:00:16. > :00:17.Hello, and welcome to The One Show with a question.
:00:18. > :00:21.The gang from Whose Line Is It Anyway?
:00:22. > :00:24.Rowdy Welsh rock band the Manic Street Preachers?
:00:25. > :00:33.Incredibly It's Alex, because she's the only one
:00:34. > :00:38.Let's start by welcoming Clive Anderson,
:00:39. > :01:03.Fun and games tonight then! This is what I have to put up with from
:01:04. > :01:04.Greg! Put up with, or be carried by? It's lovely to have you with us,
:01:05. > :01:07.Angela. In a moment, we'll also be meeting
:01:08. > :01:11.the governor of the Bank of England - the man with ?140 billion worth
:01:12. > :01:14.of gold under the floor That's after Dom has explained
:01:15. > :01:32.why our five pound notes Our banknotes are being given a
:01:33. > :01:37.makeover. Whether it's a crisp 20 straight out of the ATM, or a
:01:38. > :01:44.scrunched up five fished out from the back of the city, paper money is
:01:45. > :01:48.on the way out. It will be replaced with plastic. It's not Monopoly
:01:49. > :01:52.money, it's the real thing. Scotland has been trialling it for the past
:01:53. > :01:57.year. Northern Ireland is sticking with paper for now, but Polly -based
:01:58. > :02:06.fibres are being rolled out across England and Wales. 400 and 40
:02:07. > :02:09.million plastic ?5 notes are being carried on the production line.
:02:10. > :02:18.That's an awful lot of money. And it. Sell like this. -- and it all
:02:19. > :02:26.starts out like this. How much is he? Around ?180,000 worth of notes
:02:27. > :02:34.in that stack. Just here? Wow. This is about ?300? What's different
:02:35. > :02:39.about it? It's polymer so last two and a half times the life span of a
:02:40. > :02:45.conventional paper note. It could go through a washing machine? It could.
:02:46. > :02:50.That's happened to me plenty of times. Those faceless white sheets
:02:51. > :02:54.of polymer are transformed into cold hard cash, complete with a first
:02:55. > :03:00.appearance of Winston Churchill as the Queen's new companion. They say
:03:01. > :03:05.these new notes are tougher and more resilient. But how can they be so
:03:06. > :03:10.sure? Victoria is the Bank of England's Chief cashier. She leaves
:03:11. > :03:15.her mark on every new banknote. Your mum must be very proud, your
:03:16. > :03:18.signature on every British banknote. It's a really exciting part of the
:03:19. > :03:25.job. A real thrill when you use money and it's your own signature.
:03:26. > :03:29.Do you go to the pub and say, that's my signature? I would! I might get a
:03:30. > :03:36.free drink if I tried. Victoria doesn't want her name on any old
:03:37. > :03:40.rubbish, so the daily battering we give our cash is tested to the
:03:41. > :03:48.extreme in the lab. It's making a bit of a racket. Lady Godiva is
:03:49. > :03:52.blasted with glass beads, stained, rubbed again and again, and then
:03:53. > :03:58.spun around in this old mark. It looks like cat litter! How is the
:03:59. > :04:04.money looking? It simpler to good condition. It's not ripped, no
:04:05. > :04:10.damage at all. This is a paper one that went in at the same time. They
:04:11. > :04:15.have dulled down, and they are quite crackly, beginning to suffer after
:04:16. > :04:19.two hours in there. It's very dry, sucking the moisture out. That's one
:04:20. > :04:21.of the reasons we are moving to polymer notes, better in your pocket
:04:22. > :04:30.and better for the environment because we do not print as many. A
:04:31. > :04:33.paper ?5 note has a life expectancy of just two years. The plastic ones
:04:34. > :04:39.will stay around for up to five years. Intricate design features
:04:40. > :04:44.will make faking them a tough job. We have added a clear window. You
:04:45. > :04:54.can hold it up to the light and see straight through. Is that harder for
:04:55. > :04:59.counterfeiting to replicate? It is. Elizabeth here is in gold and then
:05:00. > :05:03.it's in silver. Well spotted, a key security feature. Difficult to do
:05:04. > :05:07.even with the most sophisticated professional machinery. It's also
:05:08. > :05:14.how easy it for you and me to spot counterfeits. When can we expect to
:05:15. > :05:18.see this little lot in our pocket? It won't officially be let out of
:05:19. > :05:23.the cages until September. It will be followed by a plastic ten next
:05:24. > :05:31.year, and a new 20 in, appropriately enough, 2020. It seems that from now
:05:32. > :05:35.on, even when you are paying with cash, you will actually be playing
:05:36. > :05:40.with plastic. Worth a go! Mark Carney, the governor
:05:41. > :05:51.of the Bank of England Show us the cash! They were just
:05:52. > :05:58.unveiled today. I have brought some samples of the product. Greg, can I
:05:59. > :06:06.trust you to pass them on. I will take as many as I can hold. They are
:06:07. > :06:15.weird, like latex. We shall spend them on the beaches! Can we keep
:06:16. > :06:21.these? After September 13. What about now? Come back to the vaults
:06:22. > :06:26.in the Bank of England. I could give you a Scottish fiver from the
:06:27. > :06:32.Clydesdale bank. Look at the state of that. No disrespect to Clydesdale
:06:33. > :06:39.bank, but this is exactly one of the things we are trying to get around,
:06:40. > :06:46.the tatty five. Nobody likes a tatty five. I quite like a tatty five. So
:06:47. > :06:52.do I, Josie. Just on a Friday night. Is it slightly smaller? Well
:06:53. > :06:55.spotted. It is. People have asked us to make all the notes slightly
:06:56. > :07:00.smaller. We start with the five, a bit smaller than the existing five,
:07:01. > :07:05.and then they will scale up from that. But they will fit in
:07:06. > :07:09.everybody's wallet and purse. Will they be different sizes for blind
:07:10. > :07:19.people? They are. And it's embossed with the five lifted slightly up.
:07:20. > :07:27.Tempo Mac is the fancy word for that, making it more sophisticated.
:07:28. > :07:33.-- Italio. The see-through thing is the security feature. It's a huge
:07:34. > :07:37.security feature. These notes last two and a half, three times longer,
:07:38. > :07:42.so you need more security features, as Victoria was showing on the film.
:07:43. > :07:46.So in five, seven, ten years from now, you can still use them with
:07:47. > :07:49.confidence. Did you think of getting rid of them altogether and replacing
:07:50. > :07:55.them with a coin like the pound notes? ?2 coins, a few of them can
:07:56. > :08:00.weigh you down. People like the fires. We will print 440 million of
:08:01. > :08:11.them, and we will see them in secular age. What about the old ?5
:08:12. > :08:14.notes? -- see them in circulation. These come out in September
:08:15. > :08:20.officially, and by the end of May the old five is will be withdrawn
:08:21. > :08:24.from circulation next year. If you have a mattress stuffed with old
:08:25. > :08:29.ones, get spending. Get spending, lots of reasons to get people
:08:30. > :08:32.spending. So shopkeepers can hand in their cash as well. They can do
:08:33. > :08:36.that, recirculated. As soon as cash is deposited in banks and building
:08:37. > :08:41.societies, they will withdraw the notes from circulation. If you are
:08:42. > :08:48.stuck with a mattress full of five is a few years from now, you never
:08:49. > :08:52.know, you might always be able to bring them into the Bank of England.
:08:53. > :08:58.Do you enjoyed being the governor? You have been here through an
:08:59. > :09:01.election, the referendum, the Scottish referendum, the one coming
:09:02. > :09:09.up about Europe. We can't get into that! We can talk about European
:09:10. > :09:13.football. We want to ask you which whole nation will do best. What I
:09:14. > :09:17.like about this already, when I look at Matt Baker, because of the
:09:18. > :09:21.see-through thing next to the Queen, you could have a photo taken with
:09:22. > :09:29.the Queen with you framed. Alternatively, I will be on your
:09:30. > :09:32.fiver. Ever noticed how Matt's eyes seemed to follow you around the
:09:33. > :09:40.room? They certainly do if you are holding a ?5 note! Are you enjoying
:09:41. > :09:45.your time in Britain? I asked that. I'm allowed to ask that. This ?5
:09:46. > :09:56.note, we have heard its durable, but we didn't trust it. We decided to
:09:57. > :10:00.try it out for ourselves. Into the washing machine. We decided to put
:10:01. > :10:06.an old one and new one into the washing machine, were lit about, but
:10:07. > :10:07.in some detergent, and see if it lives up to its new durable
:10:08. > :10:13.expectations. -- world it about. Dave, bring out
:10:14. > :10:25.the laundry! We heard you would be coming out in
:10:26. > :10:30.your boxer shorts. I'm disappointed! Cash in both pockets. Already! The
:10:31. > :10:38.New one, perfect. You can have that one. Perfect money to launder,
:10:39. > :10:44.apparently! LAUGHTER Another success for London. This one
:10:45. > :10:51.is soggy, completely useless. Not useless, but... Thank you, Dave.
:10:52. > :10:57.It's official, thank you for coming in Mark. It has been great to talk
:10:58. > :11:00.to you. We will put some music on now, this is the sound of the Manic
:11:01. > :11:05.Street Preachers who will be performing later. Does music bother
:11:06. > :11:09.you when you are in shops spending your money? I like it, and I
:11:10. > :11:14.understand there is a muzak controversy. There is a music
:11:15. > :11:18.controversy. Full is the But first, muzak has been making
:11:19. > :11:22.the news this is the week after M announced it is abolishing
:11:23. > :11:23.background music Has the decision come as music
:11:24. > :11:38.to the ears of Britain's shoppers? bee Sound of music has long been
:11:39. > :11:44.synonymous with the sound of tills ringing in UK shops. From big chains
:11:45. > :11:47.in-store radio stations, to the background tunes in independent
:11:48. > :11:53.shops. The Marks Spencer decision to turn off their in-store music for
:11:54. > :12:02.good, will see 300 branches go silent. Well walking in the air...
:12:03. > :12:10.Even your favourite Christmas tunes are getting the axe. That means you.
:12:11. > :12:14.Hop it. This will save the company thousands of pounds of payments to
:12:15. > :12:19.music publishers. But M insisted the decision is purely the result of
:12:20. > :12:22.customer feedback. With a more mature customer base, that is
:12:23. > :12:26.perhaps understandable. Our other stores doing the same? We did a
:12:27. > :12:32.survey of one of the busiest shopping streets in the world,
:12:33. > :12:37.Oxford Street, to find out. 86% of the stores play music of one sort or
:12:38. > :12:43.another. With an average decibel reading of 67. With one trendy
:12:44. > :12:51.clothes store hitting a whopping 89 decibel is. Stores not playing
:12:52. > :12:55.included BHS, Debenhams and Prior. What do shoppers on the average high
:12:56. > :12:59.street think of the silent shopping? I prefer to have music going on, the
:13:00. > :13:02.more atmosphere in the shop. I wouldn't say to cut the music at
:13:03. > :13:09.all-star blue I wouldn't even know they play music. It wouldn't stop me
:13:10. > :13:14.at all. Really loud music annoys me. But I don't mind something in the
:13:15. > :13:19.background. I guess I prefer music that isn't too loud or intense. It
:13:20. > :13:24.can be distracting. I run a small shop and music for me is critical to
:13:25. > :13:28.create the right atmosphere. It's all about the atmosphere. If you
:13:29. > :13:31.have a trendy shop it's nice to have it quite loud. If you are in
:13:32. > :13:36.Sainsbury's or Waitrose, you don't want that, you want to concentrate
:13:37. > :13:41.and get in and out. I'm not going to miss it. I think it's nicer with the
:13:42. > :13:49.music. Your easy! I love you like shopping! STUDIO: Generally, I don't
:13:50. > :13:55.care, but at Christmas I really do. It would upset you if jingle Bells
:13:56. > :14:04.wasn't playing. Or noddy Holder. What about his pension plan? What
:14:05. > :14:07.about generally, day to day? It depends, one lady said she had a
:14:08. > :14:13.small shop. You going to a lot of small shops like that, and there is
:14:14. > :14:18.nice blues or jazz playing. It's nice stuff. I can understand if they
:14:19. > :14:21.say they will save money, but it's sad for the people working there,
:14:22. > :14:27.they might like the music. It's quite dead in a store without music.
:14:28. > :14:32.You walk into an MNS, and you think it's quite quiet now. Then somebody
:14:33. > :14:36.comes up and says, how are you? That's the difference. It's
:14:37. > :14:40.disturbing in New York when you are a British tourist when they come up
:14:41. > :14:46.to you in a shop and ask you how you are. I get terrified. You are so
:14:47. > :14:53.sensitive. I'm rubbish in shops, can never find what I want. It's just
:14:54. > :14:57.human interaction he hates! He lives in a box. It's wonderful you are all
:14:58. > :15:02.back together again. Whose Line Is It Anyway? The stage show is live at
:15:03. > :15:09.the Palladium. The 9th of June to the 19th. 14 shows. Two shows on
:15:10. > :15:11.Sundays. They are so different depending on who's in the audience.
:15:12. > :15:27.What's the perfect recipe for you? . It is great if you have good people
:15:28. > :15:33.improvising. I like it when it goes slightly wrong. Josie doing a song
:15:34. > :15:36.is often too perfect and people cannot believe she has not been
:15:37. > :15:41.rehearsing it so it is good if something breaks down or the
:15:42. > :15:45.suggestion is misunderstood. I imagine rivalry adds to the
:15:46. > :15:53.uncertainty, do you ever hang each other out to dry just for Lance? I
:15:54. > :15:57.find it is a team sport and I try to be as generous and supportive as I
:15:58. > :16:05.can. There are marsupials on the team who are tedious and try to trip
:16:06. > :16:10.us up. Do it in the style of the gangster. I would, but then I would
:16:11. > :16:14.have to shoot you. They want to see us mix it up. They want to see us as
:16:15. > :16:20.ourselves. We have never been characters on the show, we are
:16:21. > :16:27.ourselves. I am always a character because I am an actress. These are
:16:28. > :16:31.just... You know. She was acting then, by the way. We can look at the
:16:32. > :16:40.clip from back in the day. The TV version. What collar am I wearing?
:16:41. > :16:45.He has to use three words. Juliet is Josie she has to use four words. You
:16:46. > :16:51.are the disapproving father and use six words at a time. Romeo, I love
:16:52. > :17:04.you. I love you. Romeo, I love you. I love you. Take your hands off her.
:17:05. > :17:11.Oh, my father, oh, no! Once a Capulet always a Capulet.
:17:12. > :17:19.APPLAUSE. Oh, my right arm. My favourite one.
:17:20. > :17:27.What the... ? APPLAUSE.
:17:28. > :17:33.You were not even in that one. There is a UK and US version. That was a
:17:34. > :17:38.strange want a bit. It is a complicated game and the bad news is
:17:39. > :17:43.I think we will do that, speaking a specific number of words. Is that
:17:44. > :17:48.what we were doing? I wondered why we were stilted. I would have
:17:49. > :17:58.thought I would remember Stephen Fry touching me.
:17:59. > :18:03.We have the usual ones they like. The one I like is the simplest,
:18:04. > :18:08.stand, sit, bend, lie down, which is so silly. They have to act a scene
:18:09. > :18:13.and when someone is standing up someone else will stand up and they
:18:14. > :18:18.have to bend down. It does not last long because they start pulling
:18:19. > :18:24.muscles now. You need a gentle form of the game this time. I like to
:18:25. > :18:32.play bend, bend, bend. And sit. We like doing film and theatre stars.
:18:33. > :18:36.That is how she shows off her acting. It feels like comedy shows,
:18:37. > :18:43.panel shows particularly, they feel very competitive, but with a show,
:18:44. > :18:47.it is all about collaboration. You cannot compete when you are
:18:48. > :18:53.improvising. We know each other well enough to trip each other up every
:18:54. > :18:58.now and then. The comedy store players as well. It is a nice term,
:18:59. > :19:05.players. We have known each other 31 years. And you since... Since we
:19:06. > :19:11.were a lad, 30 years ago. It is about helping each other, for
:19:12. > :19:13.example, if one of us felt we were fading... Greg never does, but
:19:14. > :19:20.somebody would help them. You would help me? When we first did it on the
:19:21. > :19:24.radio, because it was like a quiz show we had to give points and so I
:19:25. > :19:28.decided to give them random points and we have never found a better
:19:29. > :19:35.way. On stage, we do not have points. Who cares? It is a joy to
:19:36. > :19:37.watch. "Whose Line Is It Anyway?" Will be live at the Palladium and
:19:38. > :19:38.starts next Thursday. Now, George McGavin's
:19:39. > :19:40.going to reveal why kissing Don't worry -
:19:41. > :19:53.it is a wildlife film. Gorse is one of our most abundant
:19:54. > :19:58.plants, covering huge areas of moorland and heaths, yet its success
:19:59. > :20:03.is largely down to the work of one of our smallest insects. Three
:20:04. > :20:07.species of gorse grow in the UK and at any time of the year at least one
:20:08. > :20:11.of them is covered in these beautiful acid yellow flowers. There
:20:12. > :20:18.is a traditional country saying, when gorse is in bloom, kissing is
:20:19. > :20:24.in season. Because gorse is never out of bloom, it basically means it
:20:25. > :20:29.is OK to pucker up at any time. But the secret to the abundance of gorse
:20:30. > :20:35.lies in what occurs when the flowers fade and seed is produced. If you
:20:36. > :20:43.stand near a gorse Bush on a warm day and listen carefully, you may be
:20:44. > :20:48.surprised at what you hear. As the seed pods mature, they twist and
:20:49. > :20:53.burst open with a pop, propelling the seeds through the air. Ideally
:20:54. > :20:58.these seeds need to be disbursed as far away from the parent plant as
:20:59. > :21:03.possible and gorse has evolved an ingenious but unlikely relationship
:21:04. > :21:12.to enable it to do this. They have teamed up with ants. One person who
:21:13. > :21:16.has explored this unusual relationship is a local naturalist,
:21:17. > :21:20.John Walters. Having the seeds disbursed is important for a plant
:21:21. > :21:28.but using ants to do it is the unusual in the UK. Mammals will
:21:29. > :21:32.spread seed but gorse has formed a remarkable relationship with these
:21:33. > :21:37.tiny creatures and it is vital for the heathland ecosystem to survive.
:21:38. > :21:46.If you look, you will get a clue to what happens. We can pop it open.
:21:47. > :21:56.You will see there is a yellow blob. It is an ant delicacy and when it
:21:57. > :22:01.drops to the ground the ants act as a courier service.
:22:02. > :22:09.They wait for the transport to arrive when does the seed to begin
:22:10. > :22:21.the journey to the ants' nest. There are lots. There are some seeds
:22:22. > :22:25.of gorse. These red ants really go for them. They can pick it up and
:22:26. > :22:30.carry it. There is like a little handle. When the ants get the seeds
:22:31. > :22:34.into the safety of the nest they quickly devoured the protein,
:22:35. > :22:40.leaving the seed behind. Ants like to keep a tidy nest but without the
:22:41. > :22:45.handle the seeds are too smooth to pick up and remove and so they
:22:46. > :22:54.remain behind in the damp, dark nest, perfect conditions to
:22:55. > :23:00.germinate. For ant and gorse it is a win- win
:23:01. > :23:03.strategy. Because the gorse flowers through spring and summer into
:23:04. > :23:10.autumn there is a constant supply of this food for the ants throughout
:23:11. > :23:14.most of the year. Amazing to think that these tiny insects have such a
:23:15. > :23:22.crucial role in keeping our heathlands a blaze of yellow.
:23:23. > :23:30.We are overrun with gorse back home on our farm and now I know who to
:23:31. > :23:32.blame. We are in trouble now. CHANTING..
:23:33. > :23:41.So far we've played the unoffical Euro 2016 anthems for England...
:23:42. > :23:45.# Bring it home to the place where it belongs.
:23:46. > :24:00.# Its 2016, we will make it all the way to Paris.
:24:01. > :24:07.And tonight, Wales have brought the professionals,
:24:08. > :24:16.And these guys are noisy because we have the Manic Street Preachers. I
:24:17. > :24:23.did not know if you can hear me or not. This song was started to be
:24:24. > :24:30.written and words put to it some time ago. How did it involve? 93 was
:24:31. > :24:34.the first time we lost to Romania, in a big game, missed a penalty and
:24:35. > :24:40.did not qualify for the World Cup, and so it has been in my mind since
:24:41. > :24:46.then. A long time coming. You do the music first? The words come first
:24:47. > :24:51.and then the music. It is tough to get an anthem that really captures
:24:52. > :24:58.people'shearts. Did you feel any pressure? Definitely. There are only
:24:59. > :25:03.two that have really been done. World in motion, that is the
:25:04. > :25:09.benchmark. We wanted to create a great manic 's song and I think we
:25:10. > :25:14.pulled it off. It is your 30th anniversary. 20th anniversary of the
:25:15. > :25:19.album stop what will happen to celebrate? We did the liberty
:25:20. > :25:25.stadium in Swansea. It was amazing. I am still coming down after that.
:25:26. > :25:32.Hopefully there are another 20 years coming up will stop what are Wales'
:25:33. > :25:36.chances? It is the year of the underdog. It could be Northern
:25:37. > :25:41.Ireland, it could be us, who knows? It must be one thing to hear your
:25:42. > :25:46.fans singing along to your music but when you have an anthem like this
:25:47. > :25:53.going, what do you imagine it will sound like, in Paris? If it takes
:25:54. > :25:56.off in the stands, terraces, whatever, there will not be many
:25:57. > :25:57.finer moments than that. Get yourselves ready.
:25:58. > :26:02.Whose Line Is It Anyway - Live at the Palladium
:26:03. > :26:08.Tomorrow The One Show is coming live from the magnificent Eden Project
:26:09. > :26:10.in Cornwall to celebrate BBC Music Day with Duran Duran
:26:11. > :26:14.But now, with the official Welsh song for Euro 2016 -
:26:15. > :26:17.Together Stronger - C'mon Wales, which is out now.
:26:18. > :26:27.# When Brazil would make our hearts break
:26:28. > :27:06.COMMENTATOR: Let's have a look will stop everybody is wondering when, if
:27:07. > :27:07.ever, Wales would eventually make it to an international competition.
:27:08. > :28:13.COMMENTATOR: History beckons as the Russians kicked off. It is Wales
:28:14. > :28:17.zero, Russia one. The whistle-blowers. The dream is dead.
:28:18. > :28:48.# Chrissy Coleman, Gunter, Chester
:28:49. > :28:51.# Hennessey, Allen, King and Collins
:28:52. > :29:56.everyone's getting ready for a day-long celebration of music