:00:35. > :00:39.This programme contains scenes of repetitive flashing images.
:00:40. > :00:47.I am a huge fan of British cinema. The excitement, the glamour. The
:00:48. > :00:53.anticipation. It is my first time, so I am excited. It is fantastic. It
:00:54. > :00:58.is a great night. It is a real honour to be here. It is especially
:00:59. > :01:05.nice to come back and present after winning last year. It is a really
:01:06. > :01:07.nice thing to do. I live in London. I was in south-west London just this
:01:08. > :01:15.morning buying some bread. Now I have just put on a tuxedo and it is
:01:16. > :01:19.a different world! It feels great to behind in London, and at the Baftas,
:01:20. > :01:28.which is the pinnacle part of this awards season. I'm just turn a try
:01:29. > :01:32.and relax and enjoy it and hopefully someone will give me a glass of
:01:33. > :01:39.champagne so I will feel a bit more relaxed. But it is just amazing to
:01:40. > :01:42.be here. It feels wonderful. I always get excited about this
:01:43. > :01:47.particular street, and the Royal Opera House. It is very British. It
:01:48. > :01:52.is wonderful to be here. It is amazing to be here at the Baftas. A
:01:53. > :01:56.little bit cold, but really good. I was invited before but was unable to
:01:57. > :02:02.come. To actually be here in this surreal. But who will be taking home
:02:03. > :02:06.a love it Bafta mask? We are about to find out. It is time for the EE
:02:07. > :02:16.British Academy Film Awards. Let the Baftas begin. Please welcome our
:02:17. > :02:29.host for this evening, Stephen Fry. Well, good evening and welcome
:02:30. > :02:37.to the EE British Academy Film Look at you, how shiny and lovely
:02:38. > :02:42.you are, how gorgeous with glamour, effulgent with style
:02:43. > :02:44.and radiant with beauty. I don't mean that -
:02:45. > :02:48.I just want you to like me. Now, this year, the stars have
:02:49. > :02:52.colluded and collided in such a way as to make British film's annual
:02:53. > :02:56.outpouring of love coincide Especially fitting as love
:02:57. > :03:07.abounds this year in film. The love
:03:08. > :03:08.between two women, love between a young Irish girl
:03:09. > :03:15.and an Italian American, Love between the Roman Catholic
:03:16. > :03:22.priests and... And lawyers. in Matt Damon's case,
:03:23. > :03:36.love between man and potato. First, let's meet some of the
:03:37. > :03:37.superstars out here, sending out very detectable gravitational
:03:38. > :03:41.ripples. Wow, it's almost impossible for me
:03:42. > :03:44.to look out without meeting the gaze Right before me, I see some
:03:45. > :03:51.of the cast of that stunning epic The Revenant - Domhnall Gleeson,
:03:52. > :03:58.Will Poulter and Leonardo DiCaprio. I congratulate all three
:03:59. > :04:07.of you on making it through the hostile, wet,
:04:08. > :04:12.windy terrain, all the way up to the end of the red carpet
:04:13. > :04:18.and into the Opera House. When my agent told me I had been
:04:19. > :04:28.booked to do a bare scene with Leonardo DiCaprio,
:04:29. > :04:31.I did a cartwheel. It didn't turn out quite how I had
:04:32. > :04:35.imagined a bare scene. But I did my best to be fierce
:04:36. > :04:38.and frightening in a very hot Of course we must talk about Star
:04:39. > :04:46.Wars. Yes, the Force finally
:04:47. > :04:50.woke up - the lazy tit. But what a cracking film -
:04:51. > :04:53.notable not least for introducing us to some fabulous new British talent
:04:54. > :04:56.in the shape of Daisy Ridley Of course, things are well underway
:04:57. > :05:03.for the next film in the series, which I happen to know has some
:05:04. > :05:05.very interesting casting. In fact I don't believe John's
:05:06. > :05:08.been told about it yet, but now
:05:09. > :05:34.is as good a time as any... The director of Bridge Of Spies is
:05:35. > :05:38.here, Stephen Spielberg. I absolutely loved this film and its
:05:39. > :05:42.wonderful depiction of a time when we were teetering on the brink of
:05:43. > :05:45.nuclear war. Of course all of that is over now. Nowadays we are more
:05:46. > :05:56.likely to sit down with our Russian friends and enjoy a nice warm cup of
:05:57. > :06:04.polonium. The stars of the sublime
:06:05. > :06:06.Carol are here. In this remarkable film,
:06:07. > :06:10.Cate plays a refined upper class lady who goes in to a department
:06:11. > :06:14.store to get a train set and ends up Of course that's unlikely to happen
:06:15. > :06:19.today, as most people do that sort That's certainly where I've got hold
:06:20. > :06:27.of all my shop assistants. And it's wonderful to see
:06:28. > :06:35.Bryan Cranston here. I believe you're already planning
:06:36. > :06:43.a modern-day sequel, once more set in a dark time
:06:44. > :06:46.when bigotry stalks the land and progressive thought
:06:47. > :06:52.is banned from America... And talking of America,
:06:53. > :07:06.one of the wonderful things that great nation has given the world,
:07:07. > :07:17.along with giant foam fingers, leaf blowers, Creationism and syrup
:07:18. > :07:23.on bacon, It is common at basketball games
:07:24. > :07:29.and so on. So, if you look to the screen now,
:07:30. > :07:38.you should see a heart. But on this day of Valentine's,
:07:39. > :08:03.which two lovebirds will it embrace? Oh, yes! Stanley Tucci and Cuba
:08:04. > :08:16.Gooding Jnr! That is more like it! Who next?! It is Maggie Smith and
:08:17. > :08:26.Leonardo DiCaprio! Yes! That is a marriage made in heaven if ever
:08:27. > :08:36.there were one! Julianne Moore and Bryan Cranston!
:08:37. > :09:03.One more... Oh, it is Eddie Izzard and Rebel Wilson!
:09:04. > :09:17.Leo tried to kiss Maggie. She soon gave him the rough edge of
:09:18. > :09:24.Spotlight - the brilliant Mark Ruffalo.
:09:25. > :09:27.Yes, tricky subject matter, not easy to find humour in,
:09:28. > :09:33.Though actually, confess is probably not the most tactful word to use
:09:34. > :09:46.I am confused - after Black Mass and now Spotlight,
:09:47. > :09:56.Only one man here can help us - actually sound like?
:09:57. > :10:16.Only one man here can help us - Bostonian Matt Damon! He is the star
:10:17. > :10:21.of the fantastic science-fiction award-winning comedy The Martian!
:10:22. > :10:27.Ultimately it's a tale of courage and intelligence in which,
:10:28. > :10:29.by resorting to a lot of shouting and shooting, but by resorting
:10:30. > :10:39.Sometimes in this job there are moments of real pleasure.
:10:40. > :10:43.And being able to say four words that will cause an outburst
:10:44. > :11:05.Dame Maggie, star of Lady In A Van, of course.
:11:06. > :11:13.If she was any more of a national institution, she would have
:11:14. > :11:16.The film tells the story of a woman who parked up and lived
:11:17. > :11:19.Apparently she even went to the toilet in her van -
:11:20. > :11:22.though I can't verify that because, as we now know, Volkswagen are well
:11:23. > :11:29.And now for some reason, it seems appropriate to move
:11:30. > :11:33.The star of this captivating page-turner of a film,
:11:34. > :11:47.He was magnificent as the computing genius behind Apple,
:11:48. > :11:49.and looking so foxy this evening, I just want to click
:11:50. > :11:52.on him, drag him on stage and then, a short while later,
:11:53. > :12:01.Well, that's quite enough drooling at the stars in our audience.
:12:02. > :12:12.Now let's drool at them on screen doing what they do best as we look
:12:13. > :12:23.She shall go to the ball. We're about to get dumped.
:12:24. > :12:30.Starting to see pictures, aren't you?
:12:31. > :12:47.# Though nothing, nothing will keep us
:12:48. > :13:42.# And you, you will be queen
:13:43. > :13:48.# Though nothing will drive them away
:13:49. > :14:13.No, no, no, no, stay happy.
:14:14. > :14:50.Not least the musical accompaniment from the creative powerhouse
:14:51. > :14:54.that was the magical and deeply-missed David Bowie.
:14:55. > :14:58.Film benefited from his unique genius as an actor, producer
:14:59. > :15:09.The world is a far more monochrome place without his
:15:10. > :15:14.So, we are now ready to take our first, tentative steps
:15:15. > :15:16.towards the opening award for Outstanding British Film,
:15:17. > :15:21.And to present it, call me a silly old yenta, but I've done a bit
:15:22. > :15:23.of matchmaking, and brought together two huge film stars
:15:24. > :15:38.Please welcome, Kate Winslet and Idris Elba!
:15:39. > :15:55.I don't have my glasses. I'm so old now anyone.
:15:56. > :16:00.I can't tell you how delighted we are to be here on such
:16:01. > :16:01.a wonderful and important night for British cinema.
:16:02. > :16:04.And as proud Brits, presenting this particular award means even more,
:16:05. > :16:07.because I think it's fair to say that British film has had a very,
:16:08. > :16:18.Let's take a look at the truly stunning nominees.
:16:19. > :16:22.You may have known who I was, but I wasn't always me.
:16:23. > :16:26.There was a moment when I was just Lily,
:16:27. > :16:43.How big do you think you are going to be?
:16:44. > :16:47.At all, because you know, my music is not on that scale
:16:48. > :16:54.of the the music is not on that scale.
:16:55. > :16:58.Sometimes I wish it was but I don't think I'm going to be at all famous.
:16:59. > :17:03.Remember if people like it here, they'll come back.
:17:04. > :17:06.So you treat every customer as if she's a new friend.
:17:07. > :17:11.Do you try to wear panties every day?
:17:12. > :17:15.I mean, I don't try, I just put them on.
:17:16. > :17:26.It is like me discovering with what the smell
:17:27. > :17:33.Like she's been standing in the corner of the room all this
:17:34. > :17:48.I'm not going to be turned into some animal.
:17:49. > :18:01.I'll come and visit you, though, with my partner.
:18:02. > :18:04.When we are walking together in some park or when we are swimming
:18:05. > :18:07.in the sea or when we are on one of our trips.
:18:08. > :18:11.You are going to be the human component in the Turing test.
:18:12. > :18:16.That's right, Caleb, you got it, because if that test is passed,
:18:17. > :18:18.you are dead centre in the greatest scientific event
:18:19. > :18:21.If you have created a conscious machine,
:18:22. > :19:43.Thank you Bafta. First I have to thank - we have to thank Colm who
:19:44. > :19:47.entrusted us with his novel, brought to life with Nick's masterful script
:19:48. > :19:55.and John's impeccable direction. APPLAUSE
:19:56. > :20:06.On behalf of the entire cast and crew, here in London, in Dublin, in
:20:07. > :20:09.Eniscorthy, in mob treal and New York, thank you so much for
:20:10. > :20:14.honouring our film in this way, behalf ta. -- Montreal.
:20:15. > :20:19.One of the things this film is about is the kindness of strangers. As the
:20:20. > :20:22.film has made its way out into the world, the warmth of the response
:20:23. > :20:28.has been overwhelming. Whatever tiny bit of this I can play claim to, I
:20:29. > :20:33.would like to share with Fiona Weir, who not only furnished us with a
:20:34. > :20:38.marvellous cast, but she's got to put up with me every day, so happy
:20:39. > :21:15.Valentine's day. Thank you so much. APPLAUSE
:21:16. > :21:27.Now on to the award for special effects.
:21:28. > :21:34.Please welcome Amelia clerk and Matt Smith. Good evening, marvellous to
:21:35. > :21:41.be here, there is a reason why this award is for special visual effect.
:21:42. > :21:43.It takes special and talented people to create something as good as these
:21:44. > :22:51.effects. Let's lack at their work. The Bafta goes to - Star Wars: The
:22:52. > :23:39.Force Awakens. APPLAUSE
:23:40. > :23:44.Thank you so much Bafta. It is fantastic. We had an incredible, a
:23:45. > :23:48.massive crew working on the movie. We are four guys, we are lucky to be
:23:49. > :23:53.up here accepting the award. It really is an amazing experience. Of
:23:54. > :24:02.course we have so many people to thank, Stephen? Yes. But, of course
:24:03. > :24:09.we have to thank our director J j. JAbrhams who did an amazing job with
:24:10. > :24:13.this movie. Incredible and our producers, Kathy Ken Dane Brian
:24:14. > :24:19.Burke. The incredible crews, industrial, light and magic. I want
:24:20. > :24:24.it give a shout out to Ben Morris and Mike Mulholland and those guys
:24:25. > :24:27.in the London office. Thank you to my amazing crew, and thank you to
:24:28. > :24:33.Kathy, Tommy and Brian and a personal thank you to JJ. And to
:24:34. > :24:38.Amanda, my soul mate and you the Academy. And respect with all the
:24:39. > :24:58.other nominees. Well done. Thank you, thank you very much.
:24:59. > :25:07.Now it is time for the EE rising star award. The only award voted for
:25:08. > :25:11.by the public. It'll be presented right now. Doing the presenting last
:25:12. > :25:16.year's winner, who has worked with George Clooney and Judi Dench. I
:25:17. > :25:17.would say his star has risen to perfection. Please welcome Jack
:25:18. > :25:46.O'Connell. Thank you t gives us the chance to
:25:47. > :25:49.celebrate performances of the past year and then so. Also special
:25:50. > :25:55.because it is blue in colour which makes it rare. Or rarer. And so,
:25:56. > :26:02.shall we see some of their work? Punch the sneaky brat in the face
:26:03. > :26:31.in front of other people. I really don't think that's
:26:32. > :26:34.the right thing to be Does this give
:26:35. > :26:39.you pleasure? I feel so awkward and ugly
:26:40. > :26:53.and naive and lonely. I don't want to go to
:26:54. > :27:00.school ever again. Strange smoke that everyone
:27:01. > :27:06.was just wild for. You don't want to be with that guy,
:27:07. > :27:21.best sex you've ever had guy We nearly missed it
:27:22. > :27:25.but we've got our chance. You are going to help me track
:27:26. > :27:35.Cole's neck. There are too many things out
:27:36. > :27:43.there out to get me, get me? Hell know, I'll go in and try
:27:44. > :27:48.and find Ray, the Troopers will be The EE Rising Star winner is John
:27:49. > :28:38.Boyega. Thank you so
:28:39. > :28:46.foremost I want to thank God for this moment and a big thank you to
:28:47. > :28:51.Bafta for this amazing opportunity and obviously to the members of
:28:52. > :28:52.Bafta for this amazing opportunity Guys, I haven't been doing this for
:28:53. > :28:58.a long time. It's a fluke. Guys, I haven't been doing this for
:28:59. > :29:03.have some very, very special people in my life, who have been such a
:29:04. > :29:09.blessing, my parents, family and friends, my agent, my manager, best
:29:10. > :29:15.friend and brother and Femi, who has backed me since I was 16. Thank you
:29:16. > :29:20.for everything. I'm going to share this award with all the young
:29:21. > :29:23.dreamers who are determined, who are hard-working and who are, quite
:29:24. > :29:27.frankly, amazing. This is also for you. Blessings to your path and God
:29:28. > :29:38.bless, thank you. To present the award
:29:39. > :29:42.for Supporting Actor, an award traditionally given
:29:43. > :29:47.to a man, we have a lady She was perfect in Pitch Perfect,
:29:48. > :29:53.she was too perfect in Pitch Perfect 2, and I have no doubt she'll be
:29:54. > :29:56.three perfect in whatever they call She's not only a rebel by name,
:29:57. > :30:05.she's also a Wilson by name. Soon to be seen in How To Be Single,
:30:06. > :30:31.please welcome Rebel Wilson! Good evening, ladies and gentlemen.
:30:32. > :30:41.It is so good to be here at this really serious event. I have never
:30:42. > :30:48.been invited to the Oscars... Because as you know, they are
:30:49. > :30:54.racist. But the Baftas have diverse members. And that is what we all
:30:55. > :30:59.want to see in life, isn't it? Diverse members.
:31:00. > :31:16.One day I hope to return here to win a Bafta myself. I have already been
:31:17. > :31:25.practising my transgender phase. And now, to the award of Best Supporting
:31:26. > :31:32.Actor. Sorry! Idris Elba, you are making me a bit nervous. I am just
:31:33. > :31:43.sociologically programmed to want chocolate on Valentine's Day. Five
:31:44. > :31:55.really attractive men have been nominated. And I really look forward
:31:56. > :32:01.to any congratulating the winner. Although, I am looking forward even
:32:02. > :32:05.more to consoling the four losers. Let's take a look at these actors'
:32:06. > :32:13.incredible work. Are you being sarcastic
:32:14. > :32:17.with us, Mike? Lawrence, I don't know
:32:18. > :32:19.how to be sarcastic. I mean it, move away
:32:20. > :32:51.from him right now. Don't ever point
:32:52. > :32:57.a weapon at me again. A pencil, piece of paper,
:32:58. > :33:11.cigarettes, please. Mr Donovan, you have men like me
:33:12. > :33:18.doing the same for your country. If they were caught,
:33:19. > :33:21.I'm sure that you We have been defending ourselves
:33:22. > :33:31.against the killings and rapings of our own people
:33:32. > :33:34.from the PLF and now But it has awakened
:33:35. > :33:40.a sleeping beast. It has put the weapons of this war
:33:41. > :33:48.back in the hands of the young. They knew and they let
:33:49. > :33:57.it happen to kids. We have to show people
:33:58. > :34:10.that nobody can get away with this, not a priest,
:34:11. > :34:32.a cardinal or a friggin Pope. And the Bafta goes to... Mark
:34:33. > :34:36.Rylance for a Bridget Spies. Mark is currently performing on Broadway.
:34:37. > :34:49.So, to accept the award, Stephen Spielberg! -- for Bridget Spies.
:34:50. > :34:57.Thank you. Happy Valentine's Day. Mark, in the event that this
:34:58. > :35:03.actually happened, asked me if I would stand in for him and read a
:35:04. > :35:07.note. My sincere thanks to the British Academy for celebrating my
:35:08. > :35:10.acting with this award. My apologies as my theatre work in New York City
:35:11. > :35:14.means that I cannot be with you. I am particularly pleased to be
:35:15. > :35:19.celebrated as a supporting actor as I very much enjoyed the wonderful
:35:20. > :35:23.quality of work which supporting actors do in films these days -
:35:24. > :35:29.especially all my Fellow nominees. Lead actors are of course unique and
:35:30. > :35:34.gifted and often, as in the case of Tom Hanks, generous, humble and
:35:35. > :35:38.supportive as well. I had an unfair advantage this evening working with
:35:39. > :35:41.Tom and my dear friend Steven Spielberg who has graciously
:35:42. > :35:57.supported me this evening, as he has done since we met. Thank you to all.
:35:58. > :36:04.Now, I've been given the plum job of voicing the introduction
:36:05. > :36:10.To make the presentation, a supreme comedian, actor
:36:11. > :36:13.and writer, a genuinely unique talent - and I don't mean that
:36:14. > :36:16.in the showbiz, non-unique way, I mean it in the "there really is no
:36:17. > :36:28.Please go ballistic for Eddie Izzard!
:36:29. > :36:48.Now, Animated Film is a powerful medium. But the pitch meetings can
:36:49. > :36:52.be somewhat unusual. So, there is a pig and he plays the banjo. But the
:36:53. > :36:56.monkeys do not want him to do that so they nail the pig to the back of
:36:57. > :37:00.a spaceship and he is off to another galaxy. But the pig discovers that
:37:01. > :37:09.he can control the spaceship and he plays different chords on the banjo.
:37:10. > :37:16.It is like The Godfather meets Zulu. I love it! Here is $20 million! I
:37:17. > :37:29.believe that is how it works! And the nominations are...
:37:30. > :38:16.And the Bafta is awarded to... Inside Out!
:38:17. > :38:35.Thank you Bafta. It is amazing being here. I was fully expecting to see a
:38:36. > :38:41.charming, domesticated farm animal appearing! I am honoured to be in
:38:42. > :38:47.this company. Our film takes place inside the mind of a in your old
:38:48. > :38:51.girl. That was hard to figure out. Though not as not as tough as
:38:52. > :38:54.actually being 11. For anyone out there who is struggling to figure
:38:55. > :38:59.things out in secondary school, it is OK to feel scared or angry or
:39:00. > :39:09.sad. But please do us a favour and express yourself. Seeing, draw,
:39:10. > :39:16.write - the world will be a better place for it. I want to thank our
:39:17. > :39:25.amazing team. We make a pretty good team. Everyone at Pixar and Disney
:39:26. > :39:29.for supporting us on this weird and wonderful journey. Lastly, I want to
:39:30. > :39:32.thank my wife Amanda, who kept the family together even as the film was
:39:33. > :39:42.falling apart. Thank you. We now scooch along
:39:43. > :39:46.to Supporting Actress. To present it, one of the finest
:39:47. > :39:50.British talents of recent times, an actor who has played a man
:39:51. > :39:53.trapped in his own body, and, if I had my way, a man trapped
:39:54. > :40:01.in my basement. Please
:40:02. > :40:07.welcome Eddie Redmayne. Do you think I might be
:40:08. > :41:04.switched off because I don't I don't know the answer
:41:05. > :41:10.to your question. I love that you don't care
:41:11. > :41:21.how much money a person makes, you care what they make,
:41:22. > :41:24.but what you make isn't supposed When you're a father,
:41:25. > :41:33.that's what's supposed to be the best part of you and it's
:41:34. > :41:36.caused me two decades of agony, Steve, that it is
:41:37. > :41:44.for you, the worst. She's going to get
:41:45. > :41:46.tired of you and you are going to wish
:41:47. > :41:48.that you've never... I have never been more
:41:49. > :41:57.awake in my life. Though why should I want to be
:41:58. > :42:05.with you when all you do is argue It's a letter from Lincoln,
:42:06. > :42:17.a letter from Lincoln, to him. They was penpals and this
:42:18. > :42:23.is just one of the letters. And the Bafta goes to... Kate
:42:24. > :43:26.Winslet for Steve Jobs. Oh, my gosh! What an incredible year
:43:27. > :43:31.to be nominated. What an incredible year to be in this room. Thank you,
:43:32. > :43:35.Bafta, so much for voting for me, for nominating me. It has been an
:43:36. > :43:40.extraordinary year for women and I feel so proud to stand alongside all
:43:41. > :43:47.four of you. Your performances are also extraordinary. I really am
:43:48. > :43:52.quite overwhelmed, actually. I must thank Donna Langley and your team at
:43:53. > :43:56.universal for supporting Danny Boyle and his unconventional shooting and
:43:57. > :44:00.rehearsals structure, which was so precious to all of us. Danny Boyle,
:44:01. > :44:04.you were amazing to work with. Thank you forecasting me when you really
:44:05. > :44:08.did not have to. This film was so much about the words the actors were
:44:09. > :44:14.saying. Aaron Sorkin, I don't know how you do it. You're out of your
:44:15. > :44:18.mind! Thank you so much. Michael Fassbender, you lead us through
:44:19. > :44:23.this. I don't know how you did it. I would watch you every day and be
:44:24. > :44:26.completely blown away. You are an extraordinary actor. Thank you for
:44:27. > :44:31.everything you gave to this film. Our brilliant cast. I want to just
:44:32. > :44:36.mention if I may a woman who would prefer to remain completely
:44:37. > :44:39.anonymous, which is the real Joanna Hoffman, who was a devoted and loyal
:44:40. > :44:45.friend to Steve Jobs and was so wonderful in sharing her stories
:44:46. > :44:49.with me. Dallas Smith, thank you for making sure that I have always got a
:44:50. > :44:56.job. And my husband, you're in this room, I know you are! Hi, babe,
:44:57. > :45:00.happy Valentine's Day! And my children, who are probably more
:45:01. > :45:13.excited than I am! Thank you, everybody!
:45:14. > :45:15.To present Costume Design, by design and in costume,
:45:16. > :45:19.You'll know her from Quantum Of Solace and him from Nightcrawler.
:45:20. > :45:21.They're perfect to present this award because they are hugely
:45:22. > :45:24.gifted, well turned out and, crucially here, it's Olga Kurylenko
:45:25. > :45:46.Film is all about taking someone's vision and making it come to life
:45:47. > :45:51.The greater the vision, the greater the expertise,
:45:52. > :45:54.dedication and creativity needed to realize it.
:45:55. > :45:57.Which are precisely the qualities tonight's nominees
:45:58. > :46:01.for Costume Design have in abundance.
:46:02. > :46:03.They have not just brought someone's vision to life,
:46:04. > :46:05.they brought it to life with startling colour,
:46:06. > :46:09.deep brilliance and exquisite attention to detail.
:46:10. > :47:30.And the Bafta goes to... Jenny Beavan, Massed Max. -- Mad Max.
:47:31. > :48:12.Oh what a lovely day. I live, I die, I live again. I just have to tell
:48:13. > :48:16.you one thing, that I think I've worked with some of the most amazing
:48:17. > :48:22.directors in film and George, thank you so much for taking me on. The
:48:23. > :48:26.bonnets and corsets, girl. I can't thank you enough for giving me this
:48:27. > :48:32.chance. It's absolutely brilliant. Thank you Bafta and thank you my
:48:33. > :48:44.team and it's great. Thank you. APPLAUSE
:48:45. > :48:51.Only one of the great cinematic costume designers would come to an
:48:52. > :48:55.award ceremony dressed as a bag lady.
:48:56. > :48:58.Our next award is for Outstanding Debut by a British Writer,
:48:59. > :49:03.Director or Producer, given in honour of Carl Foreman.
:49:04. > :49:05.It's just one example of how Bafta champions the next
:49:06. > :49:09.It also develops and supports them through mentoring,
:49:10. > :49:12.masterclasses and scholarships, ensuring they have the best chance
:49:13. > :49:15.to succeed, regardless of who they know or where
:49:16. > :49:20.Presenting it, two sparkling sparklers.
:49:21. > :49:23.She is a stupendous actress who stars in A Bigger Splash
:49:24. > :49:27.and Fifty Shades Of Grey, in honour of which tonight I'm
:49:28. > :49:33.wearing a sort of charcoal grey nipple clamp, and he was brilliant
:49:34. > :49:35.and very revenant - sorry, resident, resonant!
:49:36. > :50:00.Please welcome Dakota Johnson and Will Poulter!
:50:01. > :50:04.and will do my best to make no sense whatsoever.
:50:05. > :50:13.I'm going to be making sense tonight, but I refuse
:50:14. > :50:15.But I'm actually wearing Rebel Wilson's underwear. I have no idea
:50:16. > :50:19.how it happened. All of tonight's nominees have not
:50:20. > :50:22.only been able to break in to film, a feat in itself, but have produced
:50:23. > :50:25.exceptional work in the process. A great achievement, but,
:50:26. > :50:27.along with the accolades, However, such is their talent that
:50:28. > :50:34.I am sure they will all go When scripting Ex Machina,
:50:35. > :50:49.established novelist and screen writer Alex Garland tapped
:50:50. > :50:51.into a topic that's always relationship between
:50:52. > :51:03.man and machine. Producer and editor Rupert Lloyd
:51:04. > :51:05.overcame the obstacles of shooting in a remote desert location
:51:06. > :51:07.for debut feature film, But it was writer
:51:08. > :51:14.and director, Naji Abu Nowar's keen interest in Bedouin law
:51:15. > :51:21.that inspired this beautifully-shot story of one boy's treacherous
:51:22. > :51:28.journey across the Arabian Desert. Stephen Fingleton began his film
:51:29. > :51:30.career writing and directing short For his first feature film,
:51:31. > :51:36.Stephen has written a dark and thrilling story
:51:37. > :51:38.about a man whose secluded existence is shattered
:51:39. > :51:48.when two women enter his world. With a keen interest in the lives
:51:49. > :51:52.of ordinary people living day-to-day, director
:51:53. > :51:54.Sean McAllister successfully delivered a tale of hope,
:51:55. > :51:58.dreams and despair, filmed Partnered with producer
:51:59. > :52:03.Elhum Shakerifar, whose background in documentaries helped to tell this
:52:04. > :52:07.story which spans five years. Do you want it to be
:52:08. > :52:12.a boy or a girl. Debbie Writer and
:52:13. > :52:13.director, Debbie Tucker Green has theatre credits
:52:14. > :52:16.and the Bafta-winning TV drama Second Coming, her intriguing debut
:52:17. > :52:21.feature film is about a woman who discovers she's pregnant
:52:22. > :52:45.but is played by doubts as to how And the Bafta is awarded to... Naji
:52:46. > :52:53.Abu Nowar and Rupert Lloyd for Theeb.
:52:54. > :53:26.Thank you very much. I have been working with Rupert since we were
:53:27. > :53:33.five years old in kindergarten, so this is a long journey for us. There
:53:34. > :53:38.are so many people we have to thank that made this possible and for us
:53:39. > :53:41.to reach here today. From our parents, our families, our friends,
:53:42. > :53:45.all our colleagues, all our mentors along the way. We hope we've
:53:46. > :53:51.justified your support and injure generosity. Thank you very much to
:53:52. > :53:54.poof at that. -- and your. We would like to thank the community behind
:53:55. > :54:01.the film. We are here because of them. A special thanks must go to
:54:02. > :54:06.our friend who produced and co-wrote the film.
:54:07. > :54:15.This goes to him and the tribe. Thanks a lot.
:54:16. > :54:18.We've come now to the moment where we remember those friends
:54:19. > :54:28.and colleagues that the past year has taken from us.
:54:29. > :54:30.I'm really, truly, madly, passionately, remarkably,
:54:31. > :54:40.No more merciful beheadings and call off Christmas.
:54:41. > :55:40.Well done, Kasper, the most exciting thing I have ever seen in my life.
:55:41. > :55:43.I'm not a scientist but I know all things begin and end in eternity.
:55:44. > :57:00.He's got his father's intellect, his mother's
:57:01. > :57:15.good looks and the devil's own charm.
:57:16. > :57:53.It's hard to believe some of those faces won't be with us any more.
:57:54. > :57:57.We mourn their loss and thank them for what they have given us.
:57:58. > :58:02.Adapted Screenplay is our next category and to present it a hugely
:58:03. > :58:04.respected actress, star of Olympus Has Fallen
:58:05. > :58:19.and its sequel, the upcoming London Has Fallen -
:58:20. > :58:33.It's a never ending argument that, in many ways, is superfluous
:58:34. > :58:36.as they are such different mediums, such different experiences.
:58:37. > :58:39.But there is no argument about the skill, creativity
:58:40. > :58:44.and craft of the writers whose wonderful adaptations brought
:58:45. > :59:04.Your products are better than you are, brother.
:59:05. > :59:07.And knowing that - that's the difference.
:59:08. > :59:21.You can be decent and gifted at the same time.
:59:22. > :59:51.I don't know the word, when you go along with everything.
:59:52. > :59:55.Amenable. Yeah, amenable.
:59:56. > :59:58.You have no idea the kind of crap people are pulling.
:59:59. > :00:01.Everyone is walking around like they're in a damn Enya video.
:00:02. > :00:02.They're all getting screwed, you know.
:00:03. > :00:07.They care about the ball game, or they care about what actress just
:00:08. > :00:15.You don't know why you are attracted to
:00:16. > :00:18.The only thing you really know is, you either
:00:19. > :00:37.Bouncing off each other like pinball.
:00:38. > :00:49.And the Bafta goes to... Adam McKay and Charles Randolph for The Big
:00:50. > :01:23.Short! Wow! This makes me happy! Thank you
:01:24. > :01:31.so much. Thank you, Didi, Jeremy, Brad Pitt, you are phenomenal
:01:32. > :01:37.producers. And mostly, thank you, Adam McKay. You are a man of
:01:38. > :01:46.bottomless creativity and fears integrity and I am just so proud to
:01:47. > :01:50.share this with you. Also, I want to thank Paramount for taking a risk on
:01:51. > :01:56.this movie. I want to thank my amazing editor, Hank Corwen, for
:01:57. > :02:02.going to creative places that I have never been before. He is an amazing
:02:03. > :02:07.guy. He already said Jeremy Kleiner. I will thank him again. Really
:02:08. > :02:12.thoughtful, brave producer. I want to thank my beautiful wife. This
:02:13. > :02:16.movie is not just about banking. It is about income inequality, it is
:02:17. > :02:21.about making choices for our society which are made by all of us, not
:02:22. > :02:24.just a select few. And we thank you all for nominating us and giving us
:02:25. > :02:29.this award. Thank you so much, Bafta.
:02:30. > :02:35.We now make the pre-operative transition to the Outstanding
:02:36. > :02:39.British Contribution to Cinema award, given in honour of the great
:02:40. > :02:47.To make the presentation, a sensational actress known
:02:48. > :02:51.for portraying strong women - much like herself, in fact.
:02:52. > :02:57.Indeed, if a biopic of her life were ever made, she would be
:02:58. > :03:04.Please hoot, holler and hiccup for Cate Blanchett.
:03:05. > :03:20.The recipient of this year's Outstanding British Contribution
:03:21. > :03:25.to Cinema is a costume house that is as old as film itself -
:03:26. > :03:31.older, in fact, having been established 175 years ago.
:03:32. > :03:36.They first supplied costumes to the film industry in 1913.
:03:37. > :03:38.Since then, they have grown and are now established as world
:03:39. > :03:44.Their creative genius has enhanced so many films over the years,
:03:45. > :03:47.for which they have rightly received accolade after accolade.
:03:48. > :03:51.In fact, last year they supplied costumes to all five films nominated
:03:52. > :04:00.On a personal note, I had the pleasure of working with them
:04:01. > :04:08.on the film Elizabeth and, as much as I prepared and rehearsed
:04:09. > :04:10.for the role, I wasn't truly Elizabeth until I put
:04:11. > :04:12.on the incredible costumes they made for me.
:04:13. > :04:17.Let's take a look at these amazing costumiers
:04:18. > :04:32.# Baby, give me diamonds, give me gold
:04:33. > :04:52.When Morris Angel bought a small London store in 1840,
:04:53. > :04:55.making and selling menswear and military uniforms,
:04:56. > :05:00.little did he know that he would very quickly progress
:05:01. > :05:02.to providing stage actors and actresses with incredible
:05:03. > :05:09.With the birth of film, Morris Angel Son became
:05:10. > :05:20.Now, seven generations and 175 years later,
:05:21. > :05:23.Angels provides thousands of bespoke outfits and extras alike.
:05:24. > :05:32.Working with many renowned costume designers, every item is kept
:05:33. > :05:35.and used again or turned into something new.
:05:36. > :05:38.Throughout the years, Angels have become an integral part
:05:39. > :05:39.of the film industry, becoming the world's
:05:40. > :05:41.longest-established costume house and providing beautiful costumes
:05:42. > :05:44.for some of the world's most-loved, iconic
:05:45. > :06:36.Ladies and gentlemen, to accept the Outstanding British Contribution
:06:37. > :06:38.to Cinema award on behalf of Angels Costumes, please
:06:39. > :06:51.welcome their chairman, Tim Angel OBE.
:06:52. > :07:15.Team Angels, this is for you, wherever you are!
:07:16. > :07:20.I am incredibly thrilled to accept the Michael Balcon Award on behalf
:07:21. > :07:37.Seven generations of Angels have worked in the costume business for
:07:38. > :07:40.175 years, from music hall to TV, from black and Whites to colour.
:07:41. > :07:45.Now, digital, and who knows what next?
:07:46. > :07:48.One thing that every generation has shared,
:07:49. > :07:51.however, is a passion for clothes and getting things right,
:07:52. > :07:56.and that continues to this day with my children and I.
:07:57. > :08:04.We have always tried to ensure that all the stock from the great British
:08:05. > :08:07.costume houses of the past are safe. We are the custodians of an
:08:08. > :08:09.incredible history and we source which ensures that all of those
:08:10. > :08:14.incredible history and we source costumes are available for
:08:15. > :08:17.generations to come. Angels sends costumes all over the world,
:08:18. > :08:21.generations to come. Angels sends international business to the UK and
:08:22. > :08:26.has launched numerous careers in costume. And it
:08:27. > :08:26.has launched numerous careers in training young people in our
:08:27. > :08:31.industry. We have built a training young people in our
:08:32. > :08:38.world-class family business around a passion for the clothes,
:08:39. > :08:44.world-class family business around a and excellence. But as
:08:45. > :08:49.world-class family business around a recognition from Bafta is simply
:08:50. > :08:51.wonderful. To all the many designers, supervisors, wardrobe
:08:52. > :08:56.teams, directors designers, supervisors, wardrobe
:08:57. > :09:01.have worked with and continue to work with Angels, please, please,
:09:02. > :09:08.please don't stop, and also, thank you. To all the actors who spend
:09:09. > :09:17.hours in their underwear in our fitting rooms, thank you. To my
:09:18. > :09:23.current team and all of the talented 120 people that currently make
:09:24. > :09:32.Angels what it is today, thank you. To my dad up there, and my wife
:09:33. > :09:42.Eleanor out there, without you both, I and we would not be up here today.
:09:43. > :09:44.I know I speak for everyone past and present at Angels,
:09:45. > :09:47.as well as my children, Emma, Daniel and Jeremy,
:09:48. > :09:51.who are the future and the next generation, when I say it's been
:09:52. > :09:54.a huge privilege and so much fun working in such an incredible
:09:55. > :10:16.APPLAUSE for such a wonderful
:10:17. > :10:26.Where would we be without the next award? If it were not for Original
:10:27. > :10:27.Screenplay, Hollywood would just be making remakes of old movies and
:10:28. > :10:29.sequels! To present the award
:10:30. > :10:34.for Original Screenplay, a fabulous actor who was terrific
:10:35. > :10:37.in The Butler and superb in Selma, and who also happens to be
:10:38. > :11:01.the son of Cuba Gooding. Good evening, ladies and gentlemen.
:11:02. > :11:11.The last time I was on this stage, young man
:11:12. > :11:15.The last time I was on this stage, again? Oh, Cuba! Thank you. Bless
:11:16. > :11:21.you. Here are the nominations
:11:22. > :11:27.for Original Screenplay. Best chance is if the Supreme Court
:11:28. > :11:36.agrees to review our case. I programmed her to be heterosexual
:11:37. > :11:52.- just like you were programmed And to be honest, Caleb,
:11:53. > :12:05.you're starting to annoy me now because this is your
:12:06. > :12:06.insecurity talking. A bastard's work is never
:12:07. > :12:17.done - huh, John Ruth? You're gonna have
:12:18. > :12:27.to come and take... We think we have 13 priests
:12:28. > :12:43.in Boston that fit this pattern, which would be
:12:44. > :12:47.a very...very big story. Does that sound right to you,
:12:48. > :12:49.er, in terms of scale? My estimate suggests 6% act out
:12:50. > :12:57.sexually with minors. So that's how you want
:12:58. > :13:09.to plate all that? We'll eat our dinner -
:13:10. > :13:15.right after you eat this...! Aaaagh!
:13:16. > :13:20.Here comes an airplane! Airplane!
:13:21. > :13:39.We got an airplane, everybody. I have a ten-year-old daughter, so
:13:40. > :13:44.we watched Spotlight 100 times! And the Bafta is awarded to... Tom
:13:45. > :14:11.McCarthy and Josh Singer. Thank you very much, Bafta. I am Tom
:14:12. > :14:23.McCarthy, the co-writer and director of Spotlight. My dear friend and
:14:24. > :14:27.compatriot Josh Singer is at home with his pregnant wife. But I have
:14:28. > :14:32.to pay him the utmost respect. He is just a brilliant mind and he really
:14:33. > :14:37.drove me through this project. Josh, I share this with you. My entire
:14:38. > :14:43.creative team and crew in Boston and Toronto, I share this most certainly
:14:44. > :14:49.with them. And finally, real heroes, the reporters who broke this story,
:14:50. > :14:52.and editors at the Boston Globe. And finally, the courageous survivors
:14:53. > :14:56.who came forward to share their stories with us and with the world
:14:57. > :15:02.and continue to do that now, to put pressure for change. A shout out to
:15:03. > :15:06.Peter Saunders, a UK citizen and survivor and the great work he is
:15:07. > :15:10.doing right now in this country and at the Vatican. You are an
:15:11. > :15:14.inspiration to us all. And finally, to my wonderful Valentine Wendy
:15:15. > :15:19.Hurrell is here tonight. I share this with you. Thank you all. It is
:15:20. > :15:27.a tremendous privilege. Thank you, Bafta.
:15:28. > :15:35.Now, hold on to your chapeaux, subtitles fans...
:15:36. > :15:38.it's time for - Film Not In The English Language -
:15:39. > :15:42.To present it, two stars of the recent Star Wars behemoth
:15:43. > :15:52.who are set to reprise their roles in the next in the series,
:15:53. > :15:56.One will always be remembered for an extraordinary and frankly
:15:57. > :16:00.Please welcome into your hearts, but mainly onto this stage,
:16:01. > :16:24.We are honoured to be here to present the award
:16:25. > :16:27.for Film Not In The English Language.
:16:28. > :16:43.Is that a joke because I'm Irish? I don't know, they wrote it. I don't
:16:44. > :16:47.like making Irish jokes. I a parentally you are the only one.
:16:48. > :18:21.Let's take a look at the five films that have been nominated.
:18:22. > :19:09.My daughter Rossa won't believe who gave me this award. Princess Leia,
:19:10. > :19:12.she will be very happy. I want to dedicate this to my daughters. You
:19:13. > :19:14.are everything to me. The person who gave me those daughters, Maria, here
:19:15. > :19:19.present. I gave me those daughters, Maria, here
:19:20. > :19:24.course. I also love my mother. I want to thank to her and share this
:19:25. > :19:36.with her. I want to thank and receive this award in the name of
:19:37. > :19:44.our fantastic producers. Am I forgetting someone? A lot of people,
:19:45. > :19:49.of course. Everyone involved. The people at Carson. Artificial Eye
:19:50. > :19:52.of course. Everyone involved. The here in the UK. I want to share
:19:53. > :19:52.of course. Everyone involved. The award with the actors, magnificent
:19:53. > :19:58.cast and crew. award with the actors, magnificent
:19:59. > :20:04.going to forget everyone. At award with the actors, magnificent
:20:05. > :20:05.want to dedicate this award to my father, the memory
:20:06. > :20:22.best friend, my greatest teacher. Thank you. Please, come on.
:20:23. > :20:29.You. Thank you very much to and my granddaughter. And thank you
:20:30. > :20:48.very much to Bafta for giving this. Thank you very much.
:20:49. > :20:50.We now come to this year's Fellowship Award -
:20:51. > :20:52.the highest honour that Bafta can bestow.
:20:53. > :20:54.Receiving it, one the few actors who without the slightest hint
:20:55. > :20:57.of hyperbole can genuinely lay claim to the title of screen legend.
:20:58. > :21:08.Let's take a look at some of his work, spanning a truly
:21:09. > :21:29.I don't know how much you know, so we'll start from scratch.
:21:30. > :21:46.Don't cry, white boy. You're going to live.
:21:47. > :21:51.Sydney potaway is -- Potier is the greatest example of what it means to
:21:52. > :21:59.live your life with power and grace. I just love this man. How long do
:22:00. > :22:04.you think before they pick me up? Get off my back, I'm not married to
:22:05. > :22:10.you. What do I care. You are married to me all right. Here is the ring. I
:22:11. > :22:14.ain't going souted on no honeymoon. He is captivating on screen. The
:22:15. > :22:17.gravitas he has, the presence he brings to the screen, the
:22:18. > :22:23.performances, he handles himself with elegance and dignity. You can
:22:24. > :22:28.see this is on and off camera. All I wanted is to make a future for this
:22:29. > :22:32.family, to stand in front of my boy, like my father was never able to do
:22:33. > :22:45.to me and tell him he will be anybody in this world besides a
:22:46. > :22:49.servant and a chauffeur. He came a symbol of what was possible as an
:22:50. > :23:02.African-American in the United States. I get up when I feel like
:23:03. > :23:20.getting up, if I don't want to work, I don't work.
:23:21. > :23:28.Sir Sydney's importance to the industry should never be overlooked.
:23:29. > :23:31.I know all the actors today, actors of colour, black, white, whatever,
:23:32. > :23:39.people that are really struggling it get what they want across, we have a
:23:40. > :23:45.voice and we have a voice because of people like Sir Sidney Poitier. What
:23:46. > :23:50.about that speech you were going to give me this morning? Give me
:23:51. > :23:58.another day. I'm close, I can pull that fat cat down. You are, Mr
:23:59. > :24:05.Poitier, an unyielding xachl of how true strength of character has the
:24:06. > :24:11.power to actually shift an industry. You ever been broke, Sir, real
:24:12. > :24:16.broke, skint? Yes, many, many, many times? In the script, he was my
:24:17. > :24:26.teacher and my mentor and off camera, off the set, it was the same
:24:27. > :24:32.as well. So, Mr Poitier, I will always be indebted to you for your
:24:33. > :24:35.lessons in grace and humanity. You know what she said - the good guys
:24:36. > :24:47.don't hide. No more hitting. All right turn
:24:48. > :24:54.around. Do you want to stay late tonight? Turn around. Come on, I'm
:24:55. > :24:59.freaking. So long, suckers. I would like to say congrtlations to Sidney.
:25:00. > :25:03.You are an inspiration to us all and a fantastic achievement that is
:25:04. > :25:09.well-deserved. I sang it to you then, I would like to say it to you
:25:10. > :25:18.now, all the very best, to Sir, with love. I am just so honoured to call
:25:19. > :25:19.you a friend and I offer a deep and heart-felt congratulations on
:25:20. > :25:33.tonight's Bafta Fellowship Award. We gave them a hell of a run for it,
:25:34. > :25:37.didn't we? Praus
:25:38. > :25:37.APPLAUSE --
:25:38. > :25:52.APPLAUSE Never was a Bafta Fellowship better
:25:53. > :25:55.deserved. Such a hugely influential and gifted actor.
:25:56. > :25:58.Unfortunately due to ill health, Sidney couldn't be here in person
:25:59. > :26:01.So, presenting it to him and his daughter on our
:26:02. > :26:11.It's an honour to be here with Sir Sidney Poitier and his lovely
:26:12. > :26:17.daughter Sidney to be able to give him this incredible award. How he
:26:18. > :26:21.impacted on me in so many difference ways, not just an African-American
:26:22. > :26:24.or a black man, a man who transcended race, who happened to be
:26:25. > :26:28.a person who happened to come to America, to Hollywood and who
:26:29. > :26:36.happens to be the most incredible actor of our time. I am completely
:26:37. > :26:42.honoured and excited to be able to give him this award, the Fellowship
:26:43. > :26:48.Bafta. Thank you to the British Academy of
:26:49. > :26:51.film and television arts for honouring my father with the Bafta
:26:52. > :26:55.Fellowship. There is little that peel don't already know about his
:26:56. > :27:01.career so I will speak to him as a mavenlt he is a scholar, a seeker, a
:27:02. > :27:05.mentor. -- as a man. He is a humanitarian and he is a terrible
:27:06. > :27:10.dancer. Lest you start to think he is perfect, he is not it is really
:27:11. > :27:13.quite something to see. While he has inspired countless actors, myself
:27:14. > :27:17.included with his talent and grace, the role that is truest to his
:27:18. > :27:21.nature, that comes closest to defining him, is he is a dad. I'm
:27:22. > :27:26.happy to share him. He is too good not to share. He has shown us all,
:27:27. > :27:31.not only how to be better actors and artists, but how to be better human
:27:32. > :27:35.beings. I am proud to present my dad, Sir Sidney Poitier, with this
:27:36. > :27:45.year's of about at that Fellowship. Oh my goodness me. My goodness. I am
:27:46. > :27:51.sorry I am unable to be there with you in London for this wonderful
:27:52. > :27:59.occasion because I hold a very special place in my heart for your
:28:00. > :28:06.great city. I've been honoured by Her Royal Highness the Queen and
:28:07. > :28:15.have had the privilege of being recognised by Bafta for my previous
:28:16. > :28:22.work on a few occasions. But today, my cup run et over because I am here
:28:23. > :28:30.with my daughter and our future film-makers of the world, in
:28:31. > :28:37.celebration of this wonderful artform, moving pictures, that has
:28:38. > :28:41.brought me tremendous joy. To the wonderfully talented and courageous
:28:42. > :28:47.film-makers I have worked with through the years, I thank you for
:28:48. > :28:59.being a part of bringing me to this moment. And to my family, my life
:29:00. > :29:11.force, I am nothing without you. And to all of you, thank you for your
:29:12. > :29:13.warm embrace. And this extraordinary moment and memory I shall cherish,
:29:14. > :29:36.always. We now find ourselves
:29:37. > :29:40.in the astonishing position Forming an orderly queue just
:29:41. > :29:49.round the corner are the awards But having wormed its way to the top
:29:50. > :29:55.of the pile is Director, which is awarded in
:29:56. > :29:57.honour of David Lean. And to present it, a simply
:29:58. > :30:05.outstanding actor who shone in Spotlight, and as Ceasar
:30:06. > :30:10.in The Hunger Games presides over a contest where the participants
:30:11. > :30:13.kill, maim and turn in to wild He should be perfectly
:30:14. > :30:16.at home here tonight. Very honoured to be here tonight to
:30:17. > :30:41.present this award. As an actor, I believe
:30:42. > :30:44.the role of the director A great director is the creative
:30:45. > :30:49.glue that holds it all together. They inspire you, they challenge
:30:50. > :31:03.you and in some cases scare You have no idea what it was like on
:31:04. > :31:05.the set of Spotlight! It was like mucking out a stall at the end of
:31:06. > :31:08.everyday! But it's all for a very good reason,
:31:09. > :31:12.and that is to create wonderful work such as we are celebrating tonight,
:31:13. > :31:28.from five of the best exponents Let's see what you got. You smell
:31:29. > :32:23.that? What is that smell? Cologne? No. Opportunity. No, money.
:32:24. > :32:43.I have a mandate to serve you. Nobody else does. Quite frankly,
:32:44. > :32:56.everybody else has a mandate to send you to the electric chair. You don't
:32:57. > :33:00.seem alarmed. Would it help? You cannot imagine what he is going
:33:01. > :33:04.through at that. He is 50 million miles away from home. He thinks he
:33:05. > :33:09.is totally alone, he thinks we gave up on him. What does that do to a
:33:10. > :33:18.man psychologically? What the hell is he thinking right now? I'm
:33:19. > :33:20.definitely going to die up here. If I have to listen to any more god
:33:21. > :33:24.awful disco music! A la hand in a read to for The
:33:25. > :34:06.Revenant. Thank you the British Academy for
:34:07. > :34:12.this award. It is a true honour, not just being nominated, but with such
:34:13. > :34:20.amazing directors, it is truly an honour to receive this. This award
:34:21. > :34:27.comes with remarkable British punctuality, because I wanted to
:34:28. > :34:32.celebrate, to share and to dedicate to my wife Maria, with whom
:34:33. > :34:40.tomorrow, we both together we will be yes, abating our 24th anniversary
:34:41. > :34:47.together. -- will be celebrating. So, that is what I call heroism,
:34:48. > :34:56.endurance and survival! And talking about survivors, Leo, your work,
:34:57. > :35:01.your talent, your commitment everyday kept this film breathing.
:35:02. > :35:06.And all of us thank you very much for that. Without you would not be
:35:07. > :35:10.possible. And I would not be here without the work of all the crew
:35:11. > :35:13.around the world, people from all around that we worked together to
:35:14. > :35:21.make this possible in very extreme circumstances. Trying to tell this
:35:22. > :35:27.human and tender story of a father with a mixed-race son which I felt
:35:28. > :35:31.very, very close to, in the Times that we are living. And I would like
:35:32. > :35:37.to give thanks to all the cast, the Native American cast, all the people
:35:38. > :35:44.in Native American lands that allow us to shoot there. And now that I am
:35:45. > :35:51.here in the UK, I want to salute Mr Will Poulter, who is here. To Paul
:35:52. > :36:01.Anderson, to the incredible, in comp rubble Tom Hardy, which I love. And
:36:02. > :36:10.my Irish friend, but I cannot pronounce, it is worse than Inarritu
:36:11. > :36:18.to pronounce - Domhnall Gleeson! Finally, all the people from New
:36:19. > :36:24.Regency Fox. Really thank you for trusting that we could make this
:36:25. > :36:29.together very risky project. Thank you. I am sorry if I forgot anybody.
:36:30. > :36:42.But I love you all. Thank you very much.
:36:43. > :36:47.So, Alejandro Inarritu thinks Domhnall Gleeson is hard to
:36:48. > :36:50.pronounce! Presenting the award for Actress
:36:51. > :36:53.is a prodigious talent, whose characters are known
:36:54. > :36:54.all over the world. Such a man, such a talent,
:36:55. > :37:23.such a hero - Sacha Baron Cohen! Good evening. The main reason I
:37:24. > :37:30.agreed to present at this award ceremony is because Bafta has shown
:37:31. > :37:34.none of the discrimination and prejudice which is so shamefully on
:37:35. > :37:38.display at the Oscars. It gives me great pride that every single year,
:37:39. > :37:43.Bafta makes sure that at least one of the nominees for Best Actress is
:37:44. > :38:05.a dame. Dench, Smith... And the nominations
:38:06. > :38:15.for best to... White actress go to...
:38:16. > :38:23.What with all this to do, I think I am about to be taken short. Can I
:38:24. > :38:42.use your lavatory? It is on the blink. I don't mind. Where is it?!
:38:43. > :38:54.Go and get him. I can't. I need to talk to my husband. I need to hold
:38:55. > :38:58.get him? It is real oceans, real trees, real cats. How do they
:38:59. > :39:04.get him? It is real oceans, real fit? They just do. They
:39:05. > :39:05.get him? It is real oceans, real in the world. Jack, come on. You're
:39:06. > :39:16.so smart, I know that in the world. Jack, come on. You're
:39:17. > :39:20.take it or leave it. But if you leave it, we
:39:21. > :39:25.take it or leave it. But if you go to court, it will
:39:26. > :39:32.take it or leave it. But if you we are not ugly people.
:39:33. > :39:37.I have thought about you. And I like you. And I like being with you.
:39:38. > :40:01.And... May be I feel the same way. Brie Larson! Brie Larson is
:40:02. > :40:07.currently filming in Australia. To accept the award on her behalf, the
:40:08. > :40:13.direct, the fabulous Lenny Abrahamson.
:40:14. > :40:31.Yes, Brie is looking for a little bit of something nice and light to
:40:32. > :40:36.do. Wrestling a large gorilla in Australia! But she wanted me to
:40:37. > :40:46.thank Bafta. She is incredibly honoured by this award. She wanted
:40:47. > :40:57.me to thank FilmFour and the producer of Room, and also Film
:40:58. > :41:03.Canal, and also the actor who played Jack in the movie. The fact that she
:41:04. > :41:09.is not here allows me to say things about her which she would never say
:41:10. > :41:12.herself. She is an extraordinary person, she is warm and furiously
:41:13. > :41:17.intelligent and I think she is one of the best actors of her
:41:18. > :41:25.generation. The dimension is of the room we shot much of the movie in
:41:26. > :41:30.word pretty tiny. But I think with Brie at the centre of this story,
:41:31. > :41:31.and with all the cast and crew, we managed to make something of real
:41:32. > :41:38.emotional scale. Thank you, Bafta. To present the award
:41:39. > :41:42.for Leading Actor, a super talent who this time last year was picking
:41:43. > :41:46.up the Leading Actress award for her astonishing
:41:47. > :41:49.performance in Still Alice. Well, since then I can report
:41:50. > :41:52.that she is still astonishing, still super-talented and still,
:41:53. > :42:02.would you believe, Julianne Moore! I'm so happy to have
:42:03. > :42:23.been asked to present I'm happy because some
:42:24. > :42:28.of the greatest actors in the world have given us so many truly
:42:29. > :42:30.exceptional lead performances over Let's take a look at some
:42:31. > :42:48.of their extraordinary work. Hello, I am adult and trombone. If
:42:49. > :42:55.you're going to talk about World War II as if you personally won it,
:42:56. > :42:59.let's be clear. On a film set, shooting blanks, wearing make-up.
:43:00. > :43:09.And if you are going to hit me, I would like to take off my glasses. I
:43:10. > :43:32.am not afraid to die any more. Don't send him out to slap me around
:43:33. > :43:37.in the press. Anyone but rain man. What ever you may think, I'm always
:43:38. > :43:49.going to protect him. Come on, Steve. That is what men do.
:43:50. > :44:00.Never spend the night. It does not matter what I wear. When I dream,
:44:01. > :44:15.they are Lily's dreams. I am warm because I have a decaying
:44:16. > :44:21.radioactive isotope right behind me. Right now I have got ego problems on
:44:22. > :44:27.my hands. I have scanned every single data file on Amanda Lewis's
:44:28. > :44:35.personal drive. This is a officially the least this go file she owns. --
:44:36. > :44:38.disco file. And the Bafta for leading actor goes
:44:39. > :45:11.to... Leonardo DiCaprio! Thank you Bafta. I am absolutely
:45:12. > :45:16.humbled and I'm absolutely honoured by this award tonight. I have to
:45:17. > :45:22.say, as an actor I have been so influenced by so many British actors
:45:23. > :45:26.throughout the years. I remember watching Tom Courtney in skop
:45:27. > :45:34.loneliness of the Long Distance Runner whivens 15 all wait to Gary
:45:35. > :45:38.Oldman in State of Grace which influenced an entire generation of
:45:39. > :45:44.actors and the late, great Peter O'Toole and everything Daniel
:45:45. > :45:49.Day-Lewis has done. I want to thank one British actor, my partner in
:45:50. > :45:53.this process, Mr Tom Hardy. # APPLAUSE
:45:54. > :45:57.Tom, I want to thank you for your fierce loyalty, not only as a
:45:58. > :46:03.collaborator but as a friend. I could not have done this journey
:46:04. > :46:09.without you. I want to thank the entire crew, and our writer. Sean
:46:10. > :46:14.and Duncan my make-up artist who is spent hours a day turning me into a
:46:15. > :46:23.living zombie. The entire crew that we got to work with, all the entire
:46:24. > :46:28.cast. We stood shoulder-to-shoulder in this entire process. Ricky, you
:46:29. > :46:34.had the vision of this fi. Thank you so very much for pushing me every
:46:35. > :46:40.day. I want to thank the entire team back home, all the producers at Fox
:46:41. > :46:47.and in particular, Arnold. You stood by this film to the bitter end. I
:46:48. > :46:50.cannot thank you enough. And of course, Alejandro G Inarritu this
:46:51. > :46:54.would not have been possible without your commitment, your fierce
:46:55. > :46:58.commitment to authenticity every day. Thank you for becoming a great
:46:59. > :47:02.friend more than anything throughout this entire process. Lastly, one
:47:03. > :47:07.person I have to thank. I would not be standing up here if it wasn't for
:47:08. > :47:12.this person. I didn't grow up in a life of privilege. I grew up in a
:47:13. > :47:17.rough neighbourhood in East Los Angeles. This woman drove me three
:47:18. > :47:22.hours a day to a different school to show me a different opportunity. It
:47:23. > :47:26.is her birthday today. Mom, happy birthday, I love you very much.
:47:27. > :47:43.APPLAUSE You see, cut his hair, shave him and
:47:44. > :47:46.scrub him, he turns out rather nice, doesn't he? Congratulations.
:47:47. > :47:49.And so we come to the final award, Best Film, and I'm somewhat
:47:50. > :47:55.embarrassed to say that we've run out of presenters.
:47:56. > :47:59.No worries though - during the last award,
:48:00. > :48:02.I wandered backstage to see if anyone was hanging around,
:48:03. > :48:04.and thankfully, curled up on the sofa in a sleeping bag,
:48:05. > :48:08.still here from last year, I only found...
:48:09. > :48:29.As we've seen throughout this evening, this year's filmmaking has
:48:30. > :48:35.I'm honoured to be here to recognise and celebrate the creative talent
:48:36. > :49:00.I'm Irish, you're German, but what makes us both American? Just one
:49:01. > :49:04.thing... The rule book. We call it the constitution. We agree to the
:49:05. > :49:08.rules and that's what makes us Americans. It's all that makes us
:49:09. > :49:10.Americans. So don't tell me there's no rule book and don't nod at me
:49:11. > :49:21.like that, you son of a bitch. No-one is paying attention because
:49:22. > :49:26.the banks are too busy getting paid obscene fees to sell these bonds.
:49:27. > :49:30.Wait, you are the bank, you work for the bank, I bet your margins are
:49:31. > :49:35.fat. Let's in the talk about my margins. Being nice and fat, that's
:49:36. > :49:40.a nice shirt. Do they make it for men?
:49:41. > :49:48.You can come and visit me sometime. You are welcome to. Would you like
:49:49. > :49:56.to come and visit me this Sunday? Yes. What a strange girl you are?
:49:57. > :50:16.Why? Show meet church manipulated the
:50:17. > :50:20.system so these guys wouldn't face charges, show me they put back in
:50:21. > :50:24.parishes time and time again. Show it it was systemic, that it came
:50:25. > :50:26.from the top down. Sounds like we are going after law. We are going
:50:27. > :50:37.after the system. Wait until morning, we'll have a
:50:38. > :50:51.day's head start and get away. No, you won't. It's afraid. You know so
:50:52. > :50:56.far, with a they came for, the same, when they get afraid they run deep
:50:57. > :51:00.into the woods. We have him trapped. He doesn't know it yet. How can you
:51:01. > :51:04.be so sure? It has everything to lose.
:51:05. > :51:23.APPLAUSE The Bafta goes to The Revenant.
:51:24. > :51:57.OK, well, this is overwhelming. You know, so the tradition of
:51:58. > :52:01.film-making here is amazing, my father's favourite actors were the
:52:02. > :52:11.British actors. He was always telling me that's acting acting, not
:52:12. > :52:17.acting, it is really acting. And, you know, tomorrow, funnily, I'm
:52:18. > :52:20.celebrating my anniversary, I'm celebrating, too, the two years
:52:21. > :52:23.anniversary of my father's death. I'm sure he is involved in this
:52:24. > :52:29.award working upstairs. I promised my mum I would not be sad, I would
:52:30. > :52:33.be celebrating his life, that life gave me 50 years of the most
:52:34. > :52:36.beautiful man and I have to be thankful for that as I'm thankful
:52:37. > :52:40.for this. There are so many people to give thanks that it is
:52:41. > :52:46.overwhelming. They know that, I hope. But the one that is pop into
:52:47. > :52:59.my mind now, is an amazing visionary and brother and incredible cinemaing
:53:00. > :53:01.to graph. And the co--writer --
:53:02. > :53:06.simematopgrapher. My brother, so many people to give things but I
:53:07. > :53:11.want to shut up and please, guys, who wants to talk? A joke, a dance?
:53:12. > :53:16.. Thank you Bafta for this incredible honour. It's a beautiful
:53:17. > :53:21.award, too. Every day getting to be a part of the Revenant was an honour
:53:22. > :53:25.and to be able to support one of a kind artists like this and to be
:53:26. > :53:29.part of something that I think hopefully 20 years from now we may
:53:30. > :53:33.all be able to look back on and be proud. Leo and Tom should be up here
:53:34. > :53:36.accepting this award because when they were in front of the camera,
:53:37. > :53:43.doing something brill yapted, when they weren't they were behind the
:53:44. > :53:48.scenes helping us do a better job. Alejandro G Inarritu, nobody better,
:53:49. > :54:02.you are amazing, your commitment and passion.
:54:03. > :54:05.And like and happy Valentine's day, Javier Without Andres's commitment
:54:06. > :54:13.to this movie it wouldn't have what happened. Every body at Fox and
:54:14. > :54:17.everyone else, thank you all so much.
:54:18. > :54:27.APPLAUSE Congratulations to all nominees and,
:54:28. > :54:36.of course, winners. Woody Allen said - I don't want to
:54:37. > :54:41.achieve immortality through my work. I want to achieve it through not
:54:42. > :54:45.dying. If only that could be. Maybe it's a function of ageing. But every
:54:46. > :54:49.time there is what is called an owe by the package, the clip showing
:54:50. > :54:59.those in the film business who have died over the course of the year it
:55:00. > :55:11.seems that each year death's sickle has felled a greater number than
:55:12. > :55:16.before. Generations yet unborn will enjoy the work of those we have
:55:17. > :55:21.lost. Film is forever. Film defies death, shakes a fist at it and with
:55:22. > :55:28.that in mind, I'm going off now to Hayesen my own demise, by eating and
:55:29. > :55:31.drinking like a wild raffling warthog, who knows no shame and in
:55:32. > :55:40.table manners. I suggest that you do the same. I'll see you at the
:55:41. > :55:45.trough. Good night from the EE Film Academy Awards. Thank you very much.
:55:46. > :55:50.APPLAUSE. Awards presented earlier. Make-up
:55:51. > :56:07.and hair: The Bafta is awarded to... Max Max
:56:08. > :56:09.Max. -- Mad Max. We need to thank George Miller for
:56:10. > :56:23.taking us on this journey. The Revenant. Unfortunately Emmanuel
:56:24. > :56:25.couldn't be here. We will look after this and make sure he gets it. Thank
:56:26. > :56:40.you very much. Amy. I look like a floating head.
:56:41. > :56:44.You know. I've got no hair. Our aim and mission was to tell the truth
:56:45. > :56:46.about her, to show the world what an amazing person she was. Original
:56:47. > :57:01.music: I am sorry I cannot be there in
:57:02. > :57:03.person in London, I'm conducting a concert in Dublin tonight including
:57:04. > :57:19.the score for The Hateful Eight. All right, OK. Try and calm down.
:57:20. > :57:23.Listen, listen. I need you to stay where you are.
:57:24. > :57:27.Thank you, I will keep this short. So many people to thank. Cate and
:57:28. > :57:30.Vicky for being in the film. Our amazing crew who worked for nothing.
:57:31. > :57:42.# Edmund.
:57:43. > :57:47.# Happy birthday little Eddie. # Happy birthday my dear son...#
:57:48. > :57:51.A year ago we were think being how this character was going to be, you
:57:52. > :57:53.know, how we could empathise with this character who actually eats the
:57:54. > :58:11.people he loves. Mad Max: Fury Road. Every day, in
:58:12. > :58:15.the cutting room an adventure. George, thank you so much.
:58:16. > :58:24.The Revenant. You are an amazing director but you are a better and
:58:25. > :58:43.more amazing human being. Mad Max: Fury Road.
:58:44. > :58:45.When Charl ease Theron sits in a couple of used cars, you get to win
:58:46. > :58:49.one of these.