:00:22. > :00:28.Well, hello, and welcome to The One Show with Angela Scanlon. And Matt
:00:29. > :00:34.Baker. Can we turn the lights on? We're trying to save money. It's
:00:35. > :00:39.freezing, where's my cappuccino? It's expensive, there's water in the
:00:40. > :00:44.tap. Why are you being so stingy, seriously? Well, this is all to do
:00:45. > :00:51.with tonight's guest. He is playing a money pinching miser on stage.
:00:52. > :00:56.Does he know we live? I'm hereI'm Chris Rhys Jones.
:00:57. > :01:07.CHEERING -- Griff Rhys Jones. Wellcome,
:01:08. > :01:10.Griff. You have a moustache. What do you think? Nothing miserly about my
:01:11. > :01:18.moustache. Don't break it, that's the most important thing. It's so
:01:19. > :01:23.big. When it came out, I was surprised myself. This is the genius
:01:24. > :01:27.of wax bust years ago, I used to grow them when I was in a ie you
:01:28. > :01:32.like having my own moustache. Nothing more embarrassing than you
:01:33. > :01:37.gesture and you asked stuck on moustache flies off. Ever since
:01:38. > :01:43.then, I've grown my own moustache. Getting hold of the right wax was a
:01:44. > :01:48.problem, but with the hipster beard, everybody, they sell it on every
:01:49. > :01:55.street corner, moustache wax. We are talking about macro. That's how
:01:56. > :02:03.stingy are you, on a scale of one to ten? Asked we're talking about The
:02:04. > :02:08.Miser. I'm stingy as the next man. One-man's miser is another man's
:02:09. > :02:12.astute saver. Tonight, we want to name and shame and celebrate anybody
:02:13. > :02:18.you know who is obsessed with saving money. Perhaps you've got a stingy
:02:19. > :02:22.sister, or penny wise pal, the type of person who makes their own
:02:23. > :02:29.popcorn and takes into the cinema to take Webber save money. How did you
:02:30. > :02:32.know I did that? We've heard all your secrets. Send us a photo and
:02:33. > :02:39.the reason they are such a skinflint and we'll show some of them later
:02:40. > :02:46.on. Griff, you can judge it, miser of the week. Can I keep this torch?
:02:47. > :02:50.On a scale of one to ten, we are up there. Any miser out Blair will
:02:51. > :02:57.enjoy this film, it's all about this, money, specifically the ?1
:02:58. > :03:00.coin. One in every 30 is actually fake, did you know? In an effort to
:03:01. > :03:03.combat this the Royal Mint is producing what they claim will be
:03:04. > :03:08.the most secure coin in the world. We sent Raphael Rowe to find out
:03:09. > :03:14.more. Next month, our familiar round ?1
:03:15. > :03:19.coins are being replaced by a new, edgier version. Right now they are
:03:20. > :03:26.turning out 2000 coins a minute ready to go into circulation in
:03:27. > :03:28.March. And The One Show has been granted exclusive behind-the-scenes
:03:29. > :03:32.access to film here, at the Royal Mint. In total, they are producing
:03:33. > :03:38.over 1.5 billion coins, with each one intricately designed. This
:03:39. > :03:46.brand-new ?1 coin is being billed as the most secure in the world. But
:03:47. > :03:53.why don't to all this effort now? Adam Lawrence is CEO at the Royal
:03:54. > :03:57.Mint. The primary reason we are introducing new ?1 coins is to
:03:58. > :04:02.tackle counterfeiting. We have over 45 million counterfeit in regulation
:04:03. > :04:08.and we can't avoid a loss in confidence in the currency, so this
:04:09. > :04:13.is an issue we must grasp. The chief engraver is responsible for the
:04:14. > :04:17.features. It's made of two colours. Unlike the previous ?1 coins, it
:04:18. > :04:22.shapes, it has 12 sides. On the edges we have milling, lines down
:04:23. > :04:29.one face, and the next phase is plain. We have a hologram, so you
:04:30. > :04:33.can see a ?1 fine in one direction and the number one in another
:04:34. > :04:36.direction. The features we are bringing to the table has never been
:04:37. > :04:41.done before, so I don't think it's going to be possible to counterfeit
:04:42. > :04:45.this coin. We have a coin for the 20 firsts and it, we are ahead of the
:04:46. > :04:49.game now. It's an impressive new coin but the changeover will come at
:04:50. > :04:55.a cost. Some councils say they are forking out as much as ?30,000 of
:04:56. > :04:58.taxpayers' money to adapt parking and vending machines. If counterfeit
:04:59. > :05:03.coins are such a problem, how likely are ideal to have one in your
:05:04. > :05:09.wallet? To find out, we've withdrawn ?1000 worth of ?1 coins from the
:05:10. > :05:13.bank. In 30 are estimated to be fake, we should get at least 33
:05:14. > :05:18.coins from this case but not real. We've come here, where they've got a
:05:19. > :05:23.special machine to test out coins. Andy Brown runs a company where they
:05:24. > :05:27.test and fix machines designed to accept pound coins. They've already
:05:28. > :05:33.adapted over 10,000 parking meters to fit the new coin. But today, he's
:05:34. > :05:38.going to analyse our ?1000 and find out how many are fake. Show me how
:05:39. > :05:45.this machines works. Let me take some of your coins. What we need to
:05:46. > :05:50.do is pile them into the top of the hopper. It will spin round. Put the
:05:51. > :05:56.coins through, and we will see if they are counterfeit or not. And we
:05:57. > :06:04.don't have to wait for long. There you go. We have a fake. Let me look
:06:05. > :06:08.at this. So how does this coin differ from this coin? Compare the
:06:09. > :06:12.designs. On the front, they look identical. If you turn them on the
:06:13. > :06:17.back and look at the picture of the Queen's head, it's totally
:06:18. > :06:20.different. This has come from a bank, so a bank could be giving
:06:21. > :06:27.people... There's another one, another one has come out. I'm really
:06:28. > :06:31.excited. ?1000 coins came from the bank, so they could beginning an
:06:32. > :06:35.innocent bystander fake coins. I'm going to let you carry on putting
:06:36. > :06:41.the rest of these coins in and let's see how many we get. Whilst we wait
:06:42. > :06:44.for the results, we go to the local cafe. How many others are
:06:45. > :06:55.unknowingly carrying counterfeit cash? Your money is good. Your first
:06:56. > :06:59.coin was a fake. How does it make you feel? A bit annoyed, someone has
:07:00. > :07:05.made them and given them out for nothing. They are so similar. I
:07:06. > :07:10.understand notes, but how do you make a fake coin? What about our
:07:11. > :07:16.1000 coins? We have run the coins through the machine. We found 19
:07:17. > :07:20.fake coins. Even the machine can't spot some of the latest, most
:07:21. > :07:24.sophisticated fakes. He also gives every coin a close visual
:07:25. > :07:34.inspection, looking for tell-tale inaccuracies. Two, four, 13, 14...
:07:35. > :07:40.Visually found. So 33, out of 1000, so it kind of hits the mark of one
:07:41. > :07:48.in every 30, in circulation, is fake. Yes. Amazing. I didn't know
:07:49. > :07:51.lots of vending machines and parking meters have those counterfeit
:07:52. > :07:56.checkers in them. It answers that query off when you put coins in and
:07:57. > :08:01.they come out the other end. Griff, would you pick a coin Flores, follow
:08:02. > :08:06.your instincts, don't worry about using too much, we will find out if
:08:07. > :08:12.you have picked a fake one. Any coin, I will say that one is the
:08:13. > :08:17.fakes. You want the real one. You want the real one. Spend it later. A
:08:18. > :08:22.present for you later, hopefully, assuming you've picked the right
:08:23. > :08:28.one. Oh, I see, we're not going to find out? Later on! Let's get down
:08:29. > :08:36.to business. Do you want to find out now? I'm just... I'm kissing it as
:08:37. > :08:42.well! You are like me, with a parking meter, trying to make it
:08:43. > :08:47.work! What are the important dates? The first date is the 28th of March,
:08:48. > :08:51.that's when the new snazzy 12 sided coin comes out. It will be
:08:52. > :08:55.officially in circulation and will be used as legal tender. LB a
:08:56. > :09:02.six-month coast regulation period, where it runs alongside the old
:09:03. > :09:06.coins and on October 16, the old coin will no longer be accepted in
:09:07. > :09:14.shops -- there will be a six-month regulation period where both can be
:09:15. > :09:20.used. Was about the ?5? There's an easy date to remember, the five of
:09:21. > :09:26.the five, the old fivers won't be no more. If you hide all fivers kicking
:09:27. > :09:31.around, you can take them to the bank or post office. In the roll-out
:09:32. > :09:34.of currency, we are used to it running smoothly, but it doesn't
:09:35. > :09:41.always go that way. It has to be controlled. We covered this, in
:09:42. > :09:46.India last year, in November, they said overnight, the Prime Minister
:09:47. > :09:52.announced, no more 501,000 rupee notes. He took them out over one
:09:53. > :09:57.day. Everyone panics. -- no more 500 rupee or 1000 rupee notes. There was
:09:58. > :10:01.1 billion people trying to get their notes changed into smaller notes.
:10:02. > :10:04.That's not been done very well. Subsequently, about one third of
:10:05. > :10:09.those notes have been replaced with smaller notes, but they are still
:10:10. > :10:11.missing so many notes and there's not enough notes in circulation in
:10:12. > :10:16.India because of that. It's a nightmare. But we are doing it
:10:17. > :10:21.properly here, nicely. It's a moment of truth. It's happening right now.
:10:22. > :10:32.This is it. Did you pick the real one, or the fake one? Drop it in.
:10:33. > :10:41.Just there. CHEERING AND APPLAUSE
:10:42. > :10:49.There is showing this! There is showing this! My huge collection of
:10:50. > :10:53.nearly 100 of them... Add it to the jar. If you want any advice on how
:10:54. > :10:59.to spot a fake coin, we will put some tips on the Royal Mint on our
:11:00. > :11:05.website. While Griff Distin -- decides what he will spend his shiny
:11:06. > :11:09.new ?1 on, it's time for Anita Rani to introduce you to a remarkable
:11:10. > :11:17.woman in Belfast, helping to change lives, down to the wonder Ross wig.
:11:18. > :11:22.Hair matters. For men, a full head of hair is seen as a sign of
:11:23. > :11:27.virility, and for women, many see it as an intrinsic part of femininity.
:11:28. > :11:34.That's why for millions of people in the UK facing unwanted hair loss can
:11:35. > :11:37.be a very traumatic experience. Far from being an exclusively male
:11:38. > :11:42.problem, it may come as a surprise that according to the NHS, an
:11:43. > :11:47.estimated 8 million women in Britain are affected by hair loss. It was
:11:48. > :11:54.this high demand and lack of supply that inspired to raise Hughes to get
:11:55. > :11:57.into the wig business. She owns the longest running boutique of its kind
:11:58. > :12:02.in Northern Ireland and over the years she's become a familiar face
:12:03. > :12:07.to countless families. So how do you go from having hairdressing salon to
:12:08. > :12:11.them being this, the Queen of wigs? Women were coming in with thin hair,
:12:12. > :12:14.so thin you couldn't blow dry it and I thought, this needs to be
:12:15. > :12:26.addressed. It's something I can do, I can make a difference. She has
:12:27. > :12:29.travelled the globe learning her craft in order to suit the needs of
:12:30. > :12:31.any client. Her dedication has earned her an MBE. . Clients come
:12:32. > :12:41.with a variety of needs and desires. 19-year-old Jordan has alopecia. It
:12:42. > :12:46.comes and goes. It's not for me. How do you feel when you haven't got the
:12:47. > :12:53.wig on? This is me, I have my outside me, the social me, they are
:12:54. > :12:56.two different things. What's the experience like? Coming into a sweet
:12:57. > :13:01.shop, you see everything you like and pick your favourite one. It's a
:13:02. > :13:10.happy experience, one that makes you feel normal. She's like your fairy
:13:11. > :13:14.hairy godmother! Many of Terese's clients are going through
:13:15. > :13:17.chemotherapy, like 22-year-old Jess, who was diagnosed with Hodgkin's
:13:18. > :13:23.lymphoma. The side-effects of treatment means she would lose hair.
:13:24. > :13:28.Hair is everything. I would always get my friends to let me do their
:13:29. > :13:31.hair, dying cover cutting, everything, and I would always do my
:13:32. > :13:35.own hair, so many different colours. It's always been something I played
:13:36. > :13:47.about with an something that my friends have seen me for. Can I see?
:13:48. > :13:53.Yes. So still have their, but it's not my hair -- there is still hair
:13:54. > :13:58.there. How long was it? What are you looking for? You're blonde wig is
:13:59. > :14:04.gorgeous. Something different, just to switch it up. And in Terese's wig
:14:05. > :14:08.shop, you can become whoever you want to be. Honestly, you look
:14:09. > :14:17.amazing. What do you think? I'm sold. It's amazing what hair can do.
:14:18. > :14:21.I think this is the one. I'm excited to play about with it. I'm
:14:22. > :14:26.concentrating on the people who need me and the people who need me, need
:14:27. > :14:30.me. It's such an important thing, your hair. Externally, we are all
:14:31. > :14:36.external. It's what we see on the outside. That's the bit people see.
:14:37. > :14:39.It's important for them. Terese is working on one of the most loyal
:14:40. > :14:47.customers, who has a very different reason for needing a wig. It's still
:14:48. > :14:52.you, you look like you. How hard has it been for the moment you came out
:14:53. > :14:59.as trams? You don't know what to leave the house, you don't know if
:15:00. > :15:03.you can get a pint of milk or something -- you came out as trans.
:15:04. > :15:08.You stand on your door, you get to the door and run all the way to the
:15:09. > :15:12.house and by the third time you have the confidence to go in and do it
:15:13. > :15:17.because if you don't, you will never have the confidence to do it.
:15:18. > :15:21.Putting on a wig, does it boosts your confidence? It does, it's like
:15:22. > :15:28.getting ready for battle. You can face the world. How do you feel?
:15:29. > :15:35.Beautiful, I'm a fussy woman! Aren't we all!
:15:36. > :15:41.I was really happy that Jess picked the red wig. And Griff, you are no
:15:42. > :15:48.stranger to a wig. We have some pictures here. Also the Fagan wig in
:15:49. > :15:54.Oliver, another spectacular one. You shake your head for this one. And I
:15:55. > :15:59.will shave my head for this one. We are wig plastic all the way through,
:16:00. > :16:12.and it starts with mere using my son -- we are wig =tastic all the way
:16:13. > :16:19.through. I thought I do not want to wear a bald wig and then another
:16:20. > :16:26.one. When will you shave it? As late as possible, surprise myself. What
:16:27. > :16:32.we are talking about is Moliere's The Miser, classic French farce,
:16:33. > :16:35.ludicrously complex. It's sort of like the Marx Brothers meets air
:16:36. > :16:44.plane. Whatever we were expecting about this was just not that it
:16:45. > :16:49.would be such an hilarious play. It has every conceivable form of
:16:50. > :16:52.slapstick, of low jokes, it is real crude comedy. It's tradition
:16:53. > :16:58.stretches back into pantomime. It has been hilarious to do, and great
:16:59. > :17:04.to do it with comedians. We're doing it with Matt and Lee. You are right
:17:05. > :17:10.there, and Lee is discovering jokes all the time. Every time your thing,
:17:11. > :17:14.surely this is the bit, because the miser has money on string which he
:17:15. > :17:22.keeps paying to people, and as they go out the door committee polls the
:17:23. > :17:29.strength and pulls the money back. -- they go out the door, he pulls
:17:30. > :17:43.the strings and pulls the money back. You say it is very relevant to
:17:44. > :17:46.today, that it first started out in 1668. Yes, but the whole story is
:17:47. > :17:51.really about our family split up because dad is extremely rich and
:17:52. > :17:53.has buried his money in the greenhouse under the tomatoes, and
:17:54. > :17:58.the rest of the family are trying to get hold of it, is it is a family
:17:59. > :18:04.comedy. He spends his time Rowling with his son about the money. I felt
:18:05. > :18:10.for the man. When they sent it to me, they said, Griff, it will be
:18:11. > :18:14.difficult to play because he is a really terrible character, this man,
:18:15. > :18:18.and the audience will find it difficult. I read it going, no, I
:18:19. > :18:25.sympathise with him. I see is point of view. The bank is losing his
:18:26. > :18:31.money, he feels that everybody is just trying to get hold of his cash
:18:32. > :18:39.and so he needs to look after it, as we all go. How have rehearsals been
:18:40. > :18:50.with the? Does it feel like chaos? We have had him -- with Lee. We have
:18:51. > :18:55.had them on the show. It is like strictly come dancing. You have to
:18:56. > :18:59.get the moves and get them on cue. Only yesterday, there was a moment
:19:00. > :19:06.where I had fallen over backwards, then we were rehearsing a fight and
:19:07. > :19:15.he opens the door, and I'm running in, and we go like that... I fall in
:19:16. > :19:20.the fire. I leap up and bang into the wall, and a ball's head falls
:19:21. > :19:31.off the wall on my head, then I fall forward, put my hand up to support
:19:32. > :19:39.myself and crash. They said, have you hurt yourself? I said yes, and
:19:40. > :19:45.they said, good. The Miser starts at the Garrick Theatre in London's West
:19:46. > :19:52.End shortly. Our next guest is an expert in
:19:53. > :19:57.capturing Sunrises. He can take those spectacular snaps on his way
:19:58. > :20:09.home from work, he has such a great job.
:20:10. > :20:15.I am a train driver at the depot for a living, and at night, I am a
:20:16. > :20:21.landscape photographer. Last train of the night, Kevin, what is the
:20:22. > :20:29.plan? We will take it through the wash. Ready to proceed? We do an
:20:30. > :20:34.important job here, and to know that a train is leaving in the morning
:20:35. > :20:36.and people will be able to travel safely and -- travel safely and get
:20:37. > :20:42.to their destination on time is a big satisfaction. The hardest part
:20:43. > :20:48.of the job is probably the long-term effect that shift work has on you. I
:20:49. > :20:53.am taking the train through the wash at the moment, ready to go back into
:20:54. > :20:58.service is nice and clean. When the trains come to the depot after being
:20:59. > :21:03.in service, ARN tea and quiet, and it's much like when I am out taking
:21:04. > :21:10.photos on my own. You just hear the slight hum of the air conditioning
:21:11. > :21:23.units, and it is a bit like being out in the wild. The oh -- over
:21:24. > :21:30.time, my colleagues have seen my photos and been impressed, and that
:21:31. > :21:40.spurs me on, in our way. -- in a way. This job allows me to live my
:21:41. > :21:46.life in a more flexible way and to do photography alongside it. With
:21:47. > :21:54.the Sunrise being just after seven, there should be plenty of time. I
:21:55. > :22:01.will have the camera all set up ready for the sunrise this morning.
:22:02. > :22:13.I love photography and I love being able to go out after work and catch
:22:14. > :22:19.the sunrise. I am willing to walk miles to get to the location I want.
:22:20. > :22:23.The foreground is as important as the sky. This castle doesn't
:22:24. > :22:37.disappoint. You have to have a lot of patients to be able to set up
:22:38. > :22:40.your short ready for sunrise. I find it cathartic and it is like my
:22:41. > :22:44.nirvana, being in the wild. The landscape is a blank canvas and it
:22:45. > :22:50.is down to you how you choose to capture it. There is a bank of cloud
:22:51. > :22:58.which is slowly disappearing. I am hopeful the sun will burst through
:22:59. > :23:08.that. It is never the same Sunrise or the same sky. Often, you are the
:23:09. > :23:16.only one to see it. -- sunrise. All the effort to get here, I can go
:23:17. > :23:25.home now. So humble, isn't he? And ever so talented. Which is your
:23:26. > :23:29.favourite? The one where he has got the steam rising off the sea and all
:23:30. > :23:36.those stars, like the Milky Way. I feel for him because I have recently
:23:37. > :23:39.gone on Instagram. Everyone who is on there, we have all become
:23:40. > :23:45.photographers in a way that we want before. That is a real achievement
:23:46. > :23:49.because I know how difficult it is to make a good photograph. I will
:23:50. > :23:54.give you his number and you can call him for tips. Now, if you are not a
:23:55. > :24:02.big fan of mice, bear with us because in our next film, Ben, our
:24:03. > :24:09.biologist, promises to make you see them in a whole new light.
:24:10. > :24:14.Have you ever wondered what makes house mice so elusive? Having
:24:15. > :24:23.managed to squeeze through impossible gaps that are seemingly
:24:24. > :24:26.smaller than the mice themselves. -- how they manage. It is like me being
:24:27. > :24:32.able to fit my entire body through this frisbee. The secret is its
:24:33. > :24:39.unique anatomy. I am meeting with an old colleague of mine, a mammal
:24:40. > :24:42.expert, Doctor Nick. We will see if a house mouse can squeeze through a
:24:43. > :24:50.gap of just one centimetre. Hello, Nick. Who do we have here? Well,
:24:51. > :24:57.this is Ben, the mouse, who will be helping us out today. In this is the
:24:58. > :25:03.challenge you have set him? Yaw yes, this is the apparatus. We will start
:25:04. > :25:07.Ben on one side, leave a little tasty treat on the other and we will
:25:08. > :25:15.see if he can sneak through this gap we have set up. Now, it is a waiting
:25:16. > :25:26.game. He tested it with his head to see if
:25:27. > :25:33.it could fit through. Is it too small? He has got his head through,
:25:34. > :25:41.and just squeezing the rest of his body through. Wow! Let's look at
:25:42. > :25:48.that in slow motion. To start with, he seems so much bigger than the
:25:49. > :25:54.whole. But that won't stop him. When the head goes under, his whole body
:25:55. > :26:04.just seems to squash. Key squeeze through. It is incredible. How does
:26:05. > :26:10.Benji know he won't get stuck? Benji was using his whiskers. Unlike us,
:26:11. > :26:15.his eyesight is quite poor, so they rely a lot on the sense of patch.
:26:16. > :26:17.The amount of their brain that is concerned with receiving signals
:26:18. > :26:28.from their whiskers is actually bigger than the amount concerned
:26:29. > :26:31.with receiving signals from their paws. Which makes sense if you are
:26:32. > :26:35.getting into the world knows first. How does he actually squeeze
:26:36. > :26:40.through? To understand the secret, we need to look inside his body to
:26:41. > :26:46.see how this guy works. Incredibly, that is now possible with this, a
:26:47. > :26:52.flora scope. We have all seen x-ray photographs, but this machine
:26:53. > :26:56.captures x-rays as moving images. You can see here, the head is the
:26:57. > :27:00.biggest part of the anatomy, and when it has squeezed through, the
:27:01. > :27:05.rest goes through seamlessly. Unlike us with our big shoulders and
:27:06. > :27:08.smaller heads, a mouse had their head as the widest part. The
:27:09. > :27:11.shoulder and everything else is narrower, and that is the secret
:27:12. > :27:18.that allows it to squeeze through such tiny gaps. How will the mouse
:27:19. > :27:27.cope with an obstacle course in a confined space. This will really
:27:28. > :27:32.test is agility? No problem. He made it look easy. What's really clear
:27:33. > :27:35.from this video x-ray is the snakelike flexibility of the little
:27:36. > :27:52.mouth's spine Rostock and this is very different from our spines work.
:27:53. > :27:58.-- the little mouse's spine. He has interconnecting vertebrae that allow
:27:59. > :28:01.this movement. It is amazing with this technology to see how the
:28:02. > :28:05.inside of a mouse works. It is not hard to imagine how these animals
:28:06. > :28:18.can find their way into every knock and cranny inside our homes. --
:28:19. > :28:22.every now and cranny dart-mac we have a little set of stairs coming
:28:23. > :28:26.up to our kitchen. I looked over, and there was a mouse coming up. It
:28:27. > :28:32.just walked across the kitchen casually like this. But the amazing
:28:33. > :28:41.thing was, it came up the stairs. Everything has got to live. That's
:28:42. > :28:54.what your mum says! It is! Julia says a relation of hers only uses
:28:55. > :29:00.the toilet at worked as a paper. John 's wife Boyle is a kettle in
:29:01. > :29:05.the morning and fills a glass with water to keep her in it for the rest
:29:06. > :29:07.of the day. That's all we've got time for tonight. A big thank you to
:29:08. > :29:11.Griff Rhys Jones. The Miser opens on March 1st
:29:12. > :29:16.at the Garrick Theatre in London. I'm back tomorrow at seven
:29:17. > :29:18.with John Richardson. Tracey Ullman is on the sofa,
:29:19. > :29:23.and we have a very special To break someone physically...
:29:24. > :29:26.MAN YELLS But we will see how
:29:27. > :29:32.you are strong psychologically.