:00:30. > :00:44.finally here. We have them all. I can't wait until the summer.
:00:45. > :00:52.Hello and welcome to the One Show with Alex Jones. And Matt Baker.
:00:53. > :00:55.This week we are bringing you The One Show Music Festival and unlike
:00:56. > :01:01.most festivals, this one is especially for you at home. From
:01:02. > :01:04.world-class pianist Lang Lang to Robert Plant. Each night, we are
:01:05. > :01:08.going to end the show with a live performance and then you'll be able
:01:09. > :01:13.to catch the full sets later on iPlayer and the red button. The
:01:14. > :01:22.first band on our stage are The Vamps.
:01:23. > :01:26.APPLAUSE First, the perfect guest to kick off this
:01:27. > :01:32.musical week, it's the man who brought music to Motown.
:01:33. > :01:32.# People say I'm the life of the party
:01:33. > :01:56.# Because I tell a joke or two... # # Take a good look at my face
:01:57. > :02:05.# You see the smile.. # # And mamma told me... #
:02:06. > :02:09.# I don't care about anything else, but being with you, being with
:02:10. > :02:15.you... # The man himself is here. Please
:02:16. > :02:19.welcome smokey rock inson. APPLAUSE
:02:20. > :02:24.-- smokey rock inson. APPLAUSE We are going to be talking
:02:25. > :02:28.about your new duets album very shortly. Welcome to the world of the
:02:29. > :02:33.One Show, because also in a minute, Anita will be clearing up just what
:02:34. > :02:38.is Watt what it comes to the vaccums that are going to be banned thanks
:02:39. > :02:44.to EU regulations. It doesn't look very comfortable. You could come
:02:45. > :02:48.over here. If you've struggled to get an appointment at your local
:02:49. > :03:00.surgery then here's the bad news, it might be about to get a lot worse.
:03:01. > :03:08.A typical day in a very busy urban GPs' surgery. We've all heard
:03:09. > :03:10.stories about longer waits for appointments and complaints from
:03:11. > :03:14.doctors that surgeries don't have the funds to cut waiting times. The
:03:15. > :03:18.next appointment I've got is going to be about ten days. If you feel
:03:19. > :03:22.it's more urgent I can put you on triage. Money - when it comes to the
:03:23. > :03:27.budget, about half the money received is paid per patient, not
:03:28. > :03:32.per patient visit. To that, regardless of how old they are or
:03:33. > :03:38.sick or home times they visit. Nationally we are visiting GPs more
:03:39. > :03:42.often. It's estimated the number of consultations has risen by 0 million
:03:43. > :03:50.over five years, that's 8 million extra appointments a year. This
:03:51. > :03:55.surgery here in Swinton claims to be overstretched and short of cash. The
:03:56. > :03:58.average patient sees a GP six times a year, but even that's double the
:03:59. > :04:03.number of visits from a decade ago. That's a level of demand that the
:04:04. > :04:09.British medical association says far outstrips capacity. Mum, Hannah is
:04:10. > :04:13.here with Alfie. They show just how much individual needs can vary even
:04:14. > :04:18.in one family. Alfie comes regularly? He has suffered with bad
:04:19. > :04:24.chest infections. I'm coming two or three times a month. At worst he
:04:25. > :04:30.would see a doctor 35 times a year? Yep. That's huge? It is, yep. How
:04:31. > :04:35.often do you see the doctor? I come every three month. One patient at
:04:36. > :04:39.this surgery requires a phone consultation every day and has had
:04:40. > :04:42.56 surgery appointments and 12 home visits in the past year and the
:04:43. > :04:54.surgery's payment for all that, the flat rate of ?71. Doctor Krishnan is
:04:55. > :04:58.a partner at the surgery, which looks after more than 9,000
:04:59. > :05:01.patients. Why are people waiting three weeks to see you? The health
:05:02. > :05:04.needs of the population has changed in terms of patients are now living
:05:05. > :05:09.longer with more chronic conditions than in the past. We used to have a
:05:10. > :05:15.policy where you are waiting longer than a week we used to employ locums
:05:16. > :05:20.to bring it down to less than a week. Because more and more is
:05:21. > :05:27.pushed our way, we've had to cut back. The money you get per patient
:05:28. > :05:31.goes up every year, right? It goes up marginally, but not in line with
:05:32. > :05:37.inflation or the costs that go up every year. I head out with the
:05:38. > :05:43.doctor on one of his home visits. Good afternoon. How are you? I'll
:05:44. > :05:53.pop this on. It will be tight around your arm. It's all right. When I ask
:05:54. > :05:57.how many people are happy with their GP they seem as high as ever. We are
:05:58. > :06:02.just about staying afloat, but we are reaching a point where general
:06:03. > :06:08.practice is about to collapse. It's been reported that on average GP
:06:09. > :06:14.partners earn over ?100,000 a year. I don't make that kind of money. Are
:06:15. > :06:19.you over 90? Nowhere closement I've not done my tax return, but I
:06:20. > :06:23.probably get 60, if that. I'm not asking for my pay to go up, but if
:06:24. > :06:27.you can find some way of getting me an extra GP we'll be able to do
:06:28. > :06:34.more. It must be tempting not to take on patients who have got type
:06:35. > :06:39.two diabetes or heart problems or a kid with asthma. You can't do that.
:06:40. > :06:44.We are trained to look after the health needs. The practice partner,
:06:45. > :06:48.Dr Ian Turner has worked for the NHS for 12 years, but he's so
:06:49. > :06:53.disillusioned he's quit and is moving to Canada. Why is the grass
:06:54. > :06:56.so much greener? My role is to look after patients and not to tick
:06:57. > :07:06.boxes. We have a perfect storm brewing. We have 25% or more of GPs
:07:07. > :07:11.over the age of 55. We have a recruitment crisis in general
:07:12. > :07:16.practice and you end up with people becoming under pressure and
:07:17. > :07:24.increasingly burnt out and at that point mistakes will happen and harm
:07:25. > :07:30.comes to patients. We put the concerns of the GPs to the
:07:31. > :07:34.Government and they told us they understand the pressures and they
:07:35. > :07:39.are training thousands more GPs by 2020. Now, today sees the
:07:40. > :07:45.introduction of a piece of EU legislation that we may just have to
:07:46. > :07:49.suck up. It's difficult. It's the ban on high-power vacuum cleaners.
:07:50. > :07:58.Now, Anita is here to tell us a little more. Go on then. As of
:07:59. > :08:01.today, there is a ban on the import and manufacture, steady, this is
:08:02. > :08:07.quite interesting, of vacuum cleaners with a wattage above 1600
:08:08. > :08:12.Watts. That is it. You won't be able - you can still buy them, but all
:08:13. > :08:16.the ones that are in stock have been sold they'll no longer exist. This
:08:17. > :08:21.is all about energy efficiency. Basically, across the EU they're
:08:22. > :08:29.trying to save 30% energy by 2030. It will save us about ?8 a year in
:08:30. > :08:34.real terms. Will we have to go over the same patch every time? Surely
:08:35. > :08:37.we'll have to work twice as hard, but the spokesperson from the
:08:38. > :08:43.Commission has said it shouldn't really make much difference. Smokey,
:08:44. > :08:46.good suggestion on your old vacuum cleaners in the States? Absolutely.
:08:47. > :08:51.What difference will it make other than the fact you have to go over
:08:52. > :08:56.the same place several times. It doesn't end there. It all started
:08:57. > :08:59.with light bulbs. It's not the personal energy. Think of the
:09:00. > :09:04.exercise you'll be getting. Lots of exercise. It's not just stopping
:09:05. > :09:08.there. In fact, you may be quite shocked by this - 2017 they'll
:09:09. > :09:14.reduce the wattage on vaccums even more and they will be no more than
:09:15. > :09:22.900 Watts, so unsurprisingly there has been a rush on vaccums. People
:09:23. > :09:28.need to pick stuff up off the floor. In the future, kettles, lawn mowers
:09:29. > :09:31.and hair dryers. Wet hair and a messy floor. Disaster. All in one
:09:32. > :09:38.hit. But we are saving energy. We are. It's all about energy saving.
:09:39. > :09:42.Thank you. It comes as no surprise when Smokey decided to put together
:09:43. > :09:47.an album of duTS he discovered some -- duets, he discovered some
:09:48. > :09:56.big-hitting fans. Smokey Robinson first came into my life when I was a
:09:57. > :10:02.teenager collecting song records. I was lucky enough to pick Track of My
:10:03. > :10:09.Tears, because I've always loved the song. It may be the greatest upon
:10:10. > :10:15.song ever. -- pop song ever. He still plays and he's rele vent and
:10:16. > :10:22.sings great. -- relevant and sings great. He's a national treasure.
:10:23. > :10:27.APPLAUSE Smokey, 12 duets on here. Where did the idea
:10:28. > :10:32.come from for this particular album? Actually, my production manager and
:10:33. > :10:36.my manager got together to discuss doing this particular record and
:10:37. > :10:45.they thought it would be a twist if we did songs that I had rin and
:10:46. > :10:49.contacted the artists. Randy Jackson from American Idol, he's the
:10:50. > :10:55.producer of the record, so they contacted Randy and he contacted the
:10:56. > :11:00.artists. They chose their favourite song and the songs that you hear
:11:01. > :11:08.them singing on this record is their favourite song. It was a joy for me
:11:09. > :11:11.because all I had to do was sing and didn't have to worry about it. All
:11:12. > :11:16.the artist put their twists on the song. You've got loads of people on
:11:17. > :11:20.the album. Steve Tyler and John Ledgened and Jessie J, but were you
:11:21. > :11:29.surprised with some of the songs. Were you happy? I was very happy.
:11:30. > :11:33.When another person loves one of my songs, as a songwriter that is my
:11:34. > :11:37.dream come true, so whatever song they would have picked would have
:11:38. > :11:43.been fine with me. I don't care and Randy let them put their own twists
:11:44. > :11:48.on before I got to the studio. You didn't mind the twists? Not at all,
:11:49. > :11:52.man. There are millions of songs. There are millions and millions of
:11:53. > :11:57.songs and most of the people are songwriters so if they chose one of
:11:58. > :12:00.mine, I loved it. Obviously, your songs mean something different to
:12:01. > :12:05.everybody, but where do you start then when you get a tune or is it
:12:06. > :12:12.the lyric that you start with? Where does it begin firstly? Yes, it's the
:12:13. > :12:16.lyrics and sometimes it's the Manchester Citiy. It starts where it
:12:17. > :12:21.starts. There's no start point for me. Whenever I'm inspired or
:12:22. > :12:25.whenever I get a couple of words or something that insurance spires me,
:12:26. > :12:29.you might say -- inspires me, you might say something and you might
:12:30. > :12:37.give you credit if it's a great song. Go on then. It just starts
:12:38. > :12:41.where it starts. I'm not a songwriter who has to take two
:12:42. > :12:46.months off and go to the mountains so I rest and be inspired. It might
:12:47. > :12:52.happen on the plane. On the bus. When did it happen last? It last
:12:53. > :12:58.happened the night before last. Can you give us the tune? No, because
:12:59. > :13:03.you know what I do, I'm not in a position to really just do that, so
:13:04. > :13:07.before I lose it I call my Voice Mail and I put it on my Voice Mail,
:13:08. > :13:12.so if I can play it back for you, you could hear it. Do you have a
:13:13. > :13:16.title? No, I don't have anything. I have the view words and a melody, so
:13:17. > :13:26.I quickly called my Voice Mail and put it down before I forgot it.
:13:27. > :13:30.We'll listen to that later. Yes. Bob Dylan said you were one of the
:13:31. > :13:35.greatest poets, but you have performed poetry as well as singing?
:13:36. > :13:39.I do. I have a show I do called Words and it's a night where I go
:13:40. > :13:45.and I do about an hour and 15 minutes of just my poetry. I do it
:13:46. > :13:48.in theatres, just like a concert or something, but it's called Words and
:13:49. > :13:57.that's what I do. You do a bit of everything? The album is released on
:13:58. > :14:01.8th September. If you haven't heard and apparently half of us haven't,
:14:02. > :14:04.there's a small piece of paper that costs quite a lot of money which is
:14:05. > :14:10.going to be obsolete come the end of this month. Yes, we are talking
:14:11. > :14:18.about... Wait for it, the car tax diS being and Tom -- disc and Tom
:14:19. > :14:24.has been finding out why. I pay my income tax, my council tax, national
:14:25. > :14:29.insurance and trust me, plenty of VAT. But you wouldn't be able to
:14:30. > :14:38.tell that by looking at me, because until now the only tax I had to
:14:39. > :14:44.display to prove I had to prove it was -- I had to display to prove I
:14:45. > :14:49.had paid it is the tax Disc. It first appeared in 1921, costing
:14:50. > :14:56.about two weeks' wages. Back then there were only 600,000 cars on --
:14:57. > :15:06.600 cars on the world, but with almost two billion tax discs being
:15:07. > :15:11.given out, the DVLA explain why. We think it's a waste of money. How
:15:12. > :15:15.will you tell if people are driving around with a tax? We know on the
:15:16. > :15:20.system whether you have or not. The first thing is to pay it as soon as
:15:21. > :15:23.you can, otherwise we'll pick it up and make sure you are heavily
:15:24. > :15:30.reminded. The key is the number plate. The DVL's portable cam --
:15:31. > :16:23.DVLA's portable cameras will send you a fine.
:16:24. > :16:28.longer need this. -- as the of October.
:16:29. > :16:30.On this record player, we have six faces
:16:31. > :16:41.You have worked with so many. When it stops, we will ask you a question
:16:42. > :16:50.on that particular person. Ready? The Beatles. Lots of people would be
:16:51. > :16:54.amazed to know that they recorded one of your songs on their second
:16:55. > :17:01.album. How did that come about? I don't know. But this is what was
:17:02. > :17:10.talking about earlier. People picking your songs, the Beatles sang
:17:11. > :17:14.one of mine, and I was elated. They had two or three Motown songs on
:17:15. > :17:15.that album. For them to pick up one of my songs,
:17:16. > :17:20.that album. For them to pick up one gosh, what can I say? What could be
:17:21. > :17:26.better?! And did they come directly to you? They do not have to. To
:17:27. > :17:29.record another artist's song, you just record it and the record
:17:30. > :17:35.company gets the license to release it. That is it. If they had come to
:17:36. > :17:41.me, I would have said, absolutely, immediately! And was it a good
:17:42. > :17:54.version? Absolutely. On we go. Jackson five. Hang on, six,
:17:55. > :17:59.according to this. Who is Joel? Amazingly, you were at their
:18:00. > :18:06.audition, the very first audition. I was. What did you make of the young
:18:07. > :18:09.boys at that point? I thought they had a great future at that point,
:18:10. > :18:15.especially considering Michael was out front. He was nine or ten when I
:18:16. > :18:20.saw him. And he was actually 40! I had never seen a kid like that
:18:21. > :18:27.before. He was so talented and incredibly poised. I was thought of
:18:28. > :18:31.his life as being a paradox because when he was a little boy, he was a
:18:32. > :18:37.man, and when he was a man, he was a little boy. But faculty was
:18:38. > :18:44.fantastic. But the overall picture, I have been watching entertainers
:18:45. > :18:50.all my life. I have a film, the first video, of people like Count
:18:51. > :18:55.Basie and Bessie Smith, and the overall picture of being able to
:18:56. > :19:00.sing and perform, and dance, Michael was the best I have ever seen. Well,
:19:01. > :19:04.we have some youngsters out here that we think you will enjoy because
:19:05. > :19:13.coming up we have the first live performance of the one show music
:19:14. > :19:17.Festival, the vans with a Simon and Garfunkel classic.
:19:18. > :19:19.But first, some peace and tranquility.
:19:20. > :19:23.Mike Dilger discovers a Scottish wildlife project that is spreading
:19:24. > :19:32.The spree had suffered from persecution for decades.
:19:33. > :19:42.Historically, it was widespread across Britain by the 1950s, there
:19:43. > :19:48.was only one breeding pair. Whilst working for the RSPB, Roy Dennis
:19:49. > :19:53.championed the return of the osprey. Next to his work, there are now more
:19:54. > :19:57.than 300 breeding pairs. They went in Africa before returning to the
:19:58. > :20:01.same nesting site. After right's success, other countries are seeking
:20:02. > :20:06.his help to re-establish their breeding populations. This man is
:20:07. > :20:12.from the Basque country in northern Spain. In the northern peninsula,
:20:13. > :20:17.they disappeared many years ago, probably due to persecution and
:20:18. > :20:21.habitat destruction. Now we have ospreys passing through the Basque
:20:22. > :20:26.country every autumn. But they do not breed there. So passing through
:20:27. > :20:32.is one thing but how do you persuade them to breed there? The best way is
:20:33. > :20:36.to locate young birds and when they grow up and are released, they think
:20:37. > :20:40.that this is home. And after years in Africa in the winter, they will
:20:41. > :20:47.come back there and they will choose that is the place to breed. And that
:20:48. > :20:53.first step will create a population of breeding ospreys. Ospreys are
:20:54. > :20:59.doing extremely well in Scotland so by taking a number of Scottish
:21:00. > :21:03.checks to Spain, it should make the European population stronger. Last
:21:04. > :21:09.year, and a special licence, right sent 12 osprey checks to the Basque
:21:10. > :21:23.country, and this year he is doing the same. He is about to get his
:21:24. > :21:29.ninth. That is a typical nest. Chicks will be brought down by Ian,
:21:30. > :21:35.an expert handler. Ospreys can have up to three chicks, but there are
:21:36. > :21:41.only two in this nest. Does it represent a problem if you take only
:21:42. > :21:44.one away? I don't think so. With this sort of work, we have to be
:21:45. > :21:51.professional but some of the nests we go to, we find the chicks dying.
:21:52. > :21:55.Lots of chicks, it is kind of natural. We will take one to Spain
:21:56. > :22:00.for the project and the other will be there. The parents will come back
:22:01. > :22:07.and it will get more food. We have a female circling overhead. As soon as
:22:08. > :22:12.we walk away, she will, perch or go to the nest. Both chicks are removed
:22:13. > :22:17.but Roy needs to check them over before deciding which one to choose.
:22:18. > :22:23.Look at that! Beautiful! before deciding which one to choose.
:22:24. > :22:29.Look at It is just a perfect size. Gorgeous feathers, hardly any down.
:22:30. > :22:34.Both males. I'd prefer them because they are more likely to come back to
:22:35. > :22:40.the release site. If they start to breed, they attract females to join
:22:41. > :22:47.them. Once the chicks are measured, Roy makes his decision. This one is
:22:48. > :22:50.quite aggressive. They are both perfect for the size that we want. I
:22:51. > :22:58.am happy with either. I think that one is a bit feistier, so I would
:22:59. > :23:01.rather have the quieter one. The feisty chick is returned. And the
:23:02. > :23:17.other one is carefully transported back to right's house. -- Roy's
:23:18. > :23:24.house. Valuable cargo. Coming here. These two I don't earlier. I'm going
:23:25. > :23:29.to put them in. Most people have jumped in their garage, but you have
:23:30. > :23:34.osprey chicks! Are you happy that the birds are ready for Spain? They
:23:35. > :23:41.are great. They have beautiful eyes. That is the most important thing. If
:23:42. > :23:45.they are unwell, the eyes are dull. For the next 48 hours, the chicks
:23:46. > :23:48.will be well looked after. Once they have been given a final health
:23:49. > :23:54.check, they will be taken to Spain to start their new lives. And I'll
:23:55. > :24:04.be there to see them when they take their maiden flight.
:24:05. > :24:14.And you can see how the ospreys find life in Spain tomorrow night. Also
:24:15. > :24:26.tomorrow, Helen Mirren will be here, and the music will be from the line.
:24:27. > :24:29.-- Lang Lang. Smokey, from all the things you've
:24:30. > :24:33.seen tonight, what is the one thing you will be most likely to write a
:24:34. > :24:36.song about? The fact that you are losing so many things in the future,
:24:37. > :24:47.the car tax and the powerful vacuum cleaner! That is the lesson from
:24:48. > :24:51.tonight's show. Time now for The Vamps with their version of Simon
:24:52. > :25:09.and Garfunkel, Cecilia, from their gold selling album, Meet The Vamps.
:25:10. > :25:12.Taken away lads! -- take it away. # Cecilia, you're breaking my
:25:13. > :25:17.heart. # You're shaking my confidence
:25:18. > :25:26.daily. # Put your hands up, you're
:25:27. > :25:33.surrounded, I found it. # The top is never good, now I've
:25:34. > :25:36.got everything except you. # No doubt in my heart, I've still got
:25:37. > :25:43.the blues. # Turn my radio up and it's just my
:25:44. > :25:46.luck, turn my TV on, it's the same old song. # Why are you following
:25:47. > :25:53.me? # I've been missing you, yes.
:25:54. > :25:59.# Everybody knows, everywhere I go, the whole world is singing to me.
:26:00. > :26:02.Cecilia, you're breaking my heart. # You're shaking my confidence
:26:03. > :26:09.daily. # Here we go!
:26:10. > :26:12.# Cecilia, I'm down on my knees. # I'm begging you, please, to come
:26:13. > :26:25.home. # Come on home.
:26:26. > :26:30.# At the girl of my dreams and now she's all gone.
:26:31. > :26:34.# Thought it could last forever but I was or wrong.
:26:35. > :26:41.# She doesn't even want to see my face any more.
:26:42. > :26:45.# I do what it takes, take the time and place.
:26:46. > :26:49.# Turn the radio up and it's just my luck.
:26:50. > :26:59.# Turn my TV on and it's the same old song, why are you following me?
:27:00. > :27:01.# It's like everybody knows, everywhere I go, all world is
:27:02. > :27:08.singing to me. # Cecilia, you're breaking my heart.
:27:09. > :27:16.# You're shaking my confidence, daily.
:27:17. > :27:20.# Cecilia, I'm down on my knees. # I'm begging you, please, to come
:27:21. > :27:32.home. # Come on home.
:27:33. > :27:40.# Over where many miles apart, I still feel her.
:27:41. > :27:45.# There will never be another part like -- one like my Cecilia.
:27:46. > :27:50.# You're like and see, please, tell me you still care about me.
:27:51. > :27:57.# Comeback too come back to me. Sing it back!
:27:58. > :28:04.# You're shaking my confidence daily.
:28:05. > :28:07.# Cecilia, I'm down on my knees, I'm begging you, please, to come home.
:28:08. > :28:26.# I'm begging you, begging you! London, let me hear you make some
:28:27. > :28:31.noise! Thank you so much to the one show for having us here today. We
:28:32. > :28:36.have been The Vamps and you guys have been very, very awesome. See
:28:37. > :28:43.you soon. One two, three! # Cecilia, I'm down
:28:44. > :28:58.on my knees. # I'm begging you, please, to come
:28:59. > :29:06.home. Thank you so much!