:00:00. > :00:12.Tonight, we look at today's once in a lifetime event that has caused
:00:13. > :00:25.more air pollution in Norfolk than in London. Gosh - I really hope it
:00:26. > :00:35.doesn't affect the voice. So do we. Hello and Welcome to The One Show
:00:36. > :00:48.with Matt Baker. And Alex Jones. Yes, there's definitely something in
:00:49. > :00:51.the air today. Dan Snow is here to reunite some families with their
:00:52. > :00:56.long lost World War I heirlooms. All thanks to you at home. And we'll be
:00:57. > :01:03.finding out what it felt like to be on this train right in the worst of
:01:04. > :01:10.the February storms. That was just before the tracks disappeared into
:01:11. > :01:23.the sea. Let's meet our two guests tonight. It's Suranne Jones. And
:01:24. > :01:35.Sandi Toskvig. We coordinated. Was there an e-mail? Immediately. Have
:01:36. > :01:40.you been across this pollution? I have been. I have asthma. You can
:01:41. > :01:45.feel it in your lungs, certainly in London you can. A friend of mine
:01:46. > :01:54.washed her car and two days later it was filthy. We woke up on Sunday
:01:55. > :01:59.morning and I thought, what has happened to our cars? They were
:02:00. > :02:07.covered in sand. I thought, what was that? And, as we saw earlier, we've
:02:08. > :02:11.got the four Voice finalists Christina Marie, Jamie, Jermain and
:02:12. > :02:20.Sally here. Each of them will be singing live for us later. We're
:02:21. > :02:23.going to stay impartial but if you're a Voice superfan, we want you
:02:24. > :02:29.to show your support for your favourite. Take a photo of yourself
:02:30. > :02:33.holding up the name of the one you're rooting for and send it to us
:02:34. > :02:40.with a line or two about why you want them to win. We will give them
:02:41. > :02:43.a confidence boost. Back to those pollution levels and today Defra
:02:44. > :02:48.warned that the worst hit areas would be around East Anglia and
:02:49. > :02:50.parts of the Midlands. Nick Owen has been out in Birmingham to see if
:02:51. > :03:01.it's caused any problems there. We do not normally give air
:03:02. > :03:05.pollution in Birmingham that much thought but we are the second most
:03:06. > :03:09.polluted city in Britain after London. We are surrounded by motor
:03:10. > :03:14.racing vehicle pollution is a major factor. On top of that, there is
:03:15. > :03:17.pollution coming across from industrial cities of Europe with
:03:18. > :03:31.sand sweeping in from the survey are. -- the Sahara. I have noticed
:03:32. > :03:37.it on my car and conservatory roof. It has been pretty bad. My car was
:03:38. > :03:42.covered in sand. I cleaned it all up. The next day it was back again.
:03:43. > :03:51.It makes you wonder about your health. I have been coughing. I saw
:03:52. > :04:01.someone with a mask on. What sort of problems can add pollution cause? Mr
:04:02. > :04:05.G problems -- respiratory problems, especially for people with existing
:04:06. > :04:16.asthma. The advice is for people to stay home and avoid exertion. Air
:04:17. > :04:20.pollution in Birmingham today has been moderate. It will be high
:04:21. > :04:27.tomorrow. How concerned should we be? You would probably only see
:04:28. > :04:36.short-term symptoms. It would go away immediately. Fightback the
:04:37. > :04:39.message is, be careful but relax. We're joined by Dr Benjamin Barratt,
:04:40. > :04:42.a Lecturer in Air Quality Science at King's College London and Carol
:04:43. > :04:50.Kirkwood from the BBC weather centre. Where are the levels at? It
:04:51. > :04:56.started at the weekend. They were at very high levels on Sunday and
:04:57. > :05:01.Monday. Levels cleared a bit and this morning was looking OK. Let's
:05:02. > :05:08.have a look at Sunday. What do the colours mean? The UK Government has
:05:09. > :05:16.a banding system with ten different levels. One is low and ten is high.
:05:17. > :05:23.It is quite high on Sunday. It was the highest that we get in the UK.
:05:24. > :05:31.Purple levels are pretty unusual. What is making up this pollution? In
:05:32. > :05:36.this case, it is a very unusual mix. Saharan dust is being imported up
:05:37. > :05:42.from Africa, combined with easterly winds blowing continental European
:05:43. > :05:47.pollution to the UK and we are adding our own pollution to it. We
:05:48. > :05:50.have had low pressure in the Atlantic and high pressure in
:05:51. > :05:56.Eastern Europe and this deed of southeasterly winds. We have had
:05:57. > :06:00.them for a few days. We have picked up the dust from the Saharan desert
:06:01. > :06:04.which worked across the Mediterranean across north-west
:06:05. > :06:09.Europe and across the UK. It merged together and stayed there. There has
:06:10. > :06:15.been dry weather in the east and that is why it did not go away. How
:06:16. > :06:25.often do we get Saharan sand over here? We do get it. It is not
:06:26. > :06:34.unusual. In that particular weekend, last weekend, it left a residue on
:06:35. > :06:42.cars and Windows. Or do you have been testing today 's pollution. --
:06:43. > :06:48.all day. This is recently, in the last hour or two. No purple but the
:06:49. > :06:52.south-east is heading into red. That is high air pollution. These have
:06:53. > :06:58.different health effects. Up at the high level is where people need to
:06:59. > :07:04.be taking action to try to avoid the pollution. North-west Norfolk had
:07:05. > :07:08.the highest levels. Why was that? That was earlier in the week. It is
:07:09. > :07:16.all to do with wind direction. On that day, that is where it was
:07:17. > :07:21.hitting. When will this blow away? By Friday, it will have gone and the
:07:22. > :07:27.wind direction will have changed. It will come in from a clear source,
:07:28. > :07:33.namely the Atlantic. We will have rain that will wash it away. The
:07:34. > :07:39.testing results today, what have we learned from the top of the BBC? I
:07:40. > :07:47.set up these two instruments on the roof. It was to find out what their
:07:48. > :07:53.quality was like quickly. There you are, first thing this morning, just
:07:54. > :07:56.after breakfast. Air levels were reasonable women started. Through
:07:57. > :08:06.the course of the day, there was a steady increase. It went up to
:08:07. > :08:14.around 19 micrograms. That is where we tip from these orange, moderate
:08:15. > :08:18.levels to the red, high levels. Do you have any questions? I do not
:08:19. > :08:28.think I have seen a pollution shop before. Is it regular? We are
:08:29. > :08:33.starting to introduce it into our forecasts. This situation is a lot
:08:34. > :08:39.more common in the summer. As Ben said, we have had an unusual
:08:40. > :08:46.situation with the factors coming together at a time. I suffer from
:08:47. > :08:51.asthma. You can see those charts on the Defra website as well, if anyone
:08:52. > :08:58.else is interested. Thank you both very much indeed. Thank you for
:08:59. > :09:02.getting up. Britain, you have a tricky decision to make on
:09:03. > :09:08.Saturday, which contestant are you going to vote for in the grand final
:09:09. > :09:13.of The Voice? We will be meeting each finalist and hearing them
:09:14. > :09:16.saying throughout the show. First, Jamie. Let's see the moment he got
:09:17. > :09:38.through last Saturday. It is Jamie will --. A lovely moment
:09:39. > :09:42.with your family. Congratulations on getting to the final. I will tell
:09:43. > :09:53.you what you have been living most men 's dream. How has Kylie Minogue
:09:54. > :10:01.been as a coach? Is she hands on? Yelena I am going to say she is the
:10:02. > :10:07.best coach. -- I am going to say she is the best coach. How are you
:10:08. > :10:12.feeling? I am one of the most nervous people but I am feeling
:10:13. > :10:20.good. I cannot wait. I am looking forward to getting out there and
:10:21. > :10:29.doing it. You have all picked songs to sing on Saturday, which some have
:10:30. > :10:40.you chosen? My favourite song of the series, Sex On Fire. May I present
:10:41. > :10:56.Jamie Johnson. # lay where you are laying, do not
:10:57. > :11:05.make a sound. I know they are watching, they are watching. And all
:11:06. > :11:08.the commotion, the giddy light play has people talking and talking and
:11:09. > :11:37.talking. Oh, your sex is on fire. I will tell you what, he can sing
:11:38. > :11:44.live. Well done, that was super. You are my favourite so far. Three more
:11:45. > :11:50.finalists to come. This Friday, the Dawlish rail line will finally be
:11:51. > :11:53.reopened after it was decimated in the February storms. Local
:11:54. > :11:56.journalist Sam Smith has been there for The One Show, following the
:11:57. > :12:00.monumental efforts involved in getting the service back on track in
:12:01. > :12:04.just two months. But first here she is, speaking to some of the people
:12:05. > :12:07.who there in Dawlish in the eye of the storm and they have incredible
:12:08. > :12:09.footage to prove it. It was a spectacle that beggared belief. The
:12:10. > :12:14.main line into Devon and Cornwall ripped apart by the sea. Since then,
:12:15. > :12:19.Network Rail has been working around the clock to get the lines open in
:12:20. > :12:25.time for the Easter holidays. If all goes to plan, soon you will be
:12:26. > :12:30.hard-pressed to tell anything much happened. Happened it certainly did.
:12:31. > :12:34.The ferocious weather smashed through the sea wall and the track
:12:35. > :12:41.that runs on top of it. It has left its mark on people 's lives. The
:12:42. > :12:48.storm made landfall on the 4th of February and, writing its path, was
:12:49. > :12:55.the morning train. I got the train at 8:30am. It was a regular commute
:12:56. > :12:58.apart from it was a bit windy. As we were approaching the train station,
:12:59. > :13:04.I noticed that the waves were starting to hit the rocks, go over
:13:05. > :13:11.the rocks and then hit the side of my train. It was terrifying. For 20
:13:12. > :13:17.minutes, Daryl was trapped in what felt like a giant car wash. The
:13:18. > :13:24.section of line collapsed 12 hours later. Were you scared? Definitely
:13:25. > :13:29.scared. In my mind, I was running through what would happen if the
:13:30. > :13:37.train started to give way and went onto its side. You working out a
:13:38. > :13:45.plan? Definitely. What was it? Pick up stuff and run and hold on to the
:13:46. > :13:51.poor near -- the pole near the door. Luckily it did not come to that. For
:13:52. > :13:55.the residents that live track-side, there was no easy escape. Sign up as
:13:56. > :14:09.soon as the war went, stones were getting chucked up. -- as soon as
:14:10. > :14:18.the wall went. You can see the white water through the railway line. It
:14:19. > :14:25.was inching towards the house. We really had to go. Shane and his
:14:26. > :14:34.family got out in the nick of time. Shortly after his drive and part of
:14:35. > :14:44.his garage were washed away. Wow! You can see the cavity. Is it a load
:14:45. > :14:50.of your stuff down in that pit? Yes. It is buried. Amazingly no one was
:14:51. > :14:56.harmed in Dawlish that night. Daryl could not believe his lucky escape.
:14:57. > :15:01.Day later, I found out the piece of land my train had been on did not
:15:02. > :15:04.exist any more and that really puts it into perspective. Had it happened
:15:05. > :15:13.the day before, goodness knows what could have happened to me. The
:15:14. > :15:17.properties in the firing line couldn't be repaired until the line
:15:18. > :15:21.is fully rebuilt. Some residents are having to rent elsewhere or live in
:15:22. > :15:28.caravans. The first passengers train is due to run on Friday so, for
:15:29. > :15:32.Network Rail, the pressure is on. We'll have more from Dawlish later
:15:33. > :15:37.when we'll find out how they had to move heaven and earth to get the
:15:38. > :15:41.Railtrack cleared and finally send the very first train down the line.
:15:42. > :15:45.It's amazing! Helicopters are involved and everything. Amazing how
:15:46. > :15:52.much they've done. It wasn't that long ago. It is going to be hard to
:15:53. > :15:58.move away from the TV this weekend. As well as the Voice final, The
:15:59. > :16:01.Crimson Field starts on Sunday. This new six part drama follows the lives
:16:02. > :16:05.of a group of nurses in a field hospital during the First World War
:16:06. > :16:09.and Suranne is one of the main characters. This is your first
:16:10. > :16:13.costume drama, which is surprising, because you've done loads of stuff.
:16:14. > :16:22.It's the first BBC World War I drama. You did lots of research, we
:16:23. > :16:26.hear. Yes, Sarah, who wrote it, called me up and she suggested one
:16:27. > :16:31.of the books. I read a book which was like a diary, which was
:16:32. > :16:35.heartbreaking. Then I went off to the Imperial War museum and there
:16:36. > :16:40.was an exhibition about medics on the Western front throughout
:16:41. > :16:47.history, which was really useful. And two women who were part of a
:16:48. > :16:52.motorcycle club in the First World War... I kind of based my character
:16:53. > :16:58.on them because I arrive on a bike. Its more modern than I thought. So I
:16:59. > :17:03.guess that putting a contemporary actress, or someone that is known
:17:04. > :17:07.for that... It's a bit different to the crime dramas and Coronation
:17:08. > :17:08.Street. Let's have a look at the moment that your character first
:17:09. > :17:18.meets the matron. I realised I had missed the
:17:19. > :17:24.transport so I thought I'd get here under my own stream. -- steam. I've
:17:25. > :17:30.got the goggles and everything. I could have turned up in full evening
:17:31. > :17:38.wear with two dogs if I'd wanted to. This is Joan Livesey. The missing
:17:39. > :17:43.volunteer? No, a civilian reservist. APPLAUSE
:17:44. > :17:48.Your character seems very matter of fact and open but you introduce this
:17:49. > :17:53.real mystery about your character in the first episode.
:17:54. > :17:58.Yes, as every good character does, she has a secret. She comes to
:17:59. > :18:05.France to nurse. She is a reservist. It focuses on the
:18:06. > :18:10.involuntary and detachment but she is a sister so she comes to France
:18:11. > :18:15.for nursing but carries a secret with her. It's hard to talk about
:18:16. > :18:21.because you find out in the second episode. I want to talk about it but
:18:22. > :18:24.I won't because I don't want to spoil it! World War I was a time
:18:25. > :18:30.when women were breaking out from traditional roles. How does your
:18:31. > :18:37.character reflect this? She is modern. She was a suffragist. Her
:18:38. > :18:41.social set in Liverpool is quite forward-thinking and political. They
:18:42. > :18:46.see each other as equals, so when you take someone like that and put
:18:47. > :18:52.them into a military environment, where authority is key... She
:18:53. > :18:58.believes that her colleagues can do a lot more. People thought the war
:18:59. > :19:03.would be over at Christmas and it wasn't. The volume of men coming in
:19:04. > :19:09.for the nurses to treat in the field hospital - they need all hands on
:19:10. > :19:17.deck so my character once the new rather than the old. The motorcycle
:19:18. > :19:21.women needed a special door for their hospital and ordered it from
:19:22. > :19:26.Harrods. We don't have enough stories about them and there aren't
:19:27. > :19:31.enough memorials. That's what Sarah has done beautifully. She has been
:19:32. > :19:36.very true to this historical period but she's done a wonderful drama
:19:37. > :19:42.looking at the eyes -- through the eyes of the women. The staging and
:19:43. > :19:49.the sets! It's supposed to be northern France but is shot in
:19:50. > :19:55.Wiltshire. Why Wiltshire? Just because there was this beautiful big
:19:56. > :20:00.expanse. They built allotments and they planted crops from 100 years
:20:01. > :20:05.ago, way before we started filming, so the depth that they could get
:20:06. > :20:11.with the HD cameras was amazing. The set designers were brilliant. We
:20:12. > :20:17.looked at the old photographs and what they recreated in the set is
:20:18. > :20:22.amazing. Is it right that they planted an old variety of wheat?
:20:23. > :20:24.Yes, near the cemetery. As we were walking through, someone said they
:20:25. > :20:31.were here planting it and it had grown. Even on the advert when the
:20:32. > :20:37.matron walks through and there are sheets drying on the line... Anyway,
:20:38. > :20:44.Suranne is not the only one who has appeared in a costume drama
:20:45. > :20:49.recently. Let's have a look, Sandi! Are you the father? Yes. The machine
:20:50. > :20:57.is breathing for him. He is not currently able to do that on his
:20:58. > :21:05.own. I understand. I am his GP, too. Of course, you sent in the other
:21:06. > :21:12.lad. Polio. A mild dose. Out of bed and giving cheek. That was
:21:13. > :21:20.wonderful! I was told to play her very severe but I like to think I
:21:21. > :21:24.gave her a slightly slutty side! Somebody said she looked like a
:21:25. > :21:29.grandma and I think I look like my mum! It's strange what a period
:21:30. > :21:35.costume dolls. If we both keep the frocks, we could maybe come up with
:21:36. > :21:42.something! Can we look forward to more? I loved it. I didn't know what
:21:43. > :21:47.to do. I just caressed that gently. Very convincing!
:21:48. > :21:57.Last week we made an appeal to viewers to help us reunite the First
:21:58. > :22:00.World War diary and a medal with their families and Dan is here to
:22:01. > :22:05.reveal the amazing detective work you've been doing. Let's remind
:22:06. > :22:09.ourselves about Amy's diary, the diary of a World War I Red Cross
:22:10. > :22:13.nurse that turned up in some rubbish about 15 years ago and, Suranne,
:22:14. > :22:19.because you are playing a nurse, we would like you to read an extract.
:22:20. > :22:24.April the 6th 1918. A train in during the night straight from the
:22:25. > :22:28.trenches. Awful cases and so many died. The theatre staff had to set
:22:29. > :22:32.up and operations were going on all night. Three tables were going on at
:22:33. > :22:37.the same time. It is pitiful to walk through the wards and see the
:22:38. > :22:40.hundreds of dying boys. The huts are full and patients are lying on the
:22:41. > :22:45.floor. I'm sick of the ghastly sites. Here is what we know about
:22:46. > :22:50.the diary and the medal and this is what we found out last Monday. This
:22:51. > :22:54.is a medal but you got if you fought in 1914 or 1915.
:22:55. > :23:00.I found it when I was gardening in Chislehurst. It belonged to Captain
:23:01. > :23:11.GW Hopton. This is very special. It's a diary. It's written by bill
:23:12. > :23:16.-- Amy W Billam. That was last week. There are few people here, so
:23:17. > :23:20.the story has moved on. It was one of the most inspiring things I've
:23:21. > :23:26.ever done. Within seconds, my Twitter had gone bananas! We had the
:23:27. > :23:32.bullring in. Angela ran into the team here. We had the Red Cross
:23:33. > :23:36.archive. -- we had people bring in. Somebody went through the census
:23:37. > :23:42.records and the electoral register and found the grandson, Peter. Did
:23:43. > :23:49.you know about this diary? No idea. What was she like? The
:23:50. > :23:54.diary paints a dark picture but she was quite gregarious. There is a
:23:55. > :24:00.story about her commandeering an ambulance to go out for some R and R
:24:01. > :24:03.with another nurse. There's a picture of me sitting on her lap
:24:04. > :24:09.down here. Amy is the one at the back. Mixed feelings because you've
:24:10. > :24:15.got to hand over the diary. How do you feel? A bit sad. I've been its
:24:16. > :24:19.custodian for 15 years but it should go back to its family. Thank you
:24:20. > :24:25.very much. I'm really excited to have this. I'm going to take it
:24:26. > :24:29.home, read it, sharing with the family, then donated to the Imperial
:24:30. > :24:34.War Museum with some other document and hopefully they will look after
:24:35. > :24:36.it for another 100 years. What a wonderful moment and thank you to
:24:37. > :24:42.everybody who has been part of the search. Thank you to Martin for
:24:43. > :24:47.rescuing it for the skip. We've got more results! Stephen, tell us about
:24:48. > :24:53.the medal. We managed to find a family member. Richard, it gives me
:24:54. > :25:01.great pleasure to hand this medal over to its family. The medal is for
:25:02. > :25:09.you and the box is 50 quid! Hang on a minute! The payment is in the
:25:10. > :25:15.post! How are you related to GW Hopton? I worked out that I am his
:25:16. > :25:19.second cousin, three times removed, which is pretty distant, but we are
:25:20. > :25:25.still related. And it was you who saw it on The One Show, was it? No,
:25:26. > :25:32.I got back home after the programme had finished but my young relative
:25:33. > :25:36.had noticed the family name and was in a frenzy of excitement and we ran
:25:37. > :25:44.with it from there. Thank goodness she is so astute! We're not stopping
:25:45. > :25:49.here. More stuff. Sending stuff if you have it at home! We have an
:25:50. > :25:52.amazing painting that John has brought in. It is of a second
:25:53. > :26:01.lieutenant from the First World War. It was painted in 1917. It is
:26:02. > :26:09.left ten at a cheap price. -- Lieutenant H E price. I saw this in
:26:10. > :26:13.a local pub and the landlord said he was going to give it up and I asked
:26:14. > :26:17.if I could have the picture. He said I could have it if I replaced it
:26:18. > :26:20.with something else. I took it home and put it in a drawer and forgot
:26:21. > :26:26.about it. But you've been looking for descendants? Yes, after I
:26:27. > :26:30.motivated myself to go and check it out, I realised that on the frame
:26:31. > :26:37.were his details and that motivated me to do some research and find out
:26:38. > :26:42.about him. I got to some extent. I got his medal card, for example, and
:26:43. > :26:48.that was about it. As soon as your show came on, I thought I would have
:26:49. > :26:51.a look at it. Once again, get in touch on Facebook or e-mail if you
:26:52. > :26:59.have any information that could help us reunite this painting with its
:27:00. > :27:03.subject's family. Thanks so much to our finders and their families and
:27:04. > :27:07.the viewers who helped. If you want to find out more about Amy, you can
:27:08. > :27:13.read her diary entries for April on our website. As if we hadn't seen
:27:14. > :27:18.enough flooding, this week's big film release, Noah, promises floods
:27:19. > :27:22.of biblical proportions. But how much of the story of the arc
:27:23. > :27:28.actually holds water? We've been out to find out.
:27:29. > :27:34.Man corrupted this world and filled it with violence so it needs to be
:27:35. > :27:37.destroyed. Hollywood has done it again. It has caused controversy and
:27:38. > :27:43.the burning question on the street is, could there be any voracity to
:27:44. > :27:48.this ancient Mesopotamian classic? The British Museum, home to an
:27:49. > :27:51.abundance of ancient artefacts, including a clay tablet telling a
:27:52. > :27:58.familiar tale that predates the Bible. Every Bourdy knows the story
:27:59. > :28:02.of Noah and the flood. What is really interesting in this tablet
:28:03. > :28:06.that we have shows that it was an old historian that existed in
:28:07. > :28:11.ancient Iraq a long time before it ended up in the Bible. So I think it
:28:12. > :28:15.is a recycled job. It's a really good story. The world is going to
:28:16. > :28:26.end and one hero will rescue everything. Is there any chance that
:28:27. > :28:31.Noah as a nonfictional character actually existed? No, it was a
:28:32. > :28:35.Hebrew name. In the Babylonian story, he had a different name. He
:28:36. > :28:39.is an important character in a very famous story. We can't otherwise
:28:40. > :28:44.prove that he really existed and walked down the pavement. There are
:28:45. > :28:48.60 lines of writing and the first bit is when God whispers to the
:28:49. > :28:52.character that he has to build the boat. The next thing is that it has
:28:53. > :29:03.to be round. And then a few lines down, it says that it is 3600 square
:29:04. > :29:08.metres. A big boat! And here it says two by two, which we know from the
:29:09. > :29:14.Bible. Is it true that the film producers approached you before
:29:15. > :29:24.Russell Crowe to appear in the film? No. If they had come to see him, the
:29:25. > :29:29.art would have been right but they can say that they have at least been
:29:30. > :29:36.inspired by real bites, sort of, about 1000 years before the Bible in
:29:37. > :29:44.Babylonia! The ancient Babylonians did prefer their animals going in
:29:45. > :29:53.two by two. They didn't stipulate how you go about tricking so many
:29:54. > :29:56.animals onto and ark. It is a logistical nightmare. He built it
:29:57. > :30:02.and they came. You'd have to have all different types of food. The
:30:03. > :30:07.lemurs are going to keep the same as the draft. Everything he put in is
:30:08. > :30:12.going to have to come out somewhere. -- the same as the
:30:13. > :30:22.giraffe. You can't argue with a meerkat on its hind legs! I would
:30:23. > :30:28.take the giraffe. And an antelope. You can't beat the big herbivores.
:30:29. > :30:36.Nauta something more spiritual. No, a great story - does it matter if it
:30:37. > :30:41.is true? -- Noah, a great story. It doesn't matter. It's about God
:30:42. > :30:47.giving us chances and smoking them up. Animals are important to many of
:30:48. > :30:51.us and, whether we eat them or not, they are often friends, part of the
:30:52. > :30:56.family, and to take them all on a boat, there is a lovely sense of
:30:57. > :31:01.everyone going on an exciting adventure, a bit like Cliff
:31:02. > :31:05.Richard's summer holiday on the bus. It's about whether you could see
:31:06. > :31:09.yourself in this story and because it involves family and pets, people
:31:10. > :31:17.can see themselves in the story. And that's lovely! Whether you think the
:31:18. > :31:21.Noah story literally happened is probably a matter of faith. For a
:31:22. > :31:26.lot of people, it doesn't really matter. It's just a good story that
:31:27. > :31:32.has survived thousands of years. Not surprisingly, when you chuck in a
:31:33. > :31:41.happy ending, a bit of weather chat, and a few animals. A real
:31:42. > :31:52.blockbuster! and epic production, much like your low-key event. Let's
:31:53. > :32:02.say congratulations. My partner and I renewed our files on Saturday. I
:32:03. > :32:07.said, let's have a low-key affair on stage, with Rick Wakeman and 2000
:32:08. > :32:16.people in the audience. Other than that, it was very intimate. What was
:32:17. > :32:21.going on? We did have a small section of our friends as well. It
:32:22. > :32:26.was the passing of the same-sex marriage act on Saturday and we
:32:27. > :32:31.wanted to market in a really significant manner. We decided to
:32:32. > :32:35.make a public statement. Sometimes you have a day in your life that
:32:36. > :32:40.cannot be improved upon, it was moving, funny, blue skies. We
:32:41. > :33:06.finished the event with everyone singing, Bring Me Sunshine. Next
:33:07. > :33:11.Saturday, 15 To One is back. There is a quiz show and there is my
:33:12. > :33:19.marriage. You are right! Had did it come about, you hosting it? I got a
:33:20. > :33:24.phone call asking me to replace William G Stewart. You cannot
:33:25. > :33:32.replace an icon but you can do your best. I had a huge amount of fun.
:33:33. > :33:38.William G Stewart was quite stern as a quiz master. What is your
:33:39. > :33:43.approach? I'm going to go with less stern. Sometimes the comedy door is
:33:44. > :33:49.open and I step right through. I do make jokes, I am a bit
:33:50. > :33:58.light-hearted. I do occasionally get to the bit about are there enough
:33:59. > :34:06.contestants? I love the range of knowledge people have. One minute
:34:07. > :34:14.they are answering questions about the Pet Shop Boys. It is fantastic.
:34:15. > :34:19.Everyone gets a go, three shows. It would be a shame to have tricky
:34:20. > :34:24.question which means you can't get through. It is life changing money.
:34:25. > :34:28.I get to know the dreams of all the contestants. When somebody goes
:34:29. > :34:36.out, the dream has gone as well. A lot of it was very heartfelt. Let's
:34:37. > :34:41.have a look at some of the questions. In which country was the
:34:42. > :34:52.sight of the Battle of balaclava, which was fought chewing the Crimean
:34:53. > :34:57.War? Ukraine. Absolutely right. -- during the Crimean War. Is it right
:34:58. > :35:02.that some of the original contestants are coming back? We have
:35:03. > :35:11.someone on whose father and grandfather had been on. It is, in
:35:12. > :35:16.the quizzing community, a very popular show. There is talk of a
:35:17. > :35:32.celebrity special. We do not want to partner you up now. She ran, would
:35:33. > :35:37.you be in the market? -- Suranne. It is not the question, it is the time.
:35:38. > :35:44.It is the speed at which people answer. Sometimes I cannot read that
:35:45. > :35:52.fast. If someone asked me my name, I would forget it. It is not a good
:35:53. > :35:56.idea. It is on at 5:15pm on Channel 4 this Saturday. Earlier, Jamie did
:35:57. > :36:06.his thing. Now it is time to meet the second by Ernest for The Voice.
:36:07. > :36:24.Here is a moment from last weekend 's semifinal. -- second finalist.
:36:25. > :36:34.How has the week been so far? It has been crazy, manic but a lot of fun.
:36:35. > :36:39.How have you been coping with the nerves? Initially you have problems
:36:40. > :36:44.with stage fright. The first week, I was very scared. I have just sort of
:36:45. > :36:49.realised you do what you love every day and we are very lucky. Is it
:36:50. > :36:57.hard knowing this is the final but the key is to try to remain as calm
:36:58. > :37:01.as possible? I am a pay now but on Saturday morning I will not. Good to
:37:02. > :37:16.get it out of the way nice and early. -- I am OK now. What will you
:37:17. > :37:22.be singing? I have chosen the Power Of Love. It was the most special
:37:23. > :37:29.moment on the show because of my friendship. Viewers, this is
:37:30. > :37:32.important stuff. That meaning to do is important stuff. That means
:37:33. > :37:41.reduced to the rightful winner of The Voice.
:37:42. > :37:56.# the power of love, a force from above, cleaning my soul.
:37:57. > :38:01.# Blame on the desire, Love with tonnes of fire, purge the soul, make
:38:02. > :38:26.love your goal. that got the tingles going, didn't
:38:27. > :38:31.it? Beautiful! Absolutely brilliant. Two down and two to go.
:38:32. > :38:37.We're moving on to a film. I am very excited about this. Sandi Toksvig is
:38:38. > :38:41.a very clever person. You know when you watch geese flying in a geese
:38:42. > :38:46.formation. What is your theory about having to switch one is that the
:38:47. > :38:51.front? Who is the union leader? You don't think there is a big meeting.
:38:52. > :38:56.I used to live on a houseboat and they used to meet around my boat. I
:38:57. > :39:03.am sure that is what they were doing. We have been for a gander at
:39:04. > :39:10.the formation flying team. Here we go. Throughout the year, birds
:39:11. > :39:13.migrate. One of the most spectacular sights is when geese fly in aid the
:39:14. > :39:21.shape. For years, scientists debated why birds fly in this formation.
:39:22. > :39:23.Some say they are just saving energy whilst others think they are
:39:24. > :39:29.following the best navigator. Finally, science is revealing
:39:30. > :39:36.exactly why they do it and, more importantly, how. A group of
:39:37. > :39:40.scientists are being helped by some greylag geese that have a rather
:39:41. > :39:49.unconventional man. When the chick hatches, the first object they say,
:39:50. > :39:56.they instinctively think of as their mother. Joan has brought up the 70s.
:39:57. > :40:03.The most special thing about my case is that they followed me everywhere.
:40:04. > :40:11.They fly by the special car we have got. This special relationship will
:40:12. > :40:15.enable scientists to put data loggers on the geese today, helping
:40:16. > :40:29.with their research into this flying. Jim explains what they found
:40:30. > :40:39.out. Which bird is each bird looking at? You can work out where each bird
:40:40. > :40:47.is and how it is moving. The idea of using trained to use is that he gets
:40:48. > :40:58.the data loggers back. This is a mile long runway. Faster! The
:40:59. > :41:03.amazing thing is they are in an absolutely perfect V-formation, even
:41:04. > :41:09.though there are only seven of them. One out front, three at the side. It
:41:10. > :41:13.is amazing how they just slot into that pattern. We are going 30, 40
:41:14. > :41:20.miles an hour ground speed and they are easily keeping up with us. They
:41:21. > :41:23.are lean, mean, flying machines. Today he hopes to compare these
:41:24. > :41:40.geese with other birds he studied that lie in this V-formation. Ibises
:41:41. > :41:48.slapped in a way that made sense. -- flapped. If you imagine the air goes
:41:49. > :41:54.up and down. If you are half a wavelength behind, you have to slap
:41:55. > :41:59.out of phase. By filming them in slow motion, we are observing them
:42:00. > :42:06.doing a similar pattern. The front bird flapping and the birds behind
:42:07. > :42:12.our answering in their wing beats to catch the updraught. It is clever.
:42:13. > :42:19.One thing scientists are still puzzling over. Is the dominant goose
:42:20. > :42:25.on the ground the leader of the V-formation? The top dog is doing.
:42:26. > :42:30.Thomas is the very lowest one in the pecking order. So is that one,
:42:31. > :42:35.Hannah. She is very low down as well. We have decided to carry out
:42:36. > :42:43.our own study using coloured ribbons to see who is the top girl off the
:42:44. > :42:53.air. Yellow, orange and green are definitely the three birds who seem
:42:54. > :43:01.to be swapping. Blue has moved on. There is Thomas. He has been pushed
:43:02. > :43:09.down. That is because he is bullied. Yellow is in the lead. Green, once
:43:10. > :43:13.again. The winner is, yellow. Not the most scientific survey with just
:43:14. > :43:19.two runs but orange and yellow definitely swapping the lead. Does
:43:20. > :43:23.that surprise you? It did not surprise me with the one with the
:43:24. > :43:28.orange ribbon but it did surprise me with Hannah with the yellow ribbon.
:43:29. > :43:33.I was really surprised because she is much more subordinate. Science is
:43:34. > :43:39.finally revealing that birds flying in a V-formation are coming together
:43:40. > :43:44.in the most aerodynamic way. I will never, ever again look at this in
:43:45. > :43:51.the same way. Cheers. We're up on the roof with Father and son team,
:43:52. > :43:58.Steven and Matt Bishop. They are pretty good formation flyers
:43:59. > :44:03.themselves. They have created these incredible scale models of the red
:44:04. > :44:08.arrows. They are beautiful. Welcome. Nice to have you here. They take
:44:09. > :44:20.about year to build. How did it all start? Everyone dreams of flying
:44:21. > :44:29.with the Red Arrows. Father and son bonding time. How high and high
:44:30. > :44:39.farce can they fly? We fly 1000 feet. -- how fast. Sima could they
:44:40. > :44:46.fly at 150 miles an hour. You fly these all around the world. We have
:44:47. > :44:53.been to Italy and the Caribbean. We are invited to events around the UK
:44:54. > :45:00.as well. Have the Red Arrows seniors themselves? It is fantastic. They
:45:01. > :45:06.cannot believe how close to their display it is. It was icing on the
:45:07. > :45:11.cake, after four years of practising and hard work to meet the real Red
:45:12. > :45:15.Arrows. It was a fantastic achievement. You are both qualified
:45:16. > :45:23.pilots. How difficult is it to land one of these hawks? Really difficult
:45:24. > :45:27.because you aren't inside the plane, you don't know what it's doing, what
:45:28. > :45:36.the speeders. There's that third dimension to land it. It's hard! It
:45:37. > :45:43.a lot harder to fly a model than a full size. Where can we see these
:45:44. > :45:49.being flown? Pop along to the Weston Park model airshow on Father's Day.
:45:50. > :45:54.There are a lot more of these to fly. Thank you both. Lovely to meet
:45:55. > :45:58.you. Alex on the roof, over and out! If it wasn't for the engine
:45:59. > :46:04.noise you wouldn't know the difference.
:46:05. > :46:09.Are used to put a bit of cardboard on a bicycle and it made that
:46:10. > :46:14.noise! We've heard Jamie, we've heard Christina Marie, and it's time
:46:15. > :46:17.for our third Voice performance. From Team Will, it's germane, and
:46:18. > :46:29.here's how he reacted to the news that he was through.
:46:30. > :46:37.It is Jermain! CHEERING AND APPLAUSE
:46:38. > :46:43.What was it like to watch that? It feels so surreal. To be there, to
:46:44. > :46:46.be on that stage, to be in that environment. There are millions of
:46:47. > :46:54.people at home watching and it is so surreal. And to know you are the
:46:55. > :46:57.last one standing! You have this extraordinary voice, this wonderful
:46:58. > :47:02.range. When did you realise you could go so low and so high? I grew
:47:03. > :47:07.up listening to Luther Vandross and I loved the way he would use his
:47:08. > :47:11.baritone. I used to mimic that as a child and growing up, I developed
:47:12. > :47:15.how to control it and then worked on using my head voice much more. Of
:47:16. > :47:20.all the songs that you've sung, what have you chosen to sing on Saturday?
:47:21. > :47:25.I've chosen to sing And I Am Telling You.
:47:26. > :47:32.We will hand over to Will.i.am. He will do your intro. One Show
:47:33. > :47:43.viewers, may I present, from Team Will, the very talented Jermain
:47:44. > :47:47.Jackman. # No, no, there's no way.
:47:48. > :47:49.# No, no, no, no way I'm living without you.
:47:50. > :47:53.# I'm not living without you. # I don't wanna be free.
:47:54. > :47:57.# I'm staying. # I'm staying.
:47:58. > :48:11.# And you, and you. # You're gonna love me. #.
:48:12. > :48:16.CHEERING AND APPLAUSE Well, I thought I had an idea before
:48:17. > :48:24.tonight... And we've got Sally coming up! It's
:48:25. > :48:28.too hard! Thanks again. Earlier, we heard eyewitness accounts of the
:48:29. > :48:32.incredible storm that hit Dawlish in February and obliterated a whole
:48:33. > :48:36.section of railway. Time to go back to see how they've moved heaven and
:48:37. > :48:40.earth to get the line back up and running in time for its opening on
:48:41. > :48:44.Friday. The railway running through Dawlish
:48:45. > :48:50.is one of the greatest achievements of the Victorian engineer in supply
:48:51. > :48:53.at Kingdom Brunel. -- Isambard. He built his railway line on the most
:48:54. > :49:01.level route available, right next to the sea. For 170 years, it withstood
:49:02. > :49:09.Hell and high water. But on the 4th of February this year, it suffered a
:49:10. > :49:16.death blow. The track was destroyed, cutting off the main train route
:49:17. > :49:21.into the south-west of England. The rebuilding by Network Rail was
:49:22. > :49:26.planned to take just eight weeks. You are the guy in charge? Yeah, I'm
:49:27. > :49:30.the guy in charge. What were you thinking when you realised you had
:49:31. > :49:34.to do this? Is the DLO how am I going to get the railway that? What
:49:35. > :49:42.is going to take? Is everything save? How bad is the damage? What
:49:43. > :49:44.does it look like? Of course, everything was damaged. Not only at
:49:45. > :49:49.this location but for a couple of miles either side. We had widespread
:49:50. > :49:53.damage to the wall and the track. You've got to keep calm and have a
:49:54. > :50:00.perspective about how long it will take and that's what we did.
:50:01. > :50:05.The first job was to sever what was left of the line, then some 3500
:50:06. > :50:12.tonnes of concrete foundations had to be laid. But a storm after storm
:50:13. > :50:17.hampered progress. Anybody working down in the area itself has to wear
:50:18. > :50:21.safety harnesses which have to be connected and they will have to have
:50:22. > :50:26.life jackets around their neck. If it is too dangerous, we just won't
:50:27. > :50:28.let them work. To make up time, Network Rail shifted things up a
:50:29. > :50:42.gear, working around the clock. Despite a continued onslaught from
:50:43. > :50:48.the waves and the weather, the work to catch patch up the whole here is
:50:49. > :50:53.on schedule but there has been a big hitch further down the line. When we
:50:54. > :50:57.thought the end was in sight and we were going for the opening, we've
:50:58. > :51:04.had a major landslide two miles down the line towards Teignmouth. About
:51:05. > :51:10.100,000 tonnes of Cliff has slid down the slope. A major problem and
:51:11. > :51:12.a risk. We can't open the railway. Attempts to wash the rubble away
:51:13. > :51:29.failed. Even water bobbing could shift it.
:51:30. > :51:32.-- bombing. It was time to try high-pressure hoses capable of
:51:33. > :51:38.blasting rock in quarries. And they finally did the trick.
:51:39. > :51:45.Back at the whole, with two weeks to go until the planned opening, the
:51:46. > :51:51.pace was picking up. The ballast was in and the new truck was being laid.
:51:52. > :51:57.For 50 days, 300 men and women have been working round-the-clock on this
:51:58. > :52:01.project and now a momentous moment - at 7am, this stopped being a
:52:02. > :52:12.building site and are once again became a railway line. And what a
:52:13. > :52:18.transformation! The whole has gone. We've filled it
:52:19. > :52:26.in. We've made it safe. Is this a temporary solution? No, it is a
:52:27. > :52:30.solution probably for four to ten years and in the longer term, we are
:52:31. > :52:36.going to have to look at what we do for this wall for the next 150
:52:37. > :52:42.years. But is the line really back contract? Time to find out. It is
:52:43. > :52:51.for IM and the first proper test for the new rails. -- it is 4am. This is
:52:52. > :52:56.going over a new section of line. It's moving really slowly because
:52:57. > :53:01.this track is still bedding in. But there it goes, travelling over what
:53:02. > :53:07.was, until just a few days ago, a very big hole in the ground. It has
:53:08. > :53:11.cost ?15 million to get to this point and there are still big
:53:12. > :53:15.questions about the future of this route. But for now, the Easter
:53:16. > :53:22.message from Dawlish is that Isambard Kingdom Brunel's railway
:53:23. > :53:26.has arisen again. Fantastic news that the line will be
:53:27. > :53:29.open on Friday and we'll be back to see what has happened to some of the
:53:30. > :53:36.other victims of this year's floods tomorrow. Suranne, we're coming to
:53:37. > :53:40.the end of the show but we have to say good news for Scott Bailey
:53:41. > :53:48.fans because you are back very shortly. When is it back on screens?
:53:49. > :53:52.We start filming in four weeks and it should be on screen by the end of
:53:53. > :53:57.the year. Last time we saw you, there was tension because Janet and
:53:58. > :54:02.Rachel had fallen out. Is it resolved? I've just seen Leslie in a
:54:03. > :54:08.play, so we're all right! But I'm not sure about Rachel and Janet.
:54:09. > :54:14.Hopefully! Hopefully, otherwise there is no Scott Bailey! Are you
:54:15. > :54:19.in training? It's very physical. I've just done a play which was
:54:20. > :54:23.really physical. I was up on high wires stop at the moment, I'm all
:54:24. > :54:29.right. I'm climbing Ben Nevis for Alzheimer's. So I think I'll be OK.
:54:30. > :54:38.Sandy, let's talk about Friday. What a couple of weeks! It all just comes
:54:39. > :54:45.together. You are receiving an OBE. What are you wearing? That has been
:54:46. > :54:48.a very big decision! I will ask you what to wear. You get all sorts of
:54:49. > :54:55.instructions but the thing is you get free tickets. It's a problem
:54:56. > :54:59.because I have three kids and a partner. One of my children isn't
:55:00. > :55:05.coming because she's training to be a doctor. It is an enormous honour.
:55:06. > :55:10.I can't quite believe it! It's interesting how you found out. I
:55:11. > :55:14.arrived home and it was raining and my partner said she thought there
:55:15. > :55:17.was something under the doormat. I was backwards and forwards carrying
:55:18. > :55:21.things, stepping all over the doormat, and of course, it was a
:55:22. > :55:27.beautiful letter from the palace assigned by the Queen! I may not
:55:28. > :55:33.mention that on Friday, that I stood all over the honour. Have a
:55:34. > :55:37.brilliant day. After three terrific performances,
:55:38. > :55:46.it is time for our final Voice finalist. From Team Tom, it's Sally.
:55:47. > :55:52.Here is the moment she got through. # You climbed up the ladder #. It's
:55:53. > :55:59.Sally! CHEERING AND APPLAUSE
:56:00. > :56:08.I'm so pleased you are through! Sally is in the zone, so let's hand
:56:09. > :56:14.over to her mental, Mr Tom Jones, to introduce her. This is Tom Jones.
:56:15. > :56:21.From Team Tom, I present the wonderful Sally Barker.
:56:22. > :56:26.# Dear darlin' . # please excuse my writing.
:56:27. > :56:32.# I can't stop my hands from shaking.
:56:33. > :56:38.# Cos I'm cold and alone tonight. # I miss you.
:56:39. > :56:42.# and nothing hurts like no you. # And no-one understands what we
:56:43. > :56:53.went through. # It was short, it was sweet, we
:56:54. > :57:00.tried. # We tried #.
:57:01. > :57:03.APPLAUSE I know how Tom feels when he is
:57:04. > :57:07.welling up at the end of the performance!
:57:08. > :57:12.I don't know. It's too difficult. Sally, that was wonderful. Good luck
:57:13. > :57:18.to you all on Saturday. It is too difficult! I have to say, when you
:57:19. > :57:21.sit watching it at home, it doesn't really do it justice when the sound
:57:22. > :57:26.is coming through the TV because to sit here and witness you singing...
:57:27. > :57:35.Brilliant. And you are also different so it's hard. Tom Jones
:57:36. > :57:38.could still win! Britain is behind you. We have been asking people to
:57:39. > :57:52.send in photos with signs. This man loves the atmosphere you
:57:53. > :57:57.create. This is Georgie from Surrey and she wants you to win, Jamie. She
:57:58. > :58:07.made you assign. Gorgeous Jamie to win! Look at Ellie in marmalade! I
:58:08. > :58:12.presume that is marmalade! They are rooting for you. They think your
:58:13. > :58:21.vocal range is unbelievable, Jermain. And the last one. Hello!
:58:22. > :58:26.This is Jeff. He's sending you lots of love and luck. Have you got loads
:58:27. > :58:34.of supporters coming to see you on Saturday? Speak a
:58:35. > :58:42.It is great to know there is so much support. And on Monday, that will be
:58:43. > :58:49.it! I don't want it to end! We wish you all the best. That's all for
:58:50. > :58:56.tonight. Thanks to Sandi and Suranne. Fifteen To One starts on
:58:57. > :59:02.Saturday and The Crimson Field starts on Sunday. We will be back
:59:03. > :59:14.Hello, I'm Ellie Crisell with your 90 second update. Warnings of high
:59:15. > :59:17.pollution levels are still in place for parts of England. People with
:59:18. > :59:20.asthma and heart conditions have been told to take extra care. It's
:59:21. > :59:24.being caused by a dust cloud from the Sahara and vehicle emissions.
:59:25. > :59:26.A princess who dreamt of being Prime Minister. The family of Keane
:59:27. > :59:29.Wallis-Bennett have paid tribute to the 12-year-old. She died after a
:59:30. > :59:30.wall collapsed at her school in