:00:00. > :00:00.89. A 63-year-old man has died in a suspected gas explosion that
:00:00. > :00:15.destroyed a house in North Yorkshire.
:00:16. > :00:21.Hello and welcome to The Film Review on BBC News.
:00:22. > :00:24.To take us through this week's cinema releases is Jason Solomons.
:00:25. > :00:38.This week we are on the mean streets of Atlanta for Triple 9 after a
:00:39. > :00:44.heist goes wrong. Kurt Russell rides out into new tour a true for the
:00:45. > :00:51.western, and Tomahawk, a Cabot movie needs a cannibal slasher genre. And
:00:52. > :00:54.they are going to need a bigger boat, the perfect storm, a lifeboat
:00:55. > :01:01.rescues an oil tanker in the Disney disaster movie, The Finest Hours.
:01:02. > :01:07.Triple 9, all the things that I like in a movie, I hope you like it. A
:01:08. > :01:12.lot of people in it. London buses, you think, look at all the people.
:01:13. > :01:18.Star-studded cast, for what I call a trashy gangster kind of cop thriller
:01:19. > :01:22.type stuff. I like this type of stuff. We see ignoring the telly
:01:23. > :01:30.things like True Detective Rudy Harrelson and he crops appear. Do
:01:31. > :01:35.you know for Triple 9 is? It is when an officer is down and the police
:01:36. > :01:41.piloting and all the police in the area rushed towards that. A very
:01:42. > :01:44.good time to commit another crime because there are no policemen over
:01:45. > :01:48.to look at that other crime, they are after the perpetrator, that is
:01:49. > :01:52.what happens, a way to clean up their gangster heist that goes
:01:53. > :01:58.wrong. Led by Kate Winslet, the Mafia boss behind it all. So... Now
:01:59. > :02:11.all of that is out of the way... Vesely would like to know how things
:02:12. > :02:16.are progressing? Tell him we have got to make it work. This is
:02:17. > :02:28.fantastic. Yes. A lot of worry in that little scene,
:02:29. > :02:35.isn't there? Kate Winslet, as we have never seen her before. Kristin
:02:36. > :02:41.Scott Thomas, when she did Only God Forgives think she became a blonde,
:02:42. > :02:45.buxom killer. I don't think it works for Kate Winslet, she strangles the
:02:46. > :02:50.Russian accent. We are not sure what her role in all of this, she leads
:02:51. > :02:53.the way in organising the corrupt cops and gangsters to search for
:02:54. > :02:58.these chips hidden some work and they have to make a destruction
:02:59. > :03:02.using the Triple 9 code to fill an officer played by Casey Affleck, an
:03:03. > :03:07.officer who always does either book when everyone is doing at naughty.
:03:08. > :03:14.Some brilliant set pieces, directed by John Philpott, who did a great
:03:15. > :03:19.job with The Proposition. Outlaws Or What Interests Him And We Have That
:03:20. > :03:23.Here. Very Stiff, The Opening Sequence With The Heist, It's Very
:03:24. > :03:29.Slick, Meretricious Scenes Set In Strip Clubs Be No Reason Because
:03:30. > :03:35.That's Four Clubs Seem To Go. There are brilliant action sequences in
:03:36. > :03:40.the ghetto. They shelter from shoot outs, the mayhem is brilliantly
:03:41. > :03:45.captured. A very sort of Saturday night, Friday night movie after some
:03:46. > :03:49.beer. You can say this is kind of a hackneyed genre, that is the danger
:03:50. > :03:53.but frankly, if there is enough action sequences, a little bit of
:03:54. > :04:02.drummer and a high-scoring wrong, it sounds brilliant. It's no classic.
:04:03. > :04:05.It's a kind of low, slow burn. Bone Tomahawk, a western, horror,
:04:06. > :04:11.cannibal mash up? Sounds like a comedy? A western is the one genre
:04:12. > :04:17.you should never mash up with anything else. Cowboys versus aliens
:04:18. > :04:20.showed that. It doesn't work at all. This one doors, quite extraordinary,
:04:21. > :04:23.the sort of thing that Tarantino might have dashed off in the
:04:24. > :04:32.intermission. Kurt Russell turns up here. The sheriff, everyone
:04:33. > :04:38.congregating in the saloon, and the pretty wife of Doctor disappears and
:04:39. > :04:42.the only trace they have is an arrow, and one of the local Indians
:04:43. > :04:47.comes in and says, the troglodytes have got her. Like The Searchers the
:04:48. > :04:52.posse saddles up and rides out to get her back, on the going into the
:04:53. > :05:01.tour a treat for these terrifying, brutal killers lurk. -- territory. A
:05:02. > :05:05.bit like Tarantino and... There is the drunken pianist, the barmen
:05:06. > :05:09.sliding down, all the cliched western stuff and they go out for
:05:10. > :05:13.the riding I'd stuff and it becomes this brutal survivalist, revenant
:05:14. > :05:21.but with killer slasher cannibal Indians. I think people... I haven't
:05:22. > :05:27.seen it... It sounds slightly preposterous. But it has its tongue
:05:28. > :05:32.in cheek until that time is ripped out. Right... And a bit gruesome at
:05:33. > :05:37.the end? Very... Without giving too much away? Bone Tomahawk... They
:05:38. > :05:42.make their weapons out of human bones. They are as sharp as Hells
:05:43. > :05:51.teeth! Ride... Moving on... The Finest Hours. A very different movie
:05:52. > :05:55.indeed. Bone Tomahawk is 18, this is down as a wholesome, old-fashioned
:05:56. > :05:58.Disney picture about a rescue in the 1950s, still known as the most
:05:59. > :06:04.airing small boat rescued in the history of the US lifeguard. Who
:06:05. > :06:10.knew? Chris Pine has to say about to rescue a stricken oil tanker which
:06:11. > :06:15.in the high seas has been cleft into by a wave and half of it is left
:06:16. > :06:16.drifting onto the rocks. Casey Affleck, Bishop's captain can save
:06:17. > :06:51.them. You are going to kill us! You are
:06:52. > :06:58.going to kill us! The boat is in pieces. It's gone... Enough! That
:06:59. > :07:04.boat is too small for these seas. And this chip... It will be sunk by
:07:05. > :07:12.nightfall. Every fella here wants to live, the only way that happens is
:07:13. > :07:17.if we wrong or drown. Right, there is a problem to be solved. Who will
:07:18. > :07:21.save them? I didn't know that half a ship could drift, that is one
:07:22. > :07:26.thing... Does that work, but apparently it can. There is a lot of
:07:27. > :07:30.shouting, a lot of waves, but the effects are superb. I remember
:07:31. > :07:36.Wolfgang Petersen took it to another level with George Clooney when he
:07:37. > :07:40.did The Perfect Storm. Boat trying to get through the waves is well
:07:41. > :07:46.done, exciting, you have this wholesome, Disney, 50s America going
:07:47. > :07:49.on, the girls back home pining for their men, the brave men who have
:07:50. > :07:55.gone out to sea. One of them is played by Holliday Grainger, whose
:07:56. > :08:00.name sounds like a 50s matinee itself. She does very well, as the
:08:01. > :08:04.girl waiting back home to try and hope are a man can make it. It is a
:08:05. > :08:08.very daring rescue, done very Dering Lines. I have to say, I rather
:08:09. > :08:11.enjoyed it, I thought there were moments that had me on the edge of
:08:12. > :08:16.my seat, and moments when I thought... Wallowing in 50s
:08:17. > :08:21.Americana. It's amazing how many films or around at the moment but do
:08:22. > :08:26.precisely that, wallow in 50s Americana, Brooklyn, Carol... Both
:08:27. > :08:30.very different films but there is something about the 50s... It was
:08:31. > :08:34.the heyday of the cinema. People used to go to the cinema in droves
:08:35. > :08:37.and they appealed to the romance of going to the movies by using the
:08:38. > :08:43.romantic era of movie-going. Disaster movies... That is what it
:08:44. > :08:46.captures, we are in a new century, don't forget, it's trying to hook a
:08:47. > :08:51.new generation onto the romance. A final thought... The idea that I
:08:52. > :08:55.always thought, to be in a lifeboat crew, when you know that people are
:08:56. > :08:59.in trouble, because you shouldn't be going out there is quite
:09:00. > :09:02.extraordinary. But they have to, that is their job. It's all about
:09:03. > :09:07.Judy and the job and proving something, even though you have a
:09:08. > :09:10.sweetheart back home, you have to go through the waves. It does it very
:09:11. > :09:16.well, it is what it is but I thought did rather well, that than it looks,
:09:17. > :09:20.in fact, and it sounds. We are going to disagree about your best movie. A
:09:21. > :09:26.Bigger Splash, Ralph Fiennes and Tilda Swinton on a holiday from
:09:27. > :09:29.hell. Is this because you had a holiday interruption? No, I think
:09:30. > :09:33.Ralph Fiennes is wonderful, I have slight reservations about Tilda
:09:34. > :09:39.Swinton and I have seen her with this director before and I
:09:40. > :09:45.thought... I am bored, I am bored... I liked it a lot. She doesn't speak
:09:46. > :09:48.on this. She is mute. I knew you liked it, I've called what she said.
:09:49. > :09:53.It was a time of my life and be personal reasons I was all that
:09:54. > :09:57.affords, I didn't want to say anything. Hello... She is one of
:09:58. > :10:02.those actors, you trust what is on the screen, not offered, she can get
:10:03. > :10:06.a bit lobby about the whole thing. It was her idea, she this rock star
:10:07. > :10:10.who is in retreat cause of her voice, she is taking the summer off
:10:11. > :10:14.not to sing because of a throat operation, her idea, the director
:10:15. > :10:19.said, here is the script, she said, I think I should do it mute and he
:10:20. > :10:25.said OK. I think it works, she plays it down and Ralph Fiennes plays it
:10:26. > :10:28.big, it's one of those... The David Hockney type... The ripples
:10:29. > :10:32.extending and there is something, nasty, looking at the bottom. We
:10:33. > :10:41.believe it to the viewers. DVD? Spectre. They are auctioning off the
:10:42. > :10:46.Aston Martin. In celebration... The James Bond movie, Daniel Craig, his
:10:47. > :10:52.last James Bond? He looks tired. He dolls, a bit. What did you think?
:10:53. > :10:57.You have to go and see James Bond movies, it's an event. You have got
:10:58. > :11:01.to complete the set. I thought it was be minors. You have to have seen
:11:02. > :11:05.the other Bond movies to get it because it dances through all of
:11:06. > :11:08.them, the moves from Roger emerge easiness, Sean Connery match owners,
:11:09. > :11:15.Timothy Dalton kind of seriousness... I think it has all
:11:16. > :11:18.the Bond movies in one. Definitely worth seeing, especially for the
:11:19. > :11:23.opening sequence and the DVD, you can go through the theme tune for
:11:24. > :11:27.double speed and miss it. If you can work out what the villain is doing
:11:28. > :11:32.the Llanelli, you are a better man than me. He is quite good. But I
:11:33. > :11:39.think it looks like a mad dentist. It is worth watching. Definitely.
:11:40. > :11:58.Good afternoon. A cloudy afternoon for some of us, starting off crisp
:11:59. > :12:00.and