust them. There's no other way.
0:23:07 > 0:23:10Casino, a cinema classic.
0:23:10 > 0:23:14In this opening scene, director Martin Scorsese gambled that nobody
0:23:14 > 0:23:17would spot him replacing Robert De Niro with a rubbish plastic dummy.
0:23:17 > 0:23:19..kinda love I had.
0:23:21 > 0:23:23Did you spot it?
0:23:23 > 0:23:25Bobby De Niro.
0:23:25 > 0:23:29Booby De Niro! No dice, Scorsese.
0:23:32 > 0:23:36No, it's not Dancing On Ice, it's edgy thriller Ronin.
0:23:36 > 0:23:38I've always thought that ice skating
0:23:38 > 0:23:40was a popular sport, but apparently not.
0:23:42 > 0:23:46Look, they've had to fill out the audience with cardboard cut-outs.
0:23:46 > 0:23:50There we are. That's it, mate, take a closer look.
0:23:52 > 0:23:55Thomas Jefferson once shot a man on the White House lawn for treason.
0:23:55 > 0:23:57Speaking of cardboard characters,
0:23:57 > 0:24:01here's John Travolta, up to his old tricks in the movie Swordfish...
0:24:04 > 0:24:06..shooting guys and blowing up people.
0:24:09 > 0:24:13Ooh, but that's not a people, it's another dodgy lookalike dummy.
0:24:13 > 0:24:16Those guys should really avoid cars altogether.
0:24:20 > 0:24:23The Blues Brothers - all singing, all dancing,
0:24:23 > 0:24:27and all couldn't be bothered to turn up for the crowd scene.
0:24:29 > 0:24:33Those are actually two mannequins at the back. Typical.
0:24:35 > 0:24:37Saline solution...
0:24:37 > 0:24:39Now, most people's legs would turn to jelly
0:24:39 > 0:24:42if they were about to be tortured by Gerard Butler.
0:24:42 > 0:24:45But this guy's left foot has turned to rubber...
0:24:45 > 0:24:47Comfortable?
0:24:47 > 0:24:50..because it's fake.
0:24:50 > 0:24:52- Boing!- You are shaking.
0:24:52 > 0:24:54Are you sure you're all right?
0:24:57 > 0:25:02Next up is Avatar, the worldwide blockbuster that asks an age-old question -
0:25:02 > 0:25:06what if giant Smurfs with pointy ears could control flying dragons with their tails
0:25:06 > 0:25:08and make a tree go all glowy and...?
0:25:08 > 0:25:11Yeah, I didn't understand it, either. And it was so long.
0:25:11 > 0:25:16James Cameron, take a leaf out of your brother David's book and make some harsh cuts.
0:25:16 > 0:25:20If I want to spend three hours in a darkened room wearing a pair of cheap plastic glasses,
0:25:20 > 0:25:22I'll go to a tanning salon.
0:25:24 > 0:25:27Avatar is set in the mythical world of Pandora
0:25:27 > 0:25:30and features a Pandora's box full of movie mistakes,
0:25:30 > 0:25:34such as combining the plots of FernGully and Pocahontas.
0:25:35 > 0:25:40In this scene, Neytiri's ponytail is out of sight over her shoulder.
0:25:42 > 0:25:44Then it's on her back.
0:25:49 > 0:25:52And when she goes to plug it into her dragon/horse,
0:25:52 > 0:25:54it's round her front again.
0:25:54 > 0:25:57- Is not horse.- Ooh, well, excuse me!
0:25:59 > 0:26:03- You are clear to...- This guy may be the corporate baddie of the film,
0:26:03 > 0:26:05but he's got incredible golf skills.
0:26:05 > 0:26:08He can move balls without touching them.
0:26:08 > 0:26:10First, the two balls are close together.
0:26:10 > 0:26:12You were looking at the monitor.
0:26:12 > 0:26:14I love this putter, Ronnie.
0:26:14 > 0:26:16I love this putter.
0:26:16 > 0:26:19- Next, they're far apart.- Parker!
0:26:19 > 0:26:22You know, I used to think it was benign neglect,
0:26:22 > 0:26:25but now I see that you're intentionally screwing me.
0:26:25 > 0:26:29Grace, you know, I enjoy our little talks.
0:26:29 > 0:26:31Then they're back together.
0:26:31 > 0:26:34- Oops.- This is wrong in all three dimensions.
0:26:34 > 0:26:36..not some jarhead dropout.
0:26:39 > 0:26:42Here we see Jake return from his avatar to the real world,
0:26:42 > 0:26:46the boring old real world, where mystical things don't exist...
0:26:46 > 0:26:50like Sigourney's hand magically moving from his arm
0:26:50 > 0:26:53to his shoulder...back to his arm.
0:26:53 > 0:26:57Avatar? 'Ave a word with yourself, Mr Cameron.
0:26:59 > 0:27:02And it happens again. Watch - Jake's arms start on the table.
0:27:02 > 0:27:05- That's called taking the initiative, son.- Now they're on his wheelchair.
0:27:05 > 0:27:08Look, Sully, Sully, just find out...
0:27:08 > 0:27:10Now they're out straight.
0:27:10 > 0:27:12Now bent.
0:27:12 > 0:27:14Now straight again.
0:27:14 > 0:27:18Honestly, it makes me turn blue with rage.
0:27:20 > 0:27:24Here's a big fight from the end of the film.
0:27:24 > 0:27:28Have a look at Colonel Quaritch in his cockpit.
0:27:28 > 0:27:31There's a wing mirror right at the back, behind his head.
0:27:31 > 0:27:34Notice how the front strut is completely mirrorless.
0:27:37 > 0:27:39But then suddenly...
0:27:39 > 0:27:44Hello! A mirror right by that strut and clearly in front of his head.
0:27:44 > 0:27:45A bit of high tension in the jungle.
0:27:45 > 0:27:49No mirror in front of him here.
0:27:49 > 0:27:51Still no mirror in front of him...
0:27:51 > 0:27:55And hello, a handy mirror to see a horsey dragon
0:27:55 > 0:27:57attacking his giant robot.
0:28:03 > 0:28:07Let's look now at continuity errors, those tiny little mistakes
0:28:07 > 0:28:09that film-makers fail to spot,
0:28:09 > 0:28:12so there are small changes in scenery or props,
0:28:12 > 0:28:16costume or even hair that make the scene almost unwatchable.
0:28:16 > 0:28:18All right, you get the idea.
0:28:18 > 0:28:21Two hours it's taken us to film this 30-second link. Two hours!
0:28:21 > 0:28:23I hope you're happy.
0:28:27 > 0:28:29It's wrinkle-fest Wild Hogs.
0:28:29 > 0:28:32That's going to stain. Ha!
0:28:32 > 0:28:33The tough guy at the back
0:28:33 > 0:28:37has mustard all over his forehead, nose and cheek.
0:28:37 > 0:28:38Spicy!
0:28:40 > 0:28:44But in the next shot, his face is practically clean.
0:28:44 > 0:28:48When the director saw this, he was furious, according to my "sauces".
0:28:48 > 0:28:50Ha-ha! Sauces!
0:28:52 > 0:28:55Shallow Hal now, and a scene-stealing performance
0:28:55 > 0:28:57from Jack Black's towel.
0:28:57 > 0:28:59She's got cankles, for God's sake!
0:28:59 > 0:29:01- First it's in his hand.- What?
0:29:01 > 0:29:04Cankles! She's got no ankles. It's like the calf merged with the foot.
0:29:04 > 0:29:06Now it's on his neck.
0:29:06 > 0:29:10- I know what cankles are! Rosemary doesn't have them.- Now it's gone.
0:29:10 > 0:29:13I know what you're doing here.
0:29:13 > 0:29:16- You're scared.- Scared of getting upstaged by a towel.- Yep.
0:29:18 > 0:29:22Ocean's 13 here, with a spectacular spectacle gaffe.
0:29:22 > 0:29:25No, not Brad's glasses. Watch Pacino's.
0:29:25 > 0:29:28- I don't want this thing on my desk. - On his face.
0:29:28 > 0:29:31- Then they're gone.- I'll tell you what you don't want -
0:29:31 > 0:29:35- your hotel on the cover of Time magazine.- And now they're back.
0:29:35 > 0:29:37Whoo-ha, what a mistake!
0:29:39 > 0:29:42If I belonged to a group known as the Losers,
0:29:42 > 0:29:45I'd probably not play cards.
0:29:45 > 0:29:47But keep your eyes on the guy with glasses.
0:29:47 > 0:29:51- His card has a picture of a woman. She's lying down.- What?
0:29:51 > 0:29:54All right. Let's go.
0:29:54 > 0:29:59- Standing up.- I will raise you. - You don't want to do that.- Oh, no?
0:29:59 > 0:30:03- ..that piece you got off that Honduran general.- Lying down again.
0:30:03 > 0:30:05- Who's the loser now, Losers? - I'm definitely in.
0:30:07 > 0:30:12- Come now, Stu. You can feel it. - Phone Booth. Gritty thriller.
0:30:12 > 0:30:15Colin Farrell on a worn and tattered phone.
0:30:15 > 0:30:18Anyway, he spends the whole film nattering away.
0:30:18 > 0:30:22And by the end, the sticker is brand-new again.
0:30:22 > 0:30:24Phone booth or TARDIS?
0:30:24 > 0:30:28It's the killers that get the cover of Time magazine. Right?
0:30:30 > 0:30:33TARDIS, I reckon, because at the start of the movie,
0:30:33 > 0:30:34he takes his wedding ring off.
0:30:34 > 0:30:37That old trick, eh, Colin?
0:30:37 > 0:30:40A bit later, it's still off...
0:30:40 > 0:30:45Look, it's our friends from Channels 2 and 5, your local news, Stu.
0:30:45 > 0:30:47You could never do this for any of your clients.
0:30:47 > 0:30:51..and then magically pops back on his finger again. Make your mind up, man.
0:30:51 > 0:30:53Stick your head out a little so they can get a better angle.
0:30:55 > 0:30:58Ah, we've all been in this position before.
0:30:58 > 0:31:00Hey! Hey there!
0:31:00 > 0:31:04What are you doing there? Oh, no, no, no, no, wait, it's OK.
0:31:04 > 0:31:06Stranger danger! Stranger danger!
0:31:06 > 0:31:09But watch the toilet roll as it comes out of the bin.
0:31:09 > 0:31:12In this shot, it's clean.
0:31:12 > 0:31:14And now it's covered in debris.
0:31:14 > 0:31:18Toilet roll - clean one minute, filthy the next. Nothing new there.
0:31:22 > 0:31:26An audition scene in Bruno now, but it's the cowboy hat
0:31:26 > 0:31:30- on the back of the door that's making all the right moves.- Hello.
0:31:30 > 0:31:32I'm looking for my vife!
0:31:34 > 0:31:36- Shaddap, women. - It's moved.- Fine.
0:31:36 > 0:31:38I couldn't hear your woice...
0:31:38 > 0:31:40And it's moved again.
0:31:40 > 0:31:43..or laugh about it vith you.
0:31:43 > 0:31:45Should call it Bor-hat. Hur!
0:31:48 > 0:31:52Here we see Will Smith literally in The Pursuit of Happyness.
0:31:52 > 0:31:57- Don't move. Don't move!- Doesn't he realise it's an unachievable goal?
0:31:57 > 0:31:58When he says, "Don't move,"
0:31:58 > 0:32:01he's actually talking to that green sticker on the side of the train.
0:32:01 > 0:32:05See it? Maybe that's the key to happiness.
0:32:05 > 0:32:09- Oh, unlucky, Will, it's gone. - Stop the train!
0:32:11 > 0:32:15Ah, the car chase, that old movie chestnut.
0:32:15 > 0:32:17You never see them in real life, do you?
0:32:17 > 0:32:20The closest I've ever come is desperately needing the loo
0:32:20 > 0:32:23and being 15 miles away from Toddington services.
0:32:23 > 0:32:28And if you think movie chases end messily, you should have seen what I left on the hard shoulder of the M1!
0:32:28 > 0:32:31Well, let's have a look at some car-based clunkers
0:32:31 > 0:32:35in a section I'm calling The Steering Wheel of Misfortune.
0:32:35 > 0:32:37What? Oh.
0:32:37 > 0:32:41Apparently I'm not calling it that, I'm calling it Great Car Chase Mistakes.
0:32:41 > 0:32:45Would it kill them to listen to my ideas just once in a while?
0:32:45 > 0:32:49Jamie Foxx and Tom Cruise in Collateral here,
0:32:49 > 0:32:51about to have an almighty car crash.
0:32:53 > 0:32:56But don't get too distracted by the taxi flipping over...
0:32:58 > 0:32:59..because what's this?
0:32:59 > 0:33:02Has someone left a bag on the road?
0:33:02 > 0:33:06No, that'll be a badly hidden camera filming the close-up shot.
0:33:06 > 0:33:07There it is.
0:33:07 > 0:33:11Maybe it was left there by someone who gets a kick out of filming car crashes.
0:33:11 > 0:33:14Probably waiting for George Michael.
0:33:17 > 0:33:21A classic car chase from Mission: Impossible II.
0:33:21 > 0:33:22Even Ethan Hunt knows that
0:33:22 > 0:33:25it's good health and safety practice to buckle up,
0:33:25 > 0:33:29especially when you're driving like a maniac.
0:33:29 > 0:33:31Hang on, the safety belt's gone again.
0:33:35 > 0:33:37No, you're definitely not wearing it, Tom, you fibber.
0:33:40 > 0:33:44Who would've thought that Tom Cruise was capable of telling the world a massive lie?
0:33:50 > 0:33:53Oh, no, hang on, it's back on again.
0:33:53 > 0:33:56Much better. Tom, I take it all back and apologise.
0:33:56 > 0:33:58No!
0:34:01 > 0:34:04If the world does end in 2012, at least it'd stop John Cusack
0:34:04 > 0:34:08making any more shocking disaster movies.
0:34:08 > 0:34:11Here he is, saving his family and his wife's new husband,
0:34:11 > 0:34:13who appears to be played by me.
0:34:13 > 0:34:15I don't remember doing that.
0:34:16 > 0:34:19First he knocks my Porsche into a hole in the ground.
0:34:19 > 0:34:21Ooh, look how annoyed I am.
0:34:21 > 0:34:23Sorry.
0:34:23 > 0:34:26But then, as he drives away, the hole and my lovely Porsche
0:34:26 > 0:34:30have completely disappeared. Cusack!
0:34:33 > 0:34:35This film is called Race To Witch Mountain.
0:34:35 > 0:34:39To me, that sounds like the sort of question a confused hiker might ask.
0:34:39 > 0:34:41"Which mountain?"
0:34:41 > 0:34:44Just look at that bumper. Ooh, it's all smashed up.
0:34:44 > 0:34:47But don't worry, this is Dwayne "The Rock" Johnson driving,
0:34:47 > 0:34:50so suddenly it's all fixed!
0:34:50 > 0:34:52So the big question is not "Which mountain?"
0:34:52 > 0:34:55but "Why am I watching this nonsense?"
0:34:57 > 0:34:59Take the wheel.
0:35:01 > 0:35:05Now another spot of movie magic, this time from Swordfish.
0:35:05 > 0:35:08And I really mean magic.
0:35:08 > 0:35:11Look closely as this car literally takes off.
0:35:11 > 0:35:14The ramp it drove up has been removed in the edit.
0:35:16 > 0:35:18Prepare for lift-off.
0:35:18 > 0:35:20And crash.
0:35:23 > 0:35:27More movie nonsense now with The Taking of Pelham 123.
0:35:27 > 0:35:29Check out this police car's lights
0:35:29 > 0:35:31getting smashed off as it rolls over.
0:35:31 > 0:35:34Look out!
0:35:34 > 0:35:36Yeah, definitely gone.
0:35:40 > 0:35:42And now, all of a sudden,
0:35:42 > 0:35:44they're back again.
0:35:44 > 0:35:48How convenient. Actually, nothing about that is convenient.
0:35:50 > 0:35:52Bond! James Bond!
0:35:52 > 0:35:55His appeal is the exotic locations, the beautiful women
0:35:55 > 0:35:58and the fancy cars, but he is after all a civil servant,
0:35:58 > 0:36:02and even Bond's style is bound to be cramped in this age of government spending cuts.
0:36:02 > 0:36:07"How do you like your Martini, Mr Bond?" "Er, buy one, get one free?
0:36:07 > 0:36:09"I haven't got much money, Penny..."
0:36:09 > 0:36:11I am, of course, joking.
0:36:11 > 0:36:15The Bond films are based on a series of books by Ian Fleming. What a guy.
0:36:15 > 0:36:18Yeah, writing spy novels and discovering penicillin.
0:36:18 > 0:36:24Unfortunately, he is also responsible for 22 films' worth of movie mistakes.
0:36:24 > 0:36:28Let's start at the beginning - Sean Connery in Dr No.
0:36:28 > 0:36:33Bond is waiting to knock someone off with his silenced weapon.
0:36:33 > 0:36:37Notice he's wearing a tie. Did I say tie? No tie.
0:36:37 > 0:36:39You can't be sherioush.
0:36:42 > 0:36:45Another classic scene, Connery and Ursula Andress on the beach
0:36:45 > 0:36:49being shot at and shouted at by a man with a megaphone.
0:36:49 > 0:36:50Are you coming out?
0:36:50 > 0:36:54But here's the gaffe. When the shouty man removes the megaphone,
0:36:54 > 0:36:56he still has a megaphone voice.
0:36:56 > 0:36:57..be back with the dogs!
0:36:57 > 0:37:01- Full speed ahead. - MEGAPHONE: No need to shout, mate.
0:37:03 > 0:37:05Say what you like about Roger Moore,
0:37:05 > 0:37:08he could take a kick in the face like no other Bond...
0:37:10 > 0:37:13..probably because when it was face-kicking time,
0:37:13 > 0:37:17he had a very unconvincing stuntman take his place.
0:37:17 > 0:37:20Right in the kisser.
0:37:25 > 0:37:27Here's the iconic opening
0:37:27 > 0:37:30from Brosnan's first Bond outing, GoldenEye,
0:37:30 > 0:37:33with some freestyle dam-diving.
0:37:35 > 0:37:38Notice how there's no snow anywhere to be seen.
0:37:38 > 0:37:40It actually looks quite warm and sunny.
0:37:41 > 0:37:45He's covertly breaking into an army base at the bottom, by the way.
0:37:49 > 0:37:53But a little later, when Bond emerges from the base,
0:37:53 > 0:37:57it's suddenly the middle of winter, with snow all over the ground.
0:37:58 > 0:38:01Oh, and he's right at the top of a mountain,
0:38:01 > 0:38:04not at the bottom of a dam. Dam it, Bond!
0:38:08 > 0:38:13Here's Alan Cumming as supergeek Boris Grishenko.
0:38:13 > 0:38:16He's such a lovely man. Butter wouldn't melt in his mouth.
0:38:16 > 0:38:17Or snow.
0:38:17 > 0:38:22That's because it isn't real snow, it's very non-melty fake snow.
0:38:22 > 0:38:24Come on, Cumming...
0:38:29 > 0:38:31Bond's in a bit of a pickle here -
0:38:31 > 0:38:34well, a helicopter ejector seat, to be precise.
0:38:37 > 0:38:41Luckily, he's got those two lovely white parachutes
0:38:41 > 0:38:43to bring him down to safety.
0:38:46 > 0:38:50Did I say white? Sorry, I meant red and white.
0:38:50 > 0:38:54The things we do for frequent-flyer mileage.
0:38:54 > 0:38:56Oh, Pierce, you joker!
0:38:56 > 0:38:59My side is literally splitting.
0:39:01 > 0:39:05Now Martin Scorsese's Shutter Island. Shutter Island?
0:39:05 > 0:39:09They should shut down the whole film there are so many gaffes!
0:39:09 > 0:39:12In this moody thriller, nothing is what it seems.
0:39:12 > 0:39:14Is this an asylum? Are you crazy?
0:39:14 > 0:39:16Am I crazy? I most certainly am!
0:39:16 > 0:39:19Crazy about all the mistakes we've been able to find.
0:39:19 > 0:39:23I'm going to go and put on a straitjacket and get my medication
0:39:23 > 0:39:27from Nursey while you watch these unhinged clangers.
0:39:27 > 0:39:29It's the boat over to Shutter Island,
0:39:29 > 0:39:31a prison for the criminally insane!
0:39:31 > 0:39:33Four people died.
0:39:33 > 0:39:35It was the smoke that got them, not the fire.
0:39:35 > 0:39:40Perhaps a quick cigarette to calm the nerves. There it goes.
0:39:40 > 0:39:42Hang on, pop it in again.
0:39:42 > 0:39:45Maybe I AM the one going insane.
0:39:47 > 0:39:50- A little more prone to seasickness. - Ah, dehydration.
0:39:50 > 0:39:52- You all right, boss?- Yeah.
0:39:52 > 0:39:55- In that case, you're right. - Watch the glass in Leo's hand.
0:39:55 > 0:39:57Swallow it down, Leo.
0:39:57 > 0:40:01When I said swallow, I meant the pill, not the glass as well.
0:40:01 > 0:40:03And one more time.
0:40:03 > 0:40:06Glass, no glass. Crazy!
0:40:08 > 0:40:11There's no way we can cross those rocks.
0:40:11 > 0:40:14Here, Mark Ruffalo ruffles around in his pocket for a bit of paper.
0:40:14 > 0:40:18But in the next shot, he's ruffling around all over again.
0:40:18 > 0:40:20Talk about building your part up, Ruffalo.
0:40:20 > 0:40:23Which they said repeatedly doesn't exist!
0:40:23 > 0:40:25I'm getting to that lighthouse.
0:40:27 > 0:40:30I don't know what this ugly fella's in prison for.
0:40:30 > 0:40:32Perhaps pickpocketing.
0:40:32 > 0:40:35He's certainly able to move his hands without us noticing.
0:40:35 > 0:40:37They're on the top bar...
0:40:39 > 0:40:43- ..then the bottom bar. - But you're wrong, you're wrong.- Oh?
0:40:43 > 0:40:47Really? Been alone much since you got here?
0:40:47 > 0:40:50- Back on that bar... - I've been with my partner.
0:40:50 > 0:40:52..back on his head.
0:40:52 > 0:40:54Mental!
0:40:54 > 0:40:55Easy.
0:40:57 > 0:41:00Leo's got Max von Sydow up against a wall.
0:41:00 > 0:41:03What are you going to do, kill me?
0:41:03 > 0:41:06But look at this reverse shot.
0:41:06 > 0:41:10Why is the syringe further away? Where's the wall?
0:41:10 > 0:41:13Why is Leo looking up at him in the right shot,
0:41:13 > 0:41:16but looking down at a shorter man on the left?
0:41:16 > 0:41:17For what? Hm?
0:41:17 > 0:41:21From the back, it looks more like Bruce Forsyth than Max von Sydow.
0:41:21 > 0:41:23Good game, good game.
0:41:30 > 0:41:31Come in out of the rain, lads.
0:41:31 > 0:41:35And now for the greatest mystery of Shutter Island,
0:41:35 > 0:41:38the legend of Ruffalo's disappearing coat.
0:41:38 > 0:41:40Where's it gone?
0:41:40 > 0:41:42Let's see it again.
0:41:42 > 0:41:43Jesus Christ.
0:41:43 > 0:41:45He takes it off. And it's gone.
0:41:45 > 0:41:48I'll have nightmares for weeks.
0:41:50 > 0:41:53Movie folk aren't always the smartest tools in the box,
0:41:53 > 0:41:56and this is apparent when they're asked to write something.
0:41:56 > 0:42:01If the clips we're about to see are to be believed, apparently it is impossible
0:42:01 > 0:42:04to put pen to paper on screen without making some massive error.
0:42:04 > 0:42:07Well, if that really is true, then I've got a word for you.
0:42:09 > 0:42:12Ooh, hang on. No, that's right. Roll the clips.
0:42:12 > 0:42:16St Trinian's, and no, the mistake here isn't the whole movie.
0:42:16 > 0:42:19Keep an eye on the blackboard behind Russell Brand.
0:42:19 > 0:42:21Nothing written next to number five.
0:42:21 > 0:42:23Search for the criminal inside yourself. Yes?
0:42:25 > 0:42:27- TOGETHER:- Theft.
0:42:27 > 0:42:32Then suddenly, writing has appeared on Russell's blackboardy-woardy.
0:42:32 > 0:42:33Good work.
0:42:35 > 0:42:39Here's a newspaper that clearly says it's from the year 1980.
0:42:39 > 0:42:42But hold the press, what's this?
0:42:44 > 0:42:46TheEmbreyStar.com?!
0:42:46 > 0:42:48A web address in 1980?
0:42:48 > 0:42:51The World Wide Web didn't exist until the 1990s.
0:42:54 > 0:42:56Another Oscar winner now.
0:42:56 > 0:43:00Look at the word "direktor" being written on Oskar Schindler's door.
0:43:00 > 0:43:04But later in the film, the letters look completely different -
0:43:04 > 0:43:07much bigger and in a different font.
0:43:07 > 0:43:09I'm sorry, you can't blame this one on the Nazis.
0:43:11 > 0:43:14I imagine you sitting in a dark basement room
0:43:14 > 0:43:16bent over papers and computer screens.
0:43:16 > 0:43:20And finally, a chilling scene from Hannibal.
0:43:20 > 0:43:24When crazy old Dr Lecter signs his letter to Clarice Starling,
0:43:24 > 0:43:26there is no hyphen between "Hannibal Lecter"
0:43:26 > 0:43:28and "MD".
0:43:30 > 0:43:31'PS Clearly...'
0:43:31 > 0:43:35But when Starling reads the letter, there's a hyphen.
0:43:35 > 0:43:39Someone's head should be served on a platter for this mistake.
0:43:39 > 0:43:42Maybe with some minted peas and a nice cabernet sauvignon.
0:43:42 > 0:43:43HE SLURPS
0:43:45 > 0:43:47Let's talk wardrobe malfunctions.
0:43:47 > 0:43:51And no, I don't mean getting to number 30 on your IKEA instructions
0:43:51 > 0:43:55to find you're missing two screws and an Allen key. I hate you, IKEA.
0:43:55 > 0:43:57I'm talking about costume.
0:43:57 > 0:44:00Marlon Brando supposedly performed without trousers
0:44:00 > 0:44:02to stop directors filming his big belly.
0:44:02 > 0:44:04Demi Moore famously performed topless
0:44:04 > 0:44:06to ensure directors would film her at all.
0:44:06 > 0:44:09But where would we be without costume?
0:44:09 > 0:44:13Naked, and no-one wants to see me naked. Apparently.
0:44:13 > 0:44:19What we do want to see are these terrible costume-based clangers.
0:44:19 > 0:44:21Nobody walks down a street like Brad Pitt,
0:44:21 > 0:44:24and no-one can make their suit jacket vanish like him, either.
0:44:24 > 0:44:29Now you see it, now you don't. That's just the Pitts.
0:44:31 > 0:44:34I missed the part about where my office is.
0:44:34 > 0:44:37If you want to be a successful lawyer,
0:44:37 > 0:44:39you've got to accessorise properly,
0:44:39 > 0:44:42right down to elbow-length gloves and a dog in a hat.
0:44:42 > 0:44:45Then I am going to need a glue gun, some pinking shears...
0:44:45 > 0:44:48Reese Witherspoon takes her gloves off, and...
0:44:48 > 0:44:50- Ooh, they're back on again. - DOG BARKS
0:44:50 > 0:44:52Even the dog spotted this gaffe.
0:44:54 > 0:44:57Here's Johnny Depp about to be executed
0:44:57 > 0:44:58for crimes against continuity.
0:44:58 > 0:45:00Keep your eye on the hat ribbon.
0:45:00 > 0:45:02The axe man moves it...
0:45:02 > 0:45:04As long as I can get at your neck.
0:45:04 > 0:45:06..and then it's back on the neck again.
0:45:06 > 0:45:10- I'm right behind you. - Off with his head!
0:45:12 > 0:45:14Ben Stiller is getting all dressed up
0:45:14 > 0:45:19for his first Night at the Museum, but where's his tie?
0:45:19 > 0:45:21Just wanted to say good luck, son.
0:45:21 > 0:45:23And goodbye. We're clocking out for the last time.
0:45:23 > 0:45:26Oh, there it is. Never mind.
0:45:26 > 0:45:28Wait, you guys are going out of town?
0:45:30 > 0:45:33- Hello, Natalie. - Hello, David. I mean, Sir.
0:45:33 > 0:45:36Now, which tie should Hugh Grant wear to meet EastEnders' Tiffany?
0:45:36 > 0:45:38The one with the big spots...
0:45:38 > 0:45:40I'm so sorry, Sir.
0:45:40 > 0:45:43..or the one with the tiny spots?
0:45:43 > 0:45:45D'you know, I don't care.
0:45:47 > 0:45:50Please, line up on the beach.
0:45:50 > 0:45:54Keep your eyes on the girl in the green dress.
0:45:54 > 0:45:56Men on one line...
0:45:56 > 0:45:59There she is, taking off her shoes.
0:45:59 > 0:46:02But in the next scene, they're back on.
0:46:02 > 0:46:04Oi, love! Take 'em off!
0:46:04 > 0:46:05Remove your mask.
0:46:05 > 0:46:08Ooh, not you.
0:46:11 > 0:46:14In Shallow Hal, Gwyneth Paltrow plays a fatty
0:46:14 > 0:46:17who Jack Black sees as a fitty. Look at her shoes.
0:46:17 > 0:46:20High heels, right?
0:46:20 > 0:46:22Dang it! Rosemary, don't move.
0:46:22 > 0:46:24Is your back all right?
0:46:24 > 0:46:26- Yeah.- Is she all right? What happened here?
0:46:26 > 0:46:30Yeah. Listen, you got to get some decent chairs in here, man.
0:46:30 > 0:46:32- Do me a favour... - Just moments later,
0:46:32 > 0:46:35fatty Gwyneth's shoes are completely different and flat,
0:46:35 > 0:46:37just like Jack would be if she sat on him.
0:46:37 > 0:46:40If you took all the women you two have gone out with,
0:46:40 > 0:46:42put 'em together, they wouldn't equal one of her.
0:46:42 > 0:46:44We're not arguing that!
0:46:46 > 0:46:47Down now!
0:46:47 > 0:46:50Pierce Brosnan's furious. No wonder,
0:46:50 > 0:46:53he doesn't know whether to button up his jacket or not.
0:46:53 > 0:46:55Now it's open...
0:46:55 > 0:46:58Good God, you toss that word around...
0:46:58 > 0:47:00..and now it's done up.
0:47:00 > 0:47:03You wouldn't catch Bond making this kind of sartorial gaffe.
0:47:05 > 0:47:10It's notoriously difficult to act whilst eating. If you ask me,
0:47:10 > 0:47:12I can't see what the fuss is about.
0:47:12 > 0:47:14I'm sorry.
0:47:14 > 0:47:16I can't...
0:47:16 > 0:47:19I... I can't...
0:47:22 > 0:47:27I don't envy movie stars for their flashy houses, fast cars and beautiful girlfriends.
0:47:27 > 0:47:33What I do envy is them having drinks that never seem to end, as these clips show.
0:47:33 > 0:47:36Here's a classic food and drink gaffe from the film Duel.
0:47:36 > 0:47:38Drink it. Drink it.
0:47:39 > 0:47:42Yeah, drink it, all of it.
0:47:42 > 0:47:44Drink all of it.
0:47:44 > 0:47:45There you go.
0:47:45 > 0:47:49Hang on, the glass is completely full again!
0:47:49 > 0:47:50What if I called the local police?
0:47:50 > 0:47:52They can't help you.
0:47:54 > 0:47:59Ray Winstone is drinking with Mel Gibson. Always a dangerous pastime.
0:47:59 > 0:48:02See how he leaves a good swig at the bottom of his glass.
0:48:02 > 0:48:06But in the wide it's completely empty!
0:48:06 > 0:48:08I think Mel finished it.
0:48:10 > 0:48:15You should always keep an eye on your drink at a party, as this clip from American Pie demonstrates...
0:48:15 > 0:48:17You're really beautiful.
0:48:18 > 0:48:19Really?
0:48:20 > 0:48:22Oh, yeah.
0:48:22 > 0:48:27..because the young lady's clear cup suddenly turns into a blue plastic cup.
0:48:27 > 0:48:29And it's back again.
0:48:29 > 0:48:31I wouldn't drink that if I was you.
0:48:33 > 0:48:36God, I'm so nervous. I don't know why!
0:48:36 > 0:48:40Here's a film I will never be able to unwatch, Bride Wars.
0:48:40 > 0:48:43Keep an eye on the champagne glass.
0:48:43 > 0:48:44Y'know, honestly...
0:48:44 > 0:48:47It's transformed into a make-up compact.
0:48:47 > 0:48:49..the pressure we put on brides...
0:48:49 > 0:48:52And now it's champagne again.
0:48:52 > 0:48:55Do you know, I could do with a drink after watching that gaffe.
0:48:55 > 0:48:56Or some make-up.
0:48:58 > 0:49:03- I mean, you've handled some pretty rough customers, huh?- Yeah, I have.
0:49:03 > 0:49:06Watch the table in front of taxi driver Travis Bickle.
0:49:06 > 0:49:08Just a cup of coffee, right?
0:49:08 > 0:49:13Wrong. There's an entirely magically appearing burger there as well.
0:49:13 > 0:49:15Hey, Travis, I'm talking to you.
0:49:15 > 0:49:18I said I'm talking to... Oh, let's move on.
0:49:20 > 0:49:24Josh Brolin here as US president George W Bush.
0:49:24 > 0:49:26You know I got tasters in the kitchen?
0:49:26 > 0:49:31He's so busy he can't even eat his lunch without running the country at the same time.
0:49:31 > 0:49:34Quick bite or two to keep his stamina up...
0:49:34 > 0:49:39We got 200 million Americans dead on our hands.
0:49:39 > 0:49:41But this must be a self-replenishing sandwich,
0:49:41 > 0:49:44because, moments later, both halves are intact again.
0:49:46 > 0:49:49Because I'm more worried now than I was on 9/11.
0:49:51 > 0:49:55It's your car! Your insurance should pay for it.
0:49:55 > 0:49:57Movie classic Back To The Future.
0:49:57 > 0:50:01Keep your eye on the sweet jar next to Marty McFly. It's full to the brim with candy.
0:50:01 > 0:50:05I haven't yet, but I figured since they weren't due till...
0:50:05 > 0:50:07Hello? Hello?
0:50:07 > 0:50:11But, just moments later, it's half-empty.
0:50:11 > 0:50:16Still, it's a welcome distraction from him trying to cop off with his mother.
0:50:18 > 0:50:20Cheers.
0:50:20 > 0:50:23The only impossible mission in this clip
0:50:23 > 0:50:26is trying to keep track of Ving Rhames' pint glass.
0:50:26 > 0:50:28It bounces from his hand
0:50:28 > 0:50:29to the table...
0:50:29 > 0:50:32Why don't you come back with me?
0:50:34 > 0:50:36I just...
0:50:36 > 0:50:38I just don't know why I'd be doing it.
0:50:38 > 0:50:40..and back to his hand again.
0:50:40 > 0:50:43Americans really can't handle their beer.
0:50:45 > 0:50:48- OUT OF SYNC:- You know what I hate? Those moments in films
0:50:48 > 0:50:51when the actor's mouth isn't synched up with what they're saying.
0:50:51 > 0:50:56Sometimes their mouth isn't moving, sometimes it's moving but nothing's coming out.
0:50:56 > 0:50:58Still, it's better than watching Twilight,
0:50:58 > 0:51:03where you can see Robert Pattinson's mouth moving but what you hear is absolute drivel.
0:51:03 > 0:51:04Well, we found their hide-out.
0:51:04 > 0:51:06Let's start with The Goonies
0:51:06 > 0:51:09and the man driving the car trying to do an Amy Winehouse,
0:51:09 > 0:51:12singing and smoking at the same time. Look in the car mirror.
0:51:12 > 0:51:15HE SINGS IN ITALIAN
0:51:15 > 0:51:16SINGING CONTINUES
0:51:16 > 0:51:20We can hear his voice, but his mouth isn't moving.
0:51:20 > 0:51:22Watch and learn, Winehouse.
0:51:24 > 0:51:27In the movie Collateral, Tom Cruise and Jamie Foxx
0:51:27 > 0:51:31go to a jazz club that's so groovy, it ignores the rules of physics.
0:51:31 > 0:51:34It's off melody. Behind the notes. Not what's expected.
0:51:34 > 0:51:39Listen as the trumpet note continues even though the trumpeter's stopped blowing.
0:51:42 > 0:51:43Nice!
0:51:45 > 0:51:48- Have I told you about Sammy Jankis? - Mm. Yeah.
0:51:48 > 0:51:51Memento now, and watch the guy on the right's mouth.
0:51:51 > 0:51:53You think he's still here?
0:51:53 > 0:51:57Another one talking without actually moving his lips.
0:51:57 > 0:51:58- You think he's still here?- Who?
0:51:58 > 0:52:01Johnny G, the guy you're looking for.
0:52:02 > 0:52:04..others exceedingly cruel...
0:52:04 > 0:52:09Now, this woman is talking so much, you can still hear her when her mouth isn't moving.
0:52:09 > 0:52:12Watch closely as she's put down on the sofa.
0:52:12 > 0:52:13..coffee shop downstairs.
0:52:13 > 0:52:16Not that I'd trade a day, an hour, a moment of it for anything!
0:52:16 > 0:52:18I don't know what came over me!
0:52:20 > 0:52:22The Windsor plantation.
0:52:22 > 0:52:26And here is a classic mouth-wrong from the film The Notebook.
0:52:26 > 0:52:33Take note - just because a scene is dimly lit does not mean you can dub over completely different words.
0:52:33 > 0:52:34Be careful it isn't broken.
0:52:34 > 0:52:36Look at that.
0:52:36 > 0:52:39Oh, this place is gigantic!
0:52:39 > 0:52:40Yeah, a gigantic piece of...
0:52:42 > 0:52:46Awards ceremonies, what a load of ridiculous nonsense.
0:52:46 > 0:52:50The people who win react like it's the greatest moment of their life
0:52:50 > 0:52:53and start gushing and crying and thanking everyone they've ever met.
0:52:53 > 0:52:57It's pathetic. I mean, it's just a little gold statue, after all,
0:52:57 > 0:53:00that...feels kind of special to hold.
0:53:00 > 0:53:05I suppose it makes you feel like you've achieved something in your life, and...it's all been...
0:53:05 > 0:53:06worth it, and...
0:53:06 > 0:53:09I promised myself I wouldn't cry,
0:53:09 > 0:53:13but I wouldn't be here if it wasn't for my family and my agent.
0:53:13 > 0:53:16No, I'm only kidding. It's all nonsense, isn't it?
0:53:16 > 0:53:20And even Oscar winners muff things up on a regular basis.
0:53:20 > 0:53:23James Cameron's Oscar-winning epic Titanic perfectly captured
0:53:23 > 0:53:27what it was like to be aboard the famous ship in 1901,
0:53:27 > 0:53:30right down to the camera crew reflected in every door.
0:53:30 > 0:53:32Let's see that again.
0:53:32 > 0:53:33Oh, dear.
0:53:40 > 0:53:46Invictus tells the story of South Africa during the 1995 rugby World Cup. Wow, look at that.
0:53:46 > 0:53:50It's just like being in South Africa in 1995,
0:53:50 > 0:53:54if you don't look at the 2009 Range Rover driving past.
0:53:54 > 0:53:57Or listen to Matt Damon's accent.
0:54:00 > 0:54:03Precious now, and Mum, played by Mo'Nique,
0:54:03 > 0:54:06is going to do a classic magic trick here, the disappearing cigarette.
0:54:06 > 0:54:08Now you see it.
0:54:11 > 0:54:14But with a clunk from her magic frying pan...
0:54:14 > 0:54:17Clang! Now you don't.
0:54:17 > 0:54:19Precious doesn't seem that impressed.
0:54:19 > 0:54:21What if she makes it reappear?
0:54:21 > 0:54:24Still nothing? Some people, eh?
0:54:26 > 0:54:28Break!
0:54:28 > 0:54:32I reckon Hilary Swank wore two gum shields in Million Dollar Baby.
0:54:32 > 0:54:34There's one being taken out.
0:54:34 > 0:54:36- ..just keep punching. - I ain't doing great, I'm losing!
0:54:36 > 0:54:38You're wearing her down!
0:54:38 > 0:54:41And, look, there's another one immediately back in her mouth.
0:54:41 > 0:54:44Better to be safe than sorry, Hilary.
0:54:48 > 0:54:53Here's Scarlett Johansson alone in her hotel room. Or is she?
0:54:55 > 0:54:59Looks like there's a reflection of someone closing a door.
0:55:01 > 0:55:05Maybe she didn't deserve that Oscar after all. On reflection.
0:55:07 > 0:55:11# Gonna make you, make you, make you notice... #
0:55:11 > 0:55:13It's karaoke night in Lost In Translation,
0:55:13 > 0:55:17and there's quite a party happening in room number 601.
0:55:17 > 0:55:21# Gonna use my style Gonna use my sidestep. #
0:55:21 > 0:55:26Anyway, Scarlett Johansson steps outside while Bill Murray takes the mic.
0:55:26 > 0:55:30But when he comes out, it's room 602.
0:55:30 > 0:55:33That's kara-not-OK.
0:55:35 > 0:55:38# There may come a time when a hard-boiled employer
0:55:38 > 0:55:40- # Thinks you're... - Awful nice... #
0:55:40 > 0:55:43Moulin Rouge won the Oscar for costume,
0:55:43 > 0:55:46which is strange, because, if you look at Nicole Kidman's hands,
0:55:46 > 0:55:48right hand ungloved,
0:55:48 > 0:55:51then it's gloved again.
0:55:51 > 0:55:54Her wardrobe is overacting even more than she is.
0:55:54 > 0:55:56Where is he?
0:55:57 > 0:55:59Bullitt won the Best Film Editing award.
0:55:59 > 0:56:03What the film makers didn't edit was an unwitting member of the public
0:56:03 > 0:56:06walking into shot and being clobbered by a policeman.
0:56:09 > 0:56:11"Where are you going, son?"
0:56:16 > 0:56:17Right, that's all we've got.
0:56:17 > 0:56:20Remember, as long as there are movie mistakes,
0:56:20 > 0:56:23there will be geeks to laugh at them. Goodnight.
0:56:41 > 0:56:44Subtitles by Red Bee Media Ltd
0:56:44 > 0:56:47E-mail subtitling@bbc.co.uk