0:00:02 > 0:00:05There was once a noble quest undertaken by Tommo and Ben,
0:00:05 > 0:00:09two hairy men from the Midlands, and Matthew, the painfully white.
0:00:09 > 0:00:13Bravely, they sought out motion picture mishaps,
0:00:13 > 0:00:16cinematic screw-ups and filmic failures.
0:00:18 > 0:00:22They travelled as far as Odeon and through the many caverns of Vue,
0:00:22 > 0:00:25where they have returned with their prey,
0:00:25 > 0:00:29captured on shiny golden rings known as DVDs.
0:00:29 > 0:00:33Fine, fine, I know they're not gold.
0:00:33 > 0:00:38Join them now as they celebrate Great Movie Mistakes.
0:00:40 > 0:00:43Hello and welcome to Great Movie Mistakes.
0:00:43 > 0:00:46- I'm Matthew.- I'm Tom. - And he's Matthew.- Thanks, Ben.
0:00:46 > 0:00:48Tonight, in our flat,
0:00:48 > 0:00:51we'll be taking you through some of cinema's biggest howlers.
0:00:51 > 0:00:53Howlers? Like Jacob in Twilight?
0:00:53 > 0:00:54HE HOWLS
0:00:54 > 0:00:56Too literal, Ben.
0:00:56 > 0:00:58We'll be looking through clip after clip of movie mistakes,
0:00:58 > 0:01:00a catalogue of embarrassing errors.
0:01:00 > 0:01:02Sounds like your love life.
0:01:02 > 0:01:04We've identified the problem, no matter how laughably small.
0:01:04 > 0:01:06Sounds exactly like your love life.
0:01:06 > 0:01:09So, I've got heaps of DVDs...
0:01:09 > 0:01:10I've got mounds of snacks...
0:01:10 > 0:01:12I've got piles.
0:01:12 > 0:01:13Let's get cracking!
0:01:17 > 0:01:22Now, the science of movie mistakes is as real and serious as alchemy,
0:01:22 > 0:01:25horoscopes and a third example.
0:01:25 > 0:01:28But how do you measure a movie mistake?
0:01:28 > 0:01:32We've had literally hundreds of e-mails and letters,
0:01:32 > 0:01:35none of which relate to this subject.
0:01:35 > 0:01:37So we thought we'd tackle that now.
0:01:37 > 0:01:40Basically, a clanger is one below a blooper.
0:01:40 > 0:01:42You get two gaffes to a clunker.
0:01:42 > 0:01:46Although it should be noted than an American clunker is worth
0:01:46 > 0:01:48only two-thirds of a British clunker.
0:01:48 > 0:01:51In other words, roughly equivalent to a howler.
0:01:51 > 0:01:54Five howlers add up to a boob.
0:01:54 > 0:01:57Three boobs and you're watching Total Recall.
0:01:57 > 0:02:00And if you spot a gaffe, howler and boob happening all at once,
0:02:00 > 0:02:03you're probably watching a film by Michael Bay.
0:02:03 > 0:02:06Oh, zing! Always going for those tricky targets, Crosby.
0:02:06 > 0:02:09Yep. I think that's the last we'll be hearing from that guy.
0:02:09 > 0:02:12Anyway, here are some impressive examples of premium goofs.
0:02:12 > 0:02:14Goofs. I knew we missed one.
0:02:16 > 0:02:18We must find shelter!
0:02:20 > 0:02:24It's the grand but rather long first Hobbit movie.
0:02:24 > 0:02:26And they could have picked a different day to film it -
0:02:26 > 0:02:28- awful weather.- Yeah.
0:02:28 > 0:02:32They're getting absolutely soaked, apart from the dwarves,
0:02:32 > 0:02:33it would seem.
0:02:33 > 0:02:37His hair doesn't look wet at all, and neither does his.
0:02:37 > 0:02:42And as soon as they enter the cave, the dwarves are completely bone dry.
0:02:42 > 0:02:44This is easily explained.
0:02:44 > 0:02:47Dwarves are shorter, so the rain hits them later.
0:02:47 > 0:02:50Yeah. It doesn't quite work like that, Ben.
0:02:53 > 0:02:56More wet spells here in The Hobbit.
0:02:56 > 0:02:59The precious ring falls onto some dry slate.
0:03:04 > 0:03:07Hmm. Bit dark, but with the old lightsaber,
0:03:07 > 0:03:10you can see the slate is definitely wet.
0:03:10 > 0:03:12You can solve pretty much any problem
0:03:12 > 0:03:16- by waving your lightsaber about. - Good grief. Put it away, boy.
0:03:21 > 0:03:23Joseph Kosinsky's visually striking,
0:03:23 > 0:03:25but a trifle dull Oblivion is up next.
0:03:27 > 0:03:29He's clearly a fan of movie mistakes.
0:03:29 > 0:03:31He's even plonked one into a slow-mo scene
0:03:31 > 0:03:33to make it easier for us to see.
0:03:34 > 0:03:37Check out the gun with its strap flailing about.
0:03:43 > 0:03:46But when it falls to the ground, strapless!
0:03:54 > 0:03:57In the future, IKEA will be releasing Modprip,
0:03:57 > 0:03:59a half bed/half table combo, which is great
0:03:59 > 0:04:02because if anyone falls on it
0:04:02 > 0:04:04it will simply bend a bit until they're off.
0:04:04 > 0:04:07Until then, a padded fake table will have to do.
0:04:12 > 0:04:14Time for a clunker from the glittery
0:04:14 > 0:04:18but uninvolving mystery thriller that was Now You See Me.
0:04:19 > 0:04:21Magicians and elaborate revenge plots galore,
0:04:21 > 0:04:22but the real mystery is -
0:04:22 > 0:04:27where have the extras vanished to as Interpol agent Alma Dray sits down?
0:04:27 > 0:04:28Now you see them...
0:04:31 > 0:04:33Now you don't.
0:04:42 > 0:04:46Time for some turbo-powered excitement with Premium Rush.
0:04:46 > 0:04:49I'm sorry, but no matter how much synthy music you use,
0:04:49 > 0:04:50this scene will never be cool.
0:04:51 > 0:04:53Check out the taxi door.
0:04:53 > 0:04:55They've clearly taken out the window and halved the door frame,
0:04:55 > 0:04:57so the stuntman can fall over it.
0:05:00 > 0:05:01And once Joseph Gordon-Levitt
0:05:01 > 0:05:04finishes using his weird in-built sat nav...
0:05:04 > 0:05:05Handy for a courier.
0:05:08 > 0:05:10..we see it's all back on.
0:05:13 > 0:05:17- Check out those great bullhorn handlebars.- Classy.- Indeed.
0:05:17 > 0:05:18But in the very same chase scene,
0:05:18 > 0:05:20those handlebars suddenly change to risers.
0:05:20 > 0:05:24Horns to risers doesn't sound like much of a change to me.
0:05:24 > 0:05:25Put it away.
0:05:32 > 0:05:34Here Comes The Boom is great.
0:05:34 > 0:05:36By great, don't you mean mediocre, Ben?
0:05:36 > 0:05:38- Stop calling me Mediocre Ben.- Sorry.
0:05:42 > 0:05:43Here's Mr Voss. He's late for school,
0:05:43 > 0:05:47- hence he's climbing through a window.- That's all fair enough.
0:05:50 > 0:05:54But he clearly had time to change his shoes from boots to trainers.
0:06:05 > 0:06:08This is evidence that wayward teacher Mr Voss
0:06:08 > 0:06:09may be mentally unhinged.
0:06:09 > 0:06:12Here he is, getting crisps out of a jammed vending machine,
0:06:12 > 0:06:14and two bags fall out.
0:06:14 > 0:06:16Oh! Lucky fella.
0:06:16 > 0:06:19Ho-ho-ho! Bonus!
0:06:22 > 0:06:27Immediately, he gives one to a pupil, but makes him deny it ever happened.
0:06:28 > 0:06:30This never happened. We clear?
0:06:32 > 0:06:34Power games. Very dark.
0:06:37 > 0:06:40But wait, he's got two packets of crisps again.
0:06:40 > 0:06:42This man is insane!
0:06:42 > 0:06:48And now, after having three crisps, he just throws his one packet away.
0:06:48 > 0:06:51What happened to the second packet?!
0:06:51 > 0:06:52This never happened. We clear?
0:06:54 > 0:06:57It's the powerfully emotional Flight,
0:06:57 > 0:07:01featuring Denzel Washington who is, for once, playing someone heroic.
0:07:01 > 0:07:03Stretch yourself, Denzel.
0:07:03 > 0:07:06SCREAMING
0:07:06 > 0:07:08What this film does stretch is reality.
0:07:08 > 0:07:10There goes the plane, about 12 feet from ground level.
0:07:13 > 0:07:18And there is our view from inside the plane, miles up in the air.
0:07:18 > 0:07:21Get it together, Washington. People are counting on you.
0:07:24 > 0:07:28- Are you ready for some mobile phone madness?- Always.
0:07:28 > 0:07:31First, he unlocks his phone and the time is 1:17 on October 20th.
0:07:34 > 0:07:39Then, blam! He unlocks the phone and it's 8:52 on October 8th.
0:07:39 > 0:07:40And then, just for good measure,
0:07:40 > 0:07:45he somehow zooms right in on his iPhone like an absolute maverick!
0:07:45 > 0:07:48Denzel plays by no-one's rules but his own.
0:07:52 > 0:07:55Don't you just hate answerphone greetings?
0:07:55 > 0:07:56Yeah, they're so samey.
0:07:56 > 0:07:59Not in Flight, they're not. Listen to this one.
0:08:07 > 0:08:08Right...
0:08:09 > 0:08:13But the second time we hear it, it's shorter.
0:08:13 > 0:08:15Stands to reason. He's had time to practise,
0:08:15 > 0:08:17so it will be slicker the second time.
0:08:17 > 0:08:19PHONE RINGS
0:08:19 > 0:08:22He's angered Denzel there, though. Nasty business.
0:08:27 > 0:08:30That's absolutely not how it works.
0:08:33 > 0:08:36Stale, uninspired,
0:08:36 > 0:08:39cheap, tacky, and a little bit sickly.
0:08:39 > 0:08:40No stars.
0:08:40 > 0:08:43Wow, Tom, you're really getting into this film criticism thing.
0:08:43 > 0:08:47No, I'm reviewing a Chinese takeaway I had on Just Eat.
0:08:47 > 0:08:49Fantastic chemistry, four stars.
0:08:49 > 0:08:52Are you reviewing a film, Ben?
0:08:52 > 0:08:55No! I'm reviewing my old chemistry teacher.
0:08:55 > 0:08:58He's opened a Chinese restaurant on Just Eat.
0:08:58 > 0:09:00Thanks for that, both.
0:09:00 > 0:09:03Some films are so terrible that continuity errors even improve them.
0:09:03 > 0:09:05Slightly.
0:09:05 > 0:09:07Let's have a look at the best of the worst.
0:09:07 > 0:09:10A proper clunker here from un-special,
0:09:10 > 0:09:13poorly scripted Total Recall.
0:09:13 > 0:09:16Yeah, Colin Farrell's stunt double is clearly a woman.
0:09:16 > 0:09:18Not quite, Benedict.
0:09:18 > 0:09:20That's Lori and look at her hair!
0:09:20 > 0:09:24Midway through the fight, her hairband mysteriously disappears...
0:09:26 > 0:09:29..a fact that's totally ruined Total Recall for me.
0:09:32 > 0:09:35Colin Farrell is strapped into the futuristic
0:09:35 > 0:09:39equivalent of the Central Line, and... aha!
0:09:39 > 0:09:44That is not how you spell forecast. It's not! It just isn't!
0:09:44 > 0:09:46How's your relationship forecast, Matthew?
0:09:46 > 0:09:47Patchy and cold.
0:09:51 > 0:09:55OK, look at what new guy Marek's doing here,
0:09:55 > 0:09:57and listen to Colin's advice...
0:09:57 > 0:10:00Whoa, whoa! Don't hold it like that.
0:10:00 > 0:10:02Hold it here.
0:10:02 > 0:10:04If you hold it there and it shorts,
0:10:04 > 0:10:07one of those bulbs will shoot straight through your hand.
0:10:07 > 0:10:09But he flat out doesn't listen to him.
0:10:09 > 0:10:11He's carried on doing exactly what he was doing!
0:10:11 > 0:10:13God's sake, Marek.
0:10:13 > 0:10:14Yeah, get it together, Marek.
0:10:14 > 0:10:18I despair of Marek sometimes. I really do.
0:10:23 > 0:10:26What's truly scary about the Scary Movie franchise is that
0:10:26 > 0:10:28they've made it to five.
0:10:28 > 0:10:30Enough is enough.
0:10:30 > 0:10:33OK, now, look. Snoop is on Mac Miller's right
0:10:33 > 0:10:35throughout the conversation.
0:10:35 > 0:10:37Crazy got to have been there BLEEP.
0:10:37 > 0:10:39Except now he's on his left!
0:10:39 > 0:10:43I'm surprised they managed to get Snoop to say the sentences in order.
0:10:43 > 0:10:46I don't think he was supposed to be in the film, he just turned up.
0:10:46 > 0:10:49- SNOOP:- I don't understand why the shampoo company can't fix that, man.
0:10:53 > 0:10:54It's Joe Wright's lacklustre
0:10:54 > 0:10:56recent adaptation of Anna Karenina.
0:10:56 > 0:10:58Morphine, anyone?
0:10:58 > 0:11:01I know this is awful, but that is not the solution.
0:11:01 > 0:11:03No, what I meant was, look at the label
0:11:03 > 0:11:04on the morphine bottle.
0:11:04 > 0:11:05See how it changes?
0:11:05 > 0:11:08Here it's "la morphine", and later it's just "morphine"!
0:11:15 > 0:11:17Why didn't you tell me, for God's sake?
0:11:17 > 0:11:21It's the almost laughably bad, must-avoid Taken 2.
0:11:21 > 0:11:23Time for a glass of wine!
0:11:23 > 0:11:25Here's a bottle and two empty glasses.
0:11:25 > 0:11:28- But she's OK, right? - WOMAN:- Yeah, she's OK.
0:11:28 > 0:11:31And without anyone touching them,
0:11:31 > 0:11:34they're now drinking from them.
0:11:34 > 0:11:36Scientific proof that Neeson is a boss.
0:11:36 > 0:11:38Are you OK?
0:11:41 > 0:11:43Domestic issues in the Mills household.
0:11:43 > 0:11:47They can't even decide on what time of year it is.
0:11:47 > 0:11:49Here, Bryan talks of the upcoming fall break.
0:11:49 > 0:11:51You're leaving on fall break next week.
0:11:51 > 0:11:55This is the only time I can get to do this before I go to Istanbul.
0:11:55 > 0:11:57But, a few days later,
0:11:57 > 0:11:59Lenore's imminent spring break plans are cancelled.
0:11:59 > 0:12:02We had this trip planned to China
0:12:02 > 0:12:04for Kim's spring break as a family,
0:12:04 > 0:12:06you know, to try and work things out.
0:12:06 > 0:12:09I've been banned from attending either break.
0:12:09 > 0:12:11In the whole of America?
0:12:11 > 0:12:13Very much so.
0:12:15 > 0:12:17Come on.
0:12:17 > 0:12:20In this car chase, Neeson's got his car all dirty with food.
0:12:20 > 0:12:22See the windscreen?
0:12:24 > 0:12:26But look! Here - bang!
0:12:26 > 0:12:28The dirt's gone.
0:12:28 > 0:12:29Go a bit further,
0:12:29 > 0:12:31and it's grubby again.
0:12:31 > 0:12:34But also, rewind.
0:12:35 > 0:12:38If there's one thing that can ruin a high-octane car chase,
0:12:38 > 0:12:41it's a middle-aged woman ambling along at the same speed as the car.
0:12:44 > 0:12:46This is great.
0:12:46 > 0:12:49Here's Neeson, summoning the US Embassy on his sat-nav.
0:12:49 > 0:12:51It's a remarkable feat,
0:12:51 > 0:12:54given that he arbitrarily hammers away on entirely the wrong keys.
0:12:54 > 0:12:58And look, it isn't even a British alphabet!
0:12:58 > 0:13:00Never doubt the Neeson.
0:13:00 > 0:13:03He does have a very specific set of skills.
0:13:03 > 0:13:04You understand me?
0:13:07 > 0:13:09Strap yourselves in, folks.
0:13:09 > 0:13:11Another classic car chase.
0:13:11 > 0:13:14But the taxi they're driving appears to be invincible.
0:13:16 > 0:13:19The police car forces it to drive into some corrugated iron.
0:13:21 > 0:13:25And we see, later on, some definite damage to the left side.
0:13:28 > 0:13:31Move on a few moments, the damage has completely gone!
0:13:31 > 0:13:33But wait!
0:13:34 > 0:13:37Here's the rear window getting shot out.
0:13:38 > 0:13:39- WOMAN:- Dad!
0:13:39 > 0:13:42It's back in the very next shot!
0:13:45 > 0:13:47Yep, the car possesses a healing factor,
0:13:47 > 0:13:49making some believe it's the love child
0:13:49 > 0:13:51of Liam Neeson and Wolverine.
0:13:57 > 0:14:00The great thing about films is that they can teach us so much.
0:14:00 > 0:14:02Yeah. For example, Forrest Gump taught me
0:14:02 > 0:14:05that it's wise to invest early in shrimp restaurants.
0:14:05 > 0:14:08And Schindler's List taught me
0:14:08 > 0:14:11that a splash of red can really make an outfit stand out in a crowd.
0:14:11 > 0:14:12What I meant was,
0:14:12 > 0:14:15even movie mistakes can afford us a life lesson or two.
0:14:15 > 0:14:16Shall we take a look?
0:14:16 > 0:14:20Yeah. I didn't blow my shrimp fortune on a massive telly
0:14:20 > 0:14:21to not watch it.
0:14:25 > 0:14:28Another error from the gripping Argo.
0:14:28 > 0:14:31Have a read of the important stuff here.
0:14:31 > 0:14:34I'm presuming you mean the factual epilogue to this quite serious film.
0:14:34 > 0:14:36Not at all, Matthew.
0:14:36 > 0:14:40That child has wrongly labelled his Star Wars figures.
0:14:40 > 0:14:42The Jawa and Sand People figurines
0:14:42 > 0:14:45are under each other's labels on this display stand.
0:14:45 > 0:14:46What a moron!
0:14:56 > 0:14:59Ah, Skyfall, properly exciting but littered with mistakes.
0:15:00 > 0:15:03Take a look at this MP in the grey floral dress.
0:15:03 > 0:15:07There she goes, scrambling for cover. But wait!
0:15:07 > 0:15:08She's sat back down again.
0:15:09 > 0:15:11Eh?
0:15:19 > 0:15:21Is that what you want?
0:15:21 > 0:15:25Another Iron Man 3 misfire, with Downey Jr and some specs.
0:15:27 > 0:15:31Definitely not wearing any here, and now they're back on.
0:15:31 > 0:15:33Stark obeys no rules.
0:15:33 > 0:15:34Oh, and not exactly a mistake,
0:15:34 > 0:15:37but that reporter should hold his phone horizontally.
0:15:37 > 0:15:39That footage is going to be useless.
0:15:39 > 0:15:41I'm going to come get the body.
0:15:41 > 0:15:44There's no politics here, it's just good old-fashioned revenge.
0:15:50 > 0:15:52Here's something it's perfectly normal to have
0:15:52 > 0:15:55noticed in the gut-wrenchingly emotional Flight.
0:15:55 > 0:15:59- Check out Whip's eye.- I see it. Bloodshot, as you might expect.
0:16:02 > 0:16:06- But what now, Tom? - Crikey, it's normal!
0:16:06 > 0:16:07That's American healthcare for you.
0:16:07 > 0:16:10And all for the mere cost of his family home.
0:16:17 > 0:16:21I assure you, Geoffrey, my murders are always models of taste
0:16:21 > 0:16:23and discretion.
0:16:23 > 0:16:24The decent character piece Hitchcock again
0:16:24 > 0:16:29- and this stenographer's padding the keys like nobody's business.- Ha!
0:16:29 > 0:16:32That's not how stenographising looks.
0:16:32 > 0:16:34She should be moving her fingers individually.
0:16:34 > 0:16:36Yeah, Ben, that's how you type.
0:16:44 > 0:16:46Guys, don't you hate photo booths?
0:16:46 > 0:16:50They always seem to charge you at least £1.50 more than they say.
0:16:50 > 0:16:52What's worse is when they print a different photo
0:16:52 > 0:16:56to what's happening in reality. In the totally average On The Road,
0:16:56 > 0:16:59the boys are in a different position in the photo that gets printed.
0:16:59 > 0:17:00See this expression?
0:17:00 > 0:17:02No wonder they chopped it up.
0:17:10 > 0:17:13Django Unchained, unmistakably Tarantino.
0:17:13 > 0:17:16Here, Django earns his freedom via a game of hat-tossing.
0:17:16 > 0:17:20- You've not seen this film, have you? - No, I've not, my mum won't let me.
0:17:20 > 0:17:26See how the hat is resting at approximately 43 degrees?
0:17:26 > 0:17:2843, 44, yeah.
0:17:28 > 0:17:32- Well, now, it's back totally level. - Amazing!
0:17:32 > 0:17:34Django, claim your freedom!
0:17:34 > 0:17:37That's a fancy word for servant.
0:17:44 > 0:17:46We shouldn't be too hard on the editors
0:17:46 > 0:17:49responsible for these movie mistakes.
0:17:49 > 0:17:51They're just having a bad day at work.
0:17:51 > 0:17:53Yeah, like when I worked as a greeter at Hamleys
0:17:53 > 0:17:56and attempted to fashion a noose out of modelling balloons.
0:17:56 > 0:17:58Or when I worked in a pub
0:17:58 > 0:18:05- and accidentally poured £600 worth of beer in my mouth.- Yeah.
0:18:05 > 0:18:09Or when I tripped over mid-shift and spilt hot soup over everyone.
0:18:09 > 0:18:11Didn't know you worked as a waiter, Tom.
0:18:11 > 0:18:14No, sadly, I was a midwife.
0:18:14 > 0:18:15Good Lord.
0:18:15 > 0:18:19Let's have a look at some more poorly-made movie bloopers.
0:18:19 > 0:18:22The biggest mystery in the now overstretched
0:18:22 > 0:18:24and underwhelming Bourne series
0:18:24 > 0:18:26is not who Jason Bourne is,
0:18:26 > 0:18:28or why he turns into Jeremy Renner,
0:18:28 > 0:18:31but how anyone missed this woman's glasses
0:18:31 > 0:18:34appearing out of nowhere.
0:18:34 > 0:18:36Specs-less.
0:18:36 > 0:18:38Specs-ful. Brilliant.
0:18:38 > 0:18:41She's not pulling this off on her own. Who the hell is helping her?
0:18:44 > 0:18:47Now, Mama - the gloomy but visually stunning horror.
0:18:47 > 0:18:49There's little I wouldn't do to
0:18:49 > 0:18:51that bloke from Game of Thrones.
0:18:51 > 0:18:54He's got a jawline carved from marble
0:18:54 > 0:18:56and he'd make me feel safe.
0:18:56 > 0:18:57Wow. Anyway, watch this.
0:18:58 > 0:19:00See? It's a carpet tile!
0:19:00 > 0:19:03The snow isn't real snow!
0:19:03 > 0:19:05Carpet diem, eh, folks?
0:19:05 > 0:19:07- Back to sleep, Ben.- Can do.
0:19:12 > 0:19:14Now look at the shadows coming towards us
0:19:14 > 0:19:17from the sun, as Burnsie discovers the cabin.
0:19:17 > 0:19:21But what's this? Ha! A shadow on the door!
0:19:21 > 0:19:24Which could only have come from something reflecting light.
0:19:24 > 0:19:28- Like a tree? - A tree that reflects light?
0:19:28 > 0:19:31- Could be metal.- There's no such thing as metal trees.
0:19:31 > 0:19:32Hello...?
0:19:32 > 0:19:34A silver birch?
0:19:34 > 0:19:36MATTHEW SIGHS
0:19:39 > 0:19:43Cracking film here - The Master, with Joaquin Phoenix
0:19:43 > 0:19:47and Philip Seymour Hoffman doing some impressive heavyweight acting.
0:19:48 > 0:19:50Props to the actors.
0:19:50 > 0:19:53But not to the props department, sadly. Look at this.
0:19:53 > 0:19:57Phoenix, having a diva-like strop, kicks a toilet to pieces,
0:19:57 > 0:20:00but no water comes out.
0:20:00 > 0:20:02Hoffman does not look impressed.
0:20:08 > 0:20:11Here's a terrible gaffe with a darkroom kiss.
0:20:11 > 0:20:15The weird smoochy sounds carry on after they finish kissing!
0:20:26 > 0:20:29I sometimes pretend I'm still doing it, even though I've finished.
0:20:29 > 0:20:33- Kissing?- Er...Yeah.
0:20:36 > 0:20:40Freddie, stand in the middle of the room, please.
0:20:40 > 0:20:44Now, look at the handkerchief in the right hand switching to the left.
0:20:44 > 0:20:47You're about to see a continuity masterclass
0:20:47 > 0:20:50from the brilliant Philip Seymour Hoffman.
0:20:50 > 0:20:53He's thrown us off the scent with that hand change...
0:20:56 > 0:20:57But then, bang!
0:20:57 > 0:21:00It's in his right hand again!
0:21:00 > 0:21:03Academy Award-winning clanger work there.
0:21:03 > 0:21:06He's certainly the handker-chief of mistakes!
0:21:06 > 0:21:08- Matthew, that was awful. - I'm so sorry.
0:21:08 > 0:21:12- MAN: Just feels like glass. - That's cos it IS glass.
0:21:16 > 0:21:17A cheeky clunker
0:21:17 > 0:21:20from the pleasantly surprising fantasy thriller Byzantium.
0:21:20 > 0:21:23Here's a customer visiting lady-of-the-night, Clara.
0:21:23 > 0:21:26But before anything happens, he breaks down crying.
0:21:26 > 0:21:29That happens to me a lot.
0:21:29 > 0:21:32And somehow, without anyone having pulled them down,
0:21:32 > 0:21:35his trousers are suddenly around his knees!
0:21:35 > 0:21:37That happens to ME a lot.
0:21:39 > 0:21:41Mike, I understand, but the bottom line is...
0:21:41 > 0:21:46It's Snitch, everyone! Another nondescript and forgettable film
0:21:46 > 0:21:50starring the brilliantly charismatic Dwayne "The Rock" Johnson.
0:21:50 > 0:21:54The Rock's a multitasker - actor, wrestler,
0:21:54 > 0:21:56telephone answerer
0:21:56 > 0:21:58and golf-putterer.
0:21:58 > 0:22:01But check out the putting green - suddenly it's gone missing!
0:22:01 > 0:22:06Sloppy work. They should have just putting green-screened it back in.
0:22:09 > 0:22:12So we've come to the end of our movie mistakes marathon.
0:22:12 > 0:22:14It's been less physically challenging than a real marathon
0:22:14 > 0:22:17but in many ways a lot more gruelling.
0:22:17 > 0:22:19If you've made it to the end, we salute you.
0:22:19 > 0:22:20And if you've just tuned in,
0:22:20 > 0:22:22don't worry, this gets repeated all the time.
0:22:22 > 0:22:25Yeah, seriously! All the time.
0:22:25 > 0:22:27It's basically this and Family Guy.
0:22:27 > 0:22:30But the movie industry waits for no man. Even as we speak
0:22:30 > 0:22:32more films are being made, with more calamitous clunkers.
0:22:32 > 0:22:34- Does that mean...?- Yes, Ben.
0:22:34 > 0:22:38It's time to start researching next year's Movie Mistakes.
0:22:38 > 0:22:40ALL: To the cinema!
0:22:40 > 0:22:42MUSIC: "Don't You Forget About Me" by Simple Minds
0:22:42 > 0:22:46# Hey, hey, hey, hey
0:22:46 > 0:22:50# Ooh ooh-ooh-ooh-ooh... #