:00:20. > :00:29.Hello when welcome to the One Show, with Alex Jones and Chris Evans.
:00:29. > :00:34.And just look at the smile on his face. Congratulations! Thank you.
:00:34. > :00:39.Obviously, my wife did some of the work. She is watching in hospital.
:00:39. > :00:49.Good evening. Just to her right hand side, hopefully, as I left her,
:00:49. > :00:50.
:00:50. > :00:55.little Eli, �7.13 ounces. And his big brother, Noah. There are other
:00:55. > :00:59.Jubilee babies around, so send a photo of you to our usual address.
:00:59. > :01:03.What a weekend we have ahead of us. Jubilee street parties across the
:01:03. > :01:08.country, 1000 boats following the Queen up the Thames in a flotilla,
:01:08. > :01:18.and on Monday, the concert to end concerts, Gary Barlow, Elton John,
:01:18. > :01:48.
:01:48. > :01:51.Paul McCartney to name a few, and The winners of Africa's got talent!
:01:51. > :01:55.They are the African Children's Choir that Gary Barlow went and
:01:56. > :02:01.found and put on his official Jubilee song. We are honoured that
:02:01. > :02:05.they are using us to warm up for the big day on Monday. Tonight's
:02:05. > :02:08.guests make a lovely couple. One of them is a world famous jockey who
:02:08. > :02:13.is so friendly with the Queen that he once snubbed her in public just
:02:13. > :02:18.to give J-Lo a peck on the cheek. The other is a self-confessed nerd
:02:18. > :02:22.who has become Hollywood's Goto geek and star of Star Trek, Mission
:02:22. > :02:32.Impossible, Shaun Of The Dead and many more. Please welcome Frankie
:02:32. > :02:33.
:02:33. > :02:39.Dettori and Simon Pegg. Let's go to trouble first. Frankie,
:02:39. > :02:43.good evening. Believe it or not, I was riding a race an hour-and-a-
:02:43. > :02:49.half to deserve it is amazing that I made it here. How did you do?
:02:49. > :02:54.very well. Let's move on. This week, there has been lots of talk about
:02:54. > :02:59.you retiring. Set the record straight. For some reason, people
:02:59. > :03:02.are picking on me because I am not raising in the Derby tomorrow. I am
:03:02. > :03:08.racing tomorrow at Haydock. Unfortunately for the British
:03:08. > :03:12.people, I did not have a horse for the Derby. But maybe next year.
:03:12. > :03:16.how come Frankie Dettori does not get a horse for the Derby? Because
:03:16. > :03:20.it is a classic and is his only for three-year-olds. Every year you get
:03:21. > :03:25.a new crop of horses and the crop in my stable were not good enough
:03:25. > :03:31.for the Derby. There are only nine runners this year in the Derby and
:03:31. > :03:38.unfortunately I am left out. you are going to Paris. Yes, on
:03:38. > :03:43.Sunday. I am working this Jubilee weekend. And so are you. Well, you
:03:43. > :03:47.call it work, but we have three tickets to the best concert ever.
:03:47. > :03:53.Simon, you have just finished working on Star Trek a month ago,
:03:53. > :03:57.on a closed set, very secretive. Yes, we finished on the eighth of
:03:57. > :04:02.May and then I did something else do, and then I came home on Sunday.
:04:02. > :04:06.So I have been there for six months and now I am back in the lovely UK.
:04:06. > :04:14.I came home especially for the Queen. She is thrilled. She has
:04:14. > :04:22.told us. We had a lovely picture of you in your Star Trek costume. The
:04:22. > :04:28.I took that myself! There was on the first film. I have a better one
:04:28. > :04:34.on my phone. I took that myself and I was worried they would arrest me.
:04:34. > :04:40.It is very secretive. JJ Abrams is very strict about secrets not
:04:40. > :04:47.leaking. Nobody knew what the uniform looked like. Luckily, that
:04:47. > :04:52.was in 2009. Did you get a rap on the knuckles for that? No. I stole
:04:52. > :04:56.my badge this time. It was more relaxed. There is a weekend of
:04:56. > :05:04.Jubilee fun ahead. Tomorrow, the Queen is at the Derby. Frankie is
:05:04. > :05:09.not. I am not going now. On Sunday, the river pageant, where she will
:05:09. > :05:14.be in the Royal barge with 1000 boats on the Thames. And on Monday,
:05:14. > :05:18.the huge concert, before Her Royal Highness lights the National Beacon.
:05:18. > :05:22.On Tuesday, she will be at St Paul's Cathedral before heading
:05:22. > :05:28.back to Buckingham Palace to watch the fly past. On Wednesday, she
:05:28. > :05:33.will be absolutely knackered. You can watch every sparkle of the
:05:33. > :05:37.Diamond Jubilee right here on the BBC. No doubt, one party favourites
:05:37. > :05:41.will be weighing down every trestle table in the land for the duration
:05:41. > :05:49.of the celebration. Jay has been searching for what makes the
:05:49. > :05:53.perfect great British sandwich. While things like sandwiches have
:05:53. > :05:56.been eaten since biblical times, it was not until the 18th century that
:05:56. > :06:00.the British really took them to heart. It is said to have got its
:06:00. > :06:04.name when the 4th Earl of Sandwich asked a servant to make him one of
:06:04. > :06:10.these to get through a long gambling session. Others then asked
:06:10. > :06:16.for the same, and the name stuck. On average, we spend �96 a year
:06:16. > :06:21.each on packeted sandwiches. In total, the UK consumes 8 million
:06:21. > :06:24.sandwiches each day. I am on a quest to find what makes a hit a
:06:24. > :06:30.sandwich. Where better to come and hear in Worksop, which they say is
:06:30. > :06:39.the biggest sandwich factory in the world. 160,000 square feet
:06:39. > :06:44.dedicated to bread and fillings. The sliced bread is buttered by
:06:44. > :06:50.machine and filled by hand. Yes, 83% of the gigantic output needs
:06:50. > :06:53.good old-fashioned human effort. The most popular filling in the UK
:06:54. > :06:57.is currently chicken and bacon, followed by old favourites like
:06:57. > :07:02.bacon, lettuce and tomato and aid and cress. Brown bread is more
:07:02. > :07:06.popular than white and accounts for 70% of the sandwiches made here. To
:07:06. > :07:09.keep pace with the market, a constant stream of new sandwiches
:07:09. > :07:12.had to be invented by the development team. How many
:07:13. > :07:19.different kinds of sandwich have you come up with working in this
:07:19. > :07:24.job? Possibly in the thousands. For every 10 that we do for a customer,
:07:24. > :07:29.one or two might go forwards. One Show has challenged me to come
:07:29. > :07:32.up with a sandwich so good that the factory will put it into production.
:07:32. > :07:38.The first stop for inspiration is the public. What is the weirdest
:07:38. > :07:46.thing you have ever had in a sandwich? I don't know. Cat food.
:07:46. > :07:55.Up in a sandwich? Yes, but it was not very nice. Jam and cheese. Out
:07:55. > :07:59.of my dad's garden. Pork scratchings. In a sandwich? Sliced
:07:59. > :08:05.chocolate bars with cream cheese. Not convinced that any of those is
:08:05. > :08:09.a winner, I have my own ideas. Smoked mackerel, horseradish sauce,
:08:09. > :08:14.a killer sandwich. Creamed horseradish with mustard. But the
:08:14. > :08:18.kind of sandwich I would make at home does not cut the mustard as a
:08:18. > :08:27.commercial product. My tendency to overfill would increase the cost
:08:27. > :08:33.and would slice deep into profits. I think that is a work of genius,
:08:33. > :08:39.personally. It is OK. There is too much sauce. It takes away from the
:08:39. > :08:44.mackerel, which is the hero ingredient. It needs some colour.
:08:44. > :08:48.Because if it does not look nice... They will not buy it. He put Dexit
:08:48. > :08:52.by creaming the filling and boosting the colour with spinach. -
:08:52. > :08:55.- he perfects it. And now my sandwich is destined for the
:08:55. > :09:04.production line. It is a limited run of 100 but it is still a proud
:09:04. > :09:09.moment. Time to get to work. I am on the production line. Our task is
:09:09. > :09:17.to distribute the mackerel filling evenly and fast. This is getting
:09:18. > :09:25.away from me. Have they speeded up? It has, hasn't it? This thing is
:09:25. > :09:29.moving past me and it feels like it is going backwards. You are looking
:09:29. > :09:35.at the belt, not the product. looking at the belt, not the
:09:35. > :09:42.product, she tells me. Like that? Yes. And there it is, in all its
:09:42. > :09:46.glory. These prototypes and judges will be served to staff here later.
:09:46. > :09:49.-- these prototype Standbridge us. I think my Sandridge could sell
:09:49. > :09:56.millions, but after a day of making them, I could not face another one
:09:56. > :10:01.for lunch. That is a first, him not being able
:10:01. > :10:07.to eat a sandwich. He was just asking what we are doing next and I
:10:07. > :10:12.have no idea! This looks nice. Smoked mackerel and horseradish.
:10:12. > :10:21.Before anybody accuses me of having stolen the idea, I did stealer of a
:10:22. > :10:29.chef called Jeremy Lee, who did a sandwich with smoked eel. They are
:10:29. > :10:36.not commercially available. We have got some here. Yes and the choir
:10:36. > :10:46.have also got some. Have a bite and tell us what you think. Be kind!
:10:46. > :10:54.truthful. Thumbs-up, thumbs down It is a bit better than Eurovision.
:10:54. > :10:58.You like it? It is all right. It is my finest work. It is Jubilee
:10:58. > :11:02.weekend. The supermarkets have been rolling out the marketing machine,
:11:02. > :11:07.which means basically putting a ham and cheese sandwich in a box with a
:11:07. > :11:11.Union Jack on it. We have gone in search of some of the more exciting
:11:11. > :11:18.Jubilee sandwiches. Simon, we have Tesco's roast beef and Yorkshire
:11:18. > :11:23.pudding wrapper. What about offering him a plate? It is falling
:11:23. > :11:26.apart. Prince Charles is waiting to come on with a film about his
:11:26. > :11:36.mother. Prince Charles is on this channel at 8pm with a film about
:11:36. > :11:39.
:11:39. > :11:49.his mum. He is the BBC's newest Oh, no! I have always wanted to do
:11:49. > :11:52.
:11:52. > :11:57.that on live TV. I will not be able to eat that because I will not be
:11:57. > :12:03.able to get on a horse. These are genuinely available. There is a
:12:03. > :12:11.smoked salmon with a Bucks Fizz mayonnaise sandwich. Bucks Fizz
:12:11. > :12:18.mayonnaise?! Yes, ridiculous ideas. Chris, you have got coronation
:12:18. > :12:26.chicken. Don't you love for the coronation chicken? What does the
:12:26. > :12:30.Queen eat? There is a former chef who says that what she eats are jam
:12:30. > :12:33.pennie is. They are the shape of the old English penny and they are
:12:34. > :12:39.cut out in little circles, because that is what you can get people to
:12:39. > :12:49.do when you are the Queen. There is not much carbohydrate in their. You
:12:49. > :12:50.
:12:50. > :12:54.can just stare at it. I will try one. Frankie, how careful do you
:12:54. > :13:01.have to be? You have to be a certain weight every day, so we
:13:01. > :13:06.tried to avoid carbohydrates. We train every day. Like everybody
:13:06. > :13:13.else, everybody looks after their figure, they try to eat healthy.
:13:13. > :13:18.Avoid junk food. What is the biggest culprit? Processed food,
:13:18. > :13:25.right? Absolutely. All of this stuff, basically. This kind of
:13:25. > :13:31.bread turns into sugar on your tongue. We are sorry about that.
:13:32. > :13:38.Jay, you have a search for the perfect British burger. We found
:13:39. > :13:48.someone online who believes he has reconstructed the In-N-Out Burger
:13:48. > :13:52.relish. Because we love you so much, we have recreated a the burger.
:13:52. > :14:01.rest Tron is very famous in America, and Simon spends a lot of time
:14:01. > :14:05.there. -- the In-N-Out Burger. can have it in a protein style,
:14:05. > :14:13.where they just wrap it in letters without the bread. What are we
:14:13. > :14:17.looking for in the British burger? No! No!
:14:17. > :14:21.We are on the hunt for the nation's best home-made barbecue burger. We
:14:21. > :14:24.are interested in everything, the burger, the Toppings, amazing
:14:24. > :14:28.relish, or a barbecue technique the likes of which we have never seen.
:14:28. > :14:35.Whatever it is, if using yours could be the best in the UK, we
:14:35. > :14:41.want to hear from you. -- if you think. To enter, send us an e-mail.
:14:41. > :14:45.The closing date is 9pm on Wednesday night, 6th June. You need
:14:45. > :14:55.to send details of the recipe and a photo of you and your burgers. Good
:14:55. > :14:55.
:14:55. > :15:00.You could read emus, it would be three minutes long! Simon has
:15:00. > :15:05.played a few technology buffs, but here is a bit of 1920s gadgetry
:15:05. > :15:08.that he may be interested in. While we put that on his wrist, this is
:15:08. > :15:14.how it works. With summer finally on its way, it
:15:14. > :15:21.is the perfect time to get out into the garden and... Excuse me, it is
:15:21. > :15:30.my agent. Pro-celebrity golf? Me? Not busy! Don't worry, I will find
:15:30. > :15:36.it, cheers. Car, golf clubs, sat nav, 0,! Hang on a minute, I know
:15:36. > :15:40.just the man. You are the gadget man. I need to get to this pro-
:15:40. > :15:48.celebrity golf tournament, have you got anything to help me? I have got
:15:48. > :15:53.just the thing, it is a risk route indicator from the 1920s. Each
:15:53. > :15:59.route is in a scroll inserted into the watch. There you are, London,
:15:59. > :16:03.Charing Cross, you keep moving, and to arrive at Blackheath, where I
:16:03. > :16:08.believe you are playing. It also doubles as a scorer for golf. The
:16:08. > :16:13.same thing, you end said this into the watch. It is quite fiddly, you
:16:13. > :16:17.have a score chart. What kind of person would have worn his inner
:16:17. > :16:21.1920s? I would have thought somebody middle or upper-class,
:16:21. > :16:27.those who played golf, who could afford the fees. Like Bertie
:16:27. > :16:30.Wooster, a man of leisure. Absolutely, a man like yourself.
:16:31. > :16:36.you're going to do something, you might as well do it properly, so I
:16:36. > :16:42.have got my route indicator and I think it is time to take me to the
:16:42. > :16:47.golf course. Nearly 1.5 million sat navs was sold in the UK last year.
:16:47. > :16:51.Only a handful of these were ever made. I had better not break it!
:16:51. > :16:55.Can you believe there was an automatic version made around the
:16:55. > :17:02.same time? It was connected to the speed, to control the rate that the
:17:02. > :17:09.map scrolled. OK, from Charing Cross, we need to get onto the A
:17:09. > :17:15.two. Yes, follow the sign, that is good. If this is right, this should
:17:15. > :17:25.take us all the way to Blackheath. Panic over, I have arrived? Where
:17:25. > :17:26.
:17:26. > :17:31.do I need to go? You are down that It is not exactly what I had in
:17:31. > :17:38.mind, but it is just nice to be involved. Brucie, is this one of
:17:38. > :17:42.yours? How many more times?! Thank you very much, what you think? You
:17:42. > :17:52.have had a little play. He is good, it is like a sat nav without the
:17:52. > :17:53.
:17:53. > :18:00.Sat. Or any navigation, really! have to go in a straight line.
:18:00. > :18:04.is good, it is ingenious and fun. It twists, God bless the old people.
:18:04. > :18:10.How about this, how about human beings that did not exist
:18:10. > :18:17.yesterday? How about those? Jubilee babies! This is Jonathan and Elijah
:18:17. > :18:23.from Brighton. How cute! Annabel was bought at 8 o'clock this
:18:23. > :18:29.morning at home. This is from Emma, I do not know if this little thing
:18:29. > :18:35.has been named yet for what, but this is a new human! The mother is
:18:35. > :18:39.Emma McCormack, congratulations. are big fans, send us more. We are
:18:39. > :18:43.loving the Jubilee babies. Simon, shall we talk about Star Trek?
:18:43. > :18:48.cannot really say anything about Star Trek. It will be the shortest
:18:48. > :18:51.interview in the world! If you cannot say anything about Star Trek,
:18:51. > :18:56.what about A Fantastic Fear Of Everything? That is what I am here
:18:56. > :19:03.to talk about! They said, have a look at is there, I do not think it
:19:03. > :19:07.is representative. It is great, but it does not tell you much. I am
:19:07. > :19:12.sorry, this is a non-smoking restaurant, thank you. Are you
:19:12. > :19:17.ready to order, Madam? To you know what you are having? I think I will
:19:17. > :19:22.just have a beer. This is my treat, darling. Well then, I will have the
:19:22. > :19:26.chicory salad with asparagus croutons and a poached egg. To
:19:26. > :19:33.start. Followed by the salmon fishcakes with mushy peas, chips
:19:33. > :19:39.and chive cream, thank you. I have not seen the film, but it is a good
:19:39. > :19:45.clip, I am enjoying it! It was just me ordering food! Your character is
:19:45. > :19:49.not normal, and he appears pretty normal there. That is as normal as
:19:49. > :19:59.you see him in the entire film. thought this one was better, have a
:19:59. > :20:25.
:20:25. > :20:31.All right, OK. On behalf of everyone who has not seen the film,
:20:31. > :20:36.Frankie, myself, most of Great Britain, what is it about?! It is
:20:36. > :20:41.about a writer called Jack who is beset by all these awful paranoias
:20:41. > :20:44.and fears. He gets the chance to meet a Hollywood executive, but it
:20:44. > :20:49.necessitates in going to the launderette because his clothes are
:20:49. > :20:54.dirty, but his greatest the on earth is the lawn that. And it is a
:20:54. > :20:58.wonderfully mad film, directed by Crispin Mills, the son of Hayley
:20:58. > :21:03.Mills, grandson of John Mills, part of the fabric of British cinema. It
:21:03. > :21:07.was an enormously fund a film to make. It is brilliant, but I did
:21:07. > :21:14.notice that you must have a very small wardrobe budget. I'm glad
:21:14. > :21:18.that is what you said! Yeah, I knew you go to talk about my pants, that
:21:18. > :21:22.makes me nervous. You have got a very small wardrobe as well!
:21:22. > :21:27.Absolutely nothing. I spent most of my time in a pair of slightly
:21:27. > :21:32.grubby Y-fronts and a mustard cashmere jumper. Which is a delight,
:21:32. > :21:36.we could all sit here in our pants, it is a lovely thing. I am up for
:21:36. > :21:40.it if you are! That is what you want to do when you are at home,
:21:40. > :21:44.and that is what I did for a large part of the film. To be honest, I
:21:44. > :21:49.do not want to sit in my pants at home. I'm not wearing any, that is
:21:49. > :21:54.why. I have got to get my figure back after having that baby!
:21:54. > :21:59.film is out on the 8th June. Yes, and I'm very excited about it, it
:21:59. > :22:03.is a little different to anything I have done before, but it is a route,
:22:03. > :22:07.to say the least. Underwear, sitting at home in your underwear,
:22:07. > :22:13.Hot Fuzz, you have got a follow. are going to do another film in
:22:13. > :22:16.that series, we did Shaun Of The Dead, Hot Fuzz, and were going to
:22:16. > :22:21.do The World's End. Edgar Wright and I wanted to make a thematic
:22:21. > :22:26.trilogy, so they are kind of sequels in a way, and it will tie
:22:26. > :22:31.the three together as a delightful box-set that Tucano in five years.
:22:31. > :22:34.That is QVC! Time now for another in our series of films where you
:22:34. > :22:38.can look at what it can be like to be a charge of the rich and famous.
:22:38. > :22:42.You would have thought that the son of Diana Dors, she was so famous,
:22:42. > :22:52.would have had an idyllic child growing up in Berkshire, and he did
:22:52. > :22:57.
:22:57. > :23:01.My mother was Diana Dors, she was a movie star, a British icon. She was
:23:01. > :23:05.only 21 when she had a Rolls-Royce, she would spare no expense on
:23:05. > :23:15.lavish decorations. This is one of the few things have got left from
:23:15. > :23:16.
:23:16. > :23:20.When I was young, my mother used to tell me a story about when she was
:23:20. > :23:24.eight years old, how she used to close her eyes and wish that she
:23:24. > :23:28.had a cream telephone, a big mansion and a swimming pool.
:23:28. > :23:32.Eventually, she got that, so I used to do the same thing when I was
:23:32. > :23:36.eight years old, I used to close my eyes, but I had everything, a
:23:36. > :23:40.swimming pool, go-karts, motorbikes. What I wanted was to live next to
:23:40. > :23:45.the sea, I used to close my eyes and picked myself living next to
:23:45. > :23:54.the state, and I guess I got what I wanted. Dark and stormy it is, a
:23:54. > :24:00.bit like Maya life in a way. -- my life. My father was Adam Lake, who
:24:00. > :24:03.was an actor, a very theatrical man, he used to like a drink, and we
:24:03. > :24:08.still have lots of guests coming round to used to like drinks,
:24:08. > :24:13.Richard Harris, Oliver Reed. We would see them under morning, still
:24:13. > :24:22.up from the night before. Jason, come here, fancy a drink? My mother
:24:22. > :24:27.would say, Jason, time for school! I was exposed to a lot of things at
:24:27. > :24:34.a very young age, but I never felt anything except pure low from both
:24:34. > :24:37.my parents. -- love. My first appearance on television was on a
:24:37. > :24:42.show called Who's Baby, and my first acting role was in Just
:24:42. > :24:52.William when I was seven. Later on, I sang live on the Russell Harty
:24:52. > :24:57.
:24:57. > :25:01.I can see my parents as they were, because of all these films and
:25:01. > :25:05.television programmes that they made, and I find a lot of
:25:05. > :25:09.similarities in myself when I am looking at them, their body
:25:09. > :25:14.language, the way they present themselves. My dad's
:25:14. > :25:18.mischievousness and my mother's care for, methodical softness. For
:25:18. > :25:21.me, growing up was very normal to have photographers and television
:25:21. > :25:26.cameras and parties and all these wild things going on all the time,
:25:26. > :25:31.I thought that was what everybody did, right? Clearly, it was not the
:25:31. > :25:36.way, as I found out later. Diana Dors was buried this afternoon. She
:25:36. > :25:41.died in hospital last week after a long battle against cancer. When I
:25:41. > :25:45.was 14, my mother died. I didn't know she was ill at all until the
:25:46. > :25:52.last week of her life. The little church was filled with her friends,
:25:52. > :25:56.not just those from showbusiness... My father just wasted away. He lost
:25:56. > :26:05.loads of weight, he became like a mask of his former self, and then
:26:05. > :26:09.he finally shot himself in my And if he had not done that, I
:26:09. > :26:12.think he would have died of a broken heart anyway. For ages, I
:26:12. > :26:18.wondered why he did it in my bedroom, but suddenly it dawned on
:26:18. > :26:23.me that was where the gun was kept. Why you would keep a repeating
:26:23. > :26:30.shotgun in a 14 year-old's bedroom, God knows, but that was just
:26:30. > :26:35.ordered manner all-over, really. I was in shock. It went beyond tears.
:26:35. > :26:39.It was a completely numb experience, and I went to live with my half-
:26:39. > :26:43.brother, Kerry, in America, so I went from living in a mansion in
:26:43. > :26:50.Sunningdale to a two-bedroom apartment in Los Angeles. So it was
:26:50. > :27:00.a bit of an eye opener for me. The house was sold, the taxman took his
:27:00. > :27:01.
:27:01. > :27:06.cut, and the rest of the money just I mean, my life has been quite a
:27:06. > :27:09.roller-coaster. It has been full of ups and downs, joy and pain, a bit
:27:09. > :27:19.like when I wrote a song called roller-coaster blues, it has been
:27:19. > :27:21.
:27:21. > :27:26.What can you do? Onwards and upwards is the only way. Frankie,
:27:26. > :27:30.tell us about your dad, he was very instrumental in your career, but I
:27:30. > :27:33.did not know this, a lot of it was to do with when your sister left
:27:33. > :27:39.home. My parents were divorced, and my mother did not live very far
:27:39. > :27:47.away, but we were brought up by my father and my stepmother. You know,
:27:47. > :27:56.obviously, I was a small child, it affected my sister more than me
:27:56. > :28:01.them home from school. My father was afraid that I would follow suit
:28:01. > :28:04.and basically picked me up from school with a great horse box, he
:28:04. > :28:09.took me to a field with three beautiful ponies there and asked me
:28:09. > :28:15.which one I wanted to have. Obviously, I picked the best
:28:15. > :28:19.looking one, a palomino pony, and my career really started there, out
:28:19. > :28:26.of an accident, with my sister running away from home. My father,
:28:26. > :28:31.to reward me, brought a pony and my love for also start. That first
:28:32. > :28:37.pony nearly put your off being a jockey, didn't it? Ponies are very
:28:37. > :28:45.clever, they take advantage of a young kid, and when I was nine
:28:45. > :28:50.years old, my pony went underneath this metal railing, it broke and I
:28:50. > :28:55.landed on my chest. I didn't have much protection, so it put the off
:28:55. > :29:00.for two years, I did not ride again for two years, I was afraid of it,
:29:00. > :29:10.and then the love of horses came back and the love of race writing,
:29:10. > :29:19.so it is funny how your life can What about your mum, who is here
:29:19. > :29:24.this evening? Is she a big influence on your career?
:29:24. > :29:30.Absolutely. When I was growing up, she was into amateur dramatics.
:29:30. > :29:34.Look at her, she is lovely, isn't she? I spent a lot of time hanging
:29:34. > :29:38.around the theatre and theatrical people, which engendered my
:29:38. > :29:48.interest in acting and totally fired my ambition to do what I do
:29:48. > :29:48.
:29:48. > :29:55.today. It is all thanks to that lovely lady over there. Did you
:29:55. > :30:02.have a cast him in a production? Absolutely. He is pretty good.
:30:02. > :30:08.was the first thing he was part of? Music man, I think. He played one
:30:08. > :30:16.of the snow children. That was carousel. Just checking. Your dad
:30:16. > :30:22.is still in showbiz. He plays in a band, plays the keyboards and is a
:30:22. > :30:28.brilliant jazz-blues musician. has the talent rub off on his son?
:30:29. > :30:34.He tried to teach me the piano and I was too lazy. Well, let's see
:30:34. > :30:39.about that. What we have here is a classic piece of Castillo equipment.
:30:39. > :30:49.We understand you were a big fan of this at the time and you can play
:30:49. > :30:56.the hook from Axel F. In 1983, yes! You have four minutes to try to
:30:56. > :31:00.remember! In the meantime, Carrie Grant explores the long-forgotten
:31:00. > :31:05.the calculator and keyboard. The 1980s, the decade when
:31:05. > :31:10.everything was big, their hair, the shoulder pads, and of course, the
:31:10. > :31:13.mobile phones. But some good things actually came in tiny packages, and
:31:13. > :31:20.one of them, a long-forgotten musical instrument, seemed to
:31:20. > :31:24.herald a revolution. This is it. It is small, portable, and if you
:31:24. > :31:33.believe what the advert said, you had a band in the palm of your hand.
:31:33. > :31:38.And what a band it was! And to cap it all, if you needed to do your
:31:38. > :31:42.maths homework, you also had a built-in calculator. Now that is
:31:42. > :31:46.rock and roll! This cute little thing has been played on many
:31:46. > :31:52.records, including one that was a hit across the world and got to
:31:52. > :31:58.number two in the UK. So how bigger breakthrough was the little
:31:58. > :32:04.instrument that featured? Dr James from the University of Leeds is an
:32:04. > :32:13.expert on music technology. It has five different sounds. This, panic,
:32:13. > :32:18.is a violin. -- apparently. It does not really sound like a violin.
:32:18. > :32:24.requires a little imagination! it does the drums. Yes, a number of
:32:24. > :32:30.different options for drums. You can change the tempo. And you can
:32:30. > :32:36.programme the tune. Yes, you can record a little melody. And then
:32:36. > :32:40.you can play it back. Why do you think they took off? You do not
:32:40. > :32:48.need to know any music theory. You can just press the buttons and
:32:48. > :32:54.something will happen. That has a certain appeal to it. Thousands of
:32:54. > :33:00.bedroom musicians drooled over this thing. Especially here in Sheffield.
:33:00. > :33:05.Pioneers of electronic music formed the Human League and then the 1980s
:33:05. > :33:13.legend, Heaven 17. I'm reunited him with the object of his youthful
:33:13. > :33:18.affections. -- I have reunited him. Genius. In the pound shop there are
:33:18. > :33:21.rollers they can do this now. I used to have won and I loved it. It
:33:22. > :33:26.was one of the first Japanese toys that came in. However, I never
:33:26. > :33:29.found a valid use for it. We were trying to convince people that
:33:29. > :33:33.electronic music was a tool for creating a new form of popular
:33:33. > :33:41.music. We actually wanted it to sound good, as opposed to like a
:33:41. > :33:46.gimmick. And the idea of it being a calculator is ridiculous. It is
:33:46. > :33:53.made by Casio, so they had to put a calculator on it. If it was made by
:33:53. > :33:57.Nokia, would it have a phone? is it for? In the Japanese
:33:57. > :34:00.marketing meetings they probably went, maybe we can pull in all of
:34:00. > :34:04.the home organ enthusiasts, people who just want to play music for fun
:34:04. > :34:08.at home, and if we put a calculator on it we would get the schoolkids.
:34:08. > :34:13.It is completely insane. Even at the time it was ridiculous but I
:34:13. > :34:17.still bought one because it was beautiful. In fact, can I have it?
:34:17. > :34:22.So, the revolution never quite happened and the machines were soon
:34:22. > :34:25.collecting dust, unwanted and on the shelf. But what do the next
:34:25. > :34:32.generation of music makers, students at a school in Sheffield,
:34:32. > :34:39.think of it? It sounds like a doorbell. It sounds like a doorbell
:34:39. > :34:45.but we are missing rhythm. This sounds are dated and weird sounding.
:34:45. > :34:55.It does not mean it is not good. It is quite funky. And within a few
:34:55. > :34:57.
:34:57. > :35:04.minutes, they have learned how it could still be of use. Yeah! Very
:35:04. > :35:09.good! I can see why people fell in love with this. It is small, cute
:35:09. > :35:12.and in its day it was very clever, until you turned it on. It has been
:35:12. > :35:18.great to see it after all these years but if I never have to hear
:35:18. > :35:22.one of these again it will be too soon!
:35:22. > :35:26.Before Simon picks up the challenge, can I welcome the north-west of
:35:26. > :35:32.England. Welcome back to the north- west of England, who had opted out
:35:32. > :35:38.regionally to follow the torch. They are now back with us. Hello.
:35:38. > :35:46.How are you? The battery went on that earlier. I love it when the
:35:46. > :35:56.batteries starts to go. It Wales. It is like a cry for help. You have
:35:56. > :36:10.
:36:10. > :36:20.That was OK. Have you ever had experience of this before? I have
:36:20. > :36:30.
:36:30. > :36:35.had millions. You have to guess the Did you get it? Very impressive.
:36:35. > :36:43.man of many talents. Shall we talk about racing? It is the Epsom Derby
:36:43. > :36:51.tomorrow. You have won it once. It took 15 years. Who is going to
:36:51. > :36:55.win tomorrow? The favourite should definitely win. And Bonfire is my
:36:55. > :37:00.tip to finish second. And it is the start of the Jubilee. The Queen
:37:00. > :37:07.will be there, a massive occasion, 100,000 people. Come and watch. Not
:37:07. > :37:17.me, because I am not there, but... Do you think Camelot can be beaten?
:37:17. > :37:18.
:37:18. > :37:22.No, I do not. The Derby as part of the British champion series? Yes.
:37:22. > :37:29.Can you explain, because we could not understand it in the office
:37:29. > :37:33.earlier? Tomorrow, the Derby as part of the Champions series. It is
:37:33. > :37:39.35 races throughout the season. All of the best races, with the best
:37:40. > :37:43.jockeys. The grand finale is at Ascot, middle of October. Basically,
:37:44. > :37:48.it promotes the best horses and gives the chance to the public
:37:48. > :37:55.because it is easy to follow and get in touch with a horse, for
:37:55. > :38:04.example Camelot tomorrow. Just to give a wider picture to the
:38:04. > :38:11.audience. And a jockey will become the champion. Yes. So it is a bit
:38:11. > :38:17.like Formula One. Yes, last year I was second. I had five wins and
:38:17. > :38:24.somebody else had six. So who is currently the Alonso? Tomorrow, it
:38:24. > :38:28.is Camelot. In terms of the riders? We have just started. It is wide
:38:28. > :38:34.open. We have until October to fight our way through. You have
:38:34. > :38:42.told us you have no plans to retire. How many years have you got left?
:38:42. > :38:46.Well, even Lester Piggott stopped and 56, but in this day and age,
:38:46. > :38:51.the diet is good and the bodies are better than they were 50 years ago,
:38:51. > :38:58.so you can go until 50 no problem. You do not have to work out so much
:38:58. > :39:06.because you have five children. am the chauffeur, picking them up
:39:06. > :39:14.from school. Your five kids came within six years. Can I say hello
:39:14. > :39:21.to my children watching at home? I miss you. Five is enough? Are you
:39:21. > :39:27.sure? Absolutely, definitely. You have got three yourself. I am not
:39:27. > :39:35.finished, because I had my orders. Do you think it is up to me?
:39:35. > :39:44.Frankie, can you explain to everybody? Simon, you have a
:39:44. > :39:52.daughter. Yes, hello, Matilda. Speaking of babies, the photos are
:39:52. > :40:02.coming in thick and fast. Shall we show them now? Have one each.
:40:02. > :40:09.
:40:09. > :40:13.are brand new human beings on the I have alliss. And I have Henry.
:40:13. > :40:16.has got his arm up like that and it stays like that for a while. The
:40:16. > :40:21.position in which they come out, they stay like that until they
:40:21. > :40:31.realise that they can move. Also, Henry Thomas was the name of the
:40:31. > :40:40.
:40:40. > :40:47.This is Amy with her new baby cousin. She gave birth to her
:40:47. > :40:52.cousin?! Send us some more and we will put them in before the end of
:40:52. > :40:55.the show. The now, the African Children's Choir are a well-
:40:55. > :41:01.travelled a bunch but this is their first trip to the UK. We hijacked
:41:01. > :41:11.them, to show them something quintessentially British.
:41:11. > :41:14.
:41:14. > :41:22.# I just killed a man # Put a gun against his head
:41:22. > :41:32.# Pulled the trigger, now he's dead # Life has just begun
:41:32. > :41:44.
:41:44. > :41:49.# And now I've gone and thrown it There was not the African choir,
:41:49. > :41:58.clearly. By the way, I have to tell you that it took the gallery a
:41:58. > :42:03.while to realise! That is our biggest show Oh! They are great,
:42:03. > :42:13.this African choir. It is not what I imagine, I have to be honest. OK,
:42:13. > :42:15.
:42:15. > :42:19.Gary Barlow's jubilees song has fast become the rallying call for
:42:20. > :42:26.this weekend's royal celebrations, not least because of the
:42:26. > :42:30.performance of some very special singers. The African Children's
:42:30. > :42:40.Choir hails from Uganda and Kenya and their incredible talent has
:42:40. > :42:41.
:42:41. > :42:44.given them the chance to travel the world performing. And now the 12
:42:44. > :42:54.Ugandan members are in London town to sing at the Queen's Jubilee
:42:54. > :42:57.concert. London is a nice place. am lucky to do this. The UK as a
:42:58. > :43:01.world famous musical pedigree, from Elgar to Elton John, but there is
:43:01. > :43:05.one home-grown sound that these guys might not have heard before.
:43:05. > :43:08.Only a few streets away from the pageantry and splendour of the
:43:08. > :43:18.River Thames, if you listen carefully you can hear the sound of
:43:18. > :43:21.
:43:21. > :43:28.Male Welsh boys' choirs are not just found near the Severn Bridge.
:43:28. > :43:32.-- Welsh voice. They can be heard at chapels like this one in London.
:43:32. > :43:42.These amazing kids are not afraid of any musical challenge and could
:43:42. > :43:46.
:43:46. > :43:50.not help joining in. I would like to be a singer and a pilot and fly
:43:51. > :44:00.to replace and sing. You have been practising, so are you ready to
:44:01. > :44:06.
:44:06. > :44:13.have a go in the chapel? Yes! a wonderful place. People are so
:44:13. > :44:23.friendly. It was fantastic. They have so much energy and they learnt
:44:23. > :44:24.
:44:24. > :44:34.the words really well. I thought it was so beautiful to hear their
:44:34. > :44:47.
:44:47. > :44:57.The harmonies were so nice. I'd get a lot of joy, like I am so happy
:44:57. > :45:08.
:45:09. > :45:14.that we are able to sing to them More from the gallery for playing
:45:15. > :45:19.the right video in the end! Jubilee celebrations starting far too
:45:19. > :45:24.early! I apologise about this, it is terrible. It is wonderful to
:45:24. > :45:30.have you here. Lydia, you were the soloists, how did you get the job?
:45:30. > :45:36.What did you do for Gary when you first met him? When I first met him,
:45:36. > :45:41.he was so interesting. I greeted him, then when they asked me to
:45:41. > :45:49.first try it, I signed my best, and I was chosen. Everybody got to have
:45:49. > :45:58.a go, what is your name? Joshua. Can you sing the opening line?
:45:58. > :46:02.You'll have a go at this? # Some words they can't be spoken,
:46:02. > :46:12.only son. So the competition was tough,
:46:12. > :46:16.wasn't it?! What is your name? Julius. Give us your version.
:46:16. > :46:26.# Are some words they can't be spoken, only son of.
:46:26. > :46:30.
:46:30. > :46:37.Pretty good, Commander! Lydia was The one of the most famous voices
:46:37. > :46:40.on the planet. They will be performing for the Queen with the
:46:40. > :46:43.military Wise and Garth Marlowe and live on BBC One on Monday evening.
:46:43. > :46:53.The ad is Monday evening, but I believe you are going to do a
:46:53. > :47:12.
:47:12. > :47:16.performance for us now. Are you I could have that all night, to be
:47:17. > :47:22.honest! Back to the Jubilee song, everyone can have a go, because
:47:22. > :47:32.there is a length on the website to download the sheet music. Just like
:47:32. > :47:34.
:47:35. > :47:36.this group from the Bishopsgate # Knowing everyone will hear you
:47:37. > :47:39.# Make some noise, find your voice tonight
:47:40. > :47:49.# Sing it stronger, sing together # Make this moment last forever
:47:50. > :47:50.
:47:50. > :47:58.# Old and young Brilliant! Well done to everyone at
:47:58. > :48:04.Bishopsgate, including the teachers, Charlotte cancelled lessons! Now,
:48:04. > :48:08.the Diamond Jubilee is not the big gig this weekend, it is the final
:48:09. > :48:16.of The Voice, and they are with us live now from the rehearsals. Good
:48:16. > :48:19.evening! Good evening. Now then, a big night for you tomorrow night,
:48:19. > :48:24.you have been very consistent throughout the competition, but can
:48:24. > :48:28.you reveal if you are going to do another ballot tomorrow night? Will
:48:28. > :48:33.Tom let you do something more up- tempo? I think I am doing something
:48:33. > :48:36.a little bit different tomorrow, it is not just a ballot, so it is
:48:36. > :48:44.going to be something a little bit different, show a different side to
:48:44. > :48:50.me. Do you think that is risky, Tom? Risky? NEET? With a voice like
:48:50. > :48:54.this, nothing is risky. Believe me! No. I completely agree with you.
:48:54. > :49:02.She is going to do great, and we are going to do a duet which is up-
:49:02. > :49:12.tempo, we are going to cover all the bases. Congratulations! Thank
:49:12. > :49:12.
:49:12. > :49:20.you. It is not unusual! Dani, are you there? Are you there? Shall
:49:20. > :49:25.we...? We will go to will.i.am. Hello, guys. I saw you on Tuesday
:49:25. > :49:31.night. I did tell you that you're my favourite. You said you were
:49:31. > :49:37.doing a duet as well tomorrow night. How has the practising been going?
:49:37. > :49:42.It is cool, I do not want to give away too much, but in true Black
:49:42. > :49:46.Eyed Peas fashion, we will be taking it to new heights. Elevated!
:49:46. > :49:53.Have you got every confidence in him? The thing he can win the
:49:53. > :49:58.competition? -- do you think? believe in Tyler, I know that he is
:49:58. > :50:04.the guy that the world needs, and because of what he stands for, his
:50:04. > :50:14.ability, and a whole lot of people that can use in RNLI. OK, and even
:50:14. > :50:19.though we wish him all the best, can you tell us about Jaz? Yes, I
:50:19. > :50:23.worked with in two days ago, we started recording two days ago, and
:50:23. > :50:27.right after this, I just want to keep working, I cannot wait to keep
:50:27. > :50:31.working with everyone and make music, that is what I love doing,
:50:31. > :50:41.and that is what they love doing. Good luck to you both for tomorrow
:50:41. > :50:43.
:50:43. > :50:51.night. Hi, Chris, how are you doing? Yesterday you said that the
:50:51. > :50:59.The Voice is more about the soul, shall we remain the programme?
:50:59. > :51:03.call it the soul? He go! No, you know, the reason I said that he is
:51:03. > :51:09.that Bo is an incredible vocalist, she really sings from the heart,
:51:09. > :51:13.and there are not a lot of women... A lot of women cannot really relate,
:51:13. > :51:18.she has got a lot going on in her life, but she can still get up and
:51:18. > :51:22.perform. A lot going on at home, with family, but to get up and
:51:22. > :51:25.perform under those circumstances, to go to work, to mind their
:51:25. > :51:34.children, she is a true inspiration, and that is why I think she will
:51:35. > :51:40.win tomorrow night. Jessie Jay is there. There she is! Hello. A trick
:51:40. > :51:47.question... Good evening. It says that you are going to pare down
:51:47. > :51:51.your trademark look, is that true? I think I have, yeah, definitely
:51:51. > :51:57.grown up a lot, and there are moments that I looked a bit too
:51:57. > :52:01.cartoonish, but there is always room to grow and change and adapt.
:52:02. > :52:10.Do you know what? We wish you all the best, good luck to all the
:52:10. > :52:15.finalists, we cannot wait to see the final. Thank you very much.
:52:15. > :52:21.Voice final starts tomorrow night at 7:20pm on BBC One. Have we got
:52:21. > :52:27.time for some baby pictures? think we have. What about that?
:52:27. > :52:34.That is little Joanna Wilson, a beautiful baby Lucy. This is a B
:52:34. > :52:37.McAllister, born on the 1st June, very close to you. This is one for
:52:37. > :52:40.those of you looking forward to flying off on your summer holidays
:52:40. > :52:45.but not looking forward to the mad rush for the best seat on the plane.
:52:45. > :52:54.It is terrible when you are in a rush. Marty Jopson has taken a more
:52:54. > :53:00.scientific approach to boarding an Long queues are one our top airport
:53:00. > :53:03.gripes, so how best to reduce the weight? Not least the want of
:53:03. > :53:11.getting onto the plane. We all know what it is like, the gate opens and
:53:11. > :53:14.there is a man to surge forward. You end up stuck in a queue. Jason,
:53:14. > :53:20.an American astrophysicist, was so fed up with delays that he tried to
:53:20. > :53:25.solve the problem. He came up with a clever plan that he claims will
:53:25. > :53:31.speed everything up. So is he right? Has he stopped the great
:53:31. > :53:36.boarding challenge? -- solved. We are going to pit his matted against
:53:36. > :53:40.ways of boarding that we are more familiar with. We are commandeering
:53:40. > :53:44.a mock-up blame at Cranfield University and at 60 volunteer
:53:44. > :53:49.passengers ready to check in. We will time how long it takes them to
:53:49. > :53:55.board using three different methods to see which is fastest. I will
:53:55. > :53:58.observe proceedings alongside air transport management expert Richard.
:53:58. > :54:02.Anything that makes the process quicker as a passenger has got to
:54:02. > :54:09.be good news. First up, the block boarding method, used by many major
:54:09. > :54:14.airlines. Ladies and gentlemen, the flight is now boarding. Passengers
:54:14. > :54:22.board the planes in sections, back, middle and then frowned. Let's see
:54:22. > :54:26.how it goes. That woman in the red there... She is going and using the
:54:26. > :54:36.lock and no-one can get by. It is making me feel impatient just
:54:36. > :54:36.
:54:36. > :54:46.The last person takes their seat and the clock is stopped at five
:54:46. > :54:47.
:54:47. > :54:52.Next up, random boarding, the method used by no-frills airlines.
:54:52. > :54:56.The passengers have no allocated seats and board on a first-come,
:54:56. > :55:02.first-served basis. It is always a bit of a scrum, but will it be the
:55:02. > :55:06.fastest? Immediately, everyone is piling in at the first seat.
:55:06. > :55:11.first available seats and lockers. The theory is that the rush to sit
:55:11. > :55:17.next to a low of one speeds things up. One reason why low-cost
:55:17. > :55:22.airlines have adopted it. I like an aisle seat, are not fast by the
:55:22. > :55:32.window. That is it, they are in. Random boarding comes in at five
:55:32. > :55:37.minutes exactly, nearly one minute So what about the new method?
:55:37. > :55:41.Cannot find a way to beat that? The first thing to do is give every
:55:42. > :55:50.passenger a boarding number, and then we start by boarding them from
:55:50. > :55:57.the back, window seats on one site, odd Rose. Then we start on the same
:55:57. > :56:00.pattern with the middle, then the aisle. The theory is that by
:56:00. > :56:05.boarding first odd then even number of rows, you give people space to
:56:05. > :56:09.put their backs in a lockers, and by boarding first the window, then
:56:09. > :56:15.the middle, then the aisle, people do not have to get up and then sits
:56:15. > :56:19.down again when a new person comes along. It is more complicated.
:56:19. > :56:25.Everyone has to be in the right order back at the date, but will it
:56:25. > :56:34.be faster to board? Already we start to see people spreading out
:56:34. > :56:38.into the plane, avoiding blockages. 1, 2, three people. Straight in.
:56:38. > :56:46.That is it! That seemed much quicker. It did, it did seem
:56:46. > :56:50.quicker. Did it do any better? How did we do? Four minutes and six
:56:50. > :56:55.seconds. I am not surprised that a method was the quickest. It is the
:56:55. > :56:59.most logical way of warding if you can get people to line up that way.
:56:59. > :57:04.It is great in theory, but my concern is how it would work in a
:57:04. > :57:08.real-life airport. At about one minute faster than random boarding
:57:08. > :57:11.at two minutes faster than block, the results are impressive, but
:57:11. > :57:16.will it be coming to a plane in the AU? We contacted major airlines
:57:16. > :57:22.with our results, but none of them have plans to change to it any time
:57:22. > :57:32.soon. I wish we could speed our film Up! Thank you so much, Martin.
:57:32. > :57:32.
:57:32. > :57:36.Thank you, Simon Pegg, a round of applause for Simon. And Frankie is
:57:36. > :57:41.going to be staying behind to give us some tips for the rest of the
:57:41. > :57:46.British champion since series. a great weekend, Your Majesty.
:57:46. > :57:51.Monday, the One Show is coming from life backstage at the Jubilee