0:00:24 > 0:00:28Hello, and welcome to Movie Mistakes 2: The Sequel.
0:00:28 > 0:00:31Like any sequel, we're bigger, louder,
0:00:31 > 0:00:34and most snobs are going to say we're not as good as the first one.
0:00:34 > 0:00:38Well, that's not true, because our crack team of celluloid super-geeks
0:00:38 > 0:00:41have outdone themselves by trawling this year's top movies
0:00:41 > 0:00:43alongside some revered classics
0:00:43 > 0:00:46to compile a brand-new collection of cinematic clunkers.
0:00:46 > 0:00:50Oh, and apparently, in order to compete with the latest movie fad,
0:00:50 > 0:00:54we've got to do something 3D, so please put on your 3D glasses now
0:00:54 > 0:00:57and prepare to get your mind blown.
0:00:57 > 0:00:58OK, ready?
0:00:58 > 0:01:01Whoo! Whoo! Oh! Whoo!
0:01:03 > 0:01:06There. Take that, Avatar.
0:01:06 > 0:01:10Now you can take your 3D glasses off, cos you look ridiculous. Oh.
0:01:10 > 0:01:12Right, let's get on with it.
0:01:12 > 0:01:14On tonight's show:
0:01:20 > 0:01:23There are a lot of things that are just wrong about Hollywood.
0:01:23 > 0:01:24Why do the actors get paid so much?
0:01:24 > 0:01:27Why does Jennifer Aniston make so many dodgy rom-coms?
0:01:27 > 0:01:31And why, Mel Gibson, why?
0:01:31 > 0:01:36But we're here to right some movie wrongs, or at least point them out and be sarcastic about them.
0:01:36 > 0:01:38Enjoy!
0:01:38 > 0:01:43Get Him To The Greek now, and we join the party in full swing.
0:01:43 > 0:01:45With Russell Brand, some sexy girls,
0:01:45 > 0:01:48Puff Diddy Daddy Combs and something on fire.
0:01:48 > 0:01:51- Sergio's gone crazy! - I love this game!
0:01:51 > 0:01:54And note the night-time cityscape in the windows.
0:01:54 > 0:01:55A real night to remember.
0:01:55 > 0:01:57I don't think so!
0:01:57 > 0:02:00Only when they get outside it's not night at all,
0:02:00 > 0:02:02it's the middle of the day.
0:02:03 > 0:02:07Exactly how long is that walk from the room to the exit?
0:02:10 > 0:02:13Look carefully at this clip from Ronin.
0:02:13 > 0:02:17Someone's spying on some tough guys from a window through a camera.
0:02:19 > 0:02:22But the next camera shot is clearly from someone standing
0:02:22 > 0:02:25right in front of them on the street. Very undercover.
0:02:29 > 0:02:31Harry Potter's full of all kinds of magical nonsense.
0:02:31 > 0:02:34That's it, all I need's a bit of luck.
0:02:34 > 0:02:38He's got an invisibility cloak, but in this scene he's also got invisibility glasses.
0:02:38 > 0:02:40Look, no lenses.
0:02:42 > 0:02:44It's a miracle.
0:02:48 > 0:02:52In Final Destination we see a young lady striking a tiny match
0:02:52 > 0:02:55that suddenly becomes absolutely massive.
0:02:55 > 0:02:57You could say... the match doesn't match.
0:02:59 > 0:03:02Look, it's all completely chicken soup.
0:03:02 > 0:03:03- It's what?- It's kosher.
0:03:03 > 0:03:05As Christmas.
0:03:05 > 0:03:09Lock Stock may have Two Smoking Barrels, but in this scene there's one massive clunker.
0:03:09 > 0:03:12- I need some artillery, too.- The fruit machine sounds like it's working.
0:03:12 > 0:03:14This is London, not the Lebanon.
0:03:14 > 0:03:17But no reels move at any point.
0:03:17 > 0:03:21Oi, Guy Ritchie, back up the apples and pears and sort your movie out.
0:03:23 > 0:03:25I don't like you.
0:03:25 > 0:03:29Dustin Hoffman about to reveal a revolutionary new product.
0:03:29 > 0:03:31Shaving foam that shaves for you.
0:03:33 > 0:03:35Leave on for a bit during a dramatic scene.
0:03:35 > 0:03:37Wipe foam off...
0:03:37 > 0:03:39and you're clean-shaven.
0:03:39 > 0:03:42Mrs Robinson, get that boy to the Dragon's Den.
0:03:44 > 0:03:46PHONE RINGS Pick it up.
0:03:46 > 0:03:49A dark, atmospheric thriller from the Coen brothers
0:03:49 > 0:03:51and what could be more creepy than a haunted phone?
0:03:51 > 0:03:55It's still ringing after she picks it up.
0:03:55 > 0:03:56Let's see that again.
0:04:02 > 0:04:05Oh, hi, it's Robert, from Movie Mistakes.
0:04:05 > 0:04:06I'd like my money back, please.
0:04:08 > 0:04:13Quentin Tarantino is one of the greatest directors of his generation.
0:04:13 > 0:04:18He's also a very naughty boy. By calling his last film Inglourious Basterds,
0:04:18 > 0:04:23he thought his misspelling would allow him to get away with using a swearword. What a dockhead.
0:04:23 > 0:04:26The film follows the adventures of a group of Nazi-hunters.
0:04:26 > 0:04:29Well, Nazi hunters, our mistake hunters are after you.
0:04:29 > 0:04:32But just because our hunters are hunting Nazi-hunters,
0:04:32 > 0:04:35it doesn't mean we're on the same side as the Nazis. OK? They're not.
0:04:35 > 0:04:38This film is filled with the kind of mistakes
0:04:38 > 0:04:41that make you want to track down those responsible
0:04:41 > 0:04:44and carve the word "numpty" into their forehead.
0:04:44 > 0:04:48Sergeant Hugo Stiglitz.
0:04:48 > 0:04:50Heard of him?
0:04:50 > 0:04:53Everybody in the German army's heard of Hugo Stiglitz.
0:04:53 > 0:04:58Let's start with the scene where we find out about a Nazi turned good guy who goes by the name of....
0:04:58 > 0:05:00Well, you can probably read it for yourself.
0:05:02 > 0:05:05And here's a newspaper article all about the Nazis he's meant to have killed.
0:05:05 > 0:05:08On the top row here, there are six photos.
0:05:08 > 0:05:10Go ahead and count them.
0:05:10 > 0:05:13Hugo Stiglitz is a celebrity among German soldiers.
0:05:13 > 0:05:16But in this close-up there are actually seven photos across.
0:05:16 > 0:05:19Which is it Hugo, six or seven?
0:05:19 > 0:05:20You will answer me!
0:05:22 > 0:05:26Keep an eye on Colonel Landa's cigarette in this clip.
0:05:26 > 0:05:29He's just lit it.
0:05:29 > 0:05:32Already, there's ash hanging off.
0:05:34 > 0:05:37Hmm. Tension mounting.
0:05:37 > 0:05:39Doesn't even take a single drag.
0:05:44 > 0:05:48But seconds later, he puts it out in his apfel strudel.
0:05:48 > 0:05:50And suddenly it's burned down to a stub.
0:05:52 > 0:05:55Leading lady Shosanna puts on heavy lipstick
0:05:55 > 0:05:57for an evening of Nazi bothering.
0:05:59 > 0:06:03But hang on, in this shot, she's hardly wearing any lipstick.
0:06:03 > 0:06:06And there's no big, red mark on the wine glass.
0:06:09 > 0:06:14No, it's all right, lipstick's back again. As you were.
0:06:19 > 0:06:20I've been chewed out before.
0:06:20 > 0:06:23It's the end of the film with everyone making a break for freedom.
0:06:23 > 0:06:26Heard that deal you made with the brass.
0:06:26 > 0:06:31But something else is trying to make a run for it and that's Brad Pitt's tie.
0:06:31 > 0:06:35- First you can see both sides...- I'd make that deal.- I don't blame you.
0:06:35 > 0:06:37Then one side has made a run for it.
0:06:37 > 0:06:42And that pretty little nest you've feathered for yourself. Well, if you're willing to barbecue
0:06:42 > 0:06:45the whole high command, I suppose that's worth certain considerations.
0:06:45 > 0:06:46Don't worry, it'll be back.
0:06:46 > 0:06:49But I do have one question.
0:06:49 > 0:06:51Yeah, who's in charge of continuity here?
0:06:53 > 0:06:56There really is no excuse for mistakes in animation films.
0:06:56 > 0:06:59Why, oh, why do animators make so many mistakes?
0:06:59 > 0:07:03It's just drawing a picture or two, or you know, quite a few, say,
0:07:03 > 0:07:05roughly 30 pictures per second,
0:07:05 > 0:07:111,800 pictures a minute so that's about 162,000 pictures per film, I mean, how hard can it be?
0:07:11 > 0:07:13Some of these animators should be drawn themselves,
0:07:13 > 0:07:17hung, drawn and quartered - for crimes against movie continuity!
0:07:17 > 0:07:19Possibly a bit harsh, but you know.
0:07:19 > 0:07:22Let's kick things off with Monsters Inc.
0:07:22 > 0:07:26Keep an eye on the train set on the bedroom floor.
0:07:29 > 0:07:31- Argh!- ARGH!
0:07:31 > 0:07:34Just moments later, it's gone.
0:07:34 > 0:07:38And has been replaced by all these painful, spiky things.
0:07:38 > 0:07:42These monsters should be incarcerated, not incorporated!
0:07:44 > 0:07:46Keep coming, keep coming.
0:07:46 > 0:07:51Look at Mike's hand at the bottom of the screen. It's completely normal.
0:07:51 > 0:07:54Apart from the fact it's green and has pointy nails.
0:07:54 > 0:07:57Could almost be my ex-wife, am I right, fellas?
0:07:57 > 0:07:59Actually, I don't even have an ex-wife.
0:07:59 > 0:08:02- Is that...- Sorry it took so long.
0:08:02 > 0:08:05Anyway, now the hands are all covered in plasters.
0:08:07 > 0:08:09Even the credits are wrong.
0:08:09 > 0:08:12See Sulley hide little girl Boo behind him.
0:08:12 > 0:08:17But watch closely because during the song, she vanishes into thin air.
0:08:17 > 0:08:22Mind you, I disappear when people start dancing too.
0:08:22 > 0:08:25Get away from me, you guys.
0:08:29 > 0:08:35Look at young Cal here waking up in his PJs.
0:08:35 > 0:08:38Wow, it's been snowing ice cream.
0:08:42 > 0:08:45And a coat just magically appeared on him.
0:08:45 > 0:08:46Happy birthday, son.
0:08:46 > 0:08:49- Dad?- This is your day.
0:08:49 > 0:08:51If no-one else here is going to ask the question, I will.
0:08:51 > 0:08:53Where did that coat come from?
0:08:56 > 0:09:02Next, the laugh-every-few-minutes hit-and-miss, Planet 51.
0:09:02 > 0:09:05Keep your eyes on the spaceman's visor.
0:09:05 > 0:09:07What the...
0:09:07 > 0:09:09duck?
0:09:10 > 0:09:15Aliens? Yeah, we're surprised, too, because they've got no reflection in your shiny helmet.
0:09:19 > 0:09:23# I call him lollipop, lollipop oh lolly, lolly, lolly, lollipop... #
0:09:23 > 0:09:26Planet 51 and mistake number two.
0:09:26 > 0:09:28So the alien dog pees on a lamp-post.
0:09:30 > 0:09:33The lamp-post falls down...
0:09:35 > 0:09:38..the lamp-post disappears.
0:09:38 > 0:09:41Yet another reason not to watch this film.
0:09:45 > 0:09:47Keep an eye on the two glasses.
0:09:47 > 0:09:50She must be real thirsty.
0:09:50 > 0:09:52I'm real thirsty.
0:09:52 > 0:09:56Told you. The only problem is one of the glasses has vanished.
0:10:05 > 0:10:06I don't want to walk any more.
0:10:06 > 0:10:09Russell is being dragged along by his face.
0:10:09 > 0:10:13I imagine that'll make him all dirty.
0:10:13 > 0:10:15There are no tigers in South America.
0:10:15 > 0:10:18- Zoology.- Yep.
0:10:18 > 0:10:24That's kids for you, eh? Dirty one second, completely clean the next.
0:10:24 > 0:10:26Weird.
0:10:28 > 0:10:30Let's take a look at Twilight, a series of films
0:10:30 > 0:10:33about pretty teenagers mainly moping about in forests.
0:10:33 > 0:10:37They have it all, vampires, werewolves, action romance,
0:10:37 > 0:10:41all mixed up together to create a bunch of boring, old rubbish.
0:10:41 > 0:10:44Twilight is chock-full of dodgy moral messages.
0:10:44 > 0:10:45Edward is over 100 years old
0:10:45 > 0:10:48and yet he's dating a 17-year-old schoolgirl,
0:10:48 > 0:10:50so we're all fine with this?
0:10:50 > 0:10:53Oh, and it's fine for the dead to get off with the living,
0:10:53 > 0:10:56but when it's the other way round, apparently it's creepy.
0:10:58 > 0:11:03Fitting in as the new kid can be hard. For a start, what do you wear?
0:11:03 > 0:11:07My first day at a new school, it's March in the middle of the semester.
0:11:07 > 0:11:09Well, that guy's got a red hoodie. He's pretty cool.
0:11:16 > 0:11:20- Nice ride.- Only now, he's also wearing a bodywarmer.
0:11:20 > 0:11:22- Thanks.- Oh, now he isn't.
0:11:22 > 0:11:24I can't keep up with teen fashion.
0:11:26 > 0:11:29I'm sorry I'm rude all the time, I just think it's the best way.
0:11:29 > 0:11:32Guess who just asked me to prom!
0:11:32 > 0:11:35Never mind the prom, where did that clipboard come from?
0:11:35 > 0:11:38Let's see that again.
0:11:38 > 0:11:41No clipboard, clipboard!
0:11:41 > 0:11:43And flounce...
0:11:45 > 0:11:48Where is he?
0:11:48 > 0:11:50Where's... Where's Edward?
0:11:50 > 0:11:53Here we see the loyal R-Patz sitting guard for injured Bella.
0:11:55 > 0:11:58There he is sleeping right by the window.
0:11:58 > 0:12:00Yep, right next to the...
0:12:00 > 0:12:03Oh, hang on, who moved the window?
0:12:05 > 0:12:07Come on, it's just a game.
0:12:07 > 0:12:10You have to be careful playing baseball,
0:12:10 > 0:12:12especially with sexy vampires.
0:12:12 > 0:12:13Nice kitty.
0:12:13 > 0:12:18Although it's not so dangerous that Bella needs a body double.
0:12:18 > 0:12:21Look, that's clearly not her, look at that massive chin.
0:12:27 > 0:12:31Ah, she's been reading Romeo and Juliet. How romantic.
0:12:31 > 0:12:35Happy birthday.
0:12:35 > 0:12:38But now, the book's gone. What did you do with it, Bella?
0:12:38 > 0:12:40Bore it out of existence?
0:12:42 > 0:12:47A werewolf so moody and sexy he has to walk around with his top off.
0:12:47 > 0:12:49Nice tattoo right up by his shoulder.
0:12:49 > 0:12:53Only in this shot, it seems to have slipped halfway down his arm.
0:12:53 > 0:12:55Bad dog.
0:12:59 > 0:13:02Finally in this scene, R-Pats flings Bella to safety,
0:13:02 > 0:13:06knocking over two vases.
0:13:06 > 0:13:10But the next time we see them, four vases are smashed.
0:13:10 > 0:13:13Either way, you only win a prize if you knock all five down, I'm afraid.
0:13:15 > 0:13:18One of the things that always amazes me about the film business
0:13:18 > 0:13:21is that there are actually trained specialists
0:13:21 > 0:13:24who are paid enormous sums of money to spot continuity mistakes.
0:13:24 > 0:13:29Basically, their job is to watch movies all day and point out small errors. Call that a job?
0:13:29 > 0:13:34It's pathetic. How exactly is that contributing to a better, healthier society for us all?
0:13:34 > 0:13:39Anyway, here's some mistakes that we spotted while being paid to watch movies the other day.
0:13:39 > 0:13:45A saucy scene where Stifler's mom seduces one of her son's friends.
0:13:45 > 0:13:48- Are you lost? - Keep your eyes on his balls.
0:13:48 > 0:13:51The pool balls, people!
0:13:51 > 0:13:53OK, there's a yellow ball in the middle of the table.
0:13:53 > 0:13:56No, no, not lost just...
0:13:56 > 0:13:58you know, taking the tour.
0:13:58 > 0:14:05He's so distracted by her mature allure, he doesn't notice the ball's moved all by itself. Steamy.
0:14:07 > 0:14:09Want show him the room, Dale?
0:14:09 > 0:14:15John C Reilly and Will Ferrell play, er, step-brothers. Watch the napkin.
0:14:15 > 0:14:19Hey, listen, I like to have a lot of fresh fruit around.
0:14:19 > 0:14:23And chocolate chips in my pancakes, OK?
0:14:23 > 0:14:25- Write it down so you don't forget. - Show him the room.
0:14:25 > 0:14:27Hang on, it's gone.
0:14:29 > 0:14:31Wait! Dastan!
0:14:32 > 0:14:35Ooh, it's The Prince Of Persia swordfighting
0:14:35 > 0:14:38in his brand new M&S shirt. And, oh, no, that's torn it.
0:14:38 > 0:14:40His mum will be furious.
0:14:40 > 0:14:45Only she won't, because look, it's immediately as good as new.
0:14:45 > 0:14:47Magic.
0:14:49 > 0:14:53It's the 1960s when men sat up front and women sat in the back.
0:14:53 > 0:14:56But it was also the decade of sexual liberation.
0:14:56 > 0:14:58- Might be worth a look.- Mm-hmm.
0:14:58 > 0:15:04Because when they stop, one of the men has become a woman, and nobody bats an eyelid.
0:15:06 > 0:15:12A man who so loved his watch, he could look at it for ages.
0:15:14 > 0:15:16It's 6pm.
0:15:16 > 0:15:18Next thing you know, it's 6:25.
0:15:18 > 0:15:20I guess time flies when you're on the run.
0:15:22 > 0:15:26Here's Anne Hathaway sprawling on the floor.
0:15:26 > 0:15:28Steve Carell is getting an eyeful,
0:15:28 > 0:15:31so he'll probably notice that she's got bare feet.
0:15:32 > 0:15:35Are you staring at my butt?
0:15:35 > 0:15:37No, I'm not.
0:15:37 > 0:15:43But in the same scene, after Steve Carell's stunt double has demonstrated his flexibility.
0:15:43 > 0:15:44That's impressive, wow.
0:15:44 > 0:15:46Hathaway's suddenly got shoes on.
0:15:46 > 0:15:50How good am I at spotting mistakes?
0:15:50 > 0:15:51Very good.
0:15:53 > 0:15:58Ah, legs crossed left over right, the classic relaxation position.
0:15:58 > 0:16:01- I will never become an Omega... - I mean, right over left.
0:16:01 > 0:16:04That's it, right over left.
0:16:04 > 0:16:05Left over right?
0:16:07 > 0:16:09Right over left?
0:16:09 > 0:16:11I cannot keep up with the Joneses.
0:16:13 > 0:16:16This isn't about me selling my products,
0:16:16 > 0:16:18I have to ensure my unit is selling their products.
0:16:18 > 0:16:20Here's that guy Mulder, from The X Files,
0:16:20 > 0:16:23with some paranormal activity.
0:16:23 > 0:16:26Keep an eye on his arm. It's up by his head.
0:16:26 > 0:16:28Separate bedrooms perhaps?
0:16:28 > 0:16:31Down again.
0:16:31 > 0:16:33You're not a great salesman.
0:16:33 > 0:16:35Touching his ear.
0:16:35 > 0:16:39Touching the table. Spooky.
0:16:42 > 0:16:47And here's that guy Mulder from The X Files in...The X Files.
0:16:47 > 0:16:53What's inexplicable in this shot is how the driver's side window is all ragged and smashed.
0:16:58 > 0:17:01But then there's not a shard of glass to be seen.
0:17:01 > 0:17:05The truth is out there. The truth is nobody was paying attention.
0:17:05 > 0:17:07Yeah, that'll learn you.
0:17:09 > 0:17:11I enjoyed Team America all right,
0:17:11 > 0:17:15I just found the acting a bit, I don't know, wooden?
0:17:15 > 0:17:18Here's a puppet looking at a picture of four other puppets,
0:17:18 > 0:17:22like Cheryl Cole thinking back on her Girls Aloud days.
0:17:22 > 0:17:26Hello, young man. Congratulations on a terrific performance.
0:17:26 > 0:17:31But in the wide shot, that photo of four has turned into a photo of two.
0:17:31 > 0:17:34What a Muppet! I mean, puppet.
0:17:34 > 0:17:36The name is Spottswoode.
0:17:38 > 0:17:41They say you should never work with children or animals.
0:17:41 > 0:17:45But after you've seen these clips, you can add vehicles to that list.
0:17:45 > 0:17:50Here's a collection of classic gaffes featuring planes, trains and automobiles.
0:17:50 > 0:17:53Ooh, that's a catchy title. Well done me.
0:17:53 > 0:17:58Anyway, I haven't seen transport blunders like this since I got a lift home with George Michael.
0:17:58 > 0:18:00Here's a famous scene from Borat.
0:18:00 > 0:18:03Eventually, I managed to hike a hitchings
0:18:03 > 0:18:08with group of young scholars also travelling across country. All right!
0:18:09 > 0:18:12Yes, it's all so completely spontaneous and not pre-planned.
0:18:12 > 0:18:16So spontaneous, the RV he gets out of later that night
0:18:16 > 0:18:20is a different one from the day before. Isn't that nice?
0:18:22 > 0:18:25- Hit the brakes! Hit the brakes, come on!- I can't!
0:18:25 > 0:18:29The fellows are in a spot of bother here.
0:18:29 > 0:18:33Look, the wheel's fallen off. This can't end well.
0:18:36 > 0:18:38Hold on, the wheel's back.
0:18:38 > 0:18:39Nothing can go wrong now.
0:18:44 > 0:18:45What the...?
0:18:45 > 0:18:50Get Smart not taking its own advice with this stupid movie blunder.
0:18:50 > 0:18:53Keep an eye on the car wing mirror.
0:18:53 > 0:18:55It gets smashed...
0:18:55 > 0:18:58- I cannot get over the fact that 23 is a traitor.- Sand trap!
0:18:58 > 0:19:00But now it's whole again.
0:19:00 > 0:19:04Now I know how you must have felt when you thought I was a traitor.
0:19:04 > 0:19:08- It is demoralising.- Tractor! - Wait, no, it's hanging off again.
0:19:08 > 0:19:11I don't know how I missed it. I'm usually very observant.
0:19:11 > 0:19:13- Swordfish!- Get Smart? Get lost.
0:19:17 > 0:19:20It's canine comedy caper, Hotel For Dogs.
0:19:20 > 0:19:22It's kind of like a dinner date, isn't it?
0:19:24 > 0:19:29How clever, a little train set bringing out the dogs' food.
0:19:29 > 0:19:33Ooh, not so clever, the food's not there in this shot.
0:19:33 > 0:19:36Well, they've made a right dog's dinner out of this scene.
0:19:38 > 0:19:41Here's Mel Gibson, furious at the side of the road as usual.
0:19:41 > 0:19:46But keep an eye on the door in the background. It's firmly shut.
0:19:50 > 0:19:53Oops, door's open.
0:19:55 > 0:19:57And the door's shut again.
0:19:59 > 0:20:04- What does it feel like? - Anyway, Mel's had enough and is off to shout at some police officers.
0:20:07 > 0:20:08OK, shouting done,
0:20:08 > 0:20:13Mel's now on his way home from this multi-storey car park.
0:20:13 > 0:20:17- Where you going?- Well, he's not going to the exit, that's for sure.
0:20:17 > 0:20:19Because it's that way.
0:20:21 > 0:20:24Mel? Mel? Mel!
0:20:26 > 0:20:31A movie masterclass in how not to make a film.
0:20:31 > 0:20:35But there are bigger mistakes than the casting of Ben Affleck.
0:20:38 > 0:20:41In this scene, we can clearly see that it's daytime.
0:20:44 > 0:20:46But when Affleck comes up for air...
0:20:48 > 0:20:51..here he comes - it's suddenly night time.
0:20:51 > 0:20:53What a terrible...film.
0:20:55 > 0:20:58One of the worst movie clunkers is a boom in shot.
0:20:58 > 0:21:01No, not when something in shot goes boom, but when a sound man's
0:21:01 > 0:21:05over-head microphone drops down and ruins the entire scene.
0:21:05 > 0:21:06Can you watch what you're doing?!
0:21:06 > 0:21:09God, sound men are such idiots.
0:21:09 > 0:21:11Oh! I asked for that.
0:21:15 > 0:21:18Any film about Pearl Harbour is going to have a bit of boom in shot.
0:21:18 > 0:21:21Get it? Boom? Like an explosion? No?
0:21:21 > 0:21:23You're right. It was a tragedy.
0:21:24 > 0:21:27And the actual war was pretty bad, too.
0:21:30 > 0:21:34Here's Michael Douglas starring in Fatal Attraction.
0:21:34 > 0:21:37- See you tomorrow night.- Love you.
0:21:37 > 0:21:38Keep your eye on the windscreen.
0:21:38 > 0:21:40Boom!
0:21:40 > 0:21:43Never mind fatal attraction, there's a fatal distraction.
0:21:47 > 0:21:49Creative differences?
0:21:49 > 0:21:53Next up is Al Pacino in S1m0ne.
0:21:55 > 0:21:58And here's a blink and you'll miss it moment. Boom!
0:21:58 > 0:22:00Let's see it again.
0:22:01 > 0:22:04Luckily they got away with this gaffe
0:22:04 > 0:22:07because no-one actually went to see that film.
0:22:09 > 0:22:11Here's Jack Black in Shallow Hal,
0:22:11 > 0:22:13displaying his admirable acting range
0:22:13 > 0:22:16by playing a tubby yet loveable goofball.
0:22:17 > 0:22:19But that's not the only thing on display here.
0:22:19 > 0:22:21Boom!
0:22:21 > 0:22:25No, no. It's my fault. I didn't see... This is your cab.
0:22:25 > 0:22:27I'm going to get the next cab.
0:22:27 > 0:22:28Boom again!
0:22:28 > 0:22:30Taxi for the sound man.
0:22:32 > 0:22:34While watching Enchanted,
0:22:34 > 0:22:37I like to play a game called Boom Shake The Room.
0:22:37 > 0:22:41Every time I see a boom in shot - there's one - I trash my room.
0:22:41 > 0:22:45She's a seriously confused woman who's fallen into our laps.
0:22:45 > 0:22:47Good night, OK?
0:22:47 > 0:22:51There it is again. Right, I'm off to throw a sofa out of the window.
0:22:53 > 0:22:56Tense action thriller Ronin now.
0:22:56 > 0:23:00- Watch as De Niro runs through this dressing room.- Ten seconds.
0:23:02 > 0:23:05Did you spot the gaffe? Let's take a closer look at those mirrors.
0:23:05 > 0:23:08Ten seconds.
0:23:08 > 0:23:10That's the camera man, and boom!
0:23:10 > 0:23:12That's the sound man.
0:23:12 > 0:23:15Actors, eh? Can't go anywhere without their entourage.
0:23:17 > 0:23:19Right, that's all we've got.
0:23:19 > 0:23:21Remember, as long as there are movie mistakes,
0:23:21 > 0:23:24there will be geeks to laugh at them. Goodnight.
0:23:46 > 0:23:49Subtitles by Red Bee Media Ltd
0:23:49 > 0:23:52E-mail subtitling@bbc.co.uk