:00:19. > :00:22.Hello, welcome to The One Show with Matt Baker and the remarkably
:00:22. > :00:27.talented Alex Jones. This is extraordinary, playing live. Our
:00:27. > :00:33.guest tonight is a former champion swimmer, a mineworker and teacher.
:00:33. > :00:36.He's got an MBE, OBE, CBE and he is the famous inventor of the wobble
:00:36. > :00:41.board. He is an artist, a musician. Is there anything he cannot do?
:00:41. > :00:45.Alex, are you going to introduce him? I can't, I'm supposed to be
:00:45. > :00:54.playing the didgeridoo! It's given the game away. It is Rolf Harris.
:00:54. > :01:00.Of course it is! APPLAUSE Good to see you, Rolf. Tremendous. Did that
:01:00. > :01:05.work? Did they believe it was you? I doubt it! Anyway, we want to be
:01:05. > :01:11.the first to congratulate you. We hear you are having a BAFTA
:01:11. > :01:16.Fellowship at the end of this month. APPLAUSE There we go. You will be
:01:16. > :01:20.joining the likes of Alfred Hitchcock, Dame Judi Dench and Sir
:01:20. > :01:28.David Attenborough. That must have come as an amazing surprise. How
:01:28. > :01:32.did you feel? Shocked. It feels absolutely fantastic. I realise of
:01:32. > :01:36.course that, for the last number of years, six decades I have been on
:01:36. > :01:41.television, so people have got used to seeing me around doing all sorts
:01:41. > :01:46.of different things like cartoons and painting and Animal Hospital
:01:46. > :01:50.and Rolf on Art and all sorts of stuff. Well deserved. The ultimate
:01:50. > :01:55.accolade. It is wonderful. We are going to be talking to Rolf about
:01:55. > :01:59.his BBC comeback and a brand-new exhibition of his life's work later
:01:59. > :02:06.on. And we also have a bit of a challenge for you. Yes. We have got
:02:06. > :02:09.three budding artists in tonight. Ilaria and Caspar and Tate. They
:02:09. > :02:13.had their self-portraits projected on to Buckingham Palace last week
:02:13. > :02:19.for the Queen's Diamond Jubilee. saw that photo, yes. These three
:02:19. > :02:26.were part of that. Tonight, we are asking them to paint something
:02:26. > :02:32.suitably royal. Are you ready? You have 20 minutes. Off you go.
:02:32. > :02:38.Good work. APPLAUSE Yes, indeed. Ah! At the end of the show, Rolf,
:02:38. > :02:42.we will be asking you "Can you tell what it is yet?" It is all
:02:42. > :02:46.happening tonight. Dom is also here. We will be asking him how companies
:02:46. > :02:52.can get away with openly advertising the clocking of cars.
:02:52. > :02:56.First, here is Anita Rani. In recent years, the car industry
:02:56. > :03:02.has tried to make it harder for criminals to alter mileage but car
:03:02. > :03:08.clocking is still a huge problem. There are more than a million
:03:08. > :03:18.clocked cars on our roads and David Wood ward has got one of them. When
:03:18. > :03:23.34,000 miles on the clock. But all was not what it seemed. David, what
:03:23. > :03:28.attracted you to this car? It was in immaculate condition. It had
:03:28. > :03:34.just 34,000 miles and it was �5,000. Seems like a good deal? Until you
:03:34. > :03:39.found out what the mileage was, which was how much? Which was
:03:39. > :03:43.140,000 miles. That's so many miles! It is a lot more. That is a
:03:43. > :03:47.crazy amount. How did you find out that it had done so many more
:03:47. > :03:53.miles? I was contacted by Trading Standards and they interviewed me
:03:53. > :03:57.and dropped the bombshell that it had this extra 105,000 miles on the
:03:57. > :04:01.clock. David was the victim of car clockers in the West Country. They
:04:01. > :04:07.were buying cars at auctions, lowering the mileage and selling
:04:07. > :04:13.them on at a profit. They clocked 19 cars by 1.5 million miles. It
:04:13. > :04:17.was not long before their luck ran out. North Somerset Trading
:04:17. > :04:22.Standards prosecuted the gang. The criminals pleaded guilty to fraud
:04:22. > :04:26.by false representation and received suspended prison sentences.
:04:26. > :04:29.How did you go about catching them? Two members of the public contacted
:04:29. > :04:34.us with concerns about vehicles they had purchased. One owner had
:04:34. > :04:41.taken his car in for a service at a main dealership and he was advised
:04:41. > :04:45.by the engineers that the mileage was higher than indicated on the
:04:45. > :04:50.digital odometer. Then we started to look into the vehicle history.
:04:50. > :04:53.What can members of the public do to avoid being caught out? They can
:04:53. > :04:57.check carefully the documentation that is put before them. They can
:04:57. > :05:02.check the details online. They can check the previous history and
:05:02. > :05:11.phone previous owners or previous garages that have serviced the
:05:11. > :05:15.vehicles. They need to bear in mind that digital odometers can be
:05:15. > :05:22.clocked. The problem according to some experts is down to the law. It
:05:22. > :05:27.is legal to change a car's odometer. It is illegal to sell that car on
:05:27. > :05:30.without informing the buyer. This motoring journalist is one of many
:05:30. > :05:33.calling for the law to be made much tougher. He says it probably
:05:33. > :05:38.wouldn't stop the most hardened criminals, but it might deter
:05:38. > :05:45.private sellers who want to get a few more quid for their old cars.
:05:45. > :05:51.Should the law be changed? Without a shadow of a doubt! It is an
:05:51. > :05:55.unspeakable, horrible thing. It opens the door for crime. It
:05:55. > :06:00.becomes so opaque. The law must be changed. Why does it exist in law?
:06:01. > :06:05.There must be an occasion when it's OK to clock your car, legitimately?
:06:06. > :06:13.There's occasions. They are very rare examples. Probably one-tenth
:06:13. > :06:19.of 1% where maybe your two-year-old car, the speedo cars, the mileage
:06:19. > :06:22.counter goes and your car went at 20,000 and the one you buy is at
:06:22. > :06:28.40,000 and you want to wind it back to reflect the genuine mileage of
:06:29. > :06:35.the car. That is pretty rare. a million clocked cars on the road,
:06:35. > :06:39.it really is a case of buyer beware as David has found out to his cost.
:06:39. > :06:44.When you buy your next car after this one, what will you do? I think
:06:45. > :06:49.I will probably buy a new car. Brand-new, zero miles on the clock?
:06:49. > :06:54.Brand-new from a reputable dealer, I think. Definitely.
:06:54. > :06:58.Well, Dom is here to shed more light on the subject. Some
:06:58. > :07:05.companies are openly advertising mileage correction. How can that
:07:05. > :07:15.be? There's loads. We are going to put a clip to show you some of them.
:07:15. > :07:15.
:07:15. > :07:21.Adjusting your mileage, recalibrating it, it is not illegal.
:07:21. > :07:25.People need to know what they are buying and that is when the law is
:07:25. > :07:29.broken. To adjust it is not illegal. There are some reasons why people
:07:29. > :07:36.might want to do it. It is a bit grey. If you are interested in
:07:36. > :07:41.buying a second hand car, are there any tell-tale signs? Definitely. It
:07:41. > :07:51.is not just cars that can be clocked. What else could be
:07:51. > :07:58.clocked? Motorbike? Yes. Boats. JCBs. Tractors. Anything. What you
:07:58. > :08:03.need to do is look at paperwork. If something looks like it is done
:08:03. > :08:05.300,000 miles and only showing 50,000, start to smell a rat. The
:08:06. > :08:11.registration document will give you the present owner, the previous one
:08:11. > :08:15.and also if you write to the DVLA - it is about �5 - they will tell you
:08:15. > :08:21.about any previous owner's names and addresss so you can write to
:08:21. > :08:25.them as well and ask them what was the mileage when you sold it? Look
:08:25. > :08:29.at MoT certificates. That will tell you what was on it when the MoT was
:08:29. > :08:35.done. Try and speak to the garage that was in the service book and
:08:35. > :08:41.say, "Did you service that car on that date?" Checking the rubber on
:08:41. > :08:46.the pedals, too? Holes in the carpet. That happens a lot with
:08:46. > :08:51.ladies' high heels. We understand there are changes on the way to
:08:51. > :08:57.help? There are. The Ministry of Transport don't like the adjustment
:08:57. > :09:05.of mileages. They can't ban it. As of the end of this year, all new
:09:05. > :09:11.MoT certificates will have previous odometer readings to help stamp it
:09:11. > :09:14.out. Thanks ever so much. You can find out more details on
:09:14. > :09:19.bbc.co.uk/theoneshow. Yes. It is time to turn back the
:09:19. > :09:22.clock in a more honest fashion. like Rolf, Joan Armatrading has
:09:22. > :09:26.been though stranger to the charts over the years. Carrie Grant went
:09:26. > :09:32.to find out the secret to her success.
:09:32. > :09:35.What makes a hit record? A profound lyric? The catchy chorus? Entire
:09:35. > :09:42.books have been written on the subject. I would like you to meet
:09:42. > :09:48.an artist who tried to analyse it in her own musical style.
:09:48. > :09:52.# I'm not in love... # Joan Armatrading was already the
:09:52. > :09:59.critics' favourite in 1976. It wasn't until her third album
:09:59. > :10:08.release that she achieved top ten chart success. What was it about
:10:08. > :10:14.Love And Affection? # With a friend
:10:14. > :10:18.# I can smile... # The process of writing has always
:10:18. > :10:23.been very organic. The song tends to write itself in the key it wants
:10:23. > :10:28.to be written in. This is the song I am. I just basically go with that.
:10:28. > :10:32.Quite often the songs don't follow the verse chorus kind of pattern.
:10:32. > :10:37.Which Love And Affection does? When I said to the record company
:10:37. > :10:44.that I wanted that to be the single, they said, "Remember, you asked for
:10:44. > :10:51.it!" Love And Affection is a beautiful track. It is one of my
:10:51. > :10:58.favourites. Partly because of the power of Joan's vocal performance.
:10:58. > :11:04.When it comes to the vocal on Love And Affection? I haven't got a
:11:04. > :11:07.clue! Don't say that! LAUGHTER haven't got a clue. No. I don't do
:11:07. > :11:14.anything with my voice because I'm more interested in writing the song
:11:14. > :11:19.than singing it. I sing because I write. You are quite fareless at
:11:19. > :11:23.leaving things in -- fearless at leaving things in even when they
:11:23. > :11:28.aren't perfect? Singing isn't about being perfect. It is about
:11:28. > :11:33.expression, feeling and putting forward this emotion.
:11:33. > :11:38.# I'm open to persuasion... # People did connect with that
:11:38. > :11:41.emotion. Following the success brought by Love And Affection, a
:11:42. > :11:45.song written with no preconceived idea of creating a hit, Joan
:11:45. > :11:55.decided to play with the idea of what makes a record work. Instead
:11:55. > :11:57.
:11:57. > :12:04.of writing to please herself, she set out to write a crowd-pleaser.
:12:04. > :12:11.What were your aims with Drop The Pilot? To have a top ten hit. That
:12:11. > :12:21.was the sole purpose of writing Drop The Pilot. I wanted it to be
:12:21. > :12:27.bouncy. I wanted the quirky lyrics. If I went off into this typical
:12:27. > :12:32.Joan thing I would rein it in. It is not like when you write Love And
:12:32. > :12:37.Affection that pours out. This is where you have to think and close
:12:37. > :12:43.your eyes and look up and the pencil in the mouth - it is that
:12:43. > :12:47.kind of thing. Did that not feel like a compromise? No. It felt like
:12:47. > :12:55.a challenge. It was really enjoyable. And even more enjoyable
:12:55. > :12:59.because it was a hit. Drop The Pilot became Joan's third UK Chart
:12:59. > :13:03.success and was also a hit in America. Having achieved the aim of
:13:04. > :13:08.writing her perfect pop song, she never did it again. I have no idea
:13:08. > :13:13.why I didn't do it again. It is because we write the way we write.
:13:13. > :13:19.To write like Drop The Pilot all the time, I would be struggling. It
:13:19. > :13:24.is not my natural kind of area. although both ways of writing
:13:24. > :13:30.produced a hit record, it's Love And Affection that Joan thinks has
:13:30. > :13:35.lasted the best. I have sung that song every single night on tour
:13:35. > :13:39.since it came out in 1976. I never get fed up of it. The audience
:13:39. > :13:43.never gets fed up of it. It feels very fresh still. Part of that
:13:43. > :13:50.freshness is this thing of not having this kind of formula, if you
:13:50. > :13:57.like, and Drop The Pilot, I haven't sung that every single tour.
:13:57. > :14:01.may not have sung that one but we love Drop The Pilot. Rolf, we could
:14:01. > :14:06.talk to you about music for hours. You are here to talk about your art
:14:06. > :14:16.in this new exhibition, which wouldn't have happened if it wasn't
:14:16. > :14:17.
:14:17. > :14:22.for this photograph of an 5th of I had taken a photograph of
:14:22. > :14:27.this lady. She lived with her husband, a white guy who. They had
:14:27. > :14:34.this little shack of a house that they lived in. She was amazing.
:14:34. > :14:38.That was in her kitchen. I was doing a programme about Degas, one
:14:38. > :14:43.of the Impressionists. I was at Windsor racecourse, I painted a
:14:43. > :14:48.picture of a jockey riding a horse, being led by a group. It worked
:14:48. > :14:52.like a dream. A lovely impressionist painting. -- led by a
:14:52. > :14:57.groom. At the end of it, I thought, why am I not doing this every day
:14:57. > :15:02.of my life, I love it so much. The next morning, I was up at about
:15:02. > :15:12.seven. Between 730 and 9 o'clock, I had finished that painting from a
:15:12. > :15:13.
:15:13. > :15:22.photograph of Patsy. It's bad quickly? Yeah. -- that quickly?
:15:22. > :15:26.it painted itself, it went so fast. The background was she sloshed in,
:15:26. > :15:34.it did not matter, everything worked. Your body of work is so
:15:34. > :15:39.diverse. In your 80th year, your 82, actually, can you now pinpoint what
:15:39. > :15:45.your style is? It is basically impressionistic. If anybody doesn't
:15:45. > :15:50.know what that means, an impressionistic painting is one
:15:50. > :15:57.which starts off with a blur, and then refines the Blur to whatever
:15:57. > :16:03.stage you want to leave it. You can keep refining it until it looks
:16:03. > :16:07.like a photograph, but I don't like that. I like it to be casual and
:16:07. > :16:11.relaxed. One of the highlights of the exhibition is the portrait you
:16:11. > :16:18.did of the Queen for her 80th birthday. We are going to have a
:16:18. > :16:22.look of you in the palace. missed a very good at changing of
:16:22. > :16:26.the Guard. I know, you get all the fun of the music and everything in
:16:26. > :16:32.the mornings. There was a great bank, they fired a gun at about
:16:32. > :16:42.midday, which frightens the wits out of all of us -- a great bank.
:16:42. > :16:47.
:16:47. > :16:51.Do you know why it was? No. Nor did I! I had to look it up. Brilliant.
:16:51. > :16:57.On that point of refining it, was a difficult to know when to stop with
:16:57. > :17:02.that one? Yeah... My aim was to get a like MS, first and foremost,
:17:02. > :17:06.otherwise you are dead in the water, if it doesn't look like the person.
:17:06. > :17:10.-- to get a likeness. And do have it looking like a real person,
:17:10. > :17:15.rather than pomp and circumstance and a costume, I wanted to get the
:17:15. > :17:19.real person behind the facade, as it were. I was very happy with that
:17:19. > :17:25.warmth that came through that painting, I loved it. It captures
:17:25. > :17:30.her personality. I think so. As she left the studio, she said, it is a
:17:30. > :17:37.very friendly painting. I took that as a pat on the back. She never
:17:37. > :17:41.says, I love that, or I hate that. Let's see how the three young
:17:42. > :17:46.artists are coming on. How are you doing? Lovely stuff. You can see
:17:46. > :17:49.Rolf Harris's work at the exhibition, Can You Tell What It Is
:17:49. > :17:53.Yet?, at Liverpool's Walker Art Gallery.
:17:53. > :17:55.After 10 years of Animal Hospital, you are going to love this next
:17:55. > :18:00.film. Joe Crowley went to meet one little
:18:00. > :18:04.girl whose life has been turned around by a cockapoodle.
:18:04. > :18:08.This is a 3-year-old cockapoodle, but she is no ordinary family pet.
:18:08. > :18:12.She has been trained as a working dog to help her 11-year-old owner.
:18:12. > :18:16.Poppy suffered severe hearing loss when she was born three months
:18:16. > :18:21.premature. I can't hear mummy and daddy talking. I can't hear the
:18:21. > :18:26.sound of footsteps, I can't hear the radiator, I can't hear the rain.
:18:26. > :18:30.Being a deaf child presents many challenges went sound is used for
:18:30. > :18:34.everything, from communication to alerting us to danger -- when sound
:18:35. > :18:39.is used. I find it difficult if my friends or family are talking at
:18:39. > :18:44.once. It is hard to keep up. I am looking everywhere. Some of these
:18:44. > :18:48.problems can be alleviated using technology, such as hearing aids,
:18:48. > :18:54.flashing a lance and implants. For the first time, British Deaf
:18:54. > :18:58.children are also getting canine support in the form of hearing Dogs
:18:58. > :19:06.-- flashing alarms. They not only help in a practical way but they
:19:06. > :19:10.let recipients to alarms and danger signals. They also come back --
:19:10. > :19:13.combat the feeling of isolation. is here in Buckinghamshire that
:19:13. > :19:17.puppies like this one than the schools to become working dogs,
:19:17. > :19:21.like Maddy. In this purpose-built home environment, dogs are trained
:19:21. > :19:27.to react in any sounds including telephones, alarm clocks and
:19:27. > :19:31.crucially, fire alarms -- react to many sounds. This year has seen the
:19:31. > :19:35.culmination of a pilot scheme where hearing dogs have been placed with
:19:35. > :19:39.children, but can it really change a deaf child's quality of life?
:19:39. > :19:43.benefits are right across the board, not just on the practical aspects
:19:43. > :19:48.of what the dogs can do, but this great aspect of helping children
:19:48. > :19:51.make friends and helping adults make friends. There are great
:19:52. > :19:55.technological advances. This is another choice that you can make.
:19:55. > :20:00.The added benefits are companionship, independence and
:20:00. > :20:03.security that a hearing dog brings, a lot of people will choose that as
:20:04. > :20:10.an added range of benefits. Maddy had a life-changing impact on
:20:10. > :20:15.Poppy? Maddy sleeps in my room, opposite me. I can see her. I know
:20:15. > :20:21.she will let me if something goes wrong. It gives me that bubble of
:20:21. > :20:25.comfort. Maddy has given her the reassurance, and taken away all
:20:25. > :20:30.those concerned to do with their disability, to create something
:20:30. > :20:34.almost even stronger, in a beautiful way, I think, but I am
:20:34. > :20:40.her mum. She is like my best friend. I literally couldn't do anything
:20:40. > :20:44.without her. What the team they are. There is a
:20:44. > :20:48.limited supply of books like Maddy available at the moment. It you
:20:48. > :20:53.want to contact the charity, the details are on the website --
:20:53. > :20:58.supply of dogs. Poppy and her mum are here, it is lovely to see you
:20:58. > :21:04.all. Olivier, Poppy described Maddy as a bubble of comfort, which is
:21:04. > :21:11.lovely, but there is a specific reason why you chose a cockapoodle.
:21:11. > :21:15.It is because Poppy's dad is highly allergic to dog hair. Maddy is non-
:21:15. > :21:20.shedding. Also we are a petite and energetic family and we could not
:21:20. > :21:25.imagine having a labrador, because it wouldn't be us. Hearing Dogs
:21:25. > :21:33.tailor the docks to the families. Is there anywhere that you can't
:21:33. > :21:37.take her?? I can't take her to school or the swimming pool. That
:21:37. > :21:43.would be understandable. You must be so excited to get home from
:21:43. > :21:53.school and to see her. Yes, I am. How is life with a dog because you
:21:53. > :21:59.have never had one? No. My son and I were terrified. A bad experience?
:21:59. > :22:04.I did, but in my nature, I was quite scared of them. She has cured
:22:04. > :22:11.me, she has been an amazing comfort for Poppy and has made our family
:22:11. > :22:16.complete. You make a great team. And a bubble of comfort, or a
:22:16. > :22:20.beautiful thing. Thanks for coming in. It is not just the likes of
:22:20. > :22:24.Maddy that are proving their worth in the animal kingdom. A close look
:22:24. > :22:30.at fish has given technical boffin some fresh ideas for underwater
:22:30. > :22:35.propulsion. So who got access to this James Bond like world of
:22:35. > :22:39.underwater gadgets? Miranda Krestovnikoff, of course.
:22:39. > :22:43.Traditionally, boats have been powered by sales and propellers.
:22:43. > :22:50.Now, scientists are finding new ways for propulsion, from the
:22:50. > :22:56.animals that do it best. Seabirds, and of course, fish. This is a fish
:22:56. > :23:00.and 82 south-east Asia, and has some impressive moves. -- native to
:23:00. > :23:05.south-east Asia. That has inspired mechanical engineers at the
:23:05. > :23:14.University of Bath. That film is really unusual, on the bottom of
:23:14. > :23:19.They have beautiful control over what the body can do, a normal fish
:23:19. > :23:24.cannot do that. A normal fish has to bend or of his body and is only
:23:24. > :23:30.able to make one motion. This guy, he can just move his feet in and
:23:30. > :23:34.generate thrust in all kinds of directions. He is going backwards.
:23:34. > :23:40.Knife fish are most active at night and can be found in flooded forests
:23:40. > :23:49.and swans. His fear and helps them navigate around tree roots and
:23:49. > :23:53.It gave the team the idea for a robot that can live in similar
:23:53. > :23:58.environments. You are basically managed to recreate a knife fish in
:23:58. > :24:08.a robot. Two motors drive a bunch of beers that go down to two shafts,
:24:08. > :24:14.
:24:14. > :24:20.and each one drives one of the Big it looks a bit creepy, at the
:24:20. > :24:30.way it is wriggling around. It is just a wave motion? -- it looks a
:24:30. > :24:34.Right, moment of due have -- moment of truth, let's see what happens.
:24:34. > :24:44.This is designed to explore rocky or shallow waters, where propellers
:24:44. > :24:46.
:24:46. > :24:53.That back, that's forwards. Wow, that is going great. It is going
:24:53. > :24:57.backwards as well. Brilliant. manoeuvrability is a better as well.
:24:57. > :25:03.You can fine-tune exactly where you want to be more easily than with a
:25:03. > :25:13.propeller. Just like the knife fish? Yes. Fish are not the only
:25:13. > :25:17.marine life that engineers have Penguins use their wings to
:25:17. > :25:24.literally fly underwater. William and his team have come up with the
:25:24. > :25:28.Seebohm, a human powered submarine inspired by the way the birds move
:25:28. > :25:35.in the sea. My initial impression is it does not look much like a
:25:35. > :25:41.penguin, but it is torpedo shape and it has got fines on it. It has
:25:41. > :25:45.wings, so it flies like a penguin. When he is flying, his wings are
:25:45. > :25:49.going up and down. He is always doing this. For a submarine, it is
:25:49. > :25:55.not great. By taking this in principle but taken at the other
:25:55. > :26:01.way, we can balance the forces, and then we can steer in a nice
:26:01. > :26:11.straight line -- but taking it the other way. It needs an air supply,
:26:11. > :26:30.
:26:30. > :26:35.and it has one on board. OK, lovely. Pushing down on the pedals makes
:26:35. > :26:42.the foils on the side flap like wings, to propel the submarine Ford.
:26:42. > :26:48.My legs are exhausted now -- the submarine forward. This is what it
:26:48. > :26:52.feels like to be a penguin. I would be rubbish. With a lot of effort,
:26:52. > :26:57.my top speed is nearly four kilometres per hour. Some species
:26:57. > :27:00.of penguin can swim up to nine times faster. Although this
:27:00. > :27:05.submarine was billed for a competition, it is hoped this
:27:05. > :27:09.design could lead to more eco friendly submersibles. And it just
:27:09. > :27:19.goes to show that if you take a look at nature, it can give you all
:27:19. > :27:25.
:27:25. > :27:29.sorts of ideas, like swimming Are young artists are putting the
:27:29. > :27:33.finishing touches to their paintings. You have got a special
:27:33. > :27:37.programme to coincide with the Jubilee? We start painting tomorrow,
:27:37. > :27:43.Windsor Castle, it is very exciting. And then Anneka Rice comes in?
:27:43. > :27:47.is organising an exhibition we have got a. Huge numbers of people,
:27:47. > :27:56.about 60 people coming in to paint, all different qualities and styles
:27:56. > :28:03.and ages. One is about nine or 10. A youngster, a fantastic painter.
:28:03. > :28:09.We have got people as old as me. Not that ancient. We can see that
:28:09. > :28:14.on BBC One. Yes. There will be a pop up exhibition. On that note, it
:28:14. > :28:24.is time to stand around behind your easels. We will reveal your artwork
:28:24. > :28:30.
:28:30. > :28:40.to Rolf Harris. Ilaria, what have you gone? Is this Buckingham
:28:40. > :28:42.
:28:42. > :28:51.Palace? It is Buckingham Palace. Have a look at Caspar's. It is
:28:51. > :29:01.fantastic. You did a smiley face there. It is the Royal barge.
:29:01. > :29:02.