0:00:02 > 0:00:05There was once a noble quest undertaken by Tommo and Ben,
0:00:05 > 0:00:09two hairy men from the Midlands, and Matthew the painfully white.
0:00:09 > 0:00:13Bravely, they sought out motion picture mishaps,
0:00:13 > 0:00:16cinematic screw-ups and filmic failures.
0:00:18 > 0:00:22They travelled as far as Odeon and through the many caverns of Vue,
0:00:22 > 0:00:25where they have returned with their prey,
0:00:25 > 0:00:29captured on shiny golden rings known as DVDs.
0:00:29 > 0:00:33Fine, fine, I know they're not gold.
0:00:33 > 0:00:38Join them now as they celebrate Great Movie Mistakes.
0:00:40 > 0:00:43- Continuity.- What? When you have trouble with your bowels?
0:00:43 > 0:00:45No, that's incontinuity.
0:00:45 > 0:00:53- When you resume drinking a cup of PG Tips?- No, that's continue-a-tea.
0:00:53 > 0:00:55Errors, like those two "jokes",
0:00:55 > 0:00:57are things that should never have happened
0:00:57 > 0:01:00- and continuity errors are the bread and butter of movie mistakes.- What?
0:01:00 > 0:01:04When you move some Eskimos to the Home Counties?
0:01:04 > 0:01:08- No, that's Kent-Inuit-ee.- Enough!
0:01:10 > 0:01:13Some inspired performances in Hitchcock and, luckily,
0:01:13 > 0:01:15some brilliant bloopers.
0:01:15 > 0:01:17Alfred Hitchcock is in the middle of a chapter of Psycho
0:01:17 > 0:01:20when Alma rudely interrupts him.
0:01:23 > 0:01:26This could be the one, Hitch.
0:01:26 > 0:01:28I'll read it later.
0:01:28 > 0:01:32But now, he's reading from the start of the chapter.
0:01:32 > 0:01:35- I sometimes have to reread things if I'm interrupted.- Re-reading, eh?
0:01:35 > 0:01:37That's just showing off twice.
0:01:40 > 0:01:42Here's Hitch in a napkin, reading a paper
0:01:42 > 0:01:46- and displaying terrible table manners.- I can't see anything wrong.
0:01:46 > 0:01:49I forgot to tell you...
0:01:49 > 0:01:52Well, look, the paper's gone and he takes off his napkin.
0:01:55 > 0:01:57But here they're both back.
0:01:58 > 0:02:02And just to confuse and alienate Alma, they're both gone again!
0:02:04 > 0:02:07Well, the actual mistake here is that he only sips at the wine.
0:02:07 > 0:02:09He should drink it all before it goes off.
0:02:13 > 0:02:15Now, I'd be the last person you'd think would enjoy
0:02:15 > 0:02:18a high school movie about a cappella groups.
0:02:18 > 0:02:21- No, you wouldn't.- I'm not shocked.
0:02:21 > 0:02:24But check out the smart and sassy Pitch Perfect.
0:02:24 > 0:02:27See how there's no-one sat behind the judges.
0:02:27 > 0:02:30Well, now, there are two people and in just a tick,
0:02:30 > 0:02:31there's only one of them.
0:02:31 > 0:02:33And he's moved seats.
0:02:36 > 0:02:39Undecided about how to wear your hair in the finals of a high school
0:02:39 > 0:02:41a cappella music competition?
0:02:41 > 0:02:44- Always.- So, do as Aubrey does. Wear it up...
0:02:50 > 0:02:52..then down...
0:02:55 > 0:02:58- ..then up again! - Genius, thanks, Matthew.
0:02:58 > 0:03:02- Tom, you don't have any hair. - Not on my head.
0:03:06 > 0:03:10Yes! It's time for action thriller Jack Reacher.
0:03:10 > 0:03:11I bloomin' love this film.
0:03:11 > 0:03:13Out of the car!
0:03:13 > 0:03:18Jack Reacher's my third favourite Jack after Daniels and E Collins.
0:03:18 > 0:03:23Now, Jack's first concern in any high-speed car chase is safety.
0:03:23 > 0:03:26See this Pennsylvania car safety inspection sticker?
0:03:26 > 0:03:29The date on it starts off as September 2012.
0:03:31 > 0:03:33But that nine soon changes itself to a six.
0:03:36 > 0:03:38And then to a blurry eight.
0:03:40 > 0:03:42Then seven.
0:03:44 > 0:03:46And then back to nine.
0:03:48 > 0:03:51Meaning he has his car safety-inspected a whopping
0:03:51 > 0:03:54five times in just the one admittedly far too long chase.
0:03:54 > 0:03:57The great thing about this show is that it can really ruin
0:03:57 > 0:04:02action films for you on a more-or-less permanent basis.
0:04:02 > 0:04:03You're welcome.
0:04:10 > 0:04:13Now, look at this parking meter.
0:04:13 > 0:04:16At first, it's a ten-hour limit.
0:04:16 > 0:04:19Then it's just 30 minutes.
0:04:19 > 0:04:22He really is a law unto himself.
0:04:22 > 0:04:25- By "he", do you mean the continuity guy?- Sure.
0:04:29 > 0:04:32It's you, the guy from the car.
0:04:32 > 0:04:36- This bad guy plays by no rules, not even the rules of time.- How's that?
0:04:36 > 0:04:38Check out his phone.
0:04:40 > 0:04:43- Are you hurt?- No, she's going to be if you're not here in one hour.
0:04:43 > 0:04:47The duration of the phone call changes from the mid-20s
0:04:47 > 0:04:49to the low 10s.
0:04:49 > 0:04:51It's perverse.
0:04:58 > 0:05:03It's time for the awesome Iron Man 3 and my lifetime hero, Tony Stark.
0:05:03 > 0:05:05Don't get too upset by this, Ben,
0:05:05 > 0:05:08but it's not quite an ironclad addition to the movie franchise.
0:05:08 > 0:05:09What?!
0:05:09 > 0:05:13See this young lady? She takes off his glasses
0:05:13 > 0:05:17and without turning them round, places them on her face!
0:05:17 > 0:05:19No wonder he looks so confused.
0:05:21 > 0:05:23Anachronisms.
0:05:23 > 0:05:25- The fear of spiders.- No!
0:05:25 > 0:05:27Anachrophobia is the fear of spiders.
0:05:27 > 0:05:32Anachronisms are when you have the political beliefs of a spider.
0:05:32 > 0:05:35Actually, it's when something from the wrong time period
0:05:35 > 0:05:37appears in a film.
0:05:37 > 0:05:39Ever since the digital watch in Ben-Hur,
0:05:39 > 0:05:42eagle-eyed movie mistakes legends, such as ourselves...
0:05:42 > 0:05:43Guilty as charged.
0:05:43 > 0:05:46..have been spotting anachronisms, circling them in red pen,
0:05:46 > 0:05:49pointing at them, laughing at them and high-fiving.
0:05:53 > 0:05:55More mistakes from the brilliant Argo.
0:05:55 > 0:05:58We're virtually Argo-nauts!
0:05:58 > 0:06:00Now, check out that broken Hollywood sign.
0:06:00 > 0:06:02Factually accurate.
0:06:02 > 0:06:03Oh! You're wrong, Matthew.
0:06:03 > 0:06:05Sure, it fell into disrepair in the '70s,
0:06:05 > 0:06:09but, it was famously refurbished in 1978,
0:06:09 > 0:06:13a full year before the Iranian hostage crisis began.
0:06:13 > 0:06:14Amateurs.
0:06:17 > 0:06:20The long and serious Lincoln again
0:06:20 > 0:06:23and here's proof they had electrical sockets in the 19th century.
0:06:23 > 0:06:24They did?
0:06:24 > 0:06:27Well, they must have done, see? There it is.
0:06:27 > 0:06:30As we all know, Spielberg is a details man.
0:06:35 > 0:06:36OK, boys. What's wrong with
0:06:36 > 0:06:39this scene? Listen close.
0:06:39 > 0:06:40The war will take our son.
0:06:40 > 0:06:43A sniper or a shrapnel shell, or typhus.
0:06:43 > 0:06:46Same as it took Willie, it takes hundreds of boys a day.
0:06:46 > 0:06:47He'll die uselessly...
0:06:47 > 0:06:50- Something about Willie taking hundreds of boys a day?- No, no, no.
0:06:50 > 0:06:52She used the term sniper.
0:06:52 > 0:06:54As we all know, this term wasn't used in the US
0:06:54 > 0:06:56until well after the Civil War.
0:06:56 > 0:06:58She would have meant sharpshooter.
0:06:58 > 0:07:01- I didn't know that.- Nor did I.
0:07:01 > 0:07:03Well, that fact brought the house down at my
0:07:03 > 0:07:05live action role-playing club!
0:07:06 > 0:07:08Guys?
0:07:10 > 0:07:12Who's up for a very petty anachronism from
0:07:12 > 0:07:16the powerful, violent but underwhelming Lawless?
0:07:16 > 0:07:18- Not me.- Please, no.
0:07:18 > 0:07:21Yes, ladies and gentlemen, as you can see, that camera is
0:07:21 > 0:07:23a Kodak Brownie Target Six-20,
0:07:23 > 0:07:25which wasn't in production until 1946,
0:07:25 > 0:07:28nine years after he used it!
0:07:28 > 0:07:32- Is it over?- Yes. Thank God.
0:07:33 > 0:07:35You've got to keep steady...
0:07:38 > 0:07:40We weren't talking business yet.
0:07:40 > 0:07:42We were discussing my curiosity.
0:07:42 > 0:07:44Cor, Django Unchained!
0:07:44 > 0:07:47I love an explosive, bloodthirsty tour de force!
0:07:47 > 0:07:50I love how Quentin Tarantino plays fast and loose
0:07:50 > 0:07:52with the rules of filmmaking.
0:07:52 > 0:07:54You mean how he subverts the conventional
0:07:54 > 0:07:56tropes of the Western genre?
0:07:56 > 0:07:59No, how he gives DiCaprio a straw for his drink.
0:07:59 > 0:08:02They weren't commercially available until 1888.
0:08:02 > 0:08:03This is set in 1858!
0:08:03 > 0:08:07- People used hollow reeds back then.- Wow.
0:08:07 > 0:08:09What a maverick.
0:08:09 > 0:08:12You don't make it sound too flattering, but more or less, yes.
0:08:15 > 0:08:18Here's Charlie Sheen in the whimsical '70s clunker
0:08:18 > 0:08:21A Glimpse Into the Mind of Charles Swan III.
0:08:21 > 0:08:24- Catchy title. - Set in the '70s, you say?- Yes.
0:08:24 > 0:08:27Well, I'm sure Galaga and Ms Pac-Man weren't around till 1981!
0:08:27 > 0:08:31They should've shown a space hopper and an Etch A Sketch instead! Ha!
0:08:36 > 0:08:38We shouldn't be too hard on the editors
0:08:38 > 0:08:40responsible for these movie mistakes.
0:08:40 > 0:08:42They're just having a bad day at work.
0:08:42 > 0:08:44Yeah, like when I worked as a greeter at Hamleys
0:08:44 > 0:08:48and attempted to fashion a noose out of modelling balloons.
0:08:48 > 0:08:49Or when I worked in a pub
0:08:49 > 0:08:53and accidentally poured £600 worth of beer
0:08:53 > 0:08:54in my mouth.
0:08:54 > 0:08:56Yeah.
0:08:56 > 0:09:00Or when I tripped over mid-shift and spilt hot soup over everyone.
0:09:00 > 0:09:03Didn't know you worked as a waiter, Tom.
0:09:03 > 0:09:05No, sadly I was a midwife.
0:09:05 > 0:09:07Good Lord.
0:09:07 > 0:09:10Let's have a look at some more poorly-made movie bloopers.
0:09:10 > 0:09:13The biggest mystery in the now overstretched
0:09:13 > 0:09:16and underwhelming Bourne series
0:09:16 > 0:09:17is not who Jason Bourne is,
0:09:17 > 0:09:19or why he turns into Jeremy Renner,
0:09:19 > 0:09:22but how the anyone missed this woman's glasses
0:09:22 > 0:09:25appearing out of nowhere.
0:09:25 > 0:09:27Specs-less.
0:09:27 > 0:09:30Specs-ful. Brilliant.
0:09:30 > 0:09:33She's not pulling this off on her own. Who the hell is helping her?
0:09:35 > 0:09:39Now, Mama - the gloomy but visually stunning horror.
0:09:39 > 0:09:40There's little I wouldn't do to
0:09:40 > 0:09:42that bloke from Game of Thrones.
0:09:42 > 0:09:45He's got a jawline carved from marble
0:09:45 > 0:09:47and he'd make me feel safe.
0:09:47 > 0:09:48Wow. Anyway, watch this.
0:09:50 > 0:09:52See? It's a carpet tile!
0:09:52 > 0:09:54The snow isn't real snow!
0:09:54 > 0:09:56Carpet diem, eh, folks?
0:09:56 > 0:09:58- Back to sleep, Ben.- Can do.
0:10:03 > 0:10:05Now look at the shadows coming towards us
0:10:05 > 0:10:08from the sun, as Burnsie discovers the cabin.
0:10:08 > 0:10:12But what's this? Ha! A shadow on the door!
0:10:12 > 0:10:16Which could only have come from something reflecting light.
0:10:16 > 0:10:19- Like a tree? - A tree that reflects light?
0:10:19 > 0:10:22- Could be metal.- There's no such thing as metal trees.
0:10:22 > 0:10:23Hello...?
0:10:23 > 0:10:25A silver birch?
0:10:25 > 0:10:27MATTHEW SIGHS
0:10:30 > 0:10:34Cracking film here - The Master, with Joaquin Phoenix
0:10:34 > 0:10:38and Philip Seymour Hoffman doing some impressive heavyweight acting.
0:10:39 > 0:10:41Props to the actors.
0:10:41 > 0:10:44But not to the props department, sadly. Look at this.
0:10:44 > 0:10:48Phoenix, having a diva-like strop, kicks a toilet to pieces,
0:10:48 > 0:10:51but no water comes out.
0:10:51 > 0:10:53Hoffman does not look impressed.
0:10:59 > 0:11:02Here's a terrible gaffe with a darkroom kiss.
0:11:02 > 0:11:06The weird smoochy sounds carry on after they finish kissing!
0:11:17 > 0:11:21I sometimes pretend I'm still doing it, even though I've finished.
0:11:21 > 0:11:24- Kissing?- Er...Yeah.
0:11:28 > 0:11:31Freddie, stand in the middle of the room, please.
0:11:31 > 0:11:36Now, look at the handkerchief in the right hand switching to the left.
0:11:36 > 0:11:38You're about to see a continuity masterclass
0:11:38 > 0:11:41from the brilliant Philip Seymour Hoffman.
0:11:41 > 0:11:44He's thrown us off the scent with that hand change...
0:11:47 > 0:11:49But then, bang!
0:11:49 > 0:11:51It's in his right hand again!
0:11:51 > 0:11:54Academy Award-winning clanger work there.
0:11:54 > 0:11:57He's certainly the handker-chief of mistakes!
0:11:57 > 0:12:00- Matthew, that was awful. - I'm so sorry.
0:12:00 > 0:12:03- MAN: Just feels like glass. - That's cos it IS glass.
0:12:07 > 0:12:08A cheeky clunker
0:12:08 > 0:12:11from the pleasantly surprising fantasy thriller Byzantium.
0:12:11 > 0:12:14Here's a customer visiting lady-of-the-night, Clara.
0:12:14 > 0:12:18But before anything happens, he breaks down crying.
0:12:18 > 0:12:20That happens to me a lot.
0:12:20 > 0:12:23And somehow, without anyone having pulled them down,
0:12:23 > 0:12:26his trousers are suddenly around his knees!
0:12:26 > 0:12:28That happens to ME a lot.
0:12:30 > 0:12:33Mike, I understand, but the bottom line is...
0:12:33 > 0:12:37It's Snitch, everyone! Another nondescript and forgettable film
0:12:37 > 0:12:41starring the brilliantly charismatic Dwayne "The Rock" Johnson.
0:12:41 > 0:12:45The Rock's a multitasker - actor, wrestler,
0:12:45 > 0:12:47telephone answerer
0:12:47 > 0:12:49and golf-putterer.
0:12:49 > 0:12:53But check out the putting green - suddenly it's gone missing!
0:12:53 > 0:12:58Sloppy work. They should have just putting green-screened it back in.
0:12:58 > 0:13:00And that's you lot.
0:13:00 > 0:13:04See you soon for some more Great Movie Mistakes!
0:13:22 > 0:13:26Subtitles by Red Bee Media Ltd