0:00:02 > 0:00:05There was once a noble quest undertaken by Tommo and Ben,
0:00:05 > 0:00:09two hairy men from the Midlands, and Matthew the painfully white.
0:00:09 > 0:00:13Bravely, they sought out motion picture mishaps,
0:00:13 > 0:00:16cinematic screw-ups and filmic failures.
0:00:18 > 0:00:22They travelled as far as Odeon and through the many caverns of Vue,
0:00:22 > 0:00:25where they have returned with their pray,
0:00:25 > 0:00:29captured on shiny golden rings known as DVDs.
0:00:29 > 0:00:33Fine, fine, I know they're not gold.
0:00:33 > 0:00:38Join them now as they celebrate Great Movie Mistakes.
0:00:42 > 0:00:45THEY ARGUE
0:00:45 > 0:00:49Hello, we're Pappy's, and welcome to Great Movie Mistakes.
0:00:49 > 0:00:54My greatest movie mistake was messing up my audition to be Edward in the Twilight films.
0:00:54 > 0:00:56Should never have got that spray tan.
0:00:56 > 0:00:58Mine was being Bella in your audition tape.
0:00:58 > 0:01:01Did we really have to act out the whole film?
0:01:01 > 0:01:03What Tom and Ben have expertly failed to explain
0:01:03 > 0:01:07is that, tonight, we're going to be going through clip after clip of great movie mistakes.
0:01:07 > 0:01:11- I can't wait.- Bella! It's time.
0:01:11 > 0:01:13Stop it!
0:01:20 > 0:01:24- Rotten Tomatoes.- Yes, please, my favourite.
0:01:24 > 0:01:25Think I'll stick to the popcorn.
0:01:25 > 0:01:28- It's a movie review site.- What?
0:01:28 > 0:01:33Uninformed slobs lying around giving their inexpert opinion on films.
0:01:33 > 0:01:37- I hate that.- Yeah. Just imagine.
0:01:37 > 0:01:39HE BELCHES
0:01:39 > 0:01:42Anyway, this section features films that were the darlings of the critics
0:01:42 > 0:01:46and rated most highly on IMDb, Rotten Tomatoes, that sort of thing.
0:01:46 > 0:01:50- I hope it features my favourite film of 2013.- What was that, Ben?
0:01:50 > 0:01:52Waterworld.
0:01:52 > 0:01:57Well, A, that was made in 1995 and B, it was cobblers, mate.
0:01:57 > 0:02:00Actually, Tom, the Waterworld I'm referring to was
0:02:00 > 0:02:04a 15-minute clip on a rather niche premium website.
0:02:04 > 0:02:06Let's have a look at those mistakes.
0:02:07 > 0:02:11Looper is a clever and original time-travel film.
0:02:11 > 0:02:14I say this because I actually understand it.
0:02:14 > 0:02:16But look at the gun.
0:02:16 > 0:02:17He cocks it.
0:02:19 > 0:02:21Now, it's uncocked.
0:02:24 > 0:02:26Now, he's cocked it again.
0:02:27 > 0:02:31- Sounds like my weekend. - Was that supposed to be smutty?
0:02:31 > 0:02:33- No, I bought a gun.- Oh.
0:02:33 > 0:02:35What the hell's going on out there?
0:02:40 > 0:02:41So, let me get this straight.
0:02:41 > 0:02:45Bruce Willis and Joseph Gordon-Levitt are the same person?
0:02:45 > 0:02:46If that's the case,
0:02:46 > 0:02:49why is Bruce left-handed...
0:02:51 > 0:02:53..and Joseph right-handed?
0:02:53 > 0:02:55That's a damn fine point.
0:02:55 > 0:02:58- I think Bruce might just be using a left-handed gun.- Ssh, Ben.
0:03:05 > 0:03:07Let's play a game of "Who's In The Truck?"
0:03:07 > 0:03:09- The kid and his mum!- If only.
0:03:15 > 0:03:17Look again, it's empty!
0:03:17 > 0:03:21Apart from a roll cage to stop the people who aren't even in there
0:03:21 > 0:03:22getting hurt.
0:03:22 > 0:03:26Clearly, the director removed the child and actress before the crash
0:03:26 > 0:03:31which, in terms of verisimilitude, is frankly irresponsible.
0:03:31 > 0:03:33I'm sorry.
0:03:35 > 0:03:39You never cared about her and you never cared about us.
0:03:39 > 0:03:43Mud, an engrossing, heart-warming modern fairy tale.
0:03:43 > 0:03:46Not about the cheesy glam-rock group from the '70s?
0:03:46 > 0:03:48No, it's a film about mud.
0:03:48 > 0:03:52The mud in this scene magically disappears from that boy's trousers.
0:03:52 > 0:03:55Must be a fairy tale when you don't even need to wash your grubby kecks.
0:04:00 > 0:04:04End Of Watch is a hard-hitting and intense movie
0:04:04 > 0:04:08set on 06/08/2011 which, being America, means it's the 8th of June.
0:04:08 > 0:04:11- Nutters.- But look here!
0:04:11 > 0:04:16Jake's paperwork says 8/19/12, a whole year in their future,
0:04:16 > 0:04:19and either the 19th of August or the 8th of Matthewary,
0:04:19 > 0:04:22the 19th month in my invented calendar.
0:04:22 > 0:04:25I'm angry you didn't include Benuary.
0:04:25 > 0:04:28Nobenber had more of a ring to it for some reason.
0:04:32 > 0:04:38Life Of Pi. Beautiful cinematography but terrible mistakes.
0:04:38 > 0:04:42- This is an absolute disgrace! Look at the ship.- Choppy waters.
0:04:42 > 0:04:47Indeed, Matthew. But has our boy, Pi, noticed? Somehow, no.
0:04:47 > 0:04:50His bedroom is incredibly calm.
0:04:50 > 0:04:54- Wait, that's supposed to be in the same ship?- I know!
0:04:58 > 0:05:00Look at this girl in the bottom centre.
0:05:00 > 0:05:02Can you see a flower in her hair?
0:05:02 > 0:05:05- IN MEDIEVAL STYLE: - Sir, I tell you I cannot.
0:05:05 > 0:05:07Well, look again!
0:05:07 > 0:05:10- Gadzooks!- Ben, are you all right?
0:05:10 > 0:05:12I think so. Are you sure this is tea?
0:05:17 > 0:05:21It's the nostalgically fun and sweet comedy Wreck-It Ralph.
0:05:21 > 0:05:23But there's nothing funny about this mistake.
0:05:23 > 0:05:26- Nonetheless, we've included it. - Oh, God, yeah.
0:05:27 > 0:05:31- Deanna's dress is shiny with leaves and flowers on it.- Look again.
0:05:31 > 0:05:32It's a plain dress.
0:05:37 > 0:05:41And seconds later, she's by the door wearing the original dress.
0:05:41 > 0:05:43I don't know what to believe any more.
0:05:48 > 0:05:50Now, I've got a bone to pick with you, Ralph.
0:05:50 > 0:05:54This is that candy go-kart game over by the Whack-A-Mole.
0:05:54 > 0:05:58- I've got to get out of here.- Mole? Whack-A-Mole, is it, Ralph?
0:05:59 > 0:06:03Ha! It's Whack-A-Troll!
0:06:03 > 0:06:05Wildly inconsistent, which is what I shouted
0:06:05 > 0:06:07when I first watched this film.
0:06:07 > 0:06:10Is that why we're banned from the Odeon in Crystal Palace?
0:06:10 > 0:06:11Essentially, yes.
0:06:14 > 0:06:16Ralph's sticking Sour Bill to a candy tree.
0:06:16 > 0:06:19Note the branch pointing downwards.
0:06:19 > 0:06:21- Stick around.- Yes, OK, I will.
0:06:22 > 0:06:25But now, Sour Bill has freed himself and, in freeing himself,
0:06:25 > 0:06:29has somehow twisted the branch so it points to his right.
0:06:29 > 0:06:31Doubly impressive given that his hands and feet
0:06:31 > 0:06:33float next to his body.
0:06:33 > 0:06:35All very sloppy.
0:06:41 > 0:06:44Is this Ryan Gosling starring as the Milky Bar Kid?
0:06:44 > 0:06:45No, Tom, this is the powerful
0:06:45 > 0:06:49- and intriguing drama The Place Beyond The Pines.- Oh, that's a shame.
0:06:49 > 0:06:52He could have shared his stash of chocolate with
0:06:52 > 0:06:53the lady at the table behind him.
0:06:53 > 0:06:56Those plates the waitress just brought over have vanished.
0:06:58 > 0:07:01Anything you think I might want to know before I leave here?
0:07:05 > 0:07:08- Continuity.- What? When you have trouble with your bowels?
0:07:08 > 0:07:10No, that's incontinuity.
0:07:10 > 0:07:18- When you resume drinking a cup of PG Tips?- No, that's continue-a-tea.
0:07:18 > 0:07:20Errors, like those two "jokes",
0:07:20 > 0:07:22are things that should never have happened
0:07:22 > 0:07:25- and continuity errors are the bread and butter of movie mistakes.- What?
0:07:25 > 0:07:29When you move some Eskimos to the Home Counties?
0:07:29 > 0:07:33- No, that's Kent-Inuit-ee.- Enough!
0:07:35 > 0:07:38Some inspired performances in Hitchcock and, luckily,
0:07:38 > 0:07:40some brilliant bloopers.
0:07:40 > 0:07:43Alfred Hitchcock is in the middle of a chapter of Psycho
0:07:43 > 0:07:45when Alma rudely interrupts him.
0:07:48 > 0:07:51This could be the one, Hitch.
0:07:51 > 0:07:53I'll read it later.
0:07:53 > 0:07:57But now, he's reading from the start of the chapter.
0:07:57 > 0:08:00- I sometimes have to reread things if I'm interrupted.- Re-reading, eh?
0:08:00 > 0:08:02That's just showing off twice.
0:08:05 > 0:08:07Here's Hitch in a napkin, reading a paper
0:08:07 > 0:08:12- and displaying terrible table manners.- I can't see anything wrong.
0:08:12 > 0:08:14I forgot to tell you...
0:08:14 > 0:08:17Well, look, the paper's gone and he takes off his napkin.
0:08:20 > 0:08:22But here they're both back.
0:08:23 > 0:08:27And just to confuse and alienate Alma, they're both gone again!
0:08:29 > 0:08:32Well, the actual mistake here is that he only sips at the wine.
0:08:32 > 0:08:34He should drink it all before it goes off.
0:08:38 > 0:08:42The biggest mystery in the now overstretched
0:08:42 > 0:08:44and underwhelming Bourne series
0:08:44 > 0:08:46is not who Jason Bourne is,
0:08:46 > 0:08:48or why he turns into Jeremy Renner,
0:08:48 > 0:08:50but how the anyone missed this woman's glasses
0:08:50 > 0:08:53appearing out of nowhere.
0:08:53 > 0:08:55Specs-less.
0:08:55 > 0:08:58Specs-ful. Brilliant.
0:08:58 > 0:09:01She's not pulling this off on her own. Who the hell is helping her?
0:09:03 > 0:09:05Now, I'd be the last person you'd think would enjoy
0:09:05 > 0:09:08a high school movie about a cappella groups.
0:09:08 > 0:09:11- No, you wouldn't.- I'm not shocked.
0:09:11 > 0:09:14But check out the smart and sassy Pitch Perfect.
0:09:14 > 0:09:17See how there's no-one sat behind the judges.
0:09:17 > 0:09:19Well, now, there are two people and in just a tick,
0:09:19 > 0:09:21there's only one of them.
0:09:21 > 0:09:23And he's moved seats.
0:09:25 > 0:09:29Undecided about how to wear your hair in the finals of a high school
0:09:29 > 0:09:30a cappella music competition?
0:09:30 > 0:09:34- Always.- So, do as Aubrey does. Wear it up...
0:09:40 > 0:09:42..then down...
0:09:44 > 0:09:48- ..then up again! - Genius, thanks, Matthew.
0:09:48 > 0:09:52- Tom, you don't have any hair. - Not on my head.
0:09:56 > 0:09:59Yes! It's time for action thriller Jack Reacher.
0:09:59 > 0:10:01I bloomin' love this film.
0:10:01 > 0:10:03Out of the car!
0:10:03 > 0:10:08Jack Reacher's my third favourite Jack after Daniels and E Collins.
0:10:08 > 0:10:12Now, Jack's first concern in any high-speed car chase is safety.
0:10:12 > 0:10:16See this Pennsylvania car safety inspection sticker?
0:10:16 > 0:10:18The date on it starts off as September 2012.
0:10:20 > 0:10:23But that nine soon changes itself to a six.
0:10:25 > 0:10:27And then to a blurry eight.
0:10:30 > 0:10:31Then seven.
0:10:34 > 0:10:35And then back to nine.
0:10:37 > 0:10:40Meaning he has his car safety-inspected a whopping
0:10:40 > 0:10:44five times in just the one - admittedly far too long - chase.
0:10:44 > 0:10:47The great thing about this show is that it can really ruin
0:10:47 > 0:10:52action films for you on a more-or-less permanent basis.
0:10:52 > 0:10:53You're welcome.
0:11:00 > 0:11:03Now, look at this parking meter.
0:11:03 > 0:11:06At first, it's a ten-hour limit.
0:11:06 > 0:11:08Then it's just 30 minutes.
0:11:08 > 0:11:11He really is a law unto himself.
0:11:11 > 0:11:15- By "he", do you mean the continuity guy?- Sure.
0:11:18 > 0:11:21It's you, the guy from the car.
0:11:21 > 0:11:26- This bad guy plays by no rules, not even the rules of time.- How's that?
0:11:26 > 0:11:28Check out his phone.
0:11:29 > 0:11:33- Are you hurt?- No, she's going to be if you're not here in one hour.
0:11:33 > 0:11:37The duration of the phone call changes from the mid-20s
0:11:37 > 0:11:39to the low 10s.
0:11:39 > 0:11:41It's perverse.
0:11:47 > 0:11:53It's time for the awesome Iron Man 3 and my lifetime hero, Tony Stark.
0:11:53 > 0:11:54Don't get too upset by this, Ben,
0:11:54 > 0:11:58but it's not quite an ironclad addition to the movie franchise.
0:11:58 > 0:11:59What?!
0:11:59 > 0:12:02See this young lady? She takes off his glasses
0:12:02 > 0:12:06and without turning them round, places them on her face!
0:12:06 > 0:12:08No wonder he looks so confused.
0:12:12 > 0:12:15The great thing about films is they can teach us so much.
0:12:15 > 0:12:17Yeah, for example, Forrest Gump taught me
0:12:17 > 0:12:20that it's wise to invest early in shrimp restaurants.
0:12:20 > 0:12:22And Schindler's List taught me
0:12:22 > 0:12:26that a splash of red can really make an outfit stand out in a crowd.
0:12:26 > 0:12:29What I meant was even movie mistakes can afford us a life lesson or two.
0:12:29 > 0:12:31- Shall we take a look?- Yeah.
0:12:31 > 0:12:36I didn't blow my shrimp fortune on a massive telly to not watch it.
0:12:40 > 0:12:43Another error from the gripping Argo.
0:12:43 > 0:12:46Have a read of the important stuff here.
0:12:46 > 0:12:49I'm presuming you mean the factual epilogue to this quite serious film.
0:12:49 > 0:12:51Not at all, Matthew.
0:12:51 > 0:12:55That child has wrongly labelled his Star Wars figures.
0:12:55 > 0:12:56The Jawa and Sand People
0:12:56 > 0:12:58figurines are under each other's
0:12:58 > 0:13:00labels on this display stand.
0:13:00 > 0:13:01What a moron!
0:13:11 > 0:13:14Ah, Skyfall, properly exciting but littered with mistakes.
0:13:15 > 0:13:18Take a look at this MP in the grey floral dress.
0:13:18 > 0:13:22There she goes, scrambling for cover. But wait!
0:13:22 > 0:13:23She's sat back down again.
0:13:24 > 0:13:26Eh?
0:13:34 > 0:13:36Is that what you want?
0:13:36 > 0:13:40Another Iron Man 3 misfire with Downey Jr and some specs.
0:13:42 > 0:13:46Definitely not wearing any here, and now they're back on.
0:13:46 > 0:13:48Stark obeys no rules.
0:13:48 > 0:13:49Oh, and not exactly a mistake,
0:13:49 > 0:13:52but that reporter should hold his phone horizontally.
0:13:52 > 0:13:54That footage is going to be useless.
0:13:54 > 0:13:56I'm going to come get the body.
0:13:56 > 0:13:59There's no politics here, it's just good old-fashioned revenge.
0:14:05 > 0:14:07Here's something it's perfectly normal to have
0:14:07 > 0:14:09noticed in the gut-wrenchingly emotional Flight.
0:14:09 > 0:14:14- Check out Whip's eye.- I see it. Bloodshot as you might expect.
0:14:16 > 0:14:20- But what now, Tom? - Crikey, it's normal!
0:14:20 > 0:14:22That's American healthcare for you.
0:14:22 > 0:14:25And all for the mere cost of his family home.
0:14:31 > 0:14:36I assure you, Geoffrey, my murders are always models of taste
0:14:36 > 0:14:37and discretion.
0:14:37 > 0:14:39The decent character piece Hitchcock again
0:14:39 > 0:14:43- and this stenographer's padding the keys like nobody's business.- Ha!
0:14:43 > 0:14:47That's not how stenographising looks.
0:14:47 > 0:14:49She should be moving her fingers individually.
0:14:49 > 0:14:51Yeah, Ben, that's how you type.
0:14:58 > 0:15:01Guys, don't you hate photo booths?
0:15:01 > 0:15:04They always seem to charge you at least £1.50 more than they say.
0:15:04 > 0:15:07What's worse is when they print a different photo to what's
0:15:07 > 0:15:09happening in reality.
0:15:09 > 0:15:11In the totally average On The Road,
0:15:11 > 0:15:13the boys are in a different position in the photo that gets printed.
0:15:13 > 0:15:15See this expression?
0:15:15 > 0:15:17No wonder they chopped it up.
0:15:25 > 0:15:28Django Unchained, unmistakably Tarantino.
0:15:28 > 0:15:31Here, Django earns his freedom via a game of hat-tossing.
0:15:31 > 0:15:35- You've not seen this film, have you? - No, I've not, my mum won't let me.
0:15:35 > 0:15:40See how the hat is resting at approximately 43 degrees?
0:15:40 > 0:15:4343, 44, yeah.
0:15:43 > 0:15:47- Well, now, it's back totally level. - Amazing!
0:15:47 > 0:15:49Django, claim your freedom!
0:15:58 > 0:16:01The bad thing about movies is if you watch a terrible one you can't get the time back.
0:16:01 > 0:16:03True, that.
0:16:03 > 0:16:06I wrote to Ben Affleck after I watched Pearl Harbor
0:16:06 > 0:16:10demanding that he send me back three hours plus interest.
0:16:10 > 0:16:14- He never replied! - What were you expecting he'd send?
0:16:14 > 0:16:16Three and a half hours.
0:16:16 > 0:16:19Maybe a bit more, according to the exchange rate.
0:16:19 > 0:16:22I was very disappointed by Gone In 60 Seconds.
0:16:22 > 0:16:23Way longer than advertised.
0:16:23 > 0:16:26I think that's the time it took them to write the script.
0:16:26 > 0:16:28ALL: Hey-o!
0:16:28 > 0:16:32Actually, I was pleasantly surprised by The NeverEnding Story.
0:16:32 > 0:16:34Slightly alarmist title, that one.
0:16:34 > 0:16:37So, as a public service, we've trawled through the world's
0:16:37 > 0:16:41worst films and highlighted the mistakes so you don't have to.
0:16:41 > 0:16:44Yippie-ki-yay, Mother Hubbard.
0:16:45 > 0:16:49- Good old Brucie as John McClane, can't go wrong.- I beg to differ.
0:16:49 > 0:16:53Look at the car window - open.
0:16:53 > 0:16:54Then closed.
0:16:54 > 0:16:57That's about as wrong as it gets, mate.
0:17:00 > 0:17:02Check out this packed courtroom.
0:17:02 > 0:17:05I had a similar turn out when I was in court for my naked rambling.
0:17:05 > 0:17:07Yeah, you really shouldn't have rambled nude
0:17:07 > 0:17:11- through the packed courtroom, Ben. - So it transpired.
0:17:11 > 0:17:14Oh, my days, it's a triple car bomb! Pe-eow, pe-eow, pe-eow!
0:17:14 > 0:17:17Don't worry, through the medium of continuity errors,
0:17:17 > 0:17:21everyone in the courtroom has miraculously escaped.
0:17:21 > 0:17:25- Except for that guard. - Don't worry, he gets shot.- Yay.
0:17:30 > 0:17:32Pay close attention and you'll see it.
0:17:33 > 0:17:37There it is, proof that A Good Day To Die Hard was in fact
0:17:37 > 0:17:40a film filmed by a crew.
0:17:40 > 0:17:42Cor, you've really lifted the lid on that one(!)
0:17:42 > 0:17:44You're welcome.
0:17:47 > 0:17:49What is it with old people and phones?
0:17:49 > 0:17:51They just can't work them properly.
0:17:51 > 0:17:53I'd argue this old lad is actually quite impressive.
0:17:53 > 0:17:58He successfully made an outgoing call while still on the dialling screen.
0:17:58 > 0:17:59Either that, or he's having
0:17:59 > 0:18:02a full-blown discussion with the voices in his head -
0:18:02 > 0:18:05in which case, that whole scene is just really upsetting.
0:18:08 > 0:18:10Wait for my command to execute...
0:18:10 > 0:18:12An all-star cast doesn't make a great film,
0:18:12 > 0:18:14as Olympus Has Fallen shows.
0:18:14 > 0:18:16What ruins it for me is this.
0:18:17 > 0:18:21Even I know the plural of terrorist isn't terrorist!
0:18:21 > 0:18:23Go on, then. What is it, then?
0:18:23 > 0:18:25Terrori?
0:18:25 > 0:18:27The most protected building on earth.
0:18:30 > 0:18:33In After Earth, our planet's now host to giant creatures.
0:18:33 > 0:18:35And camera cranes.
0:18:35 > 0:18:36Ah, yes, and camera cranes,
0:18:36 > 0:18:39one of which reveals itself with its shadow.
0:18:39 > 0:18:43This really is a slow and tedious film. Let's move on. Quick!
0:18:48 > 0:18:51Judd Apatow goes grown-up at the request of absolutely
0:18:51 > 0:18:53no-one, in the coarse and plot-less This Is 40.
0:18:53 > 0:18:56- It's just a bunch of guys that get together and ride.- I know, I know.
0:18:56 > 0:19:01But watch, as Barry heckles the dangerous driver.
0:19:01 > 0:19:03The car disappears!
0:19:06 > 0:19:08- You want to see pictures of the kids?- Oh, yeah!
0:19:10 > 0:19:12Hooray! 3rd Rock From The Sun!
0:19:12 > 0:19:14John Lithgow's done much more than that, Ben.
0:19:14 > 0:19:19- He's a Shakespearean actor.- Yes, but that mobile is clearly upside-down.
0:19:21 > 0:19:25Is he playing "Man Who Can't Use an iPhone Properly" from Hamlet?
0:19:25 > 0:19:29That sixth form update of Hamlet you did was NOT the definitive version!
0:19:32 > 0:19:36As we all know, Americans are only capable of driving automatic vehicles.
0:19:36 > 0:19:39They also can't handle roundabouts.
0:19:39 > 0:19:43But to make things tricky, Pete and Debbie are driving whilst their
0:19:43 > 0:19:47car is in park mode, when the thing shouldn't be able to move at all!
0:19:47 > 0:19:51- Bit of a nonstarter all round, this movie.- Boring.
0:19:53 > 0:19:56- What does he have you doing? - Nothin', baby...
0:19:56 > 0:20:00If you're one of the 11 people who have seen Stolen, I can only
0:20:00 > 0:20:01offer you my condolences.
0:20:01 > 0:20:05It is not strong, though it does mark a milestone
0:20:05 > 0:20:08in that it is Nicolas Cage's ten millionth film!
0:20:08 > 0:20:13But it does have this blunder. Here, Cage knocks this guy off his stool...
0:20:14 > 0:20:16MAN GROANS
0:20:16 > 0:20:19And now, somehow, the stool is back upright.
0:20:19 > 0:20:21You tell me where she is
0:20:21 > 0:20:24or I'll blow your lunch all over this carpet.
0:20:24 > 0:20:26Yeah, honestly, don't see this film.
0:20:30 > 0:20:33Here's where Stolen goes from savagely mediocre to really gross.
0:20:33 > 0:20:36Nicolas Cage escapes from his handcuffs using
0:20:36 > 0:20:39the time-honoured method of dislocating his left thumb.
0:20:39 > 0:20:41Oi, nasty!
0:20:46 > 0:20:49Hello. I'm here...
0:20:49 > 0:20:51Then, after a preposterous double car crash,
0:20:51 > 0:20:55he gets out of the car and resets his RIGHT thumb.
0:20:55 > 0:20:58Or possibly also dislocates it for fun. Who knows?
0:20:58 > 0:21:00Really comin' down to the wire on this one.
0:21:03 > 0:21:06It's the ghastly and unwanted Sweeney movie.
0:21:06 > 0:21:09Now, we've seen over-keen extras in films,
0:21:09 > 0:21:13but it's a bit much when the extra is St Paul's Cathedral.
0:21:13 > 0:21:15- See it here?- Yep.
0:21:15 > 0:21:19Ah, yes, it also pops up later on the other side of the car here.
0:21:20 > 0:21:24They also seem to be driving along the same bridge for absolutely ages.
0:21:24 > 0:21:26What secret massive bridge are they using?
0:21:26 > 0:21:29The one next to the two St Paul's Cathedrals, I guess.
0:21:32 > 0:21:36Sharknado, a concept so daft Ben could have come up with it.
0:21:36 > 0:21:38You say that, but I still haven't attracted any funding
0:21:38 > 0:21:40for Goatpocalypse Now.
0:21:40 > 0:21:41Thank God for that.
0:21:41 > 0:21:45Now, searching for mistakes in this is like shooting fish in a barrel,
0:21:45 > 0:21:48which is probably the way the special effects were filmed.
0:21:48 > 0:21:50Here we see a house clearly massively flooded
0:21:50 > 0:21:53and sharks are swimming all over the place,
0:21:53 > 0:21:56which really begs the question of how they opened the door!
0:21:56 > 0:21:59And why the water level outside is almost nonexistent.
0:21:59 > 0:22:02And how they managed to close the door again.
0:22:02 > 0:22:05And why there are sharks in tornadoes!
0:22:06 > 0:22:10And what Tara Reid did to her once promising career.
0:22:10 > 0:22:11Great news, guys!
0:22:11 > 0:22:13She's just signed up for Goatpocalypse Now!
0:22:16 > 0:22:17Everybody out of the pool!
0:22:17 > 0:22:20In a film with amazingly ropey special effects,
0:22:20 > 0:22:23it's remarkable that they wasted money on this effect
0:22:23 > 0:22:25that makes absolutely no sense.
0:22:25 > 0:22:28Specifically, that Connect Four game.
0:22:28 > 0:22:33- Is one of the reds actually floating in mid-air?- Yes, Tom, it is.
0:22:33 > 0:22:34Great work, art department(!)
0:22:44 > 0:22:47Every generation of movie mistakers
0:22:47 > 0:22:51is defined by one or two individuals.
0:22:51 > 0:22:56Actors who care not for continuity errors or brush aside anachronisms.
0:22:56 > 0:23:00No, these actors take the bull by the horns
0:23:00 > 0:23:02and hold it the wrong way round.
0:23:03 > 0:23:09Inside The Clunkers Studio is proud to welcome a master mistaker.
0:23:09 > 0:23:13Ladies, and indeed gentlemen, please welcome
0:23:13 > 0:23:15Mr Bruce Willis.
0:23:15 > 0:23:16CHEERING AND APPLAUSE
0:23:16 > 0:23:18- Bruce.- James.
0:23:20 > 0:23:24Bruce, could you share with us your memory of your first movie mistake?
0:23:24 > 0:23:28I guess that would be Die Hard 2: Die Harder.
0:23:28 > 0:23:31CHEERING AND APPLAUSE
0:23:31 > 0:23:32What a tour de force,
0:23:32 > 0:23:36and I'm sure we all know all too well the scene in question.
0:23:36 > 0:23:40But how does one prepare for playing a role in the middle of winter
0:23:40 > 0:23:44- when it's actually summer? - It was easy.- You make it look easy.
0:23:44 > 0:23:46No, no, it was easy.
0:23:46 > 0:23:49I mean, they just don't bother to hide that it's sunny outside
0:23:49 > 0:23:52and then sprinkle a bit of fake snow on my jacket.
0:23:54 > 0:23:57Such skill, and there are snowless green trees,
0:23:57 > 0:23:59an allegory for hope perhaps?
0:24:00 > 0:24:02Perhaps.
0:24:02 > 0:24:05Now, if I may, I'd like to talk about your comedic exploits
0:24:05 > 0:24:08in the sublime and clever Death Becomes Her.
0:24:08 > 0:24:11CHEERING AND APPLAUSE
0:24:11 > 0:24:15How was it performing a comedic role
0:24:15 > 0:24:20alongside two of the world's most beloved actresses?
0:24:20 > 0:24:23Well, I had a moustache, so I felt funnier.
0:24:25 > 0:24:27Filming it was a lot of fun, though.
0:24:27 > 0:24:31I mean, there were times where I had to literally just run onto set
0:24:31 > 0:24:34even before the make-up artist had finished with me.
0:24:34 > 0:24:38Ah, yes, here we can see the greyish make-up ending on your jaw line,
0:24:38 > 0:24:40- absolutely fabulous.- Yeah.
0:24:40 > 0:24:44And there's me opening a door from the left side.
0:24:44 > 0:24:46But on the other side,
0:24:46 > 0:24:49the door knob is still on the left when it should be on the right!
0:24:49 > 0:24:50It's inspirational!
0:24:52 > 0:24:57Yeah, I spend a lot of time on set swapping hinges on doors.
0:24:57 > 0:25:00I'd like you to share with us your feelings about the inimitable
0:25:00 > 0:25:02Last Boy Scout.
0:25:02 > 0:25:04CHEERING AND APPLAUSE
0:25:06 > 0:25:10Yeah, I had to work really hard to get a blooper in on that one.
0:25:10 > 0:25:13There was one scene where I had to be unconscious,
0:25:13 > 0:25:17so I thought, "Bruce, how can you do something here?"
0:25:17 > 0:25:22So, I just tried really hard to not look unconscious.
0:25:22 > 0:25:27You can see, I'm being helped into a car by some thugs, and I use my legs.
0:25:28 > 0:25:32And that's not the only mistake in the film, is it?
0:25:32 > 0:25:36No, er, there's a member of the crew in the background with a ladder.
0:25:37 > 0:25:40It wasn't me, so I had him fired.
0:25:40 > 0:25:42There he is in the background to the right.
0:25:42 > 0:25:44As it wasn't me committing the mistake,
0:25:44 > 0:25:47I had it removed off the Blu-ray version.
0:25:48 > 0:25:52Oh, Bruce. Let's take a question from the audience.
0:25:54 > 0:25:55Good evening, Mr Willis,
0:25:55 > 0:25:59- my name's Robert Hoppleby, I'm a second-year actor.- So?
0:25:59 > 0:26:02In a career riddled with mistakes,
0:26:02 > 0:26:05are there any that your public are yet to discover?
0:26:05 > 0:26:07I'm very glad you asked that question
0:26:07 > 0:26:12because actually there is a mistake that nobody's ever seen,
0:26:12 > 0:26:15it's very dear to my heart and I'd like to share it with you this evening.
0:26:15 > 0:26:18Ladies and gentlemen, another first for Inside The Clunkers Studio.
0:26:18 > 0:26:21APPLAUSE
0:26:21 > 0:26:25Last year, I was in a little film, some of you might have seen it,
0:26:25 > 0:26:27it was called Looper.
0:26:27 > 0:26:30AWKWARD SILENCE
0:26:30 > 0:26:31Let's take a look.
0:26:32 > 0:26:36Here I am in a scene with a lesser actor.
0:26:36 > 0:26:39Watch very closely as the waitress brings us things.
0:26:39 > 0:26:44I'm having difficulty taking my eyes off your own performance, Bruce.
0:26:44 > 0:26:45Yeah, but look, there.
0:26:45 > 0:26:50- Suddenly the coffee and water appear out of nowhere.- Brilliant!
0:26:50 > 0:26:55Yeah, I had them hidden in my lap and then I popped them out
0:26:55 > 0:27:01when they changed shot. They asked if they could re-shoot, but I refused.
0:27:01 > 0:27:04- Truly masterful. - Yeah, but there's more.
0:27:04 > 0:27:10- That so-called Jason Gordon-Levitt? Is that his name?- Yep.
0:27:10 > 0:27:13- They tried to make him look like me. - Oh, he's a lucky man.
0:27:13 > 0:27:17Yeah, the make-up artist tried really hard but the thing is,
0:27:17 > 0:27:21I have lobed ears whereas he does not.
0:27:21 > 0:27:24Ah, yes, but I suppose nothing could be done about that.
0:27:24 > 0:27:28That's where you're wrong, James. He used to have lobed ears.
0:27:28 > 0:27:30In fact, they were identical to mine,
0:27:30 > 0:27:34but I forced him to have them sewn up.
0:27:34 > 0:27:37- Such creativity.- Yeah.
0:27:37 > 0:27:41Such a lot of pain for such an inconsequential thing.
0:27:41 > 0:27:43Bruce Willis, we thank you.
0:27:43 > 0:27:45CHEERING AND APPLAUSE
0:27:45 > 0:27:47Can you pay me in cash?
0:27:52 > 0:27:54And that's your lot.
0:27:54 > 0:27:57See you soon for some more...