Episode 5

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0:00:23 > 0:00:28Hello and welcome to Great Movie Mistakes 2.

0:00:28 > 0:00:30Even more goofs, gaffes, mess-ups and blunders

0:00:30 > 0:00:34that Hollywood's brightest thought we wouldn't notice.

0:00:34 > 0:00:39Wrong! Guess they weren't counting on our crack team of... noticers.

0:00:39 > 0:00:42They've pored over literally hours of film footage to compile

0:00:42 > 0:00:46another classic collection of cinematic clunkers.

0:00:46 > 0:00:48On tonight's show:

0:00:54 > 0:00:58Now, Martin Scorsese's Shutter Island. Shutter Island?

0:00:58 > 0:01:02They should shut down the whole film, there are so many gaffes!

0:01:02 > 0:01:05In this movie thriller, nothing is what it seems.

0:01:05 > 0:01:07Is this an asylum? Are you crazy?

0:01:07 > 0:01:10Am I crazy? I most certainly am!

0:01:10 > 0:01:12Crazy about all the mistakes we've been able to find.

0:01:12 > 0:01:16I'm going to go and put on a straitjacket and get my medication

0:01:16 > 0:01:20from Nursey while you watch these unhinged clangers.

0:01:20 > 0:01:23It's the boat over to Shutter Island,

0:01:23 > 0:01:25a prison for the criminally insane!

0:01:25 > 0:01:26Four people died.

0:01:26 > 0:01:29It was the smoke that got them, not the fire.

0:01:29 > 0:01:33Perhaps a quick cigarette to calm the nerves. There it goes.

0:01:33 > 0:01:35Hang on, pop it in again.

0:01:35 > 0:01:39Maybe I AM the one going insane.

0:01:41 > 0:01:44- A little more prone to seasickness. - Ah, dehydration.

0:01:44 > 0:01:45- You all right, boss?- Yeah.

0:01:45 > 0:01:48- In that case, you're right. - Watch the glass in Leo's hand.

0:01:48 > 0:01:50Swallow it down, Leo.

0:01:50 > 0:01:55When I said swallow, I meant the pill, not the glass as well.

0:01:55 > 0:01:56And one more time.

0:01:56 > 0:02:00Glass, no glass. Crazy!

0:02:02 > 0:02:05There's no way we can cross those rocks.

0:02:05 > 0:02:08Here, Mark Ruffalo ruffles around in his pocket for a bit of paper.

0:02:08 > 0:02:11But in the next shot, he's ruffling around all over again.

0:02:11 > 0:02:14Talk about building your part up, Ruffalo.

0:02:14 > 0:02:17Which they said repeatedly doesn't exist!

0:02:17 > 0:02:18I'm getting to that lighthouse.

0:02:20 > 0:02:23I don't know what this ugly fella's in prison for.

0:02:23 > 0:02:25Perhaps pickpocketing.

0:02:25 > 0:02:28He's certainly able to move his hands without us noticing.

0:02:28 > 0:02:30They're on the top bar...

0:02:33 > 0:02:36- ..then the bottom bar. - But you're wrong, you're wrong.- Oh?

0:02:36 > 0:02:40Really? Been alone much since you got here?

0:02:40 > 0:02:43- Back on that bar... - I've been with my partner.

0:02:43 > 0:02:46..back on his head.

0:02:46 > 0:02:47Mental!

0:02:47 > 0:02:48Easy.

0:02:50 > 0:02:53Leo's got Max von Sydow up against a wall.

0:02:53 > 0:02:57What are you going to do, kill me?

0:02:57 > 0:02:59But look at this reverse shot.

0:02:59 > 0:03:03Why is the syringe further away? Where's the wall?

0:03:03 > 0:03:06Why is Leo looking up at him in the right shot,

0:03:06 > 0:03:09but looking down at a shorter man on the left?

0:03:09 > 0:03:10For what? Hm?

0:03:10 > 0:03:14From the back, it looks more like Bruce Forsyth than Max von Sydow.

0:03:14 > 0:03:16Good game, good game.

0:03:23 > 0:03:25Come in out of the rain, lads.

0:03:25 > 0:03:28And now for the greatest mystery of Shutter Island,

0:03:28 > 0:03:31the legend of Ruffalo's disappearing coat.

0:03:31 > 0:03:33Where's it gone?

0:03:33 > 0:03:35Let's see it again.

0:03:35 > 0:03:37Jesus Christ.

0:03:37 > 0:03:39He takes it off. And it's gone.

0:03:39 > 0:03:42I'll have nightmares for weeks.

0:03:44 > 0:03:46Let's talk wardrobe malfunctions.

0:03:46 > 0:03:49And no, I don't mean getting to number 30 on your IKEA instructions

0:03:49 > 0:03:54to find you're missing two screws and an Allen key. I hate you, IKEA.

0:03:54 > 0:03:55I'm talking about costume.

0:03:55 > 0:03:58Marlon Brando supposedly performed without trousers

0:03:58 > 0:04:00to stop directors filming his big belly.

0:04:00 > 0:04:03Demi Moore famously performed topless

0:04:03 > 0:04:05to ensure directors would film her at all.

0:04:05 > 0:04:08But where would we be without costume?

0:04:08 > 0:04:12Naked, and no-one wants to see me naked. Apparently.

0:04:12 > 0:04:17What we do want to see are these terrible costume-based clangers.

0:04:17 > 0:04:20Nobody walks down a street like Brad Pitt,

0:04:20 > 0:04:23and no-one can make their suit jacket vanish like him, either.

0:04:23 > 0:04:28Now you see it, now you don't. That's just the Pitts.

0:04:30 > 0:04:33I missed the part about where my office is.

0:04:33 > 0:04:36If you want to be a successful lawyer,

0:04:36 > 0:04:37you've got to accessorise properly,

0:04:37 > 0:04:40right down to elbow-length gloves and a dog in a hat.

0:04:40 > 0:04:44Then I am going to need a glue gun, some pinking shears...

0:04:44 > 0:04:47Reese Witherspoon takes her gloves off, and...

0:04:47 > 0:04:49- Ooh, they're back on again. - DOG BARKS

0:04:49 > 0:04:51Even the dog spotted this gaffe.

0:04:53 > 0:04:55Here's Johnny Depp about to be executed

0:04:55 > 0:04:57for crimes against continuity.

0:04:57 > 0:04:59Keep your eye on the hat ribbon.

0:04:59 > 0:05:01The axe man moves it...

0:05:01 > 0:05:02As long as I can get at your neck.

0:05:02 > 0:05:05..and then it's back on the neck again.

0:05:05 > 0:05:09- I'm right behind you. - Off with his head!

0:05:11 > 0:05:13Ben Stiller is getting all dressed up

0:05:13 > 0:05:17for his first Night at the Museum, but where's his tie?

0:05:17 > 0:05:19Just wanted to say good luck, son.

0:05:19 > 0:05:22And goodbye. We're clocking out for the last time.

0:05:22 > 0:05:24Oh, there it is. Never mind.

0:05:24 > 0:05:27Wait, you guys are going out of town?

0:05:29 > 0:05:31- Hello, Natalie. - Hello, David. I mean, Sir.

0:05:31 > 0:05:35Now, which tie should Hugh Grant wear to meet EastEnders' Tiffany?

0:05:35 > 0:05:37The one with the big spots...

0:05:37 > 0:05:38I'm so sorry, Sir.

0:05:38 > 0:05:42..or the one with the tiny spots?

0:05:42 > 0:05:44D'you know, I don't care.

0:05:46 > 0:05:49Please, line up on the beach.

0:05:49 > 0:05:53Keep your eyes on the girl in the green dress.

0:05:53 > 0:05:55Men on one line...

0:05:55 > 0:05:58There she is, taking off her shoes.

0:05:58 > 0:06:01But in the next scene, they're back on.

0:06:01 > 0:06:03Oi, love! Take 'em off!

0:06:03 > 0:06:04Remove your mask.

0:06:04 > 0:06:06Ooh, not you.

0:06:09 > 0:06:13In Shallow Hal, Gwyneth Paltrow plays a fatty

0:06:13 > 0:06:16who Jack Black sees as a fitty. Look at her shoes.

0:06:16 > 0:06:19High heels, right?

0:06:19 > 0:06:21Dang it! Rosemary, don't move.

0:06:21 > 0:06:22Is your back all right?

0:06:22 > 0:06:25- Yeah.- Is she all right? What happened here?

0:06:25 > 0:06:29Yeah. Listen, you got to get some decent chairs in here, man.

0:06:29 > 0:06:31- Do me a favour... - Just moments later,

0:06:31 > 0:06:34fatty Gwyneth's shoes are completely different and flat,

0:06:34 > 0:06:36just like Jack would be if she sat on him.

0:06:36 > 0:06:38If you took all the women you two have gone out with,

0:06:38 > 0:06:41put 'em together, they wouldn't equal one of her.

0:06:41 > 0:06:43We're not arguing that!

0:06:45 > 0:06:46Down now!

0:06:46 > 0:06:49Pierce Brosnan's furious. No wonder,

0:06:49 > 0:06:52he doesn't know whether to button up his jacket or not.

0:06:52 > 0:06:53Now it's open...

0:06:53 > 0:06:56Good God, you toss that word around...

0:06:56 > 0:06:59..and now it's done up.

0:06:59 > 0:07:02You wouldn't catch Bond making this kind of sartorial gaffe.

0:07:04 > 0:07:09Quentin Tarantino is one of the greatest directors of his generation.

0:07:09 > 0:07:13He's also a very naughty boy. By calling his last film Inglourious Basterds,

0:07:13 > 0:07:18he thought his misspelling would allow him to get away with using a swearword. What a dockhead.

0:07:18 > 0:07:21The film follows the adventures of a group of Nazi-hunters.

0:07:21 > 0:07:24Well, Nazi hunters, our mistake hunters are after you.

0:07:24 > 0:07:27But just because our hunters are hunting Nazi-hunters,

0:07:27 > 0:07:31it doesn't mean we're on the same side as the Nazis. OK? They're not.

0:07:31 > 0:07:33This film is filled with the kind of mistakes

0:07:33 > 0:07:36that make you want to track down those responsible

0:07:36 > 0:07:39and carve the word "numpty" into their forehead.

0:07:39 > 0:07:43Sergeant Hugo Stiglitz.

0:07:43 > 0:07:45Heard of him?

0:07:45 > 0:07:48Everybody in the German army's heard of Hugo Stiglitz.

0:07:48 > 0:07:53Let's start with the scene where we find out about a Nazi turned good guy who goes by the name of....

0:07:53 > 0:07:56Well, you can probably read it for yourself.

0:07:57 > 0:08:00And here's a newspaper article all about the Nazis he's meant to have killed.

0:08:00 > 0:08:04On the top row here, there are six photos.

0:08:04 > 0:08:05Go ahead and count them.

0:08:05 > 0:08:09Hugo Stiglitz is a celebrity among German soldiers.

0:08:09 > 0:08:12But in this close-up there are actually seven photos across.

0:08:12 > 0:08:14Which is it, Hugo, six or seven?

0:08:14 > 0:08:16You will answer me!

0:08:18 > 0:08:22Keep an eye on Colonel Landa's cigarette in this clip.

0:08:22 > 0:08:25He's just lit it.

0:08:25 > 0:08:28Already, there's ash hanging off.

0:08:29 > 0:08:33Hmm. Tension mounting.

0:08:33 > 0:08:35Doesn't even take a single drag.

0:08:39 > 0:08:43But seconds later, he puts it out in his apfel strudel.

0:08:43 > 0:08:46And suddenly it's burned down to a stub.

0:08:48 > 0:08:50Leading lady Shosanna puts on heavy lipstick

0:08:50 > 0:08:52for an evening of Nazi bothering.

0:08:54 > 0:08:58But hang on, in this shot, she's hardly wearing any lipstick.

0:08:58 > 0:09:01And there's no big, red mark on the wine glass.

0:09:05 > 0:09:09No, it's all right, lipstick's back again. As you were.

0:09:15 > 0:09:16I've been chewed out before.

0:09:16 > 0:09:18It's the end of the film with everyone making a break for freedom.

0:09:18 > 0:09:21Heard that deal you made with the brass.

0:09:21 > 0:09:27But something else is trying to make a run for it and that's Brad Pitt's tie.

0:09:27 > 0:09:30- First you can see both sides...- I'd make that deal.- I don't blame you.

0:09:30 > 0:09:33Then one side has made a run for it.

0:09:33 > 0:09:37And that pretty little nest you've feathered for yourself. Well, if you're willing to barbecue

0:09:37 > 0:09:40the whole high command, I suppose that's worth certain considerations.

0:09:40 > 0:09:42Don't worry, it'll be back.

0:09:42 > 0:09:44But I do have one question.

0:09:44 > 0:09:46Yeah, who's in charge of continuity here?

0:09:48 > 0:09:53It's notoriously difficult to act whilst eating. If you ask me,

0:09:53 > 0:09:55I can't see what the fuss is about.

0:09:55 > 0:09:57I'm sorry.

0:09:57 > 0:09:59I can't...

0:09:59 > 0:10:02I... I can't...

0:10:05 > 0:10:10I don't envy movie stars for their flashy houses, fast cars and beautiful girlfriends.

0:10:10 > 0:10:15What I do envy is them having drinks that never seem to end, as these clips show.

0:10:15 > 0:10:19Here's a classic food and drink gaffe from the film Duel.

0:10:19 > 0:10:21Drink it. Drink it.

0:10:22 > 0:10:25Yeah, drink it, all of it.

0:10:25 > 0:10:26Drink all of it.

0:10:26 > 0:10:28There you go.

0:10:29 > 0:10:31Hang on, the glass is completely full again!

0:10:31 > 0:10:33What if I called the local police?

0:10:33 > 0:10:35They can't help you.

0:10:37 > 0:10:42Ray Winstone is drinking with Mel Gibson. Always a dangerous pastime.

0:10:42 > 0:10:45See how he leaves a good swig at the bottom of his glass.

0:10:45 > 0:10:49But in the wide, it's completely empty!

0:10:49 > 0:10:50I think Mel finished it.

0:10:52 > 0:10:58You should always keep an eye on your drink at a party, as this clip from American Pie demonstrates...

0:10:58 > 0:10:59You're really beautiful.

0:11:00 > 0:11:02Really?

0:11:03 > 0:11:04Oh, yeah.

0:11:04 > 0:11:10..because the young lady's clear cup suddenly turns into a blue plastic cup.

0:11:10 > 0:11:12And it's back again.

0:11:12 > 0:11:14I wouldn't drink that if I was you.

0:11:16 > 0:11:18God, I'm so nervous. I don't know why!

0:11:18 > 0:11:23Here's a film I will never be able to unwatch, Bride Wars.

0:11:23 > 0:11:25Keep an eye on the champagne glass.

0:11:25 > 0:11:27Y'know, honestly...

0:11:27 > 0:11:29It's transformed into a make-up compact.

0:11:29 > 0:11:32..the pressure we put on brides...

0:11:32 > 0:11:34And now it's champagne again.

0:11:34 > 0:11:37Do you know, I could do with a drink after watching that gaffe.

0:11:37 > 0:11:39Or some make-up.

0:11:41 > 0:11:45- I mean, you've handled some pretty rough customers, huh?- Yeah, I have.

0:11:45 > 0:11:49Watch the table in front of taxi driver Travis Bickle.

0:11:49 > 0:11:51Just a cup of coffee, right?

0:11:51 > 0:11:56Wrong. There's an entirely magically appearing burger there as well.

0:11:56 > 0:11:58Hey, Travis, I'm talking to you.

0:11:58 > 0:12:01I said I'm talking to... Oh, let's move on.

0:12:03 > 0:12:06Josh Brolin here as US President George W Bush.

0:12:06 > 0:12:09You know I got tasters in the kitchen?

0:12:09 > 0:12:14He's so busy he can't even eat his lunch without running the country at the same time.

0:12:14 > 0:12:17Quick bite or two to keep his stamina up...

0:12:17 > 0:12:21We got 200 million Americans dead on our hands.

0:12:21 > 0:12:24But this must be a self-replenishing sandwich,

0:12:24 > 0:12:27because, moments later, both halves are intact again.

0:12:29 > 0:12:32Because I'm more worried now than I was on 9/11.

0:12:34 > 0:12:37It's your car! Your insurance should pay for it.

0:12:37 > 0:12:40Movie classic Back To The Future.

0:12:40 > 0:12:44Keep your eye on the sweet jar next to Marty McFly. It's full to the brim with candy.

0:12:44 > 0:12:48I haven't yet, but I figured since they weren't due till...

0:12:48 > 0:12:50Hello? Hello?

0:12:50 > 0:12:54But, just moments later, it's half-empty.

0:12:54 > 0:12:59Still, it's a welcome distraction from him trying to cop off with his mother.

0:13:01 > 0:13:03Cheers.

0:13:03 > 0:13:05The only impossible mission in this clip

0:13:05 > 0:13:08is trying to keep track of Ving Rhames' pint glass.

0:13:08 > 0:13:11It bounces from his hand

0:13:11 > 0:13:12to the table...

0:13:12 > 0:13:14Why don't you come back with me?

0:13:17 > 0:13:18I just...

0:13:18 > 0:13:21I just don't know why I'd be doing it.

0:13:21 > 0:13:23..and back to his hand again.

0:13:23 > 0:13:26Americans really can't handle their beer.

0:13:47 > 0:13:50Subtitles by Red Bee Media Ltd