:00:02. > :00:05.and steal your. And steal your. We will also have the latest from the
:00:05. > :00:08.German Grand Prix. We will also have the latest from the German Grand
:00:08. > :00:18.Prix. That is on that is on at at 6:30pm 6:30pm on BBC News. On BBC
:00:18. > :00:24.
:00:24. > :00:34.News. Now, time for the film now, cinema releases, here is Mark
:00:34. > :00:35.
:00:35. > :00:40.Kermode. So Mark, what do we have this week? As usual, something of a
:00:40. > :00:43.mixed as usual, something of a mixed bag bag. . We have a field we have a
:00:43. > :00:49.field in England, which is the latest from being in England, which
:00:49. > :00:52.is the latest from being weekly weekly. . We also have now you see
:00:52. > :00:54.me, which raises the question of whatever happened to magic we also
:00:55. > :01:01.have now you see me, which raises the question of whatever happened to
:01:01. > :01:04.magic in in the cinema. The cinema. Now, you top now, you top about
:01:04. > :01:14.boring ring, which is a true story. About boring ring, which is a true
:01:14. > :01:15.
:01:15. > :01:18.story. They discovered it is possible they discovered it is
:01:18. > :01:20.possible to find out when celebrities are out and then they
:01:20. > :01:24.start to find out when celebrities are out and then they start
:01:24. > :01:26.burglarising burglarising their houses. Their houses. They are just
:01:26. > :01:29.wandering into the houses of the rich and famous and they are just
:01:29. > :01:34.wandering into the houses of the rich and famous and, in one, in one
:01:34. > :01:37.location, the House of Paris Hilton, who actually who actually let her
:01:37. > :01:46.house be used in the actual film let her house be used in the actual
:01:46. > :01:56.film. Here's a clip. Here's a clip. . The kit please the kit please. .I
:01:56. > :02:00.
:02:00. > :02:10.like I like the feel of this the feel of this. . It is so cute it is
:02:10. > :02:29.
:02:29. > :02:34.so cute. . At one point, a celebrity has left their key under the
:02:34. > :02:38.doormat. In many houses, alarms are not turned on. It is about people
:02:38. > :02:44.living in an artificial world, that is the point. One of the criticisms
:02:44. > :02:47.of the film is that it is soft on its protagonists. The director
:02:47. > :02:51.appears to if not sympathise with them, at least to enjoy their
:02:51. > :02:56.company to some extent. I think it is an accurate portrait of them. She
:02:56. > :03:05.is very good with the cast. She gets very natural performances from her
:03:05. > :03:10.cast. It is a film which does feel sympathetic to its players. It also
:03:10. > :03:14.touches on the idea that celebrity culture and materialism, possessions
:03:14. > :03:19.are in the end utterly vacuous. It does not wallow in them in the same
:03:19. > :03:25.way that other films do. I wanted a tougher edge to it. I wanted more
:03:25. > :03:30.satirical bite, something closer to a film like to die for, or the King
:03:30. > :03:35.of comedy, which began the cycle of films about becoming a celebrity
:03:35. > :03:39.through crime. But it is a genuine portrait. She has this way of
:03:39. > :03:45.directing which is kind of dreamy, slightly woozy. You are just wonder
:03:45. > :03:51.moved from the action. It is good fun. It is flimsy. I have to say, it
:03:51. > :03:56.should be tougher. But if it is not an affectionate portrait, it at
:03:56. > :04:03.least seems genuine. It also seems a great summer watch, 90 minutes, out
:04:03. > :04:06.of the sunshine. It does not overstay its Wellcome. A field in
:04:06. > :04:10.England is very interesting, the new film by Ben week leave. It is black
:04:10. > :04:15.and white, set in the English Civil War. It has been released
:04:15. > :04:22.simultaneously in the cinema, DVD, Blu-ray, television, you can see it
:04:22. > :04:27.anywhere you want to. The director is the guy who gave us the kill list
:04:27. > :04:32.and sightseers. He does this dark comedy, bordering on horror. This is
:04:32. > :04:37.the story of a ragtag band who have moved away from the battlefield, in
:04:37. > :04:40.search of an ale house. They find a field with mushrooms, and somebody
:04:40. > :04:44.insisting somewhere in the field is a pot of gold. There are hints to
:04:44. > :04:50.other films. And all the way through, there is this brooding
:04:50. > :04:56.darkness. And it starts to tip into this hallucinogenic vision, and it
:04:56. > :05:01.becomes really creepy, very darkly satirical. To rid the performances.
:05:01. > :05:07.Solid performances by the cast. You would be hard pressed to say what it
:05:07. > :05:13.is that is so disturbing, but after 45 minutes, you feel genuinely
:05:13. > :05:17.worried, like something is coming up from the floor. Magic mushrooms and
:05:17. > :05:21.psychedelic trauma? There is more than one way of reading it. At the
:05:21. > :05:25.beginning, there is a warning saying it features lighting effects in
:05:25. > :05:30.which people may react to. Interestingly, that is by no means
:05:30. > :05:35.the most disturbing scene. There is one slow motion shot that is
:05:35. > :05:38.literally a shot of a man walking out of a tent attached to a rope,
:05:38. > :05:44.and it is one of the creepiest things I can remember seeing. He is
:05:44. > :05:47.a very fine director. Incidentally, simultaneous releasing is the
:05:47. > :05:57.future, and it is a really interesting piece of work that will
:05:57. > :05:58.
:05:58. > :06:06.creep some people out. Sounds terrific. No, I have been seeing the
:06:06. > :06:14.posters all over the place for the next film. It is about magicians
:06:14. > :06:22.being brought together by a mysterious force. It is a short
:06:22. > :06:32.which will be spectacular, but also, crucially, criminal. Here's a clip.
:06:32. > :06:34.
:06:34. > :06:40.Tonight, we are going to rob a bank. On the count of three, you
:06:40. > :06:50.will be transported through space and time to your bank in Paris.
:06:50. > :06:55.
:06:55. > :07:05.years. What do you see? Money.No, that button on your right Palace
:07:05. > :07:17.
:07:17. > :07:27.with Las Vegas. No, for the money. Thank you, everyone. Good night! It
:07:27. > :07:34.
:07:34. > :07:39.looks like fun. You have a lot of big stars and the. It is not unlike
:07:39. > :07:45.auction 11 in some way, but it is essentially about the philosophy of
:07:45. > :07:52.magic and what it is used for. It has an idea about the beginning
:07:52. > :07:57.about magic, because there's a good card trick at the beginning which
:07:57. > :08:07.really works well in screen, but it then gets kind top and everything
:08:07. > :08:09.
:08:10. > :08:17.gets thrown in. Computer graphics, car chases. But you get Michael
:08:17. > :08:22.Caine and Morgan Freeman giving remainders of any film which I
:08:22. > :08:32.really like but never did anything at the box office. It really loses
:08:32. > :08:33.
:08:33. > :08:43.its way and at the end, it is very disappointing. The act of killing is
:08:43. > :08:50.the best film of the week for you. It is a very inventive documentary
:08:50. > :08:54.about the cycle of violence. It is about the human attitude to an
:08:54. > :09:03.unpunished claim. It is a harsh documentary. It is not an easy
:09:03. > :09:11.watch, but absolutely worth it. your DVD pick of the week? When it
:09:11. > :09:18.came out in the cinema I did not get it. I read the book and I thought it
:09:18. > :09:23.was unfilmable Phil Noble as a movie. But I find a lot more
:09:23. > :09:33.watchable this time. Think maybe a third time round it may actually
:09:33. > :09:35.
:09:35. > :09:40.strike me as being excellent! you like to do the plot synopsis?
:09:40. > :09:50.is all about time travel. People play the same characters different
:09:50. > :09:58.genres different genders in different times and places. It is
:09:58. > :10:03.the equivalent of writing a poorly on the set silver screen. As the old
:10:03. > :10:10.saying goes, I do not understand it but I do not mind. The first time
:10:10. > :10:20.round I did not understand it, the second time round I understood it
:10:20. > :10:23.