0:00:10 > 0:00:13Y'know, I mean, do what you like. I'm not your mum.
0:00:37 > 0:00:41Hello, and welcome to Movie Mistakes 2: The Sequel.
0:00:41 > 0:00:43Like any sequel, we're bigger, louder,
0:00:43 > 0:00:47and most snobs are going to say we're not as good as the first one.
0:00:47 > 0:00:50Well, that's not true, because our crack team of celluloid super-geeks
0:00:50 > 0:00:54have outdone themselves by trawling this year's top movies
0:00:54 > 0:00:56alongside some revered classics
0:00:56 > 0:00:59to compile a brand-new collection of cinematic clunkers.
0:00:59 > 0:01:03Oh, and apparently, in order to compete with the latest movie fad,
0:01:03 > 0:01:07we've got to do something 3D, so please put on your 3D glasses now
0:01:07 > 0:01:10and prepare to get your mind blown.
0:01:10 > 0:01:11OK, ready?
0:01:11 > 0:01:13Whoo! Whoo! Oh! Whoo!
0:01:16 > 0:01:19There. Take that, Avatar.
0:01:19 > 0:01:23Now you can take your 3D glasses off, cos you look ridiculous. Oh.
0:01:23 > 0:01:25Right, let's get on with it.
0:01:25 > 0:01:27On tonight's show:
0:01:36 > 0:01:42The Terminator series asks life's big questions, like who'd win in a battle between man and machine
0:01:42 > 0:01:44and why DID that third film get made?
0:01:44 > 0:01:48At the heart of the Terminator movies is an impossible time-travel paradox.
0:01:48 > 0:01:54It makes me so angry I want to build a robot, travel back in time and kill everyone responsible.
0:01:54 > 0:01:58Oh, if only that was possible. Which it isn't. Which is why I'm angry.
0:01:58 > 0:02:01On the plus side, if machines did take over humanity,
0:02:01 > 0:02:07they'd probably avoid making movies that contained these clunking clunkers.
0:02:07 > 0:02:10John Connor was here. Where did he go?
0:02:10 > 0:02:13Here's T3, with my favourite kind of Terminator,
0:02:13 > 0:02:15the "making cars inexplicably explode" cyborg.
0:02:19 > 0:02:22Watch the truck. They're heading towards the sports car.
0:02:23 > 0:02:26Then they completely miss it.
0:02:26 > 0:02:29But the car shoots to the side by itself
0:02:29 > 0:02:32and there's a massive explosion. Absolute drivel.
0:02:34 > 0:02:36Sector's down.
0:02:36 > 0:02:40Keep your eye on this white-haired elderly lady in the chopper,
0:02:40 > 0:02:46because we're either about to see a massive gaffe or they've kicked her out for a quicker take-off.
0:02:46 > 0:02:48Call the surgical team.
0:02:48 > 0:02:51Remarks - it's Connor.
0:02:51 > 0:02:53She's gone.
0:02:53 > 0:02:57Whatever happened to the phrase "leave no man or old white-haired lady behind", eh, guys?
0:02:59 > 0:03:01Give me a strap.
0:03:01 > 0:03:05You can never be too careful when dealing with deadly robot bits.
0:03:05 > 0:03:11Here the resistance fighters are securely strapping down this Terminator arm.
0:03:11 > 0:03:12There are the straps.
0:03:14 > 0:03:17But in this shot the straps have gone.
0:03:17 > 0:03:20Well, that was a terminal waste of time, wasn't it?
0:03:20 > 0:03:22Oh, they're back. Strapping stuff!
0:03:22 > 0:03:24Bring up a portable shortwave.
0:03:24 > 0:03:26- I need to test it on something larger in the field.- All right.
0:03:28 > 0:03:30You will not get a second chance.
0:03:30 > 0:03:33It's reassuring that in this age of CGI there's still room
0:03:33 > 0:03:37for some good old-fashioned creaky special effects.
0:03:37 > 0:03:40I'm proud to present, a table hanging on a string.
0:03:40 > 0:03:42Doinnnng!
0:03:45 > 0:03:47Let's see that again.
0:03:49 > 0:03:50Boinnng!
0:03:50 > 0:03:52A table on a string.
0:03:56 > 0:04:01Here are three heroes from Terminator: Salvation making a right old mess of the place.
0:04:05 > 0:04:08But what's even more of a mess is the continuity here.
0:04:08 > 0:04:10Watch them jump through the hole in the wall.
0:04:10 > 0:04:12Man on right, little girl on left.
0:04:12 > 0:04:15And Bale, as John Connor, goes through the middle.
0:04:15 > 0:04:19On the other side, Connor's suddenly on the right, not in the middle,
0:04:19 > 0:04:21and the other two have changed places, too.
0:04:21 > 0:04:25If you ask me, they deserve to be terminator-ed for this gaffe.
0:04:32 > 0:04:34Christian Bale is in trouble here,
0:04:34 > 0:04:36with a Terminator standing almost on top of him.
0:04:37 > 0:04:40Oh, no, he's shot the molten metal.
0:04:40 > 0:04:42It will surely go all over both of them.
0:04:42 > 0:04:46Well, no, because now Bale is miles away from the Terminator.
0:04:47 > 0:04:50I'll be back. Back here where it's nice and safe.
0:04:52 > 0:04:54Every film pays people to meticulously
0:04:54 > 0:04:59work through the finer details and ensure that not even minute errors end up on the big screen.
0:04:59 > 0:05:04However, our team of super-nerds have proven to be even more meticulous than them,
0:05:04 > 0:05:07by spotting these even harder to reach clunkers.
0:05:07 > 0:05:10So...1-0 to the nerds, then, hmm?
0:05:12 > 0:05:16There's nothing worse than having your airline seat downgraded,
0:05:16 > 0:05:19so imagine how the passengers in Final Destination must feel.
0:05:19 > 0:05:25They started in a spacious 747, with its trademark double-decker nose
0:05:25 > 0:05:27and two engines on each side,
0:05:27 > 0:05:33but, on take-off, it's clearly a much smaller two-engined plane.
0:05:33 > 0:05:36There they go. Here we stay.
0:05:38 > 0:05:40'70s-set thriller Zodiac,
0:05:40 > 0:05:45which features a shot of the then state-of-the-art computer game Pong.
0:05:45 > 0:05:48- The score's 15-9.- My own kids would kill me for one of those.
0:05:48 > 0:05:52Unfortunately, the game performs a back and forth of its own,
0:05:52 > 0:05:55because now it's 14-9, and back to 15-9.
0:05:55 > 0:05:59Careful, Robert Downey Jr, we almost caught a glimpse of YOUR ping-pongs.
0:06:02 > 0:06:04Here we see the Girl with the Dragon Tattoo
0:06:04 > 0:06:07sending an e-mail to fellow hacker, Plague.
0:06:07 > 0:06:11Being a top-secret e-mail, she's going to want to encrypt it.
0:06:11 > 0:06:13Wait, decrypting?
0:06:13 > 0:06:17Oh, but that's the exact opposite of what she should have done.
0:06:17 > 0:06:22Next thing, we'll find out her tattoo isn't really a dragon at all, it's a...
0:06:22 > 0:06:23What's the opposite of a dragon?
0:06:27 > 0:06:29Zombieland now, set in America.
0:06:29 > 0:06:31Look, that's the stars and stripes.
0:06:31 > 0:06:35And, listen, they're playing The Star Spangled Banner.
0:06:35 > 0:06:38And, uh... Oh, dear.
0:06:38 > 0:06:40That's a British roundabout
0:06:40 > 0:06:43right outside the Washington, DC, Capitol building.
0:06:43 > 0:06:48If I thought I was in the States but it turned out to be Swindon, I'd be furious.
0:06:48 > 0:06:50Like this guy.
0:06:53 > 0:06:54Nice place, huh?
0:06:54 > 0:06:59The Blues Brothers are about to be fired at by a four-barrelled rocket launcher.
0:06:59 > 0:07:01So that'll be four explosions, right?
0:07:01 > 0:07:03There's one, two,
0:07:03 > 0:07:05three,
0:07:05 > 0:07:07four,
0:07:07 > 0:07:11five? That's not right. Quick, drive off before anyone notices.
0:07:13 > 0:07:19Kick Ass? They should have called it Kick Out The Director Because Of All The Mistakes That Are...
0:07:19 > 0:07:20Actually, their title's better.
0:07:20 > 0:07:24Kick-Ass, or, as it's called in Britain, Kick-Bottoms,
0:07:24 > 0:07:27is about a superhero that's good at getting beaten up.
0:07:27 > 0:07:30If that's a superpower, I think I've got it, too.
0:07:30 > 0:07:36I also have a special geek sense for detecting super-size continuity errors. Watch this.
0:07:36 > 0:07:38HE FARTS
0:07:38 > 0:07:41Does it not bug you? Thousands of people want to be Paris Hilton
0:07:41 > 0:07:43and nobody wants to be Spider-Man.
0:07:43 > 0:07:48Let's kick off with Kick-Ass's sidekick. Watch the guy on the left.
0:07:48 > 0:07:50He's holding a comic and...
0:07:50 > 0:07:51now it's on a table.
0:07:51 > 0:07:54That's a superpower in its own right.
0:07:56 > 0:07:57It was time for Mindy to get ready, too.
0:07:57 > 0:08:00Here's another comic-based super-gaffe.
0:08:00 > 0:08:04Notice the page on the left side with its three vertical panels.
0:08:04 > 0:08:05HAMMER IS COCKED
0:08:05 > 0:08:08How'd you find me, Marcus?
0:08:08 > 0:08:11One of us is still a cop, remember?
0:08:16 > 0:08:18Moments later we see it again
0:08:18 > 0:08:22and it's completely different, with four pictures in a grid.
0:08:22 > 0:08:24So you brainwashed Mindy?
0:08:24 > 0:08:26You say brainwashed. I say made it into a game.
0:08:26 > 0:08:29I say it's a terrible movie gaffe.
0:08:31 > 0:08:34Feel like checking out that new Kate Hudson movie where...
0:08:34 > 0:08:38In this scene, Kick-Ass is in his civilian clothes
0:08:38 > 0:08:41and hanging out with Katie, whom he has the hots for.
0:08:41 > 0:08:45They're inside because it's absolutely pouring down outside.
0:08:48 > 0:08:51But when they go out back to check out each other's fillings,
0:08:51 > 0:08:55there's not a drop of rain in the sky. Not that they'd notice.
0:08:57 > 0:08:58Can I get a puppy?
0:08:58 > 0:09:01Here are Big Daddy and Potty-Mouth Girl on their day off.
0:09:01 > 0:09:03Yeah. A cuddly, fluffy one.
0:09:03 > 0:09:05But keep an eye on her spoon.
0:09:05 > 0:09:08She puts it in the glass...
0:09:08 > 0:09:12and it's back in her hand. Now, that's BLEEP impressive.
0:09:12 > 0:09:15Look, I'd love a Benchmade model-42 butterfly knife.
0:09:19 > 0:09:22Here's the film's villain, Frank D'Amico.
0:09:22 > 0:09:24He's holding a popular make of phone.
0:09:24 > 0:09:28Apparently I'm not allowed to say the brand name, so I can't say iPhone.
0:09:28 > 0:09:32But in this shot it's silver on the back.
0:09:32 > 0:09:36- What is this? What am I looking at here?- It was Sal's phone.
0:09:36 > 0:09:37They found it in his hand.
0:09:37 > 0:09:40He must have taken that right before he died.
0:09:40 > 0:09:42And now it's black on the back.
0:09:44 > 0:09:47I'm a bit confused now. Can I phone a friend?
0:09:47 > 0:09:50Who? Kick-Ass?
0:09:52 > 0:09:56One of the worst movie clunkers is a boom in shot.
0:09:56 > 0:09:59No, not when something in shot goes boom, but when a sound man's
0:09:59 > 0:10:02over-head microphone drops down and ruins the entire scene.
0:10:02 > 0:10:04Can you watch what you're doing?!
0:10:04 > 0:10:06God, sound men are such idiots.
0:10:06 > 0:10:09Oh! I asked for that.
0:10:12 > 0:10:16Any film about Pearl Harbor is going to have a bit of boom in shot.
0:10:16 > 0:10:18Get it? Boom? Like an explosion? No?
0:10:18 > 0:10:21You're right. It was a tragedy.
0:10:21 > 0:10:24And the actual war was pretty bad, too.
0:10:27 > 0:10:31Here's Michael Douglas starring in Fatal Attraction.
0:10:31 > 0:10:34- See you tomorrow night.- Love you.
0:10:34 > 0:10:36Keep your eye on the windscreen.
0:10:36 > 0:10:37Boom!
0:10:37 > 0:10:41Never mind fatal attraction, there's a fatal distraction.
0:10:45 > 0:10:46Creative differences?
0:10:46 > 0:10:50Next up is Al Pacino in S1m0ne.
0:10:52 > 0:10:56And here's a blink and you'll miss it moment. Boom!
0:10:56 > 0:10:58Let's see it again.
0:10:59 > 0:11:01Luckily they got away with this gaffe
0:11:01 > 0:11:04because no-one actually went to see that film.
0:11:06 > 0:11:08Here's Jack Black in Shallow Hal,
0:11:08 > 0:11:10displaying his admirable acting range
0:11:10 > 0:11:13by playing a tubby yet loveable goofball.
0:11:14 > 0:11:16But that's not the only thing on display here.
0:11:16 > 0:11:18Boom!
0:11:18 > 0:11:22No, no. It's my fault. I didn't see... This is your cab.
0:11:22 > 0:11:24I'm going to get the next cab.
0:11:24 > 0:11:25Boom again!
0:11:25 > 0:11:27Taxi for the sound man.
0:11:29 > 0:11:31While watching Enchanted,
0:11:31 > 0:11:35I like to play a game called Boom Shake The Room.
0:11:35 > 0:11:38Every time I see a boom in shot - there's one - I trash my room.
0:11:38 > 0:11:42She's a seriously confused woman who's fallen into our laps.
0:11:42 > 0:11:44Good night, OK?
0:11:44 > 0:11:49There it is again. Right, I'm off to throw a sofa out of the window.
0:11:51 > 0:11:54Tense action thriller Ronin now.
0:11:54 > 0:11:57- Watch as De Niro runs through this dressing room.- Ten seconds.
0:11:59 > 0:12:03Did you spot the gaffe? Let's take a closer look at those mirrors.
0:12:03 > 0:12:05Ten seconds.
0:12:05 > 0:12:08That's the camera man, and boom!
0:12:08 > 0:12:09That's the sound man.
0:12:09 > 0:12:12Actors, eh? Can't go anywhere without their entourage.
0:12:14 > 0:12:17Sometimes a film can't afford to hire a large number of extras
0:12:17 > 0:12:22and has to use the same people over and over in a variety of different roles.
0:12:22 > 0:12:26I thought I'd found a classic example of this until the producers informed me
0:12:26 > 0:12:31that Eddie Murphy ASKED to play every role in Nutty Professor 2: The Klumps. Who can blame him?
0:12:31 > 0:12:35If I read a script that hilarious, I'd want to play every role.
0:12:35 > 0:12:38Oh, the Klumps, you hilarious, obese balls of flatulence.
0:12:38 > 0:12:43Anyway, here are a few clips of repeated extras that will have you laughing,
0:12:43 > 0:12:49like I did when I first saw Nutty Professor 2: The Klumps.
0:12:49 > 0:12:51It's romantic comedy The Ugly Truth,
0:12:51 > 0:12:55showing off the sensitive side of 300 macho man Gerard Butler.
0:12:55 > 0:13:00But never mind him, keep an eye on the blonde extra in the blue.
0:13:00 > 0:13:03She's in the shot once...twice...
0:13:03 > 0:13:06Can't get enough of your sparkling wit and charm.
0:13:06 > 0:13:09Stewart thought you needed a producer more than...
0:13:09 > 0:13:12- ..three times a lady, right back where she started.- Wow.
0:13:14 > 0:13:17Before South Park creator Trey Parker, seen here,
0:13:17 > 0:13:20and his buddy, Matt Stone, were hilariously funny,
0:13:20 > 0:13:24they were painfully unfunny in slacker comedy BASEketball.
0:13:24 > 0:13:27We're not beat yet. We can still win this thing.
0:13:27 > 0:13:29But keep an eye on these two extras in Trey's team.
0:13:29 > 0:13:31- Can we do it?- Yeah!- Can we do it?
0:13:31 > 0:13:33Yeah! Yeah!
0:13:35 > 0:13:40Because here they are again, in different jerseys, also playing for the opposing team.
0:13:43 > 0:13:46This is a clip from Final Destination,
0:13:46 > 0:13:49in which college kids try to out-run the Grim Reaper.
0:13:49 > 0:13:51And who doesn't love a good funeral?
0:13:51 > 0:13:54This woman at the back certainly does.
0:13:54 > 0:13:57She gets up to pay her respects once...
0:13:59 > 0:14:02..some meaningful glances...
0:14:05 > 0:14:07..more mourners...
0:14:07 > 0:14:10..and there's that woman going up all over again.
0:14:10 > 0:14:12Ma'am, step away from the coffin.
0:14:14 > 0:14:17We will go up there, pretend we're boyfriend and girlfriend...
0:14:17 > 0:14:19Here's The Proposal,
0:14:19 > 0:14:22in which Sandra Bullock persuades Ryan Reynolds to marry her.
0:14:22 > 0:14:25And that she isn't more than a decade older than him.
0:14:25 > 0:14:29Keep an eye on the unusually short woman in a green top to the left.
0:14:29 > 0:14:32If you send someone walking through shot over and over,
0:14:32 > 0:14:36probably best not to pick the most noticeable woman on the set.
0:14:36 > 0:14:38Sorry, were you not in that room?
0:14:38 > 0:14:42- Then I quit, and you're screwed. Buh-bye, Margaret.- Andrew!
0:14:42 > 0:14:44Andrew! Fine! Fine.
0:14:44 > 0:14:46Have you spotted her? Have you?
0:14:46 > 0:14:48There she is!
0:14:48 > 0:14:54If you do the Alaska weekend and the immigration interview, I will make you editor.
0:14:54 > 0:14:58A bit more zingy dialogue and a bit more really obvious repeated extra.
0:14:58 > 0:15:00She's really starting to grow on me.
0:15:02 > 0:15:08Comedy The Hangover was a huge box-office smash. No wonder, if they hired girls in bikinis...
0:15:08 > 0:15:10That is my tooth!
0:15:10 > 0:15:16..got them to walk past once up close, once in the distance, and once up close again.
0:15:20 > 0:15:21# Spider-Man, Spider-Man
0:15:21 > 0:15:24# Repeats his extras whenever he can. #
0:15:24 > 0:15:27- Great honour to meet you, sir.- Harry tells me you're quite the science...
0:15:27 > 0:15:30Watch out for the college student with red hair.
0:15:30 > 0:15:33You know, I'm something of a scientist myself.
0:15:33 > 0:15:35I read all your research on nano-technology.
0:15:35 > 0:15:37There she is again...
0:15:37 > 0:15:40- Yes, I wrote a paper on it. - Impressive.
0:15:40 > 0:15:42..again...
0:15:43 > 0:15:44..and again.
0:15:44 > 0:15:47Hey, you two! Let's move!
0:15:47 > 0:15:48Nice to meet you.
0:15:48 > 0:15:51- Hope to see you again.- Yeah.
0:15:51 > 0:15:53Never mind seeing him again. Let's see her.
0:15:53 > 0:15:55He doesn't seem so bad.
0:15:55 > 0:15:59Bingo! My movie-mistake senses are tingling.
0:16:01 > 0:16:03- Jenny!- Here's Forrest Gump,
0:16:03 > 0:16:07who prefers to repeat entire crowds of extras.
0:16:09 > 0:16:13Keep an eye on just these two guys in hats, for example.
0:16:13 > 0:16:16Forrest knocks them out of the way once
0:16:16 > 0:16:18and then all over again.
0:16:18 > 0:16:22Like Forrest says, "Life is like a box of idiots."
0:16:24 > 0:16:26And, finally, Monsters, Inc,
0:16:28 > 0:16:31here to show that even when your extras don't actually exist,
0:16:31 > 0:16:34they can still crop up in two places at once.
0:16:34 > 0:16:38Stay where you are. Number One wants to talk to you.
0:16:38 > 0:16:41Each monster in a yellow suit has its own unique number.
0:16:41 > 0:16:45Here's worker 112, standing next to Mike and Sully.
0:16:48 > 0:16:53Then, moments later, here he, or it, is again.
0:16:55 > 0:16:59Two and a half years of undercover work were almost wasted.
0:17:02 > 0:17:07Fans of Star Trek prefer to be called Trekkers, because the term "Trekkie" is deemed offensive.
0:17:07 > 0:17:09A bit like "tragic, lonely geek-face".
0:17:09 > 0:17:14Some fans have even gone to the trouble of learning the entire language of Klingon.
0:17:14 > 0:17:17To those people I say, "Brak nik toff jah bak mak,"
0:17:17 > 0:17:21which doesn't mean anything as I've got better things to do with my life.
0:17:21 > 0:17:25As it happens, Bones McCoy was a nickname of a kid I went to school with,
0:17:25 > 0:17:31after he was caught in an uncompromising situation with a bag of crinkle-cut crisps.
0:17:31 > 0:17:34Stand by for some hi-tech, high-action sky-diving
0:17:34 > 0:17:37from the recent Star Trek reboot.
0:17:37 > 0:17:40We can see the order of the sky-divers on the display screen.
0:17:40 > 0:17:43Red first, then blue, then yellow.
0:17:43 > 0:17:455,800 metres.
0:17:45 > 0:17:47Distance to target, 5,000 metres.
0:17:47 > 0:17:50When we see them outside, they're in a completely different order.
0:17:50 > 0:17:52Blue, yellow, red.
0:17:54 > 0:17:58Obviously, the guy in red dies horribly, as required by Star Trek law.
0:17:59 > 0:18:01Don't people ever learn?
0:18:05 > 0:18:09Here's Nero, the villain, throttling some poor bloke.
0:18:09 > 0:18:12But, looking at his missing right ear tip,
0:18:12 > 0:18:16I'd guess he's already been in a fight, possibly with Mike Tyson.
0:18:16 > 0:18:20- Spock!- But now it's his left ear that's all chewed up.
0:18:20 > 0:18:23- And his right ear is all pointy. - Spock!
0:18:23 > 0:18:25You leave that Spock alone, it's not his fault.
0:18:27 > 0:18:30- Stop the ship.- Kirk, how the hell did you get on board the Enterprise?
0:18:30 > 0:18:33Here's Uhura standing right by her man, Mr Spock.
0:18:33 > 0:18:37Only, in this shot, she's standing quite far away.
0:18:37 > 0:18:38Women!
0:18:42 > 0:18:44Some old-school Trek now,
0:18:44 > 0:18:47back when they knew how to dress for every occasion.
0:18:47 > 0:18:50Falling to your certain death, only a black outfit will do.
0:18:55 > 0:19:00Being saved just before certain death, maybe a blue top would be more suitable.
0:19:00 > 0:19:02I suspect his trousers are brown though.
0:19:05 > 0:19:09Some people complained that William Shatner's acting was a bit wooden, like a puppet.
0:19:09 > 0:19:13Well, I think that's a bit unfair. He's nothing like a puppet.
0:19:13 > 0:19:18You know, with strings attached, holding him up in the air.
0:19:18 > 0:19:23Or people just off-screen pushing him about, controlling his every move during fight scenes.
0:19:23 > 0:19:26No, nothing like a puppet.
0:19:28 > 0:19:29Ambassador...
0:19:29 > 0:19:33Ambassador, with this next movie mistake you are really spoiling us.
0:19:33 > 0:19:35Spare me your human platitudes, Kirk.
0:19:35 > 0:19:38Look at the display of guns on the wall.
0:19:38 > 0:19:41Your son meant more to me than you can know.
0:19:41 > 0:19:42And now look.
0:19:42 > 0:19:44Can you spot the difference?
0:19:44 > 0:19:45Yes, of course you can!
0:19:49 > 0:19:52Ah, there's the moustachioed Scotty, standing behind Kirk,
0:19:52 > 0:19:55his right-hand man there to comfort him in his time of need.
0:19:55 > 0:19:58This death takes place in the shadow of new life.
0:19:58 > 0:20:00The sunrise of a new world.
0:20:00 > 0:20:04A world that our beloved comrade gave his life to protect and nourish.
0:20:04 > 0:20:07Hang on, where's Scotty?
0:20:10 > 0:20:14Who's playing those blooming bagpipes? Oh, Scotty's back.
0:20:14 > 0:20:16Turns out he CAN change the laws of physics.
0:20:20 > 0:20:25Keep an eye on the injured actor in this scene from The Wrath Of Khan.
0:20:25 > 0:20:28He's making the most of his big moment by dying not once...
0:20:30 > 0:20:32..but twice.
0:20:33 > 0:20:35Let's see that again.
0:20:35 > 0:20:37He dies
0:20:37 > 0:20:39and then decides to close his eyes.
0:20:39 > 0:20:41Talk about overplaying your part.
0:20:43 > 0:20:46More vintage Star Trek now. Look at that lovely jumper.
0:20:46 > 0:20:49But it's the whales we're looking for here.
0:20:49 > 0:20:52There they are. Big remote-controlled whales.
0:20:52 > 0:20:55How do we know they're remote-controlled?
0:20:57 > 0:21:00Because that's the special-effects diver releasing them.
0:21:00 > 0:21:05I feel cheated. Next you'll be telling me there's no such thing as transparent aluminium.
0:21:09 > 0:21:11Look at the big Klingon spaceship
0:21:11 > 0:21:14casting a huge shadow over the fishing boat.
0:21:14 > 0:21:19It's no good just turning the boat around, you won't get away from it that easily. Or will you?
0:21:20 > 0:21:22Well, the shadow's gone.
0:21:22 > 0:21:25That must mean the spaceship has too. Yay!
0:21:25 > 0:21:27Oh, no, there it is.
0:21:29 > 0:21:32There are a lot of things that are just wrong about Hollywood.
0:21:32 > 0:21:34Why do the actors get paid so much?
0:21:34 > 0:21:37Why does Jennifer Aniston make so many dodgy rom-coms?
0:21:37 > 0:21:40And why, Mel Gibson, why?
0:21:40 > 0:21:46But we're here to right some movie wrongs, or at least point them out and be sarcastic about them.
0:21:46 > 0:21:47Enjoy!
0:21:47 > 0:21:52Get Him To The Greek now, and we join the party in full swing.
0:21:52 > 0:21:54With Russell Brand, some sexy girls,
0:21:54 > 0:21:58Puff Diddy Daddy Combs and something on fire.
0:21:58 > 0:22:00- Sergio's gone crazy! - I love this game!
0:22:00 > 0:22:03And note the night-time cityscape in the windows.
0:22:03 > 0:22:05A real night to remember.
0:22:05 > 0:22:07I don't think so!
0:22:07 > 0:22:10Only when they get outside it's not night at all,
0:22:10 > 0:22:12it's the middle of the day.
0:22:13 > 0:22:17Exactly how long is that walk from the room to the exit?
0:22:20 > 0:22:23Look carefully at this clip from Ronin.
0:22:23 > 0:22:27Someone's spying on some tough guys from a window through a camera.
0:22:29 > 0:22:32But the next camera shot is clearly from someone standing
0:22:32 > 0:22:35right in front of them on the street. Very undercover.
0:22:38 > 0:22:41Harry Potter's full of all kinds of magical nonsense.
0:22:41 > 0:22:43That's it, all I need's a bit of luck.
0:22:43 > 0:22:48He's got an invisibility cloak, but in this scene he's also got invisibility glasses.
0:22:48 > 0:22:49Look, no lenses.
0:22:51 > 0:22:54It's a miracle.
0:22:57 > 0:23:01In Final Destination we see a young lady striking a tiny match
0:23:01 > 0:23:04that suddenly becomes absolutely massive.
0:23:04 > 0:23:07You could say... the match doesn't match.
0:23:09 > 0:23:11Look, it's all completely chicken soup.
0:23:11 > 0:23:13- It's what?- It's kosher.
0:23:13 > 0:23:15As Christmas.
0:23:15 > 0:23:19Lock Stock may have Two Smoking Barrels, but in this scene there's one massive clunker.
0:23:19 > 0:23:22- I need some artillery, too.- The fruit machine sounds like it's working.
0:23:22 > 0:23:24This is London, not the Lebanon.
0:23:24 > 0:23:27But no reels move at any point.
0:23:27 > 0:23:31Oi, Guy Ritchie, back up the apples and pears and sort your movie out.
0:23:33 > 0:23:35I don't like you.
0:23:35 > 0:23:39Dustin Hoffman about to reveal a revolutionary new product.
0:23:39 > 0:23:41Shaving foam that shaves for you.
0:23:42 > 0:23:45Leave on for a bit during a dramatic scene.
0:23:45 > 0:23:46Wipe foam off...
0:23:46 > 0:23:49and you're clean-shaven.
0:23:49 > 0:23:52Mrs Robinson, get that boy to the Dragon's Den.
0:23:54 > 0:23:55PHONE RINGS Pick it up.
0:23:55 > 0:24:01A dark, atmospheric thriller from the Coen brothers and what could be more creepy than a haunted phone?
0:24:01 > 0:24:04It's still ringing after she picks it up.
0:24:04 > 0:24:06Let's see that again.
0:24:12 > 0:24:14Oh, hi, it's Robert from Movie Mistakes.
0:24:14 > 0:24:16I'd like my money back, please.
0:24:18 > 0:24:23Quentin Tarantino is one of the greatest directors of his generation.
0:24:23 > 0:24:28He's also a very naughty boy. By calling his last film Inglourious Basterds,
0:24:28 > 0:24:32he thought his misspelling would allow him to get away with using a swearword. What a dockhead.
0:24:32 > 0:24:35The film follows the adventures of a group of Nazi-hunters.
0:24:35 > 0:24:39Well, Nazi hunters, our mistake hunters are after you.
0:24:39 > 0:24:42But just because our hunters are hunting Nazi hunters,
0:24:42 > 0:24:45it doesn't mean we're on the same side as the Nazis. OK? They're not.
0:24:45 > 0:24:48This film is filled with the kind of mistakes
0:24:48 > 0:24:50that make you want to track down those responsible
0:24:50 > 0:24:53and carve the word "numpty" into their forehead.
0:24:53 > 0:24:57Sergeant Hugo Stiglitz.
0:24:57 > 0:24:59Heard of him?
0:24:59 > 0:25:02Everybody in the German army's heard of Hugo Stiglitz.
0:25:02 > 0:25:07Let's start with the scene where we find out about a Nazi turned good guy who goes by the name of....
0:25:07 > 0:25:10Well, you can probably read it for yourself.
0:25:11 > 0:25:15And here's a newspaper article all about the Nazis he's meant to have killed.
0:25:15 > 0:25:18On the top row here, there are six photos.
0:25:18 > 0:25:20Go ahead and count them.
0:25:20 > 0:25:23Hugo Stiglitz is a celebrity among German soldiers.
0:25:23 > 0:25:26But in this close-up there are actually seven photos across.
0:25:26 > 0:25:28Which is it Hugo, six or seven?
0:25:28 > 0:25:30- GERMAN ACCENT:- You will answer me!
0:25:32 > 0:25:36Keep an eye on Colonel Landa's cigarette in this clip.
0:25:36 > 0:25:39He's just lit it.
0:25:39 > 0:25:42Already, there's ash hanging off.
0:25:43 > 0:25:47Hmm. Tension mounting.
0:25:47 > 0:25:49Doesn't even take a single drag.
0:25:54 > 0:25:57But seconds later, he puts it out in his apfel strudel.
0:25:57 > 0:26:00And suddenly it's burned down to a stub.
0:26:02 > 0:26:05Leading lady Shosanna puts on heavy lipstick
0:26:05 > 0:26:06for an evening of Nazi bothering.
0:26:09 > 0:26:12But hang on, in this shot, she's hardly wearing any lipstick.
0:26:12 > 0:26:16And there's no big, red mark on the wine glass.
0:26:19 > 0:26:23No, it's all right, lipstick's back again. As you were.
0:26:29 > 0:26:30I've been chewed out before.
0:26:30 > 0:26:32It's the end of the film with everyone making a break for freedom.
0:26:32 > 0:26:36Heard that deal you made with the brass.
0:26:36 > 0:26:41But something else is trying to make a run for it and that's Brad Pitt's tie.
0:26:41 > 0:26:44- First you can see both sides...- I'd make that deal.- I don't blame you.
0:26:44 > 0:26:47Then one side has made a run for it.
0:26:47 > 0:26:51And that pretty little nest you've feathered for yourself. Well, if you're willing to barbecue
0:26:51 > 0:26:54the whole high command, I suppose that's worth certain considerations.
0:26:54 > 0:26:56Don't worry, it'll be back.
0:26:56 > 0:26:58But I do have one question.
0:26:58 > 0:27:00Yeah, who's in charge of continuity here?
0:27:02 > 0:27:05There really is no excuse for mistakes in animation films.
0:27:05 > 0:27:08Why, oh why do animators make so many mistakes?
0:27:08 > 0:27:15It's just drawing a picture or two, or you know, quite a few, say, roughly 30 pictures per second,
0:27:15 > 0:27:201,800 pictures a minute so that's about 162,000 pictures per film, I mean, how hard can it be?
0:27:20 > 0:27:23Some of these animators should be drawn themselves,
0:27:23 > 0:27:27hung, drawn and quartered - for crimes against movie continuity!
0:27:27 > 0:27:29Possibly a bit harsh, but you know.
0:27:29 > 0:27:31Let's kick things off with Monsters Inc.
0:27:31 > 0:27:36Keep an eye on the train set on the bedroom floor.
0:27:38 > 0:27:41- Argh!- ARGH!
0:27:41 > 0:27:43Just moments later, it's gone.
0:27:43 > 0:27:47And has been replaced by all these painful, spiky things.
0:27:47 > 0:27:52These monsters should be incarcerated, not incorporated!
0:27:54 > 0:27:56Keep coming, keep coming.
0:27:56 > 0:28:00look at Mike's hand at the bottom of the screen. It's completely normal.
0:28:00 > 0:28:04Apart from the fact it's green and has pointy nails.
0:28:04 > 0:28:07Could almost be my ex-wife, am I right, fellas?
0:28:07 > 0:28:09Actually, I don't even have an ex-wife.
0:28:09 > 0:28:11- Is that...- Sorry it took so long.
0:28:11 > 0:28:15Anyway, now the hands are all covered in plasters.
0:28:17 > 0:28:19Even the credits are wrong.
0:28:19 > 0:28:22See Sulley hide little girl Boo behind him.
0:28:22 > 0:28:27But watch closely because during the song, she vanishes into thin air.
0:28:28 > 0:28:32Mind you, I disappear when people start dancing too.
0:28:32 > 0:28:34Get that thing away from me, you guys...
0:28:39 > 0:28:42Cloudy With A Chance Of Meatballs now -
0:28:42 > 0:28:44and look at young Cal here waking up in his PJs.
0:28:45 > 0:28:48Wow, it's been snowing ice cream!
0:28:52 > 0:28:55And a coat just magically appeared on him.
0:28:55 > 0:28:56Happy birthday, son.
0:28:56 > 0:28:58- Dad?- This is your day...
0:28:58 > 0:29:01If no-one else here is going to ask the question, I will.
0:29:01 > 0:29:03Where DID that coat come from?
0:29:06 > 0:29:11Next, the laugh-every-few-minutes hit...and miss, Planet 51.
0:29:11 > 0:29:15Keep your eyes on the spaceman's visor.
0:29:15 > 0:29:16What the...
0:29:16 > 0:29:18duck?
0:29:20 > 0:29:25Aliens? Yeah, we're surprised, too, because they've got no reflection in your shiny helmet.
0:29:29 > 0:29:33# I call him lollipop, lollipop oh lolly, lolly, lolly, lollipop... #
0:29:33 > 0:29:35Planet 51 and mistake number two.
0:29:35 > 0:29:38So the alien dog pees on a lamp-post.
0:29:40 > 0:29:43The lamp-post falls down...
0:29:45 > 0:29:48..and the lamp-post disappears.
0:29:48 > 0:29:51Yet another reason not to watch this film.
0:29:54 > 0:29:57Keep an eye on the two glasses.
0:29:57 > 0:30:00She must be real thirsty.
0:30:00 > 0:30:01I'm real thirsty.
0:30:01 > 0:30:05Told you. Only problem is... one of the glasses has vanished.
0:30:05 > 0:30:06A milkshake...?
0:30:14 > 0:30:16I don't want to walk any more.
0:30:16 > 0:30:19Russell is being dragged along by his face.
0:30:19 > 0:30:22I imagine that'll make him all dirty.
0:30:22 > 0:30:25There are no tigers in South America.
0:30:25 > 0:30:28- Zoology.- Yep.
0:30:28 > 0:30:33That's kids for you, eh? Dirty one second, completely clean the next.
0:30:33 > 0:30:35Weird.
0:30:37 > 0:30:40Let's take a look at Twilight, a series of films
0:30:40 > 0:30:43about pretty teenagers mainly moping about in forests.
0:30:43 > 0:30:46They have it all, vampires, werewolves, action romance,
0:30:46 > 0:30:50all mixed up together to create a bunch of boring, old rubbish.
0:30:50 > 0:30:53Twilight is chock-full of dodgy moral messages.
0:30:53 > 0:30:55Edward is over 100 years old
0:30:55 > 0:30:58and yet he's dating a 17-year-old schoolgirl,
0:30:58 > 0:31:00so we're all fine with this?
0:31:00 > 0:31:03Oh, and it's fine for the dead to get off with the living,
0:31:03 > 0:31:05but when it's the other way round, apparently it's creepy.
0:31:08 > 0:31:12Fitting in as the new kid can be hard. For a start, what do you wear?
0:31:12 > 0:31:16My first day at a new school, it's March in the middle of the semester.
0:31:16 > 0:31:19Well, that guy's got a red hoodie. He's pretty cool.
0:31:26 > 0:31:29- Nice ride.- Only now, he's also wearing a bodywarmer.
0:31:29 > 0:31:31- Thanks.- Oh, now he isn't.
0:31:31 > 0:31:34I can't keep up with teen fashion.
0:31:36 > 0:31:39I'm sorry I'm rude all the time, I just think it's the best way.
0:31:39 > 0:31:41Guess who just asked me to prom!
0:31:41 > 0:31:44Never mind the prom, where did that clipboard come from?
0:31:44 > 0:31:47Let's see that again.
0:31:47 > 0:31:51No clipboard... Clipboard!
0:31:51 > 0:31:52And flounce...
0:31:54 > 0:31:57Where is he? Where's...
0:31:57 > 0:32:00Where's Edward?
0:32:00 > 0:32:03Here we see the loyal R-Patz sitting guard for injured Bella.
0:32:05 > 0:32:08And there he is sleeping right by the window.
0:32:08 > 0:32:10Yep, right next to the...
0:32:10 > 0:32:13Oh, hang on, who moved the window?
0:32:15 > 0:32:17Come on, it's just a game.
0:32:17 > 0:32:19You have to be careful playing baseball,
0:32:19 > 0:32:22especially with sexy vampires.
0:32:22 > 0:32:23Nice kitty.
0:32:23 > 0:32:27Although it's not so dangerous that Bella needs a body double.
0:32:27 > 0:32:31Look, that's clearly not her, look at that massive chin.
0:32:36 > 0:32:41Ah, she's been reading Romeo and Juliet. How romantic.
0:32:41 > 0:32:44Happy birthday.
0:32:44 > 0:32:48But now, the book's gone. What did you do with it, Bella?
0:32:48 > 0:32:49Bore it out of existence?
0:32:51 > 0:32:56A werewolf so moody and sexy he has to walk around with his top off.
0:32:56 > 0:32:59Nice tattoo right up by his shoulder.
0:32:59 > 0:33:03Only in this shot, it seems to have slipped halfway down his arm.
0:33:03 > 0:33:04Bad dog.
0:33:09 > 0:33:12Finally in this scene, R-Patz flings Bella to safety...
0:33:13 > 0:33:14..knocking over two vases.
0:33:16 > 0:33:19But the next time we see them, FOUR vases are smashed!
0:33:19 > 0:33:23Either way, you only win a prize if you knock all FIVE down, I'm afraid.
0:33:25 > 0:33:28One of the things that always amazes me about the film business
0:33:28 > 0:33:30is that there are actually trained specialists
0:33:30 > 0:33:34who are paid enormous sums of money to spot continuity mistakes.
0:33:34 > 0:33:39Basically, their job is to watch movies all day and point out small errors. Call that a job?
0:33:39 > 0:33:43It's pathetic. How exactly is that contributing to a better, healthier society for us all?
0:33:43 > 0:33:48Anyway, here's some mistakes that we spotted while being paid to watch movies the other day.
0:33:48 > 0:33:55A saucy scene where Stifler's mom seduces one of her son's friends.
0:33:55 > 0:33:58- Are you lost? - Keep your eyes on his balls.
0:33:58 > 0:34:00The POOL balls, people!
0:34:00 > 0:34:03OK, there's a yellow ball in the middle of the table.
0:34:03 > 0:34:06No, no, not lost just...
0:34:06 > 0:34:08you know, taking the tour.
0:34:08 > 0:34:14He's so distracted by her mature allure, he doesn't notice the ball's moved all by itself. Steamy.
0:34:16 > 0:34:19Want to show him the room, Dale?
0:34:19 > 0:34:25John C Reilly and Will Ferrell play, er, Step Brothers. Watch the napkin.
0:34:25 > 0:34:29Hey, listen, I like to have a lot of fresh fruit around.
0:34:29 > 0:34:32And chocolate chips in my pancakes, OK?
0:34:32 > 0:34:34- Write it down so you don't forget. - Show him the room.
0:34:34 > 0:34:37Hang on, it's gone.
0:34:39 > 0:34:40Wait! Dastan!
0:34:41 > 0:34:45Ooh, it's The Prince Of Persia swordfighting
0:34:45 > 0:34:48in his brand-new M&S shirt. And, oh, no, that's torn it.
0:34:48 > 0:34:50His mum will be furious.
0:34:50 > 0:34:54Only she won't, because look, it's immediately as good as new.
0:34:54 > 0:34:57Magic.
0:34:59 > 0:35:03It's the 1960s when men sat up front and women sat an the back.
0:35:03 > 0:35:06But it was also the decade of sexual liberation.
0:35:06 > 0:35:08- Might be worth a look.- Mm-hmm.
0:35:08 > 0:35:14Because when they stop, one of the men has become a woman, and nobody bats an eyelid.
0:35:16 > 0:35:22A man who so loved his watch, he could look at it for ages.
0:35:24 > 0:35:26It's 6pm.
0:35:26 > 0:35:28Next thing you know, it's 6:25.
0:35:28 > 0:35:30I guess time flies when you're on the run.
0:35:32 > 0:35:36Here's Anne Hathaway sprawling on the floor.
0:35:36 > 0:35:38Steve Carell is getting an eyeful,
0:35:38 > 0:35:40so he'll probably notice that she's got bare feet.
0:35:42 > 0:35:44Are you staring at my butt?
0:35:44 > 0:35:47No, I'm not.
0:35:47 > 0:35:52But in the same scene, after Steve Carell's stunt double has demonstrated his flexibility...
0:35:52 > 0:35:54That's impressive, wow.
0:35:54 > 0:35:56..Hathaway's suddenly got shoes on.
0:35:56 > 0:35:59How good am I at spotting mistakes?
0:35:59 > 0:36:00Very good.
0:36:02 > 0:36:07Ah, legs crossed left over right, the classic relaxation position.
0:36:07 > 0:36:11- I will never become an Omega... - I mean, right over left.
0:36:11 > 0:36:13That's it, right over left.
0:36:13 > 0:36:15Left over right?
0:36:17 > 0:36:18Right over left?
0:36:18 > 0:36:21I cannot keep up with The Joneses.
0:36:23 > 0:36:25This isn't about me selling MY products,
0:36:25 > 0:36:28I have to ensure my unit is selling THEIR products.
0:36:28 > 0:36:30Here's that guy Mulder from The X Files,
0:36:30 > 0:36:32with some paranormal activity.
0:36:32 > 0:36:36Keep an eye on his arm. It's up by his head.
0:36:36 > 0:36:38Separate bedrooms perhaps?
0:36:38 > 0:36:40Down again.
0:36:40 > 0:36:43You're not a great salesman.
0:36:43 > 0:36:45Touching his ear.
0:36:45 > 0:36:49Touching the table. Spooky.
0:36:52 > 0:36:57And here's that guy Mulder from The X Files in...The X Files.
0:36:57 > 0:37:03What's inexplicable in this shot is how the driver's side window is all ragged and smashed.
0:37:07 > 0:37:10But then there's not a shard of glass to be seen.
0:37:10 > 0:37:15The truth is out there. The truth is nobody was paying attention.
0:37:15 > 0:37:17Yeah, that'll learn ya.
0:37:19 > 0:37:21I enjoyed Team America all right,
0:37:21 > 0:37:24I just found the acting a bit, I don't know, wooden?
0:37:24 > 0:37:28Here's a puppet looking at a picture of four other puppets,
0:37:28 > 0:37:31like Cheryl Cole thinking back on her Girls Aloud days.
0:37:31 > 0:37:36Hello, young man. Congratulations on a terrific performance.
0:37:36 > 0:37:40But in the wide shot, that photo of four has turned into a photo of two.
0:37:40 > 0:37:43What a muppet! I mean, puppet.
0:37:43 > 0:37:46The name is Spottswoode.
0:37:48 > 0:37:51Action, punching, kicking, running away from the police -
0:37:51 > 0:37:53I love a night out in Liverpool.
0:37:53 > 0:37:56But, now let's look at some action sequences.
0:37:56 > 0:38:00Action sequences are brilliant, you know, when actions happen in a sequence.
0:38:00 > 0:38:03In fact, come to think of it, everything is an action sequence really, isn't it?
0:38:03 > 0:38:06If a film didn't have any action, it would just be a bloke standing there
0:38:06 > 0:38:09talking straight to the camera and that would be rubbish.
0:38:09 > 0:38:12Let's watch some action howlers!
0:38:12 > 0:38:13Yah!
0:38:13 > 0:38:17Ah, the days of King Arthur when men were real man.
0:38:17 > 0:38:22Tough and strong, charging on horseback, wielding swords in battle and...
0:38:22 > 0:38:25dying when the sword hasn't even touched them.
0:38:29 > 0:38:31Get up, you big wuss.
0:38:35 > 0:38:40Some serious medieval-style action's about to kick off here.
0:38:42 > 0:38:46But don't worry, they're not real soldiers, they're actors.
0:38:46 > 0:38:50They just do as they're told, keep walking...and stop when you get
0:38:50 > 0:38:53to the rubbish sticks and bit of rope marking the edge of shot.
0:39:00 > 0:39:03The Scouts have the motto "Be prepared".
0:39:03 > 0:39:06These guys in Daybreakers must be former Scouts, I reckon.
0:39:06 > 0:39:09They're so prepared, their car is riddled with bullet holes
0:39:09 > 0:39:11before any shots have been fired.
0:39:14 > 0:39:17- Put the gun down.- Let's go.
0:39:17 > 0:39:19And here come the bullets.
0:39:22 > 0:39:25I imagine they're prepared for me to tell them that they're idiots.
0:39:28 > 0:39:33Some more bullet hole nonsense from The Men Who Stare At Goats.
0:39:33 > 0:39:37Never mind the goats - what the men, whoever they are, should be staring at is this windscreen.
0:39:37 > 0:39:39Which is shot one minute...
0:39:41 > 0:39:45..and then magically unshot. Stare at that, goat men.
0:39:47 > 0:39:49America will go nuts for BASEKetball.
0:39:49 > 0:39:53Watch the background of this crazy party in BASEKetball.
0:39:53 > 0:39:56The guy on the roof wearing the leather jacket and white trousers
0:39:56 > 0:39:59is so drunk he falls off twice.
0:39:59 > 0:40:01Listen to that crowd.
0:40:01 > 0:40:03See?
0:40:03 > 0:40:05He must've been drinking doubles.
0:40:07 > 0:40:10They say you should never work with children or animals.
0:40:10 > 0:40:14But after you've seen these clips, you can add "vehicles" to that list.
0:40:14 > 0:40:19Here's a collection of classic gaffes featuring planes, trains and automobiles.
0:40:19 > 0:40:22Ooh, that's a catchy title. Well done me.
0:40:22 > 0:40:27Anyway, I haven't seen transport blunders like this since I got a lift home with George Michael.
0:40:27 > 0:40:29Here's a famous scene from Borat.
0:40:29 > 0:40:32'Eventually, I manage to hike a hitchings
0:40:32 > 0:40:36'with group of young scholars also travelling across country.'
0:40:36 > 0:40:38All right...!
0:40:38 > 0:40:41Yes, it's all so completely spontaneous and not pre-planned.
0:40:41 > 0:40:45So spontaneous, the RV he gets out of later that night
0:40:45 > 0:40:49- is a different one from the day before.- AS BORAT:- "Nice!"
0:40:51 > 0:40:54- Hit the brakes! Hit the brakes, come on!- I can't!
0:40:54 > 0:40:58The fellows are in a spot of bother here.
0:40:58 > 0:41:02Look, the wheel's fallen off. This can't end well.
0:41:05 > 0:41:07Hold on, the wheel's back.
0:41:07 > 0:41:08Nothing can go wrong now.
0:41:13 > 0:41:14What the...?
0:41:14 > 0:41:19Get Smart not taking its own advice with this stupid movie blunder.
0:41:19 > 0:41:21Keep an eye on the car wing mirror.
0:41:21 > 0:41:24It gets smashed...
0:41:24 > 0:41:27- I cannot get over the fact that 23 is a traitor.- Sand trap!
0:41:27 > 0:41:29But now it's whole again.
0:41:29 > 0:41:33Now I know how you must have felt when you thought I was a traitor.
0:41:33 > 0:41:34Tractor...!
0:41:34 > 0:41:37Wait, no, it's hanging off again.
0:41:37 > 0:41:39How did I miss it? I'm usually very observant.
0:41:39 > 0:41:42- Swordfish!- Get Smart? Get lost.
0:41:46 > 0:41:49It's canine comedy caper, Hotel For Dogs.
0:41:49 > 0:41:51It's kind of like a dinner date, isn't it?
0:41:53 > 0:41:57How clever, a little train set bringing out the dogs' food.
0:41:59 > 0:42:02Ooh, not SO clever - the food's not there in this shot.
0:42:02 > 0:42:04Well, they've made a right dog's dinner out of this scene.
0:42:06 > 0:42:10Here's Mel Gibson, furious at the side of the road as usual.
0:42:10 > 0:42:15But keep an eye on the door in the background. It's firmly shut.
0:42:19 > 0:42:21Oops, door's open.
0:42:24 > 0:42:26And the door's shut again.
0:42:27 > 0:42:29What does it feel like?
0:42:29 > 0:42:33Anyway, Mel's had enough and is off to shout at some police officers.
0:42:36 > 0:42:37OK, shouting done,
0:42:37 > 0:42:42Mel's now on his way home from this multi-storey car park.
0:42:42 > 0:42:46- Where you going?- Well, he's not going to the exit, that's for sure.
0:42:46 > 0:42:48Because it's that way.
0:42:50 > 0:42:53Er, Mel...? Mel? Mel!
0:42:55 > 0:43:00Pearl Harbor now, movie masterclass in how not to make a film.
0:43:00 > 0:43:04But there are bigger mistakes than the casting of Ben Affleck.
0:43:07 > 0:43:10In this scene, we can clearly see that it's daytime.
0:43:13 > 0:43:15But when Affleck comes up for air -
0:43:15 > 0:43:17here he comes -
0:43:17 > 0:43:20it's suddenly night-time.
0:43:20 > 0:43:22What a terrible...film.
0:43:24 > 0:43:27An anachronism is when something stands out
0:43:27 > 0:43:31from everything around it as just being from the wrong era in time.
0:43:31 > 0:43:34Think Prince Philip at a Justin Bieber concert.
0:43:34 > 0:43:38A glaring anachronism can immediately ruin any good period movie.
0:43:38 > 0:43:43I mean, Pride and Prejudice would have been rubbish if Darcy and Bennett had met via online dating.
0:43:43 > 0:43:47Or if the soldiers in 300 had got together at a flash mob.
0:43:47 > 0:43:51"Spartans, tonight we meet on Twitter!"
0:43:51 > 0:43:54Doesn't really work, does it?
0:43:54 > 0:43:58Just what we needed, yet another Robin Hood movie.
0:43:58 > 0:44:02But this one is going to be perfect, right down to every last detail.
0:44:02 > 0:44:08Like this smoothly cut tree stump that has blatantly been cut with a modern machine.
0:44:08 > 0:44:12Because they didn't use axes back then, they used ye olde chainsaw.
0:44:18 > 0:44:21In Robin Hood's day, they also used modern war equipment, just like
0:44:21 > 0:44:25these World War Two landing craft straight out of Saving Private Ryan.
0:44:25 > 0:44:29Despite the fact that they weren't invented until the 1920s.
0:44:29 > 0:44:32Only 700 years out. Yaar!
0:44:37 > 0:44:40Might as well go the whole hog, Robin.
0:44:40 > 0:44:42What's that up in the sky in this shot?
0:44:42 > 0:44:46That's right, the vapour trail from an aircraft.
0:44:46 > 0:44:47In the year 1200.
0:44:52 > 0:44:57The high seas, 1589, and a couple of clips from St Trinian's 2.
0:44:57 > 0:45:02This film is full of anachronisms, not least casting Girls Aloud's
0:45:02 > 0:45:04Sarah Harding as a 16-year-old schoolgirl.
0:45:10 > 0:45:13But in this scene, the clanger is a view through a telescope.
0:45:13 > 0:45:19I don't need to tell you that the telescope wasn't invented until 1608.
0:45:19 > 0:45:21He doesn't care.
0:45:23 > 0:45:24What an honour.
0:45:25 > 0:45:29The famous Captain Fritton aboard my humble vessel.
0:45:29 > 0:45:32It's everyone's favourite Doctor Who, David Tennant.
0:45:32 > 0:45:35He's dressed as a 17th century dandy.
0:45:35 > 0:45:38I say, golly gosh.
0:45:38 > 0:45:43Only they've just told us it's 1589 and those clothes won't be in fashion for decades.
0:45:43 > 0:45:46This is the solution to the greatest threat mankind has ever known.
0:45:46 > 0:45:48You're not a Time Lord any more, David.
0:45:51 > 0:45:54In the improbably titled Hot Tub Time Machine,
0:45:54 > 0:45:57a group of modern-day losers go back to the year 1986
0:45:57 > 0:46:00in a hot tub that's also a...time machine.
0:46:00 > 0:46:06No foreign army has ever occupied American soil until now.
0:46:06 > 0:46:08Well, I'll believe that, but not this.
0:46:08 > 0:46:10A poster for Rambo 3.
0:46:10 > 0:46:14It wasn't released until 1988, two years later.
0:46:14 > 0:46:17Who's responsible for this mistake?
0:46:17 > 0:46:19- The Ruskies. - Yeah, I might have guessed.
0:46:21 > 0:46:24Accident blackspot? These aren't accidents.
0:46:24 > 0:46:28A cinema classic that struggles to stay in the '60s.
0:46:28 > 0:46:32They're throwing themselves into the road to escape all this hideousness.
0:46:32 > 0:46:33Throw yourselves into the road, darling!
0:46:33 > 0:46:38Tearing down a '60s road in their '60s car with a bottle of '60s booze.
0:46:38 > 0:46:43But they seem to have taken a wrong turn and ended up in the 1980s.
0:46:43 > 0:46:48See those? Loads of '80s cars.
0:46:48 > 0:46:50Well, that's what drink-driving will do for you.
0:46:50 > 0:46:52Are you out of your mind?
0:46:52 > 0:46:53Pull over, you haven't got a licence.
0:46:53 > 0:46:55They also pass a modern motorway sign.
0:46:55 > 0:47:02In fact, the M25 didn't exist until 1975, and that's not in the 1960s.
0:47:08 > 0:47:12Here's a clip from the smash hit, The Girl With The Dragon Tattoo.
0:47:12 > 0:47:17When our hero, Mikael Blomkvist, goes for a jog, he has a flashback to his childhood in the '60s.
0:47:20 > 0:47:26Spot the problem? Yeah, this was a childhood in which he wore modern trainers from the future.
0:47:28 > 0:47:33Now on to Zodiac, a taut thriller set in the '70s.
0:47:33 > 0:47:36But what do we have here reflected on the car?
0:47:36 > 0:47:38Well, it's true what they say,
0:47:38 > 0:47:43Starbucks are popping up all over the place. Even in the past.
0:47:43 > 0:47:47I'll have a double decaf latte with an extra shot of get-your-facts-right.
0:47:49 > 0:47:54I don't understand it, if it's so difficult for movie-makers to get the weather right,
0:47:54 > 0:47:56then why don't they just write scripts where it's always nice?
0:47:56 > 0:47:59Singin' In The Rain could just become Singin' In The Dry,
0:47:59 > 0:48:02The Perfect Storm could become The Perfectly Pleasant Afternoon,
0:48:02 > 0:48:05and in An Inconvenient Truth, Al Gore could just reveal
0:48:05 > 0:48:08that it's going to get quite mild, much more convenient.
0:48:08 > 0:48:12Anyway, here's some weather that we can really complain about.
0:48:14 > 0:48:16Let's start with a clip from romantic comedy, Enchanted.
0:48:16 > 0:48:18Plenty of snow on the pavement.
0:48:18 > 0:48:21It's clearly the middle of winter.
0:48:25 > 0:48:30But hang on, a little later in the same scene, the pavement is suddenly snow free.
0:48:32 > 0:48:35This has ruined an otherwise completely realistic movie for me.
0:48:37 > 0:48:42Here's the opening scene from comedic turkey Paul Blart: Mall Cop.
0:48:42 > 0:48:45But the animal we're interested in is the dog.
0:48:45 > 0:48:49See how there's a clear shadow underneath the pooch in the bright sunlight?
0:48:49 > 0:48:51Well, not in the close-up.
0:48:51 > 0:48:57This is actually only the second worst mistake, right after having made the film in the first place.
0:49:01 > 0:49:06A small ship on stormy seas. It's being thrown all over the place
0:49:06 > 0:49:09in the opening scene of this Brit flick.
0:49:09 > 0:49:13We're about to get our first glimpse of the famous boat that rocked,
0:49:13 > 0:49:18only problem being that the boat that rocked isn't rocking at all.
0:49:18 > 0:49:21Unlike the small boat, it's in much calmer waters.
0:49:23 > 0:49:28Here's a fully grown man kerb-crawling for schoolgirls.
0:49:28 > 0:49:29How did the concert go?
0:49:29 > 0:49:32You can see from the rain on the car that it's absolutely pouring down.
0:49:32 > 0:49:35- What are you playing?- Elgar.
0:49:35 > 0:49:38Ah, I think it's a shame he spent so much time...
0:49:38 > 0:49:42We can always hear the rain, but she's clearly walking in the sunshine.
0:49:42 > 0:49:45Looks like the film's continuity person needs a bit of an education.
0:49:49 > 0:49:53George Clooney looking for a bit of love action in the winter snow.
0:49:53 > 0:49:54So I was in the neighbourhood...
0:49:54 > 0:49:57But keep an eye on the snow that's coming down.
0:49:57 > 0:49:58It's everywhere...
0:50:00 > 0:50:04..except in this shot, when the snow machine obviously went on the blink.
0:50:04 > 0:50:07And it's snowing again. And not. And snow.
0:50:09 > 0:50:12And finally, a clip in which some frozen teens
0:50:12 > 0:50:15complain about being frozen, in the movie Frozen.
0:50:16 > 0:50:20They're stuck on a chairlift and clearly really, really cold.
0:50:20 > 0:50:21Frozen even.
0:50:21 > 0:50:24It's frigging cold up here!
0:50:24 > 0:50:28Hmm, so why can't we see their breath at any point in this scene?
0:50:28 > 0:50:31Probably because they're in a cosy, warm studio, that's why.
0:50:34 > 0:50:38Props are a regular source of terrible movie mistakes.
0:50:38 > 0:50:41Sometimes it's a thing that doesn't look quite right,
0:50:41 > 0:50:43like a heavy rock that's clearly made out of polystyrene.
0:50:43 > 0:50:46Or something that shouldn't have been in the film in the first place,
0:50:46 > 0:50:49like Ray Winstone in the last Indiana Jones movie.
0:50:49 > 0:50:52Prop mix-ups could have disastrous consequences.
0:50:52 > 0:50:55I mean, what if the man with the golden gun had lost his golden gun?
0:50:55 > 0:50:57It would just be called The Man.
0:50:57 > 0:51:02And I've not seen the film myself, but what if Schindler had lost his shopping list?
0:51:02 > 0:51:05It is a shopping list, isn't it? Yeah.
0:51:06 > 0:51:11If there's one man you can trust in Hollywood, it's Richard Gere.
0:51:11 > 0:51:14Here's a scene in which he promises to look after some letters.
0:51:14 > 0:51:18Popping off letters for my dad, my mom and my sis.
0:51:18 > 0:51:21Don't worry, still got them.
0:51:21 > 0:51:23Oh, Richard, you've lost them.
0:51:23 > 0:51:26You're neither an officer, nor a gentleman.
0:51:30 > 0:51:33If you don't mind me saying, you're still angry.
0:51:33 > 0:51:35Rupert Everett now, someone else with no letters.
0:51:35 > 0:51:37- Even though he is holding a letter opener.- I'm not angry.
0:51:37 > 0:51:40I'm just very, very, very...
0:51:42 > 0:51:46Very confused because now the letter opener is a dart.
0:51:50 > 0:51:51Disappointed.
0:51:56 > 0:51:59Here's Billy Bob Thornton as Bad Santa,
0:51:59 > 0:52:01relaxing after a hard day's being miserable.
0:52:01 > 0:52:04But keep an eye on the bottle he's swigging from.
0:52:04 > 0:52:07You can see it's made of thin plastic.
0:52:07 > 0:52:10Shouldn't smash like glass then, eh?
0:52:12 > 0:52:13Bad Santa.
0:52:16 > 0:52:20It's futuristic sci-fi hit Moon now, which features an epic plot clanger.
0:52:20 > 0:52:24Keep your eye on the table for an unexpected reworking
0:52:24 > 0:52:27of Little House On The Prairie.
0:52:27 > 0:52:28High five.
0:52:28 > 0:52:29Only in the future,
0:52:29 > 0:52:33it's called Little House On The Ping-pong Table. Weird.
0:52:35 > 0:52:38Oh, my God in Heaven!
0:52:38 > 0:52:41The mistake in this scene is not the clearly fake cow.
0:52:41 > 0:52:44See how Jim Carrey throws his gun away.
0:52:47 > 0:52:51Let go, girl, on to greener pastures.
0:52:51 > 0:52:54- A quick cow wrestle later... - They're clear cutting a place in heaven for you.
0:52:54 > 0:52:57And there's the gun right next to him.
0:52:57 > 0:53:00I've got a real beef with this clip.
0:53:02 > 0:53:09- John Travolta appears to be running out of time.- I think I need to pray.
0:53:09 > 0:53:12As we can see on the black-faced watch he's wearing.
0:53:12 > 0:53:14Give me a minute.
0:53:14 > 0:53:19Only the next time we see his watch, it changes to a white one.
0:53:19 > 0:53:21And there's the black one again.
0:53:21 > 0:53:24- Should we tell him? - Tell him the truth or a lie?
0:53:24 > 0:53:25Tell him the truth.
0:53:27 > 0:53:31Why do extras insist on being referred to as background artists?
0:53:31 > 0:53:34Artists? They're standing in a lift or pretending to eat at a diner.
0:53:34 > 0:53:36They're not flipping Rembrandt.
0:53:36 > 0:53:38But whatever they call themselves,
0:53:38 > 0:53:41they need to remember that just because they're in the background
0:53:41 > 0:53:42doesn't mean we can't see them.
0:53:42 > 0:53:46And their mistakes. As these clips show.
0:53:48 > 0:53:52Being an extra isn't so hard. There are just a few basics to get right.
0:53:52 > 0:53:55Watch the guy playing a French reporter in mystical blockbuster,
0:53:55 > 0:53:59Angels and Demons. His left arm is up.
0:53:59 > 0:54:00And now it's down.
0:54:00 > 0:54:02Poor workmanship, monsieur.
0:54:04 > 0:54:07In this rousing scene from Legally Blonde 2
0:54:07 > 0:54:11Elle's colleagues are shoulder to shoulder in the close shot.
0:54:11 > 0:54:12Extra fries.
0:54:14 > 0:54:19But in the wide shot, they're suddenly miles apart from each other.
0:54:19 > 0:54:21Miles. OK, inches.
0:54:23 > 0:54:30Come on, sneak a peek!
0:54:30 > 0:54:34Here's Uma Thurman with a hairdo so terrifying it turns people into stone.
0:54:39 > 0:54:42And even stone extras screw up their part as we're about to see.
0:54:42 > 0:54:44She grabs the girl's wrist at elbow level.
0:54:44 > 0:54:48And now it's down by her waist. The snakes will be very angry.
0:54:50 > 0:54:54- How are you?- Very well.- Watch out for the extra playing a waiter.
0:54:54 > 0:54:57He really doesn't want to miss his big moment.
0:54:57 > 0:54:59- May I have a drink? - A drink, of course.
0:54:59 > 0:55:04He walks through shot, but then you can see him waiting for his cue right there in the reflection.
0:55:04 > 0:55:06- He didn't see me.- Waiter?
0:55:06 > 0:55:09- I will have a martini. - Blimey, that's quick service.
0:55:13 > 0:55:16Keep an eye on this guy. All he needs to do is clap normally
0:55:16 > 0:55:19and not look like a complete weirdo.
0:55:19 > 0:55:21Unfortunately, he can't do either.
0:55:21 > 0:55:23See you in four years, yeah?
0:55:23 > 0:55:27Presumably, because he's been told to clap silently and not ruin the soundtrack.
0:55:28 > 0:55:32Let's have one more look at this fine extra work.
0:55:32 > 0:55:36- Wow, he stands out like a Jamaican in the Winter Olympics. - Yeah, man.- Oh...
0:55:40 > 0:55:45First thing you learn at the academy of not being a crap extra
0:55:45 > 0:55:47is don't look at the camera.
0:55:47 > 0:55:50This girl manages to do it once...
0:55:50 > 0:55:51Twice.
0:55:51 > 0:55:54Who wants to see my big ass dancing anyhow?
0:55:54 > 0:55:57Three times. Cut!
0:56:01 > 0:56:04And finally, here's an extra in the crowd
0:56:04 > 0:56:06who's doing absolutely everything wrong.
0:56:06 > 0:56:10The audience has been told not to react to the band, but not this guy.
0:56:10 > 0:56:14He's mugging at the camera and generally having a one-man party.
0:56:14 > 0:56:17Sir, we salute you.
0:56:19 > 0:56:21Right, that's all we've got.
0:56:21 > 0:56:23Remember, as long as there are movie mistakes,
0:56:23 > 0:56:26there will be geeks to laugh at them. Goodnight.
0:56:44 > 0:56:47Subtitles by Red Bee Media Ltd
0:56:47 > 0:56:50E-mail subtitling@bbc.co.uk