0:00:02 > 0:00:04There was once a noble quest undertaken by Tommo and Ben,
0:00:04 > 0:00:10two hairy men from the Midlands, and Matthew, the painfully white.
0:00:10 > 0:00:13Bravely, they sought out motion picture mishaps,
0:00:13 > 0:00:17cinematic screw ups and filmic failures.
0:00:17 > 0:00:22They travelled as far as Odeon and through the many caverns of Vue.
0:00:22 > 0:00:24But they have returned with their prey,
0:00:24 > 0:00:29captured on shiny golden rings known as DVDs.
0:00:29 > 0:00:32Fine, fine, I know they're not gold but...
0:00:32 > 0:00:38Join them now as they celebrate great movie mistakes.
0:00:40 > 0:00:44Hello and welcome to great movie mistakes. We're Pappy's, I'm Matthew.
0:00:44 > 0:00:47- I'm Tom.- And he's Matthew. - Thanks, Ben.
0:00:47 > 0:00:51Tonight in our flat, we'll be taking you through some of cinema's biggest howlers.
0:00:51 > 0:00:53Howlers? What, like Jacob in Twilight?
0:00:53 > 0:00:55HE HOWLS
0:00:55 > 0:00:58- Too literal, Ben. - We'll be looking through clip after clip of movie mistakes,
0:00:58 > 0:01:02- a catalogue of embarrassing errors. - Sounds like your love life.
0:01:02 > 0:01:05We've identified the problem, no matter how laughably small.
0:01:05 > 0:01:09- Sounds exactly like your love life. - So I've got heaps of DVDs.
0:01:09 > 0:01:10I've got mounds of snacks.
0:01:10 > 0:01:13- I've got piles.- Let's get cracking.
0:01:17 > 0:01:21- This'll surprise you guys but I'm actually a bit of a nerd.- Stop it.
0:01:21 > 0:01:24- No, all true, all true. - It's all right, Matthew.
0:01:24 > 0:01:26It's actually pretty cool nowadays to be a nerd.
0:01:26 > 0:01:28Yeah, in fact, coming up next, we've got
0:01:28 > 0:01:31a whole section dedicated to movie mistakes that happen in nerdy films.
0:01:31 > 0:01:33Oh, fantastic!
0:01:33 > 0:01:35Is there anything from the biopic of George de Mestral,
0:01:35 > 0:01:37the inventor of Velcro?
0:01:37 > 0:01:39Or from the 1970s documentary Velcro Wars,
0:01:39 > 0:01:42about the golden age of the Velcro industry?
0:01:42 > 0:01:44Erm...
0:01:44 > 0:01:47- No.- No.
0:01:47 > 0:01:51It's like comic book stuff and sci-fi and things.
0:01:53 > 0:01:56Oh. That's actually fairly mainstream these days.
0:01:56 > 0:02:00Certainly nothing about Velcro.
0:02:00 > 0:02:04- You massive nerd.- Yeah, nerd.
0:02:06 > 0:02:09It's blood-sucking vampire Bella in the ever-rancid
0:02:09 > 0:02:12- and ghastly Twilight series.- Hey!
0:02:12 > 0:02:15You're just bitter because you're Team Jacob and she picked Edward.
0:02:15 > 0:02:19- What? Spoiler alert! - Here's a spoiler, boyos.
0:02:19 > 0:02:23- Look at the page from the Merchant of Venice.- Yeah, I see it.
0:02:23 > 0:02:25Just a regular smudge-free page.
0:02:29 > 0:02:33- But wait, where did those smudges come from?- Smudgetastic.
0:02:38 > 0:02:42This fight scene is the one redeeming feature of all five Twilight films.
0:02:42 > 0:02:44Or is it?
0:02:44 > 0:02:47- Because even this epic scene has a movie mistake.- No!
0:02:52 > 0:02:53Afraid so, Tom.
0:02:53 > 0:02:56Look, there she is with high heels, just as Edward hurls
0:02:56 > 0:02:59her in one of Twilight's many potent feminist moments.
0:03:01 > 0:03:05- And now, flat boots.- Oh, I give up.
0:03:10 > 0:03:15Spooky things in the mediocre and lacklustre horror, Dark Skies.
0:03:15 > 0:03:17Daniel's got a new job, hence the flowers.
0:03:17 > 0:03:19We need to celebrate for a change.
0:03:22 > 0:03:24Hey, where did they go?
0:03:24 > 0:03:27Either she dropped them, or she tucked them into his jeans
0:03:27 > 0:03:29so they could snog.
0:03:29 > 0:03:30Let's celebrate.
0:03:30 > 0:03:33And now he's got them again, somehow.
0:03:39 > 0:03:44Though Mr Ratner is a portly man, he's clearly an elite martial artist.
0:03:44 > 0:03:47Few have mastered the mobius hand punch,
0:03:47 > 0:03:49in which you start punching someone with your right hand
0:03:49 > 0:03:52and finish with your left.
0:03:52 > 0:03:53Impressive.
0:03:57 > 0:03:58Dredd was a well made, violent,
0:03:58 > 0:04:01but fan pleasing interpretation of the strip.
0:04:01 > 0:04:02As mega fans know,
0:04:02 > 0:04:06Dredd's never seen without his helmet or without his gun.
0:04:06 > 0:04:11Well, helmet is fully intact there. Stallone, take note.
0:04:11 > 0:04:13Where's his gun?
0:04:13 > 0:04:17Phew, there it is. Franchise nearly ruined there.
0:04:21 > 0:04:23Move.
0:04:25 > 0:04:27Four mean-looking thugs walking down a hallway.
0:04:27 > 0:04:31Hang on, is this a clip from Dredd or an old music video from Blue?
0:04:33 > 0:04:36- Cracking reference, Tom.- Agreed.
0:04:36 > 0:04:39Point is, there are now only three of them.
0:04:39 > 0:04:41Lee Ryan probably got confused looking at his reflection
0:04:41 > 0:04:42in a broken window.
0:04:46 > 0:04:48Handcuffs in the future are brilliant.
0:04:48 > 0:04:51- Brilliantly accommodating, that is. - Wey-hey!
0:04:55 > 0:04:59There they go, becoming invisible... And moving apart.
0:04:59 > 0:05:01Like my parents.
0:05:05 > 0:05:09Dredd's not a lawman of the future, but the past.
0:05:09 > 0:05:13Pause here and you see this shot of old stony face in action.
0:05:13 > 0:05:17But wind back exactly an hour and you get exactly the same moment again.
0:05:17 > 0:05:21Cor, and they complain about there being too many repeats on TV.
0:05:21 > 0:05:25Yeah, I saw this movie four times in one day,
0:05:25 > 0:05:27in the same cinema.
0:05:27 > 0:05:28Unbelievable.
0:05:32 > 0:05:36It's Peter Jackson's rather expected return to Middle Earth with
0:05:36 > 0:05:40the far too long and eked out The Hobbit: An Unexpected Journey.
0:05:40 > 0:05:42Check it out, guys.
0:05:42 > 0:05:45Here's Bilbo with his hand on the door.
0:05:45 > 0:05:48- Now it's by his side.- Hmmm.
0:05:48 > 0:05:50Well, that's not a massive mistake.
0:05:50 > 0:05:53Yeah, well he is tiny.
0:05:53 > 0:05:54Who said?
0:05:57 > 0:05:59I'm not afraid. I'm up for it.
0:05:59 > 0:06:03I'll give him a taste of dwarfish iron right up his jacksie!
0:06:03 > 0:06:06James Nesbitt here as Bofur, the cheeky dwarf.
0:06:06 > 0:06:09Look at him leaning forward with his pipe out of his mouth
0:06:09 > 0:06:13and now leaning against the wall with his pipe in his mouth.
0:06:13 > 0:06:15Classic Murphy's law.
0:06:20 > 0:06:24Even the sharpest amongst us have experienced moments of idiocy.
0:06:24 > 0:06:26Erm, I haven't.
0:06:26 > 0:06:29You still developing that range of asbestos balaclavas, Ben?
0:06:29 > 0:06:31Sure am, my man.
0:06:31 > 0:06:33HE COUGHS
0:06:33 > 0:06:36But even Ben at the peak of his powers can't compete with
0:06:36 > 0:06:38these pretty awful clunkers we've got coming up.
0:06:40 > 0:06:45Some would argue that remaking Total Recall was a moment of idiocy itself.
0:06:45 > 0:06:46It's not great.
0:06:46 > 0:06:49Colin Farrell sorting through some passports.
0:06:49 > 0:06:53- Here's good old Henry Reed. - More like Henty Reed.
0:06:53 > 0:06:55Oh, you're right!
0:06:55 > 0:06:57Across the bottom of the passport, his name is misspelt.
0:06:57 > 0:06:59Amazing spot, Tom.
0:06:59 > 0:07:03Damn right! Not just a pretty face and sturdy set of calves.
0:07:03 > 0:07:07Also, can I just say, his signature is frankly embarrassing.
0:07:16 > 0:07:20Blimey, Argo has more continuity errors than factual errors!
0:07:20 > 0:07:24Right, we all know what safety glass being smashed sounds like, yeah?
0:07:24 > 0:07:26The crunch of freedom.
0:07:26 > 0:07:29- Beg your pardon, Ben?- Nothing. But listen to this...
0:07:33 > 0:07:35That's ordinary glass breaking.
0:07:38 > 0:07:41So what happens to the seven psychopaths at the end?
0:07:41 > 0:07:44I don't know what happens to them at the start.
0:07:44 > 0:07:46I loved Seven Psychopaths.
0:07:46 > 0:07:49Let me guess, it's got swearing and guns in it.
0:07:49 > 0:07:52Actually, it's a sharp metatextual romp
0:07:52 > 0:07:55which slyly subverts genre expectations.
0:07:55 > 0:07:59- Oh, wow.- And there are some pretty gruesome deaths.- Right.
0:08:00 > 0:08:02How about this...?
0:08:02 > 0:08:05But the really gruesome thing is the fact that the text here
0:08:05 > 0:08:07is repeated here.
0:08:08 > 0:08:09Gross.
0:08:13 > 0:08:16I'd like to talk to you boys about Hit And Run.
0:08:16 > 0:08:18- The film we're currently watching? - What?
0:08:18 > 0:08:21Oh, yes. Yes, of course, the film.
0:08:21 > 0:08:24- Good, because there are gaffes galore.- Really, Ben?
0:08:24 > 0:08:26Yeah, check this out.
0:08:26 > 0:08:29Randy is chatting to Charlie on his iPhone and he's only gone
0:08:29 > 0:08:34- and held it upside down.- These actors with their challenging jobs.
0:08:34 > 0:08:36Look, can't even hold the coffee properly.
0:08:36 > 0:08:39That doesn't quite class as a movie mistake.
0:08:48 > 0:08:51Hit And Run? More like "miss and run", am I right, boys?
0:08:51 > 0:08:52Nicely done, Ben.
0:08:52 > 0:08:56- That fist isn't touching him. - No, no, he's a martial artist.
0:08:56 > 0:09:00He's mastered the minus one inch punch.
0:09:00 > 0:09:02He's mainly hitting him with chi.
0:09:05 > 0:09:09- Eight blocks that way. - Good, we're staying here. Let's go.
0:09:09 > 0:09:12The smartly character focused Wolverine again.
0:09:12 > 0:09:16Now, notice it's daytime when Logan and Mariko go into the love hotel.
0:09:16 > 0:09:17Duly noticed.
0:09:17 > 0:09:20Well, by the time they've made it up to their room, it's dark as night.
0:09:20 > 0:09:22What's up with that?
0:09:22 > 0:09:25That's just proved that even the transition from night to day
0:09:25 > 0:09:26is more efficient in Japan.
0:09:26 > 0:09:28Hai-ya!
0:09:31 > 0:09:35- Check out Yukio and that black portfolio she's handed.- Sure.
0:09:36 > 0:09:40I can't, princess. I'm a soldier.
0:09:40 > 0:09:42Look again, it's gone.
0:09:42 > 0:09:44Oh, that's probably just her mutant power.
0:09:44 > 0:09:47Making admin disappear.
0:09:47 > 0:09:50Actually, her mutant power is foreseeing people's deaths.
0:09:50 > 0:09:53- Thanks for bringing the mood down, Matthew.- You're very welcome, sir.
0:09:57 > 0:10:00Intelligent and glossy thriller Jack Reacher here.
0:10:00 > 0:10:04Now, we all know Tom Cruise is quite a short man
0:10:04 > 0:10:08- but this looks ridiculous.- He's just reversing down that dirt path.
0:10:08 > 0:10:11But listen, you can hear gears changing!
0:10:11 > 0:10:13ENGINE REVS
0:10:16 > 0:10:18You can't change gear in reverse.
0:10:18 > 0:10:22Unless Cruise has used his millions to pay for multiple reverse gears.
0:10:26 > 0:10:29It's the bright and bewildering Looper.
0:10:29 > 0:10:32Now, what's seven times eight? Yes, 56.
0:10:32 > 0:10:37So why when we change shot has it moved a space on the board?
0:10:37 > 0:10:40- How long can you not sleep?- Possibly because the kid is an evil psychic.
0:10:40 > 0:10:44I didn't think you mastered Looper that well, Ben, but that's not a bad shout.
0:10:47 > 0:10:51A-ha! 56 is back and now we have 21 too.
0:10:51 > 0:10:52Good.
0:10:52 > 0:10:56Based on his face? Definitely evil and psychic.
0:10:56 > 0:10:57Joe?
0:10:57 > 0:11:02Now the 21 tile's disappeared and 56 is back in the wrong place.
0:11:02 > 0:11:04Do this now, OK? You have 32 there,
0:11:04 > 0:11:07I know you know this one.
0:11:07 > 0:11:10And then the 21 comes back with the 56 still misplaced as the kid
0:11:10 > 0:11:14puts down 32 where 56 should be.
0:11:14 > 0:11:17- No, eight times three is what?- 32.
0:11:17 > 0:11:19Eight times three is what?
0:11:19 > 0:11:24Was that in any way worth the agony of rewatching this in such detail?
0:11:24 > 0:11:28Not remotely. Oh, hang on, I think I've found another. Go back a sec.
0:11:28 > 0:11:29THEY SIGH
0:11:29 > 0:11:35There, see? He has a fine set of demonic front teeth.
0:11:35 > 0:11:39- Now rewind again.- You'll wear the DVD out! Or something.
0:11:40 > 0:11:42Look! Now he's missing one.
0:11:42 > 0:11:44I hate child actors.
0:11:44 > 0:11:46Like Danny DeVito.
0:11:46 > 0:11:48Ben, DeVito's been acting since the '60s.
0:11:48 > 0:11:52Great, so he's a prolific child actor.
0:11:52 > 0:11:53She's not my mom.
0:11:56 > 0:11:59Jim Broadbent as the very British Timothy Cavendish
0:11:59 > 0:12:03here in the not entirely successful adaptation of Cloud Atlas.
0:12:03 > 0:12:06He's typing a screenplay, and...
0:12:06 > 0:12:08pause.
0:12:08 > 0:12:10"Labouring" without a U?
0:12:10 > 0:12:14Not a very British way of spelling the word, is it, Broadbent?
0:12:14 > 0:12:17Maybe he was commenting on this mistake, "la boring".
0:12:17 > 0:12:19Which is French for "it's boring".
0:12:22 > 0:12:26Now, Mama. The gloomy but visually stunning horror.
0:12:26 > 0:12:29There's little I wouldn't do to that bloke from Game Of Thrones.
0:12:29 > 0:12:34He's got a jawline carved from marble and he'd make me feel safe.
0:12:34 > 0:12:36Wow. Anyway, watch this.
0:12:37 > 0:12:42See? It's a carpet tile. The snow isn't real snow.
0:12:42 > 0:12:43"Carpet diem", folks.
0:12:43 > 0:12:46- Back to sleep, Ben.- Can do.
0:12:50 > 0:12:52Now look at the shadows coming towards us
0:12:52 > 0:12:56from the sun as Burnsie discovers the cabin.
0:12:56 > 0:12:57But what's this? Ha!
0:12:57 > 0:12:59A shadow on the door,
0:12:59 > 0:13:03which could only have come from something reflecting light.
0:13:03 > 0:13:07- Like a tree?- A tree that reflects light?- Could be metal.
0:13:07 > 0:13:09There's no such thing as metal trees.
0:13:09 > 0:13:11Hello?
0:13:11 > 0:13:13A silver birch?
0:13:17 > 0:13:20Cracking film here, The Master.
0:13:20 > 0:13:22With Joaquin Phoenix and Phillip Seymour Hoffman
0:13:22 > 0:13:25doing some impressive heavyweight acting.
0:13:26 > 0:13:29Props to the actors.
0:13:29 > 0:13:31But not to the props department sadly.
0:13:31 > 0:13:35Look at this, Phoenix having a diva-like strop kicks a toilet to
0:13:35 > 0:13:37pieces but no water comes out.
0:13:38 > 0:13:40Hoffman does not look impressed.
0:13:46 > 0:13:49Hi, guys, Ben here.
0:13:49 > 0:13:53I'd just like to remind everyone that not all films have to be
0:13:53 > 0:13:58intellectual. They don't all need a plot or a script.
0:13:58 > 0:14:01Sometimes, all you need to have a good time
0:14:01 > 0:14:06is to watch a man get hit in the crotch.
0:14:06 > 0:14:08Ben makes a valid point.
0:14:08 > 0:14:13Sometimes you just can't beat a bit of lowbrow comedy.
0:14:13 > 0:14:15TOM GROANS
0:14:15 > 0:14:18Oh, I've changed my mind, this isn't funny at all.
0:14:18 > 0:14:21Here's a selection of lo brow clunkers. Enjoy!
0:14:27 > 0:14:28I don't know, you tell me.
0:14:28 > 0:14:30Ah, The Hangover 3.
0:14:30 > 0:14:34An utter movie mistake distilling all the worst
0:14:34 > 0:14:38bits of the brilliant Hangover 1 and the middling Hangover 2.
0:14:40 > 0:14:43Mr Chow here is going mental with a knife to Stu's neck.
0:14:43 > 0:14:45The right side of Stu's neck, that is.
0:14:45 > 0:14:49So how come the cut's on his left side for the rest of the film?
0:14:49 > 0:14:53And more to the point, why was this awful film made?
0:14:53 > 0:14:54# Money. #
0:14:54 > 0:14:56..Three!
0:15:05 > 0:15:08Quick, guys, it's Zach Galifianakis, the best thing about The Hangover 3.
0:15:08 > 0:15:11Sorry, Matthew, the sound editors have ruined this scene for me.
0:15:11 > 0:15:15- You see this saucy exchange of a lollypop?- Oh, do I.
0:15:21 > 0:15:23SHE CRUNCHES LOLLIPOP
0:15:23 > 0:15:26Clearly, she's crunching and chewing on the lollipop.
0:15:28 > 0:15:31But there it is whole again.
0:15:31 > 0:15:33Thanks a bunch, sound effects people.
0:15:37 > 0:15:39Are you in a library?
0:15:39 > 0:15:41It's the cast of the Wedding Crashers!
0:15:41 > 0:15:43Doing a not as good film.
0:15:43 > 0:15:46Yeah, The Internship wasn't exactly laugh out loud.
0:15:46 > 0:15:49This scene's funny though. But not the way they intended.
0:15:49 > 0:15:52Check out the books behind them. They keep changing!
0:15:52 > 0:15:57And the red trolley disappears constantly.
0:15:57 > 0:15:59Much like my will to live whilst watching this film.
0:16:01 > 0:16:05Now, there's a lot of hate for Movie 43.
0:16:05 > 0:16:07That's because it's absolutely one of the worst
0:16:07 > 0:16:10films in the history of cinema.
0:16:10 > 0:16:13Oh, come on! It's got a great cast.
0:16:13 > 0:16:16Who were all essentially blackmailed into doing the film by the directors.
0:16:16 > 0:16:19Here's the actually very talented Anna Faris and Chris Pratt.
0:16:21 > 0:16:26- This is perfect.- Julie, we've been together for over a year.
0:16:26 > 0:16:2916 months and two weeks.
0:16:29 > 0:16:30And in that time,
0:16:30 > 0:16:32I've come to realise that...
0:16:32 > 0:16:34you mean everything to me.
0:16:34 > 0:16:37Oh, Doug. You too.
0:16:37 > 0:16:39- Ah, Julie and Doug.- No, no, Ben.
0:16:39 > 0:16:42They call themselves that here, but on the credits, see?
0:16:42 > 0:16:45They're listed as Vanessa and Jason.
0:16:45 > 0:16:49I'd argue that's another great gag on a great film.
0:16:49 > 0:16:52I'd argue it's another misfire in a film that should have
0:16:52 > 0:16:54genuinely never been made.
0:16:58 > 0:17:00It's the unashamedly crude Ted.
0:17:00 > 0:17:03Marky Mark wants to prove he's all grown up
0:17:03 > 0:17:08since his time with the so-called Funky Bunch in the early '90s.
0:17:08 > 0:17:11But look, he can do up his tie and everything.
0:17:11 > 0:17:14And for further emphasis, he does it up again.
0:17:14 > 0:17:17Hanging around with a teddy bear isn't terribly adult.
0:17:17 > 0:17:19It's just a movie, Ben.
0:17:23 > 0:17:25And, OK, this is ridiculous.
0:17:25 > 0:17:27When Mila Kunis come out of the shower,
0:17:27 > 0:17:29she has full make up on.
0:17:29 > 0:17:32Down here. Not looking up your towel, swear to God.
0:17:32 > 0:17:34Not looking up your towel, not looking at your funny business.
0:17:34 > 0:17:38Hang on, Ben. There is a chance that she actually is that beautiful.
0:17:38 > 0:17:41Or that she's wearing waterproof mascara.
0:17:41 > 0:17:45Let me talk first, all right? And then you can say whatever you want.
0:17:45 > 0:17:47Well, I'm marking it up as a mistake.
0:17:52 > 0:17:55It's time for Donny, AKA Giovanni Ribisi,
0:17:55 > 0:17:57to show us his dance moves.
0:17:57 > 0:17:59Some pretty decent hip-work there.
0:18:04 > 0:18:08And now, thanks to his disappearing drink, he can use his arms.
0:18:08 > 0:18:10Beautiful.
0:18:14 > 0:18:17- How many continuity guys does it take to change a light bulb?- I don't know.
0:18:17 > 0:18:20Well, look at this Christian Science Reading Room. The lights are on...
0:18:20 > 0:18:23but once we're here with Mila in her car...
0:18:25 > 0:18:27..they're off.
0:18:30 > 0:18:34However, spin forward just a few seconds and...
0:18:34 > 0:18:36I've seen the light!
0:18:36 > 0:18:39PHONE RINGS
0:18:43 > 0:18:45OK, so...
0:18:45 > 0:18:48It's mirth-filled, fun action comedy, The Heat,
0:18:48 > 0:18:50starring Sandra Bullock and Melissa McCarthy.
0:18:50 > 0:18:54Whoa, Bullock's put on a lot of weight for this role. Respect.
0:18:54 > 0:18:57When hiring extras in your next feature film,
0:18:57 > 0:19:00try to make sure they're not identical triplets wearing
0:19:00 > 0:19:04the same costume, as can be seen in the background of this scene.
0:19:04 > 0:19:06Look at this guy!
0:19:09 > 0:19:13And now this fellow, same shirt and bag.
0:19:13 > 0:19:15And now this chap.
0:19:15 > 0:19:21- Guys, I'm pretty sure they're the same person.- Wow, Matthew. Wow.
0:19:24 > 0:19:27Now, Shannon here hurls a watermelon at a criminal.
0:19:27 > 0:19:28Notice how it doesn't break.
0:19:29 > 0:19:33- He, Matthew. Criminals are people too.- I meant the watermelon.
0:19:33 > 0:19:36Which is now broken up all over the place.
0:19:36 > 0:19:40A watermelon? Ah, hell, no. See, I told you you were a racist.
0:19:40 > 0:19:42But not here.
0:19:45 > 0:19:47- Anachronisms.- A fear of spiders.
0:19:47 > 0:19:51No. "Anacrophobia" is the fear of spiders.
0:19:51 > 0:19:56Anachronisms are when you have the political beliefs of a spider.
0:19:56 > 0:19:58Actually, it's when something from the wrong time period
0:19:58 > 0:20:00appears in a film.
0:20:00 > 0:20:02Ever since the digital watch in Ben Hur,
0:20:02 > 0:20:05eagle-eyed movie mistakes legends such as ourselves...
0:20:05 > 0:20:08- Guilty as charged.- ..have been spotting anachronisms, circling
0:20:08 > 0:20:12them in red pen, pointing at them, laughing at them and high-fiving.
0:20:16 > 0:20:22More mistakes from the brilliant Argo. We're virtually Argonauts.
0:20:22 > 0:20:25- Now, check out that broken Hollywood sign.- Factually accurate.- Ah!
0:20:25 > 0:20:26You're wrong, Matthew.
0:20:26 > 0:20:28Sure, it fell into disrepair in the '70s,
0:20:28 > 0:20:33but it was famously refurbished in 1978,
0:20:33 > 0:20:36a full year before the Iranian hostage crisis began.
0:20:36 > 0:20:38Amateurs.
0:20:41 > 0:20:43The long and serious Lincoln again.
0:20:43 > 0:20:46And here's proof they had electrical sockets in the 19th century.
0:20:46 > 0:20:47They did?
0:20:47 > 0:20:49Well, they must have done, see?
0:20:49 > 0:20:53There it is, and as we all know, Spielberg is a details man.
0:20:58 > 0:21:01OK, boys. What's wrong with this scene? Listen close.
0:21:01 > 0:21:03The war will take our son.
0:21:03 > 0:21:06A sniper, or shrapnel shell, or typhus.
0:21:06 > 0:21:09Same as it took Willie, it takes hundreds of boys a day.
0:21:09 > 0:21:10He'll die uselessly...
0:21:10 > 0:21:13Something about Willie taking hundreds of boys a day?
0:21:13 > 0:21:15No, no, no, she used the term "sniper".
0:21:15 > 0:21:17As we all know, this term wasn't used in the US
0:21:17 > 0:21:21until well after the Civil War. She would have meant "sharpshooter".
0:21:21 > 0:21:24- I didn't know that.- Nor did I.- No?
0:21:24 > 0:21:28Well, that fact brought the house down at my live action role-playing club!
0:21:28 > 0:21:30Guys?
0:21:33 > 0:21:36Who's up for a very petty anachronism from the powerful, violent
0:21:36 > 0:21:41- but underwhelming Lawless.- Not me. - Please, no.
0:21:41 > 0:21:44Yes, ladies and gentleman, as you can see, that camera is
0:21:44 > 0:21:48a Kodak Brownie Target 620, which wasn't in production until 1946.
0:21:48 > 0:21:51Nine years after he used it!
0:21:51 > 0:21:53Oh, is it over?
0:21:53 > 0:21:54- Yes.- Thank God.
0:22:01 > 0:22:06Oh, we weren't talking business yet. We were discussing my curiosity.
0:22:06 > 0:22:07Cor, Django Unchained.
0:22:07 > 0:22:10I love an explosive, blood thirsty tour de force.
0:22:10 > 0:22:13I love how Quentin Tarantino plays fast
0:22:13 > 0:22:15and loose with the rules of film-making.
0:22:15 > 0:22:17You mean how he subverts the conventional
0:22:17 > 0:22:19tropes of the Western genre.
0:22:19 > 0:22:22No, how he gives DiCaprio a straw for his drink.
0:22:22 > 0:22:25They weren't commercially available until 1888.
0:22:25 > 0:22:30- This is set in 1858, people used hollow reeds back then!- Wow.
0:22:30 > 0:22:32What a maverick.
0:22:32 > 0:22:35You don't make it sound too flattering but more or less, yeah.
0:22:38 > 0:22:41Here's Charlie Sheen in the whimsical '70s clunker,
0:22:41 > 0:22:45- A Glimpse Inside The Mind Of Charles Swan III.- Catchy title.
0:22:45 > 0:22:47- Set in the '70s, you say?- Yes.
0:22:47 > 0:22:50Well, I'm sure Galaga and Ms Pac-Man weren't around till 1981.
0:22:50 > 0:22:55They should have shown a space hopper and an Etch A Sketch instead. Ha!
0:22:58 > 0:23:01I'm not into this modern, metrosexual stuff.
0:23:01 > 0:23:03You surprise me, Ben.
0:23:03 > 0:23:06The last time you washed this dressing gown, it was pre-Avatar.
0:23:06 > 0:23:09I'm talking about blokey films, Matthew. Macho stuff.
0:23:09 > 0:23:15I don't like these girly films with things like feelings and love
0:23:15 > 0:23:18and three-dimensional female characterisation.
0:23:18 > 0:23:20A shining example of modern manhood.
0:23:20 > 0:23:23Speaking of which, close your dressing gown.
0:23:23 > 0:23:28Look, I want films with explosions, cars, blood.
0:23:28 > 0:23:34My ideal film would be about an exploding car made of blood.
0:23:34 > 0:23:36Contribute to the Kickstarter, guys.
0:23:36 > 0:23:38Here for Ben's enjoyment
0:23:38 > 0:23:41and for your viewing pleasure are some macho movie mistakes.
0:23:42 > 0:23:43Oh!
0:23:43 > 0:23:46Oh, that's harsh.
0:23:46 > 0:23:49It's my day off. Should be a quiet weekend.
0:23:49 > 0:23:52What The Last Stand lacks in plot, acting and script,
0:23:52 > 0:23:54it makes up for in movie mistakes.
0:23:54 > 0:23:56Here's Arnie with a bit of a drink problem.
0:23:56 > 0:24:00Look at the way he's holding the cup with the handle to the side.
0:24:01 > 0:24:05- But now he's holding it with a handle!- What a mug.
0:24:09 > 0:24:12This bearded baddie's a talented driver.
0:24:12 > 0:24:14Yeah. He can somehow speed along despite
0:24:14 > 0:24:16the handbrake clearly being up.
0:24:16 > 0:24:18Death is waiting in the kitchen
0:24:18 > 0:24:20when you get up at night for a glass of milk.
0:24:25 > 0:24:29And there he goes, turning his car into a ramp. The man's amazing.
0:24:38 > 0:24:41The boys must be making a crop circle in a corn field.
0:24:41 > 0:24:46Check out Arnie, shooting out from his open window like a boss.
0:24:46 > 0:24:47BLEEP.
0:24:50 > 0:24:52But wait. That window is definitely closed,
0:24:52 > 0:24:55and either they're tinted or there's no-one inside.
0:24:57 > 0:24:59Crop circles are mysterious things.
0:25:03 > 0:25:05It's the other fork, darling.
0:25:06 > 0:25:09Sean Penn, Ryan Gosling and Emma Stone.
0:25:09 > 0:25:11What could go wrong?
0:25:11 > 0:25:15Quite a lot, sadly. Gangster Squad is a bit undercooked here.
0:25:15 > 0:25:18There's even an uninspiring performance from Sean Penn's napkin,
0:25:18 > 0:25:21which goes on for a Screen Actors Guild
0:25:21 > 0:25:23break halfway through the scene.
0:25:23 > 0:25:27- I heard it was having an affair with Emma Stone's fork.- (Get out.)
0:25:27 > 0:25:28I think I'll just have a cigarette.
0:25:30 > 0:25:33In the cheesy and juvenile The Man With The Iron Fists,
0:25:33 > 0:25:36MMA no longer stands for mixed martial arts,
0:25:36 > 0:25:38but movie mistake alert.
0:25:39 > 0:25:44Ah, yes. Here's former pro wrestler Batista off to the lion's temple,
0:25:44 > 0:25:47but somehow his chin facial hair doesn't go with him.
0:25:47 > 0:25:49That's a heavyweight clanger.
0:25:52 > 0:25:54Whoo!
0:25:54 > 0:25:59Action heroes never die. Their sagging cadavers just limp along
0:25:59 > 0:26:03into the increasingly silly The Expendables franchise.
0:26:03 > 0:26:07RAPID GUNFIRE
0:26:07 > 0:26:10Now check the level of sloppiness on this dub. Watch this!
0:26:10 > 0:26:12BOTH SHOUT AT EACH OTHER
0:26:12 > 0:26:15Literally no idea what Lundgren is mouthing,
0:26:15 > 0:26:17but then I rarely do.
0:26:17 > 0:26:20Hold on. Wasn't that battering ram down a second ago?
0:26:20 > 0:26:23Yes! Good spot. As the saying goes, it's up
0:26:23 > 0:26:26and down more than a battering ram in The Expendables 2.
0:26:26 > 0:26:30Ah, so that's where that saying comes from.
0:26:34 > 0:26:36SPEAKS IN NATIVE TONGUE
0:26:36 > 0:26:39Arnie's reportedly accused of having wandering hands,
0:26:39 > 0:26:43so much so that, even when they're tied to a chair, they come free.
0:26:43 > 0:26:44Look at that.
0:26:45 > 0:26:47Get him up.
0:26:47 > 0:26:50They're back, though, in time for Stallone
0:26:50 > 0:26:52to slur something incomprehensible.
0:26:54 > 0:26:55Trench?
0:26:55 > 0:26:57Oh, this is embarrassing.
0:26:59 > 0:27:01Nice meeting you.
0:27:03 > 0:27:06Explain this, my fellow movie mistakers.
0:27:06 > 0:27:09Sly's bike makes a revving noise before he even lays
0:27:09 > 0:27:11a hand on the throttle.
0:27:11 > 0:27:13ENGINE REVS
0:27:13 > 0:27:16Maybe the bike, just like I feel compelled to do right now,
0:27:16 > 0:27:20- is throttling itself. - Like this.
0:27:20 > 0:27:21MAKES CHOKING NOISE
0:27:21 > 0:27:23Oh, my God! Oh!
0:27:25 > 0:27:28This scene focuses on helicopter number 711,
0:27:28 > 0:27:31named after the popular chain of American shops.
0:27:31 > 0:27:32They're an old favourite.
0:27:32 > 0:27:35What are you doing here?
0:27:35 > 0:27:37Moving on. You killed all my business.
0:27:42 > 0:27:46But here it's been replaced by the helicopter number 712,
0:27:46 > 0:27:49named after the combined age of the lead cast.
0:27:51 > 0:27:52And that's your lot.
0:27:52 > 0:27:54See you soon for some more...
0:27:54 > 0:27:56ALL: Great Movie Mistakes!