:00:00. > :00:15.This programme contains flash photography.
:00:16. > :00:26.Hello and welcome to the British Academy Film Awards red carpet show.
:00:27. > :00:30.I am Edith Bowman outside the world-famous London Royal Opera
:00:31. > :00:34.House in Covent Garden. In just a few minutes, some of the world's
:00:35. > :00:39.biggest, most talented, most celebrated film stars will be
:00:40. > :00:44.walking this gorgeous red carpet. I am talking Leonardo DiCaprio. I am
:00:45. > :00:49.talking Christian Bale, Angelina Jolie, even Oprah Winfrey. What am I
:00:50. > :01:30.trying to say? It is time for the BAFTAs.
:01:31. > :01:36.Welcome to the BAFTAs. I am going to be talking to as many of those
:01:37. > :01:39.famous faces as is physically possible. We will also be looking at
:01:40. > :01:45.a wardship etiquette with some famous friends. It has been another
:01:46. > :01:49.exceptional year for brilliant films and extraordinary performances.
:01:50. > :01:54.Leonardo DiCaprio turned into The Wolf Of Wall Street and Cate
:01:55. > :01:59.Blanchett got sad in Blue Jasmine. We have also seen the effects of
:02:00. > :02:05.Gravity. But what has been the best moment in film over the last 12
:02:06. > :02:09.months? Jennifer Lawrence in American Hustle. Matthew
:02:10. > :02:14.McConaughey. Tom Hanks in Captain Phillips right at the end with the
:02:15. > :02:19.nurse. Just the most phenomenal performance. The end of Despicable
:02:20. > :02:25.Me when the minions started singing. 12 Years A Slave from five
:02:26. > :02:31.minutes into the end. The Wolf Of Wall Street when he tries to get
:02:32. > :02:37.into the car. Leonardo DiCaprio has this terrifying episode. That guy
:02:38. > :02:41.was just crying with laughter. It is that classic moment when the brain
:02:42. > :02:48.is switched on but your motor skills let you down spectacularly. 12 Years
:02:49. > :02:54.A Slave. They are about to hang him on the tree and someone comes and
:02:55. > :02:59.stops the guy is going to do it. They left him there. They held on
:03:00. > :03:07.that shop for a very long time. Very poignant for me. When did he die?
:03:08. > :03:13.The wife shows her vagina to the gravestone. See what you could have
:03:14. > :03:22.had if you did not talk about wheat all the time. Ridiculous! My
:03:23. > :03:31.favourite moment was... Socially acceptable insanity. When he opens
:03:32. > :03:37.up the condom wrapper. One of the funniest things I have ever seen. It
:03:38. > :03:48.is just the names of the condom is that I find funny. Who would have
:03:49. > :03:50.guessed? Ridiculous. Pacific Rim! I just love seeing him get punched in
:03:51. > :04:06.the face by a robot. I like that a lot. I like that a
:04:07. > :04:10.lot. And also I liked 12 Years A Slave. We have to say
:04:11. > :04:15.congratulations first of all. The nominations, the performance, the
:04:16. > :04:21.film. It is one of the film moments of the year. You must be very proud.
:04:22. > :04:25.Absolutely. I am very proud of the film. Steve McQueen has created
:04:26. > :04:30.something very special. I am really proud to have been part of it. Have
:04:31. > :04:35.you got a favourite film moment of the year as a film fan? Another
:04:36. > :04:43.performance of film that had stayed with you? There are so many. So many
:04:44. > :04:47.extraordinary moments. In all of the films there are things you take away
:04:48. > :04:51.from them. They work so beautifully. Tom Hanks in the last seen in
:04:52. > :04:56.Captain Phillips, that was really something completely remarkable. Do
:04:57. > :05:01.you ever get used to the red carpet madness? I think if you ever got
:05:02. > :05:06.used to it you would be in an asylum. It is great. A real festival
:05:07. > :05:13.atmosphere. I think it is just a real celebration. What a year.
:05:14. > :05:21.Really good. Great to chat to you and I wish you all the best. How are
:05:22. > :05:26.you? Good. What does David O Russell do to pull out outstanding
:05:27. > :05:31.performances from his family, as he refers to them? Who works from an
:05:32. > :05:34.internal place. It is very internal to him. He demands a lot. He trusts
:05:35. > :05:40.his actors and gives them the freedom to go for it. He is a
:05:41. > :05:43.special guy, a magical person and one of the best film-makers out
:05:44. > :05:48.there. You know when you are going to work for him that you really want
:05:49. > :05:53.to give it your all. Great to chat to you. Have you thought about your
:05:54. > :06:03.acceptance speech? No! I am happy to be here. Thank you so much. When I
:06:04. > :06:07.do talk to Leonardo DiCaprio later on, I intend to pluck a hair from
:06:08. > :06:13.his head, the idea being that I can replicate him in years to come. Just
:06:14. > :06:19.think about it. Leonardo Park. Thousands of him running free. But
:06:20. > :06:24.is pulling clumps of hair out of your favourite movie star really
:06:25. > :06:25.acceptable behaviour? What is the correct etiquette on one's red
:06:26. > :06:36.carpet? What would I do if I arrived on the
:06:37. > :06:41.red carpet and there was another actress wearing the same frock? I
:06:42. > :06:45.would try and spent most of the evening standing next to them.
:06:46. > :06:51.Especially if they were more famous than me. That would be good. If they
:06:52. > :06:58.see someone wearing the same outfit, don't panic. Throw eggs at
:06:59. > :07:05.them. Engage with them, have a little joke, just complimented them.
:07:06. > :07:11.It is a nightmare. Inevitably it will be all over the press about who
:07:12. > :07:16.wore it best and if you are not taller and slimmer, you are screwed.
:07:17. > :07:22.You make a quick decision whether to pull rank and tell them you are more
:07:23. > :07:27.famous and they should go home, through your people, or you just go
:07:28. > :07:33.home. I think it is perfectly reasonable to take the selfie. Tom
:07:34. > :07:39.Cruise always allowed the public to get involved with that. Of course
:07:40. > :07:44.the selfie is appropriate on the red carpet. David Cameron and Barack
:07:45. > :07:50.Obama took one at Nelson Mandela's funeral. I think they are now
:07:51. > :07:56.appropriate because he took that picture at his funeral. Seize the
:07:57. > :07:59.moment. If I see Oprah Winfrey on the red carpet, I don't know how
:08:00. > :08:05.much security she had got, I will fight them. I need to get that
:08:06. > :08:14.selfie. Is my hero is my mum and she is not really aren't any red carpet.
:08:15. > :08:22.What do you do if you forget someone's name on the red carpet?
:08:23. > :08:28.Darling! How are you! Amy Adams, a pleasure to have you here.
:08:29. > :08:32.Congratulations. Thank you. I am personally chuffed because my name
:08:33. > :08:37.is Edith, like your character. Lady Edith. At least I made her a lady
:08:38. > :08:42.when I lied about it. Somebody needs to give me that lady. You always
:08:43. > :08:52.seem so poised and confident on the red carpet. Is that... And act! Is
:08:53. > :08:56.it terrifying? Very terrifying. I focus on the positive and being
:08:57. > :09:03.grateful and all that good stuff. It is very fun, too. These girls are
:09:04. > :09:08.saying, Leo, marry me. And it is recognition for you in terms of
:09:09. > :09:12.these amazing films. Back again with Mr Russell, who pulls out great
:09:13. > :09:17.performances. He gives you a chance to go somewhere. He really does. He
:09:18. > :09:21.is amazing. He creates these characters that are so different for
:09:22. > :09:27.each actor that gets to play them, something different. We get to
:09:28. > :09:32.explore something. I am so grateful to him for that. What is it like
:09:33. > :09:37.working with Christian for a second time? I love it. I would work with
:09:38. > :09:40.him every time. He brings something different to every character though
:09:41. > :09:43.it does not feel like you are working with him again. An
:09:44. > :09:52.outstanding performance. Thank you for talking to us. Thank you. Steve
:09:53. > :09:58.Coogan, how are you? Do you like red carpets? Not in my living room. I
:09:59. > :10:02.like walking along them at the premiere. Is there an etiquette,
:10:03. > :10:06.things you should and should not do? Wipe your feet before you walk
:10:07. > :10:19.on it. You don't want to mess it up for the list is behind me. -- A
:10:20. > :10:24.listers. Congratulations. You have captured people's hearts. Thank you.
:10:25. > :10:28.I made it before the Alan Partridge film and I worked very hard. There
:10:29. > :10:34.was a lot of fuss about the Alan Partridge film but we had high hopes
:10:35. > :10:37.for Philomena. Internationally it has exploded and it is doing great
:10:38. > :10:42.at the box office and in America and in the rest of the world. It has
:10:43. > :10:48.gone beyond whatever we hoped it would do. Does it feel different for
:10:49. > :10:54.you being nominated in a writing capacity rather than acting? Yes, it
:10:55. > :10:59.is nice. It is the first time I have tried writing a drama so it is very
:11:00. > :11:03.unusual. It is great. It feels like vindication. It is not something I
:11:04. > :11:10.was expecting. It is great and I will do more writing of people offer
:11:11. > :11:15.me BAFTAs. Good luck tonight. I really hope to see you up there.
:11:16. > :11:19.Have you thought about a speech? Things to say? No. It will come
:11:20. > :11:23.naturally and I will see what happens. They put learning something
:11:24. > :11:29.because you might lose. What is the point of learning a speech? Speech
:11:30. > :11:32.etiquette right there. Be spontaneous. We wish you all the
:11:33. > :11:42.best. Thank you. It is not just about chatting to
:11:43. > :11:46.famous people. It is also about looking at famous people from a
:11:47. > :11:50.distance and seeing what shiny, pretty clothing they are wearing.
:11:51. > :11:51.Yes, it is time to take a look at what everybody has been wearing this
:11:52. > :12:44.evening. I am a little bit nervous about this
:12:45. > :12:50.one. It is Oprah Winfrey and David. How are you? Really good. You look
:12:51. > :12:55.fab. Stella McCartney came to seem yesterday for the first fitting
:12:56. > :13:00.because I just arrived. Stella McCartney! Then they wanted me to
:13:01. > :13:04.change something, the sleeves. Her guys just sent it to me ten minutes
:13:05. > :13:10.before I got in the car. Stitching the thing. I was like, OK, I have to
:13:11. > :13:16.go. If it is not stitched now, I have to go. I am stitched in. The
:13:17. > :13:21.red carpet is tricky. You look great but it is much easier for guys.
:13:22. > :13:29.Much. As I walked out, the guy said to me, good luck. Oh, yeah, it is an
:13:30. > :13:34.award! BAFTAs! You spend so much time worrying about shoes. I have
:13:35. > :13:38.never been stitched into anything in my life. Tonight could be your lucky
:13:39. > :13:43.night! What does it mean to you to be recognised by BAFTA for this
:13:44. > :13:49.role? It is extraordinary. As you know, this is the first time in, I
:13:50. > :14:03.don't know, 15 years... I do know, 15 years. 15 years since I picked up
:14:04. > :14:06.the acting instrument. To be recognised by anybody is a good
:14:07. > :14:08.thing because I was trying not to embarrass myself. And then I heard
:14:09. > :14:11.it was BAFTA. The British Academy Film Awards. I was like... It is
:14:12. > :14:14.deep. You make it so hard for everybody else. She has done three
:14:15. > :14:20.movies. Three! BAFTA nominated for the other one. I mean, really! Are
:14:21. > :14:30.you saying she is showing off? Shias is an overachiever. -- she is an
:14:31. > :14:34.overachiever. It is my first time. I had not worked in 15 years so nobody
:14:35. > :14:39.could invite me because I had not done anything. What do you think of
:14:40. > :14:42.the BAFTA ceremony? Extraordinary. The screaming and stuff, I thought
:14:43. > :14:47.you were much more reserved than this. I am surprised. That is
:14:48. > :14:52.because she hangs with me. That is the reserved thing. You guys have
:14:53. > :15:05.let me down. It is great to have you here. Good luck and enjoy. I am just
:15:06. > :15:08.going to have fun. This is just fun. I came here to have a good time. I
:15:09. > :15:17.hope you do. I will. I already am. Thank you. It's just Brad Pitt and
:15:18. > :15:20.Angelina Jolie. Acceptance speeches can be remembered for a very, very
:15:21. > :15:28.long time. Not always for the right reasons. I'm naming no names. Here
:15:29. > :15:33.are some famous faces to give us the dos and doents of acceptance awards'
:15:34. > :15:37.speeches. Stand up straight and don't fall over. With an audience,
:15:38. > :15:41.it is like an assault course. You find it difficult to maintain the
:15:42. > :15:47.poise and posture. Ideally don't fall over on the way up and down. As
:15:48. > :15:54.someone with a prosthetic leg, I think about that more than most.
:15:55. > :16:01.That couldn't be worse. I want to be taken to heaven and hell and back to
:16:02. > :16:12.heaven in an acceptance speech. Guy rile.
:16:13. > :16:18.-- guy rile. -- Gabrielle. I like an emotional
:16:19. > :16:24.one. I don't understand a complete breakdown. I always like England. I
:16:25. > :16:31.can get very drunk and be very repressed. I think you have to
:16:32. > :16:36.swear. He gave me a second chance after I (BEEP) my career for 15
:16:37. > :16:42.years. Swearing is never really appropriate. What words? (BEEP). A
:16:43. > :16:49.lot of Americans love thanking God. That doesn't really wash in England.
:16:50. > :16:53.Thank God instantly. Insult the people you beat. Tell them why you
:16:54. > :16:57.should have beat them. Don't do graciousness. Children, if you are
:16:58. > :17:03.watching, it is not about the winning. Also reciting a sheet list.
:17:04. > :17:07.It is very tempting. I think it is probably not going to go over that
:17:08. > :17:11.well. I want to thank a couple of enemies that make this victory
:17:12. > :17:15.better. Make sure you thank everybody. Once you get home, if you
:17:16. > :17:20.haven't thanked someone in particular, they will let you know
:17:21. > :17:25.about it. I thank my mum. Did I think Peter Rice? I don't want to
:17:26. > :17:29.forget anybody. My memory is not that great. I can understand why
:17:30. > :17:32.people are shocked and you don't think you are going to win. But if
:17:33. > :17:37.you are one of four people, it is possible. Maybe have a little bit of
:17:38. > :17:41.a plan. I can't wait it hear what I've got to say. Welcome to BAFTA,
:17:42. > :17:44.Sir. Thank you very much. I'm wondering whether there might be a
:17:45. > :17:49.little bit of folded up paper somewhere in those pockets with a
:17:50. > :17:53.few names. No paper. All in here? I never expect to win anything but, to
:17:54. > :17:58.be honest, just to have this film be recognised the way it has been, a
:17:59. > :18:03.film that was really hard to get off the ground, a film that I don't
:18:04. > :18:08.think is traditionally made by studios, it is an honour in its own
:18:09. > :18:11.right. And to be here with, you know, with the rest of the people
:18:12. > :18:14.involved in making the movie, it is a big deal. You were involved in the
:18:15. > :18:18.film right from the off. This was something you wanted to be made for
:18:19. > :18:24.a long time. Why was this story so important for you to tell? Well in a
:18:25. > :18:29.non-die dabbing particular way, I think it explores, although as
:18:30. > :18:33.ridiculous as it may seem on screen, it explores the corruption of wealth
:18:34. > :18:39.and power in our very culture. And after 2008, this was a movie that I
:18:40. > :18:43.was sort of dying to put up on screen. I wanted this part of our
:18:44. > :18:48.society to be exposed in a lot of ways. So, I mean, this movie was
:18:49. > :18:51.very meaningful for me. I knew that Martin Scorsese was really the only
:18:52. > :18:55.director that could Paul it off in the right way. As actors, you want
:18:56. > :19:00.things to challenge you and push you in places that you have never been
:19:01. > :19:05.before. Is this what this offered you? And that's traditionally been
:19:06. > :19:10.why I have tried to - not create my own material but develop my own
:19:11. > :19:14.material. A lot of this stuff I have gotten offered through the years has
:19:15. > :19:19.been more traditional, so to speak. So I have tried to find films that
:19:20. > :19:26.have taken some sort of risk. There has only been two movies that I have
:19:27. > :19:30.pushed so hard for. One was the Aviator, and the second was this.
:19:31. > :19:42.I'm doing whatever I can to promote the hell out of it. I want to make
:19:43. > :19:47.more. This feels like you are going to be going behind the camera. Is
:19:48. > :19:51.that where this is heading? Well, what I have learned by working with
:19:52. > :19:56.Mr Scorsese, could fill a library. I'm there to do my job and focus on
:19:57. > :20:00.my craft. Until I find something like I feel like I could be the only
:20:01. > :20:05.film-making for, I won't step behind the camera. I know there's so much
:20:06. > :20:08.involved with being a director. You really are responsible for
:20:09. > :20:12.everything. Well, don't change what you do yet. We love watching you.
:20:13. > :20:20.Congratulations on this film. Thank you.
:20:21. > :20:26.This year, a lot of films have been made about real people. Nelson
:20:27. > :20:31.Mandela la. Fill meania. Walt Disney. Of course, Alan Partridge.
:20:32. > :20:41.Who would play you in a film of your life? I'm thinking Scarlet Johan is
:20:42. > :20:46.en. Is in. Cameron Diaz. Anyway, here is some people with an idea of
:20:47. > :20:53.who would play them in a film of their life. Some deluded. Someone
:20:54. > :21:03.really fit Well obviously, Jennifer Lawrence would be amazing. Angelina
:21:04. > :21:12.Jolie. Good old Ange. Maybe Jared Letto. Eminem. A young Sean Penn. It
:21:13. > :21:17.would need to be someone who looks like me, George Clooney, Brad Pitt.
:21:18. > :21:33.Perhaps Jonnie Depp. He is maybe a bit small but could do it.
:21:34. > :21:45.Luke Tredaway. I would have McAuley Kaulkin. Weirder and uglier as I get
:21:46. > :21:50.older. So does he? ? I love her and John Goodman. Either or. Probably
:21:51. > :21:59.end up being a very tall man. I need to pick someone with big ears.
:22:00. > :22:04.Martin Cloones would be ideal. Playing me would be incredibly
:22:05. > :22:10.exciting. In a one hour 30 minutes movie of just sitting on your Xbox.
:22:11. > :22:14.I would pick Matt Damon I will take Jennifer Aniston. You have to have
:22:15. > :22:19.someone o to make the Mickey out of themselves a bit.
:22:20. > :22:26.I don't know any actors' names. I have to go to someone else for
:22:27. > :22:31.casting. Samuel L Jackson. Donald Trump I think would have
:22:32. > :22:36.quite a good likeness. Tom and Rita Hanks, how are you? Very W thank
:22:37. > :22:41.you. You look all nice and reddy-cheeked. You have a little
:22:42. > :22:46.bluster. The Scot in me. That's good. Congratulations on the
:22:47. > :22:50.recognition this year, for two films that are represented here. Thank
:22:51. > :22:57.you. They were both extraordinary experiences. Wonderful working with
:22:58. > :23:02.Emma and playing the nature of the great Walt Disney. Boy, I would
:23:03. > :23:09.never cast myself as Walt Disney. And to work with Paul Greengrass and
:23:10. > :23:13.everybody on the great adventure, Captain Phillips. What was it about
:23:14. > :23:18.Captain Phillips that you wanted to be involved? There is a lot to play,
:23:19. > :23:22.the human nature, but that it was as recent as it was, I mean it happened
:23:23. > :23:25.in 2008. We were as authentic to the actual feelings and events as we
:23:26. > :23:31.were. When you can do that and have it not be - not have editorial
:23:32. > :23:35.combat, you are just dealing with the human reactions, to everybody
:23:36. > :23:39.involved in the story, both sides of the opportunity coin, you are
:23:40. > :23:44.treading some - it is pretty bold territory to aim for but with Mr
:23:45. > :23:49.Greengrass we were in good hands. I imagine you wanted to stay as far
:23:50. > :23:54.away from water after, that as well? I don't mind water. I want it stay
:23:55. > :23:58.away from big, steel-hulled vessels. Hard on the knees. The water is not
:23:59. > :24:04.so bad. It is the steel. All those hard stairs to go up and down. My
:24:05. > :24:08.knees and hips needed a bit of a vacation. Rinchts ta. I have
:24:09. > :24:12.question for you. Tom played two real-life characters in Walt Disney
:24:13. > :24:17.and Captain Phillips. Someone has to start making a story of this man's
:24:18. > :24:26.incredible life. Who do you reckon to play TomIng hattings really --
:24:27. > :24:29.Tom Hanks really well. One of our children. Each child could play him
:24:30. > :24:32.at a different point. I thought you were going to ask something
:24:33. > :24:39.different, about his facial hair. He has had a lot. Are you a fan or not?
:24:40. > :24:43.I plead the fifth. A sad state of affairs, my facial hair. Sad, sad. I
:24:44. > :24:47.like theed why of the family playing you at different parts of yourself.
:24:48. > :24:53.They would never be able to take it seriously. They would play me like
:24:54. > :24:58.an idiot, a clueless jerk, which is how they view me but that's only
:24:59. > :25:05.fair. We love you and are happy you are here. Congratulations. Thank
:25:06. > :25:10.you. Thank you. Five excellent films have been
:25:11. > :25:16.nominated in the Best film category at tonight's British Academy Film
:25:17. > :25:19.Awards. Let's familiarise ourselves with those, so we know who to cheer
:25:20. > :25:35.for later on Man down, man down. You fit the description given. Why
:25:36. > :25:44.didn't you answer when someone called. My name is not Platt... My
:25:45. > :25:48.name is... Your name is Platt. You are going to do this because you
:25:49. > :25:50.have no choice, you work for me. You keep changing the rules. You are
:25:51. > :26:03.getting a little power drunk. We have to get him off the ship. Not
:26:04. > :26:09.like this. You can't do this. God damn it.
:26:10. > :26:14.Mike and Pete were... It's all right mayory. I know Anthony was a gay
:26:15. > :26:19.homosexual. We met Marcia, who I believe was his beard, is that
:26:20. > :26:23.right? Yes, that's about right. You may have heard a few people talking
:26:24. > :26:27.about this man's exceptional film, twelve twelve twelve. Good luck
:26:28. > :26:30.tonight. You must be -- 12 Years A Slave. You must be feeling
:26:31. > :26:34.incredibly proud but excited about the reception and number nations? It
:26:35. > :26:40.is great to be home and to have this response to the film. It has been a
:26:41. > :26:45.phenomenon, it is one of the things you dream about. It has been an
:26:46. > :26:49.exceptional year, in terms of the films nominated. It is striking. It
:26:50. > :26:53.is one of the moments in fi. Last time I can think of one of those
:26:54. > :26:58.years was 1999 when there was a string of films. Every time you went
:26:59. > :27:02.to the movies you are coming out - oh my goodness. It is great to be
:27:03. > :27:07.included in that group. How do you go about getting this in incredible
:27:08. > :27:10.cast together. Is it a no-brainer because your films are exceptional
:27:11. > :27:15.and high will have-regarded, when you ask someone to take on a role,
:27:16. > :27:19.it is a yes straight away. It has to be organic. It is not a question of
:27:20. > :27:27.picking film from photographs. And who they are. And we auditioned 1
:27:28. > :27:33.thousand girls for a role. : The similar thing with Michael
:27:34. > :27:38.Fassbender with Hunger. And when Benedict auditioned, I didn't know
:27:39. > :27:43.Sherlock, I had never seen it. Through his audition he shined. It
:27:44. > :27:48.has to happen organically he for me, otherwise you are picking people
:27:49. > :27:54.from a page. When you see to see and get to know the person, you know how
:27:55. > :27:58.well they can do. Sayeria, famous alongside Michael Fassbender --
:27:59. > :28:02.Sarah. She was a find, a genius. As film fans, has there been a
:28:03. > :28:06.performance that has stood out of you this year? I can at thatting
:28:07. > :28:09.yourself from being in the industry, as film fans, whether it is a
:28:10. > :28:14.performance or a film, what has stood out? So many. I would say my
:28:15. > :28:26.film, Chiwetel Ejiofor, Leonardo Dicaprio. You know, Cate Blanchett.
:28:27. > :28:30.And Blue Jasmine, the Woody Allen movie. Bradley Cooper. So many.
:28:31. > :28:34.Listen, I can't wish you more luck tonight. I really think it is going
:28:35. > :28:38.to be another Steve McQueen night tonight. Fingers crossed. I hope so.
:28:39. > :28:52.Lots of luck. Good luck. Goodbye. What a fantastic night. So many
:28:53. > :28:57.utterly charming and chatty stars here on the red carpet. As I speak,
:28:58. > :29:04.they are walking up this red carpet, out of our BBC3 show and into the
:29:05. > :29:09.main show on BBC One for the etch E British Academy Film Awards. -- the
:29:10. > :29:17.EE British Academy Filmp Awards. Thank you for watching. I've been
:29:18. > :29:23.Eid it Bowman. -- Edith Bowman.