2018

0:00:07 > 0:00:10This programme contains flashing images and strong language from the

0:00:10 > 0:00:12start.

0:00:13 > 0:00:16Darling, I've got some news.

0:00:16 > 0:00:18They've asked me to host the BAFTAs - what you think?

0:00:18 > 0:00:21You goddamn asshole, I'm in the middle of my

0:00:21 > 0:00:23goddamn Easter dinner.

0:00:23 > 0:00:24Sorry, kids.

0:00:24 > 0:00:28Bad time, I've got you.

0:00:28 > 0:00:29Sorry, kids!

0:00:29 > 0:00:36Very early for an Easter dinner...

0:00:36 > 0:00:37Darling, it's Joanna.

0:00:37 > 0:00:38Hi.

0:00:38 > 0:00:39How are you?

0:00:39 > 0:00:41I'm good. I just wanted to...

0:00:41 > 0:00:42I miss you.

0:00:42 > 0:00:47Well, umm... I miss you too.

0:00:47 > 0:00:50Listen, I was just calling to tell you that I'm hosting the BAFTAs.

0:00:50 > 0:00:52Now look, I know you wanted the job but...

0:00:52 > 0:00:53You never say anything.

0:00:53 > 0:00:54I'm saying something now.

0:00:54 > 0:00:56That's wonderful news.

0:00:56 > 0:00:58Well, you could sound a bit more pleased for me, darling.

0:00:58 > 0:01:00WHISPERS: What's wrong with everyone?

0:01:00 > 0:01:03ON PHONE: Now look, I'm sorry, I've got another call coming through.

0:01:03 > 0:01:04I'm going to have to go.

0:01:04 > 0:01:05Hello?

0:01:05 > 0:01:07Mrs Starling?

0:01:07 > 0:01:12How did you get this number?

0:01:12 > 0:01:14--this is Stalin.

0:01:14 > 0:01:16I want a recording of tonight's performance.

0:01:16 > 0:01:18Look, if you miss it, you'll just have to watch it

0:01:18 > 0:01:19on iPlayer like everyone else.

0:01:19 > 0:01:21Winnie, darling, how are you?

0:01:21 > 0:01:22Oh, I'm in fine fettle. Fine fettle.

0:01:22 > 0:01:24Listen, I'm hosting the BAFTAs this year.

0:01:24 > 0:01:27What do you think of this - Royal Albert Hall, top of the show.

0:01:27 > 0:01:35Me, arriving in a chariot pulled by a team of horses?

0:01:36 > 0:01:38Horses? Horses.

0:01:38 > 0:01:41You did say "A team of horses"? No, you're right, it's a bad idea.

0:01:41 > 0:01:43Thanks for your time, darling.

0:01:43 > 0:01:46Hugh, it's Joanna.

0:01:46 > 0:01:48What a lovely surprise, I was beginning to think

0:01:48 > 0:01:50you had lost my number.

0:01:50 > 0:01:52Never!

0:01:52 > 0:01:54Look, I'll keep it brief.

0:01:54 > 0:01:57I'm hosting the BAFTAs, and I wondered if you wanted to come?

0:01:57 > 0:01:58Well, what wonderful news. Yes, yes!

0:01:58 > 0:02:00Where does one go?

0:02:00 > 0:02:02The Royal Albert Hall, so get your lovely little

0:02:02 > 0:02:03backside down there, pronto.

0:02:03 > 0:02:06Thank you, darling.

0:02:06 > 0:02:09I've never had any complaints about Mr and Mrs Bottycheek.

0:02:09 > 0:02:11Right, that's everyone.

0:02:11 > 0:02:13Time to get ready.

0:02:13 > 0:02:16PHONE RINGS Winnie, what is it now?

0:02:16 > 0:02:19We need a name for this operation.

0:02:19 > 0:02:22I've already got it covered, darling.

0:02:22 > 0:02:25It's the British Academy Film Awards.

0:02:40 > 0:02:45Good evening from London's Royal Albert Hall for the EE British

0:02:45 > 0:02:48Academy Film Awards. Today we welcome royalty, film stars,

0:02:48 > 0:02:50directors and producers and assorted members of the catering staff to the

0:02:50 > 0:02:55biggest night in British film and Duke won't miss a cough or sneeze,

0:02:55 > 0:02:57and embarrassing wardrobe malfunction, as we will be there

0:02:57 > 0:03:00from the moment they set foot on the glorious red carpet to the moment

0:03:00 > 0:03:03they take home or not the prestigious BAFTA mask. Enjoy the

0:03:03 > 0:03:11show.

0:03:22 > 0:03:26In terms of tonight, have you had the chance to watch many other bills

0:03:26 > 0:03:32this year?Lots of them because I've been voting.Any favourites?Yeah,

0:03:32 > 0:03:36such good films this year, it's amazing, Call Me By Your Name.I

0:03:36 > 0:03:41love The Shape of Water. I thought it was amazing.The Shape of Water

0:03:41 > 0:03:45but I might be biased because the director is a very good friend.I,

0:03:45 > 0:03:50Tania, love it, terrific.Darkest hour is great, there are so many

0:03:50 > 0:03:57good films.I loved Dunkirk. Don't even get me going. You have 15

0:03:57 > 0:04:02minutes.I'm a big fan of three Bill Burns and Lady Bird, I loved it.

0:04:02 > 0:04:05Best of luck, get in!

0:04:13 > 0:04:16It's crazy, isn't it? I've never done something as mental as this but

0:04:16 > 0:04:21I'm loving it. It is so glamorous. I am a proper BAFTA watcher every year

0:04:21 > 0:04:27so this is really exciting to me. It's really exciting, I've never

0:04:27 > 0:04:31been to the BAFTAs before.It is loud in here! Maggie Lieu I'm so

0:04:31 > 0:04:37excited to be. You always get butterflies in the belly.There is

0:04:37 > 0:04:40still a lot of integrity connected with the BAFTAs which means a lot to

0:04:40 > 0:04:44us.The lights and the glamour and the smiles and laughter, it's

0:04:44 > 0:04:53wonderful.It's great. Is Bono here? Congratulations.Thank you very

0:04:53 > 0:04:59much.Had any chance to watch any of the films this year?Almost all of

0:04:59 > 0:05:04them.How does it feel to get the nomination?It's amazing, almost too

0:05:04 > 0:05:07good to be true when something like this happen and then do have one of

0:05:07 > 0:05:11your best friends have made it possible for you, it's a pretty

0:05:11 > 0:05:14special moment.Such a terrific film, when you are burning it, did

0:05:14 > 0:05:18you have that moment when you knew you were doing something special?

0:05:18 > 0:05:24Weaver like we made

0:05:26 > 0:05:29Weaver like we made a good movie, we did not know if anyone with it but

0:05:29 > 0:05:32without like we made a good movie. It's amazing and it's all bags do

0:05:32 > 0:05:35Guillermo del Toro, I'm only here because of the greatness of others.

0:05:35 > 0:05:39So, the stars are inside and a hubbub level has reached critical.

0:05:39 > 0:05:42Shortly we will be handing over to the mistress of ceremonies, the

0:05:42 > 0:05:48marvellous Joanna Lumley but first we kick off with an awe-inspiring

0:05:48 > 0:05:52display, of strength, flexible as he and the ability to squeeze into the

0:05:52 > 0:05:56tiniest of costumes, with a bespoke performance inspired by tonight's

0:05:56 > 0:05:59most nominated film, The Shape of Water, we are delighted to welcome

0:05:59 > 0:06:05Cirque du Soleil.

0:06:05 > 0:06:12Cirque du Soleil. This is OVO. Enjoy.

0:07:22 > 0:07:24APPLAUSE

0:09:07 > 0:09:17CHEERING AND APPLAUSE

0:09:27 > 0:09:31They are a bit heavier than I thought they were.That is your

0:09:31 > 0:09:41queue.Hang on. So sweet, OK, there we are, fixed.

0:09:41 > 0:09:47we are, fixed. Lipstick, please. Thanks.

0:09:47 > 0:09:58Gorgeous. Here we go.Ladies and gentlemen, these welcome your host

0:09:58 > 0:10:03for this evening, the superb Juanelie Meijer!CHEERING AND

0:10:03 > 0:10:08APPLAUSE

0:10:12 > 0:10:15-- Joanna Lumley.

0:10:15 > 0:10:21Hello your Royal Highnesses, my Lords, ladies

0:10:21 > 0:10:24and gentlemen and everyone at home, a very warm welcome to the

0:10:24 > 0:10:26EE British Academy Film Awards, BAFTA's annual

0:10:26 > 0:10:27celebration of excellence in film.

0:10:27 > 0:10:29Thank you to Cirque Du Soleil's OVO for their enchanting

0:10:29 > 0:10:32performance paying tribute to The Shape of Water.

0:10:32 > 0:10:37APPLAUSE

0:10:37 > 0:10:40We are coming to you from the ravishing Royal

0:10:40 > 0:10:42Albert Hall, bursting at the seams with history,

0:10:42 > 0:10:45and a place that, exactly 100 years ago,

0:10:45 > 0:10:47hosted an historic event celebrating the first

0:10:47 > 0:10:51group of British women being given the vote.

0:10:51 > 0:10:54A century ago, the suffragettes laid the

0:10:54 > 0:10:56groundwork for the kind of dogged resistance

0:10:56 > 0:11:02and powerful protest that is carried forward today

0:11:02 > 0:11:04with the Time's Up movement, and with it the

0:11:04 > 0:11:07determination to eradicate the inequality and

0:11:07 > 0:11:10abuse of women all over the world.

0:11:10 > 0:11:19APPLAUSE

0:11:20 > 0:11:21So tonight we salute all the talented, creative

0:11:21 > 0:11:25and inspirational individuals who have enriched

0:11:25 > 0:11:27our lives through their stellar work.

0:11:27 > 0:11:29And this evening is about celebrating every aspect of film -

0:11:29 > 0:11:31including those who work tirelessly behind the

0:11:31 > 0:11:33scenes, the hard-working crews who bring every

0:11:33 > 0:11:35single production to the screen.

0:11:35 > 0:11:40This ceremony is not just about the famous people.

0:11:40 > 0:11:42But anyway, let's have a look at the famous people

0:11:42 > 0:11:45here tonight.

0:11:45 > 0:11:47The inimitable Gary Oldman is here.

0:11:47 > 0:11:52APPLAUSE

0:11:52 > 0:11:54Gary's performance as Winston Churchill in Darkest Hour

0:11:54 > 0:11:55is the latest addition to an already phenomenal

0:11:55 > 0:11:58body of work.

0:11:58 > 0:12:02Gary's unique ability to transform himself and become

0:12:02 > 0:12:05utterly unrecognisable was evident in the other roles

0:12:05 > 0:12:09he played this year - Yoda, Wonder Woman and Lego Batman.

0:12:09 > 0:12:16We have the incomparable Sally Hawkins, who

0:12:16 > 0:12:20starred in a highly complex morality tale that

0:12:20 > 0:12:25examined the nature of alienation, loneliness and

0:12:25 > 0:12:27integration with human civilization.

0:12:27 > 0:12:29My favourite scene was when she helped

0:12:29 > 0:12:31Paddington with that chase on the train.

0:12:31 > 0:12:34Marvellous.

0:12:34 > 0:12:36The tour de force that is Frances McDormand is

0:12:36 > 0:12:38with us.

0:12:38 > 0:12:43APPLAUSE

0:12:43 > 0:12:47She's one of a select band of actresses

0:12:47 > 0:12:51who've won an Oscar, an Emmy, a Tony and a

0:12:51 > 0:12:54Golden Globe and in Three Billboards Outside

0:12:54 > 0:12:56Ebbing, Missouri, she delivers a performance that's

0:12:56 > 0:13:02nothing short of a masterclass.

0:13:02 > 0:13:05APPLAUSE

0:13:05 > 0:13:08Daniel Kaluuya, star of the jaw-dropping Get Out is here.

0:13:08 > 0:13:14APPLAUSE

0:13:14 > 0:13:16In some of the film's most memorable moments,

0:13:16 > 0:13:18Daniel is controlled by other people and trapped

0:13:18 > 0:13:21in a chair, powerless to move.

0:13:21 > 0:13:24A skill that will come in handy tonight, because I am

0:13:24 > 0:13:27afraid to say, no one gets a comfort break till we

0:13:27 > 0:13:32are done here.

0:13:32 > 0:13:35Know, rules are rules but lovely to see you anyway, Daniel.

0:13:35 > 0:13:39The captivating Annette Bening is with us.

0:13:39 > 0:13:42CHEERING AND APPLAUSE

0:13:42 > 0:13:46Annette gave such a complex and touching

0:13:46 > 0:13:49performance in Film Stars Don't Die in Liverpool -

0:13:49 > 0:13:54brilliant film, brilliant title and the reason all of

0:13:54 > 0:13:58tonight's nominees have been househunting on

0:13:58 > 0:13:59Merseyside, because Film Stars Don't Die In

0:13:59 > 0:14:00Liverpool.

0:14:00 > 0:14:04Sir Daniel Day-Lewis joins us tonight.

0:14:04 > 0:14:07APPLAUSE

0:14:07 > 0:14:10Daniel is nominated for Phantom Thread and his

0:14:10 > 0:14:12performance as dressmaker Reynolds Woodcock.

0:14:12 > 0:14:15In preparation, Daniel actually learnt to sew to

0:14:15 > 0:14:21haute couture standard.

0:14:21 > 0:14:23I know what you're thinking and you're right,

0:14:23 > 0:14:25he did make my outfit for this evening.

0:14:25 > 0:14:28Thank you, darling.

0:14:28 > 0:14:34Betty Jackson would be very proud of you.

0:14:34 > 0:14:37The hardest-working woman in Hollywood...

0:14:37 > 0:14:41And many of them are working, is the glorious and spectacular Angelina

0:14:41 > 0:14:45Jolie.

0:14:45 > 0:14:46Actress. Director.

0:14:46 > 0:14:47Writer. Mother.

0:14:47 > 0:14:50Humanitarian.

0:14:50 > 0:14:55There is literally nothing this woman can't do.

0:14:55 > 0:14:57Since she arrived tonight, she's already carpeted the foyer

0:14:57 > 0:14:59and knocked up 400 portions of risotto

0:14:59 > 0:15:00for the after-show dinner.

0:15:00 > 0:15:05It's marvellous to have you here, sweetheart. The exceedingly charming

0:15:05 > 0:15:11Hugh Grant is in the building.

0:15:18 > 0:15:20Fresh from his scene-stealing performance in Paddington 2.

0:15:20 > 0:15:23Quite how Hugh managed to portray a vain and egocentric actor is

0:15:23 > 0:15:24beyond me.

0:15:24 > 0:15:26Don't know how you did it darling, remarkable stuff.

0:15:26 > 0:15:29Good luck to you all - and to every single one of

0:15:29 > 0:15:32our nominees this evening - in one sense, you're

0:15:32 > 0:15:33all winners tonight.

0:15:33 > 0:15:35And in another sense, if you believe that, you'll

0:15:35 > 0:15:36believe anything.

0:15:36 > 0:15:39But one thing is certain - it has been a truly

0:15:39 > 0:15:44extraordinary year of cinema.

0:15:44 > 0:15:47Don't take my word for it though, just look at this breathtaking

0:15:47 > 0:15:49whistle-stop tour of the last 12 months in the

0:15:49 > 0:15:52cinematic universe.

0:15:52 > 0:15:56Actors are some of the most evil, devious people on the planet.

0:15:56 > 0:16:01I have no money to spare.

0:16:01 > 0:16:02Don't lie.

0:16:02 > 0:16:04It's rude.

0:16:04 > 0:16:09# Stick out your tongue, let me take your temperature...

0:16:09 > 0:16:11Hi, Georgie.

0:16:11 > 0:16:14# If you ain't having no fun, must be something wrong with ya

0:16:14 > 0:16:22# Let me take your fingerprints, pay your way and now you're in

0:16:24 > 0:16:27# And better seal your lips so that'll be the end of ya

0:16:27 > 0:16:30# Come and find your love at the heartland

0:16:30 > 0:16:38# Heartland # Ain't not them you're looking for

0:16:38 > 0:16:40# You've had enough but you wanted more

0:16:40 > 0:16:42# Come and lose yourself at the heartland

0:16:42 > 0:16:45# Heartland # You'll forget who you were before

0:16:45 > 0:16:50# Give it up, you can have it all in the heartland

0:16:50 > 0:16:52# 'Cause when you're lost in the dark night

0:16:52 > 0:16:55# No need to feel so low

0:16:55 > 0:17:00# Tired of being alone

0:17:00 > 0:17:02# Twenty-four-seven all the way

0:17:02 > 0:17:04# Why are you standing in the cold

0:17:04 > 0:17:08# Here's a place you wanna go...

0:17:08 > 0:17:11Call me by your name and I'll call you by mine.

0:17:11 > 0:17:14# Come and find your love at the heartland

0:17:14 > 0:17:16# Heartland

0:17:16 > 0:17:18# Ain't not them you're looking for

0:17:18 > 0:17:22# You've had enough but you wanted more

0:17:22 > 0:17:26# Come and lose yourself at the heartland

0:17:26 > 0:17:29# Heartland # You'll forget who you were before

0:17:29 > 0:17:35# Give it up, you can have it all in the heartland...

0:17:35 > 0:17:36Be...

0:17:36 > 0:17:37Be what?

0:17:37 > 0:17:42Be yourself.

0:17:42 > 0:17:47# Come and lose yourself at the heartland

0:17:47 > 0:17:50# Heartland # You'll forget who you were before

0:17:50 > 0:17:53# Give it up, you can have it all...#.

0:17:53 > 0:17:54I love you!

0:17:54 > 0:17:57I love you, too.

0:18:04 > 0:18:08APPLAUSE

0:18:08 > 0:18:10You simply have to go and see all of those films,

0:18:10 > 0:18:12otherwise your life will be utterly worthless.

0:18:12 > 0:18:14Right, let's start giving out some of those beautiful

0:18:14 > 0:18:15Baftas shall we?

0:18:15 > 0:18:17And we start with the award for Outstanding

0:18:17 > 0:18:24British Film, in honour of Alexander Korda.

0:18:24 > 0:18:27And who better to kick the evening off than the hottest actress

0:18:27 > 0:18:28on the planet?

0:18:28 > 0:18:35Soon to be seen in Red Sparrow, it's the ravishing Jennifer Lawrence.

0:18:41 > 0:18:46Hi, that was a bit much but thank you, Joanna. It's an honour to

0:18:46 > 0:18:50present the first Bafta award of the evening. British film is a

0:18:50 > 0:18:54remarkable force in the world of cinema and these nominees are.

0:18:54 > 0:18:59Exception. In these intriguing tales we see a determined mother avenging

0:18:59 > 0:19:02her daughter's disappearance. The touching and politic depiction of

0:19:02 > 0:19:08what it means to be a gay man in an isolated community. I young woman

0:19:08 > 0:19:13stifled by her Loveless marriage to a bitter man twice her age. The

0:19:13 > 0:19:17thrilling true story of one of Britain's great leaders, the chaos

0:19:17 > 0:19:23that erupts after Soviet dictators, dictator's final days. And a bare in

0:19:23 > 0:19:29search of the perfect present for his beloved aunt. It's truly been a

0:19:29 > 0:19:33brilliant year for British cinema. Here are the nominees for

0:19:33 > 0:19:39Outstanding British Film.

0:19:39 > 0:19:42Paddington 2.

0:19:46 > 0:19:50Oh, Paddington - you've made an old bear so very happy.

0:19:50 > 0:19:56This is perfect.

0:19:56 > 0:19:59You shouldn't have come.

0:19:59 > 0:20:00I'm not the answer.

0:20:00 > 0:20:02I know, I needed to see you.

0:20:02 > 0:20:04I know you do.

0:20:04 > 0:20:07I thought if I could see you, and talk to you, I could make

0:20:07 > 0:20:14things better, you know?

0:20:16 > 0:20:17Hey, there.

0:20:17 > 0:20:19You know who threw that can?

0:20:19 > 0:20:22What can?

0:20:23 > 0:20:25How about you, sweetheart?

0:20:25 > 0:20:26You know who threw that can?

0:20:26 > 0:20:27No, I didn't really see...

0:20:27 > 0:20:30Aah!

0:20:32 > 0:20:37Through hell and high water, I will follow you.

0:20:37 > 0:20:38To the cross, to the prison...

0:20:38 > 0:20:45BOTH: To the grave, to the sky.

0:20:52 > 0:20:55I'd rather stop you breathing than have you doubt how I feel.

0:20:55 > 0:21:00How many more dictators must be wooed, appeased -

0:21:00 > 0:21:02good God, given immense privileges - before we learn?

0:21:02 > 0:21:10You cannot reason with a tiger when your head is in its mouth!

0:21:12 > 0:21:15What are you doing to my father, you jackals?

0:21:15 > 0:21:16Murderers, you're killers!

0:21:16 > 0:21:19Your father is dead...

0:21:19 > 0:21:21You are dividing the spoils, leave his brain alone!

0:21:21 > 0:21:22How old are you?

0:21:22 > 0:21:23I'm...

0:21:23 > 0:21:24Old.

0:21:24 > 0:21:25You're not old!

0:21:25 > 0:21:26You're not even a person!

0:21:26 > 0:21:27You're a testicle!

0:21:27 > 0:21:35You're made mostly of hair!

0:21:35 > 0:21:37Here it is!

0:21:37 > 0:21:44And the first Bafta of the evening goes to,

0:21:44 > 0:21:50Three Billboards Outside Ebbing, Missouri.

0:21:50 > 0:21:57APPLAUSE

0:22:14 > 0:22:20I'm half Irish so I'm not allowed to make a speech for this one so I will

0:22:20 > 0:22:30hand you over to Graham.Good evening, thank you to have --

0:22:30 > 0:22:34Bafta., our film has been played worldwide. Those films are great

0:22:34 > 0:22:39that we just watched up there. We finished this film about a year ago,

0:22:39 > 0:22:42it's the story of a woman taking on the establishment and the status

0:22:42 > 0:22:47quo. It seems more timely now than we ever could have imagined then.

0:22:47 > 0:22:54Last month's Time's Up movement started in the US and now in the UK

0:22:54 > 0:22:57and tectonic shifts are starting to take place. It turns out meaningful

0:22:57 > 0:23:02change can happen very quickly if we put our minds to it. That's good not

0:23:02 > 0:23:05just for the film industry but for everyone. Some quick thank you is

0:23:05 > 0:23:12from Pete, Martin and myself, Tuwai financiers, FilmFour, part of

0:23:12 > 0:23:14Channel 4, who supports strong, interesting film makers, Fox

0:23:14 > 0:23:18Searchlight in the US doing that, thank you for supporting our vision.

0:23:18 > 0:23:23We have a wonderful crew in the US and UK. The film is a collaboration

0:23:23 > 0:23:26of many people and their brilliant ideas are on the screen with

0:23:26 > 0:23:32Martin's. Thank you to our cast, Francis, Sam, Clark, Woody Harrelson

0:23:32 > 0:23:38could not be here tonight but perfect experience. Thank you Tim

0:23:38 > 0:23:41Martin. He's a brilliant and unique talent and a great friend to all of

0:23:41 > 0:23:45us. Thank you, Martin.

0:23:45 > 0:23:53APPLAUSE

0:24:00 > 0:24:03Our second award of the night is for EE Rising Star,

0:24:03 > 0:24:06in honour of Mary Selway.

0:24:06 > 0:24:14To present it, two women who've had a year best described as

0:24:14 > 0:24:17aquatic - one of them was on thin ice in I, Tonya,

0:24:17 > 0:24:19while the other helped to hide a giant fish

0:24:19 > 0:24:21man in The Shape Of Water.

0:24:21 > 0:24:23Please welcome my niece Margot Robbie and the awesome

0:24:23 > 0:24:31Octavia Spencer.

0:24:42 > 0:24:46The EE Rising Star Award identifies new talent in the acting profession,

0:24:46 > 0:24:51it is also the only award voted for by the British public.The first

0:24:51 > 0:24:57recipient was James McAvoy in 2006 and since then winners have included

0:24:57 > 0:25:02Tom Hardy, Kristen Stewart, Will Poulter, John Boyega and Tom

0:25:02 > 0:25:08Holland, which tells us that the British public would make pretty

0:25:08 > 0:25:20excellent casting directors.Let's see this year's nominations.

0:25:20 > 0:25:27Yeah, I'm pretty sure they are not the kinky sex family, dawg.

0:25:29 > 0:25:32Daniel Kaluuya.

0:25:32 > 0:25:33Get out!

0:25:33 > 0:25:34Yo!

0:25:34 > 0:25:35You're all I've got.

0:25:35 > 0:25:37I'm not going to leave here without you.

0:25:37 > 0:25:42Ah no, it's cool.

0:25:42 > 0:25:44Florence Pugh.

0:25:44 > 0:25:45There.

0:25:45 > 0:25:48Very fine indeed.

0:25:51 > 0:25:56Her breath stinks.

0:25:56 > 0:25:58You have wasted quite enough of my husband's good

0:25:58 > 0:26:02time and good money.

0:26:02 > 0:26:09I shall be keeping an eye on you gentlemen.

0:26:11 > 0:26:13Timothee Chalamet.

0:26:13 > 0:26:15You told me to keep driving.

0:26:15 > 0:26:17That's weird, you shake hands.

0:26:17 > 0:26:23Yeah.

0:26:23 > 0:26:25You trying to get me to like her?

0:26:25 > 0:26:28What would be the harm in that?

0:26:28 > 0:26:34OK, hands up who did fuck all work over the back.

0:26:34 > 0:26:37Josh O'Connor.

0:26:43 > 0:26:46I am coming back.

0:26:46 > 0:26:49But I'm coming back and I want it to be different.

0:26:53 > 0:26:56Tessa Thompson.

0:26:56 > 0:26:59Before you say anything might I remind you that I sat

0:26:59 > 0:27:02through A Birth of a Nation, Gone with the Wind and Tarantino

0:27:02 > 0:27:05Week - without protest.

0:27:05 > 0:27:09If I'm going to die, well, it may as well be

0:27:09 > 0:27:12driving my sword through the heart of that murderous hag.

0:27:12 > 0:27:13Good.

0:27:13 > 0:27:20Yeah...

0:27:20 > 0:27:23And 2018's Rising Star is,

0:27:23 > 0:27:34Daniel Kaluuya.

0:27:36 > 0:27:41APPLAUSE

0:27:55 > 0:28:03Evening. London city, hello. CHEERING

0:28:03 > 0:28:14I've gone blank. Thank you... Tessa, Tim, Josh, and Florence, I'd like to

0:28:14 > 0:28:20thank the people for voting for us all and texting and calling and

0:28:20 > 0:28:23going on the Internet. I appreciate that and I'm happy and I feel so

0:28:23 > 0:28:29privileged to be in you dice' company. Thanks. I'm a product of

0:28:29 > 0:28:38arts funding within the United Kingdom -- in you guys' company. I'd

0:28:38 > 0:28:42like to thank the people that financially support that. Obviously

0:28:42 > 0:28:53mainstream arts but also grass roots, I'd like to thank my acting

0:28:53 > 0:29:03teachers, Michael Palmer, weekend arts college Hollie Hughes. I'd like

0:29:03 > 0:29:12to thank... Who else? I've been about. I'd like to thank

0:29:14 > 0:29:16about. I'd like to thank also Connor McGovern and Sam Fox at troika.

0:29:16 > 0:29:20Thank you for letting me think I can think differently and allowing me

0:29:20 > 0:29:26the space to do that.

0:29:26 > 0:29:28the space to do that. There is a countdown. I wasn't supposed to say

0:29:28 > 0:29:32that. Break all the rules! I'd like to thank Sam for giving me an

0:29:32 > 0:29:36American agent, Carl Cohen, Andrew Curlin, I'd like to thank my

0:29:36 > 0:29:39friends, I thank you for supporting me and I hope I support you as much

0:29:39 > 0:29:47as I feel supported by you. I'd like to thank my sister, Critch and my

0:29:47 > 0:29:52mum. My mum is the reason... APPLAUSE

0:29:52 > 0:29:55Mum, you are the reason I started, you are the reason I'm here and the

0:29:55 > 0:29:59reason I keep going, do you understand? Thank you for

0:29:59 > 0:30:11everything. This award is yours. Love, peace, let's get it.

0:30:12 > 0:30:15Time for Adapted Screenplay now, or as we in the

0:30:15 > 0:30:18industry call it, "making a book into a film".

0:30:18 > 0:30:24To present it, an actress who sparkled in Beauty And

0:30:24 > 0:30:26The Beast and a man who includes swashbuckling

0:30:26 > 0:30:28and elf-ing on his CV, it's Gugu Mbatha-Raw and

0:30:28 > 0:30:29Orlando Bloom.

0:30:29 > 0:30:42-- a woman who was stunning in A Wrinkle In Time.

0:30:43 > 0:30:45The source material for the films nominated in this

0:30:45 > 0:30:49category are as diverse as they are fascinating.

0:30:49 > 0:30:53Among them are a French graphic novel, a British

0:30:53 > 0:30:56memoir, an American novel, a true-crime story

0:30:56 > 0:30:59and a classic children's book.

0:30:59 > 0:31:02It's the talent and imagination of these incredible

0:31:02 > 0:31:04writers that has brought these adaptations to life

0:31:04 > 0:31:08on screen.

0:31:08 > 0:31:10So, here are the nominations.

0:31:21 > 0:31:23Hey, have you seen the movie Saturday Night Fever?

0:31:23 > 0:31:26Err, yeah - I've seen it.

0:31:26 > 0:31:28Actually, I saw it three times.

0:31:28 > 0:31:29Oh, so you like disco dancing?

0:31:29 > 0:31:31Oh, God.

0:31:31 > 0:31:32Umm...

0:31:32 > 0:31:39I like drunk dancing.

0:31:39 > 0:31:42Be very careful what you say next...

0:31:42 > 0:31:44Who?

0:31:44 > 0:31:46Beria.

0:31:46 > 0:31:51I'm going to have to report this conversation.

0:31:51 > 0:31:53Threatening to do harm, or obstruct any member of Presidium

0:31:53 > 0:31:54in the process of...

0:31:54 > 0:31:55Look at your fucking face!

0:31:55 > 0:32:01HE LAUGHS.

0:32:01 > 0:32:09Is it better to speak, or to die?

0:32:09 > 0:32:13I've never had the courage to ask a question like that.

0:32:13 > 0:32:16I doubt that.

0:32:16 > 0:32:19Why do you keep breaking eye contact with me?

0:32:19 > 0:32:20I'm looking right at you.

0:32:20 > 0:32:22You think I should do it?

0:32:22 > 0:32:24You've got to let me keep you out of prison.

0:32:24 > 0:32:26You've seen what's on those hard drives...

0:32:26 > 0:32:27Yeah, yeah...

0:32:27 > 0:32:29It's a lot more than a little...

0:32:29 > 0:32:30Yeah, yeah, but complete immunity.

0:32:30 > 0:32:32All right? You'll get all your money back.

0:32:32 > 0:32:35You'll be the first defendant to walk out of a court room better

0:32:35 > 0:32:36off than when you walked in.

0:32:36 > 0:32:37Careers will be ruined.

0:32:37 > 0:32:39What are you doing?

0:32:39 > 0:32:40Talking to the nice men.

0:32:40 > 0:32:42Nice men?

0:32:42 > 0:32:44Mary, we can't trust these people.

0:32:44 > 0:32:45I mean, look at them.

0:32:45 > 0:32:47Talk about rogues' gallery.

0:32:47 > 0:32:49Hideous.

0:32:49 > 0:32:52And as for that bearded baboon in the middle,

0:32:52 > 0:32:54he's hardly got two brain cells to rub together.

0:32:54 > 0:32:57We can still hear you, Mr Brown.

0:33:00 > 0:33:04APPLAUSE

0:33:05 > 0:33:10And the Bafta goes to, Call Me By Your Name, James Ivory.

0:33:36 > 0:33:47APPLAUSE Thank you so much.

0:33:47 > 0:33:55Well... Thank you, I thank everyone here tonight, and especially the

0:33:55 > 0:34:02Academy for giving me this award. It means a lot to me. I've been here

0:34:02 > 0:34:06before but never all by myself and never for having written a

0:34:06 > 0:34:16screenplay. So... I just also wanted to say that a film like this depends

0:34:16 > 0:34:24on a lot of people. But first of all, it depends on the actors and it

0:34:24 > 0:34:29is a wonderful thing, we were a wonderfully lucky group to have had

0:34:29 > 0:34:36the actors that we had to with tonight, some of them. And I was

0:34:36 > 0:34:42lucky to be chosen for this by Luca Guadagnino. I need not have been.

0:34:42 > 0:34:47Other people could have done it, probably. Finally, thanks, all of

0:34:47 > 0:34:53you. It is like a hiccup of nature that I am standing here, really, in

0:34:53 > 0:34:57a way, so thank you very much, and Sony pictures for what they have

0:34:57 > 0:35:03done for the film.APPLAUSE

0:35:09 > 0:35:14Next, we have the award for Supporting Actor.

0:35:14 > 0:35:21To hand it over is an actress whose work spans

0:35:21 > 0:35:26everything from 12 Years A Slave

0:35:26 > 0:35:32to Star Wars and Black Panther, but every film

0:35:32 > 0:35:33this lady does carries a message.

0:35:33 > 0:35:36And that message is always, "She's a terrific actress".

0:35:36 > 0:35:37It's the peerless Lupita Nyong'o.

0:35:37 > 0:35:43APPLAUSE

0:35:45 > 0:35:51Good evening.

0:35:51 > 0:35:54One of the thrills of acting is finding that perfect connection with

0:35:54 > 0:36:04another performer, each enhancing the other's choices and nuances.

0:36:05 > 0:36:07These five actors achieve that remarkable synergy. Let's see them

0:36:07 > 0:36:15at work.

0:36:15 > 0:36:17Now, then, I suppose you know who I am.

0:36:17 > 0:36:18Oh, yes.

0:36:18 > 0:36:19You're a very famous actor.

0:36:19 > 0:36:20Oh, pooh!

0:36:20 > 0:36:21Or used to be.

0:36:21 > 0:36:23Now you do dog food commercials.

0:36:23 > 0:36:25CROWD CHUCKLES.

0:36:25 > 0:36:26A man has to eat.

0:36:26 > 0:36:28What? Dog food?

0:36:28 > 0:36:34CROWD LAUGHS.

0:36:36 > 0:36:42There's something else, Mildred.

0:36:43 > 0:36:46I got cancer.

0:36:46 > 0:36:47I'm dying.

0:36:47 > 0:36:51I know it.

0:36:51 > 0:36:54Huh?

0:36:56 > 0:36:58Hey, hey!

0:36:58 > 0:37:01All right.

0:37:01 > 0:37:04Charlie Coachman of Cherry Hill, New Jersey.

0:37:04 > 0:37:06You can't take that.

0:37:06 > 0:37:08That's my licence.

0:37:08 > 0:37:11I'm going to call your name into the County Sheriff.

0:37:11 > 0:37:16Now you get the fuck out of here.

0:37:16 > 0:37:23I knew it from the very first moment I visited this place.

0:37:23 > 0:37:28I remember every stone as clearly as if I'd just come from the store

0:37:28 > 0:37:33with a packet of smokes.

0:37:33 > 0:37:41I have never felt at home anywhere on earth till I came here.

0:37:41 > 0:37:44You do not call an officer of the law a fucking prick

0:37:44 > 0:37:46in his own station house, Mrs Hayes.

0:37:46 > 0:37:49Or anywhere, actually.

0:37:49 > 0:37:51What's with the new attitude, Dixon?

0:37:51 > 0:37:55Your momma been coaching you?

0:37:55 > 0:37:58No, my momma...

0:37:58 > 0:38:04Didn't do that.

0:38:06 > 0:38:11And the Bafta goes to... Sam Rockwell, Three Billboards Outside

0:38:11 > 0:38:20Ebbing, Missouri APPLAUSE

0:38:26 > 0:38:37Thank you. Oh, wow. Wow. I'm humbled to be among my fellow nominees.

0:38:37 > 0:38:44These are all amazing actors and... This has been a real magical journey

0:38:44 > 0:38:49for me. I've been a journeyman actor my whole life. I never dream I'd be

0:38:49 > 0:38:54standing here in London on stage celebrating with all of you tonight,

0:38:54 > 0:38:58this incredible movie. I am standing here as a result of many people who

0:38:58 > 0:39:01believed in me over the years and sometimes when I didn't even believe

0:39:01 > 0:39:08in me. I want to thank Fox Searchlight, the entire cast, the

0:39:08 > 0:39:12deeply, Woody Harrelson, Clarke Peters, Andy Martin. There's a quote

0:39:12 > 0:39:16and it might have been Alan Rickman, there are no great actors, only

0:39:16 > 0:39:19great roles. It might have been Alan McGlone but that is certainly the

0:39:19 > 0:39:24case with a Martin McDonagh script. He's annoyingly handsome to be as

0:39:24 > 0:39:29talented a writer-director as he is. I'm so proud to have worked with him

0:39:29 > 0:39:33and grateful, three times, you have changed my life. Thank you, Martin,

0:39:33 > 0:39:38I love you. I think as we engage in this long overdue discussion about

0:39:38 > 0:39:45women in the workplace, I also stand on the shoulders of women, strong,

0:39:45 > 0:39:49intelligent, righteous women, who have made my life complete. Fran,

0:39:49 > 0:39:54you are the rock that this film and every film...APPLAUSE

0:39:54 > 0:39:58Every film you are a part of relies. You make me proud to be an actor.

0:39:58 > 0:40:05Ann Leslie, my life is full because of you. -- and Leslie. Your

0:40:05 > 0:40:08compassion, intellect and talent and most importantly, your love. I'm

0:40:08 > 0:40:14very lucky to be had tonight. Thank you to the British Academy. This is

0:40:14 > 0:40:21for my pal Alan Rickman. I'll see you at the bar. Thank you.APPLAUSE

0:40:23 > 0:40:28Production Design now and to present it are two dazzling actors.

0:40:28 > 0:40:35This year, one of them will be seen as Tom Cruise's leading lady

0:40:35 > 0:40:38in the latest Mission Impossible, and the other plays a cook in First

0:40:38 > 0:40:39World War epic, Journey's End.

0:40:39 > 0:40:41See if you can guess which one's which.

0:40:41 > 0:40:47It's Rebecca Ferguson and Toby Jones.

0:41:00 > 0:41:05If you can imagine it and if you can visualise it, in these production

0:41:05 > 0:41:13designers can make it happen.The production designer will look at the

0:41:13 > 0:41:18script, examine it and ask the critical question," how the hell do

0:41:18 > 0:41:27you expect me to build that on this budget?" But production designers

0:41:27 > 0:41:35are supremely resourceful. Here are the nominees.

0:42:24 > 0:42:32And the Bafta goes to... The Shape of Water. Paul Austerberry, Jeff

0:42:32 > 0:42:35Melvin, Shane Vieau.

0:43:22 > 0:43:31Wow. The little movie that good. Thank you, Basta. Thank you,

0:43:31 > 0:43:34Guillermo del Toro, for your passion and originality and your creativity

0:43:34 > 0:43:40to dream up this world that we all helped shape. Thank you to Miles

0:43:40 > 0:43:45Dale and David Greenbank and everyone and Sony... I mean, Fox

0:43:45 > 0:43:54Searchlight! A little bit of nervousness, here. Thank you to my

0:43:54 > 0:43:56art director, Nigel Church, the great our department and

0:43:56 > 0:44:00construction team we had in Toronto. Thank you to Dan for lensing it so

0:44:00 > 0:44:05beautifully, we would not be here if it did not look so nice, and thank

0:44:05 > 0:44:09you to my collaborators, Shane and Jeff.Thank you, Sheila, Alex,

0:44:09 > 0:44:18Sarah. Thank you, Bafta, Miles, Dan Bunn Mike Riddle being a genius,

0:44:18 > 0:44:24Paul and Shane.Guillermo, you are the benchmark that we all strive to

0:44:24 > 0:44:31be. Thank you so much for letting us be part of this film. Thank you.

0:44:31 > 0:44:35Thank you to my parents who are watching in Mexico!APPLAUSE

0:44:42 > 0:44:47Lovely and I hope you saw that Rebecca and I were doing a little

0:44:47 > 0:44:50twin breasts thing. It's because we are nearly the same age!

0:44:50 > 0:44:51LAUGHTER

0:44:51 > 0:44:53Special Visual Effects is the next award.

0:44:53 > 0:44:56To present it are two British actors who worked their socks off in 2017.

0:44:56 > 0:44:58She wrote and directed her first feature film,

0:44:58 > 0:45:04The Party's Just Begun, while he spent his time

0:45:04 > 0:45:07with a new American spy organisation helping elite security agents

0:45:07 > 0:45:08save the world.

0:45:08 > 0:45:11Well, it's nice to be busy, isn't it?

0:45:11 > 0:45:18Please welcome the star of Jumanji Karen Gillan and soon to be seen in

0:45:18 > 0:45:21Robin Hood, Taron Egerton.

0:45:25 > 0:45:32The teams working in visual effects are constantly passing milestones,

0:45:32 > 0:45:34most recently the appearance of a virtual Peter Cushing

0:45:34 > 0:45:37in Rogue One, a technical achievement to which we can only

0:45:37 > 0:45:38react by saying...

0:45:38 > 0:45:41Back off, eggheads!

0:45:50 > 0:45:51You geeks!

0:45:51 > 0:45:54You can make animals if you like, fine, and inanimate objects

0:45:54 > 0:45:57are totally OK, but if you carry on trying to take actors' jobs,

0:45:57 > 0:46:00we're going to track you down and give you a taste

0:46:00 > 0:46:01of what you fear most.

0:46:01 > 0:46:02Natural light.

0:46:02 > 0:46:03I couldn't agree more, Karen.

0:46:03 > 0:46:05Visual Effects Teams, we are here both to honour your

0:46:05 > 0:46:08incredible work and to beg you please not to take our jobs.

0:46:08 > 0:46:11The nominations are...

0:47:34 > 0:47:40And the Bafta goes to,

0:47:40 > 0:47:44Blade Runner 2049.

0:47:48 > 0:47:57CHEERING AND APPLAUSE.

0:48:27 > 0:48:39Thank you. Thank you, Bafta, for this amazing award. The making of

0:48:39 > 0:48:46this film was really a true labour of love.

0:48:46 > 0:48:50of love. Thank you for your intensity and dedication, it is seen

0:48:50 > 0:48:53in every frame of the film, especially the visual effects, thank

0:48:53 > 0:49:00you Ridley Scott for the original Blade Runner and the inspiration

0:49:00 > 0:49:08that it provided to all of us. Thank you to the amazing crews in Budapest

0:49:08 > 0:49:14and in Los Angeles and everyone at one brothers, Sony, especially

0:49:14 > 0:49:20Brodrick Johnson. Thank you to Roger and James Dickens's beautiful work.

0:49:20 > 0:49:29Joel Walker. Genus Gerstner. Carole Murphy. Paul Lambert. Rich Hoover.

0:49:29 > 0:49:41Richard Clegg, Gerd Nefzer, and talented artists who made this work

0:49:41 > 0:49:48at double negative, frame store, UPP, Tomic fiction... The best

0:49:48 > 0:49:53special effects are not about the amount of technical detail that are

0:49:53 > 0:49:58in a shot, it's about how it makes you feel emotionally and you guys

0:49:58 > 0:50:03have made us feel really great tonight. So thank you.

0:50:03 > 0:50:11APPLAUSE

0:50:11 > 0:50:14Now we move on to the award for Outstanding Debut,

0:50:14 > 0:50:16in honour of Carl Foreman.

0:50:16 > 0:50:24To give us the awards, we have two English actresses who've

0:50:25 > 0:50:27To give us the awards, we have two English actresses.

0:50:27 > 0:50:35Please welcome Lily James and Gemma Arterton.

0:50:38 > 0:50:42We would just like to thank you all for standing up for justice and

0:50:42 > 0:50:48equality tonight.Yes. And now back to business.

0:50:48 > 0:50:50The BAFTA for Outstanding Debut By A British Writer,

0:50:50 > 0:50:53Actor Or Producer recognises film-makers who have

0:50:53 > 0:50:58arrived with fully-formed distinctive voices.

0:50:58 > 0:51:01Past recipients include Paddy Considine, Chris Morris

0:51:01 > 0:51:04and Lynne Ramsey, so the recipient will be joining illustrious company.

0:51:04 > 0:51:12And this year's nominations are...

0:51:27 > 0:51:29In a remote Zambian village, nine-year-old Shula is exiled

0:51:29 > 0:51:31to a camp for witches after being accused of having

0:51:31 > 0:51:35supernatural powers.

0:51:35 > 0:51:37Shula must choose whether to accept her fate or risk

0:51:37 > 0:51:40the consequences of freedom.

0:51:40 > 0:51:44I just want to get better.

0:51:44 > 0:51:46Former detective Chris goes undercover as the patient

0:51:46 > 0:51:50of a murder suspect's therapist.

0:51:50 > 0:51:52But as his therapy sessions continue, the lines between fantasy

0:51:52 > 0:51:54and reality blur and Chris begins to question whether it

0:51:54 > 0:51:57is all in his head.

0:52:00 > 0:52:08Former youth boxing champion Jimmy faces the fight of his life

0:52:08 > 0:52:09as he battles with alcoholism.

0:52:09 > 0:52:11If I find any booze in here...

0:52:11 > 0:52:12Well, I won't mind...

0:52:12 > 0:52:14I'm sorry, are you talking or me?

0:52:14 > 0:52:17But when he turns to friends at his childhood boxing club for help,

0:52:17 > 0:52:20he finds himself back in the ring, risking it all for

0:52:20 > 0:52:22another shot at glory.

0:52:23 > 0:52:26Tell you what, most kids don't have a dad like mine.

0:52:26 > 0:52:28I'm so lucky.

0:52:28 > 0:52:30Paul Shanks killed himself in 2007, leaving behind his wife Vicky

0:52:30 > 0:52:32and their seven children.

0:52:32 > 0:52:35This documentary film follows the family as they struggle

0:52:35 > 0:52:39with their loss and attempt to plot a course for a brighter future.

0:52:39 > 0:52:42I want to hug you, please.

0:52:50 > 0:52:51Where's your husband?

0:52:51 > 0:52:54Wherever you put him.

0:52:54 > 0:52:58In 19th-century England, Catherine gives in to desire

0:52:58 > 0:53:01when she embarks on a dangerous affair with a worker

0:53:01 > 0:53:04on her husband's estate.

0:53:04 > 0:53:06But as her passion grows, so does a morbid determination

0:53:06 > 0:53:14to stop at nothing to get what she wants.

0:53:15 > 0:53:30And the Bafta goes to, I am not that which, Rungano Nyoni and Emily

0:53:30 > 0:53:33Morgan.

0:53:33 > 0:53:41APPLAUSE

0:53:41 > 0:53:44--I am Not a Witch.

0:54:06 > 0:54:08Congratulations.

0:54:13 > 0:54:18We are not prepared so I just want to say thank you to Bafta, the jury.

0:54:18 > 0:54:24It's really unexpected. I know everyone says that but really it is.

0:54:24 > 0:54:34And also my husband, Gabriel, my mum and dad for being the most

0:54:34 > 0:54:39supportive parents you could ask for. My little niece. I'm now

0:54:39 > 0:54:46pulling things from the air! Who else? The cast and the crew. And

0:54:46 > 0:54:52also I want to say this, all of the people that said yes to me who are

0:54:52 > 0:54:56BFI, FilmFour, film Cymru, without your guys' support we wouldn't have

0:54:56 > 0:55:00been able to make this film. And all the people that said no, frankly,

0:55:00 > 0:55:06because it really spurred me on. LAUGHTER

0:55:13 > 0:55:19Rungano Nyoni said most of it.Our distributor

0:55:21 > 0:55:24distributor Curzon and my family and friends who are always there for me

0:55:24 > 0:55:27and everybody in the industry that supported us along the way and the

0:55:27 > 0:55:38NFTS, a huge thank you. And finally, Time's Up.

0:55:40 > 0:55:47APPLAUSE

0:55:59 > 0:56:00Ah, they've left their envelope behind.

0:56:00 > 0:56:03Could be awkward - we don't want any mix-ups later.

0:56:03 > 0:56:09Can someone get rid of this?

0:56:27 > 0:56:31Lovely, a little bit over the top even for the Bafta is.

0:56:31 > 0:56:32Thank you, OVO!

0:56:32 > 0:56:33Next, we have the award for Supporting Actress.

0:56:33 > 0:56:35To announce the winner is a phenomenal American

0:56:35 > 0:56:39actor whose next project in Wes Anderson's Isle Of Dogs,

0:56:39 > 0:56:43where he plays the leader of a pack of talking dogs.

0:56:43 > 0:56:46He's been out for a walk, we've towelled him down

0:56:46 > 0:56:48and if he's good tonight, he gets a biscuit.

0:56:48 > 0:56:56It's the obedient Bryan Cranston.

0:57:05 > 0:57:10Thank you.

0:57:10 > 0:57:15The Royal Albert Hall!

0:57:15 > 0:57:20OK, we get it, you're classy, Britain. I mean, The Royal Albert

0:57:20 > 0:57:25Hall, Joanna Lumley. We have nominated films about Churchill and

0:57:25 > 0:57:32Dunkirk, accent on the second syllable, which makes me wonder why

0:57:32 > 0:57:41isn't it Churchill? We have the Duke and Duchess. The only way this

0:57:41 > 0:57:45evening could get any more British if suddenly a Tardis suddenly

0:57:45 > 0:57:49materialised and Jane Austen popped out holding a corgi and apologising

0:57:49 > 0:57:55for the sleet. This is a very spectacular and impressive evening,

0:57:55 > 0:57:59which is how I would describe the performances of the five women in

0:57:59 > 0:58:02the Supporting Actress category.

0:58:02 > 0:58:05Very impressive and spectacular!

0:58:05 > 0:58:07These women have delivered extraordinary interpretations

0:58:07 > 0:58:10of their characters, each one clearly worthy

0:58:10 > 0:58:13of receiving a BAFTA, yet only one them will take it home.

0:58:13 > 0:58:16Let's have a look at the work of these supremely talented women.

0:58:25 > 0:58:29You think Sonja Henie's mother loved her?

0:58:29 > 0:58:32Poor fucking you.

0:58:32 > 0:58:34I didn't stay home making Apple Brown Bettys.

0:58:34 > 0:58:40No, I made you a champion...

0:58:40 > 0:58:41Knowing you'd hate me for it.

0:58:41 > 0:58:43That's the sacrifice a mother makes.

0:58:43 > 0:58:45I wish I'd had a mother like me instead of nice.

0:58:45 > 0:58:46He's shouted at you.

0:58:46 > 0:58:47Did he shout at you?

0:58:47 > 0:58:48No.

0:58:48 > 0:58:50He can be an awful brute!

0:58:50 > 0:58:53I make too many mistakes.

0:58:53 > 0:58:56I think you are nervous and he has a knack for drawing out the very

0:58:56 > 0:58:59worst in those who are trying to help him the most.

0:58:59 > 0:59:01No, it's not him, it's me.

0:59:01 > 0:59:02He's...

0:59:02 > 0:59:05He's a man, like any other!

0:59:05 > 0:59:09If you're tired, we can sit down.

0:59:09 > 0:59:10I'm not tired.

0:59:10 > 0:59:14Oh, OK, I just couldn't tell because you're dragging your feet.

0:59:14 > 0:59:15Well, I just couldn't tell.

0:59:15 > 0:59:17Why didn't you just say pick up your feet?

0:59:17 > 0:59:19I didn't know if you were tired.

0:59:19 > 0:59:20You're being passive aggressive.

0:59:20 > 0:59:21No, I wasn't.

0:59:21 > 0:59:22You are so infuriating!

0:59:22 > 0:59:23Please stop yelling.

0:59:23 > 0:59:24I'm not yelling.

0:59:24 > 0:59:25Oh, it's perfect!

0:59:25 > 0:59:26Do you love it?

0:59:26 > 0:59:28Don't turn it on me.

0:59:28 > 0:59:30I don't want your cloud on my head.

0:59:30 > 0:59:31Oh shut up, Cyril.

0:59:31 > 0:59:33You can shut right up.

0:59:33 > 0:59:34Don't pick a fight with me.

0:59:34 > 0:59:35You certainly won't come out alive.

0:59:35 > 0:59:39I'll go right through you, and it will be you who ends up

0:59:39 > 0:59:42on the floor, understood?

0:59:42 > 0:59:44Mm-hm.

0:59:44 > 0:59:47Mm-hm.

0:59:54 > 0:59:55Ooooh!

0:59:55 > 0:59:57Never trust a man!

0:59:57 > 1:00:05Even when he looks flat down there!

1:00:07 > 1:00:17And the Bafta goes to... Allison Janney, I, Tonya.

1:00:17 > 1:00:24APPLAUSE

1:00:42 > 1:00:47CHEERING

1:00:50 > 1:01:00I could simply murder a glass of water right now. I want to thank

1:01:00 > 1:01:05BAFTA and drop a I've perpetrated for the last 30 years. I did not

1:01:05 > 1:01:07invite graduate from the Royal Academy of dramatic arts but I did

1:01:07 > 1:01:11attend a two-week summer programme which is probably the reason I'm

1:01:11 > 1:01:14standing here right now. It is certainly the reason I fell in love

1:01:14 > 1:01:18with London and the theatre. This means a great deal to me and I want

1:01:18 > 1:01:25to thank the entire team of I, Tonya, who are here tonight, you are

1:01:25 > 1:01:29extraordinary, Craig and Margo, I love you, to my team, some of whom I

1:01:29 > 1:01:36here Kevin and Karen. I want to thank Leon in 30 West and AI for

1:01:36 > 1:01:39supporting this on from the beginning and last but not least I

1:01:39 > 1:01:44want to thank my dear friend Steven Rogers who wrote I, Tonya, this

1:01:44 > 1:01:47beautiful movie, and he insisted I was the only actress to play this

1:01:47 > 1:01:51role and you've given me a gift I will never forget, my friend. I love

1:01:51 > 1:01:56you. Cheers.CHEERING AND APPLAUSE

1:02:01 > 1:02:03Ladies and gentlemen, while the last 12

1:02:03 > 1:02:05months has seen some extraordinary work being

1:02:05 > 1:02:07produced, we've also had to say goodbye to far

1:02:07 > 1:02:09too many friends and colleagues who illuminated

1:02:09 > 1:02:15the world of film.

1:02:15 > 1:02:25As we paid tribute to them, playing for us, we have the sublime musical

1:02:25 > 1:02:32gifts of the ludicrously

1:02:32 > 1:02:35gifts of the ludicrously talented...

1:02:35 > 1:02:38Kanneh-Mason family.

1:02:48 > 1:02:51Thank you very much, a pleasant good evening to you.

1:02:51 > 1:02:54You look like a great audience.

1:03:17 > 1:03:23Don't look so scared, little boy.

1:03:23 > 1:03:26I'm going to drink your blood.

1:03:37 > 1:03:39Julien...

1:03:39 > 1:03:45Je t'ai recherche partout.

1:03:53 > 1:03:56Ta-da!

1:04:40 > 1:04:42Yeah!

1:04:42 > 1:04:44That was good.

1:04:44 > 1:04:46Pity about poor Catherine, though.

1:04:46 > 1:04:49Tick tock, tick tock.

1:05:00 > 1:05:07HE LAUGHS MANIACALLY.

1:05:25 > 1:05:30He loved her more than...

1:05:30 > 1:05:33he ever thought possible.

1:05:52 > 1:05:55You're a super girl, you know that, don't you?

1:05:55 > 1:06:02Hope you enjoyed the show. Good night.

1:06:09 > 1:06:17APPLAUSE.

1:06:33 > 1:06:34They are absent but not forgotten.

1:06:34 > 1:06:36Thank you to the wonderful Sheku and his

1:06:36 > 1:06:37extraordinarily talented siblings.

1:06:37 > 1:06:40What a family.

1:06:40 > 1:06:46And there are two more of them at home! Sound is the next award and to

1:06:46 > 1:06:49hand it over, we've got to sensational British actors who

1:06:49 > 1:06:53despite being snapped up by Hollywood, don't mind rolling up

1:06:53 > 1:06:56their sleeves and presenting a Bafta.

1:06:56 > 1:06:58It's Sam Claflin and Will Poulter.

1:07:07 > 1:07:11Sound designers are notorious for their attention to detail.

1:07:11 > 1:07:16The sound in the films nominated this year involved recording

1:07:16 > 1:07:20air-raid sirens in a desert, creating a special "rain"

1:07:20 > 1:07:22microphone and finding just the right goat for the voice

1:07:22 > 1:07:25of a Star Wars creature.

1:07:25 > 1:07:28All perfectly mixed to fill an auditorium with layers

1:07:28 > 1:07:29of emotion and tension...

1:07:29 > 1:07:33And then some of you watch films on a tiny iPad!

1:07:33 > 1:07:36Let's see the nominations.

1:08:26 > 1:08:32They're coming. Shut the door.

1:08:38 > 1:08:49And the Bafta goes to... Dunkirk.

1:08:50 > 1:09:00APPLAUSE

1:09:30 > 1:09:33We'd like to thank the British Academy for this vote of confidence.

1:09:33 > 1:09:41Also Warner Brothers, Burbank, and wore the brothers UK -- Warner

1:09:41 > 1:09:46Brothers UK. To our director, Christopher Nolan, who entrusted the

1:09:46 > 1:09:51sound team to sonically

1:09:52 > 1:09:54sound team to sonically weave together the 3-D tapestry of this

1:09:54 > 1:10:04film. Thank you, Chris.APPLAUSE It also marks --this movie is a

1:10:04 > 1:10:09timeline and this movie also marked a timeline in my life. This was my

1:10:09 > 1:10:19207th film.APPLAUSE It also... Also my retirement film.

1:10:19 > 1:10:29Thank you so very, very much. APPLAUSE

1:10:29 > 1:10:33Thank you, Chris, Emma, lead, everybody at Warner Brothers. I have

1:10:33 > 1:10:36to thank my children, Luciano and Devon, your dreams are as important

1:10:36 > 1:10:43to me as they are due. Thank you for taking dreams seriously. -- as they

1:10:43 > 1:10:49are to you.Thank you, Bafta, Chris, Emma, the wonderful team in Burbank

1:10:49 > 1:10:55my family, love you, Sue and Sam.

1:10:55 > 1:11:02APPLAUSE

1:11:04 > 1:11:07To present the award for original screenplay are two British actors

1:11:07 > 1:11:11who first worked together back in 2002 on About A Boy.

1:11:11 > 1:11:14They enjoyed it so much that they've waited just 16 short years to do it

1:11:14 > 1:11:18again in the upcoming film The Favourite.

1:11:18 > 1:11:26It's Nicholas Hoult and Rachel Weisz.

1:11:32 > 1:11:35It's a very special moment for actors when we turn the pages

1:11:35 > 1:11:39of an original screenplay.

1:11:39 > 1:11:41Our minds immediately fill with questions.

1:11:41 > 1:11:44"How can I do justice to this writing?"

1:11:44 > 1:11:52"How did the writer dream up this world?"

1:11:54 > 1:12:00But you count how many lines you've got to, right?Yes of course, that's

1:12:00 > 1:12:02more important, you're completely right!

1:12:02 > 1:12:05Let's see the nominations for Original Screenplay.

1:12:13 > 1:12:18I look in the mirror and the only thing I recognise are these eyes

1:12:18 > 1:12:25and this old man's face.

1:12:25 > 1:12:28You know, sometimes I think I was either born

1:12:28 > 1:12:31too early or too late for my life.

1:12:31 > 1:12:37Maybe we're both just relics.

1:12:37 > 1:12:38My name is Lady Bird.

1:12:38 > 1:12:40Well, actually, it's not and it's ridiculous.

1:12:40 > 1:12:41Your name is Christine.

1:12:41 > 1:12:43Call me Lady Bird like you said you would.

1:12:43 > 1:12:48You know, you should just go to city College.

1:12:48 > 1:12:50With your work ethic, just go to city college,

1:12:50 > 1:12:53then to jail, and then back to city college and then maybe you'd learn

1:12:53 > 1:12:56to pull yourself up and not expect everybody to make every...

1:12:58 > 1:13:01Why did you drill a hole through poor

1:13:01 > 1:13:05Fat Geoffrey's thumbnail?

1:13:05 > 1:13:07That did not happen. His hand slipped.

1:13:07 > 1:13:09He drilled a hole through his own self.

1:13:09 > 1:13:12Did he say I did it?

1:13:12 > 1:13:17Well, I guess it's his word against mine, then, huh?

1:13:17 > 1:13:20Kind of like in all those rape cases you hear about.

1:13:20 > 1:13:22Except, this time, the chick ain't losing.

1:13:22 > 1:13:26It ain't really about winning or losing, though, is it, Mildred?

1:13:26 > 1:13:28I didn't get to meet you actually up close.

1:13:28 > 1:13:30I'm Chris.

1:13:30 > 1:13:33I know who you are.

1:13:33 > 1:13:36She's lovely, isn't she?

1:13:36 > 1:13:39Rose?

1:13:39 > 1:13:41Yeah, she is.

1:13:41 > 1:13:42One of a kind.

1:13:42 > 1:13:45Top of the line.

1:13:45 > 1:13:52A real doggone keeper!

1:13:52 > 1:13:55Right.

1:13:55 > 1:13:59I can see that shiner through your make-up, you know.

1:13:59 > 1:14:01Yeah, I fell on the ice yesterday.

1:14:01 > 1:14:03I don't know, Tonnie.

1:14:03 > 1:14:05I would never be with somebody who fucking hit me.

1:14:05 > 1:14:07You hit dad.

1:14:07 > 1:14:14That's different.

1:14:16 > 1:14:23And the Bafta goes to Three Billboards Outside Ebbing, Missouri.

1:14:23 > 1:14:28APPLAUSE

1:14:43 > 1:14:47Jesus... It was truly an honour to be nominated alongside Jordan and

1:14:47 > 1:14:55Stephen and Guillermo and Greta and it's been great to get to know you

1:14:55 > 1:14:59guys over the last few weeks in this craziness. Thank you for your

1:14:59 > 1:15:09brilliant films. I'd like to thank my news Sam Rockwell for his

1:15:09 > 1:15:16brilliance. I love you and let's do it again, Sam. To Woody Harrelson

1:15:16 > 1:15:22too, wherever he may be tonight. What I think we are most proud of

1:15:22 > 1:15:26about this film, especially in this Time's Up year is it is a film about

1:15:26 > 1:15:33a woman who refuses to

1:15:33 > 1:15:38a woman who refuses to take any shit anymore against another woman who

1:15:38 > 1:15:43also refuses to take any shit anymore. I'd like to thank Frances

1:15:43 > 1:15:47McDormand for her performance that is as unapologetic as it was

1:15:47 > 1:15:53fearsome, and I love you and let's do it again too. And thanks to John

1:15:53 > 1:16:00Gregory, Ben Davis, FilmFour, Fox Searchlight and thanks to Bafta.

1:16:01 > 1:16:08APPLAUSE

1:16:09 > 1:16:13Leading Actor now and to present it is an astonishingly classy actress.

1:16:13 > 1:16:20I rather hoped I'd be filling the role tonight but there we go. It's

1:16:20 > 1:16:31the scintillating and glorious Salma Hayek.

1:16:37 > 1:16:42In this very important and historical year for women I am here

1:16:42 > 1:16:46on this legendary stage to celebrate men...

1:16:46 > 1:16:52LAUGHTER It is my pleasure to be the one to

1:16:52 > 1:16:55present the nominations for the Leading Actor award.

1:16:55 > 1:16:58This is an extraordinary collection of actors at the very

1:16:58 > 1:17:00top of their game and emerging talent who are

1:17:00 > 1:17:03already producing world-class work.

1:17:03 > 1:17:06Here are the nominations...

1:17:14 > 1:17:18How do you feel now?

1:17:18 > 1:17:21I can't move.

1:17:21 > 1:17:23You can't move.

1:17:23 > 1:17:31I can't move.

1:17:31 > 1:17:32Why can't I move?

1:17:32 > 1:17:33You're paralysed, just like that day when

1:17:33 > 1:17:34you did nothing.

1:17:34 > 1:17:36You did nothing.

1:17:36 > 1:17:38Mr Wolfcock, what is it?

1:17:38 > 1:17:40I'd like the dress back.

1:17:40 > 1:17:41Ms Rose is sleeping.

1:17:41 > 1:17:44Well that's got nothing to do with the dress.

1:17:44 > 1:17:46Can you go and get it for me, please?

1:17:46 > 1:17:47She's sleeping.

1:17:47 > 1:17:53In the dress?

1:17:54 > 1:18:00I don't know what you want me to say.

1:18:00 > 1:18:08You can start with the truth.

1:18:15 > 1:18:18For fuck sake, it's cancer.

1:18:21 > 1:18:22What are you doing?

1:18:22 > 1:18:24Reading my music.

1:18:24 > 1:18:26No you're not.

1:18:26 > 1:18:28Thinking, then.

1:18:28 > 1:18:29Yeah?

1:18:29 > 1:18:36About what?

1:18:36 > 1:18:39It's private.

1:18:40 > 1:18:44We shall fight on the beaches.

1:18:44 > 1:18:48We shall fight on the landing grounds.

1:18:48 > 1:18:52We shall fight in the fields and in the streets.

1:18:52 > 1:18:56We shall fight in the hills.

1:18:56 > 1:18:58We shall never surrender!

1:18:58 > 1:19:06CHEERING

1:19:07 > 1:19:16And the winner is Frances McDormand... No, just kidding!

1:19:16 > 1:19:20LAUGHTER The Bafta goes to Gary Oldman for

1:19:20 > 1:19:25the Darkest Hour.

1:19:29 > 1:19:34APPLAUSE

1:19:49 > 1:19:56Thank you, Bafta, for this tremendous honour. I salute my

1:19:56 > 1:20:06fellow nominees for your

1:20:06 > 1:20:08fellow nominees for your beautiful work and Leslie too. This is made

1:20:08 > 1:20:13all the more special because I can share it with my family tonight who

1:20:13 > 1:20:19I hear. My three sons Alfie, Gulliver, Charlie, and my beautiful

1:20:19 > 1:20:27wife Gisele and my extended family. Without your support, without your

1:20:27 > 1:20:32help, without your faith in me I would not be standing here. Joe

1:20:32 > 1:20:42Gray, you lead with, you lead the charge with such integrity and

1:20:42 > 1:20:50energy and passion. You hand-picked an armada of talent. I love you,

1:20:50 > 1:20:55Kristin. I love you, really. You have a singular vision and a huge

1:20:55 > 1:21:01heart and they were never more on display than in this beautiful film.

1:21:01 > 1:21:05I'd like to thank Eric Fellner, Tim Bevan, Lisa Bruce, Anthony McCarten,

1:21:05 > 1:21:14Douglas Urbanski, and Piotr Trochowski, Donna Langley and my

1:21:14 > 1:21:19wonderful

1:21:20 > 1:21:22wonderful make-up team, Dave, Lucy, Yvan Mayeur, and last but not least,

1:21:22 > 1:21:28Winston Churchill, the man himself in those dark on certain days in

1:21:28 > 1:21:381940 he held the line for honour, for integrity and freedom for his

1:21:38 > 1:21:49nation and the world. So I thank you, Sir Winston. I thank you, the

1:21:49 > 1:21:55Churchill family. And, of course, once again, Bafta. I am so grateful

1:21:55 > 1:21:59for this incredible honour. Thank you.

1:22:00 > 1:22:02APPLAUSE

1:22:15 > 1:22:19Now it is time for Leading Actress and to present it is an actor who

1:22:19 > 1:22:23won Bafta four years ago for his outstanding performance in 12 Years

1:22:23 > 1:22:29A Slave. He has buckets of charisma, bags of intensity

1:22:29 > 1:22:33A Slave. He has buckets of charisma, bags of intensity, to

1:22:43 > 1:22:45It's Chiwetel Ejiofor.

1:22:45 > 1:22:46Good evening.

1:22:46 > 1:22:48It is hard to imagine five more involving and demanding

1:22:48 > 1:22:50roles than the five in

1:22:50 > 1:22:51this year's nominations for Leading Actress.

1:22:51 > 1:22:54Let's see the nominations.

1:23:05 > 1:23:10How come you came up here out of nowhere looking so pretty?

1:23:10 > 1:23:12You ain't trying to make me believe in reincarnation

1:23:12 > 1:23:13or something, are you?

1:23:13 > 1:23:16Because you're pretty, but you ain't her.

1:23:16 > 1:23:18She got killed.

1:23:18 > 1:23:24Now she's dead forever.

1:23:24 > 1:23:26People make so much noise in the movies but it's

1:23:26 > 1:23:29really not a big thing.

1:23:29 > 1:23:33You can totally be quiet during it.

1:23:33 > 1:23:33Was it amazing, though?

1:23:33 > 1:23:36I wanted it so badly, but then, I found that when it happened,

1:23:36 > 1:23:41I, I really liked dry humping much more!

1:23:41 > 1:23:47I'm just too old for you.

1:23:47 > 1:23:51That's what you're saying.

1:23:51 > 1:23:54No, no, I'm sorry, I shouldn't have...

1:23:54 > 1:23:55No, no, well...

1:23:55 > 1:23:59I'll tell you something.

1:23:59 > 1:24:02You're wrong.

1:24:05 > 1:24:08When he looks at me, the way he looks at me...

1:24:08 > 1:24:12He doesn't know what I lack.

1:24:12 > 1:24:16Or how...

1:24:16 > 1:24:22I am incomplete.

1:24:22 > 1:24:24Well, you know what?

1:24:24 > 1:24:27If you can come up with $5,000 for a costume for me,

1:24:27 > 1:24:30then I won't have to make one.

1:24:30 > 1:24:32Till then, just stay out of my face.

1:24:32 > 1:24:34Maybe you're just not as good as you think.

1:24:34 > 1:24:37Maybe you should pick another sport.

1:24:37 > 1:24:40Suck my dick!

1:24:48 > 1:24:55and the Bafta goes to Frances McDormand, Three Billboards Outside

1:24:55 > 1:24:59Ebbing, Missouri.

1:25:04 > 1:25:14APPLAUSE

1:25:23 > 1:25:30Thank you, British film people. As Martin said I have a little trouble

1:25:30 > 1:25:36with compliance. LAUGHTER

1:25:38 > 1:25:42But I want you to know that I stand in for solidarity with my sisters

1:25:42 > 1:25:51tonight in black. And I also want to say that... I'm going black. But I

1:25:51 > 1:25:56also want to say that I appreciate a well-organised act of civil

1:25:56 > 1:26:03disobedience. And I'm thrilled that activists all over the world have

1:26:03 > 1:26:10been inspired by the set decoration of the Three Billboards in Martin's

1:26:10 > 1:26:15film and taken to the streets and let it be a part of the positive

1:26:15 > 1:26:22public discourse that is happening. And I want to thank Blueprint

1:26:22 > 1:26:28productions and FilmFour and Fox Searchlight for carefully

1:26:28 > 1:26:31shepherding Martin's films, Guillermo's films, because not only

1:26:31 > 1:26:37are they entertaining but they encourage a longer and broader

1:26:37 > 1:26:43cultural conversation. So, you know, when I was a young actor in drama

1:26:43 > 1:26:49school I was told that I was not naturally gifted and I would have to

1:26:49 > 1:26:56work at it. And so I did.

1:26:56 > 1:26:59APPLAUSE

1:27:00 > 1:27:04And along the way I was very fortunate to collaborate with

1:27:04 > 1:27:10film-makers, who started writing roles with me in mind, Jill and

1:27:10 > 1:27:14Ethan Coen, Jamie Anderson command now Martin McDonagh, and I am deeply

1:27:14 > 1:27:22grateful to them for helping me realise my hidden potential -- Joel

1:27:22 > 1:27:26Coen. Who would have thought that Marge Gunderson would have grown up

1:27:26 > 1:27:30to be Mildred Hayes? Power to the people.

1:27:31 > 1:27:34APPLAUSE

1:27:46 > 1:27:49Best Director is our next award, in honour of Sir

1:27:49 > 1:27:51David Lean.

1:27:51 > 1:27:57To present it are an actress who shone brightly in

1:27:57 > 1:27:58Moonlight

1:27:58 > 1:28:04And will be seen in Rampage later this year.

1:28:04 > 1:28:05And the only man in

1:28:05 > 1:28:07history whose CV includes the Royal Shakespeare

1:28:07 > 1:28:08Company and the Emoji movie.

1:28:08 > 1:28:15It's Naomie Harris and Sir Patrick Stewart.

1:28:24 > 1:28:26To produce great work as a film director requires a

1:28:26 > 1:28:28combination of very rare talents.

1:28:28 > 1:28:31The ability to create and maintain entire worlds, the technical

1:28:31 > 1:28:39knowledge of every aspect of a production.

1:28:40 > 1:28:42And, the rarest talent of all, the ability to spend prolonged

1:28:42 > 1:28:44periods of time in the company of actors.

1:28:44 > 1:28:46All of the nominees have produced incredible

1:28:46 > 1:28:47pieces of cinema.

1:28:47 > 1:28:54Let's see them at work.

1:28:59 > 1:29:07EXPLOSIONS

1:29:18 > 1:29:22What did you say to me?

1:29:22 > 1:29:23What is she saying?

1:29:23 > 1:29:24I...

1:29:24 > 1:29:27I didn't catch it.

1:29:35 > 1:29:36I had your job.

1:29:36 > 1:29:37I was good at it.

1:29:37 > 1:29:38It was simpler then.

1:29:38 > 1:29:40Why are you making it complicated?

1:29:40 > 1:29:41Why don't you just answer the question?

1:29:41 > 1:29:43What question?

1:29:43 > 1:29:50I didn't figure you as one for bullshit.

1:30:00 > 1:30:03Yeah, I'm nervous.

1:30:05 > 1:30:09I know I smelled something.

1:30:09 > 1:30:11Let her go!

1:30:11 > 1:30:14Ooh, umm, I kind of need to use the bathroom,

1:30:14 > 1:30:15but if it's inconvenient...

1:30:15 > 1:30:17Actually, it is inconvenient, isn't it?

1:30:17 > 1:30:18I can see it's inconvenient.

1:30:18 > 1:30:21I can hold it.

1:30:26 > 1:30:31And the BAFTA goes to... The Shape of Water, Guillermo del Toro.

1:30:31 > 1:30:40APPLAUSE

1:31:00 > 1:31:07Thank you, thank you, BAFTA. Thank you Fox Searchlight for all the

1:31:07 > 1:31:11support and four yesterday. It was really useful, so much black

1:31:11 > 1:31:18pudding! The shadow of English culture has loomed large in my life,

1:31:18 > 1:31:26giving me inspiration. Painters, writers, cinema, and I have made no

1:31:26 > 1:31:32secret of saying how important was the legacy of power line Pressburger

1:31:32 > 1:31:39in this movie, in making it, -- Powell and Pressburger. Classicists

1:31:39 > 1:31:44like Noel Coward and Terence but also, Sally, the miracle that is

1:31:44 > 1:31:51Sally Hawkins and myself...CHEERING AND APPLAUSE

1:31:52 > 1:31:59Who made it a point to study two of the greats, as a director and actor,

1:31:59 > 1:32:04Charlie Chaplin, and the magnificent minimalist, Stan Laurel, who did so

1:32:04 > 1:32:14much with so little. But the most important figure from the English

1:32:14 > 1:32:19legacy is, incredibly for me, a teenager by the name of Mary

1:32:19 > 1:32:27Shelley. She has remained a figure as important in my life as her

1:32:27 > 1:32:31famous family and so many times, when I want to give up, think about

1:32:31 > 1:32:34giving up, when people tell me dreaming of the movies and the

1:32:34 > 1:32:42stories I dream is impossible, I think of her because she picked up

1:32:42 > 1:32:47the plight of Callaghan and she gave weight to the burden of Prometheus

1:32:47 > 1:32:51and she gave voice and presence to the invisible and showed me that

1:32:51 > 1:32:56sometimes to talk about monsters, we need to fabricate monsters of our

1:32:56 > 1:33:04own, and parables do that for us. Thank you very much.APPLAUSE

1:33:07 > 1:33:12The moment has arrived to find out the winner of

1:33:12 > 1:33:17the prestigious Best Film.

1:33:17 > 1:33:24And to present this coveted Golden mask is a British actor who needs no

1:33:24 > 1:33:28introduction. OK, maybe just a tiny little introduction. It is the

1:33:28 > 1:33:34utterly fabulous Daniel Craig! APPLAUSE

1:33:38 > 1:33:42Thank you. It is an incredible honour to be presenting this award

1:33:42 > 1:33:50this evening and just magnificent to see all of you here, especially

1:33:50 > 1:33:53because you are supporting Time's Up. So let's put these wonderful

1:33:53 > 1:34:04people out of their misery. Here are the nominations for best film.

1:34:05 > 1:34:07Hey there, Mildred.

1:34:07 > 1:34:10You didn't happen to pay a visit to the dentist today, did you?

1:34:10 > 1:34:11No. Huh?

1:34:11 > 1:34:13I said no.

1:34:13 > 1:34:18Oh, so it wasn't you who drilled a little hole in one

1:34:18 > 1:34:20of big fat Jeffrey's big fat thumbnails, no?

1:34:20 > 1:34:21Of course not.

1:34:21 > 1:34:22Huh?

1:34:22 > 1:34:23I said of course not.

1:34:23 > 1:34:25You drilled a hole in the dentist?

1:34:25 > 1:34:27Denise, no, I didn't...

1:34:27 > 1:34:29I thought it was kind of funny myself...

1:34:29 > 1:34:32But he wants to press charges, so we're going to have

1:34:32 > 1:34:35to bring you in, I'm afraid.

1:34:42 > 1:34:44Take cover!

1:35:22 > 1:35:28THE CREATURE ROARS.

1:35:30 > 1:35:32I can't believe you changed it again.

1:35:32 > 1:35:34I changed it a little bit...

1:35:34 > 1:35:35Yeah, why?

1:35:35 > 1:35:38I played it the way Busoni would have played it,

1:35:38 > 1:35:39if he'd altered Liszt's version.

1:35:39 > 1:35:43And what is wrong with Bach, the way that Bach would have played...

1:35:43 > 1:35:44Bach never wrote it for the guitar.

1:35:44 > 1:35:46In fact, we're not even sure Bach...

1:35:46 > 1:35:49Forget I asked!

1:35:55 > 1:35:58I'm not sure if you know this, but the way you're doing your "V

1:35:58 > 1:35:59for Victory" sign...

1:35:59 > 1:36:00Hmm?

1:36:00 > 1:36:02Well, in the poorer quarters, that gesture means something else...

1:36:02 > 1:36:03What does it mean?

1:36:03 > 1:36:05I wouldn't like to say, sir.

1:36:05 > 1:36:07I was captured by the Boer.

1:36:07 > 1:36:09I spent time in a South African prison...

1:36:09 > 1:36:12"Up your bum".

1:36:12 > 1:36:13Sir.

1:36:13 > 1:36:15Up your...

1:36:15 > 1:36:17Bum?

1:36:17 > 1:36:19Up your...!

1:36:19 > 1:36:25LAUGHTER

1:36:25 > 1:36:40And the BAFTA goes to... Three Billboards Outside Ebbing, Missouri.

1:36:48 > 1:36:58APPLAUSE

1:37:07 > 1:37:10This could be really quick because we have done all the thank you is

1:37:10 > 1:37:16already so we can all finish and go and have dinner. One quick being,

1:37:16 > 1:37:20these are all amazing films. We have loved all of them. We have travelled

1:37:20 > 1:37:23these last few months with all of these film-makers who are brilliant

1:37:23 > 1:37:28and thank you to everyone for being together in this.Finally, we were

1:37:28 > 1:37:35overwhelmed, really, this is amazing. Our film is a hopeful one

1:37:35 > 1:37:40in lots of ways but it is also an angry one and as we have seen this

1:37:40 > 1:37:43year, sometimes anger is the only way to get people to listen to

1:37:43 > 1:37:48change, so we are thrilled that BAFTA has recognised this. Have a

1:37:48 > 1:37:57good night.CHEERING AND APPLAUSE

1:38:04 > 1:38:07Time for the final award of the night, the BAFTA

1:38:07 > 1:38:09Fellowship, the highest honour BAFTA can give.

1:38:09 > 1:38:10And to present it, please welcome His Royal

1:38:10 > 1:38:12Highness The Duke of Cambridge.

1:38:12 > 1:38:18APPLAUSE

1:38:26 > 1:38:29Good evening, everybody. Catherine and I are extremely pleased to be

1:38:29 > 1:38:35here amongst you all this evening. The film awards are just one part of

1:38:35 > 1:38:39BAFTA's activity. I have been privileged over the years to

1:38:39 > 1:38:43experience first-hand the impact of its work in the UK, in LA, New York

1:38:43 > 1:38:48and Asia. Work ranging from scholarships and supporting new

1:38:48 > 1:38:53talent through to masterclasses with the very best in the film industry,

1:38:53 > 1:39:00many of whom are here this evening. Your support of BAFTA, sharing

1:39:00 > 1:39:03skills, expertise and time, means we can ensure the growth of creative

1:39:03 > 1:39:08talent in the UK and internationally. It ensures that we

1:39:08 > 1:39:12can do much, much more to help talented people from all backgrounds

1:39:12 > 1:39:19to be given the opportunity to succeed. The recipient of this

1:39:19 > 1:39:23year's Fellowship, the highest honour the Academy can bestow, is a

1:39:23 > 1:39:29true cinema great. His films are amongst my own personal favourites,

1:39:29 > 1:39:32a director and producer whose work has engaged audiences for 40 years

1:39:32 > 1:39:38and whose creativity continues to inspire the vital next generation of

1:39:38 > 1:39:42talent. To tell you a little bit more about his remarkable career,

1:39:42 > 1:39:48Sir Kenneth Branagh.APPLAUSE

1:39:55 > 1:40:01Thank you, good evening. Warrant Officer

1:40:02 > 1:40:04Officer Ripley and replicant Reg, archaeologist Elizabeth Shaw and

1:40:04 > 1:40:08mother Gail Harris, Thelma and indeed Louise. These leading

1:40:08 > 1:40:13characters are unforgettable women who produce indelible moments in the

1:40:13 > 1:40:17work of the exceptional artist who is denied's recipient of the BAFTA

1:40:17 > 1:40:25Fellowship. Most directors would be overjoyed to have one blade runner

1:40:25 > 1:40:33in their career or one Gladiator. Most producers one Martian or one

1:40:33 > 1:40:41Black Hawk Down, one 40 second advert for a sliced loaf that he

1:40:41 > 1:40:44made exquisite and which people still remember every frame of, half

1:40:44 > 1:40:50a century later. The versatility is remarkable and in his films, he

1:40:50 > 1:40:55pulls off the feet of inviting audiences to seriously contemplate

1:40:55 > 1:41:04ideas and at the same time, to borrow his well chosen words, to

1:41:04 > 1:41:09also scare the shit out of them. And yes, the compilation we are about to

1:41:09 > 1:41:14seek does include John Hurt's chest. He has said that as a secondary

1:41:14 > 1:41:17modern school boy in South Shields, he could never have imagined this

1:41:17 > 1:41:23future, but he developed religiously at the Royal College of Art and at

1:41:23 > 1:41:29the BBC -- developed prodigiously. The culture of those institutions is

1:41:29 > 1:41:33still gloriously there in his work. For those of us who have had the

1:41:33 > 1:41:39great privilege to work with him, he is indisputably a master. He has

1:41:39 > 1:41:42given so much to movie audiences around the world and long may his

1:41:42 > 1:41:49unique vision continue to entertain and to inspire. Let's look at just

1:41:49 > 1:41:58some of the highlights so far.

1:41:59 > 1:42:06My name is Maximus Decimus Meridius.

1:42:16 > 1:42:23I've seen things you people wouldn't believe.

1:42:25 > 1:42:33I came halfway around the world to watch you run, Clarice.

1:42:42 > 1:42:48Rise a knight.

1:42:54 > 1:42:56Ladies, gentlemen - let's see who wins a prize

1:42:56 > 1:42:59for keeping their cool.

1:43:00 > 1:43:06So yeah, I blew myself up.

1:43:06 > 1:43:13Sometimes to create, one must first destroy.

1:43:19 > 1:43:22No!

1:43:22 > 1:43:24You're going to shoot me in front of everybody?

1:43:24 > 1:43:27Huh? Come on!

1:43:28 > 1:43:35Are you not entertained?!

1:43:37 > 1:43:39What would it take for you to feel secure?

1:43:39 > 1:43:44More.

1:43:44 > 1:43:46No!

1:43:46 > 1:43:52I intend to love you until I die.

1:43:57 > 1:43:59Hello, officer.

1:43:59 > 1:44:06Is there a problem?

1:44:09 > 1:44:17This is Ripley, the last survivor of the Nostromo, signing off.

1:44:26 > 1:44:29APPLAUSE

1:44:33 > 1:44:39Please welcome to the stage, Sir Ridley Scott.

1:44:39 > 1:44:44APPLAUSE

1:45:08 > 1:45:15CHEERING

1:45:27 > 1:45:34Thank you. Thank you. Big boys don't get upset and I'm quite upset right

1:45:34 > 1:45:40now. It's been 40 years in this business and this is the first time

1:45:40 > 1:45:43they've ever given me anything so I'm not going to go quietly.

1:45:43 > 1:45:51LAUGHTER I could never be an actor because

1:45:51 > 1:45:54I'd never remember the lines so I'll do it this way. Your Royal Highness,

1:45:54 > 1:45:58thank you for those kind words and to Bafta for this fellowship, it's

1:45:58 > 1:46:04an honour to join this list of such great recipients. I'm reading in

1:46:04 > 1:46:07press articles that I'm in the octogenarian club and for those who

1:46:07 > 1:46:11don't know what that means it's not a discotheque, more like a lawn

1:46:11 > 1:46:16Bowls club with straw hats. I wonder if the real reason behind the award

1:46:16 > 1:46:24is to give him something before it's too late. I've always been a late

1:46:24 > 1:46:29starter. Years ago when I was 15 and headed for the GCE, to Americans

1:46:29 > 1:46:38that means the most significant year at 15 for your exams. My father saw

1:46:38 > 1:46:43my position in class was 29th and the number in class was 29. I'd

1:46:43 > 1:46:45achieved the distinction of being bottom of the class at my secondary

1:46:45 > 1:46:53modern school for the fourth year running. I wasn't lazy and I was

1:46:53 > 1:46:56really trying. You can imagine how I felt. Dad put his hand on my

1:46:56 > 1:47:02shoulder and said, "You know, you can only do the best you can put

1:47:02 > 1:47:07whatever you decide to do, make sure you love it." He was a really sweet

1:47:07 > 1:47:10guy and a great parent and I know his attempt to hide his

1:47:10 > 1:47:13disappointment with some of his encouraging words. I was depressed

1:47:13 > 1:47:19for a week but his advice was a wake-up call. Fortunately, I love

1:47:19 > 1:47:24working with my hands and I was good at two things. Woodwork, yes,

1:47:24 > 1:47:30woodwork and art, and I loved to draw and paint and I was quite

1:47:30 > 1:47:34talented. Dad strongly encouraged me to go to art school, which in those

1:47:34 > 1:47:38days was the obvious place that a father would suggest, the reputation

1:47:38 > 1:47:41of laying about smoking talking about the meaning of life and doing

1:47:41 > 1:47:44nothing in particular had a bohemian ring to it and I was excited, it

1:47:44 > 1:47:53really appealed to me. The education system is worth mentioning in this.

1:47:53 > 1:47:57At that time it allowed me to apply for art school with one GCE and that

1:47:57 > 1:48:03could never happen today. So I got into Hartlepool College of Art. The

1:48:03 > 1:48:08college was a revelation. It's weirdly dressed students expressing

1:48:08 > 1:48:12their individualism, passionate teaching interested in the students,

1:48:12 > 1:48:15not just tolerating but actively engaging with them, a world apart

1:48:15 > 1:48:20from my schooling and told it's extraordinary what and enthusiastic

1:48:20 > 1:48:24teacher can do draw in the student out, igniting independence and

1:48:24 > 1:48:27courage in them to be the design of your future rather than waiting for

1:48:27 > 1:48:34something to happen. Teaching is the most important of all professions.

1:48:34 > 1:48:37Sort that out and social problems will get sorted out.

1:48:37 > 1:48:42APPLAUSE

1:48:43 > 1:48:47Sounds simple that we've been talking about it for years but it's

1:48:47 > 1:48:53absolutely vital. My teachers inspired me and thanks to my dad's

1:48:53 > 1:48:56intuition, here I am tonight. So finally I have secured a place at

1:48:56 > 1:49:01the best art school in the world, certainly at that point the Royal

1:49:01 > 1:49:06College of Art, painting, sculpture, fashion and design. I just lost my

1:49:06 > 1:49:11place... LAUGHTER

1:49:11 > 1:49:17I was able to mooch around and utilise the facilities. You weren't

1:49:17 > 1:49:20taught here, you seized the opportunity. At this point I was

1:49:20 > 1:49:24already in the ignition mode and taught myself to deal with all the

1:49:24 > 1:49:29competition around me. It was tough. Some of the best way here,

1:49:29 > 1:49:31definitely. The painting school alone had David Hockney, Francis

1:49:31 > 1:49:38Bacon wandering around as lecturers occasionally and we even had our own

1:49:38 > 1:49:43madman from New York, and advertising guru. Bob Gilder. There

1:49:43 > 1:49:51was no film school. I wanted to make a movie but I didn't know how to

1:49:51 > 1:49:54work it and there was a small instruction booklet, new, thumped

1:49:54 > 1:50:03and no one had read it before. Are you bored? Are you all right? Kept

1:50:03 > 1:50:07to a cold North Durham beach on a bitter day, the cast and crew of two

1:50:07 > 1:50:13are sheltering in a bus stop and as I try to work out the stock for

1:50:13 > 1:50:20another take the actor is freezing his ass of. Sorry. Waiting for me to

1:50:20 > 1:50:28make a decision, waiting for 65 quid, economy is everything. The

1:50:28 > 1:50:36young man was an actor called Tony Scott, my brother, letter of Top

1:50:36 > 1:50:40Gun. APPLAUSE

1:50:40 > 1:50:44@he'd be my partner for 50 years and I guess you all knew what we did in

1:50:44 > 1:50:50that time. We didn't hang around. Film is a great art form, may be the

1:50:50 > 1:50:54most exciting of all occupations. I caught the first wave of Independent

1:50:54 > 1:50:58television and enjoyed the exciting role of advertising force of this

1:50:58 > 1:51:03was my film school. Today the explosion of content platforms and

1:51:03 > 1:51:06social media have made this a far more accessible and democratic art

1:51:06 > 1:51:13form with an unprecedented reach 24/7 365 days. The opportunity to

1:51:13 > 1:51:20create authentic, relevant and engaging storytelling and the future

1:51:20 > 1:51:24of it must have a profound affect. As storytellers we have a duty to be

1:51:24 > 1:51:28mindful how we use this power. We must strive to protect the core

1:51:28 > 1:51:33tenets of the narrative, that all the best stories tend to come from

1:51:33 > 1:51:38the truth, even fiction. It's important to acknowledge

1:51:38 > 1:51:42entertainment can be the most powerful form of education but

1:51:42 > 1:51:49documentaries have suddenly really kicked in and are taking on this

1:51:49 > 1:51:52position by raising global awareness. The best example of

1:51:52 > 1:51:57storytellers' power. When you think about it it is blue planet, probably

1:51:57 > 1:52:02the greatest commercial for our beautiful Earth. We must not lose

1:52:02 > 1:52:05this beautiful gift we have because it's the only one we've got left. I

1:52:05 > 1:52:10think I should mention all the talents I've worked with over time

1:52:10 > 1:52:19and to my kids who are in the same business, and to my wife Janina, and

1:52:19 > 1:52:22to your Highness, thank you. Bafta, thank you for this great award, I

1:52:22 > 1:52:32shall find a very special place for it. I'm available in autumn 2019.

1:52:32 > 1:52:36LAUGHTER

1:52:36 > 1:52:42APPLAUSE

1:52:49 > 1:52:51And that's it for the EE British Academy Film

1:52:51 > 1:52:52Awards 2018.

1:52:52 > 1:52:55Thank you to everyone who played their part

1:52:55 > 1:52:59in such a magical evening.

1:52:59 > 1:53:05Stephen Fry, if you are watching, I hope this is OK. Until next year,

1:53:05 > 1:53:11good night.

1:53:11 > 1:53:15Awards presented earlier. Original Music.

1:53:15 > 1:53:27And the Bafta goes to The Shape of Water, Alexander

1:53:30 > 1:53:34Guillermo, your film is unique and the poetry you have given us is

1:53:34 > 1:53:41amazing.Make Up & Hair.The Bafta goes to Darkest Hour, David

1:53:41 > 1:53:49Galinovskiy, Lucy Sibbick, Kazuhiro Tsuji.

1:53:52 > 1:53:57Thank you, Bafta. Thank you to my team, our lovely team who helped us

1:53:57 > 1:54:05on this film. Amazing cast, very supportive produces.Costume Design.

1:54:05 > 1:54:13The Bafta goes to Phantom Thread, Mark Bridges.

1:54:16 > 1:54:19Mark Bridges.This award's special to me because British film has

1:54:19 > 1:54:25always been an inspiration to me, something to admire, and something

1:54:25 > 1:54:31to aspire to is a level of quality. Animated Film.And the Bafta goes to

1:54:31 > 1:54:38show,.If I want to get back to the land of the living I need his

1:54:38 > 1:54:45blessing.That's really specific. He's my great-great-grandfather.

1:54:45 > 1:54:48He's what? My biggest thanks of all to the people of Mexico, your

1:54:48 > 1:54:51culture and traditions inspired me to make cocoa and it wouldn't exist

1:54:51 > 1:55:03without your endless celebration of the Dia de Muertos.And the Bafta

1:55:03 > 1:55:12goes to Baby Driver.

1:55:12 > 1:55:16goes to Baby Driver.I think you're very lucky as an editor if you get

1:55:16 > 1:55:21the opportunity to work with someone of the calibre of Edgar Wright.

1:55:22 > 1:55:32And the Bafta goes to I Am Not Your Negro.

1:55:34 > 1:55:41Negro.The future is as dark and De Michael Bright as the future of the

1:55:41 > 1:55:44country.I want to thank the Academy for this award, I'm very honoured

1:55:44 > 1:55:50and humbled.

1:55:50 > 1:55:52and humbled.It started from extraordinary humble beginnings and

1:55:52 > 1:55:56it's something I'd like to think that not just weak in the film

1:55:56 > 1:55:58industry and television industry should be proud of, it's something

1:55:58 > 1:56:04the nation should be proud of.At the NFTS our goal is to ensure the

1:56:04 > 1:56:09future Roger Deakinss, or Emily Morgan, wherever they may come from

1:56:09 > 1:56:12and whatever their means, have the opportunity and support to reach

1:56:12 > 1:56:14their full potential.

1:56:16 > 1:56:21The Bafta goes to polls

1:56:29 > 1:56:35-- Poles Apart.Just to be nominated alongside Will and Ben tonight is

1:56:35 > 1:56:41incredible enough. This is incredible.British Short Film.And

1:56:41 > 1:56:48the Bafta goes to Cowboy Dave.

1:56:48 > 1:56:53Dad says books aren't worth bothering with.Your dad's an idiot.

1:56:53 > 1:56:57If you are a girl or boy from a working-class background like me,

1:56:57 > 1:57:03all I have to say is, look, film is not an impossible dream.

1:57:05 > 1:57:11The Bafta goes to The Handmaiden.

1:57:21 > 1:57:28Unfortunately Park Chan-Wook and Syd Lim could not be here tonight.

1:57:28 > 1:57:39Roger Deakins, Blade Runner, 2049.

1:57:40 > 1:57:44Unfortunately Roger Deakins cannot be with us tonight. He's shooting a

1:57:44 > 1:57:50movie in New York right now.