22/06/2013

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:00:28. > :00:34.Welcome to the Film Review. To take us through this week's releases,

:00:34. > :00:39.Jason Solomons. We'd go off to Sonny Greece, for the sunshine and

:00:39. > :00:49.the last in the series. We pick up with one of Cinema's longest

:00:49. > :00:57.ongoing romance has. -- romances. The then we go back to Manchester

:00:57. > :01:07.of the 1990s, to view it through the Stone Roses' tinted spectacles.

:01:07. > :01:10.

:01:10. > :01:15.Finally, Crown -- can Brad Pitt save the world from zombies? Before

:01:15. > :01:21.Midnight is your first choice. is. Richard Lynch lake began one of

:01:21. > :01:25.cinema's longest, most drawn-out trilogies. -- Richard Linklater. It

:01:25. > :01:32.started in Before Sunrise. They wander around Vienna, walking,

:01:32. > :01:37.talking, falling in love. They were in their 20s. In 2004, they picked

:01:38. > :01:42.up in their 30s. They talked around Paris and fell in love. Did they or

:01:42. > :01:47.didn't they? We do not know. We pick up 20 years on from the

:01:47. > :01:57.beginning in Before Midnight. We are in Greece. They are walking and

:01:57. > :02:01.

:02:01. > :02:06.We could spend another of the years to get there. What would you like

:02:06. > :02:12.to change? That is another one of your can't win questions. I am not

:02:12. > :02:21.answering that. What do you mean? There is nothing you want to change

:02:21. > :02:27.about me? I am perfect? It would be for you to stop trying to change me.

:02:27. > :02:35.I am on to you. I know how you work. You think? I know everything about

:02:35. > :02:44.you. I know you better than I know anybody else on the planet. Right

:02:44. > :02:48.now? This is great, I feel close to you. But sometimes I do not know. I

:02:49. > :02:54.feel you are breathing helium and not oxygen. What makes you say

:02:55. > :02:58.that? That is a joke.If we are ever going to truly know one

:02:58. > :03:04.another, we have to get to know ourselves better first.

:03:04. > :03:09.Greece looks nice. A very nice. I am an English

:03:09. > :03:15.teacher in school when we did Romeo and Juliet, and he said the trouble

:03:15. > :03:20.is, everybody is my cues you to everybody else's Romeo and Juliet.

:03:20. > :03:26.It is very much, nothing happens. If you accept that all life is

:03:26. > :03:32.there. One walks with one's partner, one IT is with one's partner over

:03:32. > :03:38.the stupidest things. Is that interesting? Do we get enough of

:03:38. > :03:43.this at home? Do we need to see other people argue about the things

:03:43. > :03:47.that we argue about? I think with the skill of this, we do. You had

:03:47. > :03:53.become invested. You foist your own feelings on to the mirror of the

:03:53. > :04:00.screen. You think, I had done that before, I am with her, I am with

:04:00. > :04:04.him. Do not ID back, that is going to send him or her off. There is an

:04:04. > :04:08.amazing week creation of reality. Some of my favourite movies I'd

:04:08. > :04:14.just that simple, people walking around amazing places, talking and

:04:14. > :04:19.falling in love. Do you think many people will be walking around and

:04:19. > :04:25.be it woman says, let's go and see that, and the bloke goes, let's go

:04:25. > :04:31.see World War Z. There is enough bloke in this. He is quite blowy

:04:31. > :04:37.Gish. We can argue about it for hours. -- quite a bloke.

:04:37. > :04:40.So bike Ireland? The Stone Roses, the British Film Industry, their

:04:40. > :04:45.pension funds had been rather swollen by their tours, but they

:04:45. > :04:51.had been doing festivals as well. They have also had two films made

:04:51. > :04:56.about them. Shane Meadows had a documentary the other week. It was

:04:56. > :05:01.caught Made Of Stone. Spike Island is a new British coming of age

:05:01. > :05:07.comedy about four lads in Manchester trying to get into their

:05:07. > :05:13.heroes' famous dig. It is just outside witness. A less romantic

:05:13. > :05:17.spot one cannot imagine. However, they want to desperately get in to

:05:17. > :05:23.see their idols at work and jump over the fence and get in there and

:05:23. > :05:28.see this mythical concept. I rather like this film. It catches the

:05:28. > :05:34.jades of youth, the kind of fine wine has with one's mates. The film

:05:34. > :05:40.is very good when the boy sat together bantering. Emilia Clarke

:05:40. > :05:44.is in this. She is rather road. It is all about that kind of coming

:05:44. > :05:48.together, having a laugh with your friends. The less successful part

:05:48. > :05:56.is when they try to depend the characters' back stories, give them

:05:56. > :06:04.a sick parent or a brother. A go to the concert, have a laugh, and

:06:04. > :06:09.recreate the 90s. You do not have do like the Stone Roses. You do not

:06:09. > :06:12.have to like them. It is just a mythical concept. You have to live

:06:12. > :06:17.through the 90s and have some friends, and I think a lot of

:06:17. > :06:27.people had done that. The big film of feet week must be

:06:27. > :06:28.

:06:28. > :06:35.World War Z. It seems to be a priggish rubbish title. -- pretty.

:06:35. > :06:38.I still manage to say he's dead. I am sticking with the said. The BBC

:06:38. > :06:45.pronunciation unit had had in camera session... I do not know

:06:45. > :06:54.what they decided. It is based on a novel which I am

:06:54. > :07:00.assuming was called World War Z. It stands for zombie. It is no longer

:07:00. > :07:10.a zebra, but for zombie. Everyone is a zombie. Can Brad Pitt saved

:07:10. > :07:20.

:07:20. > :07:28.us? DSE can. He is a movie star. -- He says you were his best

:07:28. > :07:33.investigator out when you were at the UN. Find whatever he needs to

:07:33. > :07:38.stop unwanted the circumstances to be different. Cannot help you.

:07:38. > :07:43.Cannot leave my family. Take a look around. Each and every one of these

:07:43. > :07:47.people are here because they serve a purpose. There is no room here

:07:47. > :07:52.for non-essential personnel. You want to help your family, let's

:07:52. > :07:58.figure out how we stop this. It is your joy is.

:07:58. > :08:03.I read one review which shed this is the Newsnight of some the films.

:08:03. > :08:11.-- zombie. Shorn of the dead was a great

:08:11. > :08:17.zombie film. How can you recover from a film like that, which

:08:17. > :08:23.pastiches to the genre so well? To make a serious attempt? It is not

:08:23. > :08:27.zombies that are kind of lurching, they are fast, flesh-eating zombies.

:08:27. > :08:34.They are voracious in their appetite. I do not know what is on

:08:34. > :08:40.the members are supposed to do. -- zombie movies. George Romero had it

:08:40. > :08:45.as consumerism but we are owed their that. Brad Pitt is too famous

:08:45. > :08:51.to be eaten by zombies. He's the most famous picture -- person in

:08:51. > :08:53.the picture by miles. This is the only big blockbuster to have its

:08:53. > :08:59.climax in the World Health Organisation headquarters in

:08:59. > :09:06.Cardiff. That is how exciting this film is. I quite enjoyed it. Some

:09:06. > :09:16.of the action sequences are quite good. And Brad Pitt is a fabulous

:09:16. > :09:16.

:09:16. > :09:21.actor. He is it that handsome, call, action movie star. -- cool. Leave

:09:21. > :09:27.these zombies are a bit stupid actually. You want a better class

:09:27. > :09:31.of zombie? I think intelligent zombies would be good. The world

:09:32. > :09:37.has been overrun by this. There are pockets of survivors and they want

:09:37. > :09:42.to get back to their family. It is corny, it is cheesy, it is World

:09:42. > :09:45.War Z. Behind The Candelabra, I have not

:09:45. > :09:52.seen it, but everybody who has seen it Lancet.

:09:52. > :09:57.A good performance by Michael Douglas. A good performance by Matt

:09:57. > :10:02.Damon as well. In the shadow of Liberace. It is a good fun story

:10:02. > :10:08.that has a kind of sadness which is about prosthetics and cocaine and

:10:08. > :10:12.the 70s. You DVD choice, Hitchcock. I loved

:10:12. > :10:17.it. I thought Anthony Hopkins was great in it. Helen Mirren was

:10:17. > :10:23.terrific as his wife. I think it is a great film about

:10:23. > :10:29.making movies. It is about Alfred Hitchcock making Psycho. It is

:10:29. > :10:34.really playful about the movies. He does not really look like Hitchcock,

:10:34. > :10:39.but at the end you believe that he is. It has a playful, Sunday