:00:22. > :00:25.Hello and welcome to The One Show with Matt Baker. And Alex Jones.
:00:25. > :00:29.Exciting news here, one of the biggest bands in the world,
:00:29. > :00:34.Coldplay, have called us up wanting to tell us something rather
:00:34. > :00:39.exciting. There you see Chris and Will in our green room, munching
:00:39. > :00:43.away on our snacks. Who knows what they want. Let's meet a man that
:00:43. > :00:48.can give Alex a run for her money on the dancefloor, now she's hurt
:00:48. > :00:57.her back. Even before then. Why he didn't win, I will never know. It's
:00:57. > :01:06.Ed Byrne. APPLAUSE. Indeed, did Dara O'Briain give you
:01:06. > :01:16.hassle for your time on Let's Dance? Yes, actually. Let's have a
:01:16. > :01:23.
:01:23. > :01:31.# I love to boogie on a Saturday night
:01:31. > :01:35.I thought you were superb. That was a bad-coloured top to wear. It
:01:35. > :01:40.looks like my skin is falling off. I didn't realise just how ugly that
:01:40. > :01:44.top was until watching it back there. With Arlene as well, under
:01:44. > :01:49.pressure there. Arlene, look, I rehearsed hard and long for that
:01:49. > :01:52.and Arlene did a bit in the middle and she got it wrong! When you are
:01:52. > :01:56.dancing with Arlene and you are doing moves and you are both doing
:01:56. > :02:00.different things, people are going to look at you, clearly Ed's messed
:02:00. > :02:06.up there. No, it was her! You are very kind. You didn't mention that
:02:06. > :02:11.on the night. Didn't I? I didn't realise until I watched it back,
:02:11. > :02:14.that's probably why. It's out there now. Phillips! We are going to be
:02:14. > :02:18.chatting about your DVD later on and finding out... I believe that's
:02:18. > :02:21.what Coldplay are here to plug as well, my DVD. You know more than us,
:02:21. > :02:25.we have no idea why they're here. First, we can learn plenty from the
:02:25. > :02:31.animal kingdom around us. Miranda Krestovnikoff has been to the North
:02:31. > :02:36.Wales coast to be taught a lesson about climbing from the masters.
:02:36. > :02:46.Across the globe mountain goats are the ultimate mountaineers. They can
:02:46. > :02:48.
:02:48. > :02:52.pick their way across near sreurtical cliffs -- verticle
:02:52. > :02:56.cliffs. They face some of the most adverse weather conditions and they
:02:56. > :03:01.inhabit some of the most inaccessible rock faces. These
:03:01. > :03:04.goats really do live their lives on the edge.
:03:04. > :03:09.Here on in North Wales these mountain goats can make it to
:03:09. > :03:16.places that other grazing animals can't reach, feasting on the lush
:03:16. > :03:19.grass tucked into crevices. They do it with such ease and confidence
:03:20. > :03:26.and the fact there is a massive 50 metre drop to the sea below just
:03:26. > :03:31.doesn't seem to bother them in the slightest.
:03:31. > :03:39.I want to show how these animals are adapted to this rugged and
:03:39. > :03:42.potentially lethal terrain and to see if I can match them.
:03:42. > :03:46.Mountaineer Carlo has shared many mountain moments with goats. Just
:03:46. > :03:52.to watch them is amazing to see the sort of terrain that they can get
:03:52. > :03:54.on to and how they confidently move around that ground and it's awe-
:03:54. > :03:58.inspiring because you are struggling with ropes and trying to
:03:58. > :04:02.climb up the best you can. Knowing a little bit about how the goats do
:04:02. > :04:08.it, is there any way I can go up one of these cliff faces today?
:04:08. > :04:13.Yeah, absolutely. So, equipped with plenty of safety gear, we go to a
:04:13. > :04:21.piece of cliff 190 metres up to a spot where goats scamper up every
:04:21. > :04:25.day. For the goats, their first bit of
:04:25. > :04:29.safety kit is in-built. Both the male and female goats have got
:04:29. > :04:34.horns and the males use theirs a lot for fighting but the horns are
:04:34. > :04:40.actually so thick they can cushion a fall, like my helmet really. They
:04:40. > :04:46.extend a long way over the back of the neck, so it gives vital
:04:46. > :04:54.protection there as well. Back to business. I am on my way up! OK.
:04:54. > :05:00.into the mindset of a goat. I am thinking of hooves, I am thinking
:05:00. > :05:10.where will I put my hand? It's impossible. Goats have specialist
:05:10. > :05:12.
:05:12. > :05:17.climbing vision with rectangular pupils, it gives superb periphery
:05:17. > :05:20.vision. Concentrate, woman! Places to put your hand hand and feet. On
:05:20. > :05:25.terrain like this there are barely any flat surfaces but the goats
:05:25. > :05:32.have feet that are designed to stick. Each foot has two hooves
:05:32. > :05:36.which are flexible and can spread apart giving a firm stable base.
:05:36. > :05:41.Each hoof has an outer layer which is very hard, it gives a really
:05:41. > :05:46.good purchase on these tiny ledges. The inside of the hoof is a
:05:46. > :05:49.leathery pad which gives them a good grip. It creates a sort of
:05:49. > :05:56.suction cup, sticking them to the rock. Because they have two it's
:05:56. > :06:04.like a backup safety line. I have super gripping climbing shoes but
:06:04. > :06:11.it's not enough. They don't suck to the rock.
:06:11. > :06:15.Take small steps. I am trying to take any steps I can. The goats'
:06:15. > :06:22.dainty gate is no accident. They keep their body weight over their
:06:22. > :06:27.feet and centred, maintaining balance. Try and choose the line of
:06:27. > :06:33.least resistance. Imagine you are a goat looking for the easy way up.
:06:33. > :06:41.Like most animals they don't make life hard for themselves, they'll
:06:41. > :06:46.zigzag up, along the ease easiest route. After a tough 20 minutes, I
:06:46. > :06:51.take it to the top. I made it! Wow, that was fantastic. It's really
:06:51. > :06:55.hard work. You have to be really strong and you are just balanced on
:06:55. > :07:03.the edge all the time. This is really rough terrain, but for an
:07:03. > :07:10.animal with so many mountaineering adaptations it's a walk in the park.
:07:10. > :07:14.There's a lot we can learn from that. Horns as a rollcage. I can
:07:14. > :07:18.bunch this into a pillow. That's the closest I get to that. You do a
:07:18. > :07:23.bit of climbing. There is something very funny actually, when you climb
:07:23. > :07:30.up out of a gully, and you meet a goat or a sheep even standing there
:07:30. > :07:36.at the top and they just look at you. You are not from around here,
:07:36. > :07:42.are you boy! We are here because we live here, what are you doing here?
:07:42. > :07:49.You have taken your comedy to new heights. That's a good link! That's
:07:49. > :07:53.nice. We don't don't throw this show together. Your latest DVD is
:07:54. > :07:58.out in time for Christmas. Lots of DVDs out at the minute. It's a
:07:58. > :08:03.crowded market. What makes yours stand out? It's a very pretty sort
:08:03. > :08:08.of blue and light blue cover. Also, do you know what I heard an
:08:08. > :08:12.interesting thing, only something like one in ten comedy DVDs even
:08:12. > :08:16.gets watched. It's one of those things - the vast majority of just
:08:16. > :08:23.bought as gifts. Oh yeah, I know him and then they don't even watch
:08:23. > :08:27.it. If the person isn't going to watch it, why not buy mine. I have
:08:27. > :08:31.a child. They're going to watch it anyway. At least it will look good.
:08:31. > :08:35.People will go oh, different. You didn't go for the usual, the
:08:35. > :08:38.McIntyre and Bishop and you know, you went for... Interesting, you
:08:38. > :08:44.mentioned your child there. The last time you were on you were save
:08:44. > :08:50.ago bit of your material -- saving a bit of your material. He was
:08:50. > :08:53.bound to yield material. Normally to do with his bodily functions and
:08:53. > :08:57.the fact, it's not the amount of stuff that comes out of a baby,
:08:57. > :09:03.it's the pressure that builds up inside a baby. That's what will
:09:03. > :09:06.take - that will take you by surprise. If I was to feed him
:09:06. > :09:13.Ronseal, instead of milk I could do my fence with him. It's really
:09:13. > :09:16.quite something. That's an idea I would like to see on Dragons' Den.
:09:16. > :09:21.Cosmo maybe was the inspiration for this clip.
:09:21. > :09:26.You know one of those kids, mum, mum, keeps going off like an alarm
:09:26. > :09:30.clock. Mum, mum, mum, mum. Every now and again the mother will go
:09:30. > :09:34.what? But it's like pressing snooze. After about the 8th time the kid
:09:34. > :09:37.did it, the woman said the the funniest thing I ever overheard on
:09:37. > :09:43.public transport. It gave me the perfect window on what it is to be
:09:43. > :09:47.a parent. The kid goes mum, mum, mum, mum, mum, mum, mum, mum. The
:09:47. > :09:53.woman, without even looking just went, I can't believe how happy I
:09:53. > :09:59.was the first time you said that word.
:09:59. > :10:04.Brilliant. It's a true story. have the alarm clock that says dad,
:10:04. > :10:10.can I have, can I have, can I have. The last time we saw you was on
:10:10. > :10:19.Pointless. Yeah. We didn't do so well. We were out second. We came
:10:19. > :10:26.third. We got to the head-to-head against the McKreur. The one that
:10:26. > :10:33.put us out was name dancers on Top of the Pops and we said Hot Gossip.
:10:33. > :10:42.They were only on Kenny Everett. Who used to be choreographied by
:10:42. > :10:46.Arlene! Celebrity Mastermind didn't go well either. Third! Last but one.
:10:46. > :10:50.That's another way of looking at it. We are going to give you a chance
:10:50. > :10:58.to redeem yourself on a subject that you should know better, the
:10:58. > :11:03.subject of Ed Byrne. All right. Here we are. You have to wait,
:11:03. > :11:13.question one, in 2005 Ed Byrne starred in the film Zemanovaload.
:11:13. > :11:15.
:11:15. > :11:22.How much is the DVD currently going for on ebay? I would give it 99p.
:11:22. > :11:29.Incorrect. It was on sale for �4.39. I have a box of them, I will do
:11:29. > :11:35.them for 99p. You studied horticulture at strat strat strat -
:11:35. > :11:39.- Strathclyde University, what is the Latin name for mistletoe?
:11:39. > :11:44.didn't mention I dropped out of horticulture. Passing? I am passing
:11:44. > :11:53.on that. You were nominated for the Perrier Comedy Award, which
:11:53. > :11:59.comedian beat to you the prize? Tommy Teiran. Correct. Well done.
:11:59. > :12:03.You had one correct answer on the life and times of Ed Byrne.
:12:03. > :12:08.asked me a question about Latin name for Holly. Mistletoe, listen
:12:08. > :12:14.to the question! In a moment Chris Martin and Will Champion will be
:12:14. > :12:18.here and we don't know what they want, do we? We don't. It's amazing
:12:18. > :12:24.to think with all the success they've had they're still only in
:12:24. > :12:27.their early 30s, some musicians have to wait a lot longer for their
:12:27. > :12:37.break. Gyles Brandreth has a perfect perfect example.
:12:37. > :12:42.
:12:42. > :12:46.Sir he hadward Elgar is -- Edward Born here, in June 1857 at this
:12:46. > :12:53.simple cottage near Worcester, Elgar's genius earned him a
:12:53. > :12:57.knighthood. But his path to greatness was far from an easy one.
:12:57. > :13:01.The son of a piano tuner he was a gifted musician and as a young man
:13:01. > :13:07.he worked in his father's music shop in Worcester. He taught music,
:13:07. > :13:13.composed, and performed locally. But his career refused to take off.
:13:13. > :13:16.His life changed in 1886 when at the age of 29 he met Alice Roberts,
:13:16. > :13:21.nine years his senior. He taught her piano lessons. She came from a
:13:21. > :13:28.wealthy family who disapproved of Elgar's humble origins. But Alice
:13:28. > :13:32.was determined to marry him and make him a success. Over the next
:13:32. > :13:37.nine years, encouraged by Alice, Elgar published over 30 works. But
:13:37. > :13:42.he failed to make his mark. Then one day at the couple's home his
:13:42. > :13:47.luck changed. Tell me what happened? He had been teaching and
:13:47. > :13:51.had come home rather tired and exasperated and was tinkering at
:13:51. > :13:56.the piano and as he did so Alice picked out something that he played
:13:56. > :14:06.and said that's a good tune. Elgar was puzzled and said, you mean this
:14:06. > :14:06.
:14:07. > :14:13.one? And worked that into what's become this big orchestral work.
:14:13. > :14:21.Completed in 1899 it was a set of 14 musical portraits of his friends
:14:21. > :14:25.and wife, each with its own distinctive mood. The most
:14:25. > :14:29.celebrated is dedicated to his great friend and publisher.
:14:29. > :14:34.It is the most passionate of all the 14 and even more passionate
:14:34. > :14:38.than the one he wrote for his wife, Alice.
:14:38. > :14:43.It's music that actually speaks louder than words.
:14:43. > :14:48.Elgar conducted the Variations at Worcester's Public Hall for a
:14:48. > :14:58.festival in 1899. It was a huge success. The 42-year-old Elgar had
:14:58. > :15:00.
:15:00. > :15:07.And with later compositions like his Pomp and Circumstance marches,
:15:07. > :15:14.he was still regarded as Britain's greatest living composer. However,
:15:14. > :15:19.it was the poingnancy of Nimrod, that secured his legacy. In 1995,
:15:19. > :15:27.Nimrod was chosen to be performed every year at the Cenotaph on
:15:27. > :15:31.Remembrance Sunday. I think that some would say this is
:15:31. > :15:35.profound. Taken more slowly it stirs the feelings in a way that
:15:35. > :15:41.obviously people react to inseriously.
:15:41. > :15:48.The the National Youth Orchestra of Scotland is performing here at this
:15:48. > :15:52.year's Three Choir's Festival in Worcestershire. So, where better to
:15:52. > :16:02.hear a special performance of Nimrod than the place where it
:16:02. > :16:27.
:16:27. > :16:32.MUSIC: Nimrod. It packs such a punch, doesn't it?
:16:32. > :16:38.It is beautifully crafted, but so simple it draws you in and then
:16:38. > :16:48.mounts to this heart-rending climax, which is so stirring, defy anybody
:16:48. > :17:10.
:17:10. > :17:14.Bravo! APPLAUSE Bravo indeed. Incredible, isn't it,
:17:14. > :17:19.to think that Nimrod was the result of a stressful day at work. His
:17:19. > :17:26.wife picked that one. From one great British musician of
:17:26. > :17:32.the past to two of the present. It is Coldplay's Chris Martin and Will
:17:32. > :17:32.Champion. APPLAUSE
:17:32. > :17:33.Right. Have
:17:33. > :17:33.Have a
:17:33. > :17:33.Have a seat.
:17:33. > :17:39.Have a seat. Now,
:17:39. > :17:43.Have a seat. Now, then, enlighten us? That was quite an intro. I'm
:17:43. > :17:49.not sure we are as good as Elgar. I saw you conducting in the back,
:17:49. > :17:52.you are obviously a fan of Elgar? He is amazing. Really wonderful.
:17:52. > :17:56.So, you called us up? Thank you very much.
:17:56. > :18:01.How can we help you out? We have been asking the question all night,
:18:01. > :18:06.what is going on? Next week we are playing at the O2 in London, on a
:18:06. > :18:10.Friday. We decided to add a show on the Saturday to make, well, attempt
:18:10. > :18:16.to do a charity concert for this organisation that we work with
:18:16. > :18:20.called Kids' Company. So we have put together an amazing line-up, we
:18:20. > :18:24.thought we should tell people about it, otherwise it will be empty.
:18:24. > :18:32.It is a Mexico of music and comedians? Yes, it is us playing
:18:32. > :18:39.for an hour, then it is Steve Coogan, who is a comedian! Who else,
:18:39. > :18:45.Tinie Tempah is going to play. Rob Bridon. Will is playing drums. It
:18:45. > :18:49.is all to benefit this amazing youth organisation in London called
:18:49. > :18:53.Kids' Company. So, we are really excited about. It we have never
:18:53. > :18:59.tried anything like this before. As a band, Will, you must have
:18:59. > :19:02.loads of requests, why did this charity strike a chord?
:19:02. > :19:06.approached them. We were thinking we wanted to do something
:19:06. > :19:10.significant and close to him. We had been hearing a lot of work
:19:10. > :19:17.about this charity, what they do in London. There was an opportunity to
:19:17. > :19:22.go to a school, a drop-in centre in cam been, where we grew up as a
:19:22. > :19:26.band. So it really resonated with us. We had thought about doing with
:19:26. > :19:31.a youth club or something that was dear to our hearts. So people were
:19:31. > :19:35.so rave being the work that Camilla does with Kids' Company, so we went
:19:35. > :19:41.to see them. It was an instant connection.
:19:41. > :19:46.They are a great charity. I have done something for them
:19:46. > :19:50.myself. Ago they approached me, I didn't have to do it the other way
:19:50. > :19:54.around, phone them up, begging them for work! We were so lucky when we
:19:54. > :20:00.were kids with people giving us opportunities. So we said when we
:20:00. > :20:05.make it we will, you know, so, that is what we are doing. There are
:20:05. > :20:11.tickets on Coldplay.com. It is a good way of getting the
:20:11. > :20:15.kids out of the hook of working for drug dealers, that kind of thing,
:20:15. > :20:23.they may otherwise end up going down the route of crime.
:20:23. > :20:28.Ed was not available, by the way! Chris, obviously, this is going to
:20:28. > :20:32.be full of passionate fans. You had a passionate fan the other week
:20:32. > :20:37.with a tambourine? This was five days ago. The numbers are not
:20:37. > :20:41.important. But, Will and Guy, our bass player,
:20:41. > :20:46.decided not to do this concert. Somehow a lady heard we were
:20:46. > :20:51.missing a rhythm section. This was last week in a church. Myself and
:20:51. > :20:58.Johnnie were playing guitar, this lady started to play the tambourine.
:20:58. > :21:04.I think she had only had a coup of lessons. It was very much
:21:04. > :21:09.improvised! It was not necessarily in time. I had to be like a talent
:21:09. > :21:13.show judge and nicely tell her never to play tambourine again! It
:21:13. > :21:17.was hard. We are going it listen to one of
:21:17. > :21:24.the songs you are going to play at the O2.
:21:24. > :21:31.Let's have a listen. This is from par par are par.
:21:31. > :21:38.# -- this is from Paradise. # This could be paradise
:21:38. > :21:42.# This could be paradise # This could be paradise. # You can
:21:42. > :21:46.see Coldplay live at the 02 on Saturday, December the south.
:21:46. > :21:50.Well, with less than a month to go before Christmas, some people are
:21:50. > :21:55.hitting the shops in search of the best presents at the best prices.
:21:55. > :22:02.In the early 60s, it was harder to find a bargain as John Sargeant
:22:02. > :22:06.explains. Shoppers on Britain's High Streets
:22:06. > :22:11.are experienced bargain hunters. Some are walking encyclopaedias,
:22:11. > :22:18.they know if the price is right, but it's not always been like that
:22:18. > :22:21.# The price of a brand of milk # I tell you what... # Not long ago,
:22:21. > :22:28.you could waste a lot of time shopping around as most of the
:22:28. > :22:34.goods in the shops were sold at exactly the same price it was
:22:34. > :22:40.called re-sale price maintenance. When it was abolished, passed on
:22:40. > :22:44.the 13th of May, 1964, Britain's High Streets changed forever.
:22:44. > :22:50.Before them, re-sale price maintenance, allowed manufactures
:22:51. > :22:55.to set the prices that shops charged for goods. In these days a
:22:55. > :23:01.of price comparison websites it seem peculiar.
:23:01. > :23:06.Here, they remember how it worked. So, you would get a tin of bea nrbg
:23:06. > :23:10.s in this store, it was the same price? Yes. No point to shopping
:23:10. > :23:15.about, it would be the same price wherever you were.
:23:15. > :23:18.What was the point? It took the price weapon out of the hands much
:23:18. > :23:23.the stores and left it with the wfrs -- manufactures.
:23:23. > :23:27.It meant that the shops had to use weapons other than price to compete
:23:27. > :23:33.with each other. The promotions could leave shoppers in a pickle.
:23:33. > :23:39.I find the shopping is confusing. I don't know if I am getting a good
:23:39. > :23:42.buy. It is bewildering. A lobby led by the emerging
:23:42. > :23:46.shopping superpowers, the supermarkets, pressed for change.
:23:46. > :23:50.This those days there were few of them and they had a small share.
:23:50. > :23:56.10%, maybe. Despite that, the reformers won the
:23:56. > :24:00.day with the passing of the Reh sale Pricing Act. It changed the
:24:00. > :24:05.face of shopping and banned price fixing.
:24:05. > :24:09.Suddenly, overnight, it was a revolution, there were prices going
:24:09. > :24:12.everywhere. If you were a clever shopper, you could get around and
:24:12. > :24:16.find the bargains. That was a good thing.
:24:16. > :24:23.Most of the bargains were in the supermarkets and the larger
:24:23. > :24:28.retailers. It was the beginning of their rise and all at the expense
:24:28. > :24:30.of the small independent stores, but almost half a century later, in
:24:30. > :24:34.some areas, the manufactures influence the price that their
:24:34. > :24:39.goods are sold for. With this perfume, for instance, you are
:24:39. > :24:43.unlikely to be able to find it being sold as a discount. Similar
:24:43. > :24:47.things happen in fashion. What manufactures of luxury products do
:24:47. > :24:52.often is to sell goods to retailers that they know will not cut prices
:24:52. > :24:56.to the bone. There are some exclusive brands who
:24:56. > :25:00.restrict the distribution. Ie they don't sell to every retailer in the
:25:00. > :25:05.High Street. How can they do that under the law?
:25:05. > :25:10.There is no law to say that they have to supply particular retailers.
:25:10. > :25:14.We can shift volumes of product if the manufactures don't want to
:25:14. > :25:18.supply that retailer, they don't have to. The law says that the
:25:18. > :25:26.manufactures are not allowed to dictate the price at which
:25:26. > :25:34.retailers sell. The fight between manufactures and
:25:34. > :25:41.retailers over restricting supplies turned nasty in 1998. Tesco brought
:25:41. > :25:47.in container loads of Levi 501 from abroad. They tried to pile them
:25:47. > :25:52.high and sell them cheap. They won. The court decided that test Tesco
:25:52. > :25:57.couldn't do what they wanted with the Levi heritage.
:25:57. > :26:01.The argument was that Levis was not about a pair of jeans that you wear
:26:01. > :26:07.in the garden. It is about the fashion, the styles, the cuts, that
:26:07. > :26:10.is something that they invest in. The end of re-sale price
:26:10. > :26:14.maintenance, nearly 50 years ago changed Britain. The consumer
:26:14. > :26:18.became the king, the corner shop went into decline and the
:26:18. > :26:26.supermarkets began their long rise to dominance.
:26:26. > :26:33.Well, John is here to explain more. Up until 14 years ago books were
:26:33. > :26:37.exempt? That's right. Then books went and ten years ago, the
:26:37. > :26:42.medicines had the retail price removed. So the battle goes on.
:26:42. > :26:49.There are far fewer books in the shops than there were. The argument
:26:49. > :26:53.to allow the soorp markets to run everything, how do the smaller
:26:53. > :26:58.shops survive is still very much a live issue.
:26:58. > :27:05.Do you remember when Radiohead brought out their album and said to
:27:05. > :27:10.pay what you think it is worth, what did you think of that idea?
:27:11. > :27:16.paid �108! Did you?! I bought one for Will. We thought that was great.
:27:16. > :27:20.We can't do that as we are owned by a record company. They would get
:27:20. > :27:23.cross with us. They would be cross if we advocated
:27:23. > :27:27.that. It is an interesting thought,
:27:27. > :27:32.though? That is what Radiohead do. It was cool.
:27:32. > :27:37.Ed, would you have a crack at that? I don't have enough faith in myself
:27:37. > :27:45.to say pay what you want. At least help me cover the cost of producing
:27:45. > :27:49.the video! Talking of skill, this, that and the other. Is this you on
:27:49. > :27:55.a unicycle? Oh, yes, that is me. Good skills.
:27:55. > :28:00.There is the head coming off. Good skills When did you learn to do
:28:00. > :28:05.that? What was her name!? You are not wrong. It was before I met the
:28:05. > :28:08.rest of the band adesperate for attention. My dad said a couple of
:28:08. > :28:14.years ago when our album was not doing so well, he said that one day
:28:14. > :28:18.I could go back to that. We were struggling for a video idea a few
:28:18. > :28:22.weeks ago in South Africa. So I thought now is the time to unleash
:28:22. > :28:27.that talent. Indeed! I did it myself! So, your
:28:27. > :28:33.father was like, if it doesn't work out, he always has unicycling to
:28:33. > :28:42.fall back on. My dad said the same with Strictly.
:28:42. > :28:46.We will have a ride around later. What is happening with the tour?
:28:46. > :28:50.tour forever, basically, but next Saturday is important. I'm in
:28:50. > :28:55.Aberdeen tomorrow. Saturday I'm working, Sunday in Hammersmith
:28:56. > :28:57.Apollo. John? There was some talk about