0:00:02 > 0:00:05There was once a noble quest undertaken by Tommo and Ben,
0:00:05 > 0:00:09two hairy men from the Midlands, and Matthew the painfully white.
0:00:09 > 0:00:13Bravely, they sought out motion picture mishaps,
0:00:13 > 0:00:16cinematic screw-ups and filmic failures.
0:00:18 > 0:00:22They travelled as far as Odeon and through the many caverns of Vue,
0:00:22 > 0:00:25where they have returned with their pray,
0:00:25 > 0:00:29captured on shiny golden rings known as DVDs.
0:00:29 > 0:00:33Fine, fine, I know they're not gold.
0:00:33 > 0:00:38Join them now as they celebrate Great Movie Mistakes.
0:00:41 > 0:00:44- Turn that off. - Not watching that.
0:00:44 > 0:00:49Hello, we're Pappy's and welcome to Great Movie Mistakes.
0:00:49 > 0:00:54My Greatest Movie Mistake was messing up my audition to play Edward in the Twilight films.
0:00:54 > 0:00:56Should never have got that spray tan.
0:00:56 > 0:00:58Mine was being Bella in your audition tape.
0:00:58 > 0:01:01Did we really have to act out the whole film?
0:01:01 > 0:01:03What Tom and Ben have expertly failed to explain
0:01:03 > 0:01:06is that tonight we're going to be going through clip after clip
0:01:06 > 0:01:08of Great Movie Mistakes. I can't wait.
0:01:08 > 0:01:11Bella. It's time.
0:01:11 > 0:01:13Stop it.
0:01:27 > 0:01:30And which of this year's movies features the most mistakes?
0:01:30 > 0:01:33Find out soon.
0:01:35 > 0:01:37Hi, guys. Ben here.
0:01:37 > 0:01:40I'd just like to remind everyone
0:01:40 > 0:01:43that not all films have to be intellectual.
0:01:43 > 0:01:47They don't all need a plot or a script.
0:01:47 > 0:01:51Sometimes all you need to have a good time is to watch a man
0:01:51 > 0:01:53get hit in the crotch.
0:01:53 > 0:01:54Awww!
0:01:55 > 0:01:57Ben makes a valid point.
0:01:57 > 0:02:02Sometimes you just can't beat a bit of lowbrow comedy.
0:02:02 > 0:02:07Urgh! I've changed my mind, this isn't funny at all!
0:02:07 > 0:02:10Here's a selection of lowbrow clunkers. Enjoy!
0:02:10 > 0:02:12CLANK
0:02:13 > 0:02:15You OK, Chow?
0:02:15 > 0:02:17I don't know, you tell me.
0:02:17 > 0:02:20Ah, The Hangover III, an utter movie mistake
0:02:20 > 0:02:22distilling all the worst bits of
0:02:22 > 0:02:26the brilliant Hangover I and the middling Hangover II.
0:02:28 > 0:02:32Mr Chow here is going mental with a knife to Stu's neck.
0:02:32 > 0:02:34The right side of Stu's neck, that is.
0:02:34 > 0:02:38So how come the cut's on his left side for the rest of the film?
0:02:38 > 0:02:41And more to the point, why was this awful film made?
0:02:41 > 0:02:43HE SINGS: # Money! #
0:02:53 > 0:02:55Quick, guys, it's Zach Galifianakis,
0:02:55 > 0:02:57the best thing about The Hangover III.
0:02:57 > 0:03:00Sorry, Matthew, the sound editors have ruined this scene for me.
0:03:00 > 0:03:03You see this saucy exchange of a lollipop?
0:03:03 > 0:03:05Cor, do I?!
0:03:05 > 0:03:07SHE SUCKS AND RATTLES LOLLIPOP
0:03:09 > 0:03:11LOLLIPOP CRUNCHES
0:03:11 > 0:03:14Clearly she's crunching and chewing on the lollipop.
0:03:17 > 0:03:22- There it is, whole again.- Thanks a bunch, sound effects people(!)
0:03:26 > 0:03:28'Are you in a library?'
0:03:28 > 0:03:30It's the cast of the Wedding Crashers
0:03:30 > 0:03:32doing a not-as-good film.
0:03:32 > 0:03:35Yeah, The Internship wasn't exactly laugh-out-loud.
0:03:35 > 0:03:38This scene's funny, though. But not the way they intended.
0:03:38 > 0:03:41Check out the books behind them. They keep changing!
0:03:41 > 0:03:44And the red trolley
0:03:44 > 0:03:46disappears constantly!
0:03:46 > 0:03:49Much like my will to live whilst watching this film.
0:03:50 > 0:03:54Now, there's a lot of hate for Movie 43.
0:03:54 > 0:03:55That's because it's absolutely
0:03:55 > 0:03:58one of the worst films in the history of cinema.
0:04:00 > 0:04:01Oh, come on, it's got a great cast!
0:04:01 > 0:04:04Who were all essentially blackmailed into doing the film
0:04:04 > 0:04:07by the directors. Here's the actually very talented
0:04:07 > 0:04:09Anna Faris and Chris Pratt.
0:04:09 > 0:04:14- This is perfect.- Julie, we've been together for over a year.
0:04:14 > 0:04:1616 months and two weeks.
0:04:16 > 0:04:18THEY LAUGH
0:04:18 > 0:04:20And in that time, I've come to realise that...
0:04:21 > 0:04:23..you mean everything to me.
0:04:23 > 0:04:26Oh, Doug, you too!
0:04:26 > 0:04:28- Ahh, Julie and Doug.- No, no, Ben!
0:04:28 > 0:04:31They call themselves that here, but on the credits, see,
0:04:31 > 0:04:34they're listed as "Vanessa" and "Jason!"
0:04:34 > 0:04:38I'd argue that's another great gag in a great film!
0:04:38 > 0:04:41I'd argue it's another misfire in a film that should have
0:04:41 > 0:04:43genuinely never been made.
0:04:46 > 0:04:49It's the unashamedly crude Ted.
0:04:49 > 0:04:52Marky Mark wants to prove he's all grown up
0:04:52 > 0:04:56since his time with the so-called Funky Bunch in the early '90s.
0:04:56 > 0:05:00But look, he can do up his tie and everything!
0:05:00 > 0:05:03And for further emphasis, he does it up again.
0:05:03 > 0:05:06Hanging around with a teddy bear isn't terribly adult.
0:05:06 > 0:05:08It's just a movie, Ben.
0:05:12 > 0:05:16And, OK, this is ridiculous. When Mila Kunis comes out of the shower,
0:05:16 > 0:05:18she has full make-up on!
0:05:18 > 0:05:21Down here. Not looking up your towel, swear to God.
0:05:21 > 0:05:23Not looking up your towel, not looking at your funny business.
0:05:23 > 0:05:27Hang on, Ben. There is a chance that she actually is that beautiful.
0:05:27 > 0:05:29Or that she's wearing waterproof mascara?
0:05:29 > 0:05:33Let me talk first, all right? And then you can say whatever you want.
0:05:33 > 0:05:36Well, I'm marking it up as a mistake.
0:05:41 > 0:05:46It's time for Donny, aka Giovanni Ribisi, to show us his dance moves.
0:05:46 > 0:05:48Some pretty decent hip work there.
0:05:53 > 0:05:57And now, thanks to his disappearing drink, he can use his arms.
0:05:57 > 0:05:59Beautiful!
0:06:02 > 0:06:05How many continuity guys does it take to change a light bulb?
0:06:05 > 0:06:08- I don't know.- Well, look at this Christian Science reading room.
0:06:08 > 0:06:09The lights are on.
0:06:09 > 0:06:13But once we're here with Mila in her car...
0:06:13 > 0:06:14Hey!
0:06:14 > 0:06:16..they're off.
0:06:19 > 0:06:23However, spin forward just a few seconds and...
0:06:23 > 0:06:25I've seen the light!
0:06:25 > 0:06:28MOBILE RINGTONE CHIMES
0:06:31 > 0:06:34OK, so...
0:06:34 > 0:06:38It's mirth-filled fun action comedy The Heat starring Sandra Bullock
0:06:38 > 0:06:39and Melissa McCarthy.
0:06:39 > 0:06:43Whoa, Bullock's put on a lot of weight for this role. Respect.
0:06:43 > 0:06:46When hiring extras in your next feature film,
0:06:46 > 0:06:49try to make sure they're not identical triplets wearing
0:06:49 > 0:06:53the same costume, as can be seen in the background of this scene.
0:06:53 > 0:06:56Look at this guy!
0:06:58 > 0:07:00And now this fellow, same shirt and bag.
0:07:03 > 0:07:07- And now this chap.- Guys, I'm pretty sure they're the same person.
0:07:07 > 0:07:09Wow, Matthew, wow!
0:07:12 > 0:07:15Now, Shannon here hurls a watermelon at a criminal.
0:07:15 > 0:07:17Notice how it doesn't break.
0:07:18 > 0:07:21He, Matthew. Criminals are people too.
0:07:21 > 0:07:25I meant the watermelon, which is now broken up all over the place!
0:07:25 > 0:07:29A watermelon! Oh, hell, no! See, I told you you was a racist!
0:07:29 > 0:07:31But not here.
0:07:33 > 0:07:37The bad thing about movies is if you watch a terrible one you can't get the time back.
0:07:37 > 0:07:38True, that.
0:07:38 > 0:07:41I wrote to Ben Affleck after I watched Pearl Harbor
0:07:41 > 0:07:46demanding that he send me back three hours plus interest.
0:07:46 > 0:07:49- He never replied! - What were you expecting he'd send?
0:07:49 > 0:07:51Three and a half hours.
0:07:51 > 0:07:54Maybe a bit more, according to the exchange rate.
0:07:54 > 0:07:57I was very disappointed by Gone In 60 Seconds.
0:07:57 > 0:07:59Way longer than advertised.
0:07:59 > 0:08:01I think that's the time it took them to write the script.
0:08:01 > 0:08:03ALL: Hey-o!
0:08:03 > 0:08:07Actually, I was pleasantly surprised by The NeverEnding Story.
0:08:07 > 0:08:09Slightly alarmist title, that one.
0:08:09 > 0:08:12So, as a public service, we've trawled through the world's
0:08:12 > 0:08:16worst films and highlighted the mistakes so you don't have to.
0:08:16 > 0:08:19Yippie-ki-yay, Mother Hubbard.
0:08:20 > 0:08:25- Good old Brucie as John McClane, can't go wrong.- I beg to differ.
0:08:25 > 0:08:28Look at the car window - open.
0:08:28 > 0:08:29Then closed.
0:08:29 > 0:08:32That's about as wrong as it gets, mate.
0:08:35 > 0:08:37Check out this packed courtroom.
0:08:37 > 0:08:40I had a similar turn out when I was in court for my naked rambling.
0:08:40 > 0:08:43Yeah, you really shouldn't have rambled nude
0:08:43 > 0:08:46- through the packed courtroom, Ben. - So it transpired.
0:08:46 > 0:08:50Oh, my days, it's a triple car bomb! Pe-eow, pe-eow, pe-eow!
0:08:50 > 0:08:53Don't worry, through the medium of continuity errors,
0:08:53 > 0:08:56everyone in the courtroom has miraculously escaped.
0:08:56 > 0:09:00- Except for that guard. - Don't worry, he gets shot.- Yay.
0:09:05 > 0:09:08Pay close attention and you'll see it.
0:09:09 > 0:09:13There it is, proof that A Good Day To Die Hard was in fact
0:09:13 > 0:09:15a film filmed by a crew.
0:09:15 > 0:09:18Cor, you've really lifted the lid on that one(!)
0:09:18 > 0:09:19You're welcome.
0:09:22 > 0:09:24What is it with old people and phones?
0:09:24 > 0:09:26They just can't work them properly.
0:09:26 > 0:09:28I'd argue this old lad is actually quite impressive.
0:09:28 > 0:09:33He successfully made an outgoing call while still on the dialling screen.
0:09:33 > 0:09:35Either that, or he's having
0:09:35 > 0:09:37a full-blown discussion with the voices in his head -
0:09:37 > 0:09:40in which case, that whole scene is just really upsetting.
0:09:43 > 0:09:45Wait for my command to execute...
0:09:45 > 0:09:47An all-star cast doesn't make a great film,
0:09:47 > 0:09:49as Olympus Has Fallen shows.
0:09:49 > 0:09:51What ruins it for me is this.
0:09:52 > 0:09:56Even I know the plural of terrorist isn't terrorist!
0:09:56 > 0:09:58Go on, then. What is it, then?
0:09:58 > 0:10:00Terrori?
0:10:00 > 0:10:02The most protected building on earth.
0:10:05 > 0:10:09In After Earth, our planet's now host to giant creatures.
0:10:09 > 0:10:10And camera cranes.
0:10:10 > 0:10:12Ah, yes, and camera cranes,
0:10:12 > 0:10:14one of which reveals itself with its shadow.
0:10:14 > 0:10:18This really is a slow and tedious film. Let's move on. Quick!
0:10:23 > 0:10:26Judd Apatow goes grown-up at the request of absolutely
0:10:26 > 0:10:28no-one, in the coarse and plot-less This Is 40.
0:10:28 > 0:10:32- It's just a bunch of guys that get together and ride.- I know, I know.
0:10:32 > 0:10:36But watch, as Barry heckles the dangerous driver.
0:10:36 > 0:10:38The car disappears!
0:10:41 > 0:10:44- You want to see pictures of the kids?- Oh, yeah!
0:10:45 > 0:10:47Hooray! 3rd Rock From The Sun!
0:10:47 > 0:10:50John Lithgow's done much more than that, Ben.
0:10:50 > 0:10:54- He's a Shakespearean actor.- Yes, but that mobile is clearly upside-down.
0:10:57 > 0:11:00Is he playing "Man Who Can't Use an iPhone Properly" from Hamlet?
0:11:00 > 0:11:05That sixth form update of Hamlet you did was NOT the definitive version!
0:11:07 > 0:11:10As we all know, Americans are only capable
0:11:10 > 0:11:12of driving automatic vehicles.
0:11:12 > 0:11:15They also can't handle roundabouts.
0:11:15 > 0:11:18But to make things tricky, Pete and Debbie are driving whilst their
0:11:18 > 0:11:22car is in park mode, when the thing shouldn't be able to move at all!
0:11:22 > 0:11:26- Bit of a nonstarter all round, this movie.- Boring.
0:11:29 > 0:11:32- What does he have you doing? - Nothin', baby...
0:11:32 > 0:11:35If you're one of the 11 people who have seen Stolen, I can only
0:11:35 > 0:11:36offer you my condolences.
0:11:36 > 0:11:40It is not strong, though it does mark a milestone
0:11:40 > 0:11:44in that it is Nicolas Cage's ten millionth film!
0:11:44 > 0:11:48But it does have this blunder. Here, Cage knocks this guy off his stool...
0:11:50 > 0:11:51MAN GROANS
0:11:51 > 0:11:55And now, somehow, the stool is back upright.
0:11:55 > 0:11:56You tell me where she is
0:11:56 > 0:11:59or I'll blow your lunch all over this carpet.
0:11:59 > 0:12:01Yeah, honestly, don't see this film.
0:12:05 > 0:12:09Here's where Stolen goes from savagely mediocre to really gross.
0:12:09 > 0:12:11Nicolas Cage escapes from his handcuffs using
0:12:11 > 0:12:15the time-honoured method of dislocating his left thumb.
0:12:15 > 0:12:16Oi, nasty!
0:12:22 > 0:12:25Hello. I'm here...
0:12:25 > 0:12:27Then, after a preposterous double car crash,
0:12:27 > 0:12:30he gets out of the car and resets his RIGHT thumb.
0:12:30 > 0:12:33Or possibly also dislocates it for fun. Who knows?
0:12:33 > 0:12:36Really comin' down to the wire on this one.
0:12:38 > 0:12:42It's the ghastly and unwanted Sweeney movie.
0:12:42 > 0:12:44Now, we've seen over-keen extras in films,
0:12:44 > 0:12:48but it's a bit much when the extra is St Paul's Cathedral.
0:12:48 > 0:12:50- See it here?- Yep.
0:12:50 > 0:12:54Ah, yes, it also pops up later on the other side of the car here.
0:12:55 > 0:13:00They also seem to be driving along the same bridge for absolutely ages.
0:13:00 > 0:13:02What secret massive bridge are they using?
0:13:02 > 0:13:05The one next to the two St Paul's Cathedrals, I guess.
0:13:08 > 0:13:11Sharknado, a concept so daft Ben could have come up with it.
0:13:11 > 0:13:14You say that, but I still haven't attracted any funding
0:13:14 > 0:13:15for Goatpocalypse Now.
0:13:15 > 0:13:17Thank God for that.
0:13:17 > 0:13:20Now, searching for mistakes in this is like shooting fish in a barrel,
0:13:20 > 0:13:23which is probably the way the special effects were filmed.
0:13:23 > 0:13:26Here we see a house clearly massively flooded
0:13:26 > 0:13:28and sharks are swimming all over the place,
0:13:28 > 0:13:31which really begs the question of how they opened the door!
0:13:31 > 0:13:35And why the water level outside is almost nonexistent.
0:13:35 > 0:13:38And how they managed to close the door again.
0:13:38 > 0:13:40And why there are sharks in tornadoes!
0:13:41 > 0:13:45And what Tara Reid did to her once promising career.
0:13:45 > 0:13:46Great news, guys!
0:13:46 > 0:13:48She's just signed up for Goatpocalypse Now!
0:13:51 > 0:13:53Everybody out of the pool!
0:13:53 > 0:13:55In a film with amazingly ropey special effects,
0:13:55 > 0:13:58it's remarkable that they wasted money on this effect
0:13:58 > 0:14:00that makes absolutely no sense.
0:14:00 > 0:14:03Specifically, that Connect Four game.
0:14:03 > 0:14:08- Is one of the reds actually floating in mid-air?- Yes, Tom, it is.
0:14:08 > 0:14:10Great work, art department(!)
0:14:13 > 0:14:14Anachronisms.
0:14:14 > 0:14:16- The fear of spiders.- No!
0:14:16 > 0:14:19Anachrophobia is the fear of spiders.
0:14:19 > 0:14:24Anachronisms are when you have the political beliefs of a spider.
0:14:24 > 0:14:27Actually, it's when something from the wrong time period
0:14:27 > 0:14:28appears in a film.
0:14:28 > 0:14:30Ever since the digital watch in Ben-Hur,
0:14:30 > 0:14:33eagle-eyed movie mistakes legends, such as ourselves...
0:14:33 > 0:14:35Guilty as charged.
0:14:35 > 0:14:38..have been spotting anachronisms, circling them in red pen,
0:14:38 > 0:14:41pointing at them, laughing at them and high-fiving.
0:14:44 > 0:14:47More mistakes from the brilliant Argo.
0:14:47 > 0:14:49We're virtually Argonauts!
0:14:49 > 0:14:52Now, check out that broken Hollywood sign.
0:14:52 > 0:14:53Factually accurate.
0:14:53 > 0:14:55Oh! You're wrong, Matthew.
0:14:55 > 0:14:57Sure, it fell into disrepair in the '70s,
0:14:57 > 0:15:01but, it was famously refurbished in 1978,
0:15:01 > 0:15:04a full year before the Iranian hostage crisis began.
0:15:04 > 0:15:06Amateurs.
0:15:08 > 0:15:11The long and serious Lincoln again
0:15:11 > 0:15:14and here's proof they had electrical sockets in the 19th century.
0:15:14 > 0:15:16They did?
0:15:16 > 0:15:18Well, they must have done, see? There it is.
0:15:18 > 0:15:22As we all know, Spielberg is a details man.
0:15:26 > 0:15:28OK, boys. What's wrong with
0:15:28 > 0:15:30this scene? Listen close.
0:15:30 > 0:15:32The war will take our son.
0:15:32 > 0:15:34A sniper or a shrapnel shell, or typhus.
0:15:34 > 0:15:37Same as it took Willie, it takes hundreds of boys a day.
0:15:37 > 0:15:39He'll die uselessly...
0:15:39 > 0:15:42- Something about Willie taking hundreds of boys a day?- No, no, no.
0:15:42 > 0:15:43She used the term sniper.
0:15:43 > 0:15:45As we all know, this term wasn't used in the US
0:15:45 > 0:15:47until well after the Civil War.
0:15:47 > 0:15:50She would have meant sharpshooter.
0:15:50 > 0:15:52- I didn't know that.- Nor did I.
0:15:52 > 0:15:54Well, that fact brought the house down at my
0:15:54 > 0:15:56live action role-playing club!
0:15:57 > 0:15:59Guys?
0:16:01 > 0:16:04Who's up for a very petty anachronism from
0:16:04 > 0:16:07the powerful, violent but underwhelming Lawless?
0:16:07 > 0:16:09- Not me.- Please, no.
0:16:09 > 0:16:12Yes, ladies and gentlemen, as you can see, that camera is
0:16:12 > 0:16:14a Kodak Brownie Target Six-20,
0:16:14 > 0:16:17which wasn't in production until 1946,
0:16:17 > 0:16:20nine years after he used it!
0:16:20 > 0:16:23- Is it over?- Yes. Thank God.
0:16:25 > 0:16:27You've got to keep steady...
0:16:29 > 0:16:32We weren't talking business yet.
0:16:32 > 0:16:34We were discussing my curiosity.
0:16:34 > 0:16:36Cor, Django Unchained!
0:16:36 > 0:16:39I love an explosive, bloodthirsty tour de force!
0:16:39 > 0:16:41I love how Quentin Tarantino plays fast and loose
0:16:41 > 0:16:44with the rules of film-making.
0:16:44 > 0:16:46You mean how he subverts the conventional
0:16:46 > 0:16:48tropes of the Western genre?
0:16:48 > 0:16:51No, how he gives DiCaprio a straw for his drink.
0:16:51 > 0:16:53They weren't commercially available until 1888.
0:16:53 > 0:16:55This is set in 1858!
0:16:55 > 0:16:58- People used hollow reeds back then.- Wow.
0:16:58 > 0:17:01What a maverick.
0:17:01 > 0:17:04You don't make it sound too flattering, but more or less, yes.
0:17:06 > 0:17:09Here's Charlie Sheen in the whimsical '70s clunker
0:17:09 > 0:17:12A Glimpse Into the Mind of Charles Swan III.
0:17:12 > 0:17:16- Catchy title. - Set in the '70s, you say?- Yes.
0:17:16 > 0:17:19Well, I'm sure Galaga and Ms Pac-Man weren't around till 1981!
0:17:19 > 0:17:22They should've shown a space hopper and an Etch A Sketch instead! Ha!
0:17:26 > 0:17:31- I'm not into this modern metrosexual stuff.- You surprise me, Ben.
0:17:31 > 0:17:34The last time you washed this dressing gown, it was pre-Avatar.
0:17:34 > 0:17:38I'm talking about blokey films, Matthew! Macho stuff.
0:17:38 > 0:17:41I don't like these girly films with things like feelings,
0:17:41 > 0:17:46and love, and three-dimensional female characterisation.
0:17:46 > 0:17:49A shining example of modern manhood.
0:17:49 > 0:17:51Speaking of which, close your dressing gown.
0:17:51 > 0:17:57Look! I want films with explosions, cars, blood!
0:17:57 > 0:18:02My ideal film would be about an exploding car made of blood.
0:18:02 > 0:18:04Contribute to the Kickstarter, guys!
0:18:04 > 0:18:06Here, for Ben's enjoyment
0:18:06 > 0:18:09and for your viewing pleasure are some macho movie mistakes.
0:18:10 > 0:18:11Eurgh!
0:18:11 > 0:18:14Oh! That was harsh.
0:18:14 > 0:18:15It's my day off.
0:18:15 > 0:18:17Should be quite a weekend.
0:18:17 > 0:18:20What The Last Stand lacks in plot, acting and script,
0:18:20 > 0:18:23it makes up for in movie mistakes.
0:18:23 > 0:18:25Here's Arnie with a bit of a drink problem.
0:18:25 > 0:18:28Look at the way he's holding the cup with the handle to the side.
0:18:31 > 0:18:34- But now he's holding it with a handle!- What a mug.
0:18:37 > 0:18:40This bearded baddie's a talented driver!
0:18:40 > 0:18:42Yeah, he can somehow speed along,
0:18:42 > 0:18:44despite the handbrake clearly being up!
0:18:44 > 0:18:46Death is waiting in the kitchen
0:18:46 > 0:18:48when you get up at night for a glass of milk.
0:18:51 > 0:18:53- WOMAN:- BLEEP.
0:18:53 > 0:18:56And there he goes, turning his car into a ramp.
0:18:56 > 0:18:57The man's amazing.
0:19:06 > 0:19:09The boys must be making a crop circle in a corn field.
0:19:09 > 0:19:11Check out Arnie,
0:19:11 > 0:19:14shooting out from his open window like a boss.
0:19:14 > 0:19:16BLEEP.
0:19:18 > 0:19:21But wait! That window is definitely closed.
0:19:21 > 0:19:24And either they're tinted, or there's no-one inside.
0:19:25 > 0:19:28Crop circles are mysterious things.
0:19:31 > 0:19:33It's the other fork, darling.
0:19:35 > 0:19:38Sean Penn, Ryan Gosling and Emma Stone?
0:19:38 > 0:19:40What could go wrong!
0:19:40 > 0:19:41Quite a lot, sadly.
0:19:41 > 0:19:43Gangster Squad is a bit undercooked.
0:19:43 > 0:19:47There's even an uninspiring performance from Sean Penn's
0:19:47 > 0:19:50napkin, which goes off for a Screen Actor's Guild-mandated break
0:19:50 > 0:19:52halfway through the scene.
0:19:52 > 0:19:55- I heard it was having an affair with Emma Stone's fork.- Get out!
0:19:55 > 0:19:57I think I'll just have a cigarette.
0:19:59 > 0:20:03In the cheesy and juvenile The Man With The Iron Fists, MMA
0:20:03 > 0:20:05no longer stands for Mixed Martial Arts,
0:20:05 > 0:20:07but Movie Mistake Alert.
0:20:07 > 0:20:12Ah yes, here's former pro-wrestler Batista off to the Lion's Temple.
0:20:12 > 0:20:16But somehow his chin facial hair doesn't go with him.
0:20:16 > 0:20:18That's a heavy-weight clanger.
0:20:21 > 0:20:23Aaargh!
0:20:23 > 0:20:25Action heroes never die!
0:20:25 > 0:20:27Their sagging cadavers just
0:20:27 > 0:20:31limp along into the increasingly silly The Expendables franchise.
0:20:35 > 0:20:38Now, check the level of sloppiness on this dub. Watch this!
0:20:38 > 0:20:41Watch your head!
0:20:41 > 0:20:45Literally no idea what Lundgren is mouthing, but then I rarely do.
0:20:45 > 0:20:48Hold on, wasn't that battering ram down a second ago?
0:20:48 > 0:20:51Yes! Good spot. As the saying goes,
0:20:51 > 0:20:55"It's up and down more than a battering ram in The Expendables 2."
0:20:55 > 0:20:58Ah, so that's where that saying comes from!
0:21:04 > 0:21:06Arnie's reportedly accused
0:21:06 > 0:21:08of having wandering hands.
0:21:08 > 0:21:11So much so, that even when they're tied to a chair, they come free.
0:21:11 > 0:21:14Look at that.
0:21:14 > 0:21:15Get him up!
0:21:15 > 0:21:18They're back, though, in time for Stallone
0:21:18 > 0:21:21to slur something incomprehensible.
0:21:22 > 0:21:25- Trench? - TRENCH:- Oh, this is embarrassing.
0:21:28 > 0:21:29Nice meeting you.
0:21:32 > 0:21:35Explain this, my fellow movie mistakers.
0:21:35 > 0:21:37Sly's bike makes a revving noise before he even lays
0:21:37 > 0:21:39a hand on the throttle.
0:21:40 > 0:21:42ENGINE REVS
0:21:42 > 0:21:45Maybe the bike, just like I feel compelled to do right now,
0:21:45 > 0:21:46is throttling itself?
0:21:46 > 0:21:48Like this?
0:21:48 > 0:21:51- Aargh! Aargh!- Oh, my God! Oh!
0:21:53 > 0:21:56This scene focuses on helicopter number 711,
0:21:56 > 0:21:59named after the popular chain of American shops.
0:21:59 > 0:22:01They're an old favourite.
0:22:01 > 0:22:03What are you doing here?
0:22:03 > 0:22:06- MAN:- Moving on. You killed all my business.
0:22:11 > 0:22:14But here, it's been replaced by helicopter number 712,
0:22:14 > 0:22:17named after the combined age of the lead cast.
0:22:21 > 0:22:25It is I, Mr Darcy.
0:22:25 > 0:22:28I feel such emotion
0:22:28 > 0:22:32and yet I feel none at all!
0:22:32 > 0:22:35If my opinions about myself and immigration are to be believed,
0:22:35 > 0:22:37I am both full of pride
0:22:37 > 0:22:39and a little bit prejudiced.
0:22:39 > 0:22:41Oh, my love,
0:22:41 > 0:22:44no-one understands the power of what we have.
0:22:46 > 0:22:49But soon, soon,
0:22:49 > 0:22:51we shall be together.
0:22:53 > 0:22:58Oh. I should probably do my audition.
0:22:58 > 0:23:00See you later, my love.
0:23:03 > 0:23:05Hello. My name's Ben.
0:23:05 > 0:23:08Brood, brood, brood.
0:23:08 > 0:23:10I am prone to brooding.
0:23:11 > 0:23:12Loins.
0:23:14 > 0:23:15Oh, my love,
0:23:15 > 0:23:20no-one understands the power of what we...
0:23:20 > 0:23:21Sorry, I can't do this.
0:23:21 > 0:23:23This isn't for me.
0:23:25 > 0:23:27My sweet love,
0:23:27 > 0:23:29to be apart from you
0:23:29 > 0:23:34was to be torn asunder by 1,000 ravenous jackals.
0:23:34 > 0:23:36Loins!
0:23:39 > 0:23:43Now, here's some dreadful howlers from recent romantic movies.
0:23:43 > 0:23:44Did you get it?
0:23:44 > 0:23:46I love a thoughtful, beautifully acted,
0:23:46 > 0:23:49romantic movie like Take This Waltz, don't you, Ben?
0:23:49 > 0:23:51I love food.
0:23:51 > 0:23:54No, look, Sarah Silverman's dish disappears...
0:23:54 > 0:23:58- What?- WOMAN: Why don't you want Jordan to go?
0:23:58 > 0:24:00..then reappears, like magic!
0:24:00 > 0:24:02I wish I had a self-filling plate like that.
0:24:08 > 0:24:10I think there must've been a shortage
0:24:10 > 0:24:11of child actors in Hollywood
0:24:11 > 0:24:13when they made Take This Waltz.
0:24:13 > 0:24:15- Really?- Yeah.
0:24:15 > 0:24:17That kid's clearly a ventriloquist's dummy.
0:24:17 > 0:24:20Her lips don't even move when she speaks.
0:24:20 > 0:24:22I missed you, Auntie Margot.
0:24:22 > 0:24:24- MARGOT:- Oh, I missed you.
0:24:24 > 0:24:27You're right! Go on, say "Gottle o' gear"!
0:24:31 > 0:24:32I Give It a Year.
0:24:32 > 0:24:36Not just the diagnosis Matthew received in the post on Monday.
0:24:36 > 0:24:39Hey, I hadn't read that yet. Spoiler alert!
0:24:39 > 0:24:42But also a sporadically funny and unusual romcom.
0:24:42 > 0:24:45Tell you what's strange about this film, that pool game.
0:24:45 > 0:24:49Now see that cue being waved all over the place...
0:24:49 > 0:24:51You want to hit it on the edge there.
0:24:51 > 0:24:52There it is again.
0:24:52 > 0:24:56And now it's down by his side! Nonsense.
0:24:56 > 0:24:58There's no point, is there?
0:25:00 > 0:25:02- GIRL:- Shakespeare.
0:25:02 > 0:25:04That's a great guess, but no.
0:25:04 > 0:25:05Shakespeare didn't write novels.
0:25:05 > 0:25:08The Perks of Being a Wallflower is a deep
0:25:08 > 0:25:10and actually rather touching film.
0:25:10 > 0:25:11Here's Paul Rudd, claiming that
0:25:11 > 0:25:14Dickens coined the term cliffhanger.
0:25:14 > 0:25:15It was Charles Dickens.
0:25:15 > 0:25:16Rubbish.
0:25:16 > 0:25:20Yep, it was actually Thomas Hardy who invented it.
0:25:20 > 0:25:22Sorry, I just meant I'm not a Paul Rudd fan.
0:25:24 > 0:25:27But hang on, there's more! See that?
0:25:27 > 0:25:30Yeah, they've spelt Emily Dickinson's name wrong!
0:25:30 > 0:25:33There's an 'E' where there should be an 'I'!
0:25:33 > 0:25:35Maybe they're using the Nordic tradition,
0:25:35 > 0:25:39and this Emily was actually Charles Dickens' son?
0:25:39 > 0:25:42You've really veered off course on that one, haven't you, Ben?
0:25:42 > 0:25:44You should learn to participate.
0:25:46 > 0:25:48Eyes up, gang. Charlie's arrived home.
0:25:48 > 0:25:50See any cars in the driveway?
0:25:51 > 0:25:53Bye, Charlie!
0:25:53 > 0:25:55- No, sir.- Quite right, there aren't any!
0:25:55 > 0:25:57- MAN:- Shut up, Candace!
0:25:57 > 0:25:59You just stand there like a little bitch dog...
0:25:59 > 0:26:01Now, Candace is rowing with Derek.
0:26:01 > 0:26:03Charlie, just go! I can handle it!
0:26:03 > 0:26:06Just don't wake up Mom and Dad.
0:26:07 > 0:26:09Derek leaves and, aha!
0:26:09 > 0:26:12A car has magically appeared!
0:26:12 > 0:26:16That's a pretty strong perk of being a wallflower. Magic car.
0:26:20 > 0:26:21Here's something troubling.
0:26:21 > 0:26:24The way my feelings towards Emma Watson
0:26:24 > 0:26:27developed near the end of the Harry Potter franchise?
0:26:27 > 0:26:30No! Well, yes, absolutely yes, but no.
0:26:30 > 0:26:32Look at her dress.
0:26:32 > 0:26:33Way ahead of you, buddy.
0:26:33 > 0:26:35No, see the straps?
0:26:36 > 0:26:38They've disappeared.
0:26:38 > 0:26:41- Splendid.- Not splendid editing, though, eh?
0:26:44 > 0:26:45Now, we all understand
0:26:45 > 0:26:47the way American SAT scores work.
0:26:47 > 0:26:50So here's Sam's results.
0:26:50 > 0:26:52- 1210.- BOY:- What?
0:26:52 > 0:26:54Whaaat?!
0:26:54 > 0:26:55Pause! Rewind! Enhance!
0:26:55 > 0:26:57Always wanted to say that.
0:26:57 > 0:26:59She got 1210?
0:26:59 > 0:27:02Well, it says here she got
0:27:02 > 0:27:04550 in Verbal and 460 in Math.
0:27:04 > 0:27:06It's Maths, mate.
0:27:06 > 0:27:09That adds up to 1010.
0:27:09 > 0:27:12So she must have made an extra 200 points somehow.
0:27:12 > 0:27:15And if anyone can send me video footage of this,
0:27:15 > 0:27:19I will genuinely pay them £1210.
0:27:19 > 0:27:22I've got multiple pairs of blue jeans!
0:27:25 > 0:27:26Playing for Keeps is proof that
0:27:26 > 0:27:28a romcom with a cast including
0:27:28 > 0:27:30Gerard Butler and Jessica Biel
0:27:30 > 0:27:32doesn't always guarantee quality.
0:27:32 > 0:27:36In these final few moments, Gerard is doing some lovely Scottish or
0:27:36 > 0:27:40Irish or whatever soccer-style bonding with his son.
0:27:40 > 0:27:41If I'm good enough for them,
0:27:41 > 0:27:44I may be good enough for someone here, right?
0:27:44 > 0:27:47Kicking a football covered in these dashes.
0:27:48 > 0:27:51But cut to just a few seconds later,
0:27:51 > 0:27:53the football's now sporting rings!
0:27:53 > 0:27:55We don't normally spoil the ending for you,
0:27:55 > 0:27:58but with this movie we thought no-one would especially care.
0:27:58 > 0:28:02Someone very smart once told me you just have to be there.
0:28:05 > 0:28:07Playing For Keeps again
0:28:07 > 0:28:09and earlier in the film the lovely
0:28:09 > 0:28:10Stacie carries in her groceries.
0:28:10 > 0:28:12Note the baguette...
0:28:12 > 0:28:13PHONE RINGS
0:28:13 > 0:28:15- STACIE:- Hello.- He doesn't really hate me?
0:28:15 > 0:28:17No, of course he doesn't...
0:28:17 > 0:28:18..which disappears...
0:28:19 > 0:28:21..and then reappears!
0:28:21 > 0:28:23- Stacie could make my baguette re-appear.- Oh, Clarky!
0:28:23 > 0:28:25- STACIE:- Your son is honest.
0:28:27 > 0:28:29Stale, uninspired,
0:28:29 > 0:28:32cheap, tacky, and a little bit sickly.
0:28:32 > 0:28:34No stars.
0:28:34 > 0:28:37Wow, Tom, you're really getting into this film criticism thing.
0:28:37 > 0:28:40No, I'm reviewing a Chinese take away I had on Just Eat.
0:28:40 > 0:28:43Fantastic chemistry, four stars.
0:28:43 > 0:28:45Are you reviewing a film, Ben?
0:28:45 > 0:28:48No! I'm reviewing my old chemistry teacher.
0:28:48 > 0:28:52He's opened a Chinese restaurant on Just Eat.
0:28:52 > 0:28:53Thanks for that, both.
0:28:53 > 0:28:57Some films are so terrible that continuity errors even improve them.
0:28:57 > 0:28:58Slightly.
0:28:58 > 0:29:00Let's have a look at the best of the worst.
0:29:00 > 0:29:03A proper clunker here from un-special,
0:29:03 > 0:29:07poorly scripted Total Recall.
0:29:07 > 0:29:10Yeah, Colin Farrell's stunt double is clearly a woman.
0:29:10 > 0:29:11Not quite, Benedict.
0:29:11 > 0:29:13That's Lori and look at her hair!
0:29:13 > 0:29:17Midway through the fight, her hair-band mysteriously disappears...
0:29:19 > 0:29:23..a fact that's totally ruined Total Recall for me.
0:29:26 > 0:29:28Colin Farrell is strapped into the futuristic
0:29:28 > 0:29:32equivalent of the Central Line, and... aha!
0:29:32 > 0:29:37That is not how you spell 'forecast'. It's not! It just isn't!
0:29:37 > 0:29:39How's your relationship forecast, Matthew?
0:29:39 > 0:29:41Patchy and cold.
0:29:45 > 0:29:49OK, look at what new guy Marek's doing here,
0:29:49 > 0:29:51and listen to Colin's advice...
0:29:51 > 0:29:53Whoa, whoa! Don't hold it like that.
0:29:53 > 0:29:55Hold it here.
0:29:55 > 0:29:57If you hold it there and it shorts,
0:29:57 > 0:30:00one of those bulbs will shoot straight through your hand.
0:30:00 > 0:30:02But he flat out doesn't listen to him.
0:30:02 > 0:30:05He's carried on doing exactly what he was doing!
0:30:05 > 0:30:06God's sake, Marek.
0:30:06 > 0:30:08Yeah, get it together, Marek.
0:30:08 > 0:30:11I despair of Marek, sometimes. I really do.
0:30:16 > 0:30:20What's truly scary about the Scary Movie franchise is that
0:30:20 > 0:30:21they've made it to five.
0:30:21 > 0:30:23Enough is enough.
0:30:23 > 0:30:26OK, now look. Snoop is on Mac Miller's right
0:30:26 > 0:30:28throughout the conversation.
0:30:28 > 0:30:30- Crazy got to have been there. - BLEEP.
0:30:30 > 0:30:32Except now he's on his left!
0:30:32 > 0:30:36I'm surprised they managed to get Snoop to say the sentences in order.
0:30:36 > 0:30:39I don't think he was supposed to be in the film, he just turned up.
0:30:39 > 0:30:42- SNOOP:- I don't understand why the shampoo company can't fix that, man.
0:30:45 > 0:30:47- Are you going to try out?- Me?
0:30:47 > 0:30:50Kendra's about to show off some of her dancing skills.
0:30:50 > 0:30:52But, before that, it's a ventriloquism act.
0:30:52 > 0:30:55- Look at her mouth as she says "Oh, food."- Oh, food!
0:30:55 > 0:30:57She's clearly not saying that.
0:30:57 > 0:31:00In fact, I'm a certified lip reader.
0:31:00 > 0:31:04She's saying, "Oh, gosh, why am I in this terrible, terrible film."
0:31:04 > 0:31:06Let me see that certificate.
0:31:10 > 0:31:12It's Joe Wright's lacklustre
0:31:12 > 0:31:14recent adaptation of Anna Karenina.
0:31:14 > 0:31:16Morphine, anyone?
0:31:16 > 0:31:18I know this is awful, but that is not the solution.
0:31:18 > 0:31:20No, what I meant was, look at the label
0:31:20 > 0:31:22on the morphine bottle.
0:31:22 > 0:31:23See how it changes?
0:31:23 > 0:31:26Here it's 'la morphine', and later it's just 'morphine'!
0:31:33 > 0:31:35Why didn't you tell me, for God's sake?
0:31:35 > 0:31:39It's the almost laughably bad, must-avoid Taken 2.
0:31:39 > 0:31:41Time for a glass of wine!
0:31:41 > 0:31:43Here's a bottle and two empty glasses.
0:31:43 > 0:31:46- But she's OK, right? - WOMAN:- Yeah, she's OK.
0:31:46 > 0:31:49Aaand without anyone touching them,
0:31:49 > 0:31:51they're now drinking from them.
0:31:51 > 0:31:54Scientific proof that Neeson is a boss.
0:31:54 > 0:31:56Are you OK?
0:31:59 > 0:32:01Domestic issues in the Mills household.
0:32:01 > 0:32:05They can't even decide on what time of year it is.
0:32:05 > 0:32:07Here Bryan talks of the upcoming fall break.
0:32:07 > 0:32:09You're leaving on fall break next week.
0:32:09 > 0:32:13This is the only time I can get to do this before I go to Istanbul.
0:32:13 > 0:32:14But, a few days later,
0:32:14 > 0:32:17Lenore's imminent spring break plans are cancelled.
0:32:17 > 0:32:20We had this trip planned to China
0:32:20 > 0:32:22for Kim's spring break as a family,
0:32:22 > 0:32:24you know, to try and work things out.
0:32:24 > 0:32:27I've been banned from attending either break.
0:32:27 > 0:32:29In the whole of America?
0:32:29 > 0:32:31Very much so.
0:32:33 > 0:32:35Come on.
0:32:35 > 0:32:38In this car chase, Neeson's got his car all dirty with food.
0:32:38 > 0:32:40See the windscreen?
0:32:41 > 0:32:44But look! Here - bang!
0:32:44 > 0:32:45The dirt's gone.
0:32:45 > 0:32:47Go a bit further,
0:32:47 > 0:32:49and it's grubby again.
0:32:49 > 0:32:51But also, rewind.
0:32:53 > 0:32:56If there's one thing that can ruin a high-octane car chase, it's a
0:32:56 > 0:32:59middle-aged woman ambling along at the same speed as the car.
0:33:02 > 0:33:04This is great.
0:33:04 > 0:33:07Here's Neeson, summoning the US Embassy on his sat-nav.
0:33:07 > 0:33:08It's a remarkable feat,
0:33:08 > 0:33:12given that he arbitrarily hammers away on entirely the wrong keys.
0:33:12 > 0:33:15And look, it isn't even a British alphabet!
0:33:15 > 0:33:18Never doubt the Neeson.
0:33:18 > 0:33:20He does have a very specific set of skills.
0:33:20 > 0:33:22You understand me?
0:33:24 > 0:33:26Strap yourselves in, folks.
0:33:26 > 0:33:29Another classic car chase.
0:33:29 > 0:33:32But the taxi they're driving appears to be invincible.
0:33:33 > 0:33:37The police car forces it to drive into some corrugated iron.
0:33:39 > 0:33:43And we see, later on, some definite damage to the left side.
0:33:46 > 0:33:49Move on a few moments, the damage has completely gone!
0:33:49 > 0:33:50But wait!
0:33:52 > 0:33:54Here's the rear window getting shot out.
0:33:56 > 0:33:57- WOMAN:- Dad!
0:33:57 > 0:34:00It's back in the very next shot!
0:34:03 > 0:34:05Yep, the car possesses a healing factor,
0:34:05 > 0:34:07making some believe it's the love child
0:34:07 > 0:34:10of Liam Neeson and Wolverine.
0:34:15 > 0:34:18Guys, it's time for GPM.
0:34:18 > 0:34:21Gently Petting Matthew?
0:34:21 > 0:34:22What? No!
0:34:22 > 0:34:25Graphically Probing Matthew?
0:34:25 > 0:34:29Absolutely not! My really cool acronym can only mean one thing!
0:34:31 > 0:34:34Great Plot-hole Mistakes!
0:34:34 > 0:34:37Gaffes so massively bad, an entire film falls apart.
0:34:37 > 0:34:41Whoa! Hold on a second, guys! Check us out, we're cartoons!
0:34:41 > 0:34:43Amazing. I can finally assist
0:34:43 > 0:34:47Pinky and the Brain in their quest for world domination!
0:34:47 > 0:34:49No time, Ben. We've got to explore
0:34:49 > 0:34:51the miasma of movie mistakes that is...
0:34:52 > 0:34:54In this relentless, pacey
0:34:54 > 0:34:56and exciting superhero flick,
0:34:56 > 0:34:58billionaire genius Tony Stark is
0:34:58 > 0:35:00terrorised by Sir Ben Kingsley.
0:35:00 > 0:35:03He threatens to bring America to its knees with a painful series
0:35:03 > 0:35:08of lessons and no-one, especially Stark and the President, is safe.
0:35:08 > 0:35:10So, Stark sets about saving the day.
0:35:10 > 0:35:12Fair enough? Fair enough. No!
0:35:12 > 0:35:15Not fair enough! Do you know why?
0:35:15 > 0:35:19It interferes with Stark's long-planned golfing weekend?
0:35:19 > 0:35:21No! Because Tony Stark happens to be in
0:35:21 > 0:35:24an incredibly well-known superhero group.
0:35:24 > 0:35:26He was in a movie with them.
0:35:26 > 0:35:27Where the hell are they?!
0:35:27 > 0:35:30Well, some of them don't live on Earth.
0:35:30 > 0:35:32Thor might have been back in
0:35:32 > 0:35:33Asgard, sorting out some admin.
0:35:33 > 0:35:35Admin?! Stark's in grave peril.
0:35:35 > 0:35:37And what about the others?
0:35:37 > 0:35:39Big, angry Bruce Banner?
0:35:39 > 0:35:41That archer guy.
0:35:41 > 0:35:43And if the Captain doesn't leap into action
0:35:43 > 0:35:46when the American President is threatened, what is his function?
0:35:46 > 0:35:48Oh, no!
0:35:48 > 0:35:50Maybe they were off on that golfing weekend,
0:35:50 > 0:35:53hoping that Stark might pop along at the end?
0:35:53 > 0:35:55That's a highly non-valid point!
0:35:55 > 0:35:58This is one mistake so deadly that these superheroes couldn't
0:35:58 > 0:36:01defeat it, if they bothered to turn up, that is.
0:36:07 > 0:36:10All right! Let the Arnie marathon commence!
0:36:10 > 0:36:13- And we're filming.- Oh, yes.
0:36:13 > 0:36:15Explain the concept, Tom.
0:36:15 > 0:36:17We're going to power through some Arnie classics.
0:36:17 > 0:36:19- It's going to be an all-nighter. - Can't wait.
0:36:19 > 0:36:21Yep. And let's try and spot
0:36:21 > 0:36:23as many movie mistakes as we can along the way.
0:36:23 > 0:36:27- Best night ever!- Let's start at the very beginning with the low-budget,
0:36:27 > 0:36:31creaky but extraordinary Hercules In New York.
0:36:31 > 0:36:36Hey-o! It's Arnie's first ever scene on film.
0:36:36 > 0:36:39Fun fact - he was billed as Arnold Strong when this came out.
0:36:39 > 0:36:41Is the movie mistake his acting?
0:36:41 > 0:36:45- WOODENLY:- I am tired of the same old faces...
0:36:45 > 0:36:47No. But hold on, I think I spotted something.
0:36:47 > 0:36:50Flick back to the start and check out the brunette behind the throne.
0:36:50 > 0:36:53She somehow ends up next to Zeus!
0:36:53 > 0:36:58That Arnie. Always getting caught up in mistakes involving women.
0:37:01 > 0:37:05- Are you homesick? - I am having too much fun.
0:37:05 > 0:37:08This clunker is as clear as night and day.
0:37:08 > 0:37:10I know, right. A pastel blue turtleneck?!
0:37:10 > 0:37:15No, Ben. The fact that it constantly changes between night and day.
0:37:15 > 0:37:20Also, is that a cameraman-shaped shadow I spot?
0:37:20 > 0:37:24I like how the Greek music reminds us Arnie is Greek.
0:37:24 > 0:37:27I like how Arnie has the worst on-screen fight
0:37:27 > 0:37:30in cinematic history.
0:37:30 > 0:37:32Folks...
0:37:32 > 0:37:34that's supposed to be a bear.
0:37:35 > 0:37:38Time for the thrill-packed Conan The Barbarian.
0:37:38 > 0:37:40Classic early '80s action.
0:37:40 > 0:37:44If you want to see some classic action with a man in his early '80s,
0:37:44 > 0:37:46Arnie's playing Conan in the remake this year.
0:37:46 > 0:37:49- Arnie's in his 60's, Tom. - Don't spoil the moment.
0:37:52 > 0:37:56Ha! What a ridiculous scene!
0:37:56 > 0:37:58- Huh? - Those dogs are German shepherds.
0:37:58 > 0:38:02- That breed was not created until the 1890s.- Great point, Matthew.
0:38:02 > 0:38:05And in what year did King Osric from the snake cult rule?
0:38:05 > 0:38:07It was the Hyborian age,
0:38:07 > 0:38:11roughly equivalent to the years 40,000 through to 10,000 BC.
0:38:11 > 0:38:13Well before German shepherds.
0:38:13 > 0:38:16That lonely childhood and lonely adulthood
0:38:16 > 0:38:18hasn't been wasted after all.
0:38:20 > 0:38:22Time for Commando!
0:38:22 > 0:38:26The greatest, daftest action film ever made.
0:38:27 > 0:38:31This just shows you why Arnie's the right man in any crisis.
0:38:31 > 0:38:34In order to hide himself, he just rips the seat out.
0:38:34 > 0:38:36I spy with my little eye
0:38:36 > 0:38:40something beginning with "film crew being reflected on the car".
0:38:40 > 0:38:42You never got the rules of I-spy, did you, Tom?
0:38:42 > 0:38:46- You're just jealous you don't know what it is.- Hold on!
0:38:46 > 0:38:49Arnie went through all the effort of ripping out the car seat
0:38:49 > 0:38:53to be lower down, only to now be sitting up normally.
0:38:53 > 0:38:55Great posture, though.
0:38:55 > 0:38:57A guy I trusted for years wants me dead.
0:38:57 > 0:39:00Understandable. I've known you for five minutes and I want you dead too.
0:39:00 > 0:39:03Ha! There aren't any cars in the background.
0:39:05 > 0:39:08- They're back! - This scene's a clunknanza.
0:39:12 > 0:39:15Now. Look at Arnie's grenades wobbling about.
0:39:15 > 0:39:17They're strapped to him by their pins.
0:39:17 > 0:39:19That's less of a movie mistake, more of a life mistake.
0:39:19 > 0:39:22As your uncle knows all too well.
0:39:22 > 0:39:27Yes! Blow up the factory and the poorly designed dummies!
0:39:27 > 0:39:30- Tom, I think the film wanted us to think they were people.- Wow.
0:39:33 > 0:39:35Now we're talking! Time to see Arnie's lighter side
0:39:35 > 0:39:37in the quite frankly hilarious Twins!
0:39:37 > 0:39:40Yeah. Hilarious for all the wrong reasons.
0:39:43 > 0:39:47Those people staring at the camera might as well just wave too.
0:39:47 > 0:39:51- Ridonculous.- No, what's ridonculous is you using that word, Matthew.
0:39:51 > 0:39:53Sozzle!
0:39:53 > 0:39:55You could be a boxer, I could be your manager.
0:39:55 > 0:39:57I don't think I could fight for money...
0:39:57 > 0:40:00We've broken through to the other side. Only three more films left!
0:40:00 > 0:40:03When I close my eyes all I can see is biceps.
0:40:03 > 0:40:05What have we got next, Matthew?
0:40:05 > 0:40:08It's time for the awesome action comedy True Lies.
0:40:08 > 0:40:13- Action comedy? Is that even a genre?- It is now.
0:40:13 > 0:40:17I spy with my little eye something beginning with...
0:40:17 > 0:40:21Yes, we all saw the camera crane reflected in the windscreen.
0:40:21 > 0:40:23Spoilsport.
0:40:30 > 0:40:34Look at that! They could afford a disappearing car.
0:40:35 > 0:40:39Check it out. The car on the right vanishes halfway through the skid.
0:40:39 > 0:40:40Nice!
0:40:46 > 0:40:49See? You and this car were made for each other.
0:40:51 > 0:40:57HE GROANS: Two more Arnie films to go. Come on, boys. We can do this.
0:40:57 > 0:41:01Is it bedtime or breakfast time? My body clock's shut down.
0:41:01 > 0:41:07Neither. It's time to watch the high-octane masterpiece, Eraser!
0:41:08 > 0:41:11Now, those are offshore banking deposits. UBS...
0:41:11 > 0:41:13I love that SHE said what UBS stands for,
0:41:13 > 0:41:16and the computer screen reads USB.
0:41:16 > 0:41:18That's a major one.
0:41:18 > 0:41:21I love that we've finally found a movie mistake after watching this
0:41:21 > 0:41:22for an hour and 20 minutes.
0:41:22 > 0:41:25Well, we did also want to watch it to hear Arnie say,
0:41:25 > 0:41:27"You've just been erased."
0:41:27 > 0:41:29What a line.
0:41:30 > 0:41:34Yeah. We did it! We're at the end of the Arnie marathon,
0:41:34 > 0:41:36and we're just about to watch his finest work to date.
0:41:36 > 0:41:39The masterful, essential viewing that is...
0:41:39 > 0:41:42ALL: Jingle All The Way!
0:41:44 > 0:41:46Here's Howard going down the escalator...
0:41:46 > 0:41:50But wait! There he is again in the crowd before he gets there!
0:41:50 > 0:41:53Classic overachieving Arnie.
0:41:56 > 0:42:00Check out that drawing pinned on the wall in the playhouse.
0:42:01 > 0:42:03It's completely changed!
0:42:03 > 0:42:06- Oh, thank God. I thought I was seeing things.- Ha-ha.
0:42:06 > 0:42:09No, Ben. You've been awake for many hours
0:42:09 > 0:42:11and ingested a lot of sugar and alcohol,
0:42:11 > 0:42:13but no, you're not seeing things.
0:42:13 > 0:42:17Good. Although what's with the directorial decision
0:42:17 > 0:42:20to put black dots and swirling colours everywhere?
0:42:20 > 0:42:24Whoa, Ben... you should probably drink some water.
0:42:24 > 0:42:27Thanks, Turbo Man. I knew you'd save me.
0:42:27 > 0:42:29You can always count on me.
0:42:29 > 0:42:32Those lights reflected in his helmet show he's actually not outdoors
0:42:32 > 0:42:33but in a studio.
0:42:33 > 0:42:36Also, how have his wife and kid not noticed
0:42:36 > 0:42:41Turbo Man's distinctively huge jaw, or thick Austrian accent?
0:42:41 > 0:42:44If Arnie managed to become a politician in real life
0:42:44 > 0:42:46then I'm afraid I've got to let those slip.
0:42:46 > 0:42:50Oh... Thank you, sir. I don't think you know how much he means to me.
0:42:50 > 0:42:53Oh! I think I have an idea.
0:42:53 > 0:42:54Oh, my giddy aunt.
0:42:54 > 0:42:57We've done it. We survived the marathon!
0:42:57 > 0:42:59Oh...! Yes.
0:42:59 > 0:43:03Right. Next up, Jean-Claude Van Damme.
0:43:03 > 0:43:07I'll have a quick toilet break, and then... "I'll be back."
0:43:08 > 0:43:09Who's that supposed to be?
0:43:17 > 0:43:20Folks, it's the moment you've all been waiting for!
0:43:20 > 0:43:23- It's time for Matthew's Minute Movie Mistakes of 2013.- Oh, no!
0:43:23 > 0:43:27This is literally my least favourite bit.
0:43:27 > 0:43:29All three of us love movie mistakes, but I have a particular passion
0:43:29 > 0:43:32for minute mistakes - mistakes that's no-one's noticed.
0:43:32 > 0:43:34That's cos they're hardly mistakes!
0:43:34 > 0:43:38- They're minor mistakes.- What, mistakes from films about miners?
0:43:38 > 0:43:42What, like Armageddon or There Will Be Blood or Billy Elliot?
0:43:42 > 0:43:45No! Tiny mistakes. Mistakes that no-one's noticed.
0:43:45 > 0:43:48No-one except for me. I'm going to be so popular!
0:43:48 > 0:43:50I hate that guy.
0:43:56 > 0:43:59It's a massive, massive fight, between a giant robot
0:43:59 > 0:44:04and an enormous sea monster. God, I love Pacific Rim.
0:44:04 > 0:44:07And I love the mildly obscure mistakes contained within.
0:44:07 > 0:44:08Look at this executive toy.
0:44:08 > 0:44:12It would not, I assure you, react in this classic manner.
0:44:12 > 0:44:15All the balls would swing together.
0:44:15 > 0:44:17Gah, you're so pedantic!
0:44:17 > 0:44:19I'd say I'm more fastidious than pedantic.
0:44:24 > 0:44:28Now, palaeontology fans, listen to this.
0:44:28 > 0:44:32..their secondary brain. Now, we both know the Kaiju are so large
0:44:32 > 0:44:35they need two brains to move around, like a dinosaur.
0:44:35 > 0:44:37I want to get my hands on that.
0:44:37 > 0:44:40Ha! Dr Geiszler, your doctorate is worth nothing.
0:44:40 > 0:44:42Dinosaurs did not have two brains.
0:44:42 > 0:44:46Exactly. Everyone knows they had three brains.
0:44:46 > 0:44:49Ben... you don't even have one brain.
0:44:49 > 0:44:51What is brain?
0:44:51 > 0:44:54But the brain... too much ammonia.
0:44:58 > 0:44:59Arthur Christmas.
0:44:59 > 0:45:04Brilliant as a cockle-warming family movie, rubbish at geography.
0:45:04 > 0:45:07Well, I didn't know Aarhus was in Eastern Denmark.
0:45:07 > 0:45:10Exactly. Everybody knows that Aarhus is in Jutland,
0:45:10 > 0:45:13which is the western peninsula of Denmark. Admittedly on the east
0:45:13 > 0:45:14coast of Jutland,
0:45:14 > 0:45:17but at best that puts Aarhus in the middle of the country.
0:45:19 > 0:45:21I thought Aarhus was in the middle of our street.
0:45:25 > 0:45:29Pitch Perfect? More like Pitch Riddled With Mistakes!
0:45:29 > 0:45:33- Ben, you could have had Pitch Imperfect.- I hate myself.
0:45:33 > 0:45:35..Darth Vader's Luke's father...
0:45:35 > 0:45:40- Hey. Hey, that girl walked past twice!- Really?
0:45:40 > 0:45:44Yeah. Blonde girl, green top, and blue shorts. Twice.
0:45:44 > 0:45:48"Vader" in German MEANS "father". His name is literally Darth Father.
0:45:48 > 0:45:51Well, actually I was going to point out in this bit
0:45:51 > 0:45:53Beca's wrong.
0:45:53 > 0:45:56"Vader" actually means father in Dutch, not German.
0:45:56 > 0:46:01That was your movie mistake? Was that not too petty even for you?
0:46:01 > 0:46:02Not even close, mate.
0:46:02 > 0:46:05Are you guys getting ready for the riff-off?
0:46:05 > 0:46:06What the hell is a riff-off?
0:46:09 > 0:46:11Cloud Atlas!
0:46:11 > 0:46:16Difficult, but rewarding to read - difficult to watch.
0:46:16 > 0:46:19Are you ready for a clear but tedious error, boys?
0:46:19 > 0:46:20- Nope.- Not for me.
0:46:20 > 0:46:23Good! September the 1st, 1973
0:46:23 > 0:46:25was a Saturday. We all know that, don't we?
0:46:25 > 0:46:29- Well, you might.- And maybe Rain Man. - But the directors certainly don't.
0:46:29 > 0:46:35On this barely-seen calendar it's listed as a Friday! Ha! A Friday.
0:46:35 > 0:46:37Jog on, Wachowskis!
0:46:41 > 0:46:44Back to the very satisfying Skyfall. Perfect Bond.
0:46:44 > 0:46:46But check Severine's shoes.
0:46:46 > 0:46:49Not only dreadful to walk in on bumpy ground,
0:46:49 > 0:46:51they also keep changing colour.
0:46:53 > 0:46:57Fun fact, guys. In the shots where we just see her head and shoulders,
0:46:57 > 0:47:01- she's actually wearing flippers. - She's a very talented actor.
0:47:07 > 0:47:09This looks suitably grim.
0:47:09 > 0:47:13It could only be the dark and moody The Paperboy.
0:47:13 > 0:47:17- Oh, dear, look at that drip.- Oi! Don't talk about Ben like that.
0:47:17 > 0:47:22Not that drip, you drips. The drip in the clip! This is set in 1969.
0:47:22 > 0:47:25Obviously an IV drip would have been in a glass bottle at that time,
0:47:25 > 0:47:27not a plastic bag.
0:47:27 > 0:47:30- No wonder this movie tanked.- Drip.
0:47:35 > 0:47:37Seen...
0:47:37 > 0:47:38No...
0:47:39 > 0:47:40Over the next months
0:47:40 > 0:47:44film franchises will be releasing sequels and prequels galore.
0:47:44 > 0:47:47I'm looking forward to the prequel Django Chained.
0:47:47 > 0:47:50Apparently it's just going to be two gruelling hours
0:47:50 > 0:47:52of Jamie Foxx as a slave.
0:47:52 > 0:47:55Yeah, there's a lot of buzz about Star Wars Episode VII:
0:47:55 > 0:47:58I Just Don't Care Any More.
0:47:58 > 0:47:59They're going to film George Lucas
0:47:59 > 0:48:01driving around in a gold pick-up truck
0:48:01 > 0:48:06full of money, just sneering at his fans.
0:48:06 > 0:48:08Well, as great as those two made-up films sound,
0:48:08 > 0:48:11I thought we could look at some of the actual film franchises,
0:48:11 > 0:48:15and some of the gaffes we hope they won't be making this time round.
0:48:15 > 0:48:17Argo II... Argos?
0:48:22 > 0:48:24Turtle Power, everyone!
0:48:24 > 0:48:28Perhaps the greatest social movement of the 20th century.
0:48:28 > 0:48:30And now, Teenage Mutant Ninja Turtles is being
0:48:30 > 0:48:34reimagined for the jaded, terrifying youth of 2014.
0:48:34 > 0:48:37But we all remember the original film, right? With these clunkers?
0:48:37 > 0:48:40Of course! Like Leonardo leaving April's apartment.
0:48:40 > 0:48:43His sword pings off the wall like it was made of rubber.
0:48:43 > 0:48:47Looking back, this film does actually seem quite terrifying.
0:48:50 > 0:48:53Ohhh! So, that's the plan...
0:48:53 > 0:48:57Here's a blinding mistake that we hope won't creep into the remake.
0:48:57 > 0:48:59As Raphael and Leonardo argue,
0:48:59 > 0:49:02a crew member fails to hide out of shot.
0:49:02 > 0:49:05He hasn't helped his cause by wearing a bright orange cap.
0:49:05 > 0:49:09Guys... that's not a crew member. That's their human slave.
0:49:09 > 0:49:11Very dark.
0:49:18 > 0:49:21I, Frankenstein's out soon, but let's hope the new film doesn't make
0:49:21 > 0:49:25the same mistakes as the definitive dark and still creepy 1931 classic.
0:49:25 > 0:49:28Like this doozy! In this epic feat of acting
0:49:28 > 0:49:33we can see Frankenstein's monster falling unconscious onto his back.
0:49:33 > 0:49:35Top work, Boris.
0:49:35 > 0:49:39However, here, he's somehow rolled over!
0:49:39 > 0:49:42Give it another 30 seconds I'm sure he'd have started doing the worm.
0:49:42 > 0:49:46- ..Too late! - Here, quick. Give me a hand...
0:49:48 > 0:49:53Are you ready to have your minds blown, folks?
0:49:53 > 0:49:54Here are some high-end special effects
0:49:54 > 0:49:57that I, Frankenstein will have to match.
0:49:57 > 0:50:02The doctor is in grave danger as he fights his own monster creation.
0:50:02 > 0:50:05Or so you'd think. Luckily, the monster spares his life,
0:50:05 > 0:50:09and instead throws what is clearly a dummy off the ledge.
0:50:09 > 0:50:13- Ben, that was supposed to be the real doctor.- What?
0:50:17 > 0:50:20With their return to our screens in Muppets Most Wanted next year
0:50:20 > 0:50:23let's point out a couple of Great Muppet Mistakes.
0:50:24 > 0:50:25This first Muppet movie
0:50:25 > 0:50:29is criminally underrated comedy genius. It's spot on.
0:50:29 > 0:50:31Well, not so much here.
0:50:31 > 0:50:35Miss Piggy proves she's a real diva by insisting that any man
0:50:35 > 0:50:40who pushes her off a balcony wears a luxurious velvet evening glove.
0:50:40 > 0:50:43That's possibly the classiest movie mistake we've ever had.
0:50:46 > 0:50:48Afternoon, all...
0:50:50 > 0:50:53Now, over here in the still exceptionally funny
0:50:53 > 0:50:55The Muppets Take Manhattan, creator Jim Henson makes
0:50:55 > 0:51:00a Hitchcock-style cameo, crouching awkwardly under some tables.
0:51:00 > 0:51:02Look, there's the top of his head.
0:51:02 > 0:51:05Ah. He's just trying to avoid paying the bill.
0:51:05 > 0:51:07Textbook evasion technique.
0:51:11 > 0:51:14Next year sees the release of Dawn of the Planet of the Apes,
0:51:14 > 0:51:18but the original series had its fair share of monkey business.
0:51:18 > 0:51:21Here's the reasonably decent but not amazing second film
0:51:21 > 0:51:24Beneath the Planet of the Apes.
0:51:24 > 0:51:26Turns out the Forbidden Zone isn't forbidden to the
0:51:26 > 0:51:29onslaught of coffee shops we see on every high street.
0:51:29 > 0:51:31Oh, yeah, look!
0:51:31 > 0:51:34Some primate litterbug's left this coffee cup lying around.
0:51:34 > 0:51:37Ruining the picturesque landscape.
0:51:43 > 0:51:46- Look. There's a queue for this coffee.- Nearly, Ben.
0:51:46 > 0:51:47Look, there's cue marks
0:51:47 > 0:51:50showing where James Franciscus should be standing.
0:51:50 > 0:51:53Naughty. No-one likes a cue jumper, James.
0:51:54 > 0:51:56We're almost at the end, guys.
0:51:56 > 0:51:58You've stayed with us for the entire show!
0:51:58 > 0:52:01- Or alternatively, they've just tuned in.- Equally plausible.
0:52:01 > 0:52:04We've seen a lot of movies, and a lot of mistakes,
0:52:04 > 0:52:06but which movie is the mistakiest?
0:52:06 > 0:52:09When it comes to movie mistakes, which film takes the cake?
0:52:09 > 0:52:12Yeah. And then switches the hand that's holding the cake...
0:52:12 > 0:52:13And then the cake disappears...
0:52:13 > 0:52:16And then when it reappears it's a completely different cake?
0:52:16 > 0:52:18Let's find out!
0:52:18 > 0:52:22It's Les Mis, both a mesmerising and tear-jerking adaptation
0:52:22 > 0:52:25of the musical, and a clanger-fest.
0:52:25 > 0:52:29# It's win-win! #
0:52:29 > 0:52:31Here these officials take off their hats
0:52:31 > 0:52:33as Valjean is being captured, as ever.
0:52:33 > 0:52:37So how come THIS fellow happens to still be wearing his?
0:52:37 > 0:52:42As Mr Miyagi once said, "Hats on, hats off." Almost.
0:52:46 > 0:52:49Ah, the "Fantine teleports around
0:52:49 > 0:52:52"a group of disgruntled factory workers" scene.
0:52:52 > 0:52:54That's rarely performed in the West End.
0:52:54 > 0:52:57Look! She's got different neighbours in every shot.
0:52:57 > 0:53:00Jowly Mc-Scowl-a-Lot's on Hathaway's right...
0:53:00 > 0:53:03and then she's at the end of the line!
0:53:08 > 0:53:12Poor Fantine has been convinced to be a prostitute.
0:53:12 > 0:53:14In order to win some business from this captain,
0:53:14 > 0:53:16she's hidden her shawl somewhere about her person
0:53:16 > 0:53:19and then made it... come back again.
0:53:19 > 0:53:23I think it's fair to say Anne "Hathaway" with continuity errors.
0:53:23 > 0:53:25Incredible.
0:53:31 > 0:53:36Heck of a blooper now. Here's Enjolras, pamphlets in hand.
0:53:36 > 0:53:40- But wait, pause that! Where have the pamphlets gone?- No, Matthew!
0:53:40 > 0:53:44He's clearly thrown them in the air, and a few moments later
0:53:44 > 0:53:47- caught them.- There's no better way to rouse a crowd
0:53:47 > 0:53:48than with a bit of juggling.
0:53:51 > 0:53:53The boys are up to their old tricks here.
0:53:53 > 0:53:59Chivalrous Enjorlas, in his splendid red coat, is picking up Eponine.
0:54:01 > 0:54:04He's not chivalrous enough to carry her away, though.
0:54:04 > 0:54:06he's clearly chucked her to his mate.
0:54:06 > 0:54:11- Shut up, that's teamwork. - Implausible, badly-edited teamwork.
0:54:14 > 0:54:18Ah, young Gavroche. So tragically killed.
0:54:18 > 0:54:21Such a young talent. What a waste.
0:54:21 > 0:54:23Don't worry, Ben, they didn't really kill him.
0:54:23 > 0:54:27- Oh.- Look. Do you see his wide-open eyes?
0:54:27 > 0:54:28Now they're closed.
0:54:31 > 0:54:35- And now they're open. - It's a miracle.- Huzzah!
0:54:39 > 0:54:42This scene is great and all, but you know what it could do with?
0:54:42 > 0:54:44A bit of furniture.
0:54:44 > 0:54:45What? Like this?
0:54:46 > 0:54:48Where did that wardrobe come from?
0:54:48 > 0:54:51- Much better. Thank you, Tom. - "Mon pleasure."
0:54:53 > 0:54:55With seven classic clangers,
0:54:55 > 0:54:58Les Mis takes the crown for most mistakes this year!
0:55:01 > 0:55:03So we've come to the end of our movie mistakes marathon.
0:55:03 > 0:55:06It's been less physically challenging than a real marathon
0:55:06 > 0:55:08but in many ways a lot more gruelling.
0:55:08 > 0:55:10If you've made it to the end, we salute you.
0:55:10 > 0:55:11And if you've just tuned in,
0:55:11 > 0:55:14don't worry, this gets repeated all the time.
0:55:14 > 0:55:16Yeah, seriously! All the time.
0:55:16 > 0:55:19It's basically this and Family Guy.
0:55:19 > 0:55:21But the movie industry waits for no man. Even as we speak
0:55:21 > 0:55:24more films are being made, with more calamitous clunkers.
0:55:24 > 0:55:26- Does that mean...?- Yes, Ben.
0:55:26 > 0:55:29It's time to start researching next year's Movie Mistakes.
0:55:29 > 0:55:31ALL: To the cinema!
0:55:31 > 0:55:34MUSIC: "Don't You Forget About Me" by Simple Minds
0:55:34 > 0:55:35# Hey, hey, hey, hey
0:55:37 > 0:55:43# Ooh ooh-ooh-ooh-ooh whoa
0:55:49 > 0:55:52# Don't you
0:55:52 > 0:55:54# Forget about me
0:55:55 > 0:55:58# Don't, don't, don't, don't
0:55:58 > 0:56:00# Don't you
0:56:00 > 0:56:02# Forget about me
0:56:06 > 0:56:07# La, la-la-la-laa... #
0:56:07 > 0:56:10Subtitles by Red Bee Media Ltd